Category: TV

  • Bigg Boss, Wanted top Whats-On-India rankings in Week 50

    By A Correspondent

     

    With the delay in the release of the TAM Media Research ratings, we look at how Whats-On-India rankings look like for Week 50 (December 9-15)

     

     

    TV Trends has been built using specialist and proprietary algorithms that collate, analyse and compute millions of observations across multiple platform. It provides cues and powerful insights on the potential consumption and intention-to-view of content by Indian TV viewers. The sources from where observations are aggregated include What’s On India platforms like: Web, Mobile portal, Apps (Android, iPhone, iPad, Blackberry, Windows Mobile, Nokia Ovi), EPG-on-the-Cloud (MobileTV and IPTV).

     

    The report gives the Top 5 Programmess of the Week for the following genres: English Movies, Hindi Movies, English TV Shows, Hindi TV Shows, Regional TV Shows, Regional Movies, Sports and Kids, Documentaries, Lifestyle & Food.

     

  • Is our TV measurement future-ready?

     

    By Bipin Mundhwa and Amit Nevrekar

     

    TV audience measurement through the ‘peoplemeter’ is accepted as the most appropriate technique among others for measuring TV audiences. However, the capability of the peoplemeter (an electronic device) is completely dependent upon external factors such as continuous human intervention (Manual Inputs). Viewers need to press their respective button on the peoplemeter remote (as assigned to them) to let the system capture the data on who is viewing what. Which means it is safe to say that it does not automatically capture the viewers and their viewing patterns. It requires the viewer to keep in mind that they have to press the respective button every time they leave the room and enter the room.

     

    In an age, where people forget to turn off the switches while not occupying the room or even turn off the water taps after use, do you think people will remember religiously to switch on and off their respective people-meter remote button every time they enter and leave the room?

     

    There are high chances that the viewer may get interrupted by something and leave the TV room or for a while take an exit to do some other household activities without pressing the exit button. In such situations, the people-meter does not stop capturing the viewership of the audience, even though he/she is no longer viewing. What could be more erroneous than this?

     

    Jaldi 5 with Bipin Mundhwa & Amit Nevrekar: No one influenced us to write book
    Bipin Mundhwa

    01. It’s interesting that your book is published around the time when TAM is being needled by many stakeholders. In fact it’s also being sued. Is it just a coincidence or planned… given that you’ve highlighted the T, A and M in your book title ‘The Advertising Mess’?

    Frankly speaking, we had planned the date for our book launch much before the announcement of non-reporting of viewership data by TAM. The main objective of our book was to provide the necessary practical literature on The Audience Measurement systems in India. Over the years, we have seen different methodologies for the same medium in the same period resulting in different findings and thereby creating a Mess in media buying and planning.

     

    Amit Nevrekar

    02. Having worked with TAM as also with other media organizations, why is it that you didn’t raise some of the issues earlier?

    Working with TAM was always a pleasure. And we constantly discussed many improvements as part of our professional duty.

     

    There may be people who may say that you have written this at the behest of someone wanting to take on TAM?

    Firstly, we have not condemned a particular organization or criticized upfront. The book is about ‘bridging the gap for accountable MarCom’, where we have presented the ‘Bridge’ model which provides a unified B-Score across mediums in a single metric based on engagement levels, rather than inflated exposures. No one can influence us for taking such a mammoth effort whilst working, especially in a media agency, media house with hectic working hours. It’s only our self-inspiration and passion for our industry.

     

    03. Given that there will always be television channels who feel aggrieved by any ratings, there will be people who will raise objections against any measurement system?

    Every media professional subscribing to the respective measurement system’s data has the right to raise questions to understand and utilize the data in most logical and appropriate manner.

     

    04. You’ve touched upon corruption. And you say that with digitization, it could only increase?

    Yes, we have identified some loopholes in the system which can simplify corruption post digitization and needs to be addressed for robust data representation.

     

    05. One of the primary motives of the book is to talk about the ‘Bridge’ model that both you have developed. Have you had any discussions with BARC about it?

    The bridge model is purely developed by us. We haven’t had any discussions with BARC as an organization but we certainly had series of discussions with members of BARC, MRUC and other media veterans of the industry.

     

    In the current peoplemeter, if the TV is ON but none of the panel members have logged in the system (that is, pressed the peoplemeter button), then the peoplemeter would prompt for an input to register the viewing occasion for the respective panel member.

     

    But what if the panel member has logged in the system and is not present in the room. Is there any kind of validation thought about?

     

    However, today’s technological advancement allows us to make every impossible thing ‘possible’. There are Pyroelectric (“Passive”) InfraRed sensors that can detect whether a human has moved in or out of the sensors range. And undoubtedly, these are very inexpensive chips.

