Author: mxmadmin

  • Magazines were supposed to die in the digital age. So why haven’t they?

    Although this article talks about the status of magazines elsewhere in the world, some of the points made are relevant for India as well. In fact the fact that the Indian edition of Esquire is set to launch later this from the RP Sanjeev Goenka group, clearly magazines aren’t dead in India. Not yet.

     

     

    By Julian Novitz

     

    In the classic comedy Ghostbusters (1984), newly hired secretary Janice raises the subject of reading, while idly flipping through the pages of a magazine. The scientist Egon Spengler responds with a brusque dismissal: “print is dead.”

    Egon’s words now seem prescient. The prevailing assumption of the past couple of decades is that print media is being slowly throttled by the rise of digital. Print magazines, in particular, are often perceived as being under threat.

    While not nearly as popular as they once were, magazines haven’t died. New ones have started since the dire predictions began, while others continue to attract loyal readerships.

    So what’s the enduring appeal of the print magazine? Why didn’t it die, as so many predicted?

     

    Printed words in an online world

    The word “magazine” derives from the term for a warehouse or storehouse. In its essence, it is any publication that collects different types of writing for readers. Each instalment includes a range of voices, subjects and perspectives.

    Print magazine culture has certainly seen a decline since its heyday in the 20th century. Once-popular print magazines have moved entirely online or are largely sustained by growing digital subscriptions.

    Elsewhere, internet media sites, of the type pioneered by Buzzfeed and its imitators, increasingly fulfil the need for diverse and distracting short-form writing.

    The explosion of social media has also cut into the advertising market on which print magazines have traditionally depended.

    Online audiences have come to expect new content daily or even hourly. Casual readers are less willing to wait for a weekly or monthly print magazine to arrive in the post or on a newsstand. The ready availability of free, or significantly cheaper, digital content may deter them from purchasing print subscriptions or individual issues.

     

    Turning from screens to the page

    And yet print magazines refuse to die. Established periodicals, such as the New Yorker and Vogue, stubbornly cling to a global readership in both print and digital formats.

    New titles are emerging as well – 2021 saw the launch of 122 new print magazines in the United States alone. The number is smaller than some previous years, and this perhaps reflects the generally shrinking market for print media.

    But given the accepted wisdom, it is remarkable there are any new periodicals at all.

    In Australia, print magazines sales have risen 4.1% in 2023 and previously axed publications – such as Girlfriend – are now receiving one-off, nostalgic returns to print.

    The market for print magazines isn’t exactly thriving. But they haven’t vanished as quickly as anticipated.

    Some commentators have attributed the enduring appeal of print magazines to the physical experience of reading. We absorb information differently from the page than from the screen, perhaps in a less frantic and distractable way.

    “Digital fatigue” from the years of the pandemic has arguably resulted in a small pivot back to print media. The revived interest in print magazines has also been attributed to the “analog” preferences of Gen Z readers.

    As the writer Hope Corrigan has noted, there is also something appealing about the aesthetics of print magazines. The care taken with layout, images and copy can’t always be replicated on as screen. Indeed, magazines with a significant focus on photography and visual design – such as fashion and travel magazines – are enduring in print.

    Magazine expert Samir Husni has observed that emerging independent print magazines are more focused on targeting a niche readership. Advances in printing technology have made smaller print runs more cost-effective. This allows new magazines to focus on quality over quantity.

    The new wave of print magazines tend to have a higher cover price and standard of production. They are also published less frequently, with quarterly or biannual schedules becoming more common.

     

    What was old is cool again?

    This trend moves away from the idea of magazines as cheap and disposable. Rather, it reframes them as a luxury product.

    Print magazines cannot compete with digital media in providing constantly up-to-date content to a mass audience. But they can potentially maintain a dedicated readership with a meaningful and aesthetically pleasing publication.

    This means print magazines may be spared some of the turbulence suffered by media websites that are solely dependent on digital advertising revenue. The past few years have seen staffing upheavals, mass resignations and shutdowns at popular magazine-style websites such as Deadspin, the Onion AV Club, the Escapist and Jezebel (although the latter has since returned). The original vision and standards for these sites have arguably suffered from the constant drive to increase daily traffic and reduce costs.

