Tag: Leo Burnett

  • HDFC Life unveils new ad campaign

    By A Correspondent

     

    HDFC Life has launched a new marketing campaign targeted at a niche investor segment that is well versed with ULIPs and is experienced in online buying. The campaign aims to raise awareness about HDFC Life’s second generation online ULIP – Click2Invest. Click2Invest is a unique online Unit Linked Insurance plan that offers not just financial protection but also a range of investment options. This first of its kind of plan is extremely cost effective as it invests 100 per cent of the premium and only charges fund management fee and a risk premium for mortality cover.

     

    Sanjay Tripathy

    Commenting on the new campaign, Sanjay Tripathy, Senior EVP – Marketing, Product, Digital & Ecommerce, HDFC Life said, “Click2Invest has been a game changing plan for the life insurance industry. It passes all benefits to customers by offering 100% premium investment with just fund management and mortality charges – no premium allocation, policy administration and discontinuance fee. On this aspect, it directly competes with ELSS Mutual funds & at the same time retains all the flexibilities offered by ULIPs.

     

    This is the first time that HDFC Life has created an ad that is not entirely based on the emotional quotient but is banking more on a pragmatic ground of investment versus returns. When an investor puts his money in a financial product, his greatest concern is to know about the returns. We have used this very insight to communicate the simple message of the benefits of Click2Invest. The story of the ad is woven around the low charges and how over a period of time, the reduction in charges helps to build a bigger corpus thereby making Click2Invest a superior investment plan over other ULIPs.

     

    On the campaign, Vikram Pandey, Executive Creative Director, Leo Burnett, said “ULIP Investments are often subject to numerous charges. So they do grow, but not to their best potential. This ad, in an innovative way, explains how a small difference in charges today can lead to a big difference in your final savings tomorrow.”

     

    HDFC Life plans to take its new campaign to the customer through different platforms and intensify the brand experience.

     

  • Anup Vishwanathan joins TTN as Head – Marketing

    By A Correspondent

     

    Anup Vishwanathan

    Times Television Network (TTN) has announced the appointment of Anup Vishwanathan, as the Marketing Head of the English Entertainment Cluster which includes premium channels such as Movies Now and Romedy Now. Based in Mumbai, he will work closely with the business and leadership teams at TTN and will report directly to Vivek Srivastava, Senior Vice-President and Head of the English Entertainment Cluster.

     

    Speaking on the announcement, Vivek Srivastava said, “Anup’s expertise in working with a cross section of brands, along with his deep understanding of Media businesses will add great value to our business. I would like to welcome him on-board and I look forward to having a wonderful working experience.”

     

    Speaking on his new role, Anup Vishwanathan said, “I am really happy to be an integral part of the Times Television Network Team. I have had some wonderful clients and colleagues who have enriched me with knowledge and experience with every interaction I have had with them. That’s going to stand in good stead for me. And finally, I have managed to sync my work and my passion- which has always been movies. Looking forward for a blockbuster run here.”

     

    Anup Vishwanathan moves to Times Television Network after a successful stint at Leo Burnett which started in 2006. He has worked on some prominent brands like HDFC Life, Tata Capital, McDonalds, Sony Entertainment Television, Sony Pix, AXN, to name a few. Anup’s career has been an interesting mix of new account wins and accolades for his work on Sony Entertainment Television as well as other brands.

     

  • Leo Burnett rides away with Bajaj Discover

    By A Correspondent

     

    Leo Burnett has been appointed as the AOR by Bajaj Auto for the Discover business.

     

    Commenting on the win, Saurabh Varma, CEO, Leo Burnett said, “It is a privilege to work with Bajaj Auto again. We are committed to using the power of HumanKind and integrated thinking to create a larger share of the future for this iconic brand.”

     

    Raj Deepak Das, CCO of Leo Burnett said, ‘Bajaj is an iconic brand and gives us an incredible opportunity to create purposeful and participative work’.

     

    The mandate will see Leo Burnett crafting communications for Bajaj Discover that spans across disciplines including ATL, digital, retail and activation. The agency had created some memorable campaigns for the brand including Bajaj Calibre – The Unshakeable when they worked with Bajaj Auto from 2001 to 2008.

