Category: PRINT MEDIA

  • Harper’s Bazaar launches new brand campaign

    By A Correspondent

     

    Harper’s Bazaar, the fashion magazine with 29 international editions, has introduced its new brand campaign themed ‘Always in fashion’ in India to complement its international signature ‘Where Fashion Gets Personal’. The magazine has kicked off a new 360-degree brand campaign, which will see lifestyle malls such as Select City Walk in Delhi being branded with Harper’s Bazaar Campaign. ‘Always in Fashion’ – a tri-series outdoor ad campaign with Sonam Kapoor, Anushka Sharma and Priyanka Chopra will cover print, online, outdoors, events & PR.

     

    Targeting the luxury clients, top socialites, HNI consumers, fashion segment and trade, the campaign will run across several lifestyle magazines and trade newsletters apart from digital amplification through trade e-mailers and banners, social media amplification through various Lifestyle Brands with the campaign promoted on social media accounts of major lifestyle magazines such as cosmopolitan, Women’s Health & Harper’s Bazaar India.

     

    The India Today Group also announced the appointment of a new team at Harper’s Bazaar India led by Nishat Fatima as Editor and Ami Patel as the Creative Director.

     

    Sharing her insights on the new brand campaign and welcoming the new team at Harper’s Bazaar India, Mala Sekhri, Chief Operating Officer, Lifestyle Group, India Today Group said, “The new appointments comes at the right time as we unveil the new campaign for Bazaar India. We are happy to welcome Nishat back to the company. Her background and experience make her the perfect editor for Harper’s Bazaar India. We are confident that she will be able to lead the team and help the magazine retain its position as the must-read magazine for the latest fashion, beauty and lifestyle innovations.”

     

    Ms Sekhri added, “We are very excited about this next chapter for Bazaar India!”

     

  • BBC TopGear Magazine India Awards 2012

    By A Correspondent

     

    BBC TopGear Magazine has announced its winners of its TopGear Magazine Awards 2012. Into its fifth edition, the TopGear Magazine Awards brings together a list of the most impressive cars and bikes launched in the past one year in India, which have won the most kudos from the jury comprising of automotive experts.  An award that recognises true passion in our exciting automotive world – BBC TopGear Magazine’s ‘The Stig’ trophy is fast becoming a symbol of recognition for those manufacturers who bring uncompromising and radical machines on Indian roads.

     

    To be held at the Kingdom of Dreams, Gurgaon on December 10, 2012, the ceremony will honour the most significant, game-changing and thrilling machines to set new tyre tread on Indian roads. The jury, comprising of the TopGear road test team, have chosen the best from a slew of launches that happened between November 1, 2011 and October 31, 2012. Unlike many jury awards that judges cars over a few laps over a day or two, the TopGear magazine’s editorial team of automotive experts drive, ride and practically live with these machines throughout the year; and thus, are able to come across key elements in cars and bikes that all vehicle buyers look for before a purchase – attributes that can never be gauged by a simple test drive.

     

    Tarun Rai

    Commenting on the BBC TopGear Magazine Awards, Tarun Rai, CEO Worldwide Media said, “BBC Top Gear is the biggest auto magazine brand in the world with editions in 31 countries. And in each of these 31 countries Top Gear is known for its authoritative take on cars and motorcycles. It is therefore, appropriate that the first auto awards of 2012 are also the most definitive. 26 best cars and bikes of the year, in various categories, will walk away with the Top Gear trophy – The Stig. The Stig trophy itself symbolizes Top Gear’s passion for cars and bikes. The night of Dec 10 will be a big night of celebration as we applaud the very best of the auto industry”

     

    This year’s winners include names like the Mini Cooper S, Renault Duster, Lamborghini Aventador, Mercedes-Benz M-Class, Audi Q3 and KTM Duke 200 among others who have managed to impress the TopGear Magazine team with their sheer capabilities. “We do not judge a car by numbers alone. That would be too easy and strangely, inaccurate. I think for all true car and bike lovers, they are not just machines but living beings whom we talk and spend time with,” says Girish Karkera, Editor, TopGear Magazine India. “The underlying common thread between all our winners is that they are the new benchmark in their respective segments. More importantly, they are brilliant in their own right.”

