Author: mxmadmin

  • The Anchor: 5 things to keep in mind while running a production house

    By Hemal Thakkar

     

    1) Focus on future is the most important as “change” is the only constant thing in the industry.

     

    2) Talent needs to be nurtured; nurturing means patience and patience means money.

     

    3) Teamwork is the most essential underestimated product; it’s the most crucial for functioning of any production house.

     

    4) “Idea” is the constant factor which keeps production house smiling, with churning of new ideas comes more work and this keeps everyone smiling.

     

    5) Patience is the biggest investment, so yoga is a must!

     

    Hemal Thakkar is the Producer/Partner of Playtime Creations

     

  • Walt Disney India sets up DisneyUTV Digital

    By A Correspondent

     

    The Walt Disney Company India has decided to strengthen its digital business. On August 02, the company announced a restructuring of its digital assets with an aim to increase its growth in games, video and audio services for mobile, online and interactive TV.  The new division, DisneyUTV Digital will combine the businesses and talent from Disney, UTV and Indiagames. All content and brands from Disney, Marvel, UTV, Bindass, as well as original content and games will now be developed and managed by DisneyUTV Digital.

     

    DisneyUTV Digital will be headed by Vishal Gondal, who will be its Managing Director. Samir Bangara, also Managing Director, will be working in collaboration to drive DisneyUTV’s future growth. While Mr Gondal was the founder and CEO of Indiagames, Mr Bangara was the COO, Indiagames. Together they are said to have built Indiagames into India’s premier gaming company, earning close to 50 per cent market share in the country.

     

    The DisneyUTV Digital team will manage all mobile, video, audio, broadband, ITV, games and virtual world’s initiatives, with a combined audience reach of over 300 million in India. Some of the previous works from the Disney and UTV teams in India include products like “Audio Cinema” (a movie-on-your-phone service), “Divya Kathayein” (devotional content on mobile in 7 languages), “Digital Studio” (series of original content developed for the web and mobile), “Sponsored Tweets” ( the Twitter advertising platform ), mobile games such as “Aladdin” (India’s leading paid mobile game with over 8.2 million downloads), “DLF IPL Cricket” (the official mobile game for the DLF IPL Franchise), “Cricket Fever” with over 20 million downloads, “Ra.One Genesis” (which saw over 1 million downloads within a week of its launch) and others.

     

    DisneyUTV’s Digital team aims to innovate and deliver unique cross platform and cross media digital experiences focused on entertaining the Indian digital audiences across age groups.

     

    Disney UTV’s digital division will be structured as follows:

    Cyril Ferry – Executive Director -Mobile; Sameer Pitalwalla – Director – Video and Celebrity; Lavina Tauro – Director – Audio and Music; Deepak Ail – Director -Mobile;

    Hrishi Oberoi – Director – Games Publishing; Saishree Ashwin – Manager – Virtual Worlds; Tejraj Parab – Business Head – Games on Demand; Dushyant Saraswat – Director – Broadband & 4G initiatives; Sachin Janghel – Director – ITV; Aji Joseph – Director – Ad Sales

     

    The digital media in India is evolving rapidly with mobile leading the way. The country has the world’s third largest mobile Internet user base with over 121 million users (of whom 59 per cent are monthly active users) as of December 2011 in addition to the 85 million PCs and growing number of tablets. With the launch of 3G and onset of 4G services, digital consumption of entertainment is at an all time high and is exhibiting strong growth with new monetization models emerging around Freemium and Ad-funded content.

     

     

  • Ranjona Banerji: Anna movement reaches its predictable end

    By Ranjona Banerji

     

    The news was quick to jump on India’s new Union Home minister after a series of bomb blasts hit Pune the day Sushil Kumar Shinde was appointed. In a revealing interview with Rajdeep Sardesai of CNN-IBN, Shinde exposed himself as a “family” man and also attributed his political success to his Dalit caste. These are just the kinds of things a new India does not want to hear. Even worse, he then went on to say that he had been an “excellent” power minister – this on the day that North and East India reeled under power blackouts for the second consecutive day.