     

    Another such technology is used by Microsoft in their Xbox 360 game console, ‘Kinect”, which is a motion sensing input device capable of facial recognition along with full-body 3D motion capture. Which means if incorporated in the peoplemeter, will not only sense the individuals present in the room, but also identify if they are viewing the TV along with their engagement through facial expressions.

     

    Also, a very interesting point crops up, which ideally should have been raised by MarCom professionals. Bear with us as we elaborate.

     

    With the new Digital Video Recorder now commonly available along with most of the DTH providers, individuals have now got into the habit of not watching programmes live, but recording their programmes of choice and watching at their convenience.

     

    For example, if a working individual chooses to record a programme which was telecast from 4 – 5 pm, reaches home at 8 pm, and watches this recorded programme from 9 – 10 pm.

     

    ANOTHER PROGRAMME BEING TELECAST FROM 9 – 10 PM ON SOME OTHER CHANNEL IS ALSO RECORDED BY HIM AT THE SAME TIME TO VIEW AT A FUTURE TIME OF HIS CONVENIENCE.

     

    The critical point we are making is, most people with DVR facility have now got into the habit of recording almost all programmes they wish to view, and while viewing the recorded programmes, most of them would forward and skip all the ads.

     

    The question is, at 9 pm in the case of the above example, what will the peoplemeter capture as viewership?

     

    Will it capture the 4 – 5 pm show which is being watched between 9 – 10 pm or will it capture the 9 – 10 pm show which is being recorded for future viewing at the same time?

     

    And will the peoplemeter be able to gauge whether the ads have been skipped by the viewer while watching the recorded programme, which is bound to happen in most cases?

     

    BECAUSE THE 10-MIN AD BREAK CAN BE FORWARDED AND SKIPPED IN A MATTER OF FEW SECONDS..

     

    Thus this DVR facility has the potential of making the peoplemeter defunct and useless.

     

    Definitely, the currencies such as TAM should be keeping up with these advances in technology. We are very sure they have an answer for the questions we have raised above.

     

    BUT, we are also sure the industry and MarCom professionals would love to see a practical demonstration, if they claim that the people-meter can take care of these issues. Speaking is so much easier than doing.

     

    According to research paper published by Andrew Green (2010), the people-meter is only capable of capturing what is being displayed on the TV screen and not the actual behaviour of viewers.

     

    Very interestingly, TV broadcasting would be going digital in coming days. It has already gone digital in the four metro cities of India as on November 2012.

     

    In future, there could be options of pay v/s free channels, where the pay channel will have only programme content and no advertisements, similar to the current HD channels.

     

    DVR (Digital Video Recording) technology is also expected to dominate in the near future, which means there would be more flexible and enhanced TV viewership. This would also include storing of favourite TV programmes by viewers who would watch them at their convenience while skipping the commercial breaks.

     

    There is also an increasing trend of VOD (Video on Demand) in direct-to-home households. Would this mean lower viewership for repeat telecast of TV content? Because as the name suggests, VOD is TV content that can be viewed at anytime as per the convenience of the individual viewer. More sob stories for MarCom due to digitization.

     

    The new-age television viewership will include CAS (set top box), as well as others like DTH, DVR, IPTV/VOD, internet TV, TV programmes via YouTube and mobile TV. Conventional wisdom says that subscribers of these technologies will have vastly differing lifestyle habits. As we say, “necessity is the mother of all invention”. For the first time, the audience will be in the driver’s seat for choosing their option of technology of reception. So is the case with TV channels that they wish to subscribe to.

     

    Now, looking at the traditional TV measurement system, the viewership base will be determined by subscription packages, as now the option of choosing a specific channel is available to the viewer. In the recently phased-out analogue system in 4 metros, for a fixed monthly subscription fee, subscribers got access to ALL TV channels.

     

    This means the sampling frame for estimating TV viewership is based on the audience pool that recently had access to all the channels for a fixed subscription fee.

     

    Whereas, the new technology of digitalized reception will make the subscriber’s pool asymmetric for sampling. There are bright chances that the universe (the channels which an individual subscribes to), will fluctuate depending on basis of favourite channel/popular programmes/sports seasons or a new series, as people may change their channel subscription from time to time.

     

    For example, let’s consider a household which has recently switched to the DTH system from the old analogue system. Now this particular household has not subscribed to a particular GEC channel because they felt it was not worth paying an extra fee as they were casual viewers of only one programme on this channel, as against other GEC channels where they watched multiple programmes.

