Category: MEDIA

  • Fast company: Mahindra acts on digital feedback

    By A Correspondent

     

    Social media is quick on the draw, and companies have to be on the ball to respond equally fast. A good case in point is that of the Mahindra SUV TVC.

     

    Mahindra & Mahindra (M&M) recently launched its new television commercial for its premium SUV model, the XUV500. The television commercial reinforces its brand positioning of ‘May your life be full of stories’. Based on the experiences of three young friends who embark on a journey, together, the ad is set in South Africa. A two-minute uncut version of the television commercial was first premiered on the digital platform for fans & digital communities. When it first premiered on the digital platform, the XUV500 was shown with an Indian number plate against a South African backdrop. Among conversations in social media, this was seen as an anomaly. Mahindra made a conscious effort to listen & act on the feedback swiftly by changing the license plates to a South African number through a very specialized process. The change and acceptance of customer feedback was appreciated by the digital community and fans.

     

    It struck the right chord with Facebook fans and the YouTube community, already crossing more than 2.6 million views on YouTube.

     

    Vivek Nayer, Chief Marketing Officer, Automotive Division, Mahindra & Mahindra Ltd said, “This new communication is based on the consumer insight that, new experiences are the new wealth in today’s world. Being rich is not about money alone, with ‘ memorable experiences ‘ becoming the new currency. The idea was to create an aspiration among consumers to go on exciting road trips where the XUV500 can play an enabling role in the fulfillment of its brand promise of “May your life be full of stories”. The new television commercial of the XUV500 has been successful in creating a connect and aspiration for the next generation of car & SUV buyers who are seeking new experiences in their lives.”

     

    Mr Nayer told MxMIndia, “We give our social media communities special privilege for the exclusive preview of the new TV advertisements. Also on TV a two-minute version becomes very costly to air, so we use the digital platform to promote the longer version of the TV ad. In keep with same principle a two-minute uncut version of the television commercial was first premiered on the digital platform for the exclusive viewing of fans & digital communities.”

     

    However, they did not have to reshoot the complete advertisement. The license plates were changed in the advertisement to a South African number plate using a specialized process called rotoscopy. “The task was very challenging as it involved changing of the number plate frame by frame in every shot of the video, synchronizing it with the surroundings and adjusting the colour, ,” said Mr Nayer. The cost of doing this, he said, was less than what a re-shootw would have amounted to.

     

    Credits

    Ad Agency – Interface Communications

    Production House – Chrome Films

     

  • TV industry to debate digital dividends at CASBAA India Forum 2013

    By A Correspondent

     

    As India hurtles towards inevitable digitization, the intricacies of broadcasting are becoming ever more apparent. The CASBAA India Forum 2013, on March 7 in New Delhi, brings into focus the disparate voices of various television industry stakeholders, who each have an interest in a thriving India.

     

    “India is undeniably a vast and complex market, but one that continues to provide unparalleled opportunities and potential to investors,” said Christopher Slaughter, CEO, CASBAA. “However, success depends on the ability to navigate the hurdles of the country’s broadcasting industry and CASBAA’s annual India Forum provides an ideal platform to hear from leaders and experts from across borders and market segments.”

     

    From the ongoing satellite capacity crunch and the challenges of navigating a complex regulatory environment to identifying the future trends in the country’s multichannel TV market, industry leaders will bring their unique perspectives on the current state of Indian broadcasting and what to expect moving ahead.

     

    Headlining the roster of speakers at the event will be Uday Kumar Varma, Secretary, Ministry of Information & Broadcasting, who will deliver the opening keynote address. Also scheduled to speak are TRAI Chairman Dr Rahul Khullar; TRAI Principal Advisor Parameswaran N; and Sudhir Gupta and Supriya Sahu, both Joint Secretary (Broadcasting & Policies), MIB.

     

    The list of speakers and panelists also includes Thomas Choi (CEO, Asia Broadcast Satellite), Smita Jha (Leader, Entertainment & Media Practice, PwC India), LV Krishnan (CEO, TAM Media Research), Sameer Manchanda (Chairman & MD, DEN), Ravi Mansukhani (MD, IMCL), Deepak Mathur (SVP, Commercial, Asia-Pacific and the Middle East, SES), Harit Nagpal (MD & CEO, Tata Sky), Bharat Kumar Ranga (Chief Content & Creative Officer, Zee Entertainment), Man Jit Singh (CEO, MSM; President, IBF), Shashi Sinha (Chairman of Technical Committee, BARC; CEO, IPG Mediabrands India), Bill Wade (President & CEO, AsiaSat), Robert Zitter (EVP & CTO, HBO), Deepak Jacob (President, Legal & General Counsel, STAR TV India) among others.

