Category: MxM JOURNALISM REVIEW

  • Ranjona Banerji: Incomprehensible guests on news channels

    By Ranjona Banerji

     

    Times Now and CNN-IBN together with Hindustan Times did surveys on the upcoming assembly elections. The Times of India carried the Times Now survey results on Friday in Mumbai (since Thursday was a no newspaper day). But for some reason, the survey which Hindustan Times did and which CNN-IBN showed and discussed on Wednesday night did not show up in Friday’s paper in Mumbai.

     

    This perhaps reflects a double fold problem. The first is, how local should a newspaper be? If some theorists are to be believed, then newspaper readers are most interested in what happens in their neighbourhood and least interested in world events. This means that a pimple on your neighbour’s nose is far more important to you than the prospect of a world war if the US attacks Syria for its use of chemical weapons. How far this underestimates the reader – even the legendary a-political Mumbai resident – is not always taken into consideration. But it is true that it works more than it fails.

     

    The other problem is deciding how far TV and now the internet influence the reader. If CNN-IBN had already shown the Hindustan Times survey and the results would be on the internet including the newspaper’s own website, then why should the Mumbai edition bother to carry it again?

     

    There are a couple of questions to be raised here: is the Hindustan Times ignoring the significance of its own survey by not carrying it in Mumbai and the reach and influence of its own newspaper by assuming that the internet and TV are a sufficient news source for its readers?

     

    It is another matter that the two surveys had somewhat different results for the same elections in the same states. These elections surveys have been dismally and dramatically wrong all too often in India but we still love them. If I worked in a newspaper I would have probably commissioned a few too…

     

    **

     

    Watching the election surveys unfold on Times Now and CNN-IBN was another matter. Having sworn off primetime news TV, I have been blissfully stress-free for the past few months with my doctor very happy with my blood pressure readings. But dinner guests with no concern for my health forced me to watch. I have to admit that watching Arnab Goswami was a joy after ages. He pranced around the studio in a state of great excitement, kneeling down to examine the results more closely, jumping up to question guests, whizzing off to look at some figures. He outdid CNN’s Wolf Blitzer you might say, when that channel does some gimmicky high-tech stuff.

     

    The guests however were as incomprehensible and as badly behaved as always, whether on CNN-IBN or Times Now. It is a mystery whether these people get along with the more mundane parts of their lives with any degree of civility if you have to judge them by the way they behave on TV. New surveys tell us that anger is the abiding emotion on Twitter. But if you ask me, illogical rage and high-pitched rantings are what distinguish TV debates in India.

     

    **

     

    The Indian Express continues with its most interesting revelations about former army chief of staff VK Singh. Friday’s newspaper has a shocker of a story about how Singh set up a special unit which tried to destabilise the Jammu and Kashmir government and block Bikram Singh’s career graph, among other things. The Indian Express got some flak for its earlier story about a possible coup attempt by Singh. This story is bound to set another cat among the pigeons, for want of a better cliche: http://www.indianexpress.com/news/unit-set-up-by-v-k-singh-used-secret -funds-to-try-and-topple-j-k-govt-block-bikram-singh-army-inquiry/1171601/

     

     

  • Ranjona Banerji: There’s more to journalism than social media

    By Ranjona Banerji

     

    10 Horrifying Facts about Flying You’ll be Better Off Not Knowing” says the yahoo.co.in site which insists on opening with my Tata Docomo dongle. Why tell me is then, is what I want to ask and then remember it’s just as well that I saw the headline a day after I’ve flown from Mumbai to Dehra Dun.

     

    As much as everyone goes on about small town India and how important it now is and the rest of that malarkey, the morning papers in only arrive in our part of this capital of Uttarakhand around 11 am. The newspaper is a late bearer of bad news and sometimes not even well constructed. I read an article about senior living centres which mentioned an upscale facility in Doon not far from our house here. However the local edition of The Times of India did not bother to print the story which I had read in Mumbai. The Hindustan Times comes when it or the newspaperman feels like it. The Asian Age is even more temperamental. Only The Hindu and the local Garhwal Post never miss the bus.

     

    The reason for this long diatribe is simple: Where print fails, television and more significantly, the internet step in. I cannot be at the Social Media Week in Mumbai, co-hosted by MxMIndia.com, but there is no doubt that the social media has affected journalism, as friends and former colleagues Sidharth Bhatia, Sachin Kalbag and CP Surendran will be discussing today. In fact twitter has relieved several journalists of the task of calling people and asking for their opinions. It is much easier to just log into twitter and find out. In Mid-Day years ago, getting five people for the “Voices” column was a pain for some. How happy they would have been in today’s world!