     

    Now after a couple of months, this household again decides to subscribe to that GEC channel they had abandoned because of a new programme of interest to them, along with a sports-pack for the upcoming IPL cricket season. Post the IPL season, they again unsubscribe the sports-pack.

     

    This means the channel’s universe has now changed beyond recognition. This will keep happening as now it will be directly related to pay for what you watch.

     

    In such situation of switching subscription plan from analogue to digital, peoplemeter may capture the audience movement from analogue to digital. However, within digital, the viewership for channels may fluctuate significantly (as these are sample surveys, where 1 panel member’s viewership is extrapolated to around 20,000 audience or more). This could result into vague and half-hearted understanding of channel viewership as practitioners would not know the reason for volatility in channel viewership i.e. Subscribed but NOT viewing OR Channel NOT subscribed.

     

    Until now in analogue mode, the same set of channels that a household with a people-meter had was also the same set of channels that all other households had, so the household with the people-meter was representative of all other households in the universe, at least as far as availability and access to channels went.

     

    But now, with households free to choose and reject individual channels, it is not necessary that a household which has a peoplemeter will have similar channels as other households in the universe.

     

    In fact there could be thousands of permutations and combinations of households with different sets of channels. So how would one judge whether the peoplemeters households are truly representative of the universe.

     

    Now with due respect to the existing people-meter technology for capturing TV viewership data, can we ask ourselves how geared up are we to take on the future challenges of capturing TV viewership data in light of the above mentioned technological advancement.

     

    The story does not end here. The real challenge is still to be explained by us. TV as a medium was largely an ‘at-home’ medium. However, TV as a medium is now becoming highly portable. How are we going to measure the audience on portable TV?

     

    For example, most of the working population may watch IPL out-of-home such as at office, at a common friend’s place, on their laptop, etc. On weekends they would also go to restaurants and pubs to watch the game in a social gathering and cheer for their favourite team. Their receptivity to the programme may be higher but it does not get covered as the people-meter is not capturing out-of-home viewership.

     

    This may influence viewership of popular sports seasons and they may get under-reported as compared to actual viewing figures.

     

    According to Horrell (2008), IPTV (Internet Protocol Television) could offer some encouraging answers to audience measurement such as real-time audience measurement through return-path-data technology from TV owning households itself. Moreover, it allows broadcasters to divide audiences based on socio-economic class, geographies and basic demographics. This would enable advertisers and media planners to showcase lifestyle, socio-economic class and geographic location based Ad streaming. One can avail the technology now as this is reality.

     

    One of the sophisticated devices according to Pellegrini, Pasquale and Purdye, Ken (2004), for measuring out-of-home TV viewership is Arbitron’s Portable People-Meter for capturing passive viewership data based on encoded audio signals, embedded in the TV programmes being watched. This pager-like device would have to be carried by selected individuals to enable this device to capture the encoded audio signals. However, it could prove to be misleading if the audio signals are being captured in the vicinity but the individual is actually not watching it. For example, in a coffee shop, the PPM may record TV viewership for an individual but the selected individual is engrossed elsewhere.

     

    What does all this mean for advertisers? How will they optimize their media investment?

     

    In totality, TV as a medium which even today is highly fragmented with 700+ channels will have very tough and challenging days ahead as far as measurement goes.

     

    ‘The Future is now, but Measurement is Yesterday’

     

    Extracted with permission from

    The Advertising Mess

    By Bipin Mundhwa and Amit Nevrekar

    Published by Sci-MO

    Price Rs 249, 139 pages

    www.theadvertisingmess.com

     

  • MIB bows to news TV pressure, pushes TAM to delay ratings data release

    By A Correspondent

     

    In what is clearly a case of government interference in the broadcast business, measurement agency TAM Media has been compelled by the Minister Manish Tewari-led Information and Broadcasting Ministry to not release the data for ratings for the last week as well as for around the last two months which it had agreed to not release. The other stakeholders – the IBF, ISA and AAAI – have been mute witness to the decision and chose not to take the government head-on.

     

    While TAM spokespersons were unavailable for comment, sources tell us that news broadcasters had petitioned TAM to not release data for a while. When TAM sought the advise of other industry stakeholders, they (the other bodies) trashed the plea and chose to go ahead with the release.

     

    However, it appears the news broadcasters were able to convince the government which used its power to push ahead with the late evening knock.

     

    Late last night, TAM issued the following statement: “At the request of the I&B Ministry, the Government of India, and in concurrence with IBF, AAAI & ISA, we are delaying the data release to Thursday/Friday.The reason for doing so is that  the Government of India has requested us to withhold release of news channels data by two or three days.  The industry is meeting with the ministry to take a decision. Thank you for your cooperation.”