     

    Fortunately for Shinde and his possible short-comings – and also therefore for the UPA government – escape came from what has been the top news story, especially on television: the Anna Hazare-led anti-corruption movement.

     

    Two days ago, Times Now editor-in-chief Arnab Goswami had practically been in tears over the frail but defiant condition of Anna Hazare adviser Arvind Kejriwal. The activist, who is apparently a diabetic, was in a bad way but was refusing to break his fast until all his conditions were met – arrest half the government and so on.

     

    Goswami therefore got into fighting mode as there were indications that the movement was looking for a political solution. Karan Thapar also explored this on his Last Word on CNN-IBN.

     

    By Thursday, it was announced that the anti-corruption movement would now become a political platform. The news was welcomed by all political parties since the fight had moved away from civil society to a battle ground they were all very familiar with.

     

    The media’s relationship with the Anna Hazare movement has been fascinating. TV went overboard last year as it supported the movement wholeheartedly and since most TV journalists are under the age of 11, they must have felt this was bigger than the freedom movement. The print media however remained cautious and in some cases critical. The people of India also get enthusiastic and social media was buzzing with anti-corruption rage. The government helped by bumbling and fumbling in its negotiations. But nothing topped the one lakh people who supported the movement in Delhi last year. The Lokpal bill was passed in the Lok Sabha but did not get past the Rajya Sabha.

     

    Buoyed by its success, the movement went a little overboard in its demands and so TV also started asking difficult questions. No one showed up in Mumbai in December and TV totally turned. All the allegations against people like Kiran Bedi and Arvind Kejriwal were discussed. Hazare’s rustic ideas on politics and society became public knowledge. The group’s diverse and contradictory views on the politics, on political parties and ideologies were exposed.

     

    This time’s agitation saw the love coming full circle. TV tried to be supportive but the people were not. The movement’s supporters roughed up journalists for reporting the lack of popular support. The government was unmoved.

     

    The result is that the movement has gone political. Media support, which bolstered the movement so much in its early days, is now no longer assured. An interesting tale of how activists took on the government and enthused some people for a short while has reached a very predictable end. The media, they will have to remember from now on, will never be a pillar of support if it has to be a pillar of democracy.

     

  • Times TV appoints Rohit Kishore Chopra as legal head

    By A Correspondent

     

    Times Television Network (TTN) has announced the appointment of Rohit Kishore Chopra as Head Legal, Times Television Network and Prime Connect. Based out of Mumbai, he will be responsible for all Legal and Regulatory affairs of TTN and Prime Connect, as well as support the team on Box TV.

     

    Speaking on the announcement, Avinash Kaul, Chief Executive Officer, ET Now, Times Now and Zoom, said: “We are delighted to have Rohit on board. Given his significant experience in the broadcast space, Rohit will play a pivotal role in directing the legal and regulatory aspects of TTN’s business.”

     

    Mr Chopra joins TTN from Viacom 18 Media Pvt Ltd where he was heading Corporate Legal Affairs. He has previously worked at Balaji Telefilms Limited, Reliance Big Broadcasting and ESPN Star Sports. The existing legal teams at TTN and Prime Connect will report into Mr Chopra, who in turn will report into Avinash Kaul.

     

    Commenting on his new role, Mr Chopra said: “I am really excited and honoured to be a part of such a diversified media conglomerate. I look forward to working with this dynamic team and adding value to the system.”

     

  • Top news anchors & producers to conduct anchoring workshop from tomorrow

    From the MxM Infodesk

     

    Studio Talk has announced the second batch of its TV Anchoring Workshop starting August 4 in Mumbai. “Of the anchors you see on TV, very few are naturals. For the rest, it is an acquired skill set that comes with practice and practice,” said course director Mahrukh Inayet Rizvi, who was formerly Senior Editor with Times Now and is an award-winning journalist.

     

    The workshop trains and prepares one on how to be a television anchor/presenter during an intensive six weekend programme which is designed by top names in the industry, informed Vikram Sawant, director, Studio Talk and senior journalist.