     

    But more seriously, there is a visible tendency amongst journalists to take social media as a barometer for what is happening in the world. And without dismissing the significance of social media, there is an inherent laziness in this form of thinking. Yes, social media is a powerful tool for sharing information and opinions and spreading news around the world in seconds. With no newspapers and without having switched on the television, I have learnt from people’s tweets and RTs in the past 10 minutes that the siege as Westgate Mall in Nairobi is still on, that the Supreme Court has made the Aadhar Card voluntary and that Ram Jethmalani has two wives and many girlfriends according to Subramaniam Swamy. Well, actually I already knew the last one because it’s old news and I’m old. What is intriguing is why Swamy needs to be spreading gossip but then he is what he is.

     

    However, more things happen on the ground than on social media and there are more feelings and opinions and ideas out there as well. It may be clichéd but India is a large and complicated country and if you are going to report or pontificate about it, you have to get out there to get a sense of what’s going on. Cost-cutting and glorified sub-editors becoming editors sometimes lead to ridiculous situations where reporters are castigated for stepping out of the office. But telephone or internet newsgathering is just bad journalism. Currently, at best, social media is a barometer for what’s happening on social media. For the rest, the world still exists.

     

  • Ranjona Banerji: Must-see interview and discussion

    By Ranjona Banerji

     

    There were two very illuminating and fascinating discussions on BBC World Service and CNN this week. The first was BBC’s Hard Talk where Stephen Sackur interviewed the musician Roger Waters, founder member of the iconic rock band Pink Floyd. Waters is an intriguing figure not just because of the manner in which he left the band and then fought with the other band members to stop them from using the name but also for his song writing which challenged political positions, especially fascist ideas, but also for his spectacular stage shows. A concert in Mumbai a few years ago had fans from geriatrics with walking sticks to young engineering students all showing up.

     

    Waters today is older and wiser and in a rare occurrence one sensed that the normally tough Sackur, a relentless questioner, was a bit overcome by fandom. Now 70, Waters discussed his father who was a conscientious objector at the start of the Second World War who then became a soldier, the influence of Syd Barrett the band Pink Floyd, the problems within the band after Barrett’s departure and allegations of anti-Semetism made against him. He refused to discuss his differences with guitarist David Gilmour who was not part of the original line-up and who headed the band after Waters left it. This was much to the disappointment of Sackur and of millions of Waters’ fans.

     

    He even stumped Sackur a bit when he said he was surprised that Sackur should ask such an unintelligent question (pertaining to the possibility of the band reuniting). Waters referred to his parting of ways with Pink Floyd as “the schism” and also admitted that he was wrong to have fought a legal battle over the use of the name.

     

    To watch the interview was not just enjoyable from the perspective of a rock fan but also to track the trajectory of a rock star and to understand the motivations of musicians. A good interview is one which draws out a person and allows the viewer glimpses into intriguing minds – without of course abandoning the constraints of civil behaviour. This interview won on all counts. A must for Waters fans, if it can be found on youtube.

     

    **

     

    The second watchable TV experience was a discussion on CNN’s 360 with Anderson Cooper on the retrial ordered into the case of Marissa Alexander who was granted a retrial after she was convicted for 20 years for firing a gun in the air during a domestic dispute.

     

    Lawyers, journalists and legal experts discussed the case. Even for those who had no knowledge of this case it was a fascinating conversation as the law, its provisions and its misuse were all talked about. The people involved in the conversation appeared to be knowledgeable even when they were opinionated. It goes without saying that no one yelled, threw accusations or started in-fighting on subjects outside the main topic.

     

    **

     

    As for Indian news television, it seems once more to be headed towards a war with Pakistan. I have been proud to be a journalist for almost 30 years. But I shudder at the thought that we the media are now in the business of open war-mongering.

     

  • Ranjona Banerji: Sexist media goes ballistic over ‘dehati aurat’ remark

    By Ranjona Banerji

     

    What a drama over being called a “dehati aurat” or a village woman. Gujarat chief minister Narendra Modi made a speech in Delhi where he claimed that according to media reports, Pakistan prime minister Nawaz Sharif called Indian prime minister Manmohan Singh a “dehati aurat”. Modi was furious at this insult (this is a media column, so we shall ignore the insults that the BJP and Modi have chucked at the prime minister) and ready to go to war with Pakistan over this comment.

     

    Then the “media” involved, as in Barkha Dutt of NDTV and Hamid Mir of Pakistan’s GEO TV jumped into the story. Dutt said that she had been part of that interview with Sharif and he did not call Singh a village woman or any such thing. To murmurings that Sharif told a parable which mentioned village women or things were said off the record which mentioned village women, Dutt was unequivocal – Singh was not insulted.

     

    The role of Hamid Mir was not so clear. First reactions from him seemed to indicate that there was something in what Modi had said or indeed that Mir was the source. After that, Mir appeared to confirm what Dutt was saying.
    The end result was just a lot of hot air. But let us assume that Sharif did say what he was accused of saying, for the sake of argument. Modi will play it up in a speech because that is his wont. What is less acceptable is the media reaction. Just because random politicians ratchet up the atmosphere with a bit of sabre-rattling does not mean the sheep who seem to run TV studios have to run behind him. A herd mentality does not have to be a media speciality.

