Tag: Sudhanshu Vats

  • Viacom18 puts its might for Global Citizen Festival

    By A Correspondent

     

    Viacom18, which had entered into a strategic tie-up with the Global Citizen Festival, is getting set to amplify a high decibel public awareness campaign in India, on the issues of quality education, gender equality and clean water and sanitation. As part of this partnership, the festival will be telecast live exclusively on Vh1, streamed exclusively on Voot, with flagship Colors airing it in December while Colors Infinity and MTV showcasing content around the festival.

     

    Commenting on the GCF partnership, Sudhanshu Vats, Group CEO, Viacom18, said, “We live in interesting times. There’s so much happening around at a global, national and local level. As a leading Indian media and entertainment organisation we saw this partnership as a natural extension of our own beliefs and perfectly in sync with the kind of work we have been doing since our inception. It gives us the ideal springboard to channel a much larger force towards driving change in modern-day India. The Global Citizen Festival enables us to work with like-minded organisations as we use all our media assets to drive behavioral change when it comes to WASH (Water, Sanitation and Hygiene) related matters.”

     

    The Global Citizen Festival will see a galaxy of international musicians like Colday, Jay Z and Demi Lovato and Indian icons like AR Rahman, Aamir Khan, Ranveer Singh, Katrina Kaif, Farhan Akhtar, Kareena Kapoor Khan, Arijit Singh, Arjun Kapoor, Amitabh Bachchan, Ayushmann Khurrana, Dia Mirza, Freida Pinto, Malaika Arorha Khan, Monali Thakur, Parineeti Chopra, Sachin Tendulkar, Sakshi Malik, Shah Rukh Khan, Shankar-Ehsaan-Loy, Shraddha Kapoor, Sonakshi Sinha, Vidya Balan, Vijendar Singh and Vivek Oberoi; come together in support of the GCF’s causes at MMRDA Grounds on November 19.

     

  • Embracing disruption to stay competitive: Sudhanshu Vats @ CII Big Picture Summit

    Here’s the text of the speech made by Sudhanshu Vats, Chairman- National Committee on Media & Entertainment, CII & Group CEO, Viacom18, which was the Theme Address at CII Big Picture Summit 2016 being held in New Delhi

     

    Respected Shri Venkaiah Naidu saab, Shri RS Sharmaji, my dear friend and colleague Harit Nagpal, Ramesh Sippy saab, Amita, the CII team my colleagues from the industry and members in the audience. Welcome to yet another edition of the Big Picture Summit.

     

    I’ve said this before and I’m going to say it again, Big Picture is one of my favourite industry events; favourite because it holds a special place in my heart. It was one of my first events when I became a part of this industry- at least – technically– given that I took over the reigns at Viacom18. I’d argue that all of India is part of this industry, given its role and scale.

     

    The theme for this year’s edition is another favourite: ‘Embracing Disruption to Stay Competitive’. It’s quite a potent theme.

    – It’s a theme that explains how the sport of cricket reinvented itself 8 years ago to create a completely new avatar (called the IPL) that is arguably it’s most lucrative and successful one till date.

    – It’s a theme that explains how a new Hindi GEC called Colors launched in 2008 and became number 1 in just 9 months of launch.

    – It’s a theme that probably explains how a government owned distribution platform known as DD Freedish revolutionised the world of Indian television so much so that it is a topic of conversation in the boardroom of every M&E organisation.

    – It’s a theme that explains how a show idea rejected by MTV, led to the creation of one of India’s most iconic YouTube channels: The Viral Fever.

    – It’s also a theme that explains why a telco called AT&T is expected to close a deal to acquire a media conglomerate called Time Warner in what is amongst this year’s biggest acquisitions.  Of course, I’d like to see this as ‘convergence in action’ but more on that later.

     

    Now that I’ve established my love for this event and this theme, let me take you through what I had planned to share with you earlier today.  Today I was going to base my speech on Schumpeter’s theory of ‘creative destruction’. Schumpeter is a well-regarded economist who argues that constant innovation destroys legacy economic structures to create new ones and so on.

