Author: mxmadmin

  • Sandipan Bhattacharyya is CCO, Grey South Asia

    By Our Staff

     

    Sandipan Bhattacharyya, Managing Director (MD) & Chief Creative Officer (CCO), GREY group India, has been elevated to the newly created role of Chief Creative Officer, GREY group, South Asia. In his new position, in addition to India, Bhattacharyya will also focus on strengthening GREY’s creative offering across Pakistan and Bangladesh and provide clients with exceptional creative output to drive business growth.

     

    An award-winning creative, Bhattacharyya has over 23 years of experience in advertising. Prior to GREY, he worked at BBDO and Saatchi & Saatchi in significant leadership roles. Under his tenure, GREY India has achieved many notable creative milestones. He led the agency to win multiple Lions at Cannes, India’s first D&AD Yellow Pencil in Design, a Grand Prix and over a dozen metals at Spikes, Adfest, One Show and several Effies. In addition, he has played a major creative role in expanding the agency’s transition into a truly integrated one with ideas for a digital-first world.

     

    Nirvik Singh, Global CCO & President International – Europe, Africa, Middle East, Asia-Pacific and Latam said: “Under Sandi’s leadership, GREY India has launched some of the most iconic, award-winning campaigns in the last decade. His understanding of cultural nuances and leveraging these insights is superb. In his new role, he is well-positioned to create more ground-breaking, famously effective work for our clients across South Asia and can continue to push our borderless philosophy and build a culture that nurtures the best creative talent across the region.”

     

  • Havas gets a new brand architecture & identity

    By Our Staff

     

    For the first time in 20 years, Havas has streamlined its brand architecture and updated its look, making it more modern, meaningful, and easier to navigate for clients, partners, and talents. The team at Conran Design Group, Havas’ leading strategic branding agency, helped realize the project, producing a new, unified brand that is powerful, iconic, and timeless, to better reflect the group’s integrated model, and further establish its unique positioning around meaningfulness and entertainment.

     

    Today marks a defining moment in Havas’ almost 200-year history as it unveils a refreshed look and reimagined brand architecture that more clearly tell its story. In line with the acceleration of its strategy rooted in integration, Havas is bringing all Havas branded networks and operating companies under one new, shared brand identity, which will amplify the true nature of Havas: a client-centric, creative powerhouse that is part of the Vivendi Group, at the crossroads of entertainment and communications. Non-Havas branded networks and operating companies will maintain their individual identities but will add an endorsement that clearly links back to Havas.

     

    The refresh kicks off today, June 13, 2023, with Havas’ headquarters in Paris and key Havas Villages around the globe, including London, Madrid, Mumbai, and New York, to be rolled out companywide in phases over the balance of the year. The update encompasses all Havas physical and digital branding worldwide, including a new corporate website organized by core services, providing a more client-centric experience.

     

    As one of the six largest groups globally with more than 22,000 people in over 100 countries, a single, modernized, dynamic brand elevates Havas’ offer and unlocks value for clients and talent alike. Realized in collaboration with Conran Design Group, the new brand is all about positive upward momentum, expressed visually with a dynamic edge that represents the creativity and forward-looking mentality at the heart of Havas’ business.

     

    Said Yannick Bolloré, Chairman and CEO of Havas: “Havas is unique in being the most integrated, meaningful, and entertainment-oriented group in our industry. Our new identity is much more than a logo tweak. It reinforces our difference and gives us a competitive advantage by simplifying our service lines and highlighting our core values. It ensures we are treating our brand as a powerful, meaningful business asset and capitalizing on our integrated approach to deliver seamless communications strategies that exceed our clients’ expectations.”

     

    Added Thom Newton, Global CEO of Conran Design Group:  “Making the Havas brand a meaningful business asset, meant addressing two fundamental challenges. The first, to improve client-centricity by integrating the brand architecture system and optimising the navigation of services. The second, to make the Havas brand truly distinctive through a new visual identity built around a characterful, modern logotype and signature assets that represent positive momentum. The new visual identity and endorsement system will present all Havas networks and operating companies as ‘One Havas’, making the group more meaningful as a multiplier that adds value across the portfolio.”

