Category: TV

  • 9XM to sponsor 3rd Olive Crown Awards

    The third Olive Crown Awards would be presented in March 2013 in Mumbai with 9X Media as principal sponsor. Announcing this, recently elected President of the India Chapter of the International Advertising Association (IAA) Srinivasan Swamy said that the Awards, which were launched at the Goa Fest in 2011, had been scaled up and held in Mumbai in March 2012. “There has been widespread acceptance for these awards,” he said adding “corporates see the green message as a key differentiator in a competitive environment”.

     

    Mr Swamy further added, “I am pleased to confirm that 9X Media would be our principal sponsor once again. This is a measure of the success of this award and the commitment of the sponsor”.

     

    Mr Pradeep Guha, CEO, 9X Media said “the Olive Crown awards are not just a salute to creativity in the green space, they are a measure of the advertising industry’s seriousness to get the green message on top of the strategic agenda. We are happy with the way the awards were conducted last year, and our association with Olive Crown mirrors our own commitment to the social space.”

     

    The Olive Crown Awards are for creative excellence in communicating sustainability – communication that projected advertisers’ activities in any area that saved energy, contributed to a cleaner environment or positioned them as custodians of Brand Earth. Advertising appearing in the calendar year 2012 would be eligible to enter. The Call for Entries would go out on the January 1, 2013. There would be no entry fee.

     

     

  • The Anchor: How 24×7 TV would cover Babri Masjid demolition today

    By A N Chorrea

     

    The attempt is not to make light of what happened at the Babri Masjid structure on December 6, 1992 and what happened before and after the incident. But given the way 24×7 news is on television these days, the mind wonders what the coverage would’ve been like if the event had occurred 20 years hence and often wanders :

     

    So in the style of a a stand-up act, here we go with eight of the several news channels we have beaming to the country:

    Times Now: Arnab Goswami has a 24-hour coverage of the event and a floating 24-member panel. People from across the world are connected and he says for the first time “our” channel is bringing such live footage… cecause India wants to know. Before the discussion starts, Arnab talks for some seven minutes on the incident and tell us how “our” channel is the only channel with six cameras at the place of action. Among the panelists: Lord Meghnad Desai, Shobhaa De, Vinod Mehta, Ravi Shankar Prasad, Abhishek Manu Singhvi, Suhel Seth, Mohandas Pai

     

    NDTV 24×7: The channel’s most bankable faces are on the job. Barkha Dutt embeds herself in special helicopter with P Chidambaram (yes, we know he’s no longer Home Minister, but still has a say in most matters) and Home Minister Sushil Kumar Shinde. Get ready for the inside dope as a makeshift studio is made with the structure as the backdrop. Among the panelists: Vinod Mehta, Ravi Shankar Prasad, Abhishek Manu Singhvi, Brinda Karat, Ramchandra Guha, Mani Shankar Aiyer, Swapan Dasgupta

     

    CNN-IBN: A dismayed Rajdeep Sardesai and Bhupendra Chaubey evaluate the impact on the society and polity. In between the discussion, he keeps asking for calm in the country… being the unofficial conscience-keeper of news television. A discussion follows on how the media treated the coverage. Among the panelists: Yogendra Yadav, Vinod Mehta, Ravi Shankar Prasad, Abhishek Manu Singhvi, Swapan Dasgupta, Ramchandra Guha, Mani Shankar Aiyer

     

    Headlines Today: Rahul Kanwal leads the discussion, enraged. The panel goes on about whether the event could’ve been avoided. The discussion takes a break with Kanwal’s exclusive interview with the Vishwa Hindu Parishad chief.

     

    Aaj Tak: The channel airs an interview with one of the actors of a movie it is associated with. Later, a discussion follows on the issue with a large panel: Uma Bharati, Abhishek Manu Singhvi, Lalu Prasad Yadav, Mahesh Bhatt and the UP Chief Minister.

     

    ABP News: Deepak Chauraisa leads the discussion, and as always give you a feeling that he’s on top of the news… he knew it all. Tough questions asked with panelists: Ravi Shankar Prasad, Abhishek Manu Singhvi, Mani Shankar Aiyer and the UP Chief Secretary and the Collector of the Area.

     

    IndiaTV: High decibel relay of story. There are interviews with people who have bought bricks from far and wide. Plus an exclusive telephonic interview with the person who was the first to go up the structure

     

     

    DD News: The President is travelling to the North East for the first time and there is a four-minute report on the event, followed by the release of a postage stamp of well-known actor Rajesh Khanna. Before the news is summed, the anchor tells us about what happened at Ayodhya. Not surprisingly, in the two minutes we get more information of what the status is on the ground than most of the private news channels.

