Category: NEWS

  • Big launch for ‘Under The Dome’ by RBNL

    By A Correspondent

     

    Reliance Broadcast Network’s English GEC Big CBS Love will participate in a global television event for the launch of its new show, Under The Dome. The 13-episode series, based on author Stephen King’s best-selling novel of the same name, will launch simultaneously in several countries within the week.

     

    Featuring names in entertainment like Mike Vogel, Rachelle Lefevre, Colin Ford and Brit Robertson, among others, the show has been produced by CBS Television Studios in association with popular Hollywood director Steven Spielberg’s Amblin Television. ‘Under The Dome’ will premier in India on Big CBS Love starting June 28, 2013, every Friday at 10pm.

     

    A serialized drama packed with thrill and excitement, Under The Dome is the story of a small town that is suddenly and unexplainably sealed off from the rest of the world as an enormous transparent dome descends on it. In the tale that ensues, the town’s inhabitants face issues like surviving in the post-apocalyptic condition in the town while trying to understand what the dome is, how it got there and how long it will take to go away.

     

    Anand Chakravarthy

    Anand Chakravarthy, Business Head, Big CBS Network, said, “Under The Dome is undoubtedly the biggest global television event this year and we are excited to be airing the show on Big CBS Love concurrent to its US telecast. Based on the unputdownable book by Stephen King, Under The Dome on television has the makings of a blockbuster television show. There is already great anticipation for the show around the world and across social media platforms everwhere. Another world class television show from CBS that will give audiences in India an exclusive and amazing entertainment treat. ”

     

    Under The Dome is produced by CBS Television Studios in association with Amblin Television. Steven Spielberg, Stephen King, Neal Baer, Justin Falvey, Darryl Frank, Stacey Snider, Jack Bender and Brian K Vaughan, who wrote the television adaptation, will serve as executive producers.

     

  • Marketing outlook healthy despite Europe budget dip

    By A Correspondent

     

    Marketers are continuing to report confidence in the state of the industry, according to the latest results from Warc’s Global Marketing Index (GMI).

     

    Globally, marketing budgets were increased in June (54.3) but there were regional variations on this index. Marketers in the Americas continue to be most optimistic on 56.3, followed by Asia Pacific on 55.5 – the region’s highest reading since this index began – but Europe slipped further to 48.3, representing a second month of decline.

     

     

    The GMI is a unique indicator of the state of the global marketing industry. Every month it tracks conditions among marketers within their organisation and region. A GMI reading of 50 indicates no change, and above 60 indicates rapid growth.

     

    The headline GMI measure – which takes into account marketers’ expectations for trading conditions, staffing levels and marketing budgets – registered a global value of 55.9 in June, consistent with May’s reading.

     

    Region by region, the headline GMI registered 58.6 for the Americas, 58.2 for Asia Pacific and 53.0 for Europe.

     

     

    The index of global trading conditions, the second component of headline GMI, continued to demonstrate confidence among the marketing community this month, registering a value of 58.1. Regional index values stand at 60.2 for the Americas, 59.9 for Asia Pacific and 56.1 for Europe.

     

    The index of staffing levels remains positive, at 57.1 globally. Regional index values stand at 59.2 for both the Americas and Asia Pacific and 54.7 for Europe.

     

    Suzy Young, Data and Journals Director at Warc, said, “Globally, marketing budgets continued to rise in June but this stems from solid growth in the Americas and Asia Pacific. European marketers are less confident and have reduced budgets for a second month.”

     

  • PG, Sundar Swamy elected IAA World Board VPs

    By A Correspondent

     

    Pradeep Guha
    Srinivasan Swamy

    The annual meeting of the IAA World Board of Directors at Cannes on June 18 saw the confirmation of two Indians to key global positions.

     

    Pradeep Guha (or PG as he’s popularly called) gets another term as Vice President and Area Director Asia-Pacific region and Srinivasan ‘Sundar’ Swamy, President IAA India Chapter takes over as Vice President Development Asia-Pacific.

     

    Mr Guha said there was a lot that could be done in the rapidly developing Asia-Pacific region and stressed the need for industry associations to collaborate in the greater interests of its professionals. Mr Swamy added that the 75th anniversary of the IAA was a landmark that would provide an impetus to many developmental events in the region. He also said he would lead a delegation of senior Indian professionals to the IAA 75th Anniversary Leadership Forum that is scheduled for October 3 in London.

