Category: NEWS

  • L&K S&S collaborates with CollegeDekho

    L&K Saatchi & Saatchi India has launched the first integrated brand campaign for education start-up CollegeDekho. The campaign titled ‘Banayenge India ka Kal,’ across television, OTT, and digital mediums, highlights a story of a father, who has always provided the best for his son, now turning to CollegeDekho for college guidance.

    Said Rohit Malkani, Chief Creative Officer, L&K Saatchi & Saatchi India: “This is what happens when a brave client, a strong insight, a great script and a passionate director get together! We’re super thrilled to put out this film for CollegeDekho, which beautifully captures the mood of a young boy about to apply for college. The nuanced performances and authenticity don’t just strike home but also make it something to watch repeatedly.”

    Added Abhinav Upadhyay, Chief Marketing Officer, CollegeDekho: “We’ve chosen L&K Saatchi & Saatchi India for our first ever brand campaign based on conversations that built trust. As the largest Higher Education Ecosystem in India, we wanted an honest way to establish our brand purpose and raison d’etre while working with a consumer insight that spoke the language of millions of students and parents that we guide every year. We are confident that this campaign will resonate deeply with our audience, further solidifying CollegeDekho as a trusted educational partner.”

  • FilterCopy and Maruti Suzuki WagonR present mini-series

    Pocket Aces, a digital entertainment media company, has announced a fresh new mini-series, “Bada Sheher Choti Family,” under their creative studio, FilterCopy in collaboration with Maruti Suzuki WagonR. The three-episode series, with each episode ranging from 8 to 10 minutes, offers a relatable portrayal of a middle-class family embarking on a life-changing journey.

    Said Vishwanath Shetty, D2C Head at Pocket Aces: “We are incredibly excited to present ‘Bada Sheher Choti Family’ on FilterCopy. Pocket Aces has always been at the forefront when it comes to D2C content, whether it’s fiction or non-fiction. As part of our strategy this year, we are focused on creating more fiction mini-series on FilterCopy, and this association with Maruti Suzuki WagonR is a significant step in that direction. This mini-series has been carefully crafted to showcase how Maruti Suzuki WagonR is the perfect fit for a family car. With its spacious design and impressive features, it complements the journey of our characters as they navigate life in a big city. We hope to continue this association with Maruti Suzuki and bring you more heartfelt stories in the future.”

  • ShemarooVerse launches Futuristic Immersive AI Gaming Experience

    Shemaroo Entertainment has entered into a partnership with GMetri, an in AI-powered immersive learning and game development. This collaboration expands ShemarooVerse- Shemaroo’s metaverse platform, into the realm of immersive AI gaming, bringing IP-based gaming to the Web3 platform.

    Said Arghya Chakravarty, COO of Shemaroo Entertainment Ltd: “At Shemaroo, we have always led the way in innovation, and ShemarooVerse, our metaverse platform, exemplifies our dedication to creating future-forward entertainment. By incorporating AI-based gaming, we aim to deliver an even more captivating experience for our consumers. Our collaboration with GMetri represents a pivotal advancement in transforming audience interaction with our popular movies, and we are excited to be developing groundbreaking innovations in the immersive entertainment and gaming space in India.”

    Added Utsav Mathur, CEO of GMetri: “We’re thrilled to bring our FruitSalad.ai technology to ShemarooVerse, showcasing the power of our immersive learning and gaming platform. This collaboration allows us to demonstrate how our AI-driven solution can transform entertainment IP into engaging, interactive experiences. By leveraging our expertise in creating gamified, immersive 3D worlds, we are not only enhancing fan engagement but also showcasing the versatility of our technology across various sectors, from corporate learning to entertainment. This partnership with Shemaroo is a testament to the adaptability and effectiveness of our platform in creating compelling, personalized experiences at scale.”

  • X purges content on Rajat Sharma

    Social media platform X has removed posts by Indian National Congress leaders Ragini Nayak, Jairam Ramesh, and Pawan Khera, adhering to a directive from the Delhi High Court.

    On Wednesday, July 3, 2024, the Delhi High Court reprimanded X Corp (formerly Twitter) for challenging the court order mandating the removal of posts accusing journalist Rajat Sharma of using abusive language against Congress leader Ragini Nayak on live television.

