Category: MEDIA

  • IPG Mediabrands acquires Interactive Avenues

    By A Correspondent

     

    IPG Mediabrands, the media holding company within Interpublic Group, today announced the acquisition of Interactive Avenues, India’s largest independent full service digital agency. With close to 200 employees across offices in Mumbai, Delhi and Bangalore focusing exclusively on digital marketing and technology, the acquisition of Interactive Avenues’ renowned media, creative and digital production units cements IPG Mediabrands’ position as a leading digital buying unit in the rapidly expanding Indian market, as well as the second largest media holding company.

     

    After the launch of Reprise Media in India in 2011, this new move continues IPG Mediabrands’ strong commitment to implementing industry leading digital services across all of its agencies and will allow it to accelerate its timetable for the launch of its new Cadreon offering, notes a communique.

     

    Interactive Avenues will become an important strategic part of IPG Mediabrands’ Mediabrands Audience Platform (MAP), the group of data driven digital services and technologies that focus on search, display, mobile, social, video, applications and e-commerce.

     

    Interactive Avenues was founded in 2006 and has one of the top three clients in almost every category including consumer electronics, FMCG, technology, telecom, banking, insurance, travel, ebusiness and education.

     

    The move further strengthens the network’s digital capabilities in India and makes for an even stronger digital foundation for IPG Mediabrands and its clients in the Indian market.

     

    “India is a key market for IPG Mediabrands and for IPG as a whole. This acquisitions affirms our commitment to making investments in high growth disciplines and geographies.  We believe India is one of the fastest growing and most important global markets. IA has a fantastic track record in India and great future as a part of IPG Mediabrands,” commented Matt Seiler, Global CEO, IPG Mediabrands.

     

    “We have a clear vision for MAP in India. Interactive Avenues fits perfectly into this”, said Brendan Moorcroft, Global CEO of MAP. “Because we already have an established partnership with Interactive Avenues, we know their strengths and understand and share their core values..”

     

    Interactive Avenues will sit alongside established IPG Mediabrands agency Reprise Media in the new MAP structure. The acquisition and integration into MAP India will have no impact on the day-to-day running of the agency which will remain as it is now. Interactive Avenues will continue to operate as an independent brand within the MAP structure. The company’s co-founder Amar Deep Singh will be MAP India CEO.

     

    “After a dream run of seven years, we are ready for our next phase of growth,” Mr Singh said. “In IPG Mediabrands we have the right partner. They give us access to three fundamental growth catalysts; access to global tools technologies and best practice; access to markets beyond India; and access to global clients in India and beyond. It is a true meeting of minds and cultures, andI am thrilled to be working with such strong local and global leadership. There are exciting times ahead with our plans to develop and launch MAP’s specialist offerings Cadreon, Spring Creek Group and Ansible in India.”

     

    This marks a successful exit for Interactive Avenues’ current investors, WestBridge Ventures II Investment Holdings formerly Sequoia Capital Investment Holdings II and Anupam Mittal.

     

  • Mindshare India flag flies high at FOMA

     

    By A Correspondent

     

    Ever since he took charge in late 2011, Mindshare India boss Ravi Rao has been living out of his suitcase and smartphones. The back-to-back meeting with clients and pitches leaves him little time for much else. While we don’t think these cruel hours at work are healthy, the hard work is paying off. Mr Rao is delighted by the “good, all-round show – right from the effectiveness award for Slice, Pepsico to HUL winning on the back of strong entries”.

     

    The competition was indeed tough, including that coming from within the Group M stable. At the Festival of Media Asia, the premier destination for media agencies and professionals, Mindshare was the Network of the Year.

     

    Other than Mindshare, the top honours went to Million Reasons to Believe in Thailand (Campaign of the Year) submitted by Initiative Thailand for Coca-Cola, OMD Hong Kong (Agency of the Year). The winners in these categories were determined by a points system based on entries appearing in the shortlist and the list of highly commended and winning entries.

     

    Winners were selected from a shortlist of 117 campaigns, presented to an expert panel of 27 industry judges, led by Leonardo O’Grady, ASEAN Integrated Marketing and Communications Director, Coca-Cola. The gruelling two-day judging process saw much deliberation and debate, resulting in the final list of winners.

     

    The 2013 Festival of Media Asia Awards were presented at a gala event at the Sentosa Cove in Singapore last night (March 5). Awards were presented to winners vying across 15 open categories, with an additional three grand prix awards. There were over 400 submissions from over 10 markets across the region.

     

    “We held every entry to the highest standard,” said Leonardo O’Grady, ASEAN Integrated Marketing and Communications Director, Coca-Cola. “We had to make some difficult decisions. Many of the entries were of such a high quality that we struggled to find a clear winner, and one of the things that emerged was that the lines between content and communication have become blurred.”

     

    Mr O’Grady continued, “The Best Communications and Mobile categories were hotly contested and we have also seen some great wins from Thailand, Australia and India.”

     

    “Each and every one of these winners deserves the recognition they have received from the jury.” said Charlie Crowe, Founder of the Festival and CEO of C-Squared, the organizers of the event. “We have seen some exemplary campaigns that have been able to change minds and move people. They represent the best work coming out of Asia, and demonstrate the sheer creative energy and calibre of the industry in this region.”