     

    While TAM and the other industry bodies are not required to toe the government line, they chose to do so, fearing retribution in the future, an industry observer told MxMIndia.

     

    News channels are reportedly desirous of a longer ratings-free window. They believe the current processes followed by TAM do not effectively track their viewership. However, advertisers and media agencies want the presence of a measurement currency so that they can effectively spend monies.

     

     

     

  • Bloomberg TV announces Season 3 of Assignment

    By A Correspondent

     

    Bloomberg TV India, the English business channel, is back with Season 3 of the reality show The Assignment that revolves around Dream Jobs. The launch episode will see Rajeev Samant, CEO and Founder of Sula Vineyards mentor Savita Nair, Creative Director Leo Burnett India as she lives her dream job of being a vintner.

     

    This season will see one corporate executive given a chance to live their Dream Job every week, mentored by an expert from the field. The reality show aims to capture the corporate hot-shots grapple with the responsibilities of their dream jobs and reflect on the experience of living it.

     

    Apart from Rajeev Samant, CEO & Founder of Sula Wines, the third season of the show will also feature mentors like Alyque Padamsee, Indian Theatre personality and ad film maker; Vikram Bawa, Fashion and Advertising Photographer; Nikhil Chib, Owner and Executive Chef – Busaba; Hormazd Sorabjee, Editor – Autocar India; Junaid Merchant, India’s first Canine Behaviourist and Horse breeder among many others.

     

    Sriram Kilambi, President, Bloomberg TV India, said, “We believe that a channel has to be innovative in its programming strategy all the time to hold the viewer’s attention. This season, instead of assigning a challenge to the participants as in the first two seasons, we asked them to set their own challenge i.e. live their dream job for one day, analyse their own performance and figure out if it is was as ‘dreamy’ as they imagined it to be.”

     

    The show will be telecast every Saturday at 7pm and Monday at 10.30pm from December 22. The first episode features Rajeev Samant, CEO and Founder of Sula Vineyards as the Mentor and the Assignee is Savita Nair, Creative Director, Leo Burnett India.

     

  • Aaj Tak launches on Cogeco Cable, Canada

    By A Correspondent

     

    Hindi news channel Aaj Tak, part of the TV Today network, has launched on Cogeco Cable Inc, a major Canadian cable telecommunications company that is supposed to be the second largest cable system operator in Ontario and Quebec in terms of Basic Cable service customers served.

     

    With this launch, Aaj Tak will now be accessible to viewers in Ontario, expanding Aaj Tak’s presence in the Ontario market. The channels will be sold in the following package- ATN + Zee Cinema + Big Magic + Aaj Tak + Headlines Today for $25 per month.

     

    Commenting on the launch, Ashish Bagga, CEO, India Today Group said, “It is a step in our endeavour to expand our presence in key markets across the globe. We want to be easily accessible to all our viewers worldwide at economical prices. Moreover, Cogeco is a perfect choice for broadcasting Aaj Tak in Ontario. Cogeco is a very capable group and they are doing an excellent work in Cable communications industry. We are hopeful this launch will strengthen and benefit both Aaj Tak and Cogeco.”

     

    Slava Levin CEO of Ethnic Channels Group, TV Today’s exclusive partner in Canada said, “Aaj Tak is one of India’s leading TV brands. This launch will help more viewers connect with the brand.”

     

  • Jaldi 5 with Ajay Trigunayat: ‘The aim is to set new benchmarks in 2013’

    Where brands or media properties are struggling to stay afloat through this tough economic crisis, two-year-old movie channel Movies Now has no such bitter experiences to share. After a roaring 2011, the channel – that completed its second anniversary this week, has an interesting tale to tell about its performance in 2012 as well.

    Ajay Trigunayat, CEO, English Entertainment Channels, Times Television Network tells MxMIndia what the year held for the network and plans for 2013.

     

    01. How would you analyse the year 2012, which also marks completion of two years for Movies Now in India?

    A lot has happened in the last two years:

    • The category has expanded exponentially with Movies Now witnessing a 50% jump in viewership reaching out to 56 million viewers per week.
    • In the past twelve months, we have effectively consolidated our leadership position, dominating the category with a phenomenal 30% in comparison to Star Movies (28%), Sony PIX (17%) and HBO (14%). (Source: TAM, CS 15+, 8 metros, wk 52 ’10 – wk 39 ’12)

     