     

    Partners for the CASBAA India Forum 2013 include Supporting Sponsor SES and Sponsors AsiaSat, Brightcove, CSG International, Eutelsat, IBM and STAR India.

     

  • 55% digitization target achieved in Phase II cities: MIB

    By A Correspondent

     

    As per the data received from the DTH operators and the MSOs, as on 22.02.2013, a total of 87.7 lakh Set Top Boxes (STBs) have already been installed in Phase II cities against the target of 1.60 crore, registering an achievement of 55 percent digitization. Out of a total of 87.7 lakh, DTH connections accounted for 40.7 lakh, whereas cable STBs accounted for 47.0 lakh.

     

    A release from the ministry said that it has been constantly monitoring preparedness for the implementation of digital addressable cable TV system in 38 cities of Phase II, where cable TV will undergo digital transition by 31.03.2013.

     

    The Ministry has set up a Task Force exclusively for Phase II cities to oversee and monitor the digitization process in Phase II. A public awareness Committee has also been constituted in the Ministry for spearheading awareness campaign in Phase II. As part of the awareness initiative, all television channels have started to run a scroll, informing consumers about the deadline for cable TV digitization. All India Radio has also started broadcasting of the radio jingles on its National and regional networks for creating public awareness. Several other initiatives like SMS campaign, video spots and print advertisements etc. are on the anvil. The State Governments/UTs have already nominated nodal officers in 38 cities of Phase II. Ministry had recently conducted a workshop for them. It has been planned to organize a second workshop shortly to take stock of preparedness in Phase II cities. A regional workshop was also held recently at Bangalore to sensitize local MSOs, Cable operators and other stake holders.

     

    The Ministry had set up a Control Room during Phase I, which has continued to function to address the queries of consumers, cable operators and others. The Control Room, which also has a toll-free number, has been receiving a number of calls from consumers of Phase II cities.

     

    In order to facilitate cable TV digitization in 38 cities of Phase II, the Ministry has already issued provisional registration to 30 Independent MSOs to operate in Phase II cities. This would enable these MSOs to operate in their respective cities to provide digital cable TV services.

     

  • Post-Budget 2013, M&E’s growth conundrum continues…

     

    By Johnson Napier

     

    With business as a whole still awaiting an uptrend in the economy, the talk in the media and entertainment sector has centred around how avenues and investment options for growth are drying up and the need for a fillip to resurrect the once-vibrant sector. Trade analysts have been long anticipating the bounce-back in the economy, with projected time-frames going from post-September 2012, to first-half 2013, and now to the second half of 2013.

     

    Finance Minister P Chidambaram was expected to wield a magic wand, but while the Union Budget was announced yesterday, there was nothing really significant that could revive the hopes of thousands of employees in the media and entertainment space who waited with bated breath for SOPs and benefits to be doled out. This was after the media went gaga about how the budget would be a more pragmatic than populist in its approach if the UPA government fancied a third term into power at the Centre.

     

    Of the few measures announced by the Union Finance Minister for the M&E sector, the most important one was directed towards the radio sector. The Minister announced that it would expand private FM services to 294 more cities and that about 839 new FM radio channels would be auctioned in 2013-14 and, after the auction, all cities having a population of more than 100,000 would be covered by private FM radio services. The other important announcement was not a good one where the Minister proposed increasing customs duty on set-top boxes from 5 to 10 per cent.

     

    Hope for a few, dejection for others

    Rakesh Jariwala

    Analyzing the overall scenario, including measures announced for the film industry as well, Rakesh Jariwala, Tax Partner, Ernst & Young said, “The budget has given partial relief for the film sector as the non-theatrical revenues of a movie are now brought back in the tax net. Producers and distributors will be able to recover a portion of their input credits with this change, thus mitigating a portion of the adverse impact created by the complete exemption granted last year. For non-film business, impact of removal of exemption to copyright transactions will have to be measured in terms of eligibility of the service receiver to take credits. However, the question of double taxation of transactions in intangible rights (between service tax and Value added tax) remains unanswered.”