     

    It might have made better sense to first investigate the source of Modi’s accusations, if indeed better sense is an expectation one can seriously have from television.

     

    The media also need not become over-excited to become part of either the political process or a war-mongering effort. Some political parties may want to use them and others will appear to ignore them. The effectiveness of the media is best served by staying aloof and sceptical of everyone. The Dutt-Vir Sanghvi-Niira Radia conversations only remind us of the dangers of thinking that as journalists we are duty bound to start assisting political parties or formations. If you want to do that, quit your job and join a party.
    Moreover, young reporters and anchors seem to let their patriotism sway them in the direction of war-mongers without taking a look at the bigger picture. I am not sure how cynicism can be inculcated in a person but when I was starting out it was hammered into us by our seniors. Or it could be that when journalism was a low-paying vocation, only cynics, nutcases and those so inclined ventured towards it. Now that it has become a “career” with prospects, the vocational or passion aspect has dimmed. I have no proof of this, only empirical evidence but still.

     

    **

     

    As for the village woman remark itself and the reaction to it, the media might have stopped a moment to consider the innate sexism which takes the phrase to be an insult. The fact that being a village woman or more properly an unsophisticated female is a legitimate insult is something which the media needs to reflect on. These sexist postures run deep in Indian society and the media at least needs to jump on them and expose them for what they are.

     

  • Ranjona Banerji: When media ‘irritated’ Lara in Dehradun

    By Ranjona Banerji

     

    Brian Lara came to Dehradun on Thursday to be part of a charity cricket match organised by the Indian Medical Association to raise money for the Kedarnath hospital. A school boy I met after the match told me that Lara left the venue early after the media “irritated” him. The media apparently did not let autograph hunters and the several schoolchildren present interact with Lara and tried to hog his attention the whole time.

     

    I have no way of independently verifying this story but it sounds plausible. It also reflects how our fraternity behaves and in some cases, has to behave. The arrival of an international cricket celebrity in a city like Dehradun is a big moment for the local media as much as for everyone else. It is hardly surprising that the media would try and get every last drop they could out of Lara. And the justification is not tough either: any media has the potential to reach many more than the people gathered at an event. So a media invasion is for the greater good.

     

    However logical this argument is, there are some inherent flaws. Any person – celebrity or otherwise – has the right to interact with people around him or her who are there to for that purpose. Aside from that, media interference can impede the actual event for which the celebrity has been included. Most experienced event organisers therefore set aside an area for the media to interact with celebrities without destroying the event.

     

    But some discipline is required for the media to acknowledge that it is not the be all and end all of an event and to shave off some arrogance by allowing an event to continue smoothly. The Indian media is especially at fault here – and although this can be construed as pointing fingers, photographers and TV people can be especially disruptive. Everyone appreciates they have a job to do but it cannot be at the expense of everyone else’s convenience.

     

    I understand that it is a thin line. That a media presence is much sought after and that it plays a very important and distinct role. I myself can remember being angry when the media is not respected or not given enough access at an event. But conversely, I also remember the anger when some sections of the media misbehave publicly if only because it impedes others from doing their jobs.

     

    This article by Rohan Venkataramakrishnan which appeared in the Daily Mail spells out the rather unpleasant side of how Indian journalists can operate: http://www.dailymail.co.uk/indiahome/indianews/article-2433772/How-Delhi-gang-rape-revealed-ugly-truth-Indias-journalists.html

     

    My experience at Wimbledon showed how the media can be treated with respect for its own professionalism as well as for the space for tennis stars and their millions of fans. Apart from press conferences, there were opportunities for one-on-one interviews, for mingling in the players’ restaurant and watching matches easily, all regulated by a hard-working press centre. It can be done so that everyone is reasonably satisfied.

     

    There is one other problem. There is actually no such thing as “the media”, except when it comes to issues like constitutional rights. We are a random group of individuals who are competing with each other for access. It’s hard for the outside world to understand. And sometimes I wonder if we do ourselves, when you consider the high sense of entitlement some of us demonstrate.

     

  • Reviewing the Reviews: Besharam is savaged by critics

    Director: Abhinav Kashyap

    Cast: Ranbir Kapoor, Pallavi Sharda, Rishi Kapoor, Neetu Singh

     

    By Deepa Gahlot

     

    Ranbir Kapoor’s golden boy image took a bit of battering with this one, more so because this pairing with Dabangg director Abhinav Kashyap was expected to work wonders.