    02. Could you share some of the highpoints for the network in India this year?

    • We have led the category since our launch & 2011-2012 has seen immense growth in terms of Reach, TSV, Audience Engagement & consequently Revenue.
    • In 2012, we built on the library-led movie concept by offering the viewers a plethora of blockbusters packaged as captivating properties celebrating the Best of Hollywood Icons – Best of Cameron, Best of Leo, Best of Spielberg and lots more.
    • Movies Now constantly keeps innovatively engaging with its fans and followers in the social media sphere. In the two years, the channel has jumped to the top spot with 2.3 mn fans on Facebook. In comparison, decade old players, Star Movies & HBO, stand at 1.4 mn & 1.5 mn respectively. Movies Now is in the top 5 leading brands on Facebook in India (in the media category) & in the top 3 fastest growing pages on Facebook in India (in the media category). The channel maintains a strong fan-following on Twitter with a lead of 13000+ followers.
    • Movies Now has significantly overshot international benchmarks in terms of the Brand Awareness & Brand Preference in just 2 years of its launch (Source: Millward Brown Study)

     

    03. Have you witnessed a spike in viewership and revenues over 2011? Could you elaborate the growth story through statistics…

    • Out of the top rated 100 English Movies in the last 2 years, 52% aired on Movies Now as compared to 32% on Star Movies, 14% on Sony PIX and 2% on HBO. (Source: TAM, CS 15+, 8 metros, wk 52 ’10 – wk 39 ’12)
    • Movies Now has also attained an astonishing 31 minutes of time spent per viewer which is a testimony of the audience stickiness on the channel. Star Movies stands at 27 mins, PIX at 21 mins & HBO at 20 mins (Source: TAM CS 15+, 8 metros, wk 52 ’10 – wk 39 ’12)
    • Consequently, Movies Now doubled the effective rate to ‘3600 per 10 seconds and seen an increase 60% in terms of revenue as compared to last year.
    • Movies Now achieved a phenomenal 30% channel share in comparison to Star Movies (28%), Sony PIX (17%) and HBO (14%). (Source: TAM, CS 15+, 8 metros, wk 52 ’10 – wk 39 ’12)

     

    04. What was the year like for the Movies genre in India – growth and challenges?

    • Our biggest challenge is the perception of our channel being niche. With Reach of 56 million viewers and TSV of 55 minutes per week which is almost the size of any possible European country, I don’t really think Movies Now can be called niche.
    • The English Movie Channel Category has been under-monetized. It would also be a challenge to leverage the urban affluent English movie viewing into the advertising revenue it deserves.

     

     05. What would be your focus for 2013 in the sphere of movie/content acquisition?

    • The idea is to consolidate our library further and bring in the Best Blockbusters for our viewers.
    • Starting January we present :

    > Sons of Guns: Brings the Bad Boys of Hollywood that will showcase movies like Ocean’s eleven, Bad Boys, etc.

    > Grand Masters: Legends of Shaolin featuring Jet Li, Jackie Chan and Bruce Lee along with the master of Bruce Lee himself in IP Man 2.

    > Badge of Courage: Line-up of some special movies this Republic Day like Iron Man, True Lies, Knight and Day, Quantum of Solace, Demolition Man and Robocop

    > Crack it Up: Rib-tickling comedies like Dude where’s my car, Austin Powers, Hangover, Aliens in the attic, Harold and Kumar, Not Another Date Movie and a lot more.

    • February:

    > Gods of Hollywood with the Best of Hollywood Icons like Bond, Spiderman, Rocky Balboa and many more.

    > For the first time on Indian Television, Movies Now will premiere the much talked about movie, ‘The Grey’ starring Liam Neeson.

    > Best of family adventure movies like Harry Potter, Narnia, Percy Jackson in Adventure Diaries

    > Valentine’s Day also has a special line-up including Monster-in-law, Date Night, I Love You, Beth Cooper..

    • In March, we will bring the complete Star Wars movie franchise which will be customized for the Indian audience in a big way. One of the property’s that has been appreciated well comes back with a bang with Shaolin Masters 4.

     

  • Dish TV adds two Bengali channels to its ‘Free Offer’ package

    By A Correspondent

     

    Even as Kolkata struggles to reach 100 percent digitization, DTH operators are leaving no stone unturned to attract consumers. Dish TV is offering special digitization delight to its Bengali viewers in Kolkata by adding two more leading Bengali news and entertainment channels to its lifetime free offer, in addition to the game-changing initiative aimed at viewers in the four metros which fall under the digitization. Under this offer, the customers will be eligible to receive a basic channel tier comprising of 70+ channels free of cost for life. The channels that will be available along with 70+ Free Channels offered under Lifetime Free offer to only customers in Kolkata include Rupashi Bangla and Kolkata TV.