     

    As course director, Ms Inayet Rizvi will personally oversee the six weekend training programmes. She will be joined by Mr Sawant, Mandira Lalwani (Former Times Now, ESPN, TenSports & Star News), Naomi Datta (Author 6 pm slot and Former Anchor & Producer CNBC & Times Now), Tejas Mehta (Mumbai Bureau Chief, NDTV 24 x7), Tanvir Gill (Senior Markets Anchor, ET Now), Juhi Pande (Former VJ, Channel [V]), Ragini Kumar (Former Sports Anchor, Times Now), Shruti Rajkumar (Former Anchor & Producer, Tech Toyz, CNBC), Mikhail Vaswani (Presenter, Neo Cricket), Ameet Sawant (Producer & Director, 96Karatz Productions), Renelle Snelleksz (Former Anchor, Times Now) among others.

     

    Along with teleprompter training, studio simulated exercises, voice modulation and basic make-up sessions, students will receive a certificate at the end of the program and a demo CD which will help showcase their talent and proficiency before the cameras.

     

    The weekend batches happen on Saturdays and Sundays from 10am to 3pm atSt Paul’s Institute of Communication Education, Bandra (W), Mumbai.

    Telephone: +91-9820125420, +91-9004402661, Email: thestudiotalk@gmail.com, Website: www.thestudiotalk.com

     

    *MxMIndia was a media partner of Studio Talk’s first workshop

     

  • EEMA-E&Y report predicts 25% growth for Event & Activations in 2 years

    By A Correspondent

     

    The Indian event and activation industry in the organized sector is expected to grow at an average rate of 25 per cent from its current size of Rs2,800 crore to Rs4,375 crore in 2013-14. Out of Home (OOH) and radio segments are said to be one of the key growth drivers of the event industry over the last three years. The next phase of growth in activations is expected to come from ruralIndiaas the metros are said to have reached a saturation point; hence the need to tap the large consumer base in the rural belt. These are some of the findings from the EEMA (Event & Entertainment Management Association) and E&Y (Ernst & Young) white paper on the ‘The Business of Experience – The Indian Events and Activations Industry’.

     

    In addition to these findings, 57 per cent of the surveyed respondents are of the opinion that the share of the total marketing spends attributed to BTL (Below the Line) activities (including events and activation) is expected to grow around 10 per cent over the next two to three years to reach nearly 20 per cent of the total marketing spends. The respondents also believe that on the road ahead, profit margins of the events and activation companies will grow at an average of around 15 per cent.

     

    The respondents were also asked to list five most critical issues they expect to face over the next few years. Inadequate event infrastructure; Talent acquisition and retention; Poor image/ Lack of transparency; High competition levels and Inability to demonstrate ROI’s were the top five issues that were a cause of concern for the respondents.

     

    In conversation with MxMIndia, Brian Tellis, President, EEMA talked about the two areas of growth for the event and activation industry in the near future. According to Mr Tellis, the unorganized part of the industry is estimated to be as large as the organised sector, if not larger: “The industry will grow from two areas. First, the industry will start getting a larger share of the existing marketing pie. The existing marketing budget of the brand is estimated to grow by 10 per cent as far as experiential marketing is concerned. The second area of growth will come from the bits of the unorganized sector which will become organized. So yes, it is time for high growth.”

     

    On the takeaways for the industry from the white paper, Mr Tellis said that the industry should first start developing its own Intellectual Properties (IP’s) because the ROI on Intellectual Properties is very high. He also pointed out the need to develop a calculation matrix and ROI matrix as this would enable marketers to confidently spend more money on BTL or experiential marketing.

     

    Talking about the challenges and opportunities for events and activation industry in the long run, Mr Tellis said: “There is a need to convert the unorganized sector into organized sector and the to develop Intellectual Properties (IP) because that will ensure sustainable revenues in the long run.”

     

    MxMIndia also spoke to other industry players and marketer for their views on the challenges and opportunities facing the event and activation industry and its effectiveness in brand building.