     

    The plotless film, with crude gags, has Ranbir playing a Delhi lout who first steals the car of the woman he loves and then tries to get it back. The film depends too much on the star and his parents Rishi and Neetu Kapoor, who play cops, but are actually there, because it made for a newsworthy casting coup. The leading lady (Pallavi Sharda) and villain (Jaaved Jaaferi) seem incidental to the goings on.

     

    No wonder the film was savaged by critics, the unkind one giving one star and the kinder ones, two. Most hovered at the 1.5 stars mark.

     

    Rajeev Masand of ibnlive.com ranted: “The film’s plot, likely scribbled on toilet paper during an inspired moment on the pot, is centered on a loutish car thief, Babli (Ranbir Kapoor), who must steal back a car that he sold to a murderous money launderer (Javed Jaffrey), when he falls for the poor girl who owned the car (newcomer Pallavi Sharda). Handled with adequate lightness, this might have been an inoffensive, forgettable comedy, but Kashyap’s treatment of the material is so indifferent, the film doesn’t even hit that mark. Indeed ‘Besharam’ appears to be rolling out rather than unfolding, with not one actor so much as pretending to have a good time. What do you say about a film in which Javed Jaffrey looks too bored to over-act?”

     

    Sukanya Verma of rediff.com lamented: “The director of the predictable but entertaining Dabangg opts for yet another hackneyed plot about the proverbial misguided but golden-hearted orphan cum car thief and his decision to turn a new leaf after he falls in love. Only Besharam, with its tedious soundtrack (brace yourself for a song after every few minutes) and low-cost disposition, is so unbelievably sloppy and senseless, not even the best actors in the business can redeem it no matter how hard they try. And try they do, hard, too hard.”

     

    Wrote Karan Anshuman of Mumbai Mirror: “Filmmakers and stars should realise that a formula done fifty times over is not a similar golden egg-laying goose. The only motivation behind Besharam is to devise a hit– to work a spreadsheet and spit out receipts worth Rs 100 cr at the box office. Everyone understands that films need to be profitable. But are filmmakers forgetting that telling engaging stories is also a part of the job? Can cinema be reduced to an equation? In case you’re wondering, here it is: [Dabangg-Salman+Ranbir x flip introduction for climax+new girl+6 songs (subdivide one for each mood)-story+meta father son jokes] 2.”

     

    Sarita Tanwar was bowled over by Ranbir in DNA. “There is no denying that he is the glue that holds this film together. He is in every frame. And he does this new genre unabashedly. He proves there is nothing he cannot do. He shows off his versatility (and butt cleavage! A dig at Saawariyaa and Sanjay Leela Bhansali?)”

     

    Nandini Ramnath of Mint commented: “The flesh is willing but the spirit weak in Besharam, Abhinav Singh Kashyap’s unimaginative tribute to seventies Hindi cinema. Ranbir Kapoor’s carefree car thief Babli is inspired by characters played by Dharmendra and Amitabh Bachchan, but there’s a big difference between now and then. None of Kapoor’s predecessors had to shove socks into their underwears, adjust the area of their trousers around their crotches, imitate Michael Jackson dance moves, sniff the mattress used by their lady loves, and verbalise their sexual prowess. Kapoor’s bare back and a hint of whatever lies below it is viewed in a bathing scene that is sure to have a long afterlife on YouTube. Another seventies star, Ranbir’s father Rishi Kapoor, plays a constipated police officer who is seen in two painful sequences on the toilet pot, willing his intestines into action.”

     

    Shubha Gupta of Indian Express nailed it: “This is a film which pre-empts us from coming up with the classic line, “haaye, sharam nahin aati hai kya”, because it is called Besharam. Which then frees it to indulge in every single “shameless” thing a Bollywood flick safely can, presumably because it has an A-list star. This is a film in which the hero is a self-confessed luchcha-lafanga: remember that phrase? The kind of thing that the villain used to do- be an illiterate lout, crack cheap jokes, harass the heroine, and pull at his crotch whenever possible – is now down to our hero. Not discreetly, that would be unbecoming of a ‘besharam,’ but loudly, accompanied by background music, with the kind of exaggeration that doesn’t allow you to look anywhere else.”

     

  • Ranjona Banerji: Kunal Vijayakar – very funny, very right!

    By Ranjona Banerji

     

    At the outset, I take no credit for what I’m about to relate. The way events unfolded may be entirely coincidental but they are curious. A few weeks ago I tweeted that CNN-IBN’s normally excellent satirical news programme, The Week That Wasn’t now appeared to have become overtly right wing. Someone retweeted this to Kunal Vijaykar, surely one of the funniest men on Indian television and an exceptional mimic. Vijaykar replied asking what I meant and I explained that all political parties were made fun of but the BJP. There was no further communication after this exchange.

