Tag: Sudhanshu Vats

  • Partha Sinha is Chairman, ASCI

    The Advertising Standards Council of India (ASCI) appointed Partha Sinha, President and Chief Brand Officer of Bennett Coleman & Company Limited, as Chairman of the ASCI Board of Governors for 2024-25. Sudhanshu Vats, Deputy Managing Director, Pidilite Industries Limited, was appointed Vice-Chairman, and S Subramanyeswar, Group CEO & Chief Strategy Officer-APAC, Lintas India Private Limited was appointed Treasurer.

    Sinha expressed a compelling vision for ASCI. “Being the chairperson of ASCI is both an honour and a profound responsibility, especially as our industry is under greater scrutiny by our stakeholders. With rapid changes in the digital environment and the emergence of new challenges. ASCI is committed to not just keeping up but to staying ahead. Deploying technology and AI to monitor errant advertising as well as putting our might behind preventive measures will be our focus in the days to come. This will ensure that creativity and responsibility coexist, creating an ecosystem that values consumers and encourages innovation.”

    Reflecting on his term, outgoing Chairman Saugata Gupta said: “Leading ASCI through a period that witnessed significant development and change has been a privilege. This year has been marked by historic milestones, including the formation of the ASCI Academy, which has become a cornerstone in promoting responsible and progressive advertising. Our commitment to training and capacity building, creating new direction via our thought leadership work, reflects a culture of responsibility from the ground up.”

  • Sudhanshu Vats is MD-designation at Pidilite

    Sudhanshu Vats
    Sudhanshu Vats
    Kavinder Singh
    Kavinder Singh

    In many ways, if Viacom18 is flying high today, it owes its current status to a fair extent to former CEO, Sudhanshu Vats.

    Vats name, as per the Board of Directors of Pidilite Industries Limited, has been approved as Managing Director Designate. The Board also approved the appointment of  Kavinder Singh as Executive Director and Joint Managing Director Designate. 
They will take charge as Managing Director and Joint Managing Director, from April 2025, after the completion of term  of the current Managing Director, Mr. Bharat Puri. Note, you read it right. It’s 2025, not 2024.

    Commenting on the announcement,  M B Parekh, Executive Chairman of Pidilite Industries, said “The appointments of Sudhanshu and Kavinder will reflect the next phase of the Pidilite leadership journey.”

    Vats is currently Deputy Managing Director of Pidilite Industries. Singh is currently Managing Director and CEO of Mahindra Holidays and Resorts.

  • From yesterday: Sudhanshu Vats resigns as Group CEO & MD. Rahul Joshi to take charge

    By A Correspondent

     

     

    Sudhanshu Vats
    Rahul Joshi

    Sudhanshu Vats, Group CEO and MD of Viacom18, has decided to move on from Viacom18 after eight years at the helm. In his tenure, the network grew from a six-channels to a 54-channel one,, with a strong regional and digital presence. Rahul Joshi, Managing Director of the Network18 group of which Viacom18 is a subsidiary, will take charge. The leadership team will will continue to manage their respective verticals under Joshi’s leadership. Vats will be serving till tomorrow, April 15, 2020.

     

    Speaking on the development, Adil Zainulbhai, Chairman of the Board, Network18 said, “Sudhanshu is a dynamic and admired leader in corporate India today. Not only has he led from the front in shaping up Viacom18’s growth story, he has also championed the cause of the sector at the various industry bodies that he has captained. While we are sad to lose him, it is equally reassuring to know that we have a strong second line that’s raring to go. I’d like to wish Sudhanshu all the very best for his future endeavours.”

     

    Added Vats: Speaking about his journey at Viacom18, Sudhanshu Vats said, “It has been an extremely challenging and satisfying 8 years at the helm of Viacom18. I have had the privilege of working with some of the best minds in M&E industry to chart the growth story of Viacom18. We have together built one of the most admired media company of brilliant storytellers with diversified presence across screens and platforms. As I look forward to taking up newer challenges, I shall always cherish the learnings in leading India’s youngest and fastest-growing media and entertainment company.”

     

    According to sources, Zainubhai wrote a mail to Viacom18 employees in the evening after which the media was informed. “Sudhanshu has built a distinct culture at Viacom18 – one that marries creativity to structure and forments a strong sense of employer brand affinity. This is evinced by the long service records of many of our employees as well as through the growth of our leaders.”