     

  • Cairn India awards brand-comm mandate to Leo Burnett

    Samir Gangahar

    By A Correspondent

     

    Cairn India Limited, one of the world’s fastest growing upstream oil & gas company has appointed Leo Burnett as their agency on record for their branding communication requirements in India.

     

    Cairn India is one of the largest independent oil and gas exploration and production companies in India.  Through its affiliates, Cairn India has been operating for close to 20 years playing an active role in developing India’s oil and gas resources. The company is a global player that has been rated as the fastest-growing energy company in the world, as per 2012 & 2013 Platts Top 250 Global Energy Company Rankings.

     

    Samir Gangahar, Executive Director, Leo Burnett, Delhi adds, “We feel privileged to be entrusted with the opportunity of playing a crucial role in the branding communication strategy of Cairn India. It further reinforces our belief in our guiding tenets of ‘Purposeful Brands’ whose message is delivered through ‘Integrated Solutions’. We along with our partners Indigo Consulting, MSLGROUP and Zenith Optimedia look forward to working with Cairn India to devise a programme that utilises all possible communication platforms available.”

     

    At Leo Burnett, the integration drive is a strong and emphatic one given that stories happen across channels and are media-agnostic. Leo Burnett will craft and execute integrated campaigns for Cairn India.

     

    The account was awarded in a pitch process that attracted some of the best-known and largest agencies in the country.

     

  • Leo Burnett appoints Hitesh Mehta as VP

    By A Correspondent

     

    Hitesh Mehta

    Leo Burnett India has announced the joining of Hitesh Mehta as Vice President. He will be based out of their head office in Mumbai. Hitesh will be leading the McDonald’s business nationally on both account management and strategy.

     

    Speaking on the appointment, Saurabh Varma, CEO, Leo Burnett India says, “With over a decade of integrated communications experience, Hitesh is extremely passionate about understanding human behaviour and applying those valuable insights to client work. It is this very orientation that is of great value to our strong HumanKind philosophy for our brands.”

     

    Hitesh Mehta, Vice President, Leo Burnett, Mumbai shared, “The QSR market is still quite nascent and there is immense scope for growth. It’s a very exciting time for McDonalds and I am relishing the opportunity.”

     

    Over the years, HItesh has worked in differing local, regional and global roles on some of the world’s biggest brands based out of India, Vietnam, Thailand, Singapore and Indonesia. His last assignment was with Leo Burnett in Indonesia, wherein he was a part of the agency leadership team, successfully delivering on his mandate to partner the marketing teams at Dutch Lady and McDonalds, in pursuit of achieving their growth ambitions within the Indonesian market. On the lookout for new challenges, Hitesh relocated back to India in 2013 and has been working as an independent brand consultant prior to joining Leo Burnett earlier this month.

     

  • Leo Burnett predicts Cannes Lions winners tally

    By a correspondent

     

    Even as most entries await their fate at the ongoing Cannes Lions festival, Leo Burnett Worldwide took on the mantle of unveiling the results of the global advertising industry’s most prestigious event of the year much in advance.

     

    With more than 84 percent accuracy, the agency’s predictions have an unparalleled track record, year over year, recognizing Cannes contenders most likely to win a coveted Lion. Leo Burnett Worldwide’s Chief Creative Officer Mark Tutssel curated the list to encompass the most forward thinking, compelling creative products across channels.

     

    “We sifted and sieved through hundreds of the most brilliant pieces of work from every cranny of the world, spanning Lions award categories,” said Tutssel. “This year’s work is full of humanity, imagination and pure creativity, and remarkable for finding fresh and innovative ways to connect emotionally with people.”

     

    This year’s Cannes Predictions include:

    1. Guinness “Sapeurs” by AMV BBDO / London, UK
    2. Not Impossible Labs + Intel “Project Daniel: 3D Printing Prosthetic Arms” The Ebeling Group / Not Impossible Labs / Venables Bell & Partners / Venice, USA
    3. Skype “The Born Friends Family Portrait” Pereira & O’Dell / San Francisco, USA
    4. British Airways “The Magic of Flying” OgilvyOne / London, UK
    5. New Zealand Transport Agency “Blazed” Clemenger BBDO / Wellington, New Zealand
    6. Colombian Ministry of Defense “You Are My Son” Lowe SSP3 / Bogota, Colombia
    7. Harvey Nichols “Sorry I Spent It On Myself” Adam&EveDDB / London, UK
    8. Mimi Foundation “If Only For A Second” Leo Burnett / Paris, France
    9. Volkswagen – Side Assist “Living Room” / “Bathroom” / “Bedroom” AlmapBBDO / Sao Paulo, Brasil
    10. Terre des Hommes “Sweetie” Lemz / Amsterdam, Netherlands
    11. HBO GO “Awkward Family Viewing” SS+K / New York City, USA
    12. P&G – Old Spice “Smellcome to Manhood” Wieden + Kennedy / Portland, USA
    13. Chipotle “The Scarecrow” Creative Artists Agency + Moonbot Studios / Los Angeles, USA
    14. Google + Warner Brothers “A Journey Through Middle Earth” North Kingdom / SkellefteÃ¥, Sweden
    15. Inakadate Village “Rice-Code” Hakuhodo / Tokyo, Japan
    16. Brazilian Association of Organ Transplantation “Bentley Burial” Leo Burnett Tailor Made / Sao Paulo, Brazil
    17. 350 Action “Climate Name Change” Barton F. Graf 9000 / New York City, USA
    18. Honda “Hands” Wieden + Kennedy / London, UK
    19. Samsung “Maestro’s Academy – Smart Bike” Leo Burnett / Milan, Italy
    20. Honda – Internavi “Sound of Honda / Ayrton Senna 1989” Dentsu / Tokyo, Japan
    21. Nike “The Nike SB App” R/GA / New York City, USA
    22. Adidas “D Rose Jump Store” TBWA / London, UK
    23. Southern Comfort “Karate” Wieden + Kennedy / New York, USA
    24. Newcastle Brown Ale “If We Made It” Droga5 / New York City, USA
    25. Volvo Trucks “Live Test Series: The Epic Split” Forsman & Bodenfors, Sweden

     

    “Our annual Cannes Predictions offer not only Leo Burnett Worldwide’s take on the leading creative work likely to earn Lion trophies, but a magnified view of the bravest ideas and boldest thinking that jolts our craft boldly forward,” said Tutssel who will present “Why Borderless Creativity is the Future of Communications” master class at Cannes. “These are the stimuli that fuel imagination and ignite us to change human bahaviour in vigorous, disruptive bounds.”

     

    Leo Burnett amalgamated Cannes Predictions by viewing hundreds of campaigns, watching global and local awards shows and tuning into industry-wide conversations.

     

  • Starry night for creatives

     

    By Shobhana Nair

     

    Okay, so the chief host was missing. So deep is his commitment to projects he takes on, that R Balki, Chief Creative Officer and Chairman, Lowe Lintas and Partners stayed away from the starry Portfolio Night that his agency was hosting this year.

     

    Portfolio Night is a global event where, as the event’s website notes, aspiring young advertising copywriters, art directors and designers meet with several renowned advertising creative directors in a fast-paced evening of advice, networking and recruitment. “While the evening has been jokingly called “speed-dating for creatives”, it’s really much more than that. In the eleven years since its inception, Portfolio Night has grown to a global event, reaching creative hubs in every continent in an evening where the best of the present meets the best of the years to come.”

     

    In its 12th year, Portfolio Night brings together thousands of young minds on a single night at various top cities across the world. This year, Portfolio Night 12 was held in Mumbai’s Four Seasons Hotel, and Lowe Lintas was the host. Last year, Portfolio Night 11 was hosted in Mumbai and Delhi. While the Mumbai edition was hosted JWT, Leo Burnett got the act together in the capital. This year’s edition saw 13000 participants in what’s often also dubbed as one the world’s biggest “Job Mela”. The work is reviewed on the basis of geniality, creativity and execution.

     

    Apart from the obvious nervous energy in the crowd, the host had put together a fun video on the star judges and their predictable reactions after hearing a creative idea which evoked a great amount of laughter from the audience. Bobby Pawar, Chief Creative Officer, Publicis reacted to the video on him by saying, “I loved it. It’s hilarious and they had a great material to play with.”

     

    Talking about the quality of work expected at the Portfolio Night, advertising veteran and Executive Chairman and Creative Director South Asia, Ogilvy & Mather Piyush Pandey said, “It’s not about wrong. It’s about picking up little nuggets and encouraging them.” Amer Jaleel, National Creative Director, Lowe Lintas and Partners, who’s also the host, was seen in despair and wished he had this kind of platform when he had started out. “These 15 minutes are a big deal and it’s not about advertising but about an experience.”