     

    However, the next episode of The Week That Wasn’t had a little fun at Narendra Modi’s expense. The opportunity was immense – that incredible Happy Birthday to Narendraji song sung by Mallika Sherawat (http://www.youtube.com/watch?v=2i-OyKTTdG8). It was Sherawat though who bore the brunt of the jokes made on the show, not Modi barring a few elliptical remarks. And according to some observers, a line about Modi’s birthday cake coming from Best Bakery (which I saw) was removed in the reruns. Interestingly, I saw the line about Best Bakery doing the rounds on Twitter the day of Modi’s birthday, which was a Tuesday (September 17). The Week That Wasn’t is aired on the weekend so…

     

    The week after that, the show struggled again to try and find something funny to say about the BJP and settled on LK Advani for some feeble attacks. The impression was this has to be done so let’s get on with it. This week too was weak and meagre at best. However the jokes about Rahul Gandhi, Mayawati, Mulayam, Manmohan Singh and sundry other people remain better than the rest. From the past, Vijaykar’s take on former president Pratibha Patil is perhaps his best, followed by his Mayawati. The last BJP person who was targeted as far as I can remember was Nitin Gadkari and he was easy pickings.

     

    Sadly, the skit on Laloo Prasad Yadav this week, after he went to jail, was not up to standard in spite of all the excellent matter available for satire. I sense tiredness in the show’s funny bone. Perhaps it needs a rejig. Perhaps its writers need a holiday. Perhaps they need a better understanding of politics.

     

    This is not to suggest that the show has to be fair and attack all political parties equally. It is well within its rights to be biased and support whoever it wants. In which case, it should inform us all of its intentions rather than pretend that it treats everyone equally. It does appear though that the TV18 group, after all the churning that has happened staff-wise, has become right wing. It was always evident in firstpost.com and now is visible often on TV. I’m not even alluding here to media gossip which is rife but just going by what you see on TV and read.

     

    It is odd though that the India Today group which is often accused of being right wing and pro-BJP and RSS can come up with that excellent So Sorry series which pokes brilliant fun at everyone while The Week That Wasn’t no longer can. The So Sorry cartoon on Rahul Gandhi and the “nonsense” ordinance and Narendra Modi dreaming of become PM are two of my favourites.

     

  • Ranjona Banerji: Good job by media on Phailin

    By Ranjona Banerji

     

    Cyclone Phailin (I almost put a hashtag before Phailin as a default reaction from too much Twitter!) was obviously an acid test not just for state administrations but also for the media. And for the most part, the media did a very good job. Many brave young reporters stood with their rain gear bringing us the latest from the coastline and inner areas of Odisha and Andhra Pradesh last Saturday, with almost non-stop cyclone coverage.

     

    Anchors in the studios filled us in with the meteorological stuff, all in CNN style minus Anderson Cooper and holographic images of course. For some reason, Times Now did not get the memo that Phailin, name chosen this time by Thailand, was pronounced Pey-lin and so continued with the ‘F’ effect.

     

    Of the lot of them, CNN-IBN was the least restrained and most professional. Or at least I was jogging along with this impression until at crunch time when the cyclone was supposed to hit they went into a sponsored feature from Siemens. I mention the company name because I remember it. For newscasters and advertisers, there are times when you have to realise that advertising is intrusive and it is better PR to just put it on hold for a while.

     

    Ads were the problem across all channels however but that was just regular breaks. And everyone understands that media houses have to make money but perhaps even the advertiser needs to wonder if they want their brand associated with natural disasters as they unfold.

     

    Newspapers did what they have to do under such circumstances: gather all the information available and put into perspective for their readers.

     

    **

     

    As usual, social media was steps ahead of everyone else and many followed American meteorologist Eric Holthaus on Twitter for his predictions. As it turned out, Holthaus may have overestimated the category that Phailin would fall into but his constant tweets, updates and pictures were of great help. (His handle is @EricHolthaus for those interested).

     

    **

     

    Phailin and its coverage will hopefully nudge the media in India – of all kinds – towards better weather and climate coverage. Newspapers like The Hindu and Hindustan Times are among the few that take it seriously, the rest just give it a cursory nod. Of the TV channels, NDTV has stuck to bringing the weather to its viewers long after its once most recognisable weather girl Anuradha has presumably moved on to other things.

     

    It seems amazing that this phenomenon which affects our lives and that of our planet everyday is so ignored. And with all the advances in meteorology and in technology, there is plenty of fascinating information available. As we saw with the Phailin coverage, the Indian Meteorological Department has moved forward in leaps and bounds. Surely, the weather is worthy of a little more attention?