     

    Adding further he said, “The budget will increase the income tax cost on account increase in corporate income tax surcharge from 5 percent to 10 percent. Any outbound remittance towards IP royalties (except film exhibition royalties) and/ or fees for technical services will be subject to increased 25 percent tax rate, subject to a better tax treaty rate. Investment in specific plant and machinery towards manufacture of article or thing by media companies in excess of 100 crores will qualify for additional tax allowance at 15 percent. Also, Increase in import duty for set top boxes from 5 percent to 10 percent may increase the cost for DTH/ Cable operators. Applying service tax on exploitation of copyright in cinematograph film with the exception of exhibition rights should result in improved credit situation for the industry.”

     

    Smita Jha

    So while the good news is mostly limited to the sector of radio, the repercussions of the hike in duty of STBs is not being taken well by the other factions of the industry. Smita Jha, Leader, E&M Practice India, PwC said, “In principle, this move is to encourage local manufacturing of STBs. In that sense, it is a step in the right direction for the prospect of local manufacturers. But having said that and keeping the DAS deadlines in mind, I am not sure if it will really benefit the industry. With customs duty being raised, the cost will be passed onto either the consumer or be borne by the STB importers. Given that the prices of STBs are also very competitive, it is not good news for MSOs and LCOs since they might have to bear the costs.”

     

     

    Roop Sharma

    Jha’s assessment found resonance with Roop Sharma, President, Cable Operators Federation of India who said, “The increased customs duty on STBs will be passed onto the consumer. Though it is a very good step to promote indigenous STB manufacturers, if it will maintain BIS standards. The imported STBs are Chinese-quality and not very good. From LCO’s point of view, it will be beneficial for consumers for they will get good-quality indigenous STBs.”

     

     

     

    Uday Shankar

    The most worrisome response perhaps came from FICCI M&E committee. Uday Shankar, Chairman, FICCI M&E committee said, “FICCI expresses its shock at the proposed doubling of customs duty on the import of set-top boxes to 10 per cent from the existing rate of 5 per cent, announced by the Finance Minister in the Union Budget 2013-14. We strongly believe that an increase in import duties on STBs will be detrimental to the government’s digitization programme that was flagged off last year. This move at this stage will hamper the progress of digitization since it will significantly increase the outlays of the cable and DTH community. It will also adversely impact the government’s tax collections from additional revenues linked to faster digitization.”

     

    According to Mr Shankar, the availability of lower-priced set-top boxes is pivotal for smooth implementation of digitization. “The domestic industry lacks the scale and size required to meet the increased demand for set-top boxes and the industry is heavily dependent on import of these devices to implement the next phase of digitization. This sharp increase in import duty will escalate the costs for consumers and can potentially derail the digitization process,” he said.

     

    Adding further he said, “FICCI has been consistently recommending the lowering of customs duty on set-top boxes. The government could have instead considered lowering excise duty on local manufacturing of set-top boxes, thereby ensuring timely supply of such devices at lower costs and urges the I&B Minister and the Finance Minister to review and reconsider this proposal and provide much-needed relief to the media and entertainment sector.”

     

    Ajay Chacko

    Presenting a more diverse view on the budget, Ajay Chacko, President, A+E Networks|TV 18 said that apart from the rise in customs duty on STBs and a forward-looking incentive for radio players, there are other things that one should look at that can impact the way the industry functions. He said, “Media business is primarily driven by consumer products and consumer products means consumption. So if there is an increase in the disposable income it kind of motivates people to spend more. So there have been some attempts to increase consumption and disposable income if not growth of the industry as such.”

     

    According to Chacko, the waiver that has been given to the housing sector and boosters being given to a couple of other industries as well will see the advertising environment picking up in terms of spends. “This will be a good thing to happen as the advertiser spending has been slow in the past two years. So there has been an attempt to revive consumer spending which will at least lead to halt in the downward spiral of advertising spends.”

     

    Tarun Katial

    While a few hopes were indeed crushed, there were others who were satisfied with the outcome of the Budget. Like Tarun Katial, CEO, Reliance Broadcast Network Ltd, who said, “The Budget brings good news for the radio industry, with Phase 3 poised to create optimal reach for the medium. Other benefits like news, networking, current affairs and sports, multiple frequencies etc will add the necessary fillip to further fuel listenership growth through reach and content diversification and will also drive profitability and revenue through cost optimization.”