     

  • Parle Products unveils new TVC

    By Our Staff

     

    Parle, India’s leading manufacturer of biscuits and confectionery, has launched a television campaign for their toffee brand, Parle Kismi. Titled “#HarKismiMeinHaiKiss,” the nationwide campaign highlights the role of Parle Kismi as a catalyst for love. The TV commercial has been conceptualized by Rediffusion.

     

    Commenting on the campaign, Krishnarao Buddha, Senior Category Head at Parle Products, said: “As we reflect on our school and college days, we recall the emotions of friendship, pure love and days filled with pranks. Parle Kismi has consistently served as an enabler, empowering individuals to express their deepest feelings. With our latest TVC, we aim to appeal to the newer generations, evoke nostalgia and revive cherished memories of friendship, affection, and compassion. Our mission is to spread love and reignite the influence of ‘Kismi’ among our beloved younger audience.”

     

    Added Kalyani Srivastava, Jt. President, Rediffusion: “We are excited to launch our new Parle Kismi campaign, which features a catchy jingle and a heartwarming film. The campaign is based on the idea that a kiss is a powerful expression of love, and Parle Kismi is the perfect way to add a touch of sweetness to any kiss. We believe that this campaign will resonate with the younger audience.”

     

  • Keeping it simple works for Jaago Re & Tiger Anthem

     

     

    By Sanjeev Kotnala

     

    Sanjeev Kotnala

    Most of us have an issue with opportunistic Cause Marketing and pseudo-Purpose-led brand campaigns. And many of us share Prathap Suthan’s sarcasm when he writes about the advertising industry’s hypersensitivity to hopeless global causes in the month of June – primarily for awards, easily identifiable with the timing, efforts, scale and design. However, some of us still hang on to the hope that there are a few brands which keep it simple, while working on an identified cause consistently and diligently. They are in it for  an extended period , where they explore it from different angles. Tata Tea- ‘Jaago Re‘ and Ariel- ‘Share the load’ are two examples of cause/purpose-led marketing campaigns with an excellent brand fit. Additionally, they have longevity that has been explored by the brand.

     

    What makes JAAGO RE work.

    Good cause marketing must have an almost direct brand/service relationship. In the case of Tea- strongly associated as an early morning beverage – Jaago Re- Wake Up is such a simple and strong statement- an excellent brand fit. The audience can completely relate to it- even though Jaago Re, in this case, is more than the Physical act of waking up.

    Tata Tea has worked on Jaago Re for over 15 years and has taken it to new heights with fresh communication. There is a huge investment of time and effort after crafting the idea.

    It addresses issues relevant to the public. Things they want to act upon but don’t seem to have the initiative or solution. Issues like Corruption, Woman Empowerment, Gender inequality, Voting, Bribery and now climate change- or protecting the climate for the next generation.

    The brand approach is to simplify these complex issues and provide a trigger – a thought to the audience. In a way, ask the audience to wake up and take the initiative. Take those identified small initiatives at the individual level that have the power to collectively impact the system. Because every such issue needs an individual-level action which would collectively converge into ground-level movement, the change would happen.

    The ‘Jaago Re’ campaign has been fully focussed. There is always a scenario build-up (reminder of the situation) and a call for action. The suggested initiatives (solutions) are relatable, and the solutions seem to be practical and practicable. There is always an element that shouts there is no need to wait for things to happen.

     

    Tata Tea Pushes New Climate Change Initiatives.

    Alarm Bajne Se Pehle Jaago Re’ pushed for proactive behaviour. ‘Power of 49′ reminded women of their voting power and how they could make a difference in the general election. The weakest link in the campaign was Soch Badlo‘, which seemed more preachy but asked the audience to see things from a different perspective. ‘Khilana Bandh Pilana Shuru’ suggested fighting corruption with a strong direct call for action.

    These campaigns had a solid link to Tata tea, and the Umbrella Brand ‘TATA’, with its image and trust, further strengthened the idea. The campaigns were not mere visual fantasies but had strong digital and ground-level support. Thus, the campaign remained impactful and relevant for the masses.

     

    Tata Tea Jaago Re Climate Change Imitative.