     

    **

     

    Taking off from that, why have climate change and the environment fallen below the media’s radar? Its effects are there for everyone to see and experience. We need to take the sciences a little more seriously perhaps in the media. I’m not saying stop salivating over Bollywood, cricket and Narendra Modi. I’m just saying widen the frame a bit…

     

  • Reviewing the Reviews: Boss didn’t deserve more than 2 stars

    By Deepa Gahlot

     

    Boss

    Directed by Anthony D’Souza

    Starring Akshay Kumar, Mithun Chakraborty, Aditi Rao Hydari, Shiv Pandit & Ronit Roy

     

    This one’s every critic’s nightmare, the kind of film for which it’s hard to point out any positives, but the moviegoing public watches with relish. In the case of Anthony D’Souza’s Boss, even this low-brow and forgiving audience has turned up its nose.  Maybe Akshay Kumar should reinvent himself since Salman Khan has cornered the market for action comedies and Ajay Devgn for pure South-style action. There’s no more room at the top.

     

    Ratings could not go beyond two, which is understandable, the film didn’t deserve more

     

    Rajeev Masand of IBNLive.com wrote, “Directed by Anthony D’Souza, who helmed that awful underwater adventure ‘Blue’, this remake of the Malayalam hit ‘Pokkiri Raja’ is packed with lengthy flashbacks, cringe-inducing melodrama, and the kind of pedestrian dialogues that evoke memories of bad ’80s potboilers. The action scenes are surprisingly gruesome, their effect amplified by the sound design. The film’s gags, meanwhile, are uniformly juvenile.”

     

    Sukanya Verma on rediff.com commented, “In the plausibility-challenged schemes of Boss, a teen, tanned version of Hindi-speaking Akshay Kumar hurling a volley of coconuts on Sudesh Berry’s unsuspecting skull grows up to be full-grown, fair and fit Haryanvi-spewing Akshay Kumar making audible mincemeat out of the baddies. Needless to say, it all takes place in slow motion. As if the monotony wasn’t stretching long enough!”

     

    Shubhra Gupta of Indian Express gave up at the start, “Within a few minutes of the opening, I knew this is one of those flicks you can watch with your ears. Dhadaak, khachhaak, crrruunch, thapppadd, dhachhaak. And krrrrich, bhadaang, dhadaam. And when Boss aka Akshay Kumar decides to take a break from pulverizing bones and flashing cleavers and blowing up cars, it becomes dhinchak, dhinchak, dhinchaaak! The soundtrack is a faithful raconteur of the Boss’s (Kumar) exploits in his turn as a rowdy from Haryana, in another ‘South remake’ after Rowdy Rathore. For a minute I thought I was back in Rathore land, because there were Sonakshi and Prabhudeva shaking a leg with Akshay. For all intents and purposes, this could be called Rowdy 2, because Akshay does exactly what he does in that earlier film, but with different co-stars, and a plot that is totally subservient to labelling him Boss every two minutes.”

     

    Vinayak Chakravorty of India Today quite rightly pointed out that Boss simply went for a toss. “It is one thing creating a Guinness record with the world’s biggest poster as a publicity gig for your film and quite another being Bollywood’s biggest boss. Akshay Kumar has done the former to hardsell his new film, and he has been gunning for the latter over the decades. If box-office records could be manufactured like Guinness-compatible posters, Akshay would have wrested them long ago. Boss once again underlines the aimlessness that has largely dominated Akshay’s career in his race for the top. The film rides his stardom from the moment he enters the frame about 40 minutes into the runtime. Only, what follows has nothing new to offer.”

     

    Nandini Ramnath of Mint felt that a walk in the park would be better than enduring this film. “There’s enough bone-shattering violence in Boss to make you wonder about the film’s UA certificate. Forget the children, whose innocence might be lost forever after sitting through over 2 hours of action sequences strung together in a semblance of a plot, and spare a thought for the grown-ups. The dialogue, by lousy punning specialists Farhad-Sajid, is juvenile; the actors go through the motions; the action wouldn’t look like anything if it ran at its normal speed instead of in slow motion.”

     

    Karan Anshuman of Mumbai Mirror mused, “T here was a time when homicidal maniacs who killed for fun and games were referred to as the antihero. Now take the same chaps and give them a sense of humor, selective altruism, and they’re heroes for the masses. As long as a flamboyant hero’s intent is in place, whether he delivers or not and regardless of his past, he is who you are to root for.”

     

    Saibal Chatterjee of NDTV.com wrote, “A Haryanvi hunk, supine on a charpoy atop a truck, arrives at a granary and proceeds to kick up plenty of heat and dust. His grand entry is accompanied by ear-splitting background music. Here to ward off a posse of criminals, he takes up position on the right of the frame.

     

    His main foe, the leader of the hoarders, asks him why. The protagonist’s answer is as predictable as it is daft: haven’t you heard that the boss is always right? He repeats that line ad nauseam through the film. Unfortunately, for all the pain that he inflicts on himself and the audience, this boss is never quite right.”