     

    The Awards ceremony was the grand finale for the three-day Festival of Media Asia 2013, held in Singapore for the second time. This year’s event brought together over 600 influential delegates and over 40 speakers from across Asia and the globe.

     

    The Festival included case studies, panel discussions, and presentations focused around the theme of Mobility. The Festival’s day programme ended with M.A.P, a speed round of presentations from innovative companies looking to be named Hot Company of the Year (according to audience votes) which saw Future Ad Labs emerging on top, as well as the Rising Star Award for promising young talent which went to Stella Su (Yen-Wen Su) from Starcom Taiwan.

     

    Ravi Rao

    As for Ravi Rao, he’s sitting back, delighted. At the shortlists revealed for the Media Abby at Goafest, his agency leads with 20 shortlists. Back to the FOMA wins, he told MxMIndia: “I am extremely proud of the teams including those that made it and got shortlisted.” And what’s next: “Another year and now Goafest beckons.” Well said.

     

    The full list of Festival of Media Asia Award winners is available online at www.festivalofmedia.com/asia/awards.

     

     

     

  • NDTV plans to appeal on jurisdiction

    By A Correspondent

     

    The lower court in New York has been hearing procedural arguments on jurisdiction, particularly whether the US or India is the appropriate forum for the case that NDTV has filed against Nielsen and Kantar.

     

    The lower court in NY felt that India would be a more convenient forum than the US. NDTV disagrees and will appeal against this decision. NDTV believes that this lower court’s decision is based on several misconceptions, legal and factual errors, and this will be outlined in the appeal.

     

    A release from NDTV said that the New York lower court did not go into the merits of the case on corruption in the Nielsen Process as used by Nielsen and Kantar through TAM, (Nielsen and Kantar are the owners of TAM). The court merely looked at where the location of the case should be heard. NDTV believes it must be heard in New York, and will pursue this on appeal in New York.

     

  • Press Club Mumbai announces journalism awards

    By A Correspondent

     

    The Press Club Mumbai has announced its journalism awards for 2013.

     

    With the awards, the Club seeks to promote good journalism – quality writing, bringing news speedily and truthfully to consumers, and the upholding of high ethical standards. In the pursuit of these goals, the Press Club had instituted ‘Awards for Excellence in Journalism’ in 2011.

     

    Last year, Press Club received over 600 entries from all over the country for the seven categories of awards. In view of the good response and the need to broaden the spectrum, the number of award categories has been increased to 10. Besides adding ‘Science and Technology’ as a category, the Awards have widened the scope of journalists who can enter by adding awards for: ‘The Television Story of the Year’ and the ‘Photo Story of the Year’.

     

    The categories for 2013 Awards are:

    1. Sports: The K N Prabhu Award for Excellence in Sports Writing instituted by the Press Club and Podar Enterprise.

     

    2. Crime: The Pradeep Shinde Award for Excellence in Crime Reporting for the Best Crime story or investigation in 2012.

     

    3. Politics: Award for the Best Political Story of the Year for the most outstanding news report/commentary/investigation related to political events or leaders in the country.

     

    4. Business: Award for the Best Business Story of the Year for the most outstanding news report/commentary/ analysis in respect of corporate bodies or finance and banking or economic policy-making.

     

    5. Entertainment & Media: Entertainment Writer of the Year Award for the best news Story/report/analysis of events related to entertainment and celebrities featuring filmed entertainment, television or other mediums.

     

    6. Health & Environment: Award for the Best Story on Health / Environment for the most outstanding contributions to bringing the spotlight on a burning or relevant issue concerning health or the environment.

     

    7. Science & Innovation: The Story of the Year in the Field of Science and Innovation for the best article or analytic piece published on scientific discovery or pioneering innovation in India that promises to impact people’s lives and society.

     

    8. Television Story of the Year: The search is on for the first time to spot and award the best TV news story of 2012 for investigation and impact. Stories will be judged on the visual elements, the text and presentation, as well as overall impact.

     

    9. The Big Picture: A special award for photo-journalists will be given to the best photo/image that tells a story published in an Indian newspaper/magazine and which left its readers spellbound and thinking.

     

    10. Lifetime Achievement: An award to an editor or senior journalist for his/ her outstanding contribution to journalism, development of ethical writing; and for the defense and expansion of the boundaries of Freedom of the Press.

     

    Each of the categories of awards will carry a cash prize of Rs.1 lakh. The winning article/video story/image will be awarded prize money of Rs.75,000 and a citation, while the runners-up will be awarded prize money of Rs.25,000 and a citation. Indian journalists residing anywhere in the country are eligible to apply for the awards. The Lifetime Achievement Award will be selected by a special jury from among a shortlist drawn up by the Managing Committee of the Press Club. Editors or editorial heads can also nominate stories/articles of journalists working in their charge. The Awards Ceremony will be held in Mumbai sometime in May 2013. A distinguished panel of judges in all categories appointed by the Press Club will decide on the winning entries. For details, visit: www.pressclubmumbai.com

     

  • Firstpost.com launches interactive, video views platform

    By A Correspondent

     

    Leading news and views portal Firstpost.com has launched a new interactive, video views platform, YouSpeak. The platform allows users to express their views/ opinions via a 30-second comment on any topic on Firstpost.com and also allows them to start a conversation of their choice. A user has to login with their Twitter or Facebook credentials because this experience unlike text commenting cannot remain anonymous.

