Author: mxmadmin

  • Ad Club Bangalore to celebrate the Big Bang Awards

    By Our Staff

     

    Bengaluru-based The Advertising Club Bangalore is back with its flagship event – The Big Bang Awards. It will be held on January 19, 2024.

     

    Speaking about the occasion, Laeeq Ali, President of The Advertising Club Bangalore, said: “We are very happy with the overwhelming response from agencies for this year’s edition of the Big Bang Awards, which recognises the outstanding work that shapes our industry. While the advertising industry has faced challenges in recent years, it has also proven its resilience and adaptability at every turn. These awards are a tribute to the creative minds, strategic geniuses, and innovators who relentlessly push the boundaries of advertising. Join us for an evening of celebration, learning, and forging connections that will shape the future of advertising.”

     

    Added Malavika Harita, Chairperson of Big Bang Awards: “This year we’ve chosen ‘Find the Balance’ as our theme – a challenge that resonates across every facet of life. We are not only excited to bring to fore the exceptional work submitted by agencies, but also to the inspiring voices offering their invaluable perspectives on navigating these ever-changing landscapes.”

     

  • ET Now hosts Leaders of Tomorrow Awards

    By Our Staff

     

    ET NOW hosted the 11th season of Leaders of Tomorrow Awards in New Delhi on Friday (January 12).

     

    Championing the success stories of India’s most innovative and resilient MSMEs and start-ups, Leaders of Tomorrow Awards recognised promising entrepreneurs and showcased upcoming and enterprising small businesses across 20 categories shortlisted through a pan-India screening process and then evaluated by a panel of jury.

     

    Delivering the opening remarks, MK Anand, MD & CEO, Times Network said: “For over a decade, Leaders of Tomorrow, India’s largest entrepreneurship platform has enabled and empowered the spirit of enterprise. Besides contributing to GDP and employment, SMEs, MSMEs and startups fortify the Industrial base through their pivotal role in economic cycles and supply chains. As we mark our latest edition, “Innovate to Elevate,” we proudly recognize 20 remarkable Entrepreneurs for their trailblazing products and ingenious strategies. These champions have not only shown resilience but an unwavering commitment to innovation. From pioneering revolutionary solutions to reshaping entire sectors, they are paving the way for sustainable economic growth on India’s path to being an Economic Superpower. We are thrilled to witness and cheer the rise of this new generation of entrepreneurs. I am confident that these Awards and our commitment to showcasing such entrepreneurial talent will continue to inspire countless individuals to script their own stories of entrepreneurial triumph.”

     

  • Zomato unveils ad films for Sankranti, Pongal etc

    By Our Staff

     

    In a tribute to the rich tapestry of India’s harvest festivals, Zomato, India’s food ordering and delivery platform, has unveiled a series of ad films celebrating Pongal, Sankranti, Makar Sankranti/ Uttarayana, and Lohri.

     

    Notes a communique: “Zomato’s ad films capture the spirit of these harvest festivals, emphasising the significance of tradition, familial bonds, and the evolving cultural landscape. The campaign beautifully encapsulates the warmth and bond shared between the generations and highlights the relationship between a grandmother and her teenage granddaughter who comes home to celebrate Pongal with her family.”

     

     

     

  • IAB Tech Lab unveils Advanced TV Initiative

    By Our Staff

     

    IAB Tech Lab, the global digital advertising technical standards-setting body, unveiled its new Advanced TV Initiative. Developed within the Advanced TV Commit Group, the initiative, notes a communique, is set to bridge the gap between traditional linear TV, digital video, and live streaming.

     

    Said Shailley Singh, EVP of Product & COO at IAB Tech Lab: “We understand that interoperability across distribution environments is critical to achieving better reconciliation, auditability, and verification. This effort emphasises standardization and interoperability, paving the way for a unified and integrated television advertising reconciliation framework, freeing up thousands of hours of legacy inefficiencies, and saving media companies time and money.”

     

  • Naga Chaitanya features in TVC of Dasos Cabinets

    By Our Staff

     

    Dasos Cabinets, an interiors brand, has launched its latest TVC featuring South Indian actor Naga Chaitanya. The campaign, conceptualised by PAD, revolves around the theme ‘It’s Your Right to Know,’ challenging the common perceptions and practices in the fixed furniture market.

     

    Speaking on the launch of the campaign, Manoj Kashyap, Director of Dasos Cabinets said: “I am thrilled to unveil the ‘It’s Your Right to Know’ campaign for Dasos Cabinets, which reflects our unwavering commitment to providing transparency, quality and customization in the fixed furniture industry. Naga Chaitanya, with his charismatic presence and commitment to excellence, was the perfect fit to convey our message. His association with Dasos Cabinets elevates our brand, reinforcing our dedication to empowering customers with the knowledge and assurance they deserve in their furniture choices.”

