Category: RADIO

  • FM players expect boom in small-town India

     

    By Robin Thomas

     

    Radio has come a long way since the transistor era. Today, listeners have multiple access to FM radio through mobile phones, in-car listenership, particularly during drive time, restaurants, coffee shops and public transport to name a few, an FM radio phenomenon that’s peculiar to urban India.

     

    In addition to this, FM stations are said to earn huge chunk of their advertising revenues from the metros. But all this could change with the soon-to-be-launched Phase 3 that will witness the addition of 839 FM stations in nearly 300 new cities having a population of one lakh and above. This is expected to further increase the reach of private FM stations across the country, which, in turn, will lead to a spike in the advertising share of the medium.

     

    While the metros are saturated with radio players and with advertisers looking for options to widen their nets, industry observers are of the view that the next phase of growth in FM radio will come from the tier 2 and tier 3 cities. This phenomenon, they say, will explode in a big way once Phase 3 becomes a reality.

     

    But before one proceeds to identify how lucrative these markets could turn out to be, it would be ideal to verify the effectiveness that radio stations at these small cities and towns display and whether they carry a certain edge over the other sought-after mediums, television and print, in these markets?

     

    MxMIndia spoke to various industry players, including media agencies, to find out their views on the effectiveness of FM radio in Tier 2 and Tier 3 cities.

     

    Most industry players are of the view that time spent on radio in small towns and cities is much more than in metros like Mumbai and Delhi. Besides, most of the non-metros are said to face a lot of power cuts, hence more time is spent on listening to radio, which becomes an alternative source of entertainment and information.

     

    “Radio is extremely effective in Tier 2 and 3 cities. In the smaller towns, the share of radio is higher than what it is in the bigger towns. In some markets, the share of radio is as high as 20 per cent of the print market. This is a reflection of the effectiveness of radio” said Prashant Panday, CEO, Radio Mirchi.

     

    With such effectiveness in the smaller towns and cities, most big advertisers these days are shifting their focus beyond metros, particularly towards the rural markets. Radio is believed to play an effective and constructive role in delivering better ROIs (Return on Investment) for brands in these markets, particularly as other mediums are either too expensive or do not provide good reach.

     

    “Since the level of activity in these markets is lower than in metros, people have more time to spend with themselves. This is where radio fills the gap. An increase in number of FM-enabled handsets has further increased the consumption of radio,” pointed out Harrish M Bhatia, CEO, MY FM.

     

    “Radio measurement surveys conducted by RAM have proved that the average time spent listening to radio per day is 244 minutes in Nagpur and 206 minutes in Jaipur as compared to 127 minutes in Mumbai and 124 minutes in Delhi (Source: RAM Sweeps 1.0),” he added.

     

    According to Narendra Kumar Alambara, Vice President, Starcom Mediavest Group, Chennai, both retail and national brands will gain by using radio in the smaller markets. While retail will be able to gauge the efficacy of the medium in the market, national brands will be able to tap into these markets with more focus. “Radio is as good as any medium in smaller towns. Given the smaller geographies and the relative newness of FM in these markets, it has that edge, but ultimately the medium has to transcend from being just an entertainment/information media into being a medium that can deliver results for the brand.”

     

    While national advertisers are increasingly flocking to the tier 2 and tier 3 markets, local advertisers such as retail outlets, education institutes, real estate, auto outlets and others are also said to be increasingly advertising on radio. While metros may bring a significant chunk of revenues for larger FM stations, it is learnt that the advertising revenues from tier 2 and tier 3 markets are growing significantly year on year.

     

    The challenges, too, are many for FM radio in these growth markets. The challenges relate to filling up the entire available inventory. Local businesses are not strong enough to fill it up. So radio stations have to rely heavily on business from national clients. Apart from this, for some stations there is the constant battle to keep profitability intact.

     

    R Venkata Subramanian, Senior Director-Investments, MPG India noted: “The is no strong local media in many of these tier 2 and 3 cities, and this is where radio has the potential to be a highly effective and reach building medium. The challenges, however, include the emotional connect with the RJs and how effective the FM station actually is. There is a need for better radio commercials. One other challenge for the radio industry in these markets is the lack of a good credible measurement system, which will measure the effectiveness of radio commercials and listenership.”

     

    But a Big FM spokesperson countered: “The radio, as a medium, enjoys much higher visibility and it is the only medium that people can relate to as it is customized to those markets and hence it will have a much better appeal.”

     

    Nowadays, a lot of advertisers use television and print as a lead reach medium whereas radio is used as an amplifying medium. Industry observers are of the view that after Phase III expansion, radio is likely to be seen by advertisers and marketers as a reach medium, especially for the national advertisers. As a result more advertisers are likely to use radio-led advertisements instead of using it just a complementary advertisement medium.

     

    But Mr Alambara is of the opinion that most FM station in the markets have not been able to create and sustain a distinct local identity while maintaining their overall brand persona. “Media brands work best when they can relate to, and bond with, the local populace seamlessly,” he said.