     

  • Ranjona Banerji: Old Spice goes down the dude

    By Ranjona Banerji

     

    I just do not get the Old Spice ad with Milind Soman. He’s a good friend Milind Soman and a good-looking man. But something about the ad doesn’t click. For one, Old Spice flubbed very badly by dubbing the original international ad starring Isaiah Mustapha on the assumption that Indians don’t understand anything. Having done that, they have now tried to take the same idea – manliness and a sense of humour and cobbled together an ad which achieves neither. Soman looks either too pleased with himself or unconvinced at the words he’s made to spout, which are not that funny anyway. In fact, you cannot figure what he’s saying at first listen which defeats the whole purpose anyway.

     

    One understands that Old Spice doesn’t want to be seen as a fuddy-duddy brand but also doesn’t want to be seen as a dude-y brand. Its current positioning however seems to be neither and nowhere at all.

     

    I found the whole Park Avenue take off on manliness in their Beer Shampoo ads far more amusing. It was ridiculous on the manliness part of it – frightening bears, chopping gigantic logs of wood, being stupid enough to drink the shampoo (something which Old Spice does not achieve) – and then contrasted that with the shiny bouncy hair that is presumably every man’s dream.

     

    **

     

    The Hindu family coup against professional editors has now turned absurd. The newspaper itself ran a story about how employees burst firecrackers with joy because The Family had returned. There was a giveaway tucked into that story somewhere – promises of large bonuses. Yeah, we would all go the firecracker way if those were coming to us.

     

    On Twitter, Malini Parthasarathy has been taking pot shots at professional journalists and very pointedly putting the professional in inverted commas. Meanwhile, MK Venu, resident editor of The Hindu’s Delhi edition has also quit.

     

    Some of the problem seems to be former editor Siddharth Varadarajan’s decision not to give Narendra Modi front-page news every time he squeaked. The Hindu family has said that they are not pro-Hindutva (which has long been evident) but they did not buy Varadarajan’s explanation that Modi did not deserve to hog the front page.

     

    However, these are problems which should be sorted out by a phone call. There has to be something deeper than that in an overnight removal of an editor two years after a dramatic decision to remove editorial from family control. Six members of the Hindu board are still against N Ram’s decision to remove Varadarajan and CEO Arun Anant and also at Ram’s use of a double vote. How that plays out is yet to be seen but the alacrity with which other board members have jumped into editorial roles might show that these six will have to lick their wounds.

     

    The Hindu has achieved something which its mighty magnificence has withstood for 135 years – made itself a laughing stock. If anyone is licking their chops here, it is The Times of India which will see this as a boost to their advancement into South India.

     

    **

     

    Random thoughts: Sachin Tendulkar’s impending retirement has been hogging headlines and that is bound to make his fans delirious and detractors left fulminating. One suspects the fans will win. The Economic Times has dumped its non-economic feature-driven back page and replaced it with sports. How will that play out? The Hindustan Times is still continuing with its half-jacket on the front page, unknown to what purpose. However I did get a very nice collection of bathing soaps as a gift for renewing my subscription. This makes up for the DVD of Paan Singh Tomar which I did not receive last year!

     

    Ranjona Banerji is a senior journalist and commentator based in Mumbai. She is also Contributing Editor, MxMIndia. She can be reached via Twitter at @ranjona. The views here are her own

     

  • Ranjona Banerji: 2014 is an acid test for journalistic integrity

    By Ranjona Banerji

     

    Indian newspapers seem to be trying to follow a western pattern in the run up to the next general elections by picking their favoured candidates/parties most likely to win in 2014. However they don’t quite have the hang of it yet. So while there is a general tilt towards the BJP, they suddenly appear to veer off into the opposite direction. American newspapers seem to have taken their own sides too and much more emphatically. The New York Times is firmly against Narendra Modi while The Wall Street Journal favours him. This has, not unnaturally, caused some heartburn in the parallel universe of the social media which is filled with Modi fans. But there should be nothing to worry for them: several international newspapers like The Guardian and The Telegraph (politically as diverse as you can get) have questioned the sanity or validity of Rahul Gandhi’s various remarks.

     

    **

     

    This is not connected with any evidence, empirical or otherwise, or is not even conjecture. But it vitally important at this time to keep an eagle eye on the media at this point in time. This is when the bogey of paid news rises, as elections approach. This is when managements decide it is time to make money out of political parties and individual candidates by printing pro-stories for a consideration. One easy giveaway is when the same newspaper carries diametrically opposite stories on the same party or same candidate on different days. Often managements, who are extremely clever and strategic, neglect to inform their troublesome colleagues in the editorial department of what they are up to.

     

    There is much confusion about paid news in the general public. Some see at as a tag to be attached to journalists who do not support their chosen political party or candidate. Others see it as journalists looking for freebies and are willing to write anything for in return – whether from a political party or a five star hotel. The first contention is nonsensical. Just because journalists disagree with your political ideas does not make them agents of the other party. Tragically however, the other breed does exist: the journalist who will write anything for money and the journalist who is in the pay or thrall of a political party. There is a third category, seen more often in the non-English media where a journalist is forced by managements to act as a marketer as well.