     

    According to Mr Girish KJ, vice president-Wizcraft International, over the years as the economy expanded rapidly, so did the need for brand activation, and experiential marketing has become a key value driver in the marketing mix: “In certain sectors, we find that  experiential marketing is what delivers high value to brands. We find a lot of first time clients simply being overwhelmed by the value they derive from investing in brand activation. Eventually, brands that invest in creating meaningful experiences will have a much better reason to be in the customers’ consideration set. In terms of engagement with communities, branded experiences deliver the best return on investment. We have seen that branded events and activation delivers among the highest return with a carefully thought out strategy and a well planned and executed branded experience.”

     

    On the challenges and opportunities facing the events and activation industry, Mr Girish KJ said that investing in and creating experiential marketing professionals for tomorrow; and attracting and retaining the best and the brightest talent will always be a challenge. “To today’s digitized, desensitised, over-communicated customer, the power of the brands experience cannot be over-emphasised. Globally, customers are shunning main stream, talk-down communications and clamouring to be involved with their brands. That is the opportunity for our industry to embrace.”

     

    Yogesh Nambiar, Head, Events Operations, TransStadia felt that events and activations industry is expected to grow in the future, but the real growth is however expected only post January 2013: “Currently we are witnessing a downslide from the event management side of the business, because most of the marketers are more or less looking at the Intellectual Property (IP) side of the business and not the event management companies or agency. Today marketers are looking at events and activations as an extension of their marketing arm, so you have to have good ideas to increase ROI’s for brands. From an ROI basis, I believe activation or BTL plays a large role for marketer or brands.”

     

    Kamal Nandi, Executive Vice President (Marketing and Sales), Godrej Appliances observed: “With more and more brands give experiential experience to consumers, I believe events and activations are only going to increase because that allows consumers to experience the products. Yes, marketers are spending more on activations. But, if you compare ATL and BTL spends, you will find that BTL spends have been constantly increasing over the years, and more money is being spent on experiential marketing. In our industry, events and activations are gaining momentum; however more and more spends are increasingly shifting towards BTL activities. So we definitely see this as an effective way of connecting with consumers and therefore as an industry we are spending more in this area.”

     

  • Week 3 Announcement: Starting Aug 8: New channel on Content & Column by Shailesh Kapoor

    It’s Week 3 of our announcement on Fridays.

     

    And the first of these is on an all-new channel on our site – on Television Content. Since we launched last year, we’ve felt the need for one and have also received several requests to carry programming-related information and stories . However, since we concentrate more on the business of media, we have not been able to do justice to several stories on television content. It’s unfortunate because while distribution and marketing dynamics are critical, it’s content that finally drives viewership and the moolah. Also, we already have channels exclusively for journalism and radio on MxMIndia…

     

    So, starting next Thursday (Wednesday, August 8), look forward to our channel on TV Content.

     

    We are also proud to announce that Shailesh Kapoor, co-founder and CEO, Ormax Media will write a column on television starting on Aug 8.  Watch out for it!

     

    Meanwhile, given the controversy that is raging on television measurement, we’ve decided to put off our MxM Mondays discussion on why everyone loves to damn TAM. Instead, we will focus on an issue that concerns us all: What ails Media Education.  We will speak to a cross-section of people in the industry. If you would like to share your views, please email us at editor@mxmindia.com with the ‘MxM Mondays #2’ in the subject line.

     

  • IAMAI Internet Economy Watch: E-com continues to surge

    By A Correspondent

     

    The Internet & Mobile Association of India (IAMAI) on August 01 released ‘Internet Economy Watch’ for the month of June 2012. According to the findings, the e-ticketing category with irctc.com (Indian Railway Catering and Tourism Corporation) and airlines continues to grow robustly. It recorded a year-on-year growth of 36 per cent as compared to the corresponding months last year.

     

    As per the findings from the Internet Economy Watch data released by IAMAI (Internet and Mobile Association of India), there has been an increase in online railway ticketing and air ticketing. But figures for matrimonial profile uploads, activities on e-commerce sites and resume uploads on recruitment sites continue to show decline. Interestingly in the April-June quarter, the month of May has seen the highest traffic of online users across categories.