     

    Salil Kapoor

    Commenting on the development, Salil Kapoor, Chief Operating Officer, Dish TV said, “Dish TV has always stood up to its promise of providing maximum width and depth of content with an overall of 400+ channels & services. This is a unique facility for valued subscribers who will choose our services during digitization, and is a highly differentiated and extremely consumer-friendly move. And now by adding two exceedingly popular Bengali news and entertainment channels to the lifetime basic tier free offer, we’re extending ourselves as a more personalized option to Dish TV subscribers in Kolkata.”

     

    Viewers availing this offer have to remain active by subscribing to a regular package at least twice during a year. The offer is not available with any other DTH or digital cable, and Dish TV claims that it has encouraged thousands of people to shift to them. For the record, Lifetime Free offer spans five years.

     

  • Innovative programming did the trick for Suvarna post-Kotyadhipathi

    By Tuhina Anand

     

    Kannadada Kotyadhipathi is gearing up for its second avatar on Suvarna, the Kannada General Entertainment Channel from Star Network. The channel plans to launch the show in March of 2013 with the host of its previous year Kannada superstar Puneeth Rajkumar. For the channel, Kotyadhipathi has been a big property which has propelled the channel to be a leader in the prime time category thus giving Udaya (the undisputed leader for long) much to worry.

     

    Post Kotyadhipathi, the channel revamped its prime time offering with new shows. It launched Amrutavarshini at the 9:30 pm  slot which Suvarna puts it as the number 1 show of Karnataka with an average TVR of 6.0 (CS4+, Karnataka market). In the 8:00 pm slot it launched Akashadeepa, Chukki at 10:00 pm and Pancharangi Pom Pom at 10.30 pm and all the shows are slot leaders.

     

    Anup Chandrasekharan – Business Head of Suvarna Channel, said, “For this year we had a conscious strategy to strengthen our fiction offering and the response for our newly launched fiction shows has been exceptional. We have firmly established ourselves as a family entertainment channel.”

     

    He elaborated, “In the year 2012, the channel conquered the key genres including Kannadada Kotyadhipathi which is the leading non-fiction show of the year, Amrutavarshini as the leading fiction show of Karnataka and Hudugaru our premier movie was the highest rated movie of the year.”

     

    While the current season of KBC in Hindi has generated a lukewarm response, there has been no such concern for its Kannada counterpart. The channel has witnessed repeat interest from its advertisers.

     

    Anil Narang – Head Marketing & Strategy, Suvarna, commented, “We are very confident about the success of the show. Hindi is a different market and that cannot be compared to Karnataka. Also we are in the second season of the show unlike Hindi which is in its 6th Season. Moreover, we have not made any changes in the telecast schedule like Hindi where they have made it a weekend show.”

     

    Mr Narang said that for Kotyadhipathi, there is big expectation from both audience and advertisers. In fact this year it is learnt that the client is coming with a premium.

     

    “Having been able to prove its success to both the trade and audience, in its second inning the Kotyadhipathi is seeing interest from all brands associated in its first time to come back,” Chandrasekharan added.

     

    The claim is that post Kotyadhipathi, the market share of the brands associated grew. In fact,  Sunfeast which had limited itself to computer branding is now the title sponsor for season 2.

     

    The show has been the number one show in Karnataka and has generated revenues in excess of Rs 35-40 crore. The plan for this year is to have revenue generated in the vicinity of Rs 40-45 crore.

     

    The numbers shared by Suvarna points that 11.3 million people has consumed the show making it biggest in Karnataka. Chandrasekharan, said, “Kannadada Kotyadhipathi had made Suvarna the No.1 channel in Week day Prime time, this show also led to increase in sampling of Amrutavarshini which we launched immediately after KK at 21:30. KK  brought in new viewers not only to Suvarna but also to Kannada General Entertainment. We are very happy with the response for season 1 and the on ground buzz for season 2 is exceptional.”

     

    For this year again the premise will be that the show will continue to change peoples’ lives. The channel will bank on emotional connect just like last year but the change this year will be that each week the focus will be on one district of Karnataka showcasing its rich culture and tradition. The tagline for this season of Kotyadhipathi is “Questions that can change your life”

     

    Here’s a look at Kotyadhipathi Season 1 numbers

     

    • On an average has been the No# 1 show of Karnataka since its launch
    • Has an average TVR of 5.5 (CS 4+, Karnataka Market)
    • Has a cume reach of 11.3 million people
    • 81% of the Karnataka Television audience has seen the show
    • Has a slot share of 43%
    • Maximum weekly avg rating is 7.1 (CS 4+, Karnataka Market)

     

    The auditions this year has seen more than 50 percent increase than the last year for calls for registrations. The show which will run for 20 weeks will see spend close to 4-5 crore on marketing.
    While KBC may have not done much for other regional channels but surely it has helped Suvarna. Their smart and consistent programming strategy has helped the channel continue the rise in numbers post KBC thus able to sustain the high wave. Udaya TV which has been traditionally leader has seen much change in in numbers especially during KBC period. With KBC 2, Suvarna hopes to further consolidate its position and if the focus on programming continues especially because of Star Network’s strength the numbers will become more consistent and Suvarna can be ahead of Udaya TV. But content is the key to this success.