     

    Taking into account the expansion and diversification of the Indian automotive market, the 2012 edition of the awards have also evolved with all-new categories over last year to reflect the evolution of the Indian automotive scene. Especially, in the SUV segment where we have seen a lot of action. “We Indians don’t seem to have enough of SUVs,” notes Girish Karkera. “Which has prompted us to create new categories to justify the surge in the different kinds of these lovable machines that we now have access to.”

     

    The uncompromising methodology of picking the winners is based on not just engine performance or boot space but also the overall driving and lounging experience, value, reliability, coolness, refinement and the ability of the vehicle to touch a chord with its owner.

     

    TopGear Awards 2012 winners (in no particular order):

    1. Most Beautiful Car of the Year – Mercedes-Benz CLS

    2. Boy’s Toy of the Year – Trikke

    3. Driver’s Car of the Year – BMW 328i

    4. Two-Wheeler Design of the Year – Vespa 125

    5. Engine of the Year – Volkswagen Jetta 1.4 TSI

    6. Exotic Bike of the Year – Ducati Diavel

    7. Family Car of the Year – Maruti Suzuki Ertiga

    8. Automotive Game of the Year – Need For Speed: Most Wanted

    9. Hypercar of the Year- Lamborghini Aventador

    10. Most Improved Car of the Year – Audi TT

    11. Interior of the Year – Range Rover Evoque

    12. Luxury Car of the Year – Ferrari FF

    13. Luxury SUV of the Year – Mercedes-Benz M-Class

    14. Man of the Year – Sarath Kumar S (Two-wheel racer)

    15. Manufacturer of the Year – Honda Motorcycle & Scooter India

    16. Off-roader of the Year- Mitsubishi Pajero Sport

    17. Reader’s Choice Bike of the Year – Bajaj Pulsar 200NS

    18. Reader’s Choice Car of the Year – Renault Duster

    19. Saloon Car of the Year – Hyundai Elantra

    20. Scooter of the Year – Yamaha Ray

    21. Sportscar of the Year – Porsche Boxster S

    22. Compact SUV of the Year – Renault Duster

    23. Urban Car of the Year – Audi Q3

    24. Value Car of the Year – Jaguar XKR

    25. Bike of the Year – KTM Duke 200

    26. Car of the Year – Mini Cooper S

     

  • Vikatan Group focuses on events as growth strategy

    By Tuhina Anand

     

    Tamil publications group Vikatan has charted out its plan for next year which will help it in accelerating its growth. The group is stepping up its interest in doing on-ground activities as it sees immense opportunity that these events provide while helping in growth as well as building the brand further. The strategy being to give advertisers additional platform, increase circulation and bring into fold new readers with new and some revamped offerings.

     

    Talking about their plans, Pravin Menon, National Head, Ad Sales, Vikatan Media Services, said, “Vikatan is a strong brand with a heritage of 85 years and we feel that with our print, digital and on-ground offerings we have a very strong portfolio to deliver to the clients as well as readers and meet their needs.”

     

    Vikatan is now working on finalizing its events calendar for 2013. The focus being that the events will not just help in reaching their advertisers and giving them an additional platform but also their readers. Especially with the reach that Vikatan has it will help them in making inroads with customized events in various parts of Tamilnadu. As Menon puts, “We have a deep understanding of the Tamilnadu market and we want to leverage that. This we want to combine with our diverse offerings by building on ground activities and launch verticals of the mother brand.”

     

    In this regard, the group which has under its umbrella Aval Vikatan, a fortnightly has targeting women, and launching Aval Vikatan Mangalam. This will be a wedding special and is positioned as one stop point for brides-to-be. The edition is planned for January 2012. The magazine highlights different community weddings of Tamil Nadu, different types of foods served at wedding, tips for a fun wedding, wedding collections, beauty tips, unique wedding themes, jewelry, honeymoon destinations and best photographers, among others.