    The latest Tata Tea ‘Jaago Re Climate Change’ campaign brilliantly uses well-known nursery rhymes at a school function. The nursery rhymes are tweaked for the message. It strikes a chord with the audience. They all remember these rhymes and recognise the change. The message that the next generation will have to pay the price of the current generation’s actions and inaction is starkly delivered with impact and simplicity.

    One can safely presume that the Tata. Tea campaigns will not be able to create a mass movement or make many people act. However, you can not ignore the efforts and relentless pursuit of simplistic solutions. In this case, the communications and the creative device of Nursery Rhymes work to create impactful awareness.

    The Jaago Re site, in addition to asking people to pledge action (Pledges now reaching 50K!), shares ways people can be part of the solution. These are simple solutions like saving energy at home, planting trees, sustainable green commuting, reducing waste, using eco-friendly products and recycling.

    Tata Tea addressed the climate change issue earlier, asking the current generation to act. In that case, the instigator was a child. However, the Nursery rhyme is far more impactful.

    No doubt, Jaago Re is an impactful, relevant and successful campaign. The only grudge that one has is the annual re-evaluation and shifting of the targeted issue. But, then, it is what the brand needs to do.

     

    KEEPING IT SIMPLE – TIGER ANTHEM BY TOI

    Another cause marketing! Hopefully a sustained effort.

    The Tiger Anthem ‘Meet my Mom‘ by The Times of India  has crossed 100 Mn views in a fortnight across platforms and going strong. It is part of the ‘Saving Our Stripes’ campaign on the 50th year of Project Tiger, supported across print and digital mediums. TOI- the media giant had used every possible way and media under its banner to highlight and build interest in the subject before the Anthem was released. These included contests, User-generated content, interviews, articles, podcast and exciting use of cartoons.

    TOI has hit an emotional chord with the audience by using the powerful bond of a mother and her child. As it is future-looking, the anthem has very peepy and simple lyrics that should interest the young audience- expected to take the initiative further. It not only shows that the animals must co-exist, but it also shows the young mind that the relationship between a mother and her child is independent of the species. The cub is as innocent and unaware of the dangers, and the true threat to them is us, the humans.

     

    Complicate At Your Own Risk.

    Zomato’s recent Kachra TVC is a case in point, where the brand picked up a cause and blotched it up due to insensitivities. There is a lot the brands must consider in today’s world while approaching a cause with a social divide. Here is an excellent article, ‘Brands Navigating The Social class divide- lessons in Sensitivity from past campaigns’ by Hamsini Shivakumar and Prabhjot Singh Gambir. There is always a possibility to filter the communication through SMEAR INDEX, checking for possible backlash. However, know that the intent does not count, and irrespective of your best efforts, some part of the audience will always be objections to the creative. Then, the brand should be able to take a stand.

     

    Net-Net

    Keeping it simple works in most communication. And for cause led/purpose-led marketing, one needs to be clear about the objective and the association and be willing to invest time and effort sustainably. There is no point in fooling the audience- ‘Yeh Public Hai Saab Kuch Jaanti Hai, Saab Kuch Samjhati Hai’ (the public knows and understands everything). And when so many brands have been trying to leverage half-baked June ideas, the public knows how to differentiate and tell. Cause marketing needs time and repeated strikes. It requires a ‘Sau Sunnarki Not Eek Lohar Ki’ ( needs multiple strikes, nudges like a goldsmith and not a hard hit like a blacksmith).

    So, there is nothing wrong with cause/purpose marketing if you can do justice to it.

     

  • Nidhi Verma is Director of Mktg & Comms @ Accor

    By Our Staff

     

    Nidhi Verma
    Nidhi Verma

    Accor, the global hospitality Group, is pleased to announce the appointment of Nidhi Verma as Director of Marketing & Communication for India and South Asia.

     

    As Director of Marketing & Communications – India and South Asia, Nidhi will be responsible for driving the development and execution of integrated public relations campaigns that align with the brand’s marketing strategies, alongside leveraging a 360-degree approach across various media platforms.