  • Viacom18 pitches in support to help India fight Covid-19

    By A Correspondent

     

    In light of the fast spreading Coronavirus, Viacom18 has announced a slew of measures to ensure that audiences continue to remain entertained while being socially responsible. The company will be financially supporting all daily-wage earners engaged with the production of all its original content across India. Additionally, Viacom18 has partnered with GiveIndia to roll out a nationwide fundraising campaign to support daily wage earners across industries. Frontlined by contribution from its own employees, the company will be launching a social media campaign to encourage Indians to contribute, and will match the corpus collected.

     

    Speaking on the numerous efforts being made at an organizational level, Sudhanshu Vats, Group CEO and Managing Director, Viacom18 said: “Unprecedented times like these demand for measures that are special, generous and speedy. The Covid-19 outbreak has created tremendous disruption across the nation. Even during such times, constant efforts are being made to ensure that our viewers are being entertained while being educated about the situation. Despite the risks, a few of our employees have stayed back at our offices thus ensuring that viewers get their daily dose of entertainment. We have been ensuring they are safe and are following safety measures.  We have always believed that the onus rests upon us in giving back to society in times of need.  We have extended support to all those daily wage workers that have been supporting us round the clock during production schedules. As a media company, we will continue to play a responsible role in echoing the larger message and extend support in all possible manners to help curtail the pandemic.”

     

     

  • Viacom18’s network-wide roadblock with 310-sec PSA

    By A Correspondent

     

    Supporting and amplifying Prime Minister Narendra Modi’s appeal towards social distancing and call for a Jantaa Curfew on Sunday, March 22, media and entertainment conglomerate Viacom18, launched the #PauseForACause. Cheer and Applause. campaign across all its media assets. The campaign was frontlined by a 310-second ad that aired once on all Viacom18 channels simultaneously  at 4:59:50pm on March 22. Viacom18 further used its reach on its social media channels as well as on its OTT platform VOOT thus amplifying the message in the digital ecosystem.

     

     

    Sudhanshu Vats

    Speaking on the initiative, Sudhanshu Vats, Group CEO and MD, Viacom18 said: “At Viacom18, we are deeply invested towards using our presence to create awareness around issues however large or small. We have always leveraged the power of storytelling to ensure that our viewers become more socially responsible while being entertained. The current health and social crisis has created unprecedented disruption at the national and global level. While constant efforts are being made by the Government to keep it in control, we would like to play a small role to amplify the message. Keeping this in mind, we would like to pay our tribute to medical, paramedical and all other professionals who have been providing round the clock support during this pandemic with our campaign #PauseForACause – Cheer and Applause. We are deeply grateful for all their efforts. We urge citizens to practice social distancing, avoid travel and social gatherings at a personal level to help the Government flatten the curve for the greater good of the society.”

     

     

  • Viacom18 unveils Voot Select content

     

    By A Correspondent

     

    When it announced Voot in October 2015, Viacom18 was the last of the broadcast networks to embark on an OTT play. But since then it hasn’t looked. Last year, after announcing 100 million monthly active users, it announced its first subscription-driven service called Voot Kids. And then in January, it announced Voot Select, its second subscriber-only service.

     

    On Tuesday, leadership of Viacom18 unveiled the initial offerings of Voot Select with much fanfare, as also the subscription tariff. Voot Select will present 30+ Originals in the first year, international content through partnerships with global studios, 1500+ movies and stream over 35+ live TV channels.  Voot Select is downloadable from the Voot app and is available on the internet. The subscription fee is Rs 99 per month and Rs 999 for an annual subscription. The annual subscription has an introductory offer of Rs 499.

     

    In an industry-first initiative, Voot Select will bring top fiction content from Viacom18’s extensive portfolio of channels on the digital platform 24 hours before the episodes air on regular television. All non-fiction content can be accessed on the platform 15 – 30 minutes before its TV airing.

     

    Speaking about the network’s platform agnostic, content first strategy, Sudhanshu Vats, Group CEO & MD, Viacom18, said: “In a short span, VOOT has already emerged as one of India’s largest OTT platforms with 100 Mn MAUs and 100 Bn watch minutes. It is India’s most engaged platform with an average TSV of 50 mins. With projections of aggressive growth in Fibre to Home, Viacom18 is ready to go Digital First. VOOT Select is our premium SVoD offering developed to cater to this growing connected TV audience,” adding: “We’ve put together a very compelling proposition and even pushed the envelope with publishing content 24 hours before TV, clutter-breaking originals and international content. The launch of VOOT Select marks a key milestone in our journey to become a future-ready, pipe-agnostic storyteller.”