    “We are concerned about your role. You are not acting like an intermediary,” remarked Acting Chief Justice Manmohan. “This resistance to court orders is a growing trend, not just in India but internationally as well.”

    The controversy originated from a video clip circulating on social media, allegedly depicting Sharma using offensive language towards Nayak during a discussion on India TV on the day of the Lok Sabha election results. Nayak is reported to have shared the video on X on June 10 and subsequently filed a police complaint against Sharma. Sharma has denied the allegations, labeling them as a fabricated smear campaign orchestrated by the Congress party’s media cell.

  • Ex-TIL exec Saurabh Gaur launches Performance Ace

    Saurabh Gaur
    Saurabh Gaur

    Saurabh Gaur, a seasoned executive in digital media business development,  has announced the launch of his new venture, Performance Ace.

    Gaur spent over a decade at Times Internet, where he was National Sales Head and Business Head of HYPP.

    “Performance Ace represents the culmination of my professional journey—a commitment to excellence, visionary leadership, and transformative growth,” said Saurabh Gaur, adding: “Our mission at Performance Ace is simple yet bold: to achieve the impossible and deliver unparalleled results in digital marketing services.”

  • Hrithik Roshan hops on to Jeep India

     

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    A post shared by Hrithik Roshan (@hrithikroshan)

    Jeep India onboards Hrithik Roshan to the Jeep family as a brand partner! This partnership exemplifies Jeep’s position as the go-to choice for customers who demands a premium lifestyle, strong sense of adventure and freedom.

    “It is an absolute pleasure to introduce the superstar to the Jeep life and its vibrant community,” said Kumar Priyesh, Brand Director, Jeep India. “As a Premium Lifestyle SUV brand that’s all about embracing the unknown and pushing boundaries, we’re honoured to have him join our community of Jeep enthusiasts. His sense of adventure and his dedication to his craft align perfectly with our values. We’re excited to have him join us on our journey and explore new horizons together.”

  • Togglehead bags The Arvind Store mandate

    Togglehead, the Mumbai-based digital marketing agency, has won the digital mandate for The Arvind Store, a retail division of Arvind Limited.

    Notes a communique: “Under this mandate, Togglehead will manage the complete online presence of Arvind Store Brands, including social media management, online ad management and media buying, as well as influencer marketing.”

  • Vicky Kaushal features Damensch campagin

    Damensch, the men’s innerwear and athleisure brand, has roped in actor Vicky Kaushal to launch a music video ad campaign.

    Speaking about the campaign, Anurag Saboo, co-founder of Damensch said, “Our customers often struggled to describe how amazing they felt in a Damensch, which sparked the idea for this ad. Comfort is an experience that needs to be felt, it is beyond words. Vicky Kaushal, known for his confidence and comfort in his individuality, is the perfect face for this campaign, and we’re thrilled to collaborate with him”

  • Ranjona Banerji: Rah-rah, Mr Shadow PM

    Ranjona BanerjiThe high voltage dramatic world of Hindi television “news” is outside my comprehension as well as my mandate for this column. However, out of my commitment to you (ahem) and some insane curiosity, I dipped a toe into the muck, as Lok Sabha proceedings began.

     

    And I was genuinely amazed. Okay, that’s an exaggeration. I was slightly shocked. And confused. For instance, on a programme on ABP News, after Rahul Gandhi’s first speech as Leader of the Opposition, the guests seemed to actually praise Rahul Gandhi’s speech. Some pointed out that this was Gandhi’s moment of arrival, others felt his success was clear since three Government ministers stood up to counter him. And one made the suggestion that the Opposition should now create a shadow Cabinet, as is done in the UK.

     

    And lo and behold, India Today has apparently called Gandhi the “Shadow PM”.

     

    It is worthwhile to remember that many (most?) of the channels did not cover Gandhi’s Bharat Jodo Yatra, and whipped up as much Hindu-Muslim hatred as possible and have consistently given Modi 1, Modi 2 a free pass. On Modi-NDA 3, well, it’s early days yet.

     

    The possibility is that criticism of Modi-NDA 3 will be weak. But the India Alliance will no longer be wiped out, dismissed and ridiculed as much as earlier.