     

    The product experience involves 3 parts:

    1) The Firstpost video comment – where Firstpost editors/writers spend a minute or two explaining their stance on a topic.

     

    2) Viewers can Reply to every one of these voices by simply hitting the reply button below the video. Firstpost detects if one has a webcam and records a 30-sec view, allowing users to preview and re-record as many times as they want to. Viewers can then submit their view with a headline and description. Post review it is published on the site and users are alerted through email.

     

    3) Participants can also start any discussion that they wish by turning on the recorder and simply hitting record. These views are also published upon preview.

     

    Said Durga Raghunath, VP-Products and Executive News Producer, “Firstpost, was conceptualized as a platform of relentless views, on all the issues that were of interest to a growing digital and social audience. Over close to two years now, we’ve fulfilled this promise through text, images, and as much interaction as a digital newsroom could put out. We’ve always felt that the digital editorial must find a video form and be treated as an important a pillar of Firstpost and hence the launch of YouSpeak. We are enormously excited because we see it as a democratic platform through which anyone can broadcast a view.”

     

  • Sony Music launches Music Jive

    By A Correspondent

     

    Sony Music has partnered with the new range of Sony Xperia Smartphones to launch ‘Sony Music Jive’ – music service that allows consumers to download and stream music from the Sony Music Catalog of two million songs, for free. Sony Music will look at innovations like premiering content exclusively for Sony Xperia customers for streaming and download.

     

    To meet the increasing demand for easy and legitimate access to music, Sony Music India has launched its Sony Music Jive service. Differentiating itself from Nokia Music Unlimited store (offers only download), Saavn (streaming only) and iTunes (consumer paid download), Sony Music Jive allows Xperia consumers to download and stream music for free.

     

    Shridhar Subramaniam, President Sony India and Middle East, said, “Sony Music Jive is our foray into directly engaging with consumer by offering them a compelling digital music service. We have been doing a number of digital innovations and the launch of this new hybrid application is another such. I am confident that with Sony Music Jive, the Xperia handsets would be a preferred choice for the customers as it gives them and unmatched offering of songs and an easy and legal access to the global catalogue of Sony Music.”

     

    Kenichiro Hibi, Managing Director, Sony India, added, “We are excited to partner with Sony Music for the all new Sony Music Jive. Indian consumers are very passionate about music and we feel this compelling service will be huge reason for customers to choose our new range of exciting Xperia Smartphones. We have always been associated with making quality phones and this partnership allows us to leverage our strengths with our group company. This app fits in very well with our brand image of offering a great musical experience to our customers.”

     

  • Amit Chopra new sales head at STAR, Kevin Vaz is now GM Eng and Bangla channels

    Kevin Vaz

    By Meghna Sharma

     

    Kevin Vaz, responsible for revenue generation for the entire bouquet of Hindi, English and niche genres under the STAR umbrella will now be incharge of Star Jalsha, Jalsha Movies and the English cluster of the network. He is the new GM of the channels.

     

    Meanwhile, Amit Chopra who joined Star from Hindustan Media Ventures Limited (HMVL) to handle sports telecast business will be heading the to revenue function.

     

    Mr Chopra began his career in 1993 with Hindustan Unilever.

     

    While MxMIndia has confirmed the news, the official Star spokesperson was tightlipped on the development.

     

    With close to 20 years of experience, Kevin Vaz has spent almost 16 years with Star India. He started his career at the Times of India as assistant manager, where he handled advertising and marketing functions. He joined Star in 1996.

     

  • Paritosh Joshi: Saluting Rosa Parks

    By Paritosh Joshi

     

    The American Civil Rights Movement of the ’50s that spilled over into the ’60s and in many ways continues to resonate in the US and around the world had an unlikely heroine. Rosa Parks, an African American woman boarded a bus on December 1, 1955 in Montgomery, Alabama. Buses had colour segregated seating but vacant seats were only available in the ‘Whites Only’ section. Rosa took a seat. A little later, the Whites section too got filled up. The driver asked Rosa to vacate her seat for a White passenger which she refused to do. In that moment of defiance, Rosa wrote her name in indelible ink into Civil Rights History.

     

    As we prepare to celebrate International Women’s Day today, it is instructive to ask what Civil Rights Indian Women have been able to wrest from the stubbornly patriarchal social order.

     

    The picture is still hideously ugly. While the indescribably brutal rape and murder of a physiotherapy student in Delhi late last year turned the spotlight on sexual violence, the incidence of such crimes in the Capital, and probably all across the country, has actually escalated since then. This should not come as a surprise. Gender violence has less to do with lust than with the fundamental power equations that define a society. A tipping point lies in the future, when a woman’s status in her home, family, community and society will no longer be subordinate to a man’s. The male gender, made insecure by this inevitability, will articulate its insecurity and impotence by ever more egregious violence.

     

    Do the media play any role, (other than sensationalising such crime and milking it for salacious value), in the gender equation?