     

    Speaking about Voot’s business strategy, Gourav Rakshit, COO, Viacom18 Digital Ventures said: “Voot is the outcome of Viacom18’s vison to create a future ready digital business catering to the evolving digital entertainment needs of every Indian. It is with this focus and a content first approach that we have built Voot Select as a premium platform providing an enhanced viewing experience for our users. Voot Select is “made for stories” that are differentiated and compelling and with them we are determined to be the most sought-after content destination for every Indian.”

     

    Added Ferzad Palia, Head – Voot Select, Youth, Music and English Entertainment, Viacom18 said: “Voot Select has been carefully crafted and designed for today’s ‘on-demand’ generation. We’re proud to give to India a destination that has the country’s largest showcase of stories ranging from Hindi & Regional Originals, Live Television channels from across the world, the widest variety of top-drawer international content to ‘24 hour-before-TV’ premieres of our TV network content. Adfree, Multi-screen access and a solid recommendation engine will further add to a great entertainment experience for our subscribers.”

     

    Voot Select will house global content from CBS, CBS All Access, Showtime, Fremantle, Endemol Shine, Chelsea TV, Arsenal TV, Real Madrid TV, BBC and Sony Pictures, among others.

     

     

    At the unveiling to the media five Originals were showcased starring Arshad Warsi, Rajeev Khandelwal, Barun Sobti, Ahana Kumra, Atul Kulkarni, Saqib Salem, Piyush Mishra and Shriya Pilgaonkar amongst others. Directors and storytellers like  Vikram Bhatt, Apoorva Lakhia and Oni Sen amongst others will be associated with some of the original content.

     

    The international content includes the following: Murder in the Bayou, 48 Hours, Crimes Of The Century, Whistleblower, Enemies: FBI vs The President; brand new exclusive global premieres like Why Women Kill, The Twilight Zone, Interrogation, BH 90210, Nancy Drew & critically acclaimed shows like Dexter, Californication, Elementary, Madam Secretary and Nurse JackieI addition, reality shows like Masterchef USA, Masterchef Junior, Shark Tank, America’s Got Talent, X Factor, Project Runway, Fear Factor, My Kitchen Rules will also be on offer. Celebrity Chefs like Martha Stewart, Nigella Lawson and the late Anthony Bourdain are also part of the offering. As also are daily talk shows like The Late Show with Stephen Colbert, The Daily Show With Trevor Noah, The Late Late Show with James Corden, Entertainment Tonight, Dr. Phil, Daily Mail TV and The Graham Norton Show amongst others.

     

    There is also a partnership with international channels such as Fashion One, Clubbing TV and Real Madrid TV which will lead Voot Select  to present 24-hour live streams with access from these fchanels. In addition, there is leading 24/7 LGBTQ channel, Revry TV will also be part of Voot Select as will gaming events like World Poker Tour

     

  • Viacom18 unveils Voot Select with Ferzad Palia at helm

    By A Correspondent

     

    Viacom18 will launch its second subscription-based streaming offering called Voot Select. The new business vertical under Viacom18 Digital Ventures will be helmed by Ferzad Palia, Head – Youth, Music & English. Voot Select will be in addition to his existing responsibilities.

     

    Sudhanshu Vats

    Speaking about adding further scale to the digital business, Sudhanshu Vats, Group CEO & MD, Viacom18 said: “The video-on-demand market is the fastest growing segment in the media and entertainment sector today.  Subscription led business models are going to be the next big growth drivers in the years to come. Having established Voot as India’s second largest premium AVoD platform, we think the time is apt for us to unveil our premium subscription offering, Voot Select.  The new premium offering will bring more bespoke content to our always-on viewers.”

     

    Gourav Rakshit

    Added Gourav Rakshit, COO at Viacom18 Digital Ventures: “With Voot, the successful launch of Voot Kids and now Voot Select, our aim is to build a versatile and immersive digital ecosystem that will add value to our users. The new offering will provide them with differentiated content experiences across genres and segments. Currently in its final leg of testing, the all new Voot Select once live will see many untapped genres being made available for our users to experience and enjoy.”

     

     

  • Viacom18 to roll out ‘MTV Nishedh’

    By A Correspondent

     

    The MTV Staying Alive Foundation has partnered with Viacom18 to launch a new campaign titled ‘MTV Nishedh’ that will focus on fostering healthier attitudes and behaviours and removing the stigma surrounding several health-related issues, including sexual reproductive health and wellbeing, contraceptive care, tuberculosis (TB) and nutrition. Other funded partners include: Through the Children’s Investment Fund Foundation (CIFF), the David and Lucile Packard Foundation and The Centre for Social and Behaviour Change, Ashoka University, the Bill & Melinda Gates Foundation (BMGF) and Johnson & Johnson.