     

    At Viacom18, we’d all like to believe we’re good listeners. We take feedback very seriously. So when I attended this brainstorming session with our programming teams- we call them ’Content pe Charcha’, named it after our PM’s ‘Chai pe Charcha’ sessions (!)- I thought of taking some feedback on my speech.

     

    I had barely finished explaining Schumpeter’s theory, when suddenly, one of our creative trainees- she had been working on this new show that we’re launching on Colors on Shanidev titled Shani- said, “why are we referring to these western archetypes when we have our own belief system to explain this”. She went on, “The Hindu Trinity explains this much better. Brahma creates the universe, Vishnu preserves it and Shiv is the destroyer. All three have to work in tandem for the world to change, and change it must if it is to prosper.”

     

    I’m not sure if my young colleague understands the profound impact that she had on my thinking – or that I would share her view before all of you- but think about it, it makes sense. In our organisations, we need to ensure a well-balanced mix of all three: creators, preservers and destroyers.  In my professional experience I have seen that even the best of organisations- that have the best creators and preservers – don’t have enough destroyers or, even if they do, they don’t allow destroyers to play their role.

     

    I would like you to pause and think about what I’ve just said. When was the last time, any of you- any of us- decided to end a consequential practice, department, revenue stream – or a business? The likely answer is, never. Ending something, destroying it or disrupting it generally seen as unpleasant. Even worse, one worries about the repercussions: ‘will I be blamed for this?’, ‘what if people dislike me for this’, ‘will I lose my job’ etc.

     

    Our systems discourage destruction. In our minds we have this notion that the word ‘destruction’ itself is wrong. But if you look back, our belief system has always emphasised on the need to destroy. If we don’t destroy, then we will be disrupted.

     

    This, I believe, is the basis of our theme for this year’s edition of the summit. Over today and tomorrow, as you attend the sessions and interact with our attendees, think and ask, if you had to destroy one particular aspect about your business today, what would it be? It’s not an easy conversation. But trust me, it’ll make the future easier.

     

    Our knowledge partners- BCG- have worked hard to create yet another differentiated report. They’ve pegged our industry size at approximately 1,30, 000crores. This puts us at almost 1% of the GDP with a direct employment base of half a million. If we look at indirect employment the number will multiply several times over. If we look at employment in sectors in which we have a multiplier effect, say telecom, tourism, sports and so on, and we are looking at a much larger base. If we have to, say double in size (and this is not impossible), GDP is growing at a breakneck speed, inflation is looking subdued, we’ve had a decent monsoon, GST is around the corner, successful spectrum auctions have ensured that 4G will truly bring in a revolution, ease of doing business is improving, political stability is a given- then there are three fundamental truths that we need to prepare for. Bear in mind, that none of these can be leveraged if we fear ‘destruction’. Each of these truths has significant implications for us.

     

    Disintermediation is a business reality: We have often spoken about B2C business models. We need to prepare ourselves for a direct to consumer offering and one with direct access to talent if we are to succeed.

    – Today we often end up squabbling amongst ourselves. LCOs are fighting with MSOs, MSOs are fighting with broadcasters and so on. In all these squabbles, we need to ask ourselves what the consumer really wants and needs. The consumer is already finding value in OTT services.

    – Similarly on the talent side. I truly believe that there is a bottleneck when it comes to the discoverability, nurturing and honing of quality talent. A large part of this is due to incumbents.  There is this entire democratisation story that unfolding in this space and my own sense is that incumbents refuse to accept it.

    – For instance, Imogen Heap, a world-renowned musician, wants to use block-chain technology to create a ‘fair-trade’ music industry. This involves creating ‘smart content’ with inbuilt code that will sidestep streaming services and give musical talent greater control over their content and its monetisation. She’s already founded Mycelia – an ecosystem aimed at exactly this.

     

    Technology and Data our friends, not foes:  We generally view technology/data and creativity as two sides of a coin. Instead, we need to see them as a potent currency that can revolutionise our success rates and monetisation.