     

    My reason for caution is this: as Prime Minister Narendra Modi was droning on and on in his reply to the Opposition, in an extremely lacklustre speech, reports started coming in of a terrible tragedy unfolding in Hathras, Uttar Pradesh. People had been trampled to death in a stampede at a religious event organised by some godman. The casualties kept rising, but some of these channels did not shift from the PM’s speech to cover the news. Nor was the PM corrected on his most egregious assertion that his government had done a lot to “normalise” the situation in Manipur.

     

    On the other hand, I did watch a young female Muslim anchor (I make the religious distinction deliberately) berate a member of the BJP for the BJP’s discriminatory and violent behaviour towards Muslims. This young woman did not hold back. It was most intriguing. Not so long ago another TV anchor listened to Modi claim he was not born from biology but had divine connections, and did not even ask a mild question.

     

    The American media and some media across the world are currently debating the suitability of US President Joe Biden for another term. Most of the questions are based on Biden’s flat and fumbling performance in the first debate with Republican candidate Donald Trump. (“Why Joe Biden must stand aside”, is a headline in The Economist). Biden is still President. I can’t think of anyone in the legacy/mainstream Indian media who will question Modi’s many mistakes, lies and garbled speeches. O no. How dare I even ask such a question???

     

    There have been reports of the Indian public resisting the snide and manipulative questions asked by what TV journalist Ravish Kumar termed the “Godi media”, as in sitting in the lap of the powers that be. A clip is doing the rounds of a reporter from India TV trying to trick the family of a young man killed in combat into admitting that they got Rs one crore as claimed by Defence Minister Rajnath Singh (in answer to Rahul Gandhi). Modi’s Agniveer scheme of short-term soldiering has been much debated.

    Gandhi had stated that the scheme does not provide adequate compensation and that the family did not get the Rs one crore as claimed. The family got angry with the reporter for twisting their answers and threw him out. The need of channels to push the government line can put the lives of their staff in danger. But the need to promote Modi remains. Other TV people put out information about the claim of Rs one crore paid to the family as true. And yet their own documents showed that the family had received an insurance pay out. Not all the money the Central government had claimed. If you are so full of “Praise Modi Propagate Modi Karyakram”, you cannot even read your own information.

     

    Meanwhile, Modi hooked off to meet the Indian cricket team after their fabulous win at the T20 World Cup.

     

    And the Shadow PM went to meet the families of those killed in the stampede at Hathras.

     

    Ranjona Banerji is a senior journalist and commentator. She writes on MxMIndia on Tuesdays and Fridays. Her views here are personal.

  • HUL stars in Kantar Creative Effectiveness Awards India

    HUL stars in Kantar Creative Effectiveness Awards India

    Kantar, the leading marketing data and analytics company, unveiled the ads that were most effective and creative across India in 2023.  The company tested more than 12,000 creatives for its clients around the world in 2023. Over 11% (1,400+) of those creatives were tested in India. Today,

     

    In the awards, consumers are the jury. The India report shortlists close to 300 ads, tested across categories, markets, TG’s and media channels.

     

    The winners list has doubled from last year, with Kantar awarding 10 standout performers in the television ads category and 4 in the digital ads category.

     

    Television categories include Food & Beverage, Home Care, Personal Care, Services and Unstereotype. New categories introduced include ‘Original Creatives for South’, ‘Adaptations for South’, Most Creative & Effective TV Ad (overall) and Most Consistently Effective Advertiser. Creatives for Digital continue to grow this year as well, with Kantar awarding standout performers in 4 categories- 3 based on ‘Ad Length’ format and one for the Most Creative & Effective Digital Ad, for bringing to life the exciting storytelling possibilities in the digital world.

     

    All ads exemplify essential characteristics of being creatively engaging and landing persuasive stories that enhance brand sales, notes a communique.

     

     

    Commenting on this year’s findings, Soumya Mohanty, Managing Director & Chief Client Officer- South Asia, Insights Division, Kantar said: “Earlier this year, Kantar launched the Blueprint for Brand Growth– a breakthrough understanding of how businesses build strong & profitable brands. One of the growth accelerators for building strong brands is to pre-dispose more people. Great advertising builds pre-disposition and loads the dice in favour of the brands. Creative content can and should punch above its weight”.