     

    AN Chorrea is a senior industryperson writing under a pseudonym

     

  • HBO, Eros tie up for 2 ad-free movie channels

    By A Correspondent

     

    HBO Asia and Eros International have made a joint announcement to launch two new premium advertising-free movie channels, HBO Defined and HBO Hits, in India.

     

    This landmark collaboration between two entertainment giants brings the best of Hollywood and Bollywood together to redefine the pay TV movie space in India.

     

    This first ever exclusive alliance will also provide for the development of both HBO’s existing formats for India as well as the creation of original content for the Indian television market and international distribution.

     

    Kishore Lulla, Executive Chairman of Eros International plc said,”I’m very excited about building the Eros brand in Premium Pay Television, particularly with an industry leader such as HBO Asia. There are few global companies that have mastered the premium film and TV space like HBO and their global success says it all. We look forward to cultivating new spaces together in India and especially the development of HBO content for TV and online.”

     

    “The opportunity to work with Eros, who has such a visibly dominant presence in the Indian film and entertainment arena, is tremendous and together we will aim to deliver a first class cinema experience in the comfort of your home, 100 percent advertising free,” said Jonathan Spink, CEO of HBO Asia.”We are equally excited to work with Eros in developing compelling original content for the Indian audience. We look forward to more good things to come.”

     

  • Satyamev Jayate nets Rs 22.33 cr as donations

    By A Correspondent

     

    Even as plans for Season 2 of Star Plus and Aamir Khan’s Satyamev Jayate, MxMIndia learns that an aggregate of a little over Rs 22.32 crore has been generated as donations towards the various charities and causes.

     

    According to the response received to the information sought by MxMIndia, the total donations generated by way of cheques, credit card and smses is Rs 111,627,102. This amount was matched by the Reliance Foundation and thereby the grand total is Rs 223,254,205.

     

    The last of 13 episodes of Seasons 1 was aired on July 29 with a bonus Independence Day special on August 15. The show opened up the Sunday morning band across general entertainment channels, and it is expected Season 2 will also air at the same timeband.

     

  • Did the switch to weekends impact KBC buzz?

     

    By Kshama Rao

     

    That the sixth season of Kaun Banega Crorepati opened with a massive 6.1 is old hat; but what also seems to be equally true is that the show has failed to cash in on the success of last season. The buzz in the TV industry is that there is no buzz around the show this time despite its lofty tagline of ‘Gyan hi aapko aapka haqq dilata hai’. That there are no ratings to corroborate this (in the wake of the announcement of deferring the TAM data during week 41 ((October 7, 2012,) to week 49 (December 8, 2012) by the industry bodies, Indian Broadcasting Federation (IBF), Advertising Agencies Association of India (AAAI) and Indian Society of Advertisers (ISA), in consensus with TAM Media. The nine-data is scheduled to release along with the week 50 (December 9-15, 2012) results).

     

    Says an industry insider, “Last year, KBC had a free run with no new big ticket shows at the same time slot on rival channels. They also got many sponsors on board at a premium and though the marketing and promotional buzz was as much or more for the current season, the hype amongst viewers is negligible as if viewer fatigue has set in and it’s no longer fun to watch yet another person with a background full of hardships win. Besides, Zee’s Sa Re Ga Ma Pa and Bigg Boss on Colors cut into KBC’s timings on weekends. Also, apart from crime shows on the weekends, nothing else has traditionally worked on Sony. KBC is no longer appointment-viewing.”

     

    What the industry thinks
    Basabdatta Chowdhury, CEO, Platinum Media

    Without the data and TVR, it will be difficult to comment. It is also about reach even though success is one parameter. The show has done well for the channel and they have got their revenues, so it is a success for them.

     

    Samir Khanna, EVP and Head, DDB MudraMax Media

    If you go by so-called numbers, KBC 6 is a success even though social media says otherwise. According to the common currency that we had precisely till October 8, KBC 6 was doing fairly well. Moving it to weekend was a good move since it is an episode-to-episode show and does not have continuity like serials. KBC format essentially works on weekend format, and it was a good strategy to move it to weekend slot. It might have become repetitive and getting to a point of viewer fatigue, but this fact has nothing to do with weekend.

     

    – Ananya Saha

     

    Also, unlike last season, this year, Sony gambled with the show telecast days. From weekdays it moved to weekends and that, say industry sources, did it in. A channel insider, who’s worked on the last two seasons of the show, on condition of anonymity says, “Well, it opened with a 6.1 which is huge but, yes, the sustenance ratings were affected. And with now the ratings coming in only on December 19, it’s a wait-and-watch game. Having said that, when it was on weekdays it consolidated the viewers, who were looking for more than just daily soaps as viewing alternatives. But this year, with KBC moving to weekends, the very same loyal audience has been fragmented. And that always happens because the weekend viewership is drastically different from the one during weekdays.”