    – Let’s rethink the role of a Chief Digital Officer in our organisations. There’s always this constant ideological tug-of-war between those who claim that our business is only about human creativity and those who find themselves at the other end of the spectrum. This is not an either-or debate. It is an ‘and’ debate. Both insights are critical. At Viacom18, we call this a ‘guts+insight’ approach. Data is important, data doesn’t lie and data is objective. However, data can’t play the role of your intuition. Data also doesn’t have a job to loose!

    – The other place where data and tech play important roles is that of monetisation. In the new world we can only charge more for advertising if it is more targeted. A simple glance at the segmentation data available on TV viewership measurement and online, especially with the tech giants tells you clearly about the risk traditional entities face.  On the other hand, VPNs can render geo-fencing of rights obsolete.  Technology is the new frontier and we must conquer it.

    – For instance, Everyone talks about how, at its peak, Pokemon Go has doubled the valuation of Ninetendo. Guess what- it has also reduced the time that would have been spent by its fans on consuming plain vanilla video content- on-air and online.

     

    Media powers several economic ecosystems, way beyond its own.

    – This is another personal favourite. Favourite event, favourite theme and favourite point. I’d like to make a contentious statement at this point. Our sector is amongst the biggest stars of the Make in India programme. Let me explain. I recently read that, in the last two years, India has seen 35 new smartphone factories, with a production capacity of 18 mn devices per month and employment to 37,000 Indians. While the focus here – at least in the popular context- is on telecom handset manufacturing, think about it- what is the use of the smartphone with a 5-inch screen if you don’t have video content? I have no qualms in stating that our industry will play the biggest role in the 4G revolution that this country is about to witness.

    – We spoke about telecom. Let’s look at tourism. Travel and tourism in India, is a USD 150 Bn dollar industry, contributes to 9% of India’s employment – around 38 Mn jobs. Even back in the day, Shammi Kapoor’s Kashmir ki Kali led to an increase in tourists to Kashmir. Dil Chahta Hai drove tourists to Goa. We have recently partered with the Global Citizen Foundation for their first show outside the US, we expect tourism in Bombay to increase as a result of this.

    – Take sports; without the value of media rights, how can we sustainably build the sports ecosystem. Take FMCG, leading companies spend more than 10% of the total sales on advertising. Take away media and you’re taking away their growth. The point I’m making is that we are far bigger than the sum total of our sub-sectors. Today we provide direct employment to 0.5 Million Indians. The indirect number is at least 5 times this. The multiplier number is possibly 10 times this.

    –  EXAMPLE: Our Honourable PM, Shri NarendraModi has a vision for India to emerge as a superpower in the knowledge economy, the creative industries play a huge role. They offer a lucrative source of creating highly skilled jobs for both genders. In a developed country like the UK, the creative economy accounts for slightly under 10% of all jobs. That is our potential too.

    – This ladies and gentlemen, sums up my thinking on the theme for this edition of Big Picture. I find myself in the august company of Shri Naiduji and Shri Sharmaji. It’s impossible for me to leave the dais without making a reference to our regulatory framework. I say this because without this piece, we’ll never crack our growth puzzle.   We have just seen a very robust step towards the overhaul of the tariff regime for television. My singular, humble request to policymakers is as follows- we need to look at our industry from the perspective of ‘convergence’. This alone will recognise our role as a force multiplier.  I made this reference earlier in my address as well. Sooner or later we will see the kind of consolidation we are witnessing in the West. Some signs are already visible. Therefore the regulatory framework must pre-empt this and prepare for it. This means ensuring parity across different forms of media so that there is no regulatory arbitrage. Several distortions have been corrected in the recently released draft regulation. However, it must now move beyond simply ‘TV’ towards ensuring parity across platforms. This is particularly important given that our sector knows no borders. We are competing on a global stage and it’s a tough market. Complete freedom to price will unleash our creativity even further and equip us to compete with the best in the world. An even lighter approach towards regulation, where market forces play and even greater role will also help all players in the value chain compete on the basis of efficiency.  While it is important to level the playing field we must be careful not to carve out too many rules that prevent incumbents from truly competing because the framework prevents innovation. I must also add, that the industry is extremely pleased with the pro-active, consultative approach of the government. It has set the ball rolling on regulations that have been around frozen for way to long.