     

    Added Prasanna Kumar, Head of Creative Domain & Executive Vice President- South Asia, Insights Division, Kantar: “Truly creative ads are the ones that are effective. The journey from being just creative to being effective starts by including your key stakeholders – your target consumers, into the process by pre-testing your ads. This year we have seen some original creative ideas shine through by ensuring that they have brand and consumer at their heart.”

     

    Key highlights from this year’s report: 

    1. Learnings from Kantar’s Blueprint for Brand Growth indicate that great advertising is rocket-fuel for building predisposition: growing meaningfully different brands in a more effective and efficient way. Creative quality, second only to brand size, greatly influences campaign profitability, with double the impact that reach does on brand salience.

     

    1. Kantar research emphasizes that ads must persuade and convey messages that are novel, credible, relevant, and different to enhance short-term sales. But high-quality ads, which leave a lasting impression, generally perform well in both short-term sales and long-term brand-building (Kantar LINK database), thus reducing the need to spend money on performance marketing.

     

    1. Beyond brand recognition, generating a strong emotional response is key, because emotion helps build strong memory structures, and most advertising effects are not immediate. Emotion plays a critical role in effective creative- and not just in TV content. 

     

    Ad learnings from 2023: 

    1. Make purpose personal: 65% of Indians will buy brands that stand for something they can identify with. While purpose or value led creatives open possibilities for highly emotively engaging creatives, the effective ones execute it in a manner such that it becomes personal to the consumers.

     

    1. License to surprise: Consumers are open to original creative ideas- ones that are hyper creative or break existing category codes. The reward for the brand lies in the ability to integrate the persuasive and meaningful impressions into the creative idea. Pre-testing helps identify the possible risks of comprehension and resonance.

     

    1. Going Native: Only 28% Indians (vs Global average 75%) have watched any ‘foreign’ content. Over 25 years of Kantar Link™ ad evaluation reveal a striking truth- ad transference across Indian regions is just about a third. This challenges the assumption that a single pan-India creative approach, even with universal and validated consumer insight, will yield positive returns on objectives. Brands are now refreshingly taking on the challenge and opportunity of engaging the Southern consumers differently from Hindi-speaking markets. Investing in original creatives, by going native on multiple dimensions- insights, creative idea & treatment and execution ensures maximizing of reward for the brand.

     

    1. Go deep & wide: The most efficient route to optimize budgets for creating ads that effectively crossover the transference challenge across the many India’s, is to create regional adaptions by playing with backdrop, celebrity, casting, product window visualization, slogan etc. Go deep and wide is about taking a campaign pan India by starting with a pan India insight, creative idea & treatment but execute with some nativity elements to amplify the resonance with the regional markets. Pre-testing helps to identify whether the mix of insight, story & elements work together as intended and identify opportunities for improvement.

     

    1. Embed the Brand: The value of creativity starts with the brand. While executional elements like distinctive brand assets and consistency in advertising style are undeniable aids in ensuring that the brand takes credit for the impressions left behind by the creative, it’s potential is amplified when the brand is integral to the story.

    **In our top quartile ads compared to the bottom quartile ads, we observed more consistency (+49%), greater use of established branding devices (+14%), and the inclusion of related music (+26%).

     

    1. Weave in the product story: Executions that can creatively integrate the specific competitive reasons to consider the brand into the narrative tend to be impactful. The role of creativity is thus not just to entertain but also leave behind vivid impressions that make the brand more meaningful to the consumers.

     

    1. Specific learnings for the digital landscape: 
    1. Precision targeting is officially giving way to mass media avatar of Digital and there’s an increasing recognition of the importance of brand marketing on digital platforms. Creative Quality getting increasingly critical for ensuring ROI for digital- could unlock 35%+ incremental sales per impression.
    2. Effective content on TV does not automatically mean success in digital – Ads that perform well in TV have only a ~50% chance of performing well in digital.
    3. Emotional resonance significantly enhances digital advertising’s impact on brand building. Ads that evoke stronger emotions are 3x more likely to drive long-term brand equity and 2.75x more likely to generate impact compared to those with weaker emotional connections.

     

  • Fantasy cricket apps & brand-building- A lesson for advertising agencies?

    Fantasy cricket apps & brand-building- A lesson for advertising agencies?

    With apologies to none at all

    Vikas MehtaBy Vikas Mehta

    My last column titled ‘Why are we building products and not brands’ seemed to have sparked off many reactions. Some raw, I dare say. The questions ranged from differentiation to personality to digital. But one question stood out. I was asked if all new age brands are just products? Is there anyone building a brand?

