Tag: Radio

  • Karisma Kapoor debuts as RJ on 92.7 Big FM’s women-targeted show Big Memsaab

    By A Correspondent

     

    Bollywood actress Karisma Kapoor will be on board with 92.7 Big FM as an RJ for its women-centric radio show Big Memsaab. Through a specially created segment, Big on Style, Ms Kapoor will play the role of a personal grooming and beauty expert who will share her fashion and style knowledge by imparting interesting beauty and style tips to listeners. The segment will air on Big Memsaab every day between 11am and 2pm across 31 stations of 92.7 Big FM beginning December 24, 2012.

     

    Speaking about her association, Karisma Kapoor said, “Having worked in movies and also television, I was extremely keen to try a new medium – hence I decided to do radio. The Indian media scenario is constantly evolving and radio is the perfect medium for me to be closer to my fans than ever before. I am very excited about my radio debut on 92.7 Big FM’s afternoon show, Big Memsaab. I am confident that my fans will continue to support me as I undertake this new journey and will enjoy the show even further.”

     

    Commenting on the launch of the new segment, Manav Dhanda, Network Programming Head, 92.7 Big FM, said, “Beauty and style are two topics which never grow old with women. We are extremely excited about presenting the ultimate style diva, Karisma Kapoor as an RJ to our listeners for the first time ever. With the show reaching  audiences across 31 stations, our association with Karisma Kapoor, who is already a household name, will enhance our reach and enable us to keep our listeners engaged.”

  • My FM announces Jiyo Dil Se Awards

    By A Correspondent

     

    India’s local FM network 94.3 My FM has announced the Jiyo Dil Se Awards to recognize and acknowledge the work of the common man in bringing about a positive difference in people’s lives in various fields. The campaign has been rolled out in My FM markets covering the seven states of Rajasthan, Punjab, Madhya Pradesh, Chhattisgarh, Maharashtra, Gujarat and Haryana. There are nine award categories: Education, Environment Conservation, Health & Sanitation, Public Service, Culture & Art, Sports, Women’s Welfare & Empowerment, Child Care & Development and Economic Development.

     

    The key criterion is that it must benefit people or a community at large and should have been done for the betterment of the society. The individuals applying for the award will be judged on various parameters like innovation in their initiatives, the impact they created, scalability and sustainability of the initiative and the challenges faced while executing the initiative. My FM has signed on Ernst & Young as the official tabulations for the Jiyo Dil Se Awards. They will be assisting My FM right through the selection criteria up to identifying winners in each category. This will be a multimedia campaign with the impact of the My FM brand property resonating across radio, print and online

     

    Speaking on the initiative, Harrish M Bhatia, CEO, 94.3 My FM, said “We are proud to announce the Jiyo Dil Se Awards as it takes further our brand’s belief that every individual, or entity should also give back to the society in which it dwells. Jiyo Dil Se Awards is an effort to recognize the individual who has showcased immense dedication and passion for a cause bringing about a difference in peoples’ lives. These awards are also is a continuation of My FM’s efforts like the Ek Koshish-Ek Rupiya Abhiyan to do good while spreading happiness to further strengthen our bond with our listeners”

     

    To apply for the award, people can log on to the My FM website www.myfmindia.com and download the form. The forms along with supporting documents will have to be sent to the My  FM offices in the respective cities in hard copy. The last date for receiving the entries is December29, 2012. The selected top entries in each category will be put for public voting and jury and listeners votes will determine the winners.

     

  • Star World to showcase Packed to the Rafters digitally ahead of TV launch next week

    By A Correspondent

     

    Star World is all set to air Packed to the Rafters for the first time in India. Packed to the Rafters’ is an Australian drama series which revolves around the story of the Rafter family, who are fighting different problems of life together.

     

    To make the show more relatable to the audience, Star World got Karan Johar as the face of its campaign. The channel launched a six week on-air campaign with him. And the channel has unleashed robust print, digital, DTH, cinema, radio and OOH campaign given the launch next week.

     

    In keeping with the growing importance of the digital platform, the channel will be hosting a Web Premiere across the Star World website (www.starworld.in/PTTR) and other social networking sites to give the viewers an experience of the show before it goes on air. Star World will be taking such initiatives up for key shows to create reach and buzz. The digital premiere will be held today (November 30) before its official launch on the channel on December 4.