     

    K S Chakravarty (Chax), National Creative Director, FCB Ulka, known as Chax was however not very lucky as the participants who he met were clueless about advertising in the first place. He explains, “You meet all kinds of people. It’s always luck of draw. Out of this entire lot, the chances are that only 5 participants will be really good and not necessary that I meet the brighter lot.”

     

    Arun Iyer, National Creative Director, Lowe Lintas and Partners shares that the team did miss R.Balki who was at that moment shooting for his movie but kept a close track on what’s happening. He further added, “It’s a fun evening. Of course, a responsibility but not a burden. Portfolio Night is a great platform for everyone and its getting evolved over the years.”

     

    “I feel like a celebrity,” exclaimed Deepanjali Singh, after being announced as All Star Nominee. Deepanjali was among those 75 participants who got a lifetime’s opportunity to present their portfolio in front of the biggies of the business.

     

    Bengaluru-based Mayank Bhayana was adjudged Portfolio Night – All Star from India. “I am still soaking in the news. It’s a terrific feeling indeed,” he said, adding: “And let’s not call it an award. It’s rather recognition that I can do a lot better than that.” The winner of Portfolio Night gets a chance to fly down to New York to take part in a week-long creative challenge on a specific brief.

     

    Hmmmm.

     

  • Ogilvy to participate in Kyoorius Awards. Leo Burnett entries in too

    By A Correspondent

     

    Okay, it’s official. Ogilvy is participating in an Indian creative advertising awards event this year.  This was confirmed to MxMIndia by Abhijit Avasthi, National Creative Director, Ogilvy via the agency spokesperson.

     

    It may be recalled that Ogilvy had chosen to not participate in the Creative Abby last year (2013) and this is the second successive year when the agency – which has traditionally dominated the awards tally – has stayed away.

     

    According to a Kyoorius official, Leo Burnett, which was rumoured to be staying away from all awards this year, has sent in entries.

     

    Although the entries closed yesterday (May 5), given some requests from a few agencies, a few entries will be accepted till early tomorrow morning (May 7).

     

    Meanwhile, the entries for the Abby at Goafest have also closed and according to numbers that Goafest organising committee members have informally told us, the aggregate number of entries for all the Abby – Creative, Media, Digital, Broadcast, PR and others – is in the region of 2700. An Advertising Club officebearer told MxMIndia that a communiqué will be issued on the numbers.

     

  • More khushi when there’s gham

     

    By Shobhana Nair

     

    Advertising and marketing have always been in a happy state in India. It’s an emotion that combines joy and delight of consumers, thereby creating a happy environment for consumption.

     

    Lloyd Mathias

    Before going for a macho refrain, soft drink Thums Up had embraced its tagline of ‘Happy days are here again’ nearly four decades back. In fact as one brand manager told us, it’s an evergreen emotion and always works magic for a brand. “Happiness is a very positive emotion with most brands wanting to build messages around it as it is a primary emotion,” says Lloyd Mathias, director Green Bean Ventures who was head of marketing at Tata Docomo, Motorala and Pepsico India.

     

    Indeed it is. From Thums Up to Domino’s Pizza with Khushiyon ki Home Delivery and from Khushiyon ki Planning at Max Life Insurance to Khushiyon ki Chaabi for Tata Nano and Khushiyon ka Khazana wali Maggi for Maggi, it’s khushi-ness all over. In fact the same line – Khushiyon ki Diwali – was used in the ads of brands Airtel and Asus.

     

    The recent Coca-Cola campaign with Deepika Padukone and Farhan Akhtar talks about the little moments of happiness. The entire sequence of missing the bus, chasing it and boarding it. “It makes a lot of sense to be associated with a positive emotion. Products like beverages and food are consumed by people in a positive frame of mind,” reasons Mr Mathias. “Another commercial by Nestle about a family adopting a girl child and how the boy makes up with her over food is a good campaign. There’s a lot of joy in the food category.”