     

    This brings me to end of my address- the importance of destruction, the three fundamental truths of disintermediation, technology and the ‘media multiplier’ and the need for our regulatory framework to adapt in an era of convergence.

     

    A recent article in the Harvard Business Review, showed how 72% of the M&E leaders they surveyed believed that they would be moderately or massively disrupted in the next 12 months. This was higher than the corresponding number for any other industry. This I believe is our biggest opportunity. We must destroy what we have created, to create another that we will preserve, till it is destroyed again.

     

    I look forward to interesting conversations over these two days. Thank you very, very much for your time, patience and attention.

     

    Thank you, god bless.

     

  • ‘Rishtey Cineplex’ gets to more ‘phoren’ lands

    By A Correspondent

     

    Viacom18 has announced its plans to launch its Hindi movie channel ‘Rishtey Cineplexin the international markets – specifically Europe and North America (US and Canada). Launched in Europe on Thursday (Sep 29) and in North America in October respectively, Rishtey Cineplex will appeal to the sensibilities of global film enthusiasts with its blockbuster content.

     

    It will showcase the best from Viacom18’s wide library of films as well as newly acquired movies from across genres including dramas, romance, action, comedy and much more. The channel will air audience favourites like, Bajirao Mastani, Airlift, Pyaar Ka Punchnama 2, Kapoor and Sons, Ki &Ka and upcoming films like, Force 2, Ae Dil Hai Mushkil amongst others.

     

    Speaking about this new proposition from Viacom18, Sudhanshu Vats, Group CEO, Viacom18 said, “The Indian film industry has grown in terms of both reach and revenue and is now the largest producer of movies in the world. Our cinema, led by Bollywood movies, continues to increase its pull with the overseas Indian diaspora. Rishtey Cineplex, Viacom18’s first premium Hindi movie channel, has curated an impressive repertoire of Indian titles. It is our endeavour, to take Indian cinema, as a holistic entertainment package, to our loyal viewers in Europe and North America; allowing us to further strengthen our presence in these regions.”

     

    Adding further, Raj Nayak, CEO, Hindi Mass Entertainment, Viacom18, said, “Rishtey Cineplex has every ingredient that a movie buff would want to be engaged with. Global audiences today celebrate Indian films, and with the channel’s launch in Europe and North America, we are bringing this celebration to their living rooms. Indian films now have a universal appeal, as a result of which they taste tremendous success in International markets. The trend in consumption has been extremely encouraging and we are certain that the viewers will lap-up our content offering with great zeal.”

     

  • Viacom18, Times group get together for mega-concert starring Cold Play, Rahman, others

    By A Correspondent

     

    It’s going to be a lot more just than a Cold Play concert. And, no, tickets aren’t priced at Rs 25,000. November 19 will see a mega-concert starring Coldplay of course and Jay Z,  Aamir Khan, Ranveer Singh, Katrina Kaif, AR Rahman, Farhan Akhtar, Shraddha Kapoor, Arjun Kapoor, Arijit Singh, Dia Mirza, Shankar Ehsaan Loy and Monali Thakur. Several major artists and international guests will be announced at different stages of the campaign.

     

    The inaugural Global Citizen Festival India is presented by Colors Viacom18. The festival is being produced by Wizcraft International and enjoys a strategic partnership with the Viacom18 Group and the Times of India Group. So will the event air live on one of the Viacom18 or Times channels? Time, will tell.

     

    Meanwhile, Global Citizen, a social action platform, and The Global Education and Leadership Foundation (tGELF), launched the Global Citizen India platform on Monday, September 12. The platform will comprise a distinctive mix of events, grassroots activism, media campaigning and online activation, to catalyse India’s journey towards achieving theGlobal Goals for Sustainable Development, and to bring about the end of extreme poverty. The inaugural Global Citizen Festival India, to be held in Mumbai, will be Global Citizen India’s first initiative.