    The answer was not difficult, but I will take the liberty of using this column to explain how a brand is being built by a new age product. Disclaimer first: I have nothing to do with the brand except I know the founder of the communication company which is spearheading the brand-building exercise. This is totally an outsider’s perspective.

    I am talking about Dream 11.

    Not many know that the brand was launched in 2008. The fantasy cricket app which is what they are all about today was launched in 2012 and by 2014 they had a million registered users. This figure rose to around 45 million around 2018, just when serious brand-building efforts started and today, the figure stands at around 150 million. I am deliberately starting with numbers because this is a brand which has been successful by all standards.

    The brand started advertising during the Indian Premier League (IPL) around 2018 or so. It had a simple positioning. The cricketers, who play for India, back Dream 11. It was decidedly an endorsement but an endorsement done with a positioning, personality and differentiation in mind.

    First, they aligned with the best Indian cricketers. Dhoni, Rohit, Pant, Bumrah, Hardik, Ashwin, Dhawan. Dhoni dropped out after a season or two but the core has remained the same. One of the first campaigns I remember was using Dhoni which was about khelo dimaag se. Dhoni was always an astute cricketer and the brand used his personality to show that it was a game of skill and not luck. This was required at the time because Indian laws did not allow any game which could be seen as betting or lottery. So khelo dimaag se, worked for the brand in more ways than one.

    And then the brand took off. It decided that its personality needs to be light fun, cricket humour, and showing the human face of the Indian cricketers.

    The positioning evolved into snippets of Indian street cricket as portrayed by star Indian cricketers. It was not too focused, neither too narrow. It did not get bogged down by a consistent tagline. I am not saying that consistent tagline is bad but the positioning is not just what the brand says in a tagline. Positioning is what the consumer stores in his mind. A tagline is static, positioning needs to evolve. Not change but evolve. Dream 11 did it brilliantly.

    Yeh apna game hai

    Yeh main kar leta hoon tum Dream 11 pe team banao

    Dream big. Dream 11

    Sab khelenge

    Team se bada kuch nahin.

    And each one of these taglines had a story. An emotion.

    Weaved into the game as played by Indians everyday. Using the Indian stars.

    Remember, pehle main batting karoonga kyonki bat mera hai, leaving Rohit stumped. Yeh apna game hai. Watch here

    Or the film stars like Amir challenging the cricketers who are acting in ads.  Sab khelenge. Watch here.

    Pant’s dream of becoming a singer or Bumrah acting as a romatic hero. Dream Big. Watch here.

    Or even magnifying the role of seemingly insignificant people. Ashwin’s soup wallah. Or the groundsman who prepared pitches for Rohi. Allowing them to Dream big. Watch here.

    And Sharmaji ka beta. Team se bada kuch nahin. Watch here.

    The brand owned cricket. And how.

    For IPL, it focused on team or club rivalry which overtook national rivalry. So even cricketers from other nationalities were used. Even family members. Sunil Shetty for example.

    For World Cups there was collectiveness, national pride. Ek se dikhoge toh best kheloge. The Mummyjee ad.

    This was brand building at its best.

    Dominate cricket. Own cricket. Emotionally own the category.

    And they did many other things too. If one searches for Dream 11 on YouTube there are many videos made by the brand which are not brand-building but which support brand-building. Stories of ordinary people who won big. Videos of how easy it is to play the app. Videos made by influencers on why winning is so easy. Or videos on how Dream 11 employees have grown…… Watch here

    And you know what. The competition too did all these. My circle 11. MPL. They too have such videos. They have big offers. Rs one crore prize everyday. An SUV to win everyday. They too talk about the big winners. They too have influencers in you tube videos. They have also used some Indian stars like Shubhman, Rinku, even Sourav Ganguli in the past.

    But what they don’t have is a brand.

    That is distinct.

    That differentiates. Emotionally.

    That dominates the category.

    Chances are that if you want to play fantasy cricket you will first download Dream 11.

    Because you remember it.

    Because you connect with it.

    Because it seems to dominate cricket.

    In a category where big prize matters.

    Where spends are high

    And where quantitative parameters are easy to judge by.