     

    K V Sridhar

    Khushi, when there’s Gham: Although happiness is an emotion that has been used by marketers for decades, in times of a slowdown and a liquidity crunch, it’s often the possible solution to keep buyers happy. Says K V ‘Pops’ Sridhar, Chief Creative Officer India subcontinent, Leo Burnett: “When society is depressed, it needs something which is optimistic or makes people happy. Unemployment, corruption, politicians, etc add to this state. Therefore, brands are showing optimism and presenting a picture that not everything is going wrong. Today, it has become important for big brands to not talk about the values their brands have, but the values that the brands will bring.”

     

    Santosh Padhi

    According to Santosh Padhi, Chief Creative Officer & Co-Founder, Taproot, happiness is an emotion that’s employed by most brands. “If I want to sell something, I would rather do it in a positive way. In general, brands talk positive unless it is a category like insurance where you need to make your point in a negative way where it gets hammered and more understood. Otherwise, life is all about positivity. Happiness is one part of it; humour is another. And then there is hope and simply being positive.”

     

    Happiness is of course not a phenomenon that works only in India. It’s a global sentiment. Adds Mr Padhi: “In China, Pepsi released a big campaign on Happiness. There’s a man who’s offering happiness to people who are in need like education, shelter, umbrella, spectacles. Pepsi is running it for the past 20 years in China. So when Coke came a few years back with ‘Open Happiness’ as part of a global mandate, Pepsi China didn’t stop. In a huge market like China, two competitors are ‘doing’ happiness.”

     

    The Coca-Cola brand launched the campaign internationally in 2009 – around the time of the slowdown – and the ongoing  Deepika-Akhtar commercial is a part of the five-year-old activity.

     

    Bobby Pawar

    Over-used concept: Says Bobby Pawar, Director and Chief Creative Officer, South Asia, Publicis Worldwide: “I think in tough times, brands want to hold out people to heart. Happiness has a gravitational point for that. But it is such a broad concept unless you try to find true meaning in it. ”

     

    Mr Pawar believes not all advertisers are doing it right. “Happiness as a term is getting over-used. Coke has nailed it internationally. They do create happiness with their world machines,. Only Coke has got it right. Rest of them are like whatever.”

     

    Anand Halve, brand consultant and a veteran ad professional and Co-Founder, Chlorophyll adds on to Pawar’s sentiment:  “Not only happiness, all emotions are being over-used. Brands have started to use this term that aapki zindagi badal jaayegi. Just look at the number of brands that use the word ‘life’. Brands should aim to do beyond just the functional thing. You have to be careful about not going overboard and sounding incredible.

     

    “Coke is doing really well through Coke Studio. Music makes people happy and that to me is genuine happiness. Just hanging a line at the end of an ad doesn’t mean anything… agar mujhe khush karna hai toh, take me out for dinner…don’t just send a voucher,” says Mr Halve.

     

    But Mr Mathias believes, happiness is here to stay. “It can never go out of style. It is a very basic emotion and in a typical day one has a lot of happy moments. It is very logical for brands to show people in a happy frame of mind especially categories like beverages or food which are driven by this. It is an important emotion to build your brand on.”

     

  • Cannes announces jury list for four categories

    By a correspondent

     

    The Cannes Lions International Festival of Creativity has announced the members of a further four juries who will meet in Cannes to judge work in the new Product Design,  Film, Media and Promo & Activation Lions categories.

     

    Commenting on the formidable jury line-up including the new Product Design Lions jury, Terry Savage, Chairman of Lions Festivals, said, “As a global festival celebrating the best creative ideas in brand communications, it is important to embrace all facets of this ever-changing industry, and as such we very much look forward to welcoming the members of the first ever Product Design Lions jury to Cannes Lions along with all our other juries. By judging and awarding only the very best work using integrity, commitment and unbeatable industry knowledge, this esteemed group of industry professionals selected for these juries, will ultimately help drive the industry forward on a global scale.”

     

    As implemented last year, there will be a two-stage judging process for the Media Lions category. A 40-strong jury of media professionals from around the world will be divided into eight sub-groups of five people tasked to cast the first round of votes that will determine the shortlist. Jury president Matt Seiler, Global CEO of IPG Mediabrands, will spend time with each sub-group but will not vote during this first round. At the second voting stage, the shortlist will be judged and the winners selected by the Awarding Jury made up of 13 media industry leaders including the jury president.

     

    The three other juries will be led by Amir Kassaei, Chief Creative Officer, DDB Worldwide, USA (Film Lions); Susan Credle, Chief Creative Officer, Leo Burnett, USA (Promo & Activation Lions) and Donghoon Chang, Executive Vice President, Samsung Electronics, South Korea (Product Design Lions).