     

    The idea is to catch the readers and advertisers in the wedding season. This will also be present in a digital avatar.

     

    Currently, Vikatan has 10 magazines including their flagship brands Ananda Vikatan, Aval Vikatan and Junior Vikatan. The group has been very active this year in making itself visible to people and pushing itself further to reach the potential readers. Recently it launched a weekly magazine Timepass , an entertainment magazine targeting those young at heart. To launch the magazine the group had also come out with a TVC. Hence, as one can understand that there has been a shift in the way the group is marketing itself. There is an increased emphasis on the digital media and reaching people through the social media. The Vikatan Group is more aggressive and looking at a comprehensive strategy to reach their customers.

     

  • The MxMIndia Annual 2012: The One Big Idea

     

    By A Correspondent

     

    The word idea may throw up various images. In recent times of a cellular phone company with its ads going ‘honey bunny’. Or its star endorser asking “What’s your idea, Sirji?”.

     

    But, mercifully, the core definition of the word idea stays. For MxMIndia’s first annual, we asked a cross-section of the industry on what’s their big idea for their business… what, according to them, is the concept of mental impression that could change the game for them and others?

     

    The objective was to have an unputdownable issue, but one which the business could benefit from. A volume that senior and entry-level professionals will read and develop their own ‘Big Ideas’. A special issue that students consider necessary add-ons to their textbooks.

     

    While we have over a hundred professionals comprising the Who’s Who of the industry responding to our simple question, there are some who didn’t respond, or were travelling or on vacation, or just too busy to write in by our deadline.

     

    For an industry that has built its fortunes on the premise of ideas, it surely needs some soul-searching to figure what could be the way forward if it has to take a big leap into the future.

     

    It was heartening to see the experts treat our request as a no-holds-barred attempt as they reverted with a bevy of options that had us gasping for more. Some gave their views on a macro level, others out of the experience at their own place of work. While it may be a task to list out the options here, the two favourites that had the seal of approval by most were technology and content. Technology, that would play an integral role in making things work seamlessly in the future, and, the right and proper usage of content with which any domain could create a distinction for itself.

     

    Punit Goenka

    Being the biggest by marketshare and popularity, the domain of broadcast had a fair share of ideas that experts thought would make it suitable for the industry’s smooth transition to the future. Sharing one such vision for the future was Punit Goenka, MD & CEO of ZEEL, who had the following to say: “The screens are getting smaller and entertainment too is getting more and more customized. Content, too, on the other hand, needs a fresh perspective, when it comes to this new ecosystem which is in its nascent stage. Avenues for premium and niche content have widened up, and the audience is now in a more acceptable phase than ever before.” Proposing his big idea for the industry, Goenka said that “Narrowcasting is something which I believe has the potential of turning into a big idea which has the scope of altering the broadcasting industry. Surely at this stage, there are immense constraints to it, in terms of internet connectivity, bandwidth charges, cost of devices, etc, but the key is that the future certainly is digital and there are two ways to the same. Narrowcasting would bring in more choices for the viewers, with the influx of new channels and new content patterns.”

     

    Raj Nayak

    Raj Nayak, CEO of Colors had an equally enriching idea as he envisioned: “A lot of avenues that were not available earlier like content on mobile etc will start opening up in a big way with 4G. Broadcasters will increasingly be looking up to digital to bring in more viewers and also revenue for the network.”

     

    Providing a vision statement on behalf of the advertisers, media veteran Sam Balsara Chairman & Managing Director, Madison World had the following to share: “From an advertiser’s perspective, the one idea that I would like to propose to advertisers who use TV heavily is to supplement their ad spends in TV, with some spends in at least one other medium – either Print, Radio, Outdoor or Digital, if not a couple. There is considerable merit in balancing quantitative data on Reach, Frequency, GRPs and

    Sam Balsara

    CPRP with qualitative aspects on how the human mind responds to a stimulus and our experience shows that in majority of the cases where advertising copy quality is average, multimedia campaigns deliver far better on sales and brand KPIs than single media campaigns.”