     

    Have you read ‘Freakonomics’ by Steven Levitt, a UChicago economist and Stephen Dubner, a journalist at NYT? In the preface to the book, or its sequel, ‘SuperFreakonomics’ reference is made to an interesting study by academics from some Ivy League University about the impact of television on gender relations in North India. In essence, the study compared a whole range of women’s health and well-being variables between a village that had access to satellite television and a similar one that didn’t. The results shouldn’t surprise anyone. The television village handily won on everything from Infant Mortality, Sanitation, Infectious Disease incidence, Per Capita Income and even measures of women’s empowerment like their participation in gram panchayat work.

     

    Wait a minute. Haven’t we spent years labelling television content, and in particular, entertainment programming, reactionary, regressive, strengthening gender stereotypes and social inequalities and so on? How come this paradoxical result? My sense? There is no paradox here.

     

    Television began to make serious inroads into the average Indian home only after the arrival of cable TV on the cusp of the ’80s and ’90s. From the staid, some would say sclerotic, fare offered by Doordarshan over the previous three decades, the world of Cable & Satellite offered a welcome to a chaotic, colourful, boisterous world of news, information and entertainment that was free of sarkari fetters. Female characters started to move from decorative roles providing occasional aesthetic diversion to roles of meaty substance. To its credit, Doordarshan in those early days was no shrinking violet. To wit, Priya Tendulkar’s feisty Rajani in the eponymous serial and Kavita Choudhary’s defiant Kalyani in Udaan are still fresh in India’s memory. While these portrayals may have aspired to an ideal that still remains distant for most Indian women, a more interesting, even subversive change was to arrive a decade later.

     

    Smriti Irani as Tulsi in “Kyunki Saas Bhi Kabhi Bahu Thi” and Sakshi Tanvar as Parvati in “Kahaani Ghar Ghar Ki” managed simultaneously to become role models for a majority and objects of revulsion and contempt for a minority that saw them as embodiments of everything that was wrong with gender relations in India. I submit, with the greatest humility, that neither the majority nor the minority really “got it”. The characters perched on the uneasy intersection of social orthodoxy and economic liberalism. The joint family appeared, prima facie, to be alive and kicking. Closer examination revealed irreconcilable contradictions and deep fissures that threatened to blow the lid off the superficial camaraderie and gloss. And at the heart of this maelstrom, barely keeping things in a semblance of order, were our female protagonists. Docile, even subservient in their deportment, they revealed themselves as the very pillars of their ‘Khandan’ or ‘Parivar’. Even as the leading male characters were all shown to have feet of clay and the shifty ethics reminiscent of the Mahabharata’s Yudhishthira as a losing gambler. In a feat of scripting sorcery, (All Hail, Ekta!), the meek didn’t merely inherit the kingdom of Heaven, they won and fostered it right here on Earth.

     

    A generation of girls that was in junior school when KGGK and KSBKBT packed our living rooms has now graduated from college and entered the adult world. This is a generation that remembers the victories and discounts the obsequiousness. This is a generation that is unapologetically ambitious, singularly assertive and unabashed about its sexuality. A small town upbringing is no deterrent to her aspirations. She too cut her teeth on the same, new mythology that her metropolitan counterpart did. Today she uses Social Media to telling effect, building communities, establishing positions (that are occasionally battle lines) and expressing love, longing, exhilaration, frustration, loss, liberation with scant regard for political (or any other) correctness.

     

    And like it or not, that much reviled television has everything to do with who she is and how she got here.

     

    To this youthful, exuberant, unstoppable woman, India’s contemporary embodiment of the defiant, rebellious Rosa Parks, my warmest greetings on International Women’s Day.

     

    Paritosh Joshi has been a marketer, a mediaperson and a key officebearer on industry bodies. He is developing an independent media advisory practice. His column, Media Matrix, appears on MxMIndia, usually on Thursdays

     

  • Digitization Phase II: Deadline round the corner

    L to R: Christopher Slaughter, Supriya Sahu, Sameer Manchanda, Man Jit Singh, Chad Dunavant, Ravi Mansukhani, Anuj Gandhi

     

    By Ananya Saha

     

    With the deadline for Phase II of digitization approaching on March 31, the stakeholders are implementing the learning of Phase I for smoother and seamless adoption of technology. Supriya Sahu, Secretary, MIB announced at the CASBAA forum recently that the government would soon bring change in the digitization policy that would make it mandatory to switch off the channels in phased manner. “We did not make it mandatory in Phase I but it will be regulated in Phase II so the consumer understands that they need to switch to digital platform,” she elaborated.

     

    Ms Sahu seemed positive about the progress of Phase II. She said, “According to the data we have, which has been collated from industry feedback. We were not as comfortable so close to deadline in Phase I, as we are in Phase II now. There was a huge uptake of set-top-boxes (STBs), close to 2-3 lakhs, in 10 days before deadline and 15 days post deadline. We expect the same situation this time as well. We collect data every week and the taskforce meets every 15 days, and according to the data we are confident of meeting the deadline.” She also said that all stakeholders need to sit and sign an agreement so that it does not derail the deadline, as it happened in Phase I. “Our biggest challenge is how to convince different stakeholders to understand that their profit margins will decrease but only for a short while. It was difficult to get the different aggregators to sign the agreement last time, and it is happening this time as well. This was one of the reasons that deadline was extended.” She also pointed out that availability of STBs and the price points of STBs is also posing a challenge in the 38 cities where Phase II of digitization is nearing deadline.