     

     

    Prashant Panday

    Expressing his joy, Prashant Panday, Executive Director & CEO, ENIL said, “We are happy that the Finance Minister announced the imminent launch of Phase 3 of radio expansion. With this, we hope all hurdles to the launch of Phase 3 are now removed. We hope quick action now follows this announcement.”

     

     

     

     

    Apurva Purohi

    Echoing a similar sentiment, Apurva Purohit, CEO of Radio City, said, “We welcome the announcement of Finance Minister on the government’s resolve to expedite Phase 3. This impetus would help FM radio expand and offer the choice of consuming private FM radio to millions living in smaller towns. We are looking forward to the same.”

     

     

    Not much effect on other domains

    As for the impact on other mediums, there was a mixed bag of feelings that emerged. Pradeep Gupta, CMD, Cybermedia said, “As I see it there is not much that has come out from the budget for the M&E industry as such. But then the print industry had also made a request to the government to not increase the rates of any duty structure for the benefit of the industry. And the government hasn’t raised any rate on the duty as such. So I suppose it will be business as usual for the print industry.”

     

    Srinivasan K Swamy

    IAA President Srinivasan Swamy said, “The budget unfortunately does not do anything to spur growth to the industry which will lead to handsome growth to Media and Advertising industry. This is reflected in the sentiments of the stock market. 2013-14 is only likely to see a single digit growth in the industry and this means the growth is likely to be in line with inflation. Not a happy state to be in.”

     

     

     

     

    Sunder Hemrajani

    Sunder Hemrajani, Managing Director, Times OOH said, “As can be inferred, there is nothing as such for the Outdoor industry in the budget. However, there is a positive correlation between business confidence, investment, GDP growth and growth in advertising spends. Some of the budget proposals are expected to provide the impetus for growth in the economy. This should spur growth of the OOH industry which has had a difficult year. But high food inflation and fiscal deficit continue to be a challenge.”

     

    The overall sentiment could probably be summed by what Amar Ambani, Head of Research, India Infoline Ltd (IIFL), had to say on the Union Budget 2013-14: “The FM presented a rather non-eventful budget given that fiscal deficit targets were vocally communicated earlier. The market was disappointed with the evident populism in the budget through higher social scheme allocations despite limited headroom. The math for achieving 4.8 percent fiscal deficit in FY14 looks vulnerable to slippage. Further, it was also not a budget which can revive the sagging economy. Absence of key reform measures such as GST implementation was also dejecting.”

     

    For now, M&E will have to look to other key industries which have benefited from the Budget, and who advertise heavily, to pump up their growth story so that positive effects rub off onto the M&E sector as well.

     

  • Life OK’s Savitri running at a cinema near you

    By A Correspondent

     

    With competition growing, GECs today are finding innovative ways to market their shows. The latest to join the bandwagon is Life OK. The channel, for the launch of its latest offering Savitri, has joined hands with UFO Moviez.

     

    For the first time, the channel’s four-minute promotional content for a Hindi GEC show is being played in cinema advertising in digital theatres with the new film releases of the week.

     

    Speaking on the innovation, Pratik Seal, Marketing Head, Life OK said, “Life OK has always been a firm believer in disruption, whether in terms of content or our marketing strategies. UFO Moviez is a popular platform with a huge reach in Hindi Heartland. We are delighted that along with UFO Moviez, we were able to introduce our show and capture the attention of our audiences.”

     

    Commenting on this development, Siddharth Bhardwaj, CMO & NSH – Enterprise Ad Sales UFO Moviez said, “We are delighted to have partnered with Life OK; this partnership is an example of how UFO continuously makes an effort to innovate and provide value to the brands advertising on its network.”

     

  • Mid-Day CEO Manajit Ghoshal exits

    By A Correspondent

     

    Manajit Ghoshal

    Jagran Prakashan Limited has announced the exit of Mid-Day CEO and Managing Director Manajit Ghoshal.  JPL is the holding company of the Mid-Day group of publications. A letter from Jagran group CEO Sanjay Gupta was sent to all employees to intimate this on Friday, March 1.