     

    Free tickets to the festival can be earned through the new online platform, www.globalcitizen.in, by signing up to become a Global Citizen and completing the festival’s Action Journey. Shiv Khemka, Chairman, The Global Education and Leadership Foundation (tGELF) believes that India and its 800 million young people must play a vital role in the mission to achieve the global goals. “Young people are starting to engage with the challenges facing our country and the planet, and are becoming increasingly committed to taking action for social change. tGELF’s mission is to nurture and support ethical, altruistic and decisive leadership amongst young people at schools and colleges. Each one of us is responsible for our actions and the power of each action taken collectively can help achieve the global goals.”

     

    Global Citizen, which has mobilised millions since its inception in New York City in 2012, has a capacity to amplify the voices of Global Citizens through social media. In the past four years of this movement, actions taken by Global Citizens has led to commitments from governments, corporates and partners are set to affect the lives of 656 million people.

     

    “The years I spent living and working in India as a teenager was a key catalyst of my passion for challenging the status quo of poverty alleviation. So bringing the Global Citizen movement to India is a moment many years in the making,” said Hugh Evans, CEO, Global Citizen

     

    The Government of Maharashtra is the host partner for the inaugural Global Citizen Festival India, and the Chief Minister Devendra Fadnavis has extended his complete support to the initiative.

     

    Commenting on Viacom18’s strategic partnership with tGELF, Sudhanshu Vats, Group CEO, Viacom18, said, “India is at a powerful confluence in its history. We are one of the oldest civilizations with one of the youngest populations in the world. Our support to tGELF is a natural extension of our work and purpose and I hope to amplify the messages around the causes of quality education, gender equality and clean water and sanitation with this initiative.”

     

    Viacom18 will be leveraging its brands across all platforms to promote the inaugural festival. While the network will use its popular channels and digital platform to promote the festival, Colors, MTV, Vh1, Colors Infinity and Voot will be airing the festival on their respective platforms. The Times of India Group and the Times TV Network will be leveraging the group’s print, internet and television platforms to highlight and showcase the Global Citizen India initiatives. Google is partnering the Global Citizen India initiative to address the issues of gender equality and women’s empowerment.

     

    UPL’s partnership is focused on showcasing its vision to be a catalyst for a more equitable and inclusive society by supporting long-term sustainable transformation and social integration.

     

    Speaking about the association, Sabbas Joseph, Founder-Director Wizcraft which is partnering the event and will help stage it, said: “Global Citizen India movement is the first such platform wherein popular culture meets public policy. We are especially pleased to showcase the coming together of India’s most powerful entertainers with the world’s most influential policy makers.”

     

    Limited Tickets would be available at BookMyShow from 12noon on September 15.

     

  • Viacom18 to launch 24×7 Bollywood music channel, ‘MTV Beats’

    By A Correspondent

     

    Viacom18 has announced a 24×7 music channel to be called ‘MTV Beats’. Elaborating on the portfolio redesign, Sudhanshu Vats, Group CEO, Viacom18, said, “MTV initiated India into the experience of pop culture, making it a socially and commercially successful phenomenon. Today the brand is synonymous with being reflective of the country’s youth – their preferences, beliefs, opinions, desires et al. This presents us with the unique opportunity to redesign our Youth and Music portfolio to take brand MTV into sharply segmented content buckets within the genre. We will now be offering three differentiated experiences from brand MTV – while the flagship channel will be focused on youth and branded content and MTV Indies will continue to cater to the indie subculture, now, on the digital platform; MTV Beats, our first 24×7 Hindi music channel, will replace MTV Indies on air, with an eye to take the MTV brand to a more mass audience.”

     

    Giving a deeper insight into MTV Beats, Ferzad Palia, Business Head, Youth and English Entertainment, Viacom18 said, “With MTV BEATS, we aim to give our audience a 24×7 music companion who fulfils all their music needs through the day.”

  • Viacom18 completes merger of Prism TV

    By A Correspondent

     

    Viacom18 has announced the merger of Prism TV Private Limited with Viacom18, thereby integrating five regional channels – Colors Kannada, Colors Marathi, Colors Bangla, Colors Odiya and Colors Gujarati within its fold.

     

    Sudhanshu Vats

    Commenting on the merger, Sudhanshu Vats, Group CEO, Viacom18, said, “This merger allows us to create a single brand that can leverage the individual strengths of the regional channels and harness synergies in terms of content strategy and business processes, helping us amplify long term value for Viacom18.”

