Category: NEWS

  • CMOs convene at Infidigit-D&B meet

    Infidigit, organic growth search platform, held a CMO Meet in collaboration with Dun & Bradstreet. Said Kunal Aman, Director, Marketing – India, Middle East, Turkey & Africa, SAS:  “Personally, witnessing analytics being applied across diverse scenarios has been fascinating. From creating Covid dashboards for governments for prioritising relief efforts to aiding banks and insurers in detecting sophisticated fraud, our analytics solutions have far-reaching impact. Particularly in marketing, Analytical & AI-fuelled insights are uncovering nuanced consumption patterns and are reshaping content strategies. Our marketing strategy is driven by data insights, enabling us to effectively engage customers at every stage of their evolving journey.”

    Focusing on the digital era in today’s world, Alok Arya, Chief Marketing Officer, Equentis Wealth, added: “Personalisation is the cornerstone of effective marketing, fostering authentic connections and brand loyalty among today’s diverse consumers. In the digital era, while we can measure every footprint, the essence of marketing remains rooted in the tangible touchpoints that evoke genuine emotions, reminding us of the irreplaceable value of human intelligence amidst the advancing tide of artificial intelligence.”

  • Are we set to redefine access and inclusion for cinema lovers?

    Are we set to redefine access and inclusion for cinema lovers?

    Screengrab from Pathan on Amazon Prime Video

    Shruti PushkarnaIn my last column, I featured two brilliant foreign films that dealt with the subject of disability in a sensitive as well as an entertaining manner. Moreover, persons with disabilities were truly represented and their challenges highlighted in both productions for mass consumption.

     

    Sticking to cinema, let’s circle back to India. Recently, three exciting events caught the attention of disability inclusion advocates. It’s been good news for people like me who keep pushing for better (if not equal) media access and representation.

     

    A President Awardee, an RJ and a person with vision impairment, Divya Sharma’s interview of Karan Johar at the Cinevesture International Film Festival in Chandigarh was widely shared across social media platforms. She asked some pertinent questions on the vision of Bollywood vis-à-vis inclusion of disabled folk, normalisation and the role of cinema in shaping mindsets, insensitivity and ridicule at the expense of persons with disabilities onscreen and more. The seven-odd-minute interaction between a visually impaired girl and a leading filmmaker and influencer will hopefully open up more opportunities of constructive exchange of ideas.

     

    You remember the SRK starrer ‘Pathan’ that made headlines even before its release? Yes, I’m referring to Deepika Padukone’s controversial orange bikini and the Besharam Rang song. A lawyer filed a complaint in Muzzafarpur district court of Bihar against the leading actors and the objectionable song that allegedly offended the sentiments of the Hindu community.

     

    We are familiar with the legal trajectory of that complaint as well as the political clamour in different states, seeking a ban on the film. But there was another case filed in the Delhi High Court against ‘Pathan’, which perhaps didn’t grab as much public attention.

     

    A visually impaired student at the National Law School, Bangalore filed a petition along with three other persons with disabilities, out of whom two are visually impaired practising lawyers and one is a hearing impaired professional working as the Executive Director of the National Association for the Deaf. The complaint highlighted the lack of equal access to audio-visual entertainment in theatres and on online streaming platforms.

     

    In response, the High Court issued an interim order directing the producer (Yash Raj Films) of Pathan to make the film accessible with audio description as well as subtitles and closed captions in Hindi before its release on the OTT platform (Amazon Prime Video). And after seven hearings, the court pronounced its final judgment on March 15, 2024, setting a new precedent for accessible cinema.

     

    Why is this case or judgment important? And what are these accessibility features?

     

    The Rights of Persons with Disabilities (RPWD) Act, 2016, includes a provision on media accessibility which states that the government must take measures to make electronic media accessible. In October 2019, an advisory was issued by the Ministry of Information and Broadcasting to the Central Board of Film Certification (CBFC) to persuade producers to make movies accessible. But this was hardly a mandate to ensure compliance. And so, nothing changed, up until now.

     

    The filmmaker, producers and the media fraternity are focused on the 99% able-bodied audience, insensitive to the needs of persons with disabilities. The cost of accommodation is misconceived, seen as an additional burden on the filmmaker. Imposition of access features are also arguably perceived to interfere with an average movie-goer’s cinematic experience. These arguments are a clear reflection of a lack of empathy and sheer ignorance that have led to a systemic exclusion of the disabled community from channels of mainstream entertainment.