     

    Although MxMIndia could not reach either Messrs Gupta and Ghoshal, the parting is said to be with immediate effect. Old Mid-Day hand Cyriac Mathew will hold charge.

     

    Mr Ghoshal saw a steady rise in the organization. Elevated to CEO in 2008 from his position of the CFO, he was also appointed Managing Director of Mid-Day Infomedia in 2009. When the Jagran group acquired the print and digital business of Mid-Day, Mr Ghoshal continued to hold charge of operations even as he reported to the JPL management.

     

    “The old and new management of the news company reposed much faith in him,” said a former colleague, commenting on Mr Ghoshal’s well-spirited reign and how he raised the bar for his colleagues.

     

  • MediaAsides: How a leading media group sacked its boozard CEO for misbehaviour

    There’s been much relief in the newsrooms as the CEO of a leading media organization got the marching orders from his bosses last Friday.

     

    Earlier in the day, the CEO’s boss (the Group CEO) sent a mail to employees:

     

    “Dear All

    We in  holding company  came to know last evening of an incidence where ?CEO name? had not acted in the best interest of the company. While not being present in office throughout the day, he, in inebriated state, took some irrational decisions and humiliated key management team members on phone.

    These key members, due to his repeated such behaviour, have lost faith in his abilities to lead ?Leading brand Name? team.

    We as corporate do not tolerate such behaviour from any team member. We expect that all of our team should always show respect towards each other and work in interest of the company.

    Thus taking exceptional notice of this incidence, ?Leading brand Name? board has decided to terminate services of ?CEO name? with immediate effect.

    We have persuaded ?Trusted lieutenant? to stay back with us and take charge. He and xyz will make sure that moral of all you team members is boosted again and we continue to perform and make our mark in Mumbai.

    ABC and DEF: I will ask you to make sure that our edit and advertising team members remain motivated.

    We have full confidence that all of you will continue to work and achieve targets set out by management in an amicable manner with full coordination.

    For any assistance and support we have asked our representatives GHI and JKL to be present with you all.

    All the best.

    ABC DEF

    CEO, GHI XYZ Limited”

     

    So why aren’t we naming names? Although we have received the mail from three different sources, since it’s not been validated by the sender or his/her organization as well the CEO in question, we have dropped the individual’s names as well as that of the organization. However, it’s not too tough to figure who’s who and one doesn’t have to look too far for hints on who the CEO is (note: the boozard in the headline is our usage, but the implication is in the mail).

     

    There is reportedly much relief in not just the offices of this media organization plus but also for those who quit thanks to the man who won few hearts. We have a few questions:

     

    1. If there were complaints in the past which pointed to the the CEO in often in a drunken state, why was he allowed to continue?

    2. While the holding company should be commended for allowing a free run to the team, shouldn’t the bosses have their ears to the ground and know who’s working and who’s not? (or shall we say, Kaan-put in a Gupt way)

    3. For instance did you know that the axed CEO wouldn’t come to work twice days in a week? So only three days of work in a week!

    4. Will you now continue to persist with the regressive paid content policy that the axed CEO introduced and championed?

    5. Does the organization have a policy on alcohol consumption? Not just in office, but can an employee be consuming alcohol while on duty or at work?

     

    We understand that attempts are being made to reopen papers and look at some of the business decisions taken by the former boss.

    Until then the new dispensation is getting its act together.

    It’s a question of morals and morale. Jaago!

     

    Some movements in trade media too…

    There has been some action on the other side of the fence – in the trade media too. Anant Rangaswami, senior editor at FirstPost will now hold additional charge as editor of Storyboard, the popular A&M show on CNBC TV18. The change happened due to the moving on of Anuradha SenGupta who did a brilliant job as editor and anchor for 12-odd years!

    Elsewhere, exchange4media group’s executive editor Noor Fathima Warsia is also said to have quit after a long and successful innings with the group. No clues on her next port of call. Ditto with Anuradha SenGupta. When asked on Twitter by digital marketer on when one would know of her next destination, she replied: “As soon as I decide…the journey’s good right now :)”

    Hmmmm.

     

  • Draftfcb Ulka creates two TVCs for Tata Docomo

    By A Correspondent

     

    Draftfcb Ulka has created two new TVCs for Tata Docomo, taking the network’s story further into the domain of social networking. Having embarked on a journey for driving data connectivity through “Network everywhere. Always”, the new TVCs highlight the advantage of being on the network for those whom social networking is the means to have an on-going conversation with their world.