     

    Said Puneet Dhawan, Senior VP Operations, India and South Asia: “We are confident that Nidhi’s extensive experience, expertise and leadership skills will further strengthen the Accor’s presence and reputation in India and South Asia. With her strategic mind-set, innovative approach, and dedication to excellence, I am certain that she is poised to make a significant impact on Accor’s marketing and communication strategies in the region.”

     

  • Sumanta Bose assumes expanded leadership role @ Star

    By Our Staff

     

    Sumanta Bose
    Sumanta Bose

    Disney Star has expanded role of Sumanta Bose, who has been appointed as the Business Head for Star Plus and Star Utsav. In a significant development, Bose has also been entrusted with the responsibility of leading the content for Disney+ Hotstar Hindi specials, further enhancing Disney Star’s position in the Indian entertainment industry. This strategic move comes as Kevin Vaz, former head of network entertainment channels, decides to pursue an exciting opportunity outside Disney Star. The organizational changes have paved the way for the next generation of leaders to step up and take on larger roles within the company.

     

    Reporting directly to Gaurav Banerjee, Head of TV and Disney+Hotstar Content Studio, Bose will leverage his expertise to propel the success of Star Plus and Star Utsav. Additionally, he will assume the responsibility of leading content development for Star Plus, Star Jalsha, and Disney+Hotstar Hindi Specials, further solidifying Disney+Hotstar’s position as a dominant player in the Indian entertainment industry. In his new role, Sumanta Bose will play a pivotal role in shaping the content strategy, driving innovation, and fostering creative excellence across Star Plus, Star Utsav, Star Jalsha, and Disney+Hotstar Hindi Specials. His exemplary leadership skills, combined with his extensive experience in the industry, will enable him to navigate the evolving media landscape and deliver compelling content that resonates with audiences.

     

  • Das ka Dum with Dr Bhaskar Das | GroupM’s 2023 Global Mid-Year Forecast predicts a 12% India adspend growth in 2023 and 13.36% next year. Do you see such a double-digit leap happening?

    Bhaskar DasThe question is self-explanatory, and Dr Bhaskar Das has been, as always, very candid. Here’s the June 15 edition of Das ka Dum. Read on…

     

    If you wish to access the archives, please go to the Das Ka Dum tab on the website’s top navigation bar or click here: https://www.mxmindia.com/category/columns/das-ka-dum/

     

    Q. GroupM’s 2023 Global Mid-Year Forecast predicts a 12% India adspend growth in 2023 and 13.36% next year. Do you see such a double-digit leap happening?

     

    A. I have never understood how these estimates are arrived at. One can’t deny the practitioners’ empirical experience, but the reality is that companies plan their spends by quarter if not by months or weeks. Depending on the market volatility – downward or upward, the investments are dynamically conceived and continuous reallocation of marketing spends are calibrated given immediate priorities. Secondly, to arrive at an average number across formats of media delivery and centres can’t be more than a guesstimate. I can imagine digital spend would go up compared to legacy media but at an absolute level, the investment may not be low. Hence a generic percentage would be difficult to conceive. Finally, there is no third-party data about below-the-line spends. I presume that the estimate of BTL spends are taken into account.In view of the above three factors, I strongly believe that the actual spends would be more than the estimated one, though it would differ by different sectors. I have always maintained that I believe in the India growth story amidst stagflation/ recession in various economies and recent GDP estimates are encouraging enough to buttress my condition of rising graph of marketing spend (not necessarily only adspends).

     

  • Dentsu releases report: ‘Impact of Influencer Marketing in India’

    By Our Staff

     

    Dentsu India has released its latest Dentsu Insights report titled ‘Impact Of Influencer Marketing In India’. The report has been created in collaboration with Recogn – dentsu India’s research division, Boomlet Group – an Influencer Marketing & Crisis Communication Agency and Digital Behaviour Initiative at IIT Delhi.

     

    The report delves into the various aspects of influencer marketing – shedding light on its transformative potential for businesses. By conducting thorough analyses of influencer marketing performance across different platforms, categories, formats, and target audiences, the report equips brands and industries with the tools and insights necessary to chart strategic pathways for success.