     

    Amir Kassaei, Chief Creative Officer, DDB Worldwide, USA is the Jury President for the Film category while Matt Seiler, Global Chief Executive Officer, IPG Mediabrands, is the Global - Jury President + Awarding Jury for the Media category.

     

    Susan Credle, Chief Creative Officer, Leo Burnett, USA is the Jury President for Promo & Activation while Donghoon Chang, Executive Vice President, Samsung Electronics, South Korea is the Jury President for Product Design category.

     

  • Saina Nehwal roped in to endorse Iodex UltraGel

    By a correspondent

     

    Pain relief expert Iodex has launched a new variant, UltraGel that vouches to provide effective relief from pain-related symptoms. To further drive its popularity, Iodex has signed up badminton player Saina Nehwal as the new brand ambassador for Iodex UltraGel.

     

    In the new TVC that has been conceptualised by Leo Burnett, a badminton player at an international tournament is seen fighting severe muscular pain to stand strong on the ground, her smashes making the country proud as she wins the match and stands victorious. But instead of tasting her victory, she sits back to bury her face in a towel, trying to hide her pain. When she lifts her face, it is covered by a mask with a huge smile as she carries on interacting with the media and her fans. The smiling mask continues to hide her pain from the world. But Saina decides to unmask herself by curing the pain and reaches into her kit bag. The TVC ends with Saina accompanied by hundreds of women throwing away their mask and saying “Iodex UltraGel apnao, dil se muskurao”

     

    Talking about the new campaign, Amit Nandwani, ECD- LeoBurnett said, “Women putting up a brave face in day-to-day life to hide pain is a human truth that connects with everyone. Iodex Ultra Gel, with its unique formulation, aspires to put an end to their silent suffering. We needed to drive home the point in an emotional, yet hard hitting manner. I think the device of a smiling mask does it really well as it’s not just visually stark and cut through, but also makes for a refreshing piece of communication in the category.

     

  • CDOspeak | Do less, but effective

     

    By Rishi Vora

     

    From the many aggressive moves Star India has made in the past two to three years in the area of content, it is evident that the broadcast major is leaving no stone unturned in ensuring its continuous dominance in the industry.   Digital, which is seen as central to consumers’ lives, is at the core of Star India’s strategy to augment growth, says vice president and digital marketing head of Star India, CVS ‘Venke’ Sharma. A former marine engineering officer with the Indian Navy and an MBA gold medalist, Mr. Sharma, who comes with around 17 years of experience in shaping the digital strategy for brands, was last with Leo Burnett in Indonesia where he built the digital practice in the agency.  Prior to that, he built a marketing services agency Arc for Leo Burnett India and a digital agency Tribal DDB India for Mudra DDB..

    Excerpts: 

     You joined as the digital marketing headfor Star India network a little less than a year ago. What was the brief given to you and how far have you reached in achieving your goals?

    We are  making steady progress. The brief remains  to increase the demand for the network’s content using digital marketing.   As you know Star India is a leading broadcast network in India with 40 plus channels. And digital being central to consumers’ lives today, it certainly forms a critical part of the network’s overall strategy.    Over 600 million watch television in India, of that, about 90 million are on Facebook and other social networks.  In Sports, the English cluster and even general entertainment channels Star Plus and V, there are a lot of young audiences who engage with these brands on social media on a daily basis.

    Generally in India, the dominant social conversations are about sports, entertainment and politics.  As a network, we cover a wide gamut with definitive content in sports and entertainment. Thus our content inspires conversations on social media. Consumers are interacting while consuming content on TV or on any other device. Our endeavorto shape meaningful conversations that can help create content demand for our channels/shows. So that consumption increases and ultimately morepeople watch our channels.

     Has it changed from what it was earlier?

    The fact is that the network is leading across many genres – like Hindi GEC and English, Sports.  We have made progress in reaching out to people via digital media and engaging with them.   We have been far more focused in terms of not doing too much and doing stuff effectively. It’s more about listening, analyzing, and connecting the dots with actionable insights. I wouldn’t say we are already there but with the effort we are putting in, hopefully we should be.

     

       What are the kinds of mobile initiatives the network comes up with?