     

    The source continues that while the show started with the noble intention of “gyan” being paramount and the tagline being “gyan hi aapko aapka haqq dilata hai”, it didn’t do much for the show in the later episodes. The channel brought the common man into the forefront with the last two seasons when the show moved from Star TV to Sony and we managed to surprise the audiences; that worked very well so unless you change the fundamentals, surprise your audience every time you bring in a new season, it won’t work in the longer run.”

     

    A member of the production crew who’s been instrumental in putting the show together says on condition of anonymity, “If you ask me, KBC is now settled in its orbit, so ratings don’t matter. But yes, change of telecast days made some damage.”

     

    Has the show run its course? “No,” says the channel source. “It is a great product. It has potential and like in case of any reality show, be it the Indian Idol or The X Factor, unless there is a surprise at the basic level for the viewers, the show won’t click the way you want it the way you want it to. Another very important factor that could have hampered the show prospects is the fact that it came too soon in the wake of the last season. Normally, there should be a healthy gap of say 12-14 months between the two seasons. This time, it ended in January last year and came back in September. The breathing space for the viewers was not adequate enough.”

     

    Another grouse against the show is its duration. The show last one-and-a-half hours. “I don’t think anything is wrong with the duration. 8.30 pm is absolutely fine because that’s when the viewers in the interiors tune in and by the time it’s 10 pm, the metro audience too has joined in. So it works. The celebrity specials too worked be it the Shah Rukh-Katrina Kaif episode, the Sridevi one or the recent Lara Dutta one,” the insider who wished to stay unidenitified told us.

     

    Siddhartha Basu

    Siddhartha Basu, chairman and managing director, BIG Synergy, which produces KBC, in a reply to our mail on the same, says, “These are highly subjective perceptions, and quite contrary to the depth and width of KBC’s impact, from the feedback we are getting. But please follow this up with the broadcaster who will be in a better position to respond on whether there is any objective basis or substance whatsoever to such a negative perspective.”

     

    Well, we can instead wait for December 19 when the ratings will come in and tell us the real story. Meanwhile, Kaun Banega Crorepati airs its last episode on January 19.

     

  • Nidheesh Tyagi to join BBC as Editor (Hindi Service)

    By A Correspondent

     

    The Dainik Bhaskar group’s Editor (Digital) Nidheesh Tyagi has put in his papers. He is moving to the BBC as Editor, Hindi Service.

     

    He is scheduled to join the BBC on January 14 and will take charge of the Hindi service in television, radio and the online media. Mr Tyagi takes charge from Neil Curvy, who has been holding fort with the Hindi team since July after Amit Baruah had resigned.

     

    Mr Tyagi is one of the few multi-lingual print editors in the country, having edited Hindi, English and Gujarati newspapers in his two-decade-long work experience. He has worked with The Tribune (Aug 2010-Nov 2011), as Editor, Pune Mirror (Dec 2007-Aug 2010) and Editor, Deshbandhu, Bhopal (Sept 1997-Nov 1999). At Bhaskar, he was Resident Editor of Chandigarh (Dec 1999-Feb 2003, April 2005-Mar 2007), Executive Ed, Divya Bhaskar (Feb 2003-Mar 2005), Editor-New Media (Mar 2006-Dec 2007) and Editor-Digital from November 2001 onwards. At Bhaskar, his portfolio constituted digital media offerings in Hindi, Gujarati, English and Marathi.

     

  • Star CJ Alive celebrates 3 million customer milestone

    By A Correspondent

     

    Star CJ alive, the home shopping channel from the Star group, has announced its 3 millionth customer – an incredible feat for a channel launched in India only three years ago.

     

    Kenny Shin

    Commenting on this, Star CJ Network India Pvt Ltd’s CEO, Kenny Shin, said, “It has been an exciting and enriching journey for us. Star CJ alive has grown because of the incredible faith our viewers have in us and we always Endeavour to involve them in our celebrations. We say a big thank you to our customers and felicitating our highest shoppers is only one of the many celebrations we have lined up.”

     

     

  • Ormax Media strengthens research team

    By A Correspondent

     

    Ormax Media have strengthened their research team to meet the growing needs of their business. Anurag Bakhshi has recently joined the firm as ‘Head, Television Research’, while Gautam Jain, who has been with organization since 2010, has been elevated to the position of ‘Research Head, Films’. Mr Bakhshi comes with nine years of cross-functional television experience, where he worked with Zoom, Filmy and Imagine TV, across various functions, including marketing, content and presentation.