     

    The Internet Economy Watch data is said to be based on absolute numbers captured from various relevant sites, encapsulating online usage for e-tailing, online travel and vertical classifieds.

     

    In an email interaction with MxMIndia, Dr Subho Ray, President, IAMAI talked about the factors behind the surge of e-ticketing: “Technological advancement and more and more people getting internet savvy coupled with convenience is the key factor leading to the rise in online booking of train and air tickets. Online tickets can now be booked on the move, through mobile, tablets and of course PCs. A deeper PC penetration in rural areas is also one of the reasons for the rise in online booking.”

     

    On the takeaways for brands and marketers from these findings, Dr Ray said: “The Internet Watch Report is a recent initiative by IAMAI and is out with its third report. Going forward, the monthly data will help marketers and brands to map the consumer behaviour online and devise their digital strategy accordingly – to be in sync with the online behaviour of the consumers.”

     

    Besides e-tailing, online travel and vertical classifieds, in the near future IAMAI is expected to introduce newer categories: “Yes, going forward we would be incorporating more segments” added Dr Ray.

     

    Some of the finding of the report are:

    Online Travel Portals:

    The report states that 5.83 million bookings were registered on irctc.com in June 2012 as compared to 4.30 million in June 2011, whereas airlines witnessed 1.45 million online bookings for the month of June 2012 as compared to 1.07 million in the corresponding period last year. During the quarter April-June 2012, irctc.com registered an all time high of 6.22 million e-bookings in May 2012, while e-ticketing with airlines touched 1.92 million bookings in April 2012.

     

    Source: IAMAI/ Online Travel Portals

     

    E-tailing Sites:

    Data captured from 29 e-tailing sites reports an annual increase in online user visit to spa & restaurant category from 0.61 million in June 2011 to 0.75 million in June 2012, showing a year on year growth of 24 per cent. The branded apparel category witnessed 5.39 million visits in June 2012 as compared to 4.40 million visits in the corresponding period last year. On the other hand, designer labels segment saw a y-o-y growth of 21 per cent with 1.73 million online visits registered in June 2012 as compared to 1.43 million visits in June 2011.

     

     

    Source: IAMAI/e-Commerce sites

     

    Vertical Classifieds:

    While the number of resume uploads on recruitment sites has gone down from 3.43 million in June 2011 to 2.44 million in June 2012, the profile uploads on matrimonial sites is marginally up from 2.34 million in June 2011 to 2.36 million in June 2012.

     

     

    Source: IAMAI/ Vertical Classifieds

     

    Online Traffic:

    During the quarter April-June 2012, the month of May has seen the highest traffic of online users with e-ticket bookings at irctc.com, resume uploads on recruitment sites and visits in e-tailing of branded apparels, footwear and designer labels.

     

     

     

    Source: IAMAI

     

  • HUL asked to erase ‘Ice Cream’ from Kwality Walls ads

    By Ratna Bhushan

     

    India’s advertising regulator has told consumer goods major Hindustan Unilever to stop mentioning its Kwality Walls brand as ‘ice cream’ in certain advertisements following a complaint by top ice-cream brand Amul.

     

    Kwality Walls is frozen dessert, which looks and tastes like ice cream but is made with vegetable fat and not milk fat. Hence, under Indian laws, it does not qualify as ice cream.

     

    “The consumer complaints council has concluded that the mention of Kwality Walls as an ice cream is misleading,” said Alan Collaco, secretary general of Advertising Standards Council of India, the self-regulatory body of advertising industry.

     

    The advertisements in question are in the form of advertorials, or advertisements designed in the style of editorial matter. HUL published three print advertorials, each featuring a celebrity talking about Kwality Walls brand, complete with heading, extensive text and photograph. They feature singer Shaan, chef Sanjeev Kapoor and TV actress Smita Bansal along with their families.