     

    As for the second-most sought after medium of print, Rahul Kansal, Executive President, Bennett, Coleman and Co. Ltd believed that technology again would be the catalyst that would drive this medium ahead. He said: “Newspapers should be able to engage the readers in a variety of ways and should be able to stimulate all senses of its consumers. What I mean is that print has been largely restricted to having a

    Rahul Kansal

    one-dimensional appeal where one plays only with visual elements. But what really is stopping us from taking advantage of the technological advances and say, add an audio element to the medium? Or we can even look at stimulating a sense of smell in the print medium. I am not saying that such experiments are not happening but they are few and far between and the need is to increase the frequency of such innovations that will help develop better engagement with our readers.”

     

    While most experts had something good to share about the impact that digital has on their business, a more fine vision was provided by Sanjay Trehan, Head, MSN India who said that to be really meaningful, “the one big idea that could potentially change the face of the digital industry in India must reach people with the kind of content that makes a difference to their lives (Hyperlocal), in a language that they understand (Vernacular) and on a device that is personal as well as ubiquitous (Mobile).” According to Trehan, to be really powerful in today’s digital ecosystem, “an idea must also co-opt the community into the creative process (Social).”

     

    Prashant Panday

    Being the most undervalued medium of them all, Prashant Panday, CEO and Executive Director, ENIL (Radio Mirchi) had a sharp message to share as he said, “There is just one simple thing the government must do to do to release the animal spirits of the radio medium – get out of the deep freeze! The deep freeze is apparent. The Phase-3 policy of radio reforms was announced in July 2011. It’s already been 14 months and there is not even a mention of when the auctions will take place. In contrast, the Phase-2 auctions were conducted within six months of the policy announcement in 2006.” Adding another dimension to his appeal, Panday added that there is one other crucial thing the government must do before Phase-3 auctions to change the face of radio. “It must accept the recommendations of TRAI and reduce the ‘separation’ between two adjoining FM channels from the present 800 Khz to 400 Khz. This one single initiative will help double the number of channels in every city.”

     

    Arvind Sharma

    Highly accountable for giving clients their due through way of recognition, Arvind Sharma Chairman & CEO, India Subcontinent, Leo Burnett India had the following message on behalf of the creative frat. He said: “I believe that just like the TV dominant era required a new way of thinking about brand communications – brand stories, a new way of thinking about brands is needed today. A way of thinking that will drive synergies through TV & print, social media, smartphones, mall activations, PR and branded content. In my view this new way of thinking will be ‘Participation platforms’.”

     

     

    Agreeing that the medium of outdoor wasn’t seeing the same rush as the others, Sunder Hemrajani, Managing Director, Times OOH was more straightforward as he pointed out: “Out-of-home in India is in a stage of flux. Though there is a positive momentum in terms of a rapidly growing transit segment, the industry continues to wade through the muddy waters of regulation, measurability, pricing issues & the challenges of creating differentiation.” Advocating a way ahead, Mr Hemrajani said: “In times of flux, what anchors an industry is the ‘big Idea’ – a daring leap of faith that does more than change the rules of the game. It changes the playing field itself.”

     

    Prema Sagar

    Though public relations is ignored by many as part of the media and entertainment ecosystem, MxMIndia believes it plays a vital role. Senior practitioner Prema Sagar who is Principal & Founder, Genesis Burson-Marsteller, had the following to share: “The future of Public Relations in India will hinge on how we build trust and manage perceptions in a period when media and communications channels are evolving rapidly. The proliferation of social media as a credible news source comes down to one thing — trust. With so many resources available to get news and information, audiences only seek sources they deem truly credible.” Suggesting a way forward, Prema Sagar said: “In order for our industry to continue forward and keep pace with advancements, we must be transparent and open — what I refer to as ethical influencing.”

     

    Note the comments above are just nine of the over hundred captains of the Indian media and entertainment sector. Also writing in the MxM Annual 2012 is our battery of columnists (in order of their last names): Ranjona Banerji, Jaisurya Das, Paritosh Joshi, Shailesh Kapoor, Peter Mukerjea, Sundeep Nagpal and Anil Thakraney. Plus all members of Team MxMIndia, save those on leave or sabbatical.