     

    Subsequently, each of the episodes of the show will be available to be streamed and viewed on the Star World web and WAP platforms after it telecast on air. A tie-up with Vodafone will ensure viewers can catch up on the key moments of the show at their convenience.

     

    Commenting on the show, Rasika Tyagi, Senior VP, English Programming, Star India said, “From our Hindi and Regional GECs, one of the biggest learnings is that viewers seek life lessons from the daily soaps they watch. The issues faced by the Star World audience, the English speaking, urban Indian youth, is quite myriad and they don’t get to see shows which reflect their life on TV. Our audience will be able to resonate with the issues faced by the characters in Packed to the Rafters and emulate the way they resolve the conflicts.”

     

    Commenting on the digital catch-up service, Rasika Tyagi said, “When we go for consumer home visits, we get a reality check on how content is being viewed by the youth today. They want to watch a show at their convenience – anywhere, at any time. So, we as content providers have to gear up to share our content across platforms, on internet or on mobile.”

     

  • It’s Golden Mikes time again

    By A Correspondent

     

    92.7 Big FM, India’s No. 1 FM radio network and winner of the Golden Mikes Broadcaster of the Year Award, today announced the second edition of the Big Regional Entertainment Awards – the biggest celebration of regional entertainment in the country. Big Regional Entertainment Awards is a first-of-its-kind property which honors regional entertainers who have contributed and brought to the forefront the rich cultural heritage and diversity in India. Being organized across 7 Indian regions including Central India, Punjab, Rajasthan, Maharashtra, Andhra Pradesh, Karnataka and Tamil Nadu the Big Regional Entertainment Awards will recognize exceptional talent from across fields which include films, music, dance, theatre, sports and television.

     

    With close to 18 unique categories of awards being presented, the Big Regional Entertainment Awards are presented to entertainers who have been selected basis votes received from 92.7 Big FM listeners in the region. The Big Regional Entertainment Award will be promoted through a complete 360 degree holistic marketing campaign which includes on-ground activations, OOH, print, television, radio, and digital platforms which enable marketers to increase and maximize their brand visibility and target a wider audience base for their products while ensuring a long term presence in the market. The on ground events are scheduled to take place between December 2012 and January 2013 across all regions.

     

    Commenting on this initiative, a company spokesperson said, “The Big Regional Entertainment Awards is a unique property that celebrates and salutes the regional talent in the country. The Awards received a phenomenal response in every region last year and we are looking forward to replicating the impact while engaging more listeners. We will be deploying a more robust outreach strategy which will include further direct interaction, integration and innovations to ensure an increase in the value created for marketers.”

     

    The Big Regional Entertainment Awards promise to be a bigger and better affair this year while bringing together the biggest names and best entertainers from across genres including movies, music, dance, theatre, television and sports.

     

  • Jaldi 5 with Apurva Purohit: ‘Great networking with fantastic women’

    The lack of networking is also seen by women themselves as one of the top three impediments in their progress. Leading radio station netword Radio City decided to make building connections between women easier by launching a forum where the women can all come and spend time with one another. Apurva Purohit, CEO, Radio City 91.1 FM explains the rationale of starting ‘Women at Work’.

     

    01. Do tell us more on Women at Work all about?

    Women at Work is a platform where women from all walks of life can come together and optimize their networking time to further their professional and personal growth. It is a networking forum where the members use the platform to connect and explore possible opportunities related to their profession/ business.

     

    02. And how did Radio City get down to developing this forum?

    As an organization, Radio City has quite a few women leaders, who fulfil their responsibilities equally or sometimes better than their counterparts. While it is a fact that men have several occasions to interact with each other through formal or informal networks, women don’t have such opportunities. Whilst multi-tasking with their responsibilities at work and at home, there is no room left for after-office networking. Women also often do not find a support group to seek solutions to their problems or enough networking opportunities to excel professionally. The senior women at Radio City thus decided to create an opportunity for women to interact and this was in fact the driving factor behind developing this online forum.

     

    03. How many forums is ‘Women at Work’ planning to hold, and in which cities?

    Our first on-the-