    Print magazines may also be seeing a revived interest from advertisers. Recent research indicates a strong preference for print advertising among consumers. Readers are far more likely to pay attention to a print advertisement and trust its content. By contrast, online advertising is more likely to be ignored or dismissed.

    In a 2021 profile of magazine collector Steven Lomazow, Nathan Heller writes:

    […] what made magazines appealing in 1720 is the same thing that made them appealing in 1920 and in 2020: a blend of iconoclasm and authority, novelty and continuity, marketability and creativity, social engagement and personal voice.

    While the circulation and influence of print magazines may have reduced, they are not necessarily dead or even dying. They can be seen as moving into a smaller, but sustainable, place in the media landscape.The Conversation

     

    Julian Novitz is Senior Lecturer, Writing, Department of Media and Communication, Swinburne University of Technology. This article is republished from The Conversation under a Creative Commons license. Read the original article.

     

  • Nitin Kataria joins Connect OOH as AVP South

    By Our Staff

     

    Nitin Kataria
    Nitin Kataria

    Connect OOH has appointed Nitin Kataria as the Assistant Vice President (AVP) for South India.

     

    Having held key roles in organisations like Big FM, Outlook, Posterscope, Cheil, and Kinetic, as AVP South, Kataria will drive Connect OOH’s Southern business operations.

     

    Haresh Nayak
    Haresh Nayak

    Said Haresh Nayak, Founder and CEO of Connect Network Inc.: “We are thrilled to welcome Nitin Kataria to our Connect OOH family. Having worked with him in past I know his wealth of experience and proven success in OOH advertising align perfectly with our vision for continued growth and innovation. With Nitin leading our Southern operations from our Bengaluru office, we are confident in his ability to drive our business forward and deliver exceptional value to our clients.”

     

  • Manish Agarvwal joins Swastik Productions

    By Our Staff

     

    Manish Agarvwal
    Manish Agarvwal

    Swastik Productions, makers of the ongoing mega-show Shrimad Ramayan, has announced the appointment of Manish Agarvwal as Head of Digital, Marcom and Special Projects. He will establish and implement efforts to drive digital revenues. He will report to Swastik founder Siddharth Kumar Tewary.

     

    Speaking on the appointment Tewary said: “We are excited to have Manish fuel Swastik’s digital growth. His qualified experience in the digital domain brings valuable insights to Swastik Productions. As we embark on a journey of continued growth and innovation, we look forward to simultaneously thriving in the digital landscape, as we do in television.”

     

    Added Agarvwal: “I am delighted to join Swastik Productions to drive its growing audience engagement agenda. With a significant presence in television, we look forward to growing the franchise of our content and music on digital platforms too.”

     

  • VML Announces Babita Baruah as CEO

    By Our Staff

     

    The all-new combo of Wunderman Thompsaon and VMLY&R – VML – has finally announced its India leadership. It may be recealled that the brand, customer experience and commerce company had announced the leadership for the rest of the region, save India.

     

    So Babita Baruah will join as Chief Executive Officer of India from March 1, 2024, and will partner with Saurabh Saksena, who has been elevated into the role of President.

     

    Baruah joins VML India from a dual role working across WPP’s Ford International Market Group as Regional Client Lead and Executive Director at VMLY&R Thailand. She is an old JWT/Wunderman Thompson India hand, where she spent two decades working with global and local brands such as PepsiCo, Unilever, Nestlé, Kellogg’s, Godrej, Kotak Mahindra, Reliance, and Aditya Birla. In 2017, Baruah joined the GTB business in India as Managing Partner and moved to Bangkok in 2021 in a dual capacity role as WPP Lead for the Ford business across India, Australia, New Zealand, Thailand, the Middle East, and South Africa, and Executive Director, VMLY&R Thailand.