  • Eros Now ties up with Tappp for prepaid cards

    By A Correspondent

     

    Online movie streaming service Eros Now (www.erosnow.com) has tied up with digital payment platform Tappp (www.tappp.com) to launch Eros Now Prepaid Cards that will enable cash purchase of Bollywood movies on Eros Now.

     

    With this new partnership, Tappp, the consumer brand of Swissclear Global Pte Ltd, is set to cater to the burgeoning demand for Indian entertainment by making it accessible to a large segment of the world’s population who either do not own credit cards, or are averse to making credit card transactions online. Tappp prepaid cards are available across an extensive global network of over one million retail points across India, UAE, Singapore and Malaysia, which include large chains, as well as small corner and convenience stores.

     

    To enjoy Bollywood blockbusters instantly, some well ahead of television and DVD premieres, consumers simply need to purchase prepaid cards or electronic vouchers at retail outlets, and redeem them online or on their mobile devices for immediate viewing. Prepaid cards start at just Rs 25 for access to movies such as recent zombie comedy Go Goa Gone, starring Saif Ali Khan.

     

    Sundip Argawal, Founder and CEO of Swissclear Global, said, “Digital delivery of content is shaping a new entertainment ecosystem, where consumers are now in control. The whole concept of choice is taken even further by the worldwide phenomenon of prepaid and gift cards, as it not only releases users from costly contractual obligations, but also gives them the choice to spend only on what they want to consume. We are therefore very excited to be working with Eros Now to offer consumers convenience and choice via on-demand entertainment.”

     

    Commenting on the partnership with Tappp, Rishika Lulla Singh, CEO of Eros Now, said, “Eros Now endeavours to provide a premium service that engages a new digital generation of Bollywood fans globally, and this exciting tie-up with Tappp will enable us to continue delivering on our promise to provide customers with the optimum viewing experience.”

     

  • Turner restructures APAC ops, trims staff by 30%

    By A Correspondent

     

    Turner International Asia Pacific has concluded a review of its business and operations, resulting in a decentralization of a number of functions from its Hong Kong headquarters.

     

    The review undertaken with assistance from PWC brings approximately a 30 percent reduction in total positions across the APAC business in the three regions of South Asia, South East Asia Pacific and North Asia. This total comprises open headcount, positions that became vacant and are not being reoccupied, redundancies and outsourcing.

     

    “This restructure is a tough but absolutely necessary process to best position Turner Asia Pacific on the path for future growth towards our ambitious long term goals to double annual revenues by 2020,” said Steve Marcopoto, President and MD Turner International Asia Pacific.

     

    “We are most grateful for the service and commitment of those employees directly affected and will work to ensure that they are offered appropriate support through the transition and to find new opportunities”.

     

    The new, leaner central structure means more efficiency, less bureaucracy and greater empowerment for local management in the company’s three regions of South Asia, South East Asia Pacific and North Asia.

     

  • Four Asianet channels launch exclusively on Dish in US

    By A Correspondent

     

    Pay TV provider Dish has announced the launch of Asianet, Asianet Plus, Asianet News and Asianet Movies in its lineup in the US. With more than 280 ethnic channels in 29 languages, Dish is the exclusive satellite pay-TV platform to offer this leading Malayalam-language content. Additionally, Dish’s broadcast of Asianet Movies marks the US premiere of this Malayalam film channel.

     

    “We are pleased to exclusively offer this programming on satellite and proud to debut Asianet Movies for the first time in the US,” said Sruta Vootukuru, director of international programming at Dish. “Dish has long offered an impressive South Asian channel lineup, and we are dedicated to the consistent pursuit of the best news and entertainment tailored to a variety of language groups.”

     

    Commenting on the launch, Asianet Communications Managing Director K Madhavan said, “When Asianet entered the US market in 2003, our overarching goal was to expand the presence of our special programming. Partnering with Dish to launch the Asianet channels allows us to realize this dream of providing yet another addition to the lineup of Malayalam content in the United States”.

     

  • It’s raining metals for India@Cannes2013

    By A Correspondent

     

    Indian Agencies @ Cannes Lions 2013
    Gold Silver Bronze Total
    Taproot 4 1 1 6
    McCann 2 0 2 4
    Ogilvy 1 2 7 10
    Grey 1 0 2 3
    Publicis 0 1 0 1
    BBDO 0 0 3 3
    DDB Mudra 0 0 2 2
    Leo Burnett 0 1 1 2
    TBWA 0 0 1 1
    Total 32

    India was indeed shining with 23 metals in the bag on Day 4 of the Cannes Lions 2013 International Advertising Festival.