     

    MTV Nishedh, produced by Mumbai-based production company Victor Tango, will premiere on MTV India starting January 25 every Saturday and Sunday at 8pm and on Colors Rishtey starting February 1, every Saturday and Sunday at 10:30pm. MTV Nishedh will also be available on Voot.

     

    Sudhanshu Vats, Group CEO and MD, Viacom18: “I’ve always believed that doing good is good for business. We have, since inception, created content on social causes and built a successful broadcast business around it – from Balika Vadhu to Shakti to Laado – we have covered a gamut of socially sensitive issues through our TV content. Furthermore, through our youth brand MTV, we continue to create multimedia campaigns, over and above our TV shows, that highlight various social themes. We have explored issues as diverse as women’s empowerment to sanitation through our films like Queen and Toilet: Ek Prem Katha. This business philosophy of doing good was underscored last year when BMGF worked with us to bring forth a behaviour change content series called Navrangi Re! on the issue of Fecal Sludge Management. The sheer number of social organisations and like-minded corporate who are partnering us to launch MTV Nishedh bears testimony to its scale.”

     

    Added Georgia Arnold, Executive Director of The MTV Staying Alive Foundation and Executive Producer of MTV Nishedh: “MTV Nishedh marks an exciting point in The MTV Staying Alive Foundation’s journey. Bringing the highly successful MTV Shuga model to India facilitates young Indians to take up more space on issues affecting their everyday lives. The power of MTV Nishedh is in its reflection of real life – we engage young people in all stages of its development to ensure the stories are relatable, entertaining, and highly engaging. Crucially, all of our content drives the audience to health services where they can receive valuable help. We believe MTV Nishedh has the potential to be a genuinely relevant cultural asset, as well as a successful public health campaign.”

     

    Said Sonia Huria, Head – Corporate Marketing, Communications & Sustainability, Viacom18: “Well, more than a conscious strategy, I think it is an ingrained thought process at Viacom18. Allow me to explain in some more detail. Our mission is to connect every story to its audience and every audience to its story. And over the last 12 years, we have created stories that resonate with our audience across platforms. Interestingly, some of our biggest successes have been stories that speak of societal issues or regressive societal norms – be it Balika Vadhu, Its Not That Simple, Angels of Rock, Toilet: Ek Prem Katha…the list goes on. Projects like Navrangi Re! and MTV Nishedh are natural extensions of this philosophy of using content to amplify social change. What encourages me is how more partners are recognising the relevance of this approach and reaching out to us to use entertainment to bring forth such stories of social impact.”

     

     

  • IBF President & VP statement on NTO-2

    By A Correspondent

     

    NP Singh, MD and CEO, Sony Pictures India and Sudhanshu Vats, Group CEO, Viacom18 who are also President and Vice President of the Indian Broadcasting Federation (IBF) issued statements at a press conference convened in Mumbai on Friday.

     

    Here is the statement by NP Singh:

    “IBF is the industry body of broadcasters. It works towards ensuring that the television industry has a common voice which helps orderly growth of this sector. It also is a forum for the broadcasters to highlight issues which impact the industry as a whole. We all have gathered here under the aegis of IBF to discuss recent developments that can potentially trigger another round of large-scale disruptions, detrimental to the orderly growth of the sector.

     

    “Content is king and broadcasters invest substantial resources in producing and acquiring world class content, be it entertainment, knowledge or live sports. By packaging a variety of genres in economically priced bouquets, broadcasters offer the Indian consumer  world class news, sports, movies, music and entertainment at affordable prices. Any industry and especially one that is regulated, looks forward to a stable and consistent regulatory regime that works for the benefit of all stakeholders. As broadcasters, we expect a stable regulatory regime, which is necessary to enable long term business planning and a strategic approach towards investments. This is absolutely critical to enable us to provide the best of content to our consumers, more so in these times of rapid technological change.

     

    “As we have seen, in the last 15 years of regulating the broadcast sector, TRAI has issued more than 36 tariff orders, in an attempt to micro-manage what is arguably the most “value for money” form of news and entertainment in the world. This goes contrary to the Government’s stated position of ensuring the “ease of doing business”.