    So how much you spend where, gets immediate results or not can be the sole criteria to judge success.

    In such a category, Dream 11 has built a differentiating, preferred and leadership brand.

    So, should we still focus on products?

    And ignore brand-building?

    In my mind that is the role of advertising agencies.

    Build brands.

    That is the focus which the agencies have lost.

    And that is why they are struggling.

    Agencies need to start reemphasizing the need to build a brand.

    Do not tell me that clients do not want it.

    Do agencies explain it to them?

    Do the agencies explain what the brand idea is?

    How it can be differentiating and can be sustained long term.

    The agencies are trying to do what the clients want.

    Not what the brands need.

    Agencies need to create a niche.

    And they will find it is much beyond a niche.

    Do you agree?

     

  • Rohit Sharma, Jasprit Bumrah rule T20 WC chatter

    Rohit Sharma, Jasprit Bumrah rule T20 WC chatter

    The ICC Men’s Cricket T20 World Cup garnered unprecedented social media chatter, reports Interactive Avenues, the digital arm of IPG Mediabrands India which  released its “‘apturing the Glory: A Social Listening Report on #T20WorldCup’ report on Monday.

     

    The report is based on data gathered from social platforms such as Twitter, Reddit, and popular cricket forums and reveals  insights on player popularity, most appreciated performances, most talked about matches, top brand partnerships and more.

     

    Commenting on the report, Shantanu Sirohi, COO, Interactive Avenues, said: “The Cricket T20 World Cup has once again proven the unparalleled ability of cricket to captivate audiences. This tournament has set new benchmarks for player popularity, with stars like Rohit Sharma and Jasprit Bumrah leading the conversations. Our comprehensive social listening report not only highlights the staggering number of mentions and engagements, but also delves into the elements that drove these numbers.”

     

    Key findings of the report:

    Social chatter highlights:

    • Overall, the tournament garnered 55.9Mn mentions and drove 461Mn engagements.
    • Rohit Sharma emerged as the most talked about player and batsman (5.5Mn mentions). Jasprit Bumrah was the most popular bowler (1.2Mn mentions), and Hardik Pandya was the top all-rounder (1.1Mn mentions).
    • The finale between India and South Africa was the most talked about match (2.2Mn mentions), followed by India vs. Pakistan (1.7Mn mentions).

     

    Most thrilling moments:

    • Suryakumar Yadav’s stunning catch which clinched the T20 World Cup title for India got 209K mentions.
    • Afghanistan beating Bangladesh in a low-scoring thriller to seal their semi-final spot drove 156K mentions
    • India’s victory against Pakistan by 6 runs in the low-scoring group stage match garnered 122K mentions.

     

    Most popular players:

    • Powered by consistently stellar performances, India’s Rohit Sharma (5.5Mn mentions), Virat Kohli (4.1Mn mentions), Suryakumar Yadav (1.3Mn mentions), Jasprit Bumrah (1.2Mn mentions) and Hardik Pandya (1.1Mn mentions) emerged as the most popular players on social media.

     

    Top emerging players:

    • Making their debut in a T20 World Cup, players from USA topped the popularity charts among emerging talent. Saurabh Netravalkar led the roster (163K mentions), followed by Ali Khan (67K mentions), Aaron Jones (49K mentions), and Monank Patel (30K mentions).

     

    Top emotional moments:

    • Rohit Sharma and Virat Kohli’s ‘bromance’, including videos of their journey together, resulted in 7.1Mn engagements.
    • Rohit Sharma and Virat Kohli announcing their retirement from T20 international matches drove 4.1Mn engagements.
    • Rohit Sharma kissing Hardik Pandya in an emotional moment after India won the cup garnered 2.3Mn engagements.

     

    Biggest comeback story:

    • After being booed at every match venue during IPL 2024 (92% negative mentions), Hardik Pandya made a spectacular comeback with 88% positive mentions during T20 World Cup 2024.

     

    Top brand partnerships:

    • Brands across diverse industries leveraged T20 CWC-based partnerships to drive engagement. Maruti got 258K mentions, Amul garnered 200K mentions, and ICICI Bank got 145K mentions.
    • Nandini Milk witnessed a whopping 390% increase in average monthly engagement, while BPCL’s “Snap The AD” contest drove a 191% spike in average monthly engagement.