     

    These are the scourges of the profession. It is because of them that managements like Bennett Coleman introduced Medianet where a celebrity or wannabe celebrity can pay the newspaper to get favourable news printed. Other managements have followed suit. These are no longer editorial decisions or the actions of a crooked journalist. Medianet and its variations are now rampant and no reader can (or should) believe most of what appears in the glamour papers.

     

    Paid News is the Medianet of politics. And there are other similar strategies for corporate and business coverage as well. Journalists one has to say have brought this upon themselves. But readers and viewers can exercise judgment for themselves. There are a couple of well-known columnists who appear on TV as spokespersons for the BJP for instance. Therefore when you read their columns you have a clear picture of where they come from. Supporters for the Congress are a bit thin on the ground and every “secular” person is not necessarily a Congress agent.

     

    But there is no question that this is dangerous territory, filled with landmines for readers, viewers and those journalists who have not sold out. The Election Commission has taken Paid News seriously and has recently included newspaper managements in its scrutiny. This general election is going to be extremely vicious and divisive and the scope for transgressing all the rules is massive. On our toes, then.

     

    Ranjona Banerji is a senior journalist and commentator based in Mumbai. She is also Contributing Editor, MxMIndia. She can be reached via Twitter at @ranjona. The views here are her own

     

  • Ranjona Banerji: Be damned if you write about the Right!

    By Ranjona Banerji

     

    Writing or speaking negatively about the BJP, RSS and Sangh Parivar never fails to attract plenty of anger and insults – both on paper and via the internet. There are enough stories about journalists getting various kinds of threats and women usually bear the brunt as imaginative descriptions of rape are often attached to these threats. While other political groups may also take umbrage in unpalatable forms, the rage of the right wing in India is particularly vicious.

     

    In the current battle over who owns the legacy of Sardar Vallabhbhai Patel, Hindu columnist Vidya Subrahmaniam went back into history and Patel’s scathing letters to the RSS. Since then, she has received 250 calls threatening death by callers claiming to be from the Tamil Nadu branches of the RSS and VHP. She is quoted as saying, “The callers have been abusive and also threatened physical harm by bombing me at my home. They have used filthy and vulgar words.”

     

    While one can get inured to insults and threats via snail mail, email, social media and the comments sections of websites and journals, getting phone calls at home is quite another matter. Political parties need to work out better ways to control their cadre and the police need to understand how to deal with such abuse.

     

    Interestingly, our political parties are so caught up in scoring points over each other that the Congress’s Ajay Maken took up the matter with the implication that Subrahmaniam had approached the Congress for help, which she denied. The BJP’s Meenakshi Lekhi just sidestepped the actual threats with an attack on the Congress. Taking responsibility for actions is not something politicians find it easy to do – perhaps that requires character?

     

    **

     

    The trial into the phone-hacking and bribing of police and other officials by former News of the World editors and staff has started in the UK. It is worth following the questioning of Rebekkah Brooks and Andy Caulson, both the accused editors. Lots of murky and salacious stuff is emerging but behind the muck, there are some very real questions of media over-reaching which have to be tackled. The scandal did not just shut down the News of the World, it also led to Ruper Murdoch being questioned by MPs, with him apologising. A commission into media ethics headed by Judge Brian Levenson was set up and its report is still being debated by editors and Parliament.

     

    **

     

    Media ethics… Hmm not a bad subject to debate in India either? A scuttlebutt says that a prominent cricket “historian” has been dumped by a news channel on which he was a favourite for reasons that could be best described as unknown. However, newspapers of the same group continue to use his ‘writing’. What is going on?

     

    **

     

    The Mumbai edition of the Hindustan Times has started a series on Mumbai’s roads. A full-page everyday looks at problem roads and solutions with excellent graphics. Good layout, negotiable text and plenty of information – HT has to be commended for this effort. This is what establishes a city newspaper.

     

    **

     

    Newspapers – and they are well within their right to do so – have started using RTI and RTI activists to collect information on how much the government spends on itself. We have been informed about how much petrol and diesel is used by government in Delhi. We have been told that meetings were cancelled because people had to catch flights. We have been told that drivers earn more than ministers in Maharashtra because of overtime. All is well.

     

    But as any canny journalist can tell you, all those stories can be reversed. You can outrage that to save on petrol bills, bureaucrats in Delhi who did no work and did not visit troubled areas. The amount of money spent on cancelled plane tickets just for one meeting can be another story. And ministers in Maharashtra who never step out of Mantralaya can be one more. Wait for it!

     

    Ranjona Banerji is a senior journalist and commentator based in Mumbai. She is also Contributing Editor, MxMIndia. She can be reached via Twitter at @ranjona. The views here are her own