     

    Expert Talk

    Karthik Lakshminarayan

    Karthik Lakshminarayan, COO, Crest- Madison Media
    Suvarna is the leading channel in Karnataka and is propelled by KBC alone. The channel did well in terms of numbers during the time of KBC (see data).

    Their programming strategy is sound as of date and if executed well should see them emerge as clear leaders. The channel has taken the step in trying different things and this approach of being different while being risky is a sign of a leader and it should help differentiate them from the others.

     

     

     

     

     

     

     

     

    Anilkumar Sathiraju

    Anilkumar Sathiraju, AVP and Head South, DDB Mudra Group

    Suvarna has been doing well over the last few months. Yes KBC has done the trick for them, not only that, few serials are also doing quite well. Among female audiences for one of our brands, Suvarna ranks at No.2 which is good. With better programming am sure Suvarna will reach the number one position.

     

  • India TV conducts campaign countering Crime against Women

    By A Correspondent

     

    India TV launched a nationwide awareness campaign called Mission Damini across most major metros to lend what a communique calls a “high-decibel amplification” to voices being raised against the growing menace of crime against women.

     

    As a part of this initiative a signature campaign was conducted on Sunday, December 23. Huge signature boards were set up at key locations in Delhi, Mumbai, Lucknow, Ahmedabad and Jaipur.

     

    People from all walks of life came forward and pledged to do all that is required to prevent crimes against women. The initiative is being done in the backdrop of the heinous and barbaric gang rape that took place in Delhi recently.

     

    Many key personalities including top politicians, social activists, academicians, Bollywood and TV personalities and literary personalities were amongst those who attended the peaceful initiative of vowing to support and show solidarity to the cause.

     

    Talking of the initiative Ritu Dhawan, MD & CEO of India TV said, “This is our miniscule contribution to amplify voices for justice against the recent ghastly & heinous act but also to demonstrate the way of peaceful but effective protest.”

     

    “We sincerely hope that authorities will take concrete steps so that not only justice is done in this case but also that no such incidents take place in future,” she added.

     

    The signature pledges will now be sent to the Union Home Minister as a whitepaper on aspirations of the citizens of the country along with suggestions on ways and means of curbing the peril.

     

  • Anger Management, a big deal for Comedy Central

    By Johnson Napier

     

    Comedy channel Comedy Central seems to have struck gold by bagging rights to the newest craze on the sitcom block, Anger Management. So impressed was the network with prospects of this new show starring Charlie Sheen, that it went overboard in acquiring rights to the show.

     

    Ferzad Palia, Senior VP and GM – English Entertainment, Viacom 18 Media Pvt Ltd reveals to MxMIndia what would be the implications of this expensive buy and how they expect the sitcom to break some advertising rules in the English entertainment market.

     

    Going by the buzz that’s being created, the acquisition of Anger Management seems to be the biggest thing that has happened for Comedy Central. How far did you stretch yourself into acquiring the rights for this sitcom? And, what was unique about the whole experience?

    When we saw the first 2 episodes of Anger Management at a private screening, we knew that this show is set to be the next big thing on television. We were vindicated when the show broke all ratings records over its first few episodes in the US. It did so well that before we knew it, an unprecedented further 90 episodes were ordered! Charlie Sheen is back… and how! Naturally it was a heavily sought after show. So I must admit that we did need to stretch ourselves to make it happen.

     

    How would you justify the huge spends on the acquisition of this sitcom in a market like India’s that’s still waking up to English entertainment?

    You will be surprised that India isn’t waking up to English language content. It already has woken up. And not just the metros, across the top 40 towns and is penetrating deeper at a rapid pace. English is one of the fastest growing languages in India for a variety of reasons. Comedy Central is here to grow the category with a distinctive offering. And as I’ve always mentioned to you, we’re here for the long term, so this fits in perfectly with our ambitions & plans.

     

    Would you be setting new benchmarks where ad rates for Anger Management are concerned?

    Yes. It’s a great opportunity for brands to co-own this franchise with us for a longer term. We’re looking at ‘partnerships’ for this show. Going beyond the traditional ‘spot buy’ format. There are tremendous opportunities that we have to allow brands to integrate themselves through the next few months. The positive response we’ve received over the last 24 hours since the announcement is extremely encouraging, to put it mildly.