     

    Ms Sahu also asserted that customer acquisition form has been made mandatory, and notices are being issued to operators who yet to comply with this policy.

     

    Man Jit Singh, President of the Indian Broadcasting Federation (IBF) and CEO, Multi Screen Media, echoed Ms Sahu’s views and said, “As broadcasters, we are aware that there will be a short-term reduction in our profitability. But there will be two streams of revenue going forward, and hopefully digitization will enable us to get 50:50 revenues from advertising and subscription.” Anuj Gandhi, Group CEO, IndiaCast pointed out the challenge of reaching the last-mile consumer. “Of course, each phase will be a bigger challenge because geographies differ,” he said.

     

    Ravi Mansukhani, MD, IMCL talked about the challenges that the recent budget has brought. “We do not understand why the cost of STBs had to be hiked. If you want to promote the local manufacturing, which is definitely a good move, the government should have given incentives to the local manufacturers. This has acted a dampener. We might have wanted to enter new geographies, but since we have to spend much more on existing geographies for STBs, we are not looking at new markets,” he said.

     

    Mr Mansukhani also emphasized that going forward, prepaid would gain more acceptance in Phase II. He also said that as digitization becomes a habit, ARPUs would go up drastically.

     

    Ms Sahu insisted that government is pushing digitization for the consumer, and not to get taxes. “It is not the entertainment revenue or central tax that we are pushing for digitization, which is not huge any way. The entertainment tax that Delhi govt gets is only Rs 78 lakh per month. With digitization, it will go up to Rs 5 crore. But even that is not a very huge amount. The profit margin of govt is very low,” she elaborated and asked the industry to keep the focus on consumer.

     

    Talking to MxM India about digitization in India, John Medeiros, CASBAA’s Chief Policy Officer said, “The stakeholders seem quite eager to implement digitization. There is of course a competitive dynamic between DTH and cable operators but given the stance of stakeholders now, and what it was three years ago, we see a more positive dynamic at work.”

     

    Easing India’s Capacity Crunch

    CASBAA’s report on assessment of demand and supply for television satellite transponders, developed with knowledge support from PwC India was released at the CASBAA India Forum 2013. Excerpts:

     

    TV channels need to be transmitted over satellites to distribution intermediaries (e.g. Multi-System Operators, DTH operator head-ends) and end-consumers (through the DTH platform). This needs adequate satellite capacities (in terms of spectrum / transponders).

     

    However, there has been a perception of shortages in satellite spectrum/transponders made available to Indian TV industry players. This is attributable to an overall shortage of spectrum that is available to India/ISRO. Although ISRO has been working hard to get additional spectrum, the process is long-drawn and the needs of TV industry players have grown manifold, raising the possibility of even the additional spectrum not meeting the needs.

     

    India had 821 licensed TV channels in 2012, double the number in 2008. By 2017, India is expected to have about 1,600 licensed channels of which ~1,300 channels are expected to be operational. Furthermore, the number of high-definition (HD) channels is also expected to increase in line with international trends and is expected to increase to ~130 by 2017. The high growth in the number of HD channels is expected to be fuelled by growth in digital platforms such as direct-to-home (DTH) and digital cable. The rising sales of high-end TV sets that support HD viewing experiences are also likely to contribute to the growth. A key indicator of the latent demand is the large number of pending requests for new TV channel licenses which stood at 348 in January 2012 as per the Ministry of Information & Broadcasting. In the C-band, only ~160 channels out of the estimated 660 operational channels were carried by transponders on Indian satellites8. This represents only ~25% of total operational channels. The rest of the channels (~500) are being transmitted through foreign satellites.

     

    In the Ku-band, out of the total ~73 transponders used by Indian DTH operators, only 18 transponders (~25% of total) belong to Indian satellites. The remaining ~55 transponders (~75% of total) are on foreign satellites.

     

    Future increased demand for satellite transponder capacities is unlikely to be met by Indian satellites (supplied by ISRO). For DTH operators, it is critical to have adequate backup or redundant satellite capacity such that in case of a failure in their primary satellite(s), transmission can be switched to another satellite to avoid black-out.

     

    In India, since there is already a shortage of Kuband transponders for regular transmission of TV channels on DTH, currently none of the DTH operators are able to make provision for such redundancy needs.

     

    Supply of satellite services is also threatened by proposals to utilize frequencies currently devoted to satellite services for terrestrial wireless systems. There are also challenges that place practical restrictions on leasing transponder capacities from foreign satellite operators by Indian players.

     

    Short contract durations between Antrix and foreign satellite operators bring in uncertainty for Indian players and raise the possibility of increased prices.

     

    Need of DTH operators to procure incremental capacity at specific orbital slots further emphasizes the need for long-term contracts with satellite operators.