     

    With abundant insights and secrets to what could drive several media domains into a successful future, MxMIndia’s Annual 2012 Issue titled ‘The One Big Idea’ is truly a collector’s edition. It is for private circulation only. To lay your hands on this must-read issue and for bulk copies, you could write to sales@mxmindia.com.

     

  • Sabyasachi Ghosh joins Delhi Press as Ad Sales Director

    By A Correspondent

     

    Sabyasachi Ghosh

    Sabyasachi Ghosh has joined Delhi Press as the Advertising Sales Director. He will be leading the advertising sales function across the group publications.

     

    Mr Ghosh was previously at Ananda Bazaar Patrika for four years, where he was leading the advertising sales for ABP and Telegraph, and then later their magazines division. Prior to that, he spent close to 17 years in GroupM in various roles, spanning both domestic and international markets. He started his marketing career in Response division of Times of India in Kolkata in 1988. Ghosh has a BA in Economics from Jadavpur University and an MBA from IISWBM, Calcutta University.

     

    At Delhi Press, Mr Ghosh will be in charge of managing the entire revenue stream for the group from advertising and sponsorship activities for its magazine brands, online sites, events and reader activations. His mandate is to work out the strategic and tactical programs for unlocking the latent values in many of the group’s publications that are already leaders in their respective genres, developing marketing extensions around the existing portfolio, as well as nurturing some of the recent launches and acquisitions. He will be reporting to Anant Nath, Director of Delhi Press.

     

    Mr Ghosh’s appointment comes on the heels of induction of V. Natarajan as Vice President- Brand Marketing and Strategy. In this role, Mr Natarajan is spearheading the overall responsibility of brand management of Delhi Press magazines and the corporate brand and strategy at the group. He is leading the brand management team, which is responsible for ideating, developing and executing brand management programs for various group publications.The brand team, through its initiatives, is to support both advertising sales and circulation sales for developing marketing programs to facilitate increased consumer awareness and equity for Delhi Press magazines. Natarajan comes with a rich experience of over 20 years in brand & marketing having worked with The New Indian Express, Business Standard, and the ABP group. Natarajan has an MBA from Faculty of Management Sciences, Delhi and an engineering graduate from Jadavpur University. He will also report into the Director, Anant Nath.

     

  • Aaj Tak awarded CII Design Excellence Award

    By A Correspondent

     

    The ‘Aaj Tak font” from Aaj Tak, the Hindi news channel, has been announced the winner of the “Visual Communication award” at the CII Design Excellence Award in New Delhi. The award was presented by Confederation of Indian Industry (CII), which has been associated with Design Summit for the past 11 years.

     

    The font for Aaj Tak is designed to look strong, upright and with a little quirk of stubbornness for a channel that is stubborn to keep reporting the way things are and not package them in a ‘easy to digest’ form. The letterforms were designed as ‘open’ forms keeping in mind the small screen size which many Indian households still have. The design for ticker version was complex as it had to be used in small moving size.

     

    The CII Design Excellence award is the celebration of very best of Indian design over the past 24 months. It seeks to demonstrate the value of design to the Indian industry and will be a true acknowledgement of the prowess of Indian design, innovation and originality.

     

    Commenting on the achievement, Ashish Bagga, Group CEO, India Today Group said, “Congratulation to our design team for such a commendable job. Design plays an important role in differentiating our brand with the competition & making it stand out. Innovation has been core to our all our design and this award will motivate us to further enhance our capabilities.”

     

    The design award was presented to Aaj Tak on the first day of the summit in the overall category of visual communication.

     

  • Chitralekha upbeat on social media

    By Ananya Saha

     

    It took two years for Chitralekha to reach two lakh fans on its Facebook page. According to the official numbers provided by Chitralekha, 96% of these fans are from India with 87% under 34 years. Close to 35,000 active fans make it a highly interactive community. While the group has focussed on FB till now, and is present on Twitter, it will be looking seriously at the latter in 2013.