     

    What is the English Comedy entertainment market like in India at the moment?

    We’re extremely happy with the response to Comedy Central India over the last 10 months. We’ve grown the English genre, cut through clutter, received recognition and awards for our brand, content, creative & marketing, have over 100 advertisers on our roster, already the most followed English entertainment channel on Twitter, 8 lakh fans on Facebook, etc, etc… And we’ve only just begun! The market is ripe. And hungry for more, as is clearly evident.

     

    What is the content acquisition plan for Comedy Central going forward into 2013?

    Lots of exciting things in store. None that I can reveal currently though.

     

  • CNBC Awaaz honours industry best at Real Estate Awards

    By A Correspondent

     

    CNBC Awaaz in association with RR Kabel hosted the ‘Real Estate Awards 2012’ to recognize commendable merit of visionaries and professionals from the industry. The event, themed as Modern Marvel, was attended by Housing and Poverty Alleviation Minister Ajay Maken, along with notable names from India’s real estate fraternity.

     

    Nominees for the CNBC Awaaz Real Estate Awards were judged based on criteria like standard, quality of project, customer satisfaction and efficiency. This year more than 8,000 projects across 12 cities were evaluated for the awards.

     

    On the occasion of the awards Sanjay Pugalia, Editor-in-chief, CNBC Awaaz said, “We have earned the respect of being one of the transparent and most credible recognitions in the real estate industry. It gives us great pleasure to know that our awards are considered as a benchmark in the industry.”

     

    Awards went out in the following categories:

    Affordable Segment – 100% Complete

    Shipra Estate NCR
    Mid Segment – 100% Complete Brigade Group Bangalore
    Luxury – 100% Complete Lunkad Realty Pune
    Ultra Luxury – 100% Complete Amar Builders Pune
    Affordable Segment – U/c – More than 70% Complete City Corporation Limited Pune
    Affordable Segment – U/c – More than 70% Complete

    Ashiana Housing & Finance ltd.

    NCR
    Mid Segment – U/c – More than 70% Complete Kalpataru Limited MMR
    Luxury – U/c – More than 70% Complete The Advantage Raheja Bangalore
    Ultra Luxury – U/c – More than 70% Complete Queens Court NCR
    Best Commercial Project DLF IT SEZ Chennai
    Best Retail project DLF Emporio NCR
    Most Consumer Friendly Developers Magarpatta Township Pune
    Best Project Execution Mahindra SEZ Chennai
    Best Greenest Project Magarpatta City Pune
    Commercial Greenest Project

    Pritech Park – RGA software System (P) Ltd. and Primal Projects Pvt Ltd

    Bangalore
    Best Integrated Project Magarpatta City Pune
    Best managed projects: Post sales City Corporation Limited Pune
    Most Reliable Builder Sobha Developers Bangalore
    Architect’s choice/Best Design Brigade Gateway
    Best Home loan provider State Bank of India
    Best Real Estate fund HDFC Real Estate PMS
    Best State Government Initiative Rajasthan Govt
    Building world class infrasturcture Jaypee Group
  • Hathway appoints Jagdish Kumar as MD and CEO

    By A Correspondent

     

    Hathway Cable & Datacom Ltd has appointed Jagdish Kumar as the Managing Director and CEO of the Company with effect from December 21, 2012 and elevated K. Jayaraman to the post of Vice-Chairman of the Board of Directors with effect from December 21, 2012. Consequently, Mr. Jayaraman ceases to be the MD and CEO of the Company with effect from the said date.

     

    Mr Kumar, a Chartered Accountant, has more than 25 years of professional experience having worked in numerous leadership positions with blue‐chip companies like ITC Ltd, STAR TV and Reliance Industries Ltd. Mr. Jagdish Kumar is an experienced media professional having worked in various roles within STAR TV (a Newscorp venture) both in India and the headquarters in Hong Kong.

     

    During his stint with STAR TV he has worked on several aspects of the TV Broadcast business including, Content, Distribution, Marketing, Broadcast Infrastructure, Digital Platforms, Business Development and Finance. He also represented STAR TV’s interests on the Board of Hathway as a director. Recently, he worked with Reliance Industries Limited, as President ‐Media & Entertainment. He was part of the Digital services ( including 4G wireless services) project team set up to launch a high‐speed Broadband service across the whole of India.

     

    He was responsible in devising Content plans and forging relationships with numerous Content providers for Films, TV channels, Music, Gaming and New Media. He brings to the current role his experience spanning every aspect of the broadcast and distribution space and will guide Hathway through the critical digitization phase of the cable TV industry.