     

    Added Vivek Reddy, Co- Founder and Creative Director, PAD: “When crafting the narrative for Dasos Cabinets’ TVC, we wanted to address the common issues customers face in the fixed furniture and challenge the status quo. The ‘It’s Your Right to Know’ theme emerged as a powerful message, urging customers to not compromise on quality. We chose this theme to resonate with customers’ experiences and bring a fresh perspective to this industry, ensuring that Dasos Cabinets stands out as a brand that values its customers’ rights and needs.”

     

  • Shah Rukh Khan endorses Tide

    By Our Staff

     

    Tide, the detergent brand from P&G, has chosen to partner with Shah Rukh Khan as a brand ambassador.

     

    Said Mukta Maheshwari, Chief Marketing Officer, P&G India & Category Head, Fabric Care, P&G India spoke on this new partnership: “We’re delighted with the partnership with Shah Rukh Khan and his endorsement of the New and Improved Tide as the Stain Removal King. Tide, the world’s number one detergent brand, is focused on offering laundry solutions that delight consumers every day where it matters most. In this continued endeavor, we’re thrilled that Tide has upgraded to remove deep-seated stains and offer an outstanding clean on the toughest stains. We are delighted to have SRK recommend Tide as the ‘asli/real SRK – Stain Removal King’ to consumers and fans across the country.”

     

     

    https://youtu.be/5k8OdYc-320?si=rTEqM2H6Q_9bdkKj

     

  • Montra Electric campaign for Sustainable Urban Driving

    By Our Staff

     

    Montra Electric, the EV arm of Murugappa Group, has launched its ‘Bharat ka Super Auto’ campaign, representing a sustainable and efficient future for electric mobility in India.

     

    Conceptualised and executed by Schbang, the campaign focuses on Montra Electric’s Super Auto. Said Piyush Pandey, Head of Marketing & Exports – Montra Electric (TI Clean Mobility): “Montra Electric’s Super Auto is  here to transform last-mile mobility. With an industry-leading range of 203 kilometers and innovative design, it is redefining the driving experience and comfort of driving and travelling in an auto. This is one of our many steps towards a  better & sustainable future. Join us as we go full throttle on  this journey with the 123 years old legacy of Murugappa Group to provide eco-friendly commercial mobility solutions for an efficient tomorrow.”

     

    Added Dhruv Rajput, Vice President – Brand Solutions & Head of Planning at Schbang: “Crafting the ‘Bharat ka Super Auto’ campaign for Montra Electric was a journey of imagination and innovation. Our creative endeavour sought to infuse life into metal, turn technology into a story, and make every kilometre an adventure. It’s more than an ad; it’s an ode to the future of electric mobility, where each frame tells a tale of innovation, energy, and the thrilling road ahead.”

     

     

  • Asian Paints offerings for TN

    By Our Staff

     

    Asian Paints has unveiled initiatives to capture the spirit of Pongal, with an attempt to resonate with the people of Tamil Nadu. The special heritage-inspired festive pack of Asian Paints Royale Glitz, their luxury interior emulsion, adds colour and becomes a bridge to tradition.

     

    Adding to the festive cheer, 22 MTC buses have been transformed into art showcases adorned with designs inspired by the Asian Paints Royale Glitz special edition festive packs.

     

    Speaking on this occasion, Amit Syngle, CEO and MD of Asian Paints Limited, said: “Asian Paints has been a part of the homes, festivities and culture of Tamil Nadu for decades. The rich culture of the state has inspired us to do something truly special this year – our first-ever festive pack of Asian Paints Royale Glitz inspired by the rich culture of Tamil Nadu, and the transformation of 22 MTC buses into moving canvases. We wholeheartedly embrace the spirit of Pongal, and these initiatives are our gift to the people of Tamil Nadu, adding to the celebrations of this diverse and vibrant community.”

     

    Added Thanish Thomas, Co-Founder, XXL Collective: “The Chennai Bus Project turns MTC buses into mobile canvases of cultural storytelling, bridging the past and present, making heritage both accessible and engaging. It is a vision to turn routes into roots, allowing every commuter to engage with the state’s rich traditions in a tangible way. This project marks the start of a broader movement to bring cultural wealth to the masses, ensuring that every journey within Chennai becomes an immersive experience of Tamil Nadu’s collective history and vibrant culture.”