     

    But with this recent judgment on Pathan, things are going to change. The judge also directed the other respondents/ stakeholders in the matter to work together and formalise standardised guidelines to ensure accessibility for all future productions. This means that the CBFC will need to include accessibility requirements in its certification process.

     

    As for the cost of providing accessibility features, Yash Raj Films incurred an additional expense of INR 6 lakh, a tiny drop in its Rs 1,000 crore ocean of earnings!

     

    As per Section 42 of the RPWD Act 2016, all persons with disabilities have an equal right to access information and communication technology. The government has to ensure that all content available in audio, print and electronic media are in accessible format. And that persons with disabilities have access to electronic media via audio description, sign language interpretation and close captioning.

     

    Audio Description is a verbal depiction of key visual elements in media and live productions, involving description of the visuals on screen to enable imagination by person with vision impairment.

     

    Subtitling provides a text alternative for the dialogues on screen, by characters, narrators, or any other vocal participants, in the language of the production.

     

    Closed Captioning not only supplements the dialogues but also other relevant parts of the soundtrack, describing background score, phones ringing, noises, or any other audio cues.

     

    The court has ordered for these accessibility features to be included on OTT as well as theater screenings. For now, the cinema halls and producers can work with certain mobile application providers (XL Cinema, Shazacin) which offer access to an audio described track that synchronizes on the user’s smartphone as the movie plays up on the big screen.

     

    And lastly, a movie trailer starring Rajkumar Rao as a visually impaired person flooded WhatsApp groups and LinkedIn feeds on April 9. Set to hit the cinema halls on May 10, this is a biopic of industrialist Srikanth Bolla, the first international blind student in management science at Massachusetts Institute of Technology. Srikanth endured several challenges, rejection and apathy in life, before he set up Bollant Industries with the objective of providing employment to others like him.

    Whether it’s bold activism, asking for equal access and a normal portrayal, ensuring compliance through workable measures or recounting real life struggles of successful persons with disabilities, the case for inclusion is strengthening by the day.

     

    What is preventing the media to initiate baby steps and add disability inclusion into its overall agenda?

  • Tyroo Technologies, Outbrain announce partnership

    Tyroo Technologies, an APAC-based monetisation platform, and Outbrain, a leading technology platform, have signed a multi-year strategic partnership geared towards catalysing the expansion of their existing business portfolios in India.

    Said Shouneel Charles, Managing Director SEA & India (Channel Partnerships), Outbrain: “We are thrilled to build on our existing partnership with Tyroo, a company that shares our commitment to innovation and excellence. This exclusive partnership will further empower advertisers and publishers to leverage the power of Outbrain’s platforms and technology and drive meaningful connections with their audiences.”

    Added Bharat Arora, VP-Native Business, Tyroo: “Given that now we are into 2024, the imminent cookie deprecation looms ahead. Outbrain has the largest network of exclusive direct publisher relationships, with code on-page. These relationships give us the ability to help marketers build targeted campaigns based on keywords and topics to ensure their brand participates in the right conversations.”

  • Sony Yay! to air Shin-chan

    Sony Yay!, the the kids’ entertainment television channel from Sony Pictures (Culvert Max), is now home to the popular Shin-chan show.

    Said Leena Lele Dutta – Business Head Sony Yay!: “Sony Yay! has been consistently working towards building its rich ecosystem of #Happyverse. With its endearing characters that have created connect across the globe, we are excited to welcome Shin-chan to the Sony Yay! Family. We are confident that Shin chan’s charm and mischief will resonate with our viewers.”

    Added Maiko Sumida- Head of Animation Sales and Development, International Business Department, TV Asahi: “We are excited to partner with Sony Yay! And look forward to the comprehensive 360-degree footprint generation for Shin-chan. We look forward to further growing the Shin-chan brand in India through this collaboration.”

    It may be noted that while Super Hungama will continue to air Shin-chan episodes Sony Yay! will air the newer episodes. It’s set to start in mid-May.

  • VerSe Innovation acquires Magzter

    VerSe Innovation, the local language technology platform, has announced acquision of Magzter, a cross-platform, self-service, global digital newsstand with a library of 8,500+ premium magazines and newspapers. This move marks Dailyhunt’s strategic foray into premium content and signifies a transformative juncture in VerSe Innovation’s journey to becoming India’s largest digital media tech conglomerate.