     

    All our digital marketing initiatives are mobile centric.  Social media usage itself is largely on mobile. So whatever digital marketing we do is to connect with the audience on the go.  In addition, we do build  appsif there is a genuine consumer context.  For example, we have an app for Mahabharata where consumers can get some exclusive content and keeps them engaged. The app was an important part of the show launch strategy.  We launched an app for Channel V called Vith U. It is an app devised for women’s safety. It has received a phenomenal response.

    The Star Sports app as you know  is very popular, so yes we do invest in mobile and we believe that mobile and social is the way to go.  

    From a brand’s perspective, do we have enough penetration of 3G to support mobile initiatives? Interestingly, social media platforms are aware of this problem and are coming up with ideas to tackle this. Twitter, is promoting an initiative where you can give a missed call on a certain number and you can converse with or follow a brand without an internet connection via SMS.   What’s happening is that the smartphone penetration is really increasing rapidly and also the operators are pushing usage. There is a reasonable amount of usage happening even from lower end handsets.   In fact, the discovery of internet for many people in India is happening via the mobile phone.  And for these new consumers, the digital initiation happens not through email but social media or search. And that’s a very interesting trend.

     With so many brands across categories trying to reach out to the consumers, is there a method to the madness? What is your view on this from the point of view of promoting Star India’s content via digital media?

    The point is that you need not do too much in the digital space. Do less but be effective and disruptive. That’s our mantra. It is not about how loud and how much we can talk but how interesting can we be. That can come from having the social voice being led by the brand  personality.  A brand is an experience and that has to have a voice. This voice will attract consumers to take part in conversations with brands and that’s how the bonding happens. When you’ve established the voice for your brand, you don’t need to do too much. You don’t need to tweet every half hour. Not required at all. On Facebook, if you do too many posts, the actual reach will go down drastically. It’s better you do limited; do the posts which are content rich and which can get meaningful engagement and a wider reach.   If you look at the Facebook page of Channel V, you’ll find we are far more focused. We are not trying to be excessively funny or  irreverent. We are just trying to be what Channel V is as a brand – “Politically Incorrect, Emotionally Correct”.

    Can you share initiatives undertaken to promote the sports channels of the network in the digital space?

    Take the case of  Wimbledon in India. You got about four to five million fans of tennis on social media, and as you know, tennis is a niche sport. So how do you promote it online so that many people would end up watching it?   We came up with an idea of giving out alerts to tennis fans. The insight was that people follow their favorites and they do not typically know when they are playing.   So we said we will send you an alert when your hero is playing. That was the proposition and we got a terrific response. We gave them a site, a number they can give a missed call on and choose the players for receiving alerts. Thousands of people subscribed and  consumed more tennis on TV. These are the kind of initiatives where digital marketing  increases the buzz and viewership on TV.

     

    From a network standpoint, is there a bigger thrust on digital marketing vis-a-vis traditional advertising?

    Of course the network strength is in favor of TV – that is a given. But is there a bigger digital push? Definitely there is a lot of thrust on digital marketing from a network standpoint. Star is a very progressive network and have taken to digital marketing earlier than most other brands. Every media has got its own role to play. The network’s digital thrust is very interesting as it goes into areas where no other media can venture.   Digital media engages with consumers when the TV is on (via mobile) and it of course engages with them deeply when the TV is off.

     For the network’s regional channels, do you think language is a barrier as the most preferred language for digital which includes mobile, social and web is English? Is there an attempt to engage with them in their local languages?

    Language is not a barrier. Our regional and GEC channels use the local language to connect with audiences on digital.

    Are audiences moving away from TV and consuming content only on Digital?

    There are over 90 million social media users (whom we can consider as heavy internet users) and the usage varies from user-to-user. There are people who consume everything on the smart phone and there are also people who are active internet users but when it comes to entertainment-they want to lean back and watch their favorite shows onHD television.   We believe one size doesn’t fit all. We need to be prepared to engage with all of them in the way they are most comfortable with. At Star India, our endeavor is to do all of this with a singular goal which is to create demand for our content and increase overall consumption. There is scope to use digital marketing to increase TV consumption as well as digital consumption.

     

     

    Wish to feature in MxMIndia’s CDOSpeak? Write to MxMIndia Digital Lead Rishi Vora at rishiv@mxmindia.in with a cc at editor@mxmindia.com.