     

    Sharing thoughts on the initiative, Dr Alby John, Managing Director, Metropolitan Transport Corporation (MTC), Chennai, said, “The Metropolitan Transport Corporation (MTC) recognizes how buses play a pivotal role in the city’s social and cultural landscape. This initiative, in collaboration with Asian Paints and XXL Collective, transforms our buses into dynamic cultural hubs, breathing new life into the daily commute and enriching the urban experience. This initiative marks a significant step towards reimagining public spaces as arenas of cultural engagement and celebration in Chennai.”

     

     

  • Madison Media appoints Puja Rai as CSO

    By Our Staff

     

    Puja Rai
    Puja Rai

    Madison Media has appointed Puja Rai as Chief Strategy Office (CSO). She will be based in the agency’s Mumbai office and will report to Vikram Sakhuja, Partner and Group CEO, Madison Media & OOH. Meanwhile, Nagaraj Krishnamurthy will continue to mentor the analytics and automation space as he transitions into running an MSME Performance business.

     

    On the appointment, Sakhuja said: “Excited to have Puja join us as Madison’s CSO. Her skills in analytics, brand building, research, strategy and automation combined with experience across both agency media owner and advertiser organisations  makes her ideally suited to add value to our clients’ strategic challenges.”

     

    Rai has over 20 years of experience having worked Mindshare as Partner Client Lead, Lodestar, Star TV, INX Media, Quantemplate and IMRB, Puja also has the benefit of delving into a entrepreneurial journey with SkillWorld (Skilltech) as a Co-Founder. As per her LinkedIn profile, she has spent the last four-odd years with Pune-based SarvaGram as Chief Marketing and Digital Officer.

     

  • Will the NY Times lawsuit against ChatGPT’s owners impact the future of AI?

     

     

    By Mike Cook

     

    In 1954, the Guardian’s science correspondent reported on “electronic brains”, which had a form of memory that could let them retrieve information, like airline seat allocations, in a matter of seconds.

     

    Nowadays the idea of computers storing information is so commonplace that we don’t even think about what words like “memory” really mean. Back in the 1950s, however, this language was new to most people, and the idea of an “electronic brain” was heavy with possibility.

     

    In 2024, your microwave has more computing power than anything that was called a brain in the 1950s, but the world of artificial intelligence is posing fresh challenges for language – and lawyers. Last month, the New York Times newspaper filed a lawsuit against OpenAI and Microsoft, the owners of popular AI-based text-generation tool ChatGPT, over their alleged use of the Times’ articles in the data they use to train (improve) and test their systems.

     

    They claim that OpenAI has infringed copyright by using their journalism as part of the process of creating ChatGPT. In doing so, the lawsuit claims, they have created a competing product that threatens their business. OpenAI’s response so far has been very cautious, but a key tenet outlined in a statement released by the company is that their use of online data falls under the principle known as “fair use”. This is because, OpenAI argues, they transform the work into something new in the process – the text generated by ChatGPT.

     

    At the crux of this issue is the question of data use. What data do companies like OpenAI have a right to use, and what do concepts like “transform” really mean in these contexts? Questions like this, surrounding the data we train AI systems, or models, like ChatGPT on, remain a fierce academic battleground. The law often lags behind the behaviour of industry.

     

    If you’ve used AI to answer emails or summarise work for you, you might see ChatGPT as an end justifying the means. However, it perhaps should worry us if the only way to achieve that is by exempting specific corporate entities from laws that apply to everyone else.

     

    Not only could that change the nature of debate around copyright lawsuits like this one, but it has the potential to change the way societies structure their legal system.

     

    Fundamental questions

    Cases like this can throw up thorny questions about the future of legal systems, but they can also question the future of AI models themselves. The New York Times believes that ChatGPT threatens the long-term existence of the newspaper. On this point, OpenAI says in its statement that it is collaborating with news organisations to provide novel opportunities in journalism. It says the company’s goals are to “support a healthy news ecosystem” and to “be a good partner”.

    Even if we believe that AI systems are a necessary part of the future for our society, it seems like a bad idea to destroy the sources of data that they were originally trained on. This is a concern shared by creative endeavours like the New York Times, authors like George R.R. Martin, and also the online encyclopedia Wikipedia.

    Advocates of large-scale data collection – like that used to power Large Language Models (LLMs), the technology underlying AI chatbots such as ChatGPT – argue that AI systems “transform” the data they train on by “learning” from their datasets and then creating something new.

    Effectively, what they mean is that researchers provide data written by people and ask these systems to guess the next words in the sentence, as they would when dealing with a real question from a user. By hiding and then revealing these answers, researchers can provide a binary “yes” or “no” answer that helps push AI systems towards accurate predictions. It’s for this reason that LLMs need vast reams of written texts.