     

    Capturing the very innate need of today’s youth to share their experiences real-time through photographs, videos and posts on social networking sites of their choice. Not having access to a data connection creates a vacuum in their life and this is where Tata Docomo ubiquitous network and data plans come in.

     

    Vasudha Misra, Sr Creative Director, Draftfcb Ulka says, “We took the age old idea of sharing and gave it a facelift. The idea here was to express the impulse to share our experiences and stories as we live them.”

     

    The creative idea takes the leap from this very need of today’s youth, the need to stay connected from anywhere, anytime. This is being driven through the plot in the TVC that of a guy sharing his experience on a hill top with his friends and family.

     

    Ritesh Ghosal, Head – Brand Marketing, Tata Docomo, says, “Tata Docomo has long been the preferred choice of the internet using audiences because of its flexible plans and superior data experience. The new campaign brings to life the advantages of being on a robust data network for people who can be struck with the impulse to share anywhere, anytime.”

     

    The campaign has two TVCs, which went on air in February.

     

    Credits

    National Creative Director – KS Chakravarthy

    Sr. Creative Director – Vasudha Misra

    Creative team – Deepika Chauhan, Robin Thomas, S Srinath, Sandeep Kalra

    Account Management – Sridhar Iyer, Sudipto Poddar, Kanika Rawal, Anuraag Shrivastav &

    Dyuti Biswas

    Agency Producers – Alpa Jobalia, Mazhar Khan

    Production House – Footcandles Production

    Director – Ayyappa

    Producer – Amarjeet Phukan

     

  • Storyboard dons new avatar on CNBC TV18

    By A Correspondent

     

    Storyboard, the longest running feature show on CNBC-TV18, returns after a break. Starting March 16, the show will be hosted by Naomi Datta and edited by Anant Rangaswami. Since the launch of Storyboard in 2001, the show has analysed developments in advertising and marketing, giving viewers a ringside view of the business of brands.

     

    In its new avatar, Naomi Datta will be hosting the show. A television journalist, presenter and producer for 14 years, Naomi Datta started out with CNBC-TV18. Next, she moved to the Times Group as a core member of the Times Now start-up team. Later, she worked with MTV and Endemol India as a consultant. Talking about her new role, she said, “I was part of the team that launched Storyboard 12 years ago – and am delighted to be a part of Storyboard’s exciting evolution to the next level. Our hope is to energize an already iconic show with a wider variety of information and trends relevant to brands, marketing and advertising. The aim is to make Storyboard as interactive and contextual as possible for the audience.”

     

    The show will be edited by Anant Rangaswami, the founder editor of Campaign India magazine, who has over 20 years’ experience in media and advertising. He began his career in media and advertising with Star TV, moving on to Sony’s SET and next to BCCL’s Times Television and Times FM, and shifting to advertising as head of TBWA India’s Mumbai and Pune offices. He then made the leap into journalism.

     

    Talking about the new Storyboard, Mr Rangaswami said, “Anuradha SenGupta, who launched Storyboard, has decided to move on. She has done a fantastic job with the show, and we will build on these foundations. The business of brands and communications is now changing at a furious pace, and the new Storyboard will keep viewers abreast of the latest developments in the business.”

     

    Elaborating on the marketing strategy for the new show, Suranjana Ghosh, Marketing Head, CNBC-TV18, said, “Storyboard aims to be the curator of everything a marketer ought to know. The new show will be business-like, current, edgy, entertaining and informative, addressing all those who want to understand the role of A&M in business.”

     

  • Ormax Media announces India’s largest IPL research, ‘Ormax Trac20’

    By A Correspondent

     

    Media insights firm Ormax Media announced that it will be conducting India’s largest syndicated research to measure the impact of sponsorship and advertising on the brand partners of IPL 6. The research called ‘Ormax Trac20’ will be conducted across 9,000 respondents in three phases – pre-IPL, during the IPL and post-IPL – for the sixth edition of the tournament this year.

     

    Ormax Trac20 will track the advertising recall and effectiveness for IPL 6 advertisers who subscribe to the research. This will be done through a series of parameters, such as ad recall, ad likeability, innovations sponsorship recall and brand imagery impact. The study will measure key perceptions of IPL, such as team loyalty and viewing behaviour. Additionally, early subscribers will be allowed to add customized question to the track to suit their specific requirements.