     

    Shortage of satellite capacity can hamper growth of the Indian television ecosystem

     

    Shortage of satellite capacity can lead to many adverse effects such as the curtailment of consumer choice, slowdown in industry revenues, losses to the government exchequer and under-achievement on India’s stated aim to be a teleport hub. It is also likely to lead to a distortion of the competitive balance for DTH operators and broadcasters. These effects can be detrimental to the development of India as a knowledge society.

     

    Satellite capacity constraints can impede not just the growth momentum of the Indian TV sector but also have wider impact on the ecosystem of the industry.

     

    Shortage of transponder capacity in Ku-band can also lead to distortion of competitive balances:

     

    :: DTH players would be unable to match the channel counts of digital cable operators.

    :: Delays in satellite launches favour a few DTH operators who benefit from allocation of transponders while disadvantaging others that are behind in the capacity request queue.

    :: With DTH capacity constrained, many channels would not be carried by DTH operators, weakening their business cases.

    :: The demand-supply gap also acts against new broadcasters as existing large broadcasters may have greater bargaining power to push their channels on various bouquets.

     

    Suggestions for improvement

    To overcome the challenges stated above, the following suggestions are being made for improving the current demand-supply gap:

     

    :: Long-term contracts spanning 10-15 years should be encouraged instead of 3-year short-term contracts. This will provide price protection over longer terms for Indian DTH operators as well as broadcasters and eliminate uncertainty on price escalations at the time of contract expiry or renewal. In the case of DTH services, this will also help avoid disruptions of television services for Indian consumers and their associated costs since there will be no need to re-point satellite receiver dishes periodically, due to the longer term contracts.

    :: The process to allow DTH operators to enter into contracts with international satellite operators should be simplified.

    :: Industry players, including DTH operators, should be allowed to procure capacity on international satellites already coordinated and approved with the INSAT system without any additional approval from ISRO.

    :: Similarly, DTH operators should be allowed to add transponders on satellites where they are already present (and hence approved by ISRO) without seeking additional approvals.

    :: ISRO should be encouraged to share its plans for launching transponders meant for private broadcasters and DTH operators over the medium-to-longer term so that the industry players can make necessary business decisions.

    :: The Indian government should formulate and drive policies as well as processes to spur growth in satellite services which will thereby help in the growth of the Indian television sector. For instance, specific three-to-five year targets for launching satellites designed for use by private broadcasters and DTH operators can be set, with allocation of the necessary funding, apart from facilitating private satellite operators to provide necessary transponders to Indian broadcasters and DTH operators. Future decisions on spectrum allocation should take into full account the importance of satellite communications – especially in the C- and Ku-Bands – to a country as large as India. Spectrum currently available for satellite services should not be reduced or deteriorated by allowing interference from terrestrial wireless systems of any kind.

    :: Access to additional Ku-band frequencies currently allocated to satellite services should be allowed, such as the Fixed Satellite Service (FSS) and Broadcasting Satellite Service (BSS) Planned Band frequencies. Given the congestion in the conventional “unplanned” Ku-band, opening up access to the mostly unutilised Planned Band spectrum would further address the shortage of capacity, leveraging on existing in-orbit and planned future satellites carrying such spectrum.

     

    These initiatives will help the Indian TV sector to continue its forward momentum and achieve the scale for which it has the potential. This will also help take India to the next level in its drive towards becoming an information-based economy.

     

  • Media vehicles celebrate Women’s Day

    By A Correspondent

     

    In the wake of International Women’s Day, no media platform is leaving the stone unturned to salute the spirit of womanhood. DNA is set to organise ‘I Can’, the only-Women’s Half Marathon, in Mumbai on March 10. Actor Akshay Kumar will flag off the marathon. The marathon would have three categories: 21 km half marathon, 10 km Spirit Run and 5 km Fun Run.

     

    Big CBS Love is all set to woo viewers with a 10-hour marathon called ‘Show Her The Love’. Starting 11am, the channel will celebrate the spirit of womanhood with some of the best international female-centric shows such as ‘The Good Wife’, ‘America’s Next Top Model’ and ‘The Game’. ‘Show Her The Love’ has been promoted extensively across digital mediums while engaging audiences on social media platforms.

     

    Anand Chakravarthy, Business Head – Big CBS said, “Show Her The Love is the perfect way for our audiences to cherish the spirit and essence of womanhood this Women’s Day through some of CBS’s award-winning shows which have strong female protagonists. We have carefully selected shows which showcase the various personalities of these TV characters and are confident that the special will not only appeal to the viewers, but also enable our advertisers to further engage with their target audiences.”

     

    CNN-IBN is saluting the spirit of women’s empowerment. A series of special shows have been lined up under the channel’s ‘Agenda for Change – Women First’ campaign. These shows will cover stories of the women and for the women; and will celebrate the economic, political and social achievements of the Indian woman.

     

    The special programming will begin with India Positive, in which Karma Paljor will tell inspiring stories of Prema Jaikumar, daughter of an autorickshaw driver who topped the All India Chartered Accountancy exam; 21-year-old Priya Sachan from UP, the first and only female driver in the upcoming Rapid Metro Project; 19-year-old Saachi Soni, who after having scaled four peaks in Garhwal and Sikkim Himalayas, has set her eyes on Mount Everest; and many other stories of women who are working quietly to make India a better place.