     

  • Viacom 18 Colors Super, its second Kannada GEC

    By A Correspondent

     

    Viacom18 announced the launch its second Kannada GEC, Colors Super on Thursday (July 7). The new channel will be launched on July 24.

     

    The content of the new channel will be a mix, spanning from mythology, fantasy and supernatural, to romcoms, reality television and world satellite premieres of movies. The new channel promises to induct a diverse mix of genres in the Kannada general entertainment market.

     

    Sudhanshu Vats, Group CEO, Viacom18, said, “In terms of market size in the Indian television scenario, regional entertainment is next only to Hindi general entertainment, as a category. Within the regional entertainment pie, the Kannada GEC ad market alone stood at an estimated Rs500 crore, financial year 2016. As we cemented our dominance on this market, we realised we had a lot more to offer – both in terms of content and brand solution opportunities. Colors Super will expand our offering to both the viewer, by bringing in missing genres into the market, and the advertiser, by increasing the available ad inventory, thereby plugging in existing gaps in the current market,” about the new channel at the launch.

     

    Speaking about the need for another channel in the Karnataka market, Ravish Kumar, Project Head, Regional Channels (Colors Kannada, Colors Super and Colors Bangla), Viacom18 said, “We had more ideas than more slots. We saw genuinely, from a viewer perspective. If I am a number one channel, I am doing well, my slots are doing well, I will not replace or change shows. There is a certain sort of break on the momentum from within. There is a demand for mythology, supernatural, romcoms etc. which is not being met today. So, our responsibility to our viewer I think is greater than self-serving needs. That is what we are trying to address with the launch of the new channel. We think the market is big enough, it is vibrant and growing enough for us to be able to accommodate content which is seen today.”

     

    Kannada actor Yash, who started his career with Colors Kannada, will be leading the marketing campaign for Colors Super. Viacom18 has planned a marketing blitz across 179 major towns of Karnataka, targeting both the urban and rural markets of the state.

     

  • Viacom18 and Turner India announce tie up for kidstuff

    By A Correspondent

     

    Viacom18 and Turner India have announced a strategic tie-up that will see Turner’s popular kids shows play on Viacom18’s Voot. With this tie-up,Voot adds a list of almost 100 characters that cut through broadcast affiliations.

     

    Said Siddharth Jain, Senior Vice President and Managing Director, South Asia, for Turner India: “We at Turner are dedicated in engaging consumers and collaborators in new ways to develop immersive worlds that enable our fans to experience our brands, franchises and content wherever, whenever and however they like. The collaboration with Viacom18 is a strategic move towards achieving this objective of being where our fans are and we know from our own New Generations 2016 research that 71 percent of today’s plurals are mobile phone users and 30 percent of them are on surfing the internet.”

     

    Launched earlier this year, Voot has a differentiated offering in the kids’ space, housing “Voot Kids” an especially created destination for kids online. Kids are known to be loyal to characters and Voot has bet big on its kids’ content.

     

    Sudhanshu Vats, Group CEO, Viacom18 said, “Online kids content is one of the major white spaces that exists in the country today. Through a dedicated offering within Voot, called Voot Kids we had started our journey to create the largest online destination for kids’ content in India. This vision saw us aggregate content from both within our network brand Nick and outside, to launch with over 7000 videos of kids content. This strategic partnership with Turner India will further bolster our content repository for Voot Kids. Additionally, this also brings two powerhouses of kids’ content on a singular platform to bring forth the best viewing experience for our loyal little viewers.”

     

    “With close to one-fifth of all viewing on Voot coming in for Voot Kids already, we clearly have managed to catch the attention of one of the most discerning audiences and the true digital natives. With this multi-year strategic tie-up with Turner India, we are adding to the depth and variety of content for this audience,” explained Gandhi, COO, Viacom18 Digital Ventures.