     

    In Design, where India had 19 shortlists, 12 metals were won: 2 Gold, 2 Silver and 8 Bronze Lions. The Golds were bagged by Taproot for The Times of India’s Farmer Suicide campaign and the Ogilvy’s Daylight campaign for Philips Electronics.

     

    Ogilvy secured a Silver each for Philips Electronics and its Persian and Urdu campaign.

     

    The 8 Bronzes went to: two each for Ogilvy, McCann and BBDO and one each for Leo Burnett and TBWA

     

    In Press, Indian agencies secured 11 metals: 4 Gold, 2 Silver and 5 Bronze Lions.

     

    McCann bagged 2 Golds for its campaign for Penguin India Audiobooks. One Gold each was won by Taproot’s Farmers’ Suicide campaign for The Times of India and Grey’s Positive & Negative campaign for Procter & Gamble’s Duracell Batteries.

     

    Taproot’s Farmers’ Suicide campaign and Leo Burnett’s campaign for Tide also bagged a Silver each. A Bronze each went for Gatorade by Taproot and DDB’s creative for PE TV.

     

    Ogilvy’s Philips Electronics India won 2 Bronze for its LED Torch campaign and one for the NGO World for All.

     

  • Committed to quality journalism: Sambit Bal

     

    By A Correspondent

     

    Sambit Bal may have started in the profession as a sports journalist but he spent a fair bit of time in mainstream media is an Indian journalist. First as a correspondent with the now-defunct The Daily and The Independent and later with Deccan Herald. He was editor with Gentlemen magazine for five-odd years before joining Mark Mascarenhas’s total-cricket.com as editor. Later, he joined Wisden Asia as editor and he has been editor of ESPNcricinfo.com since August 2003.

     

    As the premier cricket website completes 20 years, Mr Bal takes our questions on cricket, journalism and specifically how Cricinfo (or ESPNcricinfo as it’s called now) is beyond scores and statistics, as it is perceived to be. In cricketing terms, we tried to bowl him some short-pitched deliveries, but he hit them back with much ease.

     

    Read on…

     

    Despite playing host to some good cricket journalism and cricketing greats writing for you, Cricinfo is still essentially known and referred to for its scores, stats and ball-by-ball commentary. As you celebrate 20 years of the site, is this an image that you are happy with or do you consciously try and work towards being a well-rounded cricketing site?

    That’s an incorrect perception. Apart from being the ultimate resource in cricket in terms of live match coverage and cricket statistics, ESPNcricinfo is also recognized, by fans, players and administrators, as the most authoritative and credible global voice in the game. We employ some of the finest cricket journalists and writers around the world and we follow the highest journalistic practices. Our credibility is based on editorial independence and the fact that we are the only media organisation in the world that can provide a global perspective on the game.

     

    Our next question follows this: if scores and stats and commentary are what people look for, then is there any point paying for expensive journalists and content? In fact over a period of time one has seen that you don’t have too many ”celeb” writers?

    If scores and commentary were all that people wanted, ESPNcrinfo wouldn’t have the position it occupies in the cricket world. We do provide the most reliable scoring service and the best quality of running commentary narrative, but our competitive edge comes from the editorial package we provide, the voice we have, the influence we wield in the game. And it’s a voice we have acquired by investing in and staying committed to high-quality journalism. A scoring and data service can be easily provided, the editorial reputation we have built is not so easily replicable. That’s the reason no other website has managed to come anywhere near us.

     

    As for the second part of the question, I don’t like the word “celeb”. We choose our writers and contributors on the basis of the quality they offer, not how well known their names are. We don’t believe in ghosted columns; we want contributors to add genuine value, and form our cricketer-contributors we want intelligent analysis and true insight. We have plenty of well-known former cricketers on our roster. In India we use Rahul Dravid, Sanjay Manjrekar and Aakash Chopra. Globally, we have Geoff Boycott, Ian Chappell, Ian Bishop, Martin Crowe, Ed Smith, Mark Nicholas and Mahela Jayawerdene to name a few. And of course, we have the finest stable of professional cricket writers in the world.

     

    Would it be right to say that you have moved from being community-driven to commerce-driven? Did the change of ownership impact the editorial direction of the site?