     

    Shailesh Kapoor

    Speaking about these changes, Shailesh Kapoor, CEO, Ormax Media, said, “We continue to witness amazing annual growth of about 35-40% for the last three years. As a result, an expansion of the research team has been on the cards for some time. Anurag and Gautam have the relevant experience, passion and skill sets for the television and films domains respectively.  I’m happy to see them lead the company in its next phase.”

     

    Ormax Media works with more than 55 channels in India today. The television research department manages flagship products such as Showbuzz, CIL and True Value, besides bespoke research projects, including large-scale quantitative and qualitative research projects.

     

    Speaking about his new role, Anurag Bakhshi said, “I’m extremely excited to be a part of the revolution that Ormax Media is bringing in the media & entertainment industry in India. The company has done seminal work in helping broadcasters use consumer knowledge to take key business decisions. I look forward to being a part of what I believe will be some very exciting years ahead, both for the television industry and for us at Ormax.”

     

    Ormax Media’s film research work is driven by its flagship products Cinematix and Moviescope, which are used by all the leading Bollywood studios and independent producers. The firm is widely recognized as the first and only company in India to have built film research and analytics capabilities.

     

    Speaking about his new role, Gautam Jain said, “When we started in 2010, we were not sure of the potential of ‘film research’ in India. But the whole-hearted acceptance from the industry has surpassed our expectations. At Ormax, I’ve been a part of pioneering work in film research in India. Now that we have created a separate film research vertical, I’m sure it will propel us even further.”

     

    Besides television, Ormax Media also does extensive research & analytics work in the areas of print, radio and branded entertainment.

     

  • FoodFood expanding in India, abroad

    By A Correspondent

     

    Food and food lifestyle channel FoodFood is now available on Tata Sky, channel no. 572. The channel has also increased its reach internationally by making an entry into Canada and Qatar.

     

    FoodFood channel’s content is a classic mix of cookery and food-based lifestyle shows such as Secret Recipe, Sanjeev Kapoor’s Kitchen, Roti Raasta Aur India, Turban Tadka, Style Chef and Mummy Ka Magic.

     

    The channel’s promoter Sanjeev Kapoor said, “FoodFood has ushered in a new wave in entertainment, that has engaged both men and women. The encouraging response has reaffirmed our commitment to offer enhanced value to audiences, partners and advertisers.”

     

    FoodFood has launched in Canada on Rogers Cable network. It is available in Qatar through the Asia Plus package on the QTEL Qatar Mosaic Platform. In India, in additon to MSOs across the country, the channel is available on all major DTH platforms. The channel also has a presence in the UAE.

     

  • Bigg Boss 6, Jannat 2 top Whats-on-India trends

    By A Correspondent

     

    With just a week to go before the weekly ratings coming from the offices of TAM Media Research start, we look at how Whats-On-India rankings look like for Week 49 (December 2-8).

     

     

    TV Trends has been built using specialist and proprietary algorithms that collate, analyse and compute millions of observations across multiple platform. It provides cues and powerful insights on the potential consumption and intention-to-view of content by Indian TV viewers. The sources from where observations are aggregated include What’s On India platforms like: Web, Mobile portal, Apps (Android, iPhone, iPad, Blackberry, Windows Mobile, Nokia Ovi), EPG-on-the-Cloud (MobileTV and IPTV).

     

    The report gives the Top 5 Programmess of the Week for the following genres: English Movies, Hindi Movies, English TV Shows, Hindi TV Shows, Regional TV Shows, Regional Movies, Sports and Kids, Documentaries, Lifestyle & Food.

     

  • MIB asks TRAI view on Central/State govt entry in cable

    By A Correspondent

     

    The Ministry of I&B has sought the recommendation of Telecom Regulatory Authority of India (TRAI) regarding the entry of central / state governments and their entities into the broadcasting sector.

     

    The ministry made this reference recently as the issue of granting permission to a state government or its organs to run cable TV networks has been drawing its attention from time to time with particular reference to the TRAI recommendations restricting such entities to enter into broadcasting and distribution activities. The ministry has received also requests from central government ministry and from several state governments in the past, a communique said.

     

    The ministry has sought the views of TRAI regarding the entry of the following entities in the broadcasting sector:

     

    (i) Central Government Ministries and Departments / Central Government owned companies / Central Government undertakings / Joint venture of the Central Government and the private sector / Central Government funded entities.