     

    This first ever industry strategic tie-up will see Voot hosting Turner India’s popular kids’ shows like The Powerpuff Girls, Ben 10, Dexter’s Laboratory, Roll No. 21, Samurai Jack, Johnny Bravo and M.A.D. In addition to this, Voot has its inhouse franchises like Dora, Motu Patlu and Sponge Bob, and all the Nick shows as well as over 7000 new videos on the app and website. Voot already hosts Chotta Bheem and Mighty Raju that run on Turner India’s broadcast channels Cartoon Network and Pogo, and Pokemon that airs on Disney’s broadcast network.

     

    It surely means more fun for kids on the digital space.

     

  • 5 years & counting for Viacom18 Motion Pictures

     

    The great Satyajit Ray once said, “Cinema’s characteristic forte is its ability to capture and communicate the intimacies of human mind.”  At its core cinema is about storytelling. For five long years that is what Viacom 18 Motion Pictures has been doing. From a hard hitting movie like Gangs of Wasseypur to the coming of age film Queen, the studio has churned out movies which are commercially viable as well as rich in content.

    Starting its journey in 2010, Viacom18 Motion Pictures aimed at breaking the norm and make content the focus. Over these years,  along with movies with appeal for the masses as well as niche audiences, it has distributed English films and have now ventured in to regional markets with movies in Marathi, Bengali and South Indian languages.

     

    “Viacom18 Motion Pictures is an integral part of the value proposition of Viacom18 as a media network. Over the last five years we have built a distinctive identity for our movie studio that is built around our strong focus on stories. This ‘content-first’ approach is in synergy with our broadcast and digital business lines and together films, broadcast and digital complete the ecosystem of entertainment that Viacom18 offers its consumers.” said Sudhanshu Vats, Group CEO, Viacom18 on the milestone.

    Marketing is a very important aspect for any studio when they choose to back a film. So, what role does marketability of a film play while choosing a script? Ajit Andhare, COO, Viacom18 Motion Pictures, said, “First of all comes greenlighting a script which means to see whether there is a significant audience for a film. And, therefore what kind of revenues a certain script or film can generate, which a combination of what the film is and the star cast is and what the film weight is about. The marketing question is the next one. Once you believe you have a certain kind of audience then how do you get that audience to sample that film? Which then addresses the conventional question of how many people need to be made aware, and then what is the waterfall of conversion from awareness to footfalls in theatres and that is where the whole conventional sort of marketing framework takes over.”

    “Last year was a very strong for motion pictures. We are profitable and we have grown to a reasonable size in terms of overall revenues and I think that is a very important milestone for us. Being profitable and earning a return on capital is something which every stakeholder looks to and that drives the entire key decision in the business,” said Andhare regarding the studio’s revenue earnings last year. He also stressed on the fact that apart from producing a film, collaboration with relevant brands also plays an important role in the success of a film. In the recent past we have seen a growing trend in product placement within films. “The main thing is to get media alliances. A brand which is possibly placed in the film will also want to promote that film. And, therefore a partnership on the media side is what is of great value to us. It allows us to curtail our marketing expenditure,” he added.

    Apart from celebrating and cherishing the years gone by, Andhare is excited about the future. He spoke about a strong pipeline of Hindi and regional films and extending their reach with Hollywood movies. “Continuing the agenda of innovation; that is the future for us,” he said in conclusion.

    Taking the celebrations a notch higher, Viacom18 Motion Pictures will showcase its blockbusters in a weeklong festival ending June 17. In collaboration with Cinepolis, the festival will be held across Mumbai, Delhi, Pune and Bengaluru showcasing hits like Kahaani, Manjhi – The Mountain Man, Special 26, PyaarKaPunchnama 2, BhaagMilkhaBhaag, Queen and Gangs of Wasseypur I & II.

     

  • Saugato Bhowmik to also head Integrated Network Solutions at Viacom18

    By A Correspondent

     

    Viacom18 has announced the appointment of Saugato Bhowmik as the head of its Integrated Network Solutions (INS) business unit. INS is entrusted with developing brand solutions for consumers and live properties across music and entertainment genres. Bhowmik takes on the baton from Jaideep Singh who will be moving on. Along with this new role, Bhowmik will continue to head the Consumer Products business line at Viacom18.