     

    Shailesh Kapoor

    Speaking about Ormax Trac20, Shailesh Kapoor, CEO, Ormax Media, said, “Ormax Trac20 is by far the biggest IPL research India has ever seen. It can be used by brands to measure the effectiveness of their association with IPL 6 at various levels, allowing them to take business decisions to optimize their high investments in IPL, both during the course of IPL 6 as well as for future seasons. The research is relevant for all advertiser types, be it ground sponsors, television sponsors or spot-buy driven advertisers.”

     

    The research will be conducted in the nine home markets for the franchisees, namely Mumbai, Delhi, Chennai, Hyderabad, Bangalore, Kolkata, Pune, Chandigarh and Jaipur.

     

  • Get ready for 92.7 Big FM Marathi and Telugu awards

    By A Correspondent

     

    The second edition of the Big Marathi Entertainment Awards have been announced by 92.7 Big FM. The awards will provide recognition to outstanding talent in the Marathi entertainment industry across 16 unique categories including films, television, theatre, and music among others.

     

    Ashwin Padmanabhan

    Ashwin Padmanabhan, Business Head – 92.7 Big FM said “The Big Marathi Entertainment Awards is a premier platform in the region which recognizes outstanding talent from the entertainment industry. After the phenomenal success of the event’s first edition, we are really excited to be back while bringing on-board an incredible panel of jury members and great lineup of partners. This year’s awards ceremony promises to provide excellent integration options to our marketers and advertisers thereby enabling them to reach out to their target audiences in the region.”

     

    These awards will be presented to the best-of-the-best from within the industry through combined votes received from the jury members and 92.7 Big FM listeners. They will be partnered by Majhi Saheli, a magazine, and OOH partner Bright Outdoor to accelerate the visibility and reach of the show thereby facilitating an overwhelming opportunity and platform for brand marketers to tap into a wider audience and consumer base.

     

    Renowned film and theatre personality Bharat Dabholkar and actor Vinay Apte have been roped in as jury members for the second edition of the awards which will also witness a high level of listener engagement via on-air voting polls.

     

    Similarly, 92.7 Big FM Andhra Pradesh, today announced the jury for the upcoming Big Telugu Entertainment Awards. Movie Artists Association President and director-producer Tammareddy Bharadwaja, Television Artists Association President and actor Vinod Bala and veteran actress Raasi will collectively judge the entertainers in categories from across fields which include movie, television and sports.

     

    Telecast partner for the Big Telugu Entertainment Awards, ETV will further expand the reach of the awards ceremony enabling audiences from across the region to watch their favourite entertainers receive the top honours.

     

    Mr Padmanabhan said, “Furthering our promise to award the best talent from the Telugu entertainment industry, we are proud to rope in Tammareddy Bharadwaja, Vinod Bala and Raasi as our esteemed jury members for the Big Telugu Entertainment Awards. We are sure that their inputs along with the volley of votes we have been receiving from our listeners for the popular choice awards will make the grand awards night an unforgettable affair. The 21 categories encompass the most outstanding talent from within the industry enabling us to provide multiple opportunities to our marketers and advertisers to reach out to their target audiences.”

     

     

  • DNA’s KU Rao joins HT as consultant

    By A Correspondent

     

    KU Rao has joined Hindustan Times as a consultant. Mr Rao had joined DNA in October 2006 as CEO. In November 2012, he stepped down as CEO and was assigned a corporate role in the Zee Group as incharge of the Siti Cable business after former Times of India group President Dr Bhaskar Das took charge of the Zee’s news business late last year.

     

    Mr Rao, who joined DNA from Shell, helped the transition from the paper’s management by the Dainik Bhaskar group to Zee in 2008. An MBA alumni from Andhra University, Mr Rao commands a varied experience of 30 years in media and management.

     

    Mr Rao joins HT at a time when it has also engaged Sujoy Ghosh, former Director at Bennett Coleman & Co Ltd as a Consultant.

     

    Although MxMIndia couldn’t reach HT for a comment, it is learnt that while Mr Rao will work full-time with the HT Media, Mr Ghosh’s engagement is restricted to that of an external consultant for sales.