     

    Real Heroes, CNN-IBN’s flagship initiative, will showcase ordinary women who have done extraordinary things. These include Sunita Krishnan, a gangrape survivor, who runs a home for victims of sex abuse in Hyderabad; Biro Bala Rabha, who is fighting archaic traditions like witch-hunting in Assam; and Subhasini Mistry, a vegetable vendor who has saved enough to set up a free hospital for the poor near Kolkata. The special Citizen Journalist Show will feature stories of women who have fought for their rights and the rights of those around them, filling us with courage and hope.

     

    On Bollywood Roundtable, Rajeev Masand will host a discussion with the modern women of Indian cinema, such as Kalki Koechlin, Kiran Rao, Reema Kagti and Parineeti Chopra. CNN-IBN Deputy Editor Sagarika Ghose will host a show with five young MPs to highlight the meaning of ‘Agenda for Change – Women First’ to the politicians.

     

    Said Rajdeep Sardesai, Editor-in-Chief, CNN-IBN, IBN7 & IBN-Lokmat, “On the occasion of International Women’s Day, we are pleased to present to our audience our series of special shows, showcasing the stories of inspirational women from all across the country.”

     

    Celebrating the influence of women in the English music space, 9XO, the International music Channel by 9X Media will present an interesting programming line-up for International Women’s Day. Titled ‘9XO Kickass Chicks’ this special programming initiative will feature some of the most influential women of English music from Madonna to Lady Gaga.

     

    Speaking of the initiative, Luke Kenny, Head of Programming 9XO said, “The music selection on 9XO Kickass Chicks celebrates the achievement of women made in the English music space. The playlist created is the declaration by strong, confident women who knows what they want. 9XO Kickass Chicks features various categories including, the Madass, Badass, Cuteass, Hotass, Smartass and even dumbass. So get ready to rock, jam and dance with the best of women artists across the world as 9XO celebrates the international women’s day from 6th to 8th March 2013.” The International Women’s Day will also be celebrated across the digital platform through the Channel’s official website www.9XO.in and across mobile platforms.

     

    In the FM space, Radio Mirchi and LIC will set a stage for women to come together, let their hair loose and enjoy a much deserved ‘me-time’. With its one of a kind musical concert – ‘She Rocks’, Mirchi gives women an opportunity to take the centre stage and rock an evening in commemoration of the spirit of womanhood. To add to the fervor and celebration, India’s leading vocalist, Subha Mudgal will pay a musical ode to women in a two-hour special musical extravaganza at Rang Sharda, Bandra, will recognize and acknowledge the courage and strength of women.

     

    Hitesh Sharma, COO, ENIL said, “We at Radio Mirchi are delighted to dedicate this day to recognize the importance of women in our lives with ‘She Rocks’. In our own way, we take this opportunity to thank them and cherish all the efforts that have been made by them in contributing to each of our lives in their own special way. We are certain that together with our listeners we will make this concert, a memorable evening for the all women.”

     

    Rita Bhattacharya, Executive Director (C.C.), LIC, said, “An event like “She Rocks” organized by Radio Mirchi affirms our respect for womanhood and the female workforce in India. With almost 25,000 women on its employee rolls and over 4,00,000 women in its massive marketing network, LIC certainly believes in the enormous potential available in this segment. She Rocks is not only about giving women a day of entertainment but also showing our respect for women and their constant progress.”

     

    Also, as part of its ‘Dilli Meri Hai’, Radio Mirchi is celebrating the day with ‘Women Day Out’ campaign. With a successful completion of awareness drive on the need and necessity of safer park and raising voice against the injustice against women in markets, the third phase of the ‘Dilli Meri Hai’ campaign is aimed at celebrating the spirit of Womanhood. Radio Mirchi will take a few lucky women listeners for movie at DT Cinema, Saket, one of the leading and safe multiplexes in Delhi. The screening would be followed by a scrumptious dinner to celebrate the International Women’s Day with pride.

     

    Additionally, Radio Mirchi will also present a ‘Mirchi Pepper Spray’ to all the guests to further equip them with a safety tool 24×7. The Mirchi Pepper Spray has received a positive recognition from Delhi Chief Minister Sheila Dixit, who has also applauded Radio Mirchi’s effort of raising awareness about female safety in Delhi.

     

    Sachin Tagra, Sr. Vice President, Radio Mirchi said, “We are glad that as a responsible FM station we have been able to bring smile on our women listeners in this time where women are feeling unsafe every moment and are ready to raise their voice for justice against all the threats faced by them in the city. It is our great pleasure that women have been supporting us to drive the campaign and reclaim the city as their own city.”

     

    Radio City 91.1 FM is all set to gift some ‘quality free time’ to women in Delhi this Women’s day. Apart from the return of ‘Maya’ on PlanetRadiocity.com, Radio City RJs will visit some households and help women with their daily chores. The registration started on the 4th of March, when the listeners were asked to register by sending an SMS to Radio City. The shortlisted lucky ones get to spend an unforgettable leisure day with our RJs this Women’s day. PlanetRadiocity.com, India’s first web radio portal, kicked off the celebrations with ‘Maya’, a show dedicated to women, which started on the 1st of March and will be on air, throughout this month.