    Completely wrong. We have moved from a community-driven site to an editorially-driven site. Our journalists enjoy the kind of editorial freedom that will be unthinkable in the majority of the Indian media. The best thing about ESPN is that it is a content-driven business that believes in building value, not in shortcuts to drive pageviews. Our editorial mission is to serve cricket and the needs of the cricket fan. If anything, the change of ownership has given us the stability, resources and access to world-class technology to enhance our editorial coverage.

     

    How does the ownership by Disney and ESPN impact you?

    I have answered that somewhat already. ESPN is among the world largest sports- media businesses, which believes in serving the sports fan. It’s a company that invests in quality content. Being part of ESPN gives us the perfect environment for growth.

     

    In the recent IPL spot-fixing controversy and the controversies that have followed them, you had blocked off the comments feature. The web is all about freedom to contribute and discuss and argue. While we appreciate the legal implications, do you think there needs to be a different approach that affords interactivity?

    Freedom must come with responsibility. We are fully committed to integrating the voice of the fans, but we are also a responsible media organisation. When passions are inflamed, it leads to irresponsible and intemperate comments that are not only libelous but contribute little to an intelligent debate. We moderate user comments and occasionally take the extreme step of disabling comments.

     

    Sports coverage is a rights-based business. As the digital media becomes more important than conventional media, do you think you’ll have problems in the years to come doing the coverage?

    We have built a website based on editorial values – that’s our real strength. That’s something that can’t be bought. Not having rights has never been an issue for us; we don’t infringe on any rights and we are open to acquiring some. What we have is far more important: we have the trust of our readers to tell the story as it is.

     

    As a senior journalist and cricket writer, how would you rate Cricinfo vis-a-vis scores of publications with well-known sports journalists writing for them?

    I wouldn’t want to compare, but our numbers tell the story. We are the world’s favourite, most-read cricket website. We are known for credibility and integrity, so we must be doing some things right. But we have a unique advantage over most newspapers, which are constrained by the demands of the local markets. We follow the game from a wider angle, our writers are trained to see the game from a global, not parochial, point of view.

     

     

    Aside: do your commentators and scorers cover matches from the stadium or off TV? Is there any time lag?

    We do it off TV.

     

    What do you expect Cricinfo to grow into 20 years from now? And the next 5-10 years?

    The internet is an ever-changing medium and websites need to evolve continuously. The biggest opportunity lies in handheld devices, and for a content-rich site like ours, the major challenge is to provide an in-depth experience on mobiles and tablets.

     

    Video will become a bigger part of our package, and this need not be only match clips. Video can be used for storytelling and analysis. We have grown our video content steadily over the years, and that process will be accelerated in the coming years.

     

    But one thing is unlikely to change: ESPNcricinfo will stay committed to quality journalism and to covering cricket in the best way possible.

     

  • Zee unveils new corporate brand identity

    By A Correspondent

     

    Media and entertainment conglomerate Zee Entertainment Enterprises has unveiled its new corporate brand identity and positioning. “Vasudhaiva Kutumbakam”, inspired by the core message “The World is my Family”, is the new positioning, which has been creatively integrated and crafted with the brand logo.

     

    Vasudhaiva Kutumbakam is the ancient Indian dictum on shared humanity, promoting a world where there is unity, harmony, and respect for every individual irrespective of caste and creed. The concept originated in the MahaUpanishad in a shloka and it means – “Only small men discriminate saying: One is a relative; the other is a stranger. For those who live magnanimously the entire world constitutes but a family.”

     

    Punit Goenka

    Speaking on the new brand positioning, Punit Goenka, MD & CEO, Zee Entertainment Enterprises Limited (Zee) said, “Zee as a brand has earned global recognition over the last 20 years. Proud of its Indian heritage Zee is a cultural ambassador uniting millions of people in India and across the world through entertainment. It is a matter of immense joy to see this beautiful family of viewers, shareholders, partners and other stakeholders grow stronger. By imbibing this philosophy, we not only cherish their presence, but also welcome the world to be a part of this family”.

     

    The positioning and identity have also been extended to cover the group’s news and digital business verticals under one umbrella brand, called Zee Media.

     

    Ambi Parameswaran

    Ambi Parameswaran, ED & CEO of Draftfcb Ulka Mumbai, the creative agency behind the new positioning route, commented, “Zee is not just another brand for our agency and our relationship with the Zee runs deep. We believe Zee is a true pioneer and a trailblazer in the media & entertainment arena. Today, it is a force to reckon with on the global stage as well. The company is rooted in true Indian values of philanthropy and spirituality. The new identity and the global positioning line try to embody this in a succinct manner.”