    Launched as Dailyhunt Premium, this subscription-based offering will provide users access to premium content from international publishers in over 60 languages including English, French, Italian, Japanese, Russian, Spanish, and more. This includes globally acclaimed publications such as Time, Newsweek, Fortune, The Economist, Forbes, Reader’s Digest, Cosmopolitan, Vogue, Maxim, Elle, Vanity Fair, New Yorker, Bazaar among others across their respective India and international editions. This expansion addresses the demand for high-quality premium content, particularly catering to the discerning tastes of India’s elite and aspirational upper-middle-class demographic.

    Speaking about the acquisition, Virendra Gupta and Umang Bedi, Co-founders, VerSe Innovation, said: “Magzter is a perfect fit for our ecosystem. The acquisition aligns seamlessly with our growth trajectory and enhances our ability to deliver premium content experiences to our ever-expanding user base. We will keep strengthening our capabilities and spreading our wings, leading the way in India’s digital content space.”

    Added Girish Ramdas and Vijayakumar Radhakrishnan, Co-Founders, Magzter: “We are excited to join forces with VerSe Innovation and contribute to the evolution of content consumption in India,” “This partnership opens up new avenues for delivering high-quality content experiences to users across India, further strengthening our goal of providing unparalleled digital reading experiences to our readers.”

  • Finolex Cables’s OOH campaign

    Finolex Cables, has launched an Out-of-Home (OOH) campaign as part of its ongoing ‘No Stress. Finolex.’ initiative.

    Said Amit Mathur, President – Sales and Marketing: “These standout hoardings are more than just advertising spaces; they’re testaments to our commitment to creativity and excellence. In an era where consumer attention is at a premium, these hoardings offer a unique opportunity to connect with our audience in a meaningful way, cutting through the clutter and leaving a lasting impression.”

  • Gulf Oil & Dentsu Creative campaign with CSK fans

    Gulf Oil Lubricants and Dentsu Creative have teamed up to unveil the ‘Unstoppable Army’ of Chennai Super Kings (CSK) fans.

    The campaign was kicked off with a behind-the-scenes film, featuring CSK players, led by MS Dhoni, as they arrived on set prepared to shoot the Gulf Oil ad.

    Notes a communique: “The Gulf Unstoppable Army campaign is a initiative that fosters a deeper connection between the brand, the fans, and the team. Leveraging digital platforms like YouTube, Instagram, and Facebook for the campaign’s launch and subsequent fan-generated content, Gulf aims to create a cohesive and engaging narrative that celebrates the spirit of cricket and its supporters.”

  • Goafest 2024 & Abby Awards to be held in Mumbai

    Goafest 2024 & Abby Awards to be held in Mumbai

    If the Indian Premier League can happen in South Africa or the UAE, why can’t Goafest take place in Mumbai? Point, and the wise folk at the Adveritsing Agencies Association of India and The Advertising Club, have chosen to organise the 2024 edition of Goafest and the Abby Awards in Mumbai, from May 29 to 31. The venue: Westin Powai, the same place that plays host FICCI-Frames. And was earlier called Renaissance.

     

    The reason, as per a communique issued: the forthcoming Lok Sabha elections. The decision, conscious and collective as it has been described, is to host the 17th edition of the festival on the same dates that it was scheduled to happen in Goa. It may be noted Goafest will continue to be held in Goa in future, and this, as of now, is just a one-off.

     

    First let’s read the statements. Later, do read our two-bit.

     

    Said Prasanth Kumar, President of the Advertising Agencies Association of India (AAAI) and CEO of GroupM, South Asia in a communqiue: “We’re excited to announce that Goafest is happening in Mumbai this year, despite a few logistical challenges. Our collective decision reflects our unwavering commitment to this esteemed event, which has evolved into a cornerstone platform for shaping the future of our industry. It’s become a vital platform for industry, becoming a nexus where industry leaders converge to explore, innovate, and chart the course for a progressive journey. We’re committed to maximizing participation, curating insightful sessions, and ensuring attendees leave with invaluable knowledge. Plus, mark your calendars: Goafest returns to Goa in 2025! Join us for an unforgettable experience at Mumbai Goafest 2024!”

     

    The communique also adds Rana Barua, President of The Advertising Club and Group CEO of Havas India, South East and North Asia, as saying: “The Abbys has always been a platform dedicated to recognising and celebrating outstanding achievements in the advertising and marketing industry. We look forward to honoring the best work of 2023 at the Abby Awards Powered by One Show 2024 this May, in Mumbai. With Westin Powai as the venue we are working towards putting together a dynamic agenda that  will be announced in due course. We are grateful and thankful to the entire fraternity for their continued support and enthusiasm.”