     

    But the real magic of FM radio, its reach, effectiveness in metros, mini metros and rural markets is likely to be seen only after the launch of FM Phase III. As of now, the cities which do not have private FM radio are eagerly waiting to experience the medium.

     

    Big story image from Clipart, Microsoft Word

     

  • Radio reality show Big Memsaab to cover more states in season 5

    By A Correspondent

     

    Following a successful response over the last four years in the Hindi heartland of Uttar Pradesh, the fifth season of the reality-based radio show and on-ground property Big Memsaab will be launched across 13 states of India – Punjab, Maharashtra, Andhra Pradesh, Karnataka, West Bengal, Kerala, Tamil Nadu, Gujarat, Orissa, Rajasthan, Madhya Pradesh, Bihar and Jharkhand.

     

    Conceptualized and initiated by Big FM, it facilitates a platform for Indian women to showcase their talents and skills that deserve wider recognition and appreciation. Participants are thus ordinary women with extraordinary talent.

     

    Big Memsaab Season 5 promises to attract a wider range of audiences across India. For the promotion of this show Big FM will be utilizing its extensive in-house media networks including radio, television, digital and outdoor in a 360-degree campaign which will offer advertisers excellent visibility for their products and services.

     

    Contestants from each city will be shortlisted for four rounds followed by elimination in each round. The grand finale will have contestants from each city battling it out with one another for the final title and crown of Big Memsaab 5.

     

    A release from the company said, “We have always believed in entertaining and engaging our audiences by initiating unique concepts that will connect us directly to our listeners. Considering the success this show has seen for the last four seasons in the Hindi heartland, we feel the time is now right to take this woman-centric property to other parts of the country.”

     

  • Will private FM soon be allowed to freely air news?

    By Robin Thomas

     

    While it is known that private FM radio broadcasters will be permitted to air news and current affairs restricted to AIR (All India Radio), MxMIndia has learnt that all this could soon change with the setting up of a Central Monitoring System by the government.

     

    Mr Uday Chawla, Secretary General, Association of Radio Operators for India (AROI) has confirmed the development to MxMIndia, “The Government will be setting up a Central Monitoring System for content, following which restriction of content including news will be removed.”

     

    In fact, in an earlier interaction (interview) with MxMIndia, Ms Anurradha Prasad, President, AROI was of the same opinion that once a central monitoring system is set up there will be no restrictions to air news on private FM radio. When asked why the government is reluctant to allowing complete independence to private FM radio on news and current affairs, Ms Prasad stated, “The issue is of setting up a monitoring system so that radio content can be monitored by the government. Once this is ready, we don’t think the government will have any reason to limit news on FM radio.”

     

    The monitoring system will allow the government to monitor content aired on radio and perhaps prevent any possible adverse effects of the content aired. It is however not known when the central monitoring system will be set up by the government. At present private FM stations are not allowed to air news and current affairs on air and only a year back in July 2011, the government had given its nod to the MIB proposal which allows private players to carry news bulletins of All India Radio.

     

  • New comedy show on 92.7 BIG FM

    By A Correspondent

     

    While the primary expectation from radio continues to be music, the very next is humour, a nation-wide passion and cutting across all SECs, it is exceedingly playing a critical role in entertainment. Now 92.7 BIG FM is upping its humour quotient with one of the best humour poets ofIndia, Surendra Sharma.

     

    The Radio Network, which was adjudged the ‘Radio broadcaster of the Year – 2011’, continues to cater to the tastes and requirements of its listeners with ‘Hansi ke Rang Surendra Sharma ke Sang’. In keeping the mood of the Holi, the show will launch on March 5 exclusively across 25 stations of BIG FM in the Hindi belt.

     

    The well-crafted humor show will see the King of comedy Manoranjan Surendra Sharma at his best while:

    Solving queries and challenges of listeners in his own inimitable style.

    Taking on human follies and the ill of society with his humorous poetry.

    Giving listeners the flavour of ‘chaar laina’, poker face and comic sketches of himself and his wife which are legendary.

    Promising to keep the audiences hooked to the station through ‘chhed chhaad’ on the airwaves.

     

    The show will premier across the markets of Mumbai, Delhi, Rajasthan, UP, MP, Jharkhand, Punjab, Haryana, Himachal Pradesh and Jammu. The enormous reach across the markets, and with this kind of humor appealing to a more mature audience base, ‘Hansi ke Rang Surendra Sharma ke Sang’ offers audiences the best evening entertainment, while offering marketers an excellent opportunity to connect with a diverse audience base that meets their communication requirements.

     

    Reliance Broadcast Network Limited is a multi-media entertainment conglomerate with play across radio, television, intellectual properties and out of home. It is part of the Reliance Group and specializes in creating and executing integrated media solutions for brands. It houses the following verticals: 92.7 BIG FM, BIG CBS, – A joint venture with CBS Studios International, USA’s No. 1 TV broadcaster which has launched 4 Channels, BIG MAGIC, which is positioned as India’s only channel exclusively for the Hindi heartland. Added to this robust bouquet, the Company also distributes Bloomberg UTV, India’s premier business news channel.