     

    “Last year in February 2019, TRAI came up with a New Tariff Order (NTO), which brought about far reaching changes to the way pricing of pay channels was managed. While the broadcasting industry was apprehensive about the magnitude of changes, we supported the move with the best of our abilities. The collective cost to the broadcasters was well over 1,000 crores in just communicating the changes to the consumers. Even with that, there was an overall loss of 12-15 million subscribers in the process. All stakeholders, most of all our consumers, went through considerable inconvenience during the transition period.

     

    “Even as the new regime was settling down, on 1st January 2020, TRAI notified certain amendments to the New Tariff Order and Interconnection Regulations for the Broadcast sector. These amendments attempt to make further disruptive changes in an industry already grappling with the paradigm shift to an MRP based pricing regime.

     

    “While the changes are many, I will summarise a few of the key ones:

     

    1. Arbitrary Reduction of MRP cap from Rs. 19/- to Rs. 12/-, for channels to be part of a bouquet: 

    Just a few months ago (February 2019) the Regulator notified a cap of Rs. 19/- as the threshold for creating bouquets and backed this up with empirical analysis. And now this has been reduced by 40% to Rs. 12/- without any logical rationale or consumer insight to back this change.

     

    Channel pricing is related to the quality and cost of content being offered, which the Regulator appears to consistently ignore. In a competitive and free market like broadcast, channel pricing should be determined through open market forces rather than through the arbitrary fixing of caps without any fundamental basis.

     

    2. Imposition of twin conditions on bouquet pricing:

    When the NTO was introduced last year, TRAI took a conscious decision to do away with the twin condition formula for bouquets as the Regulator advocated free pricing. Within a few months, in NTO 2.0, TRAI has sought to reintroduce the twin conditions, negatively impacting the pricing and packaging of bouquets. In order to offer wider choice to their consumers through affordable bouquets which is the practice world over, the broadcasters will have to either price their premier channels very low, hampering the ability to provide quality content or increase the price of other channels just to fit in the maths but artificially increase the burden on consumers.

     

    Another fall-out of the twin condition restrictions is that it limits the number of channels in the bouquet, which in-turn reduces the value delivered to consumers.

     

    Moreover, when SD and HD channels are clubbed together in a bouquet, the same price reduction is applicable to both in spite of HD being a premium offering.

     

    Additionally, using regulation to limit the number of bouquets being offered to consumers is fundamentally restricting consumer choice, given the large variability in consumer preference across 200 million TV homes.

     

    3. Restricting incentives only to a la carte:

    This is a completely arbitrary discrimination between a la carte and bouquet without a rationale. Just a few months back TRAI thought it fit to allow incentives on both bouquets and a la carte and now in NTO 2.0 TRAI has changed its mind and removed discounts on bouquets. From the regulator looking at the interests of all stakeholders and the industry at large, we expect a market facing and non-discriminatory approach to regulation.

     

    A few months back, at the request of the Regulator, the major broadcasters including Sony, Star, Zee, Viacom introduced promotional schemes and offered their premier channels at an MRP of Rs. 12/- for a limited period. But the results showed no uptick in the a la carte offering in spite of the price reduction, clearly highlighting the consumer’s preference for bouquets. In fact, our members suffered revenue losses in this whole exercise.

     

    Additionally, the on-ground experience of this consumer offer has indicated that the desired intention of consumers getting the benefit of such an offer has not materialised in a majority of cases but may have got absorbed as additional margin in the distribution chain. So, it begs the question whether the new changes being recommended will not again end up with the same outcome, given the challenges of on ground execution.

     

    However, TRAI appears to have a predisposition and bias towards a la carte and against bouquets and is attempting to compel DPOs to not offer bouquets by removing their incentives to do so. Clearly, this is arbitrary and discriminatory. Inspite of 15 years of regulations that sought to influence a consumer’s choice for a la carte, the lay consumer still prefers bundling, a fact the regulator seems unwilling to accept.

     

    4. Impact of NCF:

    While the stated intent of the Regulator is to allow consumers to get content at more affordable rates, the fact that it’s the imposed NCF is the single largest component of end consumer price is not being addressed.

     

    In the current NTO, if a consumer is paying, say Rs. 275 per month as his/her bill, ~60% goes to the distribution platforms, 15% towards taxes, and only ~25% comes to pay broadcasters. This when it’s the broadcasters who are creating the content, investing in talent and capability, and taking all the risks related to content development. Why then is the focus only on the broadcaster’s component of revenues, which is only 25% of the consumer bill?