     

    According to the study, the FMCG sector leads the pack in leveraging influencer marketing, accounting for 18.5% of industry involvement, closely followed by BFSI at 16.6% and automobiles at 15.9%. While brand awareness has traditionally been the primary driver for influencer marketing (62%), the industry’s growth has prompted brands to explore additional avenues to enhance their customer-to-customer ratio. The surge in influencer marketing stems from its ability to amplify brand awareness. With the widespread adoption of social media, influencers have emerged as indispensable assets for promoting brands and driving product sales. They have become a pivotal component of an effective marketing strategy, as the content they create exerts a significant influence on customer behaviour.

     

    In the coming years, the virtual influencer market is set to grow significantly as brands and marketers realize the vast potential of incorporating virtual influencers into their campaigns. Advancements in technologies like artificial intelligence and virtual reality will enhance the capabilities of virtual influencers, driving their popularity even higher. The future of influencer marketing holds great promise with emerging technologies such as Virtual Reality (VR), Augmented Reality (AR), and Mixed Reality (MR). These innovations will revolutionize influencer marketing, captivating millennials and Gen Z, who avidly follow social media influencers. As AR and VR gain traction, brands and marketers will leverage these technologies to engage their target audiences through tech-driven influencer marketing strategies.

     

    Harsha Razdan, CEO, dentsu South Asia said: “Influencer marketing has revolutionized our approach to connecting with potential customers and elevating brand awareness. With the exponential growth of social media platforms, influencers have cultivated loyal and engaged followers – making them indispensable assets in our marketing strategies. They possess a unique ability to foster trust and credibility among their loyal followers. By partnering with influencers, brands can tap into this trust, build credibility, and authentically promote their products or services. The impact is tangible, with higher engagement rates, increased conversions, and improved brand sentiment. This report serves as an in-depth guide, equipping brands with valuable insights to shape their marketing strategies and drive business growth. As we look to the future, tech-driven influencer marketing strategies will continue captivating hearts and minds. The possibilities are limitless, and the potential for brands to connect with their target audience has never been more exciting.”

     

    Danish Malik, Co-Founder and CEO, Boomlet Group added: “The influencer marketing ecosystem thrives on trust, a fundamental principle that will significantly contribute to the exponential growth of the industry. Today, we are thrilled to introduce our Influencer Marketing Report, offering valuable insights into the ever-evolving landscape of influencer marketing. This comprehensive report is the culmination of meticulous research and analysis conducted through a strategic partnership among Boomlet Group, dentsu India’s Recogn, and the Digital Behaviour Initiative at IIT Delhi. As the influencer marketing space has emerged as a favored component of brand promotion, consumers rely on influencers’ perspectives to inform their purchasing decisions. Our report serves as an indispensable resource, equipping businesses with the knowledge to navigate the dynamic world of influencers and illuminating consumer behavior within this ecosystem. Boomlet is looking forward to working on more reports like this in the future.”

     

  • Cheil India expands creative talent

    By Our Staff

     

    Cheil India media company hires Tarvinderjit Singh as Senior Executive Creative Director. His remit includes overseeing and shaping the creative output of Cheil’s work for Samsung India. He is going to be based out of Cheil India’s Gurgaon office.

     

    Vikash Chemjong, Chief Creative Officer at Cheil India said: “It’s good news for any agency when good people want to be a part of the gig. And over the last six months or so, we are proud to say that some of the best talent in the city [across different levels] have joined us. And now with Tarvinder too joining us, our creative quotient has just got another huge boost! If what he managed to do in his last stint here is anything to go by, we have exciting days ahead of us. Both for us and our client Samsung.”

     

    Sanjeev Jasani, Chief Operating Officer, Cheil India added, “I had the privilege of working with Tarvinderjit in the past and thrilled to be working with him again.  His appointment continues our strong momentum to ramp up talent at the agency as we strive to build Cheil into a creative power house”.

     

    Srijib Mallik, Head of Samsung Business at Cheil India said, “Tarvinderjit has a formidable reputation as a creative having created iconic campaigns for marquee brands (including Samsung). His addition to Cheil family will help us deliver cutting edge work for Samsung that creates new benchmarks in the industry.”