     

    An HUL spokesman said the company will replace the word ‘ice cream’ with ‘frozen dessert’ in the ads. “We have agreed with ASCI that wherever the word ice-cream appears in the said advertorial, it should be considered as an expression of opinion of the celebrity featured in the advertisement. However, with a view to close the issue amicably, we agreed with ASCI to include the words ‘Kwality Walls frozen dessert,’” he said in an email response to ET’s query.

     

    Gujarat Cooperative Milk Marketing Federation, which markets Amul, had complained to ASCI that the mention of Kwality Walls as ice cream was a deliberate attempt to mislead people.

     

    “The advertorial makes a clear mention to Kwality Walls Strawberry Cheesecake being an ice cream when in reality it is a frozen dessert,” wrote Nitin Karkare, COO of ad agency DraftFCB Ulka that represents Amul, in a letter to the regulator soon after HUL released the first ad featuring Shaan.

     

    “This is a case of a deliberate attempt at misleading the consumer, considering that the term has been strategically highlighted and hence cannot be a case of oversight,” he added.

     

    The ice cream-plus-frozen desserts market in India is estimated at about Rs1,700 crore, with market leader Amul holding about 40 per cent share. Other big players include Kwality Walls, Ahmedabad-based Vadilal, NDDB’s Mother Dairy and Ravi Jaipuria group’s Cream Bell.

     

    Source: The Economic Times

    Copyright © 2012, Bennett, Coleman & Co. Ltd. All Rights Reserved

     

  • Red FM launches Crime Ki Keh Ke Lenge

    By A Correspondent

     

    This summer seems to belong to superheroes on screen and we loved seeing them beat up the bad guys. But on August 06, 93.5 Red FM will launch ‘Crime Ki Keh Ke Lenge’, which will introduce listeners to some real life heroes – ordinary people who have had the courage to stand up against crime in our capital city.

     

    This campaign will bring forth 15 heroic stories of men and women who have bravely stood up against crime. The basic premise is to highlight the immense amount of courage and resilience shown by these people to counter different criminal acts they were faced with. The content of the show is purposeful and interesting, and goes on to show that the common man or woman can handle these successfully.

     

    Red FM Delhi’s Morning RJs Peeyuush and Swati will feature one such instance on their show every day, with different people related to the story coming on-air along with the protagonist.

     

    ‘Crime Ki Keh Ke Lenge’ is yet another initiative by Red FM to take up matters of local importance, and present them in an entertaining, yet responsible manner. As elucidated by the Senior VP – Programming and Projects, Nisha Narayanan: “‘Crime’ is a new genre for radio, the relevance of which is even more in our capital city. The campaign thought for our prime-time show comes from an inherent responsibility to highlight what we think should be brought to the notice of our listeners. These heroes are also a part of our listening universe, and the deeds instill a sense of pride in their fellow citizens.

     

    A bold move by one the leading radio stations inIndia, Red FM means business when it says ‘Crime Ki Keh Ke Lenge’.”

     

  • Vogue India awards best in beauty

    By A Correspondent

     

    Vogue India celebrated the best in beauty at the third edition of the Vogue Beauty Awards. The glittering awards ceremony honoured the best beauty products, services and professionals across categories ranging from skin care, anti-ageing, make-up, fragrances, hair care and hair styling.

     

    Attendees included celebrities, socialites and heads of eminent beauty brands in the country. Hosted by Vogue India editor Priya Tanna and Vogue India Beauty Editor Parizaad Khan, the event began with personalities from the beauty and glamour industry walking the red carpet followed by cocktails and the awards ceremony.  There are a total of 55 awards this year, including 42 awards related to products and services and 13 honouring the best beauty related talent.

     

    Speaking on the occasion, Priya Tanna, Editor Vogue India said: “Vogue Beauty Awards demonstrates our growing commitment towards beauty, which is integral to the magazine’s DNA as is fashion. Vogue Beauty Awards has grown from strength to strength in the past few years and has achieved distinction of becoming one of the most prestigious Beauty Awards in the industry. The overwhelming response we received last year from our readers, industry professionals and experts has encouraged us to widen the scope and reach of the awards, making it bigger and better than before.”