     

    It is fair to say, the implementation of the MRP regime which came into effect on 1st February 2019 resulted in seismic changes in the distribution landscape. Nevertheless, with the support of all stakeholders and the end consumer, the transition to the new regime was managed relatively smoothly. Broadcasters, on their part, along with other stakeholders, did their best to ensure a smooth transition without disruption of services. It is therefore quite surprising that in less than 12 months after the commencement of the NTO and even before the industry at large and more importantly the end consumer has fully adapted to the new regulatory regime, TRAI has notified amendments in the NTO.

     

    IBF in its response to TRAI’s consultation paper had pleaded with the regulator to adopt a “soft touch” and allow the industry to come to terms with the current NTO before making further changes. In fact, TRAI itself had acknowledged this need by proposing a two-year moratorium on further regulation. Unfortunately, all IBF’s pleas have been ignored and, in this exercise, content creators and owners have been disempowered by taking away their fundamental right to monetize their content in the manner they choose.

     

    IBF believes these amendments will severely impair broadcasters’ ability to compete with other unregulated platforms and adversely affect the viability of the pay TV industry.

     

    And this is what Sudhanshu Vats said: “The objective of NTO 1 was first – to give choice to consumers, second – to bring transparency and third – to reduce litigation. While only the first two have happened, it’s too early to talk about the third. Statistically, overall 94% of Indians are aware of the NTO and the choices they have because of the efforts made by the broadcast industry collectively. The month on month churn in industry shows that people are continuously fine-tuning their choices. The other objective of NTO was transparency which it has also brought in. The question therefore, is “what is the fundamental need to change again? In my opinion there was no need.

     

    “India is a heterogenous country with different choices and abilities to pay. In every sector there is a wide spectrum and that needs to play out more in Indian media as well. This push for consistency shouldn’t come in the way of the industry’s and economy’s growth. In the M&E industry there is a lot of dynamism and flux and hence the broadcast sector needs to be able to settle down. If there has to be any change we need to allow for enough time for its implementation and also changes shouldn’t be suggested so frequently.”

     

  • Viacom18 & Film Heritage Foundation hold annual workshop in Hyd

    By A Correspondent

     

    The fifth edition of the Film Preservation & Restoration Workshop India (FPRWI) 2019 was inaugurated at Hyderabad’s State Gallery of Art on Sunday. Supported by Viacom18, this initiative of Film Heritage Foundation (FHF) and International Federation of Film Archives (FIAF) in collaboration with Annapurna Studios is being held December 8 to 15.

     

    Commenting on bringing the workshop to Hyderabad this year, Shivendra Singh Dungarpur, Founder & Director, Film Heritage Foundation, said: “Over the last four years, we’ve been the Pied Pipers of film heritage drawing over 200 conservators, librarians, film scholars, academics, cinematographers, editors, colourists and technicians into our fold, eager to learn to save remarkable film patrimonies from our part of the world and showcase the richness and diversity of a heritage that has been lying dormant and forgotten for decades. And this number will cross the 270 mark this year. We are now ready to consolidate and build the country’s first world-class Centre of the Moving Image, an institution devoted to the art of film and we hope that we can count on the support of the film industry, the government and the public to make our vision a reality.”

     

    Speaking on the association with this initiative, Sudhanshu Vats, Group CEO and MD, Viacom18, added:, “India is a country of storytellers and the oldest stories in the world originate from here. Over the years, our cinema has portrayed the culture and heritage of India. At Viacom18, we realise the importance of preserving these stories that form a part of the Indian culture for the benefit of our future generations. As India’s foremost storytellers, we connect deeply with this ethos and our support to Film Heritage Foundation is a conflux of this shared sentiment. The Film Preservation & Restoration Workshop is a step in that direction and we at Viacom18 are proud to be associated with this initiative.”

     

     

  • Sudhanshu Vats delivers keynote at CII Big Picture Summit

    By A Correspondent

     

    Sudhanshu Vats

    Sudhanshu Vats, Group CEO and MD, Viacom18 delivered the keynote at the 8th edition of Big Picture Summit in New Delhi He spoke on the topic ‘Create, Connect & Converge for Transformational Growth’.

     

    Presenting the full version of his address as under:

    “Esteemed dignitaries on the dais, my industry colleagues, ladies & gentlemen – welcome to the 8th edition of the Big Picture Summit – an annual gathering aimed at discussing, deliberating and decoding policy options to unlock the potential of our M&E sector.