     

  • Parachute Advansed Gold ‘Interrupts’ Zee with campaign

    By Our Staff

     

    Marico Limited’s Parachute Advansed Gold, a contemporary hair-nourishment & beauty brand, is shaking up the traditional approach to marketing campaigns and breaking through the clutter with Contextual Interruption Marketing. Through the brand’s latest campaign #NoBaalBanka, Parachute Advansed Gold in partnership with Madison Media Ultra and Team WPP, aims to capture the impact summer heat has on hair and how PA Gold makes sure hair stays nourished and protected during this heat.

     

    With an aim to effectively grab their consumers’ attention, Parachute Advansed Gold has used disruptive, contextual marketing across leading consumer interest platforms – ZeeTV, Zee5 and YouTube.

     

    Sharing her insights on this disruptive campaign, Somasree Bose Awasthi, Chief Marketing Officer, Marico Limited said: “Over time, Parachute Advansed Gold has built a strong, trusting bond with its consumers through effective communication and consistent product quality. Our latest campaign for Parachute Advansed Gold #NoBaalBanka, aims to disrupt the clutter of summer campaigns with a strong, contextually placed message to surprise and connect with our consumers when they are highly engaged. This, we believe will help us establish a genuine connection while leaving a lasting impact.”

     

    Jolene Fernandes Solanki, Chief Operating Officer, Madison Media Ultra added: “At our agency, we are constantly seeking innovative ways to break through the clutter and engage audiences effectively. The #NoBaalBanka campaign for Parachute Advansed Gold showcases our expertise in Contextual Interruption Marketing, creating disruption during the summer season. By integrating the brand seamlessly into popular serials both on TV /OTT and through trending YouTube videos. We have successfully connected with the target audience. We are proud to have collaborated with Marico & Zee on this unique and engaging campaign.”

     

    Speaking on the interruption Ashish Sehgal, Chief Growth Officer, Zee Entertainment Enterprises Limited said: “As a pioneer in the Indian media landscape, Zee has always been at the forefront in delivering innovative advertising solutions for its esteemed clients. We are delighted to partner with Marico for its #NoBaalBanka campaign leveraging a unique Contextual Interruption Marketing format on Zee TV and Zee5. This is a first of its kind solution on Zee TV making it a very special campaign indeed. I’m excited to team up with Marico on this unique campaign which is sure to resonate deeply with the audience.”

     

  • Tinker, tailor, marketer, sailor…

     

     

    By Avik Chattopadhyay

     

    Avik ChattopadhyayI attended a very interesting conference of CMOs yesterday. The one subject that took my fancy was that of “marketing in the era of technological disruption”. The panellists were CMOs from different industries, ranging from BFSI to consumer electronics, food and home improvement…from the totally digital to the totally physical consumer spaces. [I hate using the term ‘phygital’ as it sounds derogatory to both the spheres or spaces.] These people were in the thick of things, hemmed in between increasing personalisation and the rising head of AI and ChatGPT. I had some key takeaways from the session which I share here, as I believe these CMOs represent the larger community of marketers who chart the course that corporate India takes in building and nurturing brands and businesses.

     

    The role of the marketer fundamentally remains the same as before. The larger objectives remain the same while the ‘tools’ of the trade have certainly changed and proliferated. Given the rapid digital proliferation, the marketer now has to focus on reducing inefficiencies than ever before.

     

    While data is the ‘new oil’ and the ‘king’, it is easy to be burdened with tons of data without knowing what exactly to do with it. After all, the tasks of how to mine the data are also created by us humans, so anomalies may creep in till the time when AI totally takes over this job and we become mere implementors of orders from the ether. It is crucial for the marketer to draw the line between big data and usable data.

     

    Conversion continues to the biggest challenge for the marketer. While the funnel gets richer by the day, it narrows too soon leading to a rapid fall in % shares from prospect to customer. The marketer has to shift the focus of both the organisation as well as the investors from mere visitors / footfalls / followers to converts / advocates / consumers…basically from the passive base to the active base.