     

    Mitrajit Bhattacharya

    While many media brands are taking the social media route to be interact with the audience, it is known that beyond the ‘likes’, not many engage with them on a regular basis. However, Mitrajit Bhattacharya, President & Publisher, Chitralekha Group is upbeat about the statistics. “We are very active on FB as a community. We inform, entertain and empower our fans. For instance, the songs in a specially-compiled music CD with our anniversary issue were chosen by our fans, questions to celebs in our popular FB activity – “Chhoti Si Mulakat” are normally contributed by our fans etc. We also share jokes, pics and breaking news regularly. All these translate into an engaged fan base,” he said, while adding, “Regional brands have a huge power to connect with their audiences as friends. We have been a friend to the Gujarati community for over six decades. Social media helps us to be in touch with them closely, particularly the younger lot. Gujaratis are also very heavy users of digital devices, which help the process of connectivity.”

     

    The social media strategy of the group extends to Chitralekha’s brand philosophy “of being friend to our fans and being loved to a completely new younger audience.”

     

    Does an engaged fan base imply an engaged advertiser community as well? Mr Bhattacharya said, “Monetizing social media is a tricky issue, however there are many marquee clients who are actively looking at our online offerings currently.” He insisted that Facebook has played a large role in helping traction onto Chitralekha’s websites.

     

    With no choice but to be present on social media to stay in the game, Mr Bhattacharya concluded, “Digital is the future. All our major titles are available on tablets and smart phones. Our print copies get delivered to over 100 countries (sometimes, we learn about small countries from our subscriber’s database). Just imagine the power of digital, which avoids the problems of physical distribution due to geographical distances, both within and outside the country!”

     

  • ZeeQ brings Amar Chitra Katha universe to TV

    By A Correspondent

     

    ZeeQ, the children’s edutainment channel launched by Zee Entertainment Enterprises Ltd, has acquired 26 episodes of Amar Chitra Katha (ACK) from Ideas Box Entertainment Pvt Ltd. Ideas Box is an independent subsidiary of Amar Chitra Katha Pvt. Ltd.

     

    ZeeQ has plans to beam the 26 episodes of ACK, over 26 weeks, till April 2013.

     

    Subhdarshi Tripathy, Business Head of ZeeQ says, “ZeeQ has acquired this property of ACK from Ideas Box for three years.” Ideas Box is a content, activation, education and television company which has conceptualized and produced the 26 episode series. He adds, “ZeeQ had planned to bring the class room lessons of history in engaging animated format on small screen and ACK is the first step in that direction.”

     

    ACKs episodes capture the Indian heroes of Amar Chitra Katha from the comics and create a first of its kind comic format which is fresh and interesting. This program will help children develop values and harbor integrity in edutainment way.

     

    To name a few, the bouquet of 26 episodes on ZeeQ will consist of Birbal the wise, Ashoka, Prithviraj Chavhan, Chanakya, Shivaji, Vivekanand, Subhash Chandra Bose, Bhagat Singh and Mother Teresa, to name a few.

     

    Every episode will explore two heroes and Itihaas, the voice of History, will tell the tale.

     

    ZeeQ, the 32nd channel from Zee was launched in early November and now is available to the Indian kids’ audience on the platforms of Dish TV (channel no.510) and Videocon d2h (channel no. 525).

     

  • Bloomberg TV to present Autocar India Awards on Jan 9

    By A Correspondent

     

    Business news channel Bloomberg TV India and Autocar India magazine are back for the fifth year in a row with the Bloomberg TV Autocar India Awards 2013, to be held on January 9.

     

    The Bloomberg TV India 2013 Autocar India Awards will be given across 22 categories to the most deserving contributors to the auto industry. The categories in the four wheeler segment are Car of the Year 2013, Best Design and Styling, Best value-for-money car, Best variant of the Year, Best Driver’s car, Manufacturer of the Year, Technology and Innovation Award, Compact car of the Year, Saloon car of the Year, Luxury saloon of the Year, SUV of the Year, Premium SUV of the Year, Luxury SUV of the Year, MPV of the Year, Car Ad of the year, viewer’s choice award – Car of the Year. The categories in the two-wheeler segment are Bike of the year, Premium bike of the year, Import bike of the year, viewer’s choice award – BIKE. The other categories are Car Dealer of the Year, Car insurer of the Year.