     

    Cover star of the Vogue August issue, Kajol received the ‘Timeless Beauty’ award, whilst ‘Most Beautiful Man’ was awarded to Farhan Akhtar and ‘Beauty of the Year’ was bagged by Deepika Padukone. Other winners included Ileana D’Cruz for ‘Fresh face’ and Diana Penty for ‘Debutant’.

     

    On being presented Timeless Beauty Kajol said: “Beauty is truly in the eye of the beholder and is eternal. You are beautiful because you believe you are. I would like to thank Vogue for giving me the Timeless Beauty Award. I also want to thank all those people who made me feel beautiful from inside, my family, friends and all those amazing fans.”

     

    Deepika Padukone on being presented ‘Beauty of the Year’ said, “My idea of beauty is embracing my strengths as well as my flaws, being confident and hardworking. It’s a great feeling to receive such a prestigious award from Vogue India.”

     

    Anil Chinnappa won Best Make-up Artist, Suresh Natarajan won Best Photographer and Angela Jonsson won Best Model. Whilst Best Hair Stylist was awarded to Savio Jon Pereira, Best Hair Colourist went to Rod Anker. The Best Skin Expert award was won by Harshna Bijlani, Best Fitness Expert by Zareen Watson and Best Nutritionist by Pooja Makhija.

     

    Over 1100 products were rigorously scrutinized and personally tested by an expert panel of judges comprising industry experts such as Mickey Contractor, Dr. Malavika Kohli, Kanta Motwani, beauty mavens Nargis Fakhri, Sonali Bendre, Simar Duggal, Namrata Barua Shroff, Nisha Jhaveri and Vogue editors Priya Tanna and Parizaad Khan.

     

    Entries were invited from all beauty brands retailing in India which were judged by the panelists through a thorough and detailed process held between March-April at the TajLand’s End.

     

  • MTunes HD launches ‘MTunes Trending20’

    By A Correspondent

     

    MTunes HD – the HD Bollywood music channel has announced the launch of a countdown show called ‘MTunes Trending20’, presented by Bharti Airtel. This is in keeping with the channel’s premise of delivering “music like never seen before”.

     

    Historically, countdown charts have been based on record sales. However, given the fact that music consumption is spread across multiple platforms these days, MTunes Trending20 brings to its viewers a comprehensive analysis of audience preferences across 5 platforms. The final chart will be compiled by leading media research firm Ormax Media.

     

    The five platforms will be Radio popularity compiled by Radio City, Digital downloads provided by Hungama, YouTube views & Heartbeats (weekly music research) by Ormax Media and audience preferences as recorded by MTunes HD. A normalized measurement formula based on TV Ratings Data, Radio Aircheck, SMS requests, downloads/usage tracking across mobile service providers and views count on popular internet video sites will be collated to generate the weekly chart.

     

    Presented by Bharti Airtel, the weekly show – scheduled to launch from August 04 every Saturday – will play the top 20 songs of the week. Through the week the top songs on MTunes Trending20 will also be highlighted on the daily play list.

     

    Speaking on the occasion, Saravanan P, CEO of MTunes HD said: “MTunes Trending20 is a reaffirmation of our promise to deliver ‘Music Like Never Seen Before’ and strengthens a long line-up of path-breaking formats like Kal Ka Superhits, Handmade and MBox already on the channel. We have pioneered the industry by launching the World’s first HD Bollywood Music Channel and are committed to consistently drive growth for our stakeholders. This show will deliver the gold standard of Bollywood music rankings to the industry and is among several initiatives in the pipeline that will make the MTunes HD viewers feel the music!” The channel is reportedly pricing the property at a premium and is confident of changing the game for the genre with its unique concept and distinct proposition.

     

    Shailesh Kapoor, CEO-Ormax Media added: “Today, music is consumed across media – television, radio, internet, mobile phones and other digital devices. MTunes Trending20 is a unique property that captures the combined effect of all these media.”