     

  • Radio City Connect’s awareness campaign for Pune Strykers

    By A Correspondent

     

    Radio City Connect, the event activation cell of Radio City had organised an awareness campaign for the “Pune Strykers” hockey team at the SGS Mall in Pune. The team was launched on-air and on-ground at the same time. The team launch is said to have been a live event in the mall, along with a flash mob and studio shift. A Radio City studio was created in the mall wherein RJ Sonali went live and treated listeners with the grand proceedings of the launch.

     

    The entire team of ‘Pune Strykers’ introduced themselves to the audience on-ground as well as to the listeners on-air.

     

    Radio City Connect orchestrated a flash mob where the dancers grooved to the ‘Pune Strykers’ Anthem choregraphed by Piyush Malhotra, a renowned choreographer.

     

    Adding to the excitement, Radio City Connect incorporated ‘Minute to Win It’ games for contestants. Merchandises like miniature hockey, bags, key chains and pens were given during the entire activity.

     

    Moreover, a signature campaign was carried out by Radio City Connect that gave the audience a chance to articulate their love and blessings for the team by writing messages and signing on the board.

     

    Ashit Kukian, COO,Radio Citysaid: “We are delighted to launch the Pune Strykers Hockey Team. As a medium that enjoys immense local relevance and personal connect with listeners, we have been able to cultivate a strong expertise in on-ground activations. This is the first time a sports activity has been launched on-ground and on-air simultaneously. I am glad that the response was much more than what we had anticipated. Our effort to create awareness of the team by reaching out to maximum number of listeners and contribute towards adding popularity to the game of hockey has been successful. ‘Radio City Connect’ which is Radio City 91.1 FM’s full spectrum activations cell provides end-to-end 360 degree brand marketing solutions to all our clients. Our proficiency in executing on-ground activations has propelled this partnership with the World Series Hockey.”

     

    Mr. Manoj Choudhary, Franchise Owner, Pune Strykers and promoter of Jewel Products said: “World Series Hockey was conceived with the objective of reinvigorating the sport of hockey in India and creating a financially self-sustaining ecosystem for hockey to thrive and grow to become the “sport of choice” for young Indians. We chose Radio City Connect because our team spirit and attitude is synonymous with their brand attitude; leadership, energetic and pep.”

     

    More than 18,000 people are said to have attended this event which was covered by many leading publications and TV channels.

     

    World Series Hockey is a joint initiative between the Indian Hockey Federation and Nimbus Sport. An annual event, World Series Hockey will feature “city-based” teams playing against each other in a “home and away” league, culminating into a multi-header playoff to determine the World Series Hockey Champion.

  • [MxM Radio] I don’t see news as a game changer: Naval Toshniwal, Tomato FM

    By Robin Thomas

     

    He completed his MBA from Symbiosis Institute of Business Management, Pune in 2003. He joined the radio business of Pudhari Publications and is said to have played a key role in winning the bids for Kolhapur and Sangli FM radio. Naval Toshniwal is the CEO of Tomato FM and Vice President, Pudhari Publications. In conversation with MxMIndia, Mr Toshniwal spoke at length about the success mantra of his talk-based radio station in Sangli. He also shed some light on radio consumption behaviour among the people of Kolhapur and Sangli markets, besides talking about the overall growth and challenges facing the radio industry.

     

    Q: How would you rate the year 2011 for Tomato FM and the radio industry?

    As every year, 2011 too was good in terms of acceptance of radio as a medium by advertisers. We saw more and more advertisers coming on board and using radio more effectively as a result the maturity and the acceptance of the medium have gone up. In addition to this development the year 2011 also saw bleak in advertising revenues were bleak, although the revenue levels have grown at the corporate level. The same year also saw a lot of content and marketing innovations in radio, a lot of and on ground activities and other activations that have helped the advertisers achieve their final objectives.

     

    Q: What is the Kolhapur and Sangli market like from a radio consumption perspective?

    Unlike other markets what is more significant about Kolhapur and Sangli is the fact that the overall penetration of radio in these markets is very high. Radio as a medium is very successful here, and it has been so for many years. However, the popularity and penetration of the medium further increased only after the entry of private radio stations. The kind of involvement the people in these two markets have with the medium is very high. The overall acceptance of medium too is very high. The listeners look up to the medium not only for music, but also for regular updates about their cities, their State and the Country.

     

    Q: Initially Tomato FM was present in both Kolhapur and Sangli, it has now been renamed to Aaple FM in the Sangli district. What was the entire concept behind this move?

    When we conducted a survey in the Sangli district we found out that there was a huge demand for a talk-based radio station which not only allowed the people to listen to experts discuss and debate on various topics but, also allowed them to participate in the discussions. Today, I can say that we have been successful to a very large extend in this format. Earlier there have been various attempts to start a talk-based radio station which more or less did not work. If you are starting a talk-based radio station there must be a very strong local connect to make the channel a success.