     

    Sriram Kilambi

    Sriram Kilambi, President, Bloomberg TV India, said, “The Indian vehicle manufacturing industry has grown at a 12.77% CAGR over the last 10 years. This has led to an overall growth of the sector which currently contributes 6% to the GDP. The Bloomberg TV Autocar India Awards recognise, applaud and honour this role of the automotive sector that’s driving growth in the Indian economy. We proudly salute the achievements of the sector as well as individual players who have strived hard to achieve this success.”

     

    The Bloomberg TV Autocar India Awards 2013 sets the benchmark of standards for the Automotive Industry and honors the best-in class vehicles launched by the industry over the last one year. The ceremony promises to be a spectacular culmination of a keenly contested auto battle. The best in league will be selected by an eminent jury on the basis of extensive & grueling track tests and a detailed methodology.

     

    The jury panel comprises of experts such as Hormazd Sorabjee (Editor – Autocar India); Renuka Kirpalani (Editor – Autocar show); Narain Karthikeyan (India’s first Formula 1 Driver); Shapur Kotwal (Deputy Editor – Autocar India & Editor – What Car? India); Kartikeya Singhee (Consultant Editor – Autocar Show); Manvendra Singh (India’s leading Automotive Historian & Restorer); Rishad Cooper (Two Wheeler Editor – Autocar India); C S Santosh (Motocross Rider); Rustam Mazda (Designer – PININFARINA S.P.A.); Ouseph Chacko (Assistant Editor – Autocar India) and Sumantra Barooah (Associate Editor- Autocar Professional) will leave no stone unturned to ensure that the most deserving automobile is declared the winner in its respective category(s).

     

  • A wishlist of improbables and imponderables for 2013

     

    By Ranjona Banerji

     

    1. Less interference on the newsroom floor by the management (please give me a moment to recover from that fit of exhausting laughter).

     

    2. Editors who have the courage to stand up to owners and marketing departments (I am now in cardiac arrest).

     

    3. Journalists who are less interested in personal aggrandizement and more in getting the facts and presenting a good story (giggling is occasionally good for the central nervous system).

     

    4. Television journalists getting a crash course on what the profession means and what it’s supposed to do (not holding my breath because that could cause pulmonary failure).

     

    5. Some greater knowledge of the English language in English language newspapers (have failed to wipe the smirk off my face).

     

    6. Am not even wandering into better English on television (thus protecting my sanity).

     

    7. At least one evening where TV discussions do not degenerate into a verbal version of WWE. At least the wrestlers’ bodies are more buff (well, one can hope).

     

    8. Newspapers that effectively separate paid or sponsored news from real stories so as not to fool the reader (am wiping a tear from my left eye).

     

    9. Women’s magazines that refuse to reduce themselves to brochures for various beauty, lifestyle and glamour products (oh wait, now who’ll tell me which lipstick to buy?).

     

    10. Glamour and lifestyle supplements in newspapers who remember there was a time when “features” did not mean what PR companies tell you to do (I know, your sides are splitting).

     

    11. A little bit of bitchiness to be re-injected into film journalism (rubbing my hands with glee).

     

    12. For those in charge of book review sections in newspapers to have read at least one book (of course, this means they have to be able to read…)

     

    13. Some semi-wise employed senior journalist to understand how the social media is influencing public discourse (meet me on Twitter and I’ll tell you more…).

     

    14. That at least a few journalists in newspapers are over the age of 13 (I know, no HR department in the country will agree with me but then, they never have).