     

  • MxM announces self-defence workshops for all media organizations

    MxMIndia strongly believes that while it’s impossible to change the world and drive out all the anti-social elements, equipping oneself with basic skills in self-defence will go a long way as a deterrent.

     

    After the stupendous success of the self-defence workshops conducted by media agencies and presented by India TV, MxMIndia is happy to announce self-defence workshops for women in all media organizations – news and non-news media organizations (newspapers, magazines, TV channels, radio stations, dotcoms and digital media companies, creative agencies, research and PR agencies, OOH and events/BTL companies, consultancy firms, trade associations etc) – in the following cities: New Delhi NCR, Mumbai, Kolkata, Chennai, Bengaluru, Pune, Ahmedabad and Hyderabad.

     

    While we welcome support from those who wish to support such initiatives by way of sponsorship, given that we do not have a sponsor for this initiative, we are happy to arrange these workshops at media organizations at a not-for-profit (cost) basis.

     

    If you wish to conduct a workshop in your premises, write to sales@mxmindia.com or call Mr Alok Kapuria @ 9892832681.

     

  • Indian M&E industry to achieve 11.8% growth in 2013: FICCI-KPMG report

    By A Correspondent

     

    The Indian M&E industry grew from INR 728 billion in 2011 to INR 820 billion in 2012, registering an overall growth of 12.6 percent. While, 2012 was a challenging year for the industry, with some improvement likely in the global economy in 2013 and India’s real GDP expected to be in the region of 6.1% to 6.7%, the prognosis for the Industry looks much better going forward. Given the impetus introduced by digitization, continued growth of regional media, upcoming elections, continued strength in the film sector and fast increasing new media businesses, the industry is estimated to achieve a growth of 11.8 percent in 2013 to touch INR 917 billion. Going forward, the sector is projected to grow at a healthy CAGR of 15.2 percent to reach INR 1661 billion by 2017, says the FICCI – KPMG Media & Entertainment 2013 report.

     

    The report noted that television continues to be the dominant segment; however, it also boasts a strong growth by new media sectors, animation/ VFX and a comeback in the Films and Music sectors on the back of strong content and the benefits of digitization. Radio is anticipated to see a spurt in growth at a CAGR of 16.6 percent over the period 2012-2017, post the rollout of Phase 3 licensing.

     

    Total advertising spend across media was INR 327.4 billion in 2012. In light of continued economic slowdown, advertising revenues saw a growth of 9 percent in 2012 as against 13 percent in 2011 and 17 percent in 2010. Print continues to be the largest beneficiary, accounting for 46 percent of the advertising pie at INR 150 billion.

     

    Uday Shankar

    Speaking about the findings of the report, Mr. Uday Shankar, Chairman, FICCI M&E committee said, “2012 has been one of the toughest years in recent times. But it has also been a landmark year for the media and entertainment sector with significant progress in all verticals: the signs are already evident that digitalization will fundamentally change broadcasting, films have scaled-up their ambitions, and radio and print continue to defy global trends. If anything, 2013 promises to be even more disruptive. I am certain that the insights and findings from this report will provide a comprehensive and useful lens for all of us in the industry.”

     

    According to Jehil Thakkar, Head of Media and Entertainment, KPMG in India, “2012 though a challenging year for the M&E industry, was a year in which important foundations for future growth were laid. The advertising environment went through one of the toughest years in the last decade. However, the implementation of digitization, the stellar performance of the film industry backed by excellent content and digital distribution, the continued growth in regional print and the momentum in new media and the announcement of Phase 3 radio implementation have all finally provided the needed platform to boost the Indian Media & Entertainment industry.”

     

    Key trends and themes for growth

     

    Digitization of film and TV distribution infrastructure:

    Digitization of distribution has brought in the promise of more sustainable and profitable business models across media sectors. It has enabled the films sector to make a comeback this year. The industry has achieved 77 per cent digitization of screens and expects to be close to 100% digitized in the next 18 months to 2 years. These developments have resulted in increased ability to invest in differentiated content, marketing, and wider releases – all contributing to greater audience engagement and unprecedented box office success across big and small budget movies alike. Overall, digital technology is expected to drive the M&E sector’s growth in a challenging macro environment, by spurring on end-user spending and transparency.

     

    Growth in new media:

    The rapid increase in mobile and wireless connections continues to drive the growth of internet penetration in India. With better access, through cheaper and smarter devices, audiences (especially the youth) are consuming more content and are getting increasingly engaged.

     

    Key beneficiaries are emerging new media segments, which include internet advertising, online classifieds, and gaming, all of which are on a rapid growth path. Going forward, better uptake of 3G connections and the beginnings of the 4G rollout are expected to spur growth further.

     

    Regional markets remain key centers of growth:

    Advertisers continue to see higher growth in consumption from key regional markets. Hence regional media continues on a strong growth trajectory especially in the print and television sectors. Key media players are focusing on cherry picking acquisitions and expanding their presence in regional markets based on higher rates of advertising revenue growth, and better insulation from the slowdown than in metros, which may be close to saturation in many cases.