     

    As mentioned, Saksena has been elevated into the role of President of VML’s India operations and will partner with Baruah on the leadership of the agency. Over the past 30 years, adds a communiuqe, Saksena has delivered business growth, managed change and transition, and built deep internal capabilities across the five agencies including a decade at Wunderman Thompson and most recently VMLY&R. Over the years, he has worked with ambitious brands in diverse categories such as, CPG, retail, finance, technology, automotive, e-commerce and QSRs.

     

    Regarding the new role, Baruah said: “It’s an honour to lead a market like India for VML. I look forward to working closely with Audrey, Yi-Chung, Saurabh, and the whole team in India to make sure that we connect creativity, experience, data and technology, to be the preferred destination for India’s ambitious brands and talented individuals.”

     

    Said Saksena: “I’m very excited to continue this journey of building a strong and successful VML with Babita by orchestrating innovative growth solutions for our clients that sit at the intersection of creativity, experience, data and technology.”

     

    Added Audrey Kuah, Co-CEO of VML APAC: “Babita is no stranger to India, and we welcome her home as the new VML India CEO. With her vast experience in delivering innovation and growth for clients and a passion for building a high empathy and performance culture, I look forward to working with Babita to take our India business, already one of the strongest in the region, to new heights in 2024.”

     

    Said Yi-Chung Tay, Co-CEO of VML APAC: “Saurabh and Babita will be a driving force for growth in India. I’ve watched Babita grow the Ford and VMLY&R Thailand businesses over the years and I’m confident that she will do the same for our clients in India. Saurabh’s elevation is founded on his record of successfully integrating VMLY&R India’s offices, building culture and increasing profitability. I can’t think of a better duo to lead India, which is a key market for VML in APAC.”

     

  • Rana Barua gets a global role at Havas, to continue to helm India of course

    By Our Staff

     

    Havas has announced the elevations of two senior leaders.

     

    Rana Barua, who will continue to be based in Mumbai, will extend his remit to include South East and North Asia. The expansion of Barua’s scope adds nine additional markets under his leadership in his new role as Group CEO India, South East and North Asia.

     

    Said Yannick Bolloré, Chairman and Global CEO, Havas: “I would like to warmly congratulate Alberto and Rana on their new, expanded roles. Their proven leadership skills, vast expertise and innovative thinking will create new synergies and accelerate growth, allowing our teams to further build on Havas’ integrated approach and offer our clients the best possible outcomes.”

     

    Speaking about his new role, Barua said: “I am extremely excited and thankful to the global leadership team for entrusting me with this additional responsibility. These nine distinct markets in South East and North Asia, provide multiple and diverse occasions for collaboration for both our global and local clients. I look forward to working closely with the regional teams and each country’s leadership to create more meaningful engagements and opportunities for our talent and clients.”

     

    In parallel, Alberto Canteli, based in Dubai, will continue as Chairman and CEO Havas Nordics, Benelux, Central & Eastern Europe, and Middle East, while taking on new responsibilities driving special projects in coordination with Donna Murphy, Global CEO, Havas Creative Network and Havas Health & You.

     

    “During moments like these of continued disruption and transformation, I am thrilled to have the opportunity to combine my regional responsibilities in Europe and the Middle East with a new role that will facilitate a closer collaboration with our global leadership team.  AI, Web 3.0 and Blockchain among other advancements, will have a strong impact on our industry and it will be a privilege to contribute to the transformation and turnaround of our business moving forward,” added Canteli.

     

  • Dentsu Creative appoints Nikhil Kumar as Mg Partner

    By Our Staff

     

    Dentsu Creative, the creative agency network of Dentsu India, has announced the appointment of Nikhil Kumar as Managing Partner (West)

     

    As per the mandate, Kumar will be responsible for leading the west region, with a focus on growth and creative excellence and will report to Indrajeet Mookherjee, President, Dentsu Creative.

     

    Kumar joins Dentsu Creative from Publicis Groupe, where he was an EVP and Business Head for a few key mandates. He has over 16 years of experience within the M&A industry. And has championed a few marketing roles in the initial stages of his career before transitioning into specialized fields of the agency ecosystem. Including P&L management, business consultancy, brand strategy, shopper science & even digital excellence.