     

    Q: Do you also play music on the talk-based radio station? What is the talk and music content ratio in Aaple FM and what is the station language?

    Aaple FM is a completely local Marathi talk format radio station that plays only Marathi songs. However the majority content in Aaple FM is talk whereas the music content is very low. The songs are played for only 16 minutes an hour.

     

    Q: The government has approved the MIB’s phase III proposals, e-auctions, news through AIR etc. How do you view these developments in terms of growth in radio?

    Honestly, despite all these developments I don’t see any buoyancy or excitement in the industry. I believe this is because with every development proposed by the government there is also a handicap to it. For instance despite the government allowing news, the source of news is restricted to Prasar Bharati. So what is the differentiating factor here, news will sound same in every station perhaps without any local connect.

     

  • Radio still needs to be evangelized: Harrish Bhatia

    Harrish M Bhatia, the Chief Executive Officer, MY FM, is said to have several landmark achievements to his name. He is said to have played a key role in making MY FM, the radio business of Dainik Bhaskar Group achieve its break-even position within a short time since its launch. Since the launch in 2007, he is said to have successfully launched the MY FM brand in 17 cities in under two years and led the company to operational break-even in just three years. In conversation with MxMIndia’s Robin Thomas, Mr Bhatia shared his views on MY FM’s Q3 results, the radio business post break-even, his FM phase III plans and much more.

     

    Q: Let’s start with the Q3 results. The ad revenues grew 22 per cent in Q3 2011- 12 and EBIDTA stood at Rs44 million… The results must have provided MY FM an extra boost for 2012? What would you say are the key factors behind the growth?

    We have always believed in the growth story and economic vibrancy of the 17 non-metro markets that we operate out of. The surge in the demand for consumer goods, services, FMCG products, better education avenues and son on makes the non-metro markets interesting and rewarding for marketers. While global slowdown may have affected the revenue of metro players, retail advertising remained unaffected as the consumers in these cities are not exposed to the daily stock market fluctuation.

     

    MY FM, with a strong focus on the non-metro markets, unparallel content offering like My Ramayana and Murari Babu in spiritual time band, daily song request shows like Dil Chahta Hai and listener engagement initiatives such as the award winning CSR – Ek Koshish and CJ943- City ka Campus Star with VJ Ranvijay and great HR practices, have all led to this outstanding performance.

     

    Q: The radio industry is, more or less, completely dependent on advertising revenues. Do you agree? What are the other sources of revenue for MY FM?

    Intelligent and smart advertisers who believe in radio are using radio to its true potential by going beyond FTC through innovations like sponsorships, content integration and activations. There is infinite scope to innovate on radio. Traditional advertisers, however, on account of their own consumption habits, are not taking the medium seriously.

     

    Radio offers opportunities to create unique ‘Radio properties’ and build ‘sonic triggers’ that are hard to replicate on other mediums. Long term properties like Ramayana, Murari Babu discourses in the spiritual time band, the remix show hosted by DJ NYK and others on MY FM should be seen as a strategic investments by advertisers to build a connect between the consumer and their brand.

     

    Q: MY FM achieved break-even way back in 2009… Has there been any change in the business since then – more focus on internal communications or infrastructure, getting more talents?

    Break-even was achieved as a result of cost optimisation and resource rationalisation.  The scenario has changed a lot since then with a focus on innovative HR practices and an ‘Employee First’ policy that includes:-

    • Trainings the Talent: Based on the leadership roles, key talent are identified and sent for training and workshops that best suits their development needs – from training by UK Radio, London to workshops at MDI and IIM-A.
    • Variable pay policy: Innovative policy for employees across the board liked to their quarterly performance.

     

     

    Q: You have always maintained that the actual growth of radio is coming from the non metros… Has the FM radio listenership in metros reached a saturation point?

    Trends indicate that there is an exponential growth of listenership in non-metros on accounts of factors like more leisure time, low internet penetration, power shortage and so on, while it is growing at a slow pace or almost stagnant in metros.

     

    FM penetration has already reached decent levels in metros with hardly any scope of growth – 88 per cent inDelhiand 87 per cent in Kolkata. While non-metro cities like Ahmedabad andNagpurhave low penetration levels of 53 per cent and 69 per cent respectively.

     

    Q: It’s been five years since MY FM came into existence in 2006. You have had several landmark achievements since then. What would you say were the high points and the lows for MY FM since it first started?

    Highs:

    • Fastest launch of stations in a record time of under a year.
    • Achieving operational break-even within 3 years of launch.
    • Appointment of an ombudsmen.
    • Content innovations like MY Ramayana, Murari Babu, DJ NYK, My Vastu, Numerology show with Sanjay Jumani, Kahani ki Kitab Se and others.
    • MY FM joining the league of select stations with the launch of its TVC and song last year.

     

    Lows:

    • Government policies that have resulted in the industry being unviable for investment.
    • Limited growth on account of content restrictions imposed on a nascent industry.
    • Absence of an acceptable radio measurement tools.
    • Talent crunch during the initial years.