     

    The agenda, speakers, the sessions and the all-important sponsors will be announced shortly.

     

    While all of this was what we gleaned from a communique issued on Friday morning, there’s a little more to what has been issued. According to the info we have received, a cross-section of the powers that be felt that it should perhaps be put off. Yes, no Goafest 2024. That was around the first week of April. When we heard about it and asked some of the Goafest top brass via WhatsApp, there was no clear affirmation or outright denial. However, what we were told was that talks were on to salvage the situation.

     

    For, Goafest and Abby are meant to be for/of/to/by the industry, and aren’t being organised for profit, save the salaries of the secretariat and build a reserve for the rainy day. The organiser-in-chief doesn’t buy a fancy car after the conduct of the festival. It’s meant to be community service. And of course access to some fun in the sun, and loads of booze in the closed confines of sunny Goa.

     

    This year, as per our information, there is a problem. The media economy is in bad shape. Look at the number of empty billboards on the Western Express Highway in Mumbai. With just so many days where no government ads happen due to the Election Code of Conduct, and this year twice over given elections in Maharashtra and elsewhere, it’s not exactly ‘achche din’ for media biggies, the primary sponsors of Goafest.

     

    Colors/Viacom18 has reduced its trade spends. The news channelwallahs (Aaj Tak was one of the main sponsors last year, Times Network before that) are too busy with the elections than humouring agency folk.

     

    Also, the entire advertising agency business is being rewritten. No longer is there enough money in the bag to fund aircraft-loads to Goa. Even if 50% was being paid by the employee.

     

    Net-net: there was pressure.

     

    Abracadabra! All of this can be eliminated if the event happens in Mumbai. Yes, the alcohol is expensive, but one can also ask the Delhi officefolk to airlift those five litres of liquids from Haryana.

     

    Plus the chances of marketing folk being present is very high, as that number is not really very significant when the event is held in Goa. With the event being in Mumbai, albeit in Powai, the likelihood of people doing the trek to Goafest is good.

     

    We tried to gauge the sentiment on the decision from some of our connects. While there is an overall happiness that it’s happening and is not cancelled, there is dismay that it means no official fun in Goa. They said you can’t do that in Mumbai.

     

    And what about all those floral shirts and shorts we bought for Goafest, one regular mused.

     

    Another point posed to us is that if the elections are the reason and since this is the 17th edition of the fest, why didn’t it get pushed to Mumbai all these years when there were elections. Hmmm.

     

    Well, right now the story is that Goafest 2024 (and Abby) are happening. We don’t know if that’ll mean Ogilvy will participate, but we do hope it does.

     

    Meanwhile, a few days before Goafest and Abby, the Zee-sponsored Kyoorius Creative Awards are scheduled to take place. The date is May 24. But that, as we are constantly reminded, is not organised by industry bodies.

     

    For more information on the festival, follow the Goafest handle at @goafestlive and for ABBY Awards Powered by One Show, follow The Advertising Club at @theadclubindia.

    Better still, read it all on MxMIndia.com.

     

    Entries for ABBY Awards Powered by One Show 2024 can be submitted at https://abbyawards.com/

     

  • Deepika Padukone in new Levi’s campaign

    Levi’s has released a new brand campaign “New Fits, Infinite Possibilities” featuring brand ambassador Deepika Padukone.

    Said Amisha Jain, Managing Director & SVP at LS&Co South Asia, Middle East, Africa: “Levi’s has always been a pioneer in women’s jeans and has brought together quality and fashion. For our consumer, style is such an expression and extension of self and this range of fits looks to give women the options they look for, for every occasion. Deepika Padukone as our brand ambassador, really embodies how you can express yourself in denim and through this campaign, we hope that women will find that new favorite pair, in which their style comes to life.”

  • 4AM Worldwide appoints Sriparna Tikekar as CCO

    Sriparna Tikekar
    Sriparna Tikekar

    4AM Worldwide, an integrated brand solutions agency has appointd Sriparna Tikekar as its Chief Creative Officer (CCO). Tikekar will be responsible for leading the creative vision for 4AM and will work closely with teams on revamping the agency’s creative offering and structure, bolstering its content marketing and creative strategy, curating content services, and building brands of scale.