     

    Many of you might be wondering – in your heart of hearts – that what’s so unique about the theme for this year. Create, connect & converge – are certainly not new terms. They’ve been used several times – in several permutations and combinations over the last 10 years at several industry events. So, I can’t discuss only those in the theme address. For me, the operative phrase is ‘transformational growth’. Why so? Because this is a very unique time for our industry and for India. Both, the industry and India for that matter – are seeing many ‘resets’ across the board. Our industry is seeing the entry of global firms that have enormous capital, patience and experience (Disney, TikTok, Google). At the same time, we are seeing emergence of smaller players, better talent and balancing of value chain within the sector with all the constituents beginning to partake in the value creation. We are also witnessing a Direct to Consumer revolution with OTT platforms driving consumption fueled by inexpensive data plans. Our country is witnessing a rethink on all types of legacy matters – be the matters of national security (article 370 of constitution), society (section 377 of IPC), economy (Insolvency & Bankruptcy code) and so on.  This reset is coupled with the consumer journey from $ 2000 per capita income to $ 4000 per capita income in the next 5-7 years. For our sector’s growth to be transformational, in my opinion, it has to meet two conditions:

     

    The growth has to be more widely distributed within the value chain – in fact it must be over-indexed towards smaller participants who wield lesser power than their larger counterparts. This will create a more competitive industry with a strong base – one that is more resilient to disruptions. That in my mind is very critical.

     

    For example: In the past, writers in India weren’t receiving as much due credit and value that they are now.

     

    The growth has to ensure a rightful share and size at a national and global level.

    Nationally, we need to move the sector’s scale from 1% share of GDP to about 2% of GDP like the developed world.

     

    Globally, we need to top the tables not just when it comes to metrics that measure product output (India is the 2nd biggest pay TV market in the world, largest producer of films) and audience metrics (world’s largest English newspaper audience, world’s 2nd largest internet user base etc.) but actual revenue and spend pools (even if we take the most liberal estimates of our industry size – say 26 Bn USD- convert that in PPP terms – say 100 Bn USD – we are about 14% of the US industry which is closer to 780 Bn USD).  These are only back-of-the- envelope calculations and there might be some differences when it comes to methodologies, exact numbers etc. but you can’t deny that there’s still a huge differential. In PPP terms, India’s overall economy is ~50% of the US economy.

     

    This growth – transformational growth – can be a huge driver of the 5 Trillion USD Indian economy.

     

    What is needed for this transformational growth? Any industry’s growth can be attributed to the actions of 3 main actors: firms (Supply side), consumers (Demand side) and policy makers.

     

    India has no shortage of firms. We have many legacy media businesses driven by Indian managements that are robust and rich. Also, as an open media market, several foreign firms have entered India and tasted scale and complexity. So, we’re covered on that front. Yes, there is scarcity of some types of manpower – but with time that will also get resolved. Like I mentioned before, there is no shortage of consumers either. Our content does travel the world. Yes, we are more or less diaspora focused, and our addressable market comprise (mainly) South Asian diaspora, but recent successes of India digital originals (Sacred Games scored 100% on Rotten Tomatoes) and Indian films (Andhadhun in China) demonstrate that we have the potential to make a global dent. Even if we look at South Asian diaspora, that’s a huge market. That leaves us with the third variable – policy makers. This is where I’d like to dovetail the other three parts of the theme for Big Picture – Create, Connect & Converge.

     

    Policy makers can drive huge impact on all these aspects. To a large extent, we are already seeing action on all fronts. On ‘create’ there’s a revamp underway of the copyright regime, the cinematograph act is with a standing committee in parliament, there’s some work that needs to be done to create a strong talent pipeline across creative and technical skillsets – the institute for animation & gaming still needs to be setup – but a lot of work is underway. On ‘connect’, we have the new NTO which is still settling in – it’s a mammoth change – kudos to TRAI for acting on it, there’s been a directive on Net Neutrality, some work happening on personal data protection – the bill is to be tabled soon in parliament – a lot of action there as well. Finally, on ‘converge’, there is this realization that there is negligible merit in slicing up our sector across different media platforms and regulating them as separate entities as convergence is now a reality – you can watch TV content on an app, podcasts have blurred the line between radio and internet, almost all print publications have a digital avatar and so on. I think this also means that regulation needs to converge – so that there is no scope for arbitrage. For instance, I can launch a digital OTT platform and charge whatever I want – play how many ever ads I want – but when I launch a TV channel I have to abide by a set of tariffs and not exceed 12 mins of advertising in an hour etc.