     

    The second biggest challenge is retention. As there is an overwhelming investment in getting customers, the required focus on retaining the existing base gets diluted on occasions. This is why the marketer has to look after the service aspect too, in terms of communication and engagement. We all know how expensive it is to get a new customer vis-à-vis retain one who gets more by word-of-mouth.

     

    The third biggest challenge is measurement. With the proliferation of channels and media, there is also an explosion of measurement systems, with each claiming to be the “right one”. The marketer looks forward to a single measure for all media and channels, and also a simplification of the process. Aspects like sustainability also need to feature in the measure, as it is a corporate regulation now. Both new media like OTT and traditional ones like OOH suffer from credibility issues when it comes to measurement.

     

    The use of jargon seems to bother today’s marketer. He / she wants the language to be simplified. Terms like “omnichannel” and “cohort” have been recklessly used to justify both esoteric strategy as well as on-ground non-performance. While the old guard would grapple with such terminology, the new-age CMOs do not fall for such smokescreens.

     

    The marketers agreed that every organisation has developed into a ‘software firm’ along with the business it conducts. Thankfully, learning tools have become more accessible and intuitive to allow people in marketing and sales to remain updated ‘over the air’. While AI and its tribe will take over the routine tasks of capturing data, processing it and churning out reports, the marketer will need much higher analytical and cognitive skills to use the reports for culling out insights. Will that mean that marketing teams will be down-sized? Remains to be seen. Will that mean that tools like ChatGPT will make the marketer dumb, as Harari fears? Not at all.

     

    As long as the human being continues to consume physical products, the focus on creating immersive sensory physical experiences will keep growing. The marketer has to create the smooth bridge “from the screen to the showroom”. After all, all e-commerce and q-commerce entities survive on delivering physical products from their physical warehouses. The bridge has to be intuitive, seamless and bespoke for each customer over a period of time. That is the final frontier in the career of a marketer.

     

    A new role added is to also keep a tab on competition or vested interests using technology to create deep fakes to damage your image and market. The same technology that holds us in awe, with its ability to insert a person into a video and put words in the mouths that never said them, can become a double-edged sword. We already have cases of deep fakes in advertising created to damage brand reputations.

     

    Finally, technology is not a disruptor but an enabler. It is the means and not the end. The marketer has to have complete control over it rather than become a victim of its whims. New technologies will always be fascinating but shall always remain the ‘tool’ of the marketer. How one uses it decides what one becomes of it.

     

    To draw inspiration from the childhood nursery rhyme,

    “Tinker, tailor, marketer, sailor

    Rich man, poor man, beggar man, thief!”

     

  • Das ka Dum with Dr Bhaskar Das | With Covid being history, do you think it’s time to junk WFH and bring back work to the office?

    Bhaskar DasSince many organisations have switched to a Work From Home/Anywhere or hybrid regime, we thought it would be good to ask this question, especially in the light of a view that WFH has led to a loss in prosperity of some tech organisations. Here’s Dr Bhaskar Das in the June 16 edition of Das ka Dum. Read on…

     

    If you wish to access the archives, please go to the Das Ka Dum tab on the website’s top navigation bar or click here: https://www.mxmindia.com/category/columns/das-ka-dum/

     

    Q. With Covid being history, do you think it’s time to junk WFH and bring back work to the office

     

    A. Work From Home (WFH) or Work From Anywhere (WFA) is a debatable topic and companies are divided about their approach to the issue. The tech companies are very vocal and unambiguous about their approach though the position shifts from time to time. In some cases, India Inc could lose a segment of workforce as WFH suits them. Again it’s a general impression, though corroborated factually in many cases. IMHO, the decision to work from home or work in office should be decided on the type of job which may be external-facing or internal-facing.

     

    Let’s face it: we may not have seen the last of the Covid or other pandemics in the world. There have been some positive effects in terms of cost-optimisation as well as employee satisfaction but it may not be prudent to impose a draconian verdict that WFH or WFA is harmful for an organisation. At the core of it, I feel that organisations may not be knowing how to evaluate performance and contribution of a remote worker or for that matter, how to create an objective evaluation system that is hybrid. Hence, I feel I can’t give any deterministic answer either in favour or against WFH if organisations don’t approach the subject with a new frame of reference.