    Jonathan Sreekumaran
    Jonathan Sreekumaran

    Said Jonathan Sreekumaran, Chief Business Officer, 4AM Worldwide: “We are on an accelerated path of creative transformation, and we couldn’t have had a better time to bring Sriparna on board. Her grip on pop culture, content consumption patterns, platform-centric content dissemination, and reader psychology is unparalleled. She brings a unique perspective and creative flair that will undoubtedly elevate our creative output. With Sriparna’s deep understanding of content creation for brands and customer engagement, she is uniquely positioned to drive creative excellence. We are excited to welcome her to the team.”

  • Confronting the Crisis of Credibility & Trust

    Confronting the Crisis of Credibility & Trust

    Kunal SinhaOnce again, a brand that is a household name has let its users down. Except that the duplicity is remarkable.

     

    A recent report released by Swiss NGO Public Eye and the International Baby Food Action Network (IBFAN) revealed stark differences in the sugar content of Nestle’s baby products across various nations.

     

    The investigation, which evaluated around 150 baby products from different countries, alleges that Nestle’s products in South Asian (including India), African and Latin American markets contain significantly higher sugar levels than those in Europe. Brands like Cerelac and Nido contained more sugar by as much as 2.7 gm per serving in India and 5 gm in Thailand– compared to developed nations in the West.

     

    The medical evidence against sugar is clear. Added sugars should not be given to infants, toddlers or very young children because they don’t need it. They get their sugar from natural sources and lactose in their mother’s milk for the first 24 months of their lives. There is a risk that infants will become addicted to sugary foods, which will impact their health from an early age.

     

    But the same Nestlé’s India operation was ranked joint first in the second India Access to Nutrition Spotlight Index 2020. The index is purported to be an independent national assessment to measure the contribution of India’s largest food and beverage manufacturers toward meeting the health and nutrition needs of Indian consumers.

     

    In its citation, the ranking states that some of Nestlé India’s strengths include its overall nutrition governance and management systems that are comprehensive with a clear accountability structure, its pledge to reduce fat, salt and sugar in its products, its commitment to address the affordability of its nutritious products and its responsible marketing policies.

     

    Would you trust the Access to Nutrition Index?

     

    In Indonesia, Aqua, a bottled water brand made by French consumer goods giant Danone, recently topped a new ranking of Indonesia’s biggest plastic polluters.

     

    Sungai Watch, a Bali-based environmental non-profit that deploys river barriers all over Indonesia to stop plastic debris from leaking into the ocean, studied the trash they had collected. The non-profit audited 537,189 pieces of rubbish collected from 268 river barriers in Bali and East Java last year, and published the data in its 2023 Impact Report.

     

    It found Aqua-branded single-use water bottles to be by far the most commonly littered items, followed by products made by Indonesian consumer goods firms Wings Group and Indofood.

     

    Now, Aqua was the first Indonesian company to be certified by B Lab, a London-headquartered certification scheme which rewards “beneficial corporations”, or B Corps, based on their social and environmental impact. Aqua attained B Corp status in 2018 and was re-certified in 2021. How reliable and authentic would that certification be, in the light of the Sungai Watch report, especially since B Lab has faced scrutiny in recent months for helping companies greenwash their record?

     

    Trust is ever so important to us

    Trust is a major determinant in all aspects of our life. We seek it in our families, in our neighbourhoods, in our workplace, in the sporting field. Trust is never absolute but is based on situations, memories, experience, contract, perception, emotions.

     

    From personal relationships, to trade and commerce, politics, society, everything is based on trust.

     

    Trust is a brain’s neural response based on certain stimuli, both internal as well as external as well as certain mnemonic associations developed over years. Trust is vital to any transaction. Without trust there can be no relationship, institution or nation.

     

    The impact of trust goes deep. Gartner studies suggest that 81% of customer are not willing to engage with business or make purchases from brands they do not trust. What’s more, 89% of customers say they would end their relationship with a brand if it violates their trust. According to PwC’s 2023 Trust Survey, 92% of business leaders, 92% of consumers and 94% of employees agree that organisations have a responsibility to manage that trust.

     

    How did we lose trust?

    By definition, trust is as human and messy as the very humans who earn it or lose it. Today, there’s a gaping chasm of societal trust – a “trust deficit,” defined as when there is more distrust than trust between two or more people.

     

    One would have thought that the Information Age and the widespread rise of different media would eliminate some of this trust deficit. In truth, it has only amplified the problem. Personal agenda, partisanship and bias have clouded dissemination of news and information.

     

    Opinion has become interchangeable with fact. Fake news, manipulated information (aural, written or video) and coloured views are so common that it is difficult to decipher the real from the unreal. Trust deficit in media explores the lower depths every minute.