     

    15. Stop HR departments from recruiting journalists (especially from bogus journalism courses).

     

    16. No more bogus journalism courses (damn, there goes a fine lecturing opportunity).

     

    17. A ban on the following expressions: “wee hours of the morning” unless it refers to dawn micturition, “lesser”, unless you are comparing qualities not quantities (am sorry to use so many big words), confusing “loose” with “lose” where in one case your pants fall off because the elastic has lost its tenacity and in the other you have misplaced your pants altogether (and you are in the altogether), “miniscule” when you mean “minuscule” (and now I give up).

     

    18. Everyone should own a dictionary (preferably not one provided by Microsoft).

     

    19. No more Wikipedia as a source (what! Did I really just say that?!).

     

    20. More media gaffes and goofs so I can remain employed (heh heh heh).

     

  • Pradeep Dwivedi leaves Tata Group for Dainik Bhaskar

    By A Correspondent

     

    Pradeep Dwivedi

    Pradeep Dwivedi has joined DB Corp Ltd. (Dainik Bhaskar Group) as Chief Corporate Sales & Marketing Officer (CCSMO). He will be based out of Mumbai and will report to the Managing Director, Sudhir Agarwal.

     

    Mr Dwivedi comes with a rich 19 years of management experience in B2B and B2C domain across functions and industries. He has wide-based expertise in leading Sales & Marketing, Service Delivery, Risk Operations and Business development. He has earlier worked with Tata Teleservices Ltd., American Express Bank, Standard Chartered Bank, GE Capital and Eicher Motors Ltd. As CCSMO, he will be responsible for overall Sales Revenues and will be leading nationwide Corporate sales for the group publications, Dainik Bhaskar (Hindi), Divya Bhaskar (Gujarati) & Divya Marathi (Marathi). He will also be responsible for trade marketing and establishing brand amongst the corporate market, and will be the Bhaskar representative with press, industry and government forums.

     

    Announcing the appointment, Sudhir Agarwal said, “Pradeep is a very accomplished seniorsales and marketing professional, and with him taking charge the group would benefit from diversity of his experience to take on the emerging challenges and further strengthen the group’s leadership in media sector.”

     

    Prior to joining DB Corp Ltd, Mr Dwivedi was with Tata Teleservices as Regional Chief Operating Officer & Senior Vice President- Enterprise Business.

     

    Speaking at his role and responsibilities at Dainik Bhaskar group, Mr Dwivedi said, “I am excited at the opportunity of joining the leadership team at India’s largest & most innovative newspaper group, working with our esteemed corporate customers and agency partners to firmly establish Dainik Bhaskar Group’s businesses and realize the vision to be the largest and most admired media brand enabling socio-economic change.”

     

    Mr Dwivedi is a MBA from Punjab University, (UBS) Chandigarh, India. He has also done an Executive Programme from the University of Michigan, Stephen M. Ross School of Business, at Tata Management Training Center.

     

  • Bhaskar announces second edition of Mosaic

    By A Correspondent

     

    Encouraged by the success of Mosaic 2011, Dainik Bhaskar Group is now gearing up for an even bigger second edition of ‘Mosaic – India’s Best in Print’. The coffee table book features the best print campaigns of around 70 brands created by 23 leading creative agencies in India.

     

    Mosaic 2011 not only compiled excellent print creatives but had comments by leading media experts on what made them stand out and which were their five favourite ads from the 123 ads printed. With an added feature of the National Creative Directors commenting on what made them choose the creatives as their best, Mosaic is a collector’s publication.

     

    Commenting on Mosaic 2012, Sudhir Agarwal, MD, D B Corp Ltd. said “As a leading national media organization, we are proud to have co-created the first edition of Mosaic in 2012 as the compilation of Best in Print advertising and marketing in India. It illustrates the way the print medium has been used with a significant impact to deliver on brand promise and is a ready reference for professionals practicing the art for the possibilities in print category. The response has been tremendous and I believe, more than 9,500 copies were downloaded in addition to the 4,500 physical copies of the book circulated within the agencies and marketing organizations. A few copies have, in fact, been forwarded by some of the agencies to their counterparts globally as a reflection of Indian work. The teams at the Dainik Bhaskar Group have been working to further improve on Mosaic in its second edition and we are excited to make it more salient and inclusive.”