     

    Commenting on this development, Sudhanshu Vats, Group CEO – Viacom18 said, “Saugato has rich experience in marketing and his expertise in consumer products has enabled us to monetize various brand properties through successful merchandising and licensing partnerships. We are confident that his sharp marketing sense and ability to mine consumer insights will help grow the INS business further. I would also like to take this opportunity to wish Jaideep the best for his future endeavors.”

     

  • Viacom18 launches ‘Chakachak’ CSR initiatives

    (L-R) Sudhanshu Vats, Group CEO, Viacom18, Actress Salonee Kulkarni, Actor Mahesh Kothare, Nicktoon Shiva, actor Urmila Kanetkar Kothare and Kesarben Patel, Corporator – Salve Nagar, K-East Ward, Andheri East​

    By A Correspondent

     

    Viacom18 flagged off its CSR behaviour change communication campaign to tackle the unhygienic sanitation condition in the slums of Mumbai. The company has adopted four slums in the densely populated Andheri suburb of Mumbai. Under the umbrella of ‘Chakachak Mumbai’, over the last year, Viacom18 has renovated and reconstructed over 200 toilets in the locality. Underlining the importance of instigating a change in people’s mindset at the ground level, the network has roped in Ramon Magsaysay award winner Jockin Arputham and underprivileged women’s self-help collective Mahila Milan, to undertake a behaviour change communication programme.

     

    Sudhanshu Vats, Group CEO – Viacom18, flagged off the drive along with  Smt. Kesarben Patel, Corporator – Salve Nagar, K-East Ward, Andheri East and well-known Marathi film personalities Mahesh Kothare, Urmila Kanetkar Kothare and Sonalee Kulkarni.

     

    “It is my firm belief that just as its people define the organization, the organization has a soul that is the collective of its people. It is with this belief that Viacom18 has been at the forefront of amplifying socially relevant issues, through our movies, TV series, support for social causes and various on ground activities. When we formalised our CSR journey, we decided to contribute towards realizing the challenging dream of a Swachh Bharat, both through enhancing infrastructure and building awareness,” said Sudhanshu Vats, Group CEO, Viacom18. He further added, “We are India’s favourite storytellers and we decided to leverage that primary strength to build the story of why good sanitary practices are important. Thus our entire behaviour change communication campaign focusses on how cleanliness leads to prosperity.”

     

    With the 360-degree approach of infrastructure development and behaviour change communication programme, Chakachak Mumbai looks set to bring about a noticeable improvement in the swachhta quotient of this maximum city.

     

  • Viacom18 launches HD feed of its regional GECs

    By A Correspondent

     

    Viacom18 has announced the launch of its HD feed for three of its regional general entertainment channels – Colors Kannada, Colors Marathi and Colors Bangla.

     

    Sudhanshu Vats

    Announcing the launch of the HD channels, Sudhanshu Vats, Group CEO, Viacom18 said, “When we brought the regional GECs under the Colors umbrella, we committed to raising the bar on regional content. This philosophy saw us attain pole position in the Kannada market, become a strong leader in the Marathi market and build up the connect with our Bengali viewers. Interestingly, during this period, the regional markets have seen tremendous growth in consumer lifestyles. With the HD launch of our regional channels, we are once again raising the bar by provisioning for the premium viewing experience that the markets now crave.”

    Ravish Kumar – Project Head, Colors Kannada, Colors Bangla and Colors Odiya said, “We strive to offer varied content to our viewers without compromising on excellence – be it powerful storytelling, high production values, international reality formats, festival programming or movie premieres. Our aim is to delight audiences’ everyday with an entertaining and cohesive television viewing experience and launching  HD channels is yet another pioneering step in that direction.”

     

    Anuj Poddar – Project Head, Colors Marathi and Colors Gujarati elaborated saying, “Colors Marathi has consistently innovated and redefined the entertainment landscape for Marathi audiences with its varied bouquet of shows and big scale events, while yet staying true to the roots of its culture.  We are yet again playing a pioneering role and upping the ante by being the first to provide viewers with High Definition viewing experience.”

    The channels will be available on leading cable and DTH platforms.