     

    According to futurist Alvin Toffler, “We are increasing the sophistication of deception faster than the technology of verification. The consequence of that is the end of truth. The dark side of the information technology explosion is that it will breed a population that believes nothing, and perhaps even more dangerous, a population ready to believe only one ‘truth’ fanatically and willing to kill for it.”

     

    Brands and mistrust

    In today’s consumer landscape, trust has become a precious commodity. Scepticism and cynicism are on the rise, leading to a decline in consumer trust across industries. From data breaches to misleading advertising, consumers have become increasingly wary of brands and their intentions. The prevalence of fake reviews is a real problem in the retail world and has further eroded consumer trust. High-profile data breaches and privacy scandals have shaken consumer confidence. Instances where personal data has been mishandled, misused or compromised have resulted in a loss of trust in brands across various sectors.

     

    Trust is lowest among Gen Z consumers, among whom only 28% trust the brands they do business with. A study from Deloitte shows that consumer trust in a brand can decline by as much as 144% when a customer believes a company is using AI.

     

    But iconic brands like Aqua and Nestle regularly show up in annual, high-level trust surveys. While it seems intuitive that large, long-dominant brands with the most customers would also be the most trusted, a study found that many household-name brands fell below benchmark trust scores in many industries (figure 1)—indicating that brand recognition is not synonymous with trust.

     

     

    Consumers say that brands’ attempts to engage with them often go wrong when they lack relevance (76 percent) or authenticity (51 percent).

     

    Regaining brand trust

    While the erosion of trust in recent years presents challenges, brands can regain confidence by prioritizing transparency, authenticity and accountability.

     

    The need for trust is on the rise. Globally, 71% of people say that it is more important to trust the brands they buy/use today than in the past. (Edelman Trust Barometer 2023).

     

    By valuing customer privacy, being transparent in communications and practices, aligning with genuine social causes, and consistently delivering quality and value, brands can rebuild trust and establish lasting relationships with consumers. In the era of distrust, brands that proactively address these issues will stand out as beacons of trust, gaining a competitive edge and fostering loyalty in the hearts and minds of their customers.

     

    But most importantly, they need to be reminded that consumer is not a moron. They are babies who deserve care, not addiction, a plastic-free world, not beaches and playgrounds littered with bottles.

     

    Kunal Sinha is a senior strategy and foresights executive based in Jakarta, Indonesia. He is the author of several books including The Future of India’s Rural Markets and Raw – Pervasive Creativity in Asia. He writes for MxMIndia every other Monday. His views here are personal.

  • Havas facilitates partnership between Valvoline & LSG

    Havas Play, the specialised sports, entertainment, and content division of Havas Media Network India, has facilitated a tie-up between IPL team Lucknow Super Giants and Valvoline as its Official Lubricant Partner.

    Said Ipshita Chowdhury, Chief Marketing Officer, Valvoline Cummins: “Evidently, cricket holds a significant place in Indian culture, with millions of passionate fans across the country. The IPL, with its colossal viewership and widespread popularity, serves as a prime platform for Valvoline to amplify its brand identity. Partnering with a property as popular as the IPL enables Valvoline to extend its reach to various segments of its target audience, including dealers, mechanics, and other key stakeholders within the automotive industry. The collaboration emphasizes Valvoline’s commitment to quality, performance, and innovation in automotive lubricants. This partnership not only enhances brand visibility but also fosters deeper engagement and loyalty among consumers, solidifying Valvoline’s position as a trusted and influential player in the market.”

    Added Col. Vinod Bisht, CEO, Lucknow Super Giants: “We are thrilled to join forces with a distinguished brand like Valvoline, a true leader in the lubricant market. Valvoline’s unwavering commitment to excellence mirrors our own relentless pursuit as a team. The shared synergies between Valvoline and the Lucknow Super Giants are unmistakable – as we are driven by a common goal of achieving recognition as performance-driven and passionate champions. This partnership, orchestrated by Havas Play, exemplifies the essence of brand relatability and a value-driven proposition.”

    Talking about the collaboration, R. Venkatasubramanian, President – Investments, Havas Media India and MD, Havas Play said: “Leveraging Havas Play’s expertise in experiential marketing and content creation will serve to amplify the reach and impact of this collaboration. By harnessing its proficiency in crafting immersive brand experiences, we will create compelling narratives around the partnership, resonating with fans both on and off the field. Through innovative storytelling and captivating content, Valvoline will cultivate deeper connections with the audience, ensuring that the brand experience extends beyond traditional advertising avenues.”