     

    More importantly, we need to agree to a liberal mindset with faith in the consumer market’s ability to keep us all disciplined. I want to draw your attention to a conversation I just had with someone from my team – who became a parent recently. Like all first parents, he too was anxious about parenting and all its challenges. I would like to share with you today what I shared with him. I am taking advantage of the fact that this message will reach policymakers – who are akin to the ‘parents’ of entities like us who are trying to grow. In the late 90s and early 2000s, this concept of ‘helicopter parenting’ became popular. It meant hovering around your children to ‘swoop’ in and help them in case they needed support. Over time, this led to over protective parents who actually stunted the ability of their children to transition into independent adulthood. The intention of the parents was always good – but it backfired when it came to the outcome. I sometime feel that regulators and policy makers might be making the same mistake when it comes to the M&E sector today. No one is doubting your intention, but the outcome could be different. This might be disastrous if you recall the point I made earlier, we have the potential for transformational growth. We should not look back later and regret our actions. ‘Over parenting’, like over regulating makes it impossible to ‘cut the (umbilical) cord’ (no pun intended!). And there’s no way we can compete globally if we don’t cut the cord! What is the alternative then? In the world of child psychology – it’s called ‘free-range’ parenting. The methodology behind this parenting style is to avoid hovering like a ‘helicopter parent’ by letting children experience life as it happens. That translates to less anxiety, less stifling behaviors and less coddling. We need our policy makers to replicate a similar philosophy of regulation for us. Let us be. Let the dust settle. Yes, we will make mistakes. Yes, we will be naughty at times. But we will learn. And that will make us globally competitive. For instance, we’ve just witnessed the most landmark reform in the world of Indian Pay TV broadcasting, ever. Of course, it’s not perfect – but tweaking it every month and quarter will have disastrous consequences. Maybe, in ‘free-range’ style, taking a break for say 2 years – and watching us closely – will be more beneficial for us in the long run. We provide employment (direct & indirect) to over 5 Mn Indians and can take this to 10 Mn in 3-4 years – creating transformational growth. Our export potential is 10 Bn USD -more than 10x of what it is today – and we don’t need exhaustive, difficult to negotiate multilateral agreements to get there. We just need to freedom to create, connect and converge. This is totally in sync with Prime Minister Narendra Modi’s vision of Maximum governance and minimum government.

     

    I won’t take more of your time. I hope you benefit from and contribute to the stimulating discussions that will take place over today and tomorrow. We have the potential for transformational growth. ‘Free-range parenting’ might be the key to unlock it.”

     

     

  • Viacom18 offers first SVOD OTT platform with Voot Kids

    By A Correspondent

     

    Viacom18 launched of its first subscription-based service VOOT Kids on Tuesday. Certified by Early Childhood Association (ECA), Voot Kids is built as a multi-format app for children offering some 20,000 videos, e-books, stories and quizzes amongst other things. Priced at Rs 799 for a year and Rs 99 per month with a seven-day free trial in both packages, the app is available to download on iOS and Google Playstore.

     

    Said Sudhanshu Vats, Group CEO & MD, Viacom18: “Viacom18 has grown over the years by focussing on white spaces that are challenging and yet have tremendous potential. As a network, we have been the undisputed leader in kids’ entertainment content since the past five years. Our digital play VOOT is the second largest video-on-demand platform in the country today. VOOT Kids is a synergy of these two growth stories from the house of Viacom18. Marking our sharper segmented foray into the world of subscription-based VoD, VOOT Kids is India’s first and only multi-format Kids app offering Fun & Learning. No other kids app offers Watch, Read, Listen & Learn all at one place”

     

    Added Gourav Rakshit, COO, Viacom18 Digital Ventures: “The foray into the subscription space with VOOT Kids is the first step in our journey towards building an entire digital ecosystem under brand VOOT. VOOT Kids has been built on the 3 pillars of Product Experience, Content and Safety. In VOOT Kids, we are bringing an offering that is child-friendly, yet parent focussed and gives them an opportunity to bond with an immersive co-consumption experience. Our brand philosophy of ‘Masti Mein Acchai’ reflects our mission to make screen time meaningful.”

     

    Said Saugato Bhowmik, Business Head, VOOT Kids: “VOOT Kids is a category creating product in the space of digital fun learning that caters to needs of discerning Indian parents who seek meaningful screen-time that aids in holistic development of the child’s mental, emotional and social faculties. The app has the largest and most versatile offerings in the space of toon videos, e-books, audio stories and fun quizzes that provides children with a parent-controlled, safe and entertaining content destination.” He further added, “We believe masti should never be served up without acchai and the same holds true the other way around. And this is our guiding philosophy at VOOT Kids”