     

    Speaking on the appointment, Mookherjee said: “The West will play a pivotal role in driving sustained growth & glory for the agency and we are certain with Nikhil’s past expertise across diverse functions of the marketing realm, he has the right ambition and attitude to take us on this journey ahead. We welcome him to our family and wish him the best in his current and future endeavours.”

     

    Added Kumar: “Dentsu Creative has been a formidable leader in its craft and has historically challenged the paradigm of what’s conventional. With its impeccable pool of talent & teams, I’m looking forward to this responsibility of collaborating and steering the agency in a direction that benefits our partners and us equally.”

     

  • Meanwhile, WT S Asia CEO Shamsuddin Jasani moves on…

    By Our Staff

     

    Shamsuddin Jasani has announced he will be stepping down from the role of CEO at Wunderman Thompson South Asia.

     

    Over the past two years, adds a communique, Jasani has accelerated the transformation of the agency to a modern-day growth partner – delivering impactful solutions for clients across the entire customer journey. Under his leadership the agency won large competitive pitches including Skoda, Vivo, Indigo, Hafele, NPCI, Rupay, Manyavar and Cult Sports, across creative, MarTech and commerce.

     

    Jasani reflected on the past two years stating: “It has been an amazing and rewarding two years at Wunderman Thompson and I’m proud of what we have achieved. During my time, we have transformed the company into a partner that provides smart and impactful solutions to crucial business problems – all powered by creative, tech and commerce. As the business continues its evolution, I believe my job is done. I am looking forward to a new and exciting chapter in my life with an amazing opportunity. I thank everyone at Wunderman Thompson – the clients, our partners and specially our team.” Jasani continued.

     

    Audrey Kuah, now Joint-CEO of VML APAC commented on Jasani’s commitment to the agency over the past years: “With such a large and diverse market like India, I have seen Shams work diligently to bring the offices and capabilities together. I would like to thank Shams for his dedication to our business and wish him every success in his new endeavours.”

     

  • Liqvd Asia wins mandate for Devyani Food

    By Our Staff

     

    Devyani Food Industries Ltd (DFIL) which recently launched ice cream brand Infino has mandated Liqvd Asia (LA) to spearhead the brand’s end-to-end marketing initiatives including creative, digital content, PR and offline media.

     

    Commenting on the brand launch, Sudhir Chavan, CEO of DFIL, said: “The Indian ice cream market has witnessed a notable shift towards premium preferences among consumers, indicating a growing demand for high-quality and exclusive ice cream market. With changing consumer lifestyles and growing appreciation for high-quality products & desire for global ice cream flavours, our brand INFINO aims to fill a gap in the market for consumers who seek luxurious and extraordinary ice cream experience. Our robust manufacturing capabilities and connected distribution network provides us an edge over our competition. INFINO embodies the perfect balance of craftsmanship, high-quality ingredients, and delectable Flavors. Currently we’ve launched our portfolio with three formats – tubs, sticks and cups and in the future, we will be exploring more in terms of formats, flavours and SKU’s.”

     

    Liqvd Asia spokesperson Monish Sanghavi, Business Head of Liqvd Asia, added: “Partnering with DFIL on the launch of their premium ice-cream brand, INFINO, has been an exciting journey all across. The team at LIQVD Asia was excited to take up the challenge to launch this premium ice-cream brand in an already cluttered ice-cream market. With our go-to-market launch strategy and 360-degree media approach, we made an impact in the market, where we launched our product. Now, we are all set to take this partnership to the next level as the agency responsible for their creative, media and digital mandate, and create work that strengthens the brand image, disrupts the market and grows the segment.”

     

  • Parle-G latest TV campaign

    By Our Staff

     

    Parle Products has released its latest TV Campaign for its flagship product – Parle G biscuits. The campaign was executed by the advertising agency Thought Blurb..