     

  • Cheil India hires creative talent, ups bar for ‘Ideas that Move’

    By A Correspondent

     

    Cheil Worldwide SW Asia (Cheil India) has announced an expansion to its team in India. This announcement comes close on the heels of Cheil’s celebration of its 40th anniversary where it unveiled a new corporate identity – ‘Ideas that move’ – that reflects its vision.

     

    The agency has brought in Anupama Ramaswamy and Simran Sahni as Group Creative Directors. The much-awarded duo has moved from JWT where both were working as Senior Creative Directors.

     

    Recently, Navin Theeng and Somenath Chakraborty moved from Contract Advertising to join the Cheil creative team as Group Creative Director and Sr. Creative Director, respectively. On the digital front, Shveta Singh moved from Euro RSCG, to join as Senior Planning Director and Siddhartha Deshaprabhu from Fashos.com, a direct-2-consumer ecommerce footwear e-tailing brand, joined as General Manager -Digital Advertising & Media. The creative teams report into Nima Namchu, while the digital teams report into Rajesh Bhatia.

     

    Hari Krishnan

    Speaking on the appointments, Hari Krishnan, COO, Cheil Worldwide, SW Asia said, “The creative bar is raised at Cheil across the globe. Our aim is to populate the organization with top quality talent who will make a difference and contribute to our global wins. We are fortunate to have on board a talented set of people who are passionate about creating ideas that traverse effortlessly across mediums and consumer touchpoints. They all bring to the table the right mindset to integrate, which is rare in most agencies today. I am sure with these bright stars joining us the right energy will be created and exchanged within Cheil to deliver exceptional work for our clients.”

     

  • Vijay Koshy to head Big RTL

    By A Correspondent

     

    Vijay Koshy

    Big RTL, the joint venture between Reliance Broadcast Network and Europe’s RTL Group, has announced the appointment of Vijay Koshy as vice president. He will head the Big RTL business and be responsible for driving revenues along with profitability growth for the channel, while being responsible for the overall operations in India. He will report to the joint venture board.

     

    With over 20 years in the advertising and media industry, Mr Koshy began his career with InteractVision in 1991 and went on to work with some of the most reputed names in the media industry like Enterprise Advertising, Grey, Lowe Lintas and JWT Fulcrum before moving to the broadcasting industry. Beginning with Star TV in the 2000, Mr Koshy worked with leading broadcasters like ESPN Star Sports and Sony Entertainment over the next nine years before moving into the retail space around four years ago. His last assignment was with the Future Group’s media venture Future Media in the capacity of National Sales Head.

     

    Tarun Katial

    Speaking on Mr Koshy’s appointment, Tarun Katial, CEO, Reliance Broadcast Network, said, “We are delighted to have Vijay on board with us. With a vision to grow through emphasis on innovation, repute of negotiating favourable deals, securing strategic alliances and laudable client development, and driving teams to achieve greater value, we are confident of him leading the business through its next phase of growth.”

     

    Speaking on his appointment, Mr Koshy said, “RBNL is a young multimedia conglomerate with a fantastic management team. They have made an impactful start to their television business and I am very excited to be part of this young dynamic media house, backed with the might of Reliance. I look forward to using my varied experience, to take the business to newer heights.”

     

  • 9X Media launches catchy tune on World Music Day

    By A Correspondent

     

    Music network 9X Media has created a unique song titled Tung Tucking Ting to emphasize its connect with music. The Tung Tucking Ting song has been uploaded on YouTube and is being aired across all 9X Media’s music channels on June 21 to celebrate World Music Day.

     

    “Think Music Think 9X Media is what we aimed at and today 9X Media is synonymous with good music across all genres. We believed that though there is lot of music around us there needs to be a benchmark set for what we air on our channels, this facilitated our journey of gaining the #1 position across all our channels. The Tung Tucking Ting music video is a happy and catchy number that will remain with music lovers,” said Punit Pandey, Executive Vice President & New Business Head – 9X Media Network.

     

    The Tung Tucking Ting song is written & composed by Vaayu Srivastava and arranged by Tanishk Bagchi and the music video was created in association with Clockwork Studio.

     

    The video can be seen at http://www.tungtuckingting.com.