    If we were to copy the articles from the New York Times’ website and charge people for access, most people would agree this would be “systematic theft on a mass scale” (as the newspaper’s lawsuit puts it). But improving the accuracy of an AI by using data to guide it, as shown above, is more complicated than this.

    Firms like OpenAI do not store their training data and so argue that the articles from the New York Times fed into the dataset are not actually being reused. A counter-argument to this defence of AI, though, is that there is evidence that systems such as ChatGPT can “leak” verbatim excerpts from their training data. OpenAI says this is a “rare bug”.

    However, it suggests that these systems do store and memorise some of the data they are trained on – unintentionally – and can regurgitate it verbatim when prompted in specific ways. This would bypass any paywalls a for-profit publication may put in place to protect its intellectual property.

     

    Language use

    But what is likely to have a longer term impact on the way we approach legislation in cases such as these is our use of language. Most AI researchers will tell you that the word “learning” is a very weighty and inaccurate word to use to describe what AI is actually doing.

    The question must be asked whether the law in its current form is sufficient to protect and support people as society experiences a massive shift into the AI age. Whether something builds on an existing copyrighted piece of work in a manner different from the original is referred to as “transformative use” and is a defence used by OpenAI.

    However, these laws were designed to encourage people to remix, recombine and experiment with work already released into the outside world. The same laws were not really designed to protect multi-billion-dollar technology products that work at a speed and scale many orders of magnitude greater than any human writer could aspire to.

    The problems with many of the defences of large-scale data collection and usage is that they rely on strange uses of the English language. We say that AI “learns”, that it “understands”, that it can “think”. However, these are analogies, not precise technical language.

    Just like in 1954, when people looked at the modern equivalent of a broken calculator and called it a “brain”, we’re using old language to grapple with completely new concepts. No matter what we call it, systems like ChatGPT do not work like our brains, and AI systems don’t play the same role in society that people play.

    Just as we had to develop new words and a new common understanding of technology to make sense of computers in the 1950s, we may need to develop new language and new laws to help protect our society in the 2020s.The Conversation

     

    Mike Cook is Senior Lecturer, Department of Informatics, King’s College London. This article is republished from The Conversation under a Creative Commons license. Read the original article.

     

  • Shobiz forays into exhibitions

    By Our Staff

     

    Shobiz, the experiential agency of the Havas Creative Network India, has expanded its line of business and has forayed into the exhibition industry. The new vertical will be called ‘Shobiz Exhibits’. Shobiz will now leverage its wealth of knowledge, innovation, and creativity to lead this venture.

     

    Shobiz has appointed Tejinder Nagi as Business Head who along with Subir Majumdar the Chief Creative Officer will steer the exhibition vertical. Officer, Shobiz, a pioneer in our Indian experiential industry who has scaled the agency to the numero uno position that it is today.

     

    Said Sameer Tobaccowala, CEO of Shobiz Experiential Communications: “In the pursuit of advancing economic growth and elevating its standing in the global business community, India recognizes the instrumental role Exhibitions can play. Shobiz is poised to be a brand’s strategic partner in this journey. While the marketer or the brand leaders concentrate on refining the product, we commit to orchestrating an impactful convergence of the target audience through an immersive 360-degree experience. Together, we can unlock unparalleled opportunities and propel our client’s business to new heights,”

     

  • Hardik Pandya to promote Poco X6 Pro

    By Our Staff

     

    Poco, a company specialised in smartphone brands, is gearing up to launch the Poco X6 Pro model with a campaign theme: #TheUltimatePredator. This campaign film, created by Poco’s creative agency Media.Monks, stars Hardik Pandya.

     

    Said Kiran Ramamurthy, Chief Operating Officer at Media.Monks India: “In this ever-evolving digital age, pushing the boundaries of cinema-grade production has become imperative. Smartphone marketing is constantly trying newer ways to captivate audiences, but most often the retention of such formulaic ads is low. With POCO, the end result is a visual spectacle with unparalleled artistic finesse, that fuels the desire to be part of the tribe and join the hype for the phone.”

     

    Added Himanshu Tandon, Country Head, Poco India: “The X series stands as the cornerstone of our brand, embodying our commitment to pushing boundaries and introducing revolutionary innovations. Hardik Pandya is a name that resonates instantly with India; his never-give-up attitude, zeal, and enthusiasm align seamlessly with the DNA of the X series. We are confident that his personality will strike a chord with our audience and fans, and in keeping with our brand imagery, his role in the product video will play a crucial part in fostering a sense of community within the POCO tribe. Collaborations like this enable us to be a part of a cultural movement that deeply connects with the millennial and Gen Z audience.”