     

    Said Mayank Shah, Vice President – Marketing at Parle: “The core values expressed in this campaign are quite strong. Young children around the world have an effortless capacity for empathy, which gives them a facility for goodness born out of innocence. We equate this to a higher intelligence relatable to genius. We needed to see if the idea had legs to travel through different formats and media.”

     

    Added Vinod Kunj, Founder and CCO, Thought Blurb Communications: “We immediately realised that we needed to throw out all our pre-conceived notions of scripting. The short format gave us little time to establish relationships and situations. The establishing shots would have to portray the conflict and solutions presented simply. Nothing overly convoluted would work.”

     

  • Australian Open on Sony Sports

    By Our Staff

     

    Sony Sports Network is telecasting live the Australian Open 2024 which started yesterday, January 14. Sony Sports’ English and Hindi will be on till the end of the tournament, that’s January 28, 2024.

     

    Leading up to the tournament, the network launched its ‘#SlamOfTheGreats’ campaign paying tribute to some of the greatest tennis moments in the history of the game, and also featuring Sania Mirza announcing her arrival to world tennis with her first Grand Slam win in 2009.

     

    Said Rajesh Kaul, Chief Revenue Officer – Distribution & International Business and Head – Sports Business, Sony Pictures Networks India: “It’s that time of the year when the best tennis stars gather in Melbourne to compete for the ultimate glory in the year’s first Grand Slam. The Australian Open has consistently been the most watched Grand Slam in India for the last few years.  Our commitment extends beyond on-field action, featuring off-field initiatives like expert insights and opinions from two-time Australian Open winner Sania Mirza and Former India No 1, Somdev Devvarman on our live studio show, Extraaa Serve.”

     

  • Jungle unveils new campaign for BGMI

    By Our Staff

     

    Jungle has unveiled its latest campaign – ‘The Jiggle Wiggle Campaign’ – for Battlegrounds Mobile India (BGMI).

     

    The campaign is conceptualised and produced by Jungle in association with Krafton India’s internal team.

     

    Speaking about the campaign, Srinjoy Das, Associate Director of Marketing, Krafton India, said: “Because of its vast reach, one of the coolest things we have noticed about BGMI is how our fans form their own sub-cultures within the game, which go on to become memes and trends. The iconic “De Jiggle” move which was coined by a then small-time creator Raj who also features in the ad, went on to become a cult esports tactic, followed by a meme and then a nationwide sensation. This campaign is a small tribute to that while it also helps us test the warmth of this pop culture trend and we can’t wait to see how our fans react when they figure out this delightfully fictional take on the iconic Jiggle.”

     

    Talking about the film, Gaurav Banerjee, Creative Head at Jungle added: “Storytelling is only powerful when it comes from within a community, and it was an incredible experience working with Krafton to craft this film. The sheer passion that exists within the gaming community, as well as Krafton’s involvement with the BGMI community to try and find ways to connect more deeply with them – all of this has led to a film which is both true to the game as well as the world of trends we currently live in. It was an absolutely amazing experience to craft this film with Krafton.”

     

     

  • SBI, Signpost, Aerion & EaseMyTrip partner with Mumbai Festival 2024

    By Our Staff

     

    The ‘Mumbai Festival 2024’ has announced its partnership with State Bank of India, Signpost, Aerion Group and EaseMyTrip.com. The inaugural edition of this annual event, promoted by the Department of Tourism, Government of Maharashtra, will try establish Mumbai as an “evergreen tourist destination”. The inaugural edition will include the Kala Ghoda Festival as well as the Mumbai Marathon. Happy Streets, Yoga By The Bay and the Aarogyam Kidzathon will also be part of the nine-day offering which starts on January 20.

     

    Said Sabbas Joseph – Founder-Director at Wizcraft International Entertainment Pvt. Ltd: “We are thrilled to welcome State Bank of India and Signpost India as our partners for the Mumbai Festival 2024. Their support adds immense value to our vision of creating a cultural extravaganza that resonates with the spirit of Mumbai. With SBI as our banking partner and Signpost India as our strategic partner, we are confident in delivering an unparalleled experience to our audiences.”