     

     

    MY FM is present in 17 cities and 7 states. How is the radio consumption behaviour in these cities different from those of the metros? In Mumbai for instance, a chunk of listenership comes in the morning. Is the trend same with the mini metros?

    Radio consumption is very different in non-metros. InIndore, late morning records the highest listenership, while Jaipur has high listenership throughout the day; whereas Ahmedabad peaks in both morning and night time bands. Moreover, the time spent on radio is much higher in non-metros and set to go up further with increase in FM listenership on mobiles.

     

    Does the medium still need to be evangalised to advertisers or are advertising willingly flocking to radio?

    Yes, radio still needs to be evangelized. Radio is the medium that many professionals include in their quarterly and yearly plans at the last moment to highlight the probability of their idea being executable.

     

    Moreover, media spends are not being proportionately allocated to radio even though it has outgrown other media in time spent. As per the recent RAM research conducted in the four markets- Jaipur, Ahmedabad, Nagpur and Indore – average time spent listening to radio is 160 minutes as compared to IRS figures of 107 minutes watching TV, 85 minutes reading newspaper and 30 minutes on internet respectively.

     

    Smart and intelligent advertisers who believe in radio know that if properly planned and used innovatively, the radio can do wonders for a particular brand. Unlike TV, Radio is the only medium that has the power to address area-specific challenges through a focused communication in their own local language and is value for money. Big radio players should come forward for the growth of the industry and to highlight its mammoth reach and effectiveness.

     

    Q: We have learnt that AROI is working on content codes for radio stations. Is it high time that radio also follows self regulation?

    We welcome any such move. We are already following a stringent AIR code for content.

     

    Q: Although news will be sourced from only AIR, nevertheless how prepared is MY FM for news? Does MY FM have the infrastructure ready for news or is it that the present infrastructure is more than sufficient for AIR bulletins?

    Yes, MY FM, being part of a larger news media group, already has the infrastructure to broadcast news. However, we believe that radio players should be allowed to carry their own news-based content, making it relevant for our listeners.

     

    Q: You seem to be quite active on Facebook and Twitter. What about your website? Can you share with us your digital media plans? How are you using the digital medium to engage listeners?

    Digital media is an integral part of all our campaigns and promotions – both for communication and engagement like content participation, feedback on music preferences and so on. Radio is an aural medium, however, with the launch of the “radio dikhta hai” campaign, listeners became viewers as they are able to see the radio and the RJs hosting the show on YouTube. We recently concluded our microsite contest encouraging listeners to participate in brand evolution by sharing their ‘jiyo dil se’ moment with the best entries winning big ticket prizes.

     

    Q: Currently what according to you are the key challenges facing the radio industry? And what are the trends to watch out for in the coming years?

    Challenges:

    • Deregulate radio: Content restrictions are a big restraint for the industry and our creative freedom gets affected due to the limitation to provide any kind of news-based content.
    • The most important is the Music Royalty Issue. The royalty issue continues to worry FM stations, especially the smaller FM players or those in small towns.
    • Absence of an acceptable radio measurement tool, due to which media planning and buying is done on the basis of researches like IRS, is another challenge that we face in our industry.
    • The license fee for new stations is a challenge, making the medium unviable for investment by existing and new players.

     

     

    Trends:

    • Expansion of radio post Phase III rollout, covering newer towns, increasing radio footprint.
    • The way consumer soaks information is more fragmented and varied like never before. Not only has the mechanisms to reach to the consumers changed, the vehicles option have also multiplied. Radio has evolved and outgrown all other media with consumer spending more time on it. To reach out to such a consumer and influence them by appropriately allocating media spends is going to be a big thing for advertisers in 2012.
    • While metros will remain a staple for marketers, an increased non-metro footprint will be critical for volumes in the long run. There is a growth opportunity that is vastly under-rated by many marketers today, which could emerge as a key growth engine for the next 10 years.

     

     

    Q: What are your FM phase III expansion plans?  Would you explore the metros? New genres with multiple frequencies? 

    Yes, we would be exploring metros in Phase III as long as it makes business sense.

     

    MY FM has major expansion plans for Phase III. However it is too premature to discuss this. Moreover, as mentioned earlier, the license fee for new stations is a challenge that needs to be address before the Phase III rollout to encourage bidding.

     

    Q: What is the overall workforce or team size of MY FM? Is employee retention a challenge in the radio industry? Or is there a talent crunch that needs to be first dealt with?

    MY FM currently employees 350 full-time employees. Retention is never a challenge for key management / leadership team. It’s the support staff that is a challenge. Moreover, MY FM’s robust HR practices are one of the best in the industry allowing development and growth of talent.

     

    Q: On a lighter note, what is a typical day like for Mr Harrish Bhatia, CEO, MY FM?

    I believe in pushing myself each day. I am very passionate towards my fitness and wake up at 5am every day to jog and do yoga which is followed by breakfast with family. I reach office around 10am and quickly move to make an agenda for the day that needs to be looked into, pointers to be discussed with the team and any meetings in the course of the day as well as near future. I meet the Business Heads/Programming Heads for programming review followed by lunch.

     

    After lunch, I catch up with the senior management for strategising and ideating, checking emails and reverting back to any queries. At the end, I review the work according to the daily agenda and makes sure that the work assigned for the day is done.  After winding up work, I head home, spend quality time with my family and friends, watch television, checks emails on my iPad and hit the bed for another challenging day.

     

  • Fever FM’s new radio play – Gandhi

    By A Correspondent

     

    After the success of Ramayana, Fever FM will air a new radio play, Gandhi beginning March 12. Fever FM is said to have put together a story for the youth that revisits the life of Mahatma Gandhi. The radio play, Gandhi, is aimed to make the youngsters understand that there is an alternate way of thinking for everyday situation they come across.

     

    With celebrated artists such as Farooq Sheikh, Rajit Kapoor, Heeba Shah and Sachin Khedekar as a part of the play, Gandhi promises to be one of the most ambitious and out of the box radio projects of all time. Farooq Sheikh will be voicing the role of Bharat, Rajit Kapoor voices Gandhi, Sachin Khedekar voices Ambedkar and Heeba Shahand voiced Kasturba Gandhi.

     

    Harshad Jain, Business Head, Radio & Entertainment, HT Media Ltd said: “Mahatma Gandhi needs no introduction. He is one of the greatest men this country could possibly ever have. Through Gandhi, we are paying a tribute to the Father of Our Nation and reliving the life of the man for the present day world. This is another ‘first’ that Fever 104 FM brings for its listeners. Packaged with great music and superior production quality, I’m sure it will be loved and much appreciated across age groups”.

     

    Fever FM’s radio play, Gandhi is sliced over 60 episodes. The first episode will be aired on March 12. Gandhi will be a two month long series with episodes airing every day.

     

    Fever 104 FM (radio operated by HT Media Ltd.) is available in Delhi, Mumbai, Bangalore and Kolkata with a vibrant, youthful, creative and interactive programming, that just lets the music play! HT Media Ltd’s association with Virgin brings global strengths and expertise in radio markets across the world including Bangkok, South Africa,ParisandMalaysia. With the best quality and most quantity of music on-air, constantly playing only the top contemporary hits Fever 104 FM is synonymous with less talk, more music.

     

  • Intnl radio stns will soon enter India: Amitabh Srivastava

    By Robin Thomas

     

    Amitabh Srivastava is the Country Manager – South Asia, Radio Netherlands Worldwide. Prior to working with Radio Netherlands, Mr Srivastava was the Director, Affiliate Relations at Walt Disney Company and General Manager at TV Today where he worked for a total of five years. In conversation with MxMIndia’s Robin Thomas, Mr Srivastava spoke at length on the six-year-long journey of Radio Netherlands in India, on phase III developments, various initiatives of the Dutch international broadcaster in India and much more.

     

    Q: Radio Netherlands has been in India for the last six years. How would you rate the year 2011 for RNW and the journey since the India launch?

    Radio Netherlands Worldwide had exponential growth, both in terms of brand building and our key responsibility areas of promoting issues related to human and nature welfare. Our milestones were partnership with Reliance and State Radio Service AIR on co-production, which propelled the growth from thousands to millions. Apart from this, we have also tied up with regional and university radio – IGNOU Gyanwani, which has equally benefited us to mark our footprints in smaller areas, thus leading to a gradual development in this part of the world.

     

    Q: How are you viewing the Indian market from the radio perspective?

    India is a big nation and above all a huge audience size to attract any international broadcaster. Its diverse nature and broad media landscape ensures that any broadcaster invests resources on both commercial and for welfare means.

     

    Q: You had launched web and mobile sites Lovematters.info and Lovematters.in in November 2011; how has the response been so far? How do you plan to take this initiative forward?

    We had an overwhelming response and great uptake from our partners on both the versions of the websites. We had tie up with Reliance to launch the WAP version of the site which has been a great success. Also we had marketing campaigns (On Ground and Web) with various web portals and campuses which resulted into further promotion of our websites. We are also trying to get partnership with other telecom operators on pay mode to ensure sustainability in a longer run. FPA (Family Planning Association of India) also joined hands with us for this noble cause.

     

    We are planning to launch Love Matters to other parts of the world, for example in Latin America.

     

    Q: There are so many websites and information available on sexual health; how is Lovematters any different? How does the mobile site work? Is there a separate team working on these sites?

    We are an independent broadcaster which provides reliable information. Also, we have experience in making journalistic content for a young audience. It’s a one-stop solution and a comprehensive database for all sexual-related issues. It is to have a Dutch purview, but has been customised especially for the Indian audience with its cultural sensitivities taken care of.

     

    We have the mobile site on the WAP model on a lighter version which works quite brilliantly on the GPRS mode too. We have a dedicated editor in India as well as a complete editorial and technical team already on it from Hilversum, Holland.

     

    More so looking at the response we have a Hindi website too, which is www.lovematters.in.

     

    Q: Besides the audience, are advertisers, particularly youth marketers keen on advertising on the website?

    We are a state-funded organization, hence this is no issue for us.

     

    Q: In 2010 Radio Netherlands tied up with Web 18 for news on in.com as well as for international music on their website. Tell us more about how the deal has shaped up today? What are the other digital technologies you have invested in?

    Yes indeed we had a tie up with Web 18 for their web portal www.in.com. We are successfully running our strategic partnership with RNW music content on their sites as web stream radio and experienced good uptake by our listeners.

     

    We have developed APPS for Apple products, RNW Apps (Light Version) and other application programming Interface to strengthen our footprints in the new media.

     

    Q: Are you observing the FM phase III developments? The government has given its nod to air news on FM radio sourced from the government-owned All India Radio (AIR). FDI limit has been marginally increased from 20 to 26 per cent, there will be additional 800 stations in 300 new cities. How does Radio Netherlands India view all these developments?

    With this initiative I am sure many of the international broadcasters will try to base themselves, which will further enhance the need for talk radio which is already an established model on the global platform. The embargo on news and current affairs in India will be lifted as a result of this initiative, thus giving us more space to do some quality partnering with FM channels.

     

    Q: Are there any specific challenges that a foreign media faces when it enters the India market especially from a radio perspective? In a few years from now do you see these challenges being met or overcome?

    As stated, I believe, soon we will find the Indian radio industry catering to audiences from a global perspective. Besides this, since a new investment opportunity will also lift the embargo on news and current affairs, it will also make talk radio available in India. Hence I am hopeful to see these developments in the near future.

     

    Q: Do you agree that radio is a highly regulated medium in India and that it needs to be self-regulated?

    Yes radio is regulated to some extent which encompasses a restrictive circle to adhere to. In my opinion, we must have news and current affairs also to be part of the programming rights which will certainly prove a boon to the radio industry, as Bollywood songs and other contents are being exploited to a much desirable extent in other forms of media as well.

     

    Q: What are some of the lessons the Indian radio industry can learn from their international counterparts?

    Interactivity is the element that seems to be missing in the FM channels in India. Talk radio is the key to ensure that we have the missing piece in place. We are seeing the same already running successfully on the global platform.

     

    Q: Can you throw some light on the India-specific plans of Radio Netherlands? What is the business like in the South Asian markets?

    Radio Netherlands Worldwide needs to cut 70 per cent of its budget from 2013. We will focus entirely on making journalistic content to encourage free speech. It’s difficult to say anything about plans for the South Asian markets, because that’s still undecided.

     

    Q: How different is the radio industry in, say, Pakistan or Sri Lanka?

    The South Asian subcontinent on the landscape has primarily the same behaviour. Hence I don’t see any structural difference, however I do agree that press freedom is much curtailed and there is lack of free speech in these countries as compared to India.

     

    Q: What is the team size in India and in other South Asian markets? Any expansion plans?
    In India we have an office in New Delhi and dedicated producers for All India Radio co-productions. Apart from the distribution team we also have an editor based in the same region too.

     

    Q: On a lighter note what is a typical day like for Mr Amitabh Srivastava, Country Manager- South Asia, Radio Netherlands Worldwide?

    Well, I work in two countries at the same time. All my partners and potential partners work according to IST (Indian Standard Time) which normally starts at 10am, and since I have my team in Hilversum hence I have to work till the office timings in Netherlands which is 11pm IST. I enjoy being busy!! Plus I love meeting people and also spent good amount of time on social media for personal and professional reasons which helps me a great deal.

  • Mirchi Kaan Awards to celebrate best in radio advertising

    By A Correspondent

     

    Introduced in 2004, the Mirchi Kaan Awards acknowledges and honours the contribution of individuals and organizations that have led the way in creating clutter breaking radio advertising. The awards have been instituted to encourage continued creative focus on radio advertising and are now synonymous with excellence in creativity in radio.

     

    While every year, the journey to the awards ceremony is a fun-filled, vibrant process keeping in mind the personality of Radio Mirchi, this year the focus is centred solely on the quality of work. Which is why, this year’s edition will see world renowned radio guru, Tony Hertz, conducting a workshop on the art and craft of radio advertising. Mr Hertz’s passion for radio has seen his career, which spans over 40 years and across six continents, as creative director at multiple agencies and the boss of two radio specialist outfits.

     

    With his experience, he has served twice on the Cannes Lions Radio Jury, on the 2011 D&AD Radio panel and as president of the Clio Awards Radio Jury. Apart from 22 Clios, multiple Gold and Silver ILR Awards, London International Awards and The New York Festivals Awards, Tony is also the only person to have won both D&AD Black and Yellow Radio Pencils.

     

    The country’s most prestigious radio awards, Mirchi Kaan will work towards raising professionalism and talent among writers. And their new mantra is to listen, learn and shine.

     

    The last date to send entries to Kaan Awards is March 18.

     

    Entertainment Network India Limited (ENIL),India’s leading private FM radio broadcaster, popularly known as Radio Mirchi, operates across 32 cities in the country. Launched in 2001, Radio Mirchi has the highest listenership across the country and a track record of developing innovative content, thus expanding and retaining its audiences and advertisers through the years. Radio Mirchi has delighted listeners and the industry with its exciting properties like the Purani Jeans Film Festival and the Mirchi Music Awards.

     

    Radio Mirchi’s continuous innovations across different platforms like Visual Radio or Mirchi Mobile have been instrumental in gaining leadership in the private FM Radio industry. Radio Mirchi makes its international foray with the launch of the brand in the UAE. From February 1, Radio Mirchi will be heard inDubai,Abu Dhabiand Al Ain and will the first Indian radio brand to go international.

     

  • @FF12: Phase III will bring more innovation in radio

     

    By A Correspondent

     

    Radio has often been criticized for lack of content innovation, that all radio stations sound the same and that there is no differentiation in the medium currently. Although contents across all radio channels are more or less restricted to music, it is believed that once FM phase III is rolled out and multiple frequencies allowed by the government, it will lead to more innovations in content and differentiation within the medium itself.

     

    One of the sessions at the FICCI-Frames 2012 was on ‘Radio: Innovations in Content’ wherein industry veterans discussed at length on the innovations in content radio is witnessing currently and the enormous innovation opportunities FM Phase III would allow. While the session was moderated by Apurva Purohit, CEO Radio City, the panel members included Rabe Iyer, Business Head, Big FM; Abhijit Avasthi, Executive Creative Director, O&M; Bhavna Somaaya, Columnist and Writer; and Charles Falzon, Chair of The Radio and Television Arts School of Media, Ryerson University.

     

    Ms Purohit kick-started the session stating that radio currently is in a schizophrenic stage wherein on one hand the medium is witnessing immense growth, it has a huge reach in the country and the FM listenership has also further increased with higher number of mobile phones, whereas on the other hand the overall ad pie of the medium is merely 4 per cent. Ms Purohit also pointed out that in the next two years the industry anticipates another phase of growth which will bring news, sports commentary, multiple frequencies, besides further expansion into towns and cities.

     

    According to Ms Somaaya, “Innovation is a very subjective term and the definition changes from person to person and the state of mind one is in. I believe innovation comes only in content because technology has been exhausted and there is a whole rainbow waiting for us as there could audio books, short stories, debates, helpline etc. Radio therefore is much more immediate that any other medium.”

     

    Speaking about the strengths of radio Mr Avasthi first admitted that out of all the media, it is the toughest to write radio spots. He explained, “The strength of radio I believe is one can conjure up a world in the listener’s mind. What you hear on radio today is mainly restricted to Bollywood music. There are so many kinds of music still to be explored and so many types of content that can be experimented, and to break this format I believe the industry requires some amount of courage to do so.  The moment programming in radio opens up then there will be plenty of interesting opportunities for advertising in radio itself.”

     

    Mr Falzon highlighted the use of digital medium as a complement to engaging the listeners, “We are all experiencing a paradigm shift on how entertainment is being consumed, across the world. India has infact a better opportunity especially with the phase III expansion coming that too at a time we can think about how to use the digital medium. Digital and social media in Canada for example is being used in many ways wherein the entertainment experience of radio has been extended beyond radio.”

     

    According to Mr Iyer, although 80 per cent of content on radio is music and 20 per cent on the packaging of music, there has been some innovation in the medium and with the phase III launch it will bring with it immense opportunities especially on the innovation and differentiation front. Speaking on the reason radio being left out at times during advertising campaigns, Mr Iyer believed the possible reason could be because the industry has not encouraged radio creativity which in itself is a huge opportunity.

     

    The Q&A session which followed the panel discussion saw many people questioning the lack of innovation and the dominance of Bollywood-centric music on radio. The panelists more or less agreed that radio in India has seen lack of innovations primarily because of government restrictions which is most likely to change with FM phase III is rolled out.

     

    Photograph: Fotocorp

  • The Anchor: 4 reasons why radio needs content innovation

    By Amitabh Srivastava

     

    #1 Emerging Technologies:

    Keeping in view the emerging technologies, it is very important that everything is taken into consideration; for instance social media can be of great help in terms of getting more interactive with listeners.

     

    #2 To Engage Listeners:

    These days the maximum listenership is through moving vehicles, so if there is some innovation catering to those audiences, then it would be a very good option.

     

    #3 Rise of Internet Radio:

    Internet radio is fast growing all over the world, and India is no exception. Internet radio will be emerging as the big thing very shortly.

     

    #4 Two-Way Communication:

    This is most important because the moment you get interactive there will be an increase in participation from the listeners also.

     

    Amitabh Srivastava is the Country Manager – South Asia, Radio Netherlands Worldwide.