     

    (ii) State Government Departments/ State Government owned companies / State Government Undertakings / Joint venture of the State Government and the private sector / State Government funded entities.

     

    In its recommendations on “Issues relating to entry of certain entities into Broadcasting and Distribution activities” dated November 12, 2008, the TRAI was of the view that a state government and its organs may not be permitted to enter into broadcasting and distribution activities.

     

    As per extant policy guidelines for uplinking and downlinking of television channels, an applicant seeking permission to set up an uplinking Hub / Teleport or Uplink/downlink a TV Channel should be a company registered in India under the Companies Act,1956 irrespective of its management control. This assumes significance in view of significant growth in the broadcasting sector wherein the number of TV channels and cable connections in India have grown exponentially.

     

  • Jaldi 5 with Kevin Vaz: Blockbusters to boom Bengal

    Having gained an unmatchable reach and popularity with its brand Star Jalsha in Bengal, Star India is also set for the launch of a new movie channel titled Jalsha Movies. The launch is in line with Star Jalsha’s philosophy of Chalo Paltai (let’s change) that aims at delighting viewers through contemporary stories from their surroundings.

     Kevin Vaz, President and General Manager – Star Jalsha and President – Ad Sales at Star India Pvt Ltd tells MxMIndia what viewers can expect from the new offering and why the channel is already a winner in the already buzzing Bengal television market.

     

    01. The third Bengali movie channel, and the second launch in close succession. From the sales point of view, is Bengal the new ‘hot’ market?

    I can’t comment on it being a hot market, but Bengal is definitely growing very fast. It has become a Priority One market for most brands today be it across telecom, consumer durables, FMCG etc. Most importantly, it is not the national clients but the retail business that is growing rapidly here. So whether it is jewellery stores or saree shops or biscuit manufacturers… a lot of local interest is gaining prominence here.

     

    As for the launch, Bengal is a huge consumer of Bengali cinema irrespective of the channel that it gets played on. Star Jalsha has always been offering quality movies to its audiences and has achieved a TVR as high as 12. Keeping these trends in mind we thought it was right time for us to launch a Bengali movie channel. According to us, there is nobody right now offering blockbuster movies regularly and that is what Jalsha Movies will stand for.

     

    02. Star Jalsha has been a huge success whereas at least one of the channels from a well-pedigreed media company has shut down. What’s the secret of the success with Jalsha?

    When we launched Star Jalsha, we were very clear that we had to be different. In fact within a few weeks of its launch it was a clear leader and has been so for the last four years with our GRPs totalling 500 compared to our closest competitor at 400 GRPs or so. More importantly we attained that position by redefining the market and the storyline that we do. With such a benchmark, we said that we clearly expect Star Jalsha to be leaders within the channel. I see that we have the necessary content that will help us deliver that promise.

     

    a. How fast do you hope to be on top of the pack?

    If we get into something we clearly look at become leaders at once. So the answer is: as early as possible.

     

    03. We see that you’ve stitched up quite a few alliances with film companies.  Will we also see any international/Indian movies dubbed in Bengali in future?

    We’ve got a great library of Bengali movies and the reason to launch a regional channel is for people to consume it in their own language. So we will be going ahead only with Bengali movies as of now.

     

    04. How has the response been from advertisers and media agencies?

    We’ve got a great response from them. Vivel has already come aboard as the channel partner. Going forward you will see a whole lot of clients who will be associated with us. In fact, most of these advertisers have seen Jalsha operate in the last four years and know the kind of mileage we offer to them. So most of them are excited enough to partner with us from day one of operations.

     

    A market like Kolkata is counted in as part of the extended HSM. Do you think with three Bengali movie channels, the Hindi movie channels will get impacted?

    I wouldn’t like to call Bengal as an extended Hindi Speaking Market and has rather reached a stage where it holds its own. At one point in time it was considered an add-on market but for most brands it has become a priority market. Also, if one were to see Star Jalsha delivers higher ratings than any other Hindi GEC or channel by a distance. So to reach out to the masses is our number one priority. If I may add here, Bengal is witnessing a huge surge in retail advertising and more and more brands are hopping on to be a part of the association with us.

     

    05. Tell us more about Vivel being the Channel Partner? The performance of this partnership could open the floodgates for many more?

    As I said, Vivel has come on board as the channel partner but it’s not we have closed our doors to the others. Probably as the numbers start to trickle in people will want to make bigger commitment to the channel. That will be an ongoing effort but a few brands have come based on faith and seeing potential in what we have to offer them. Jalsha has a very strong equity in the market with its advertisers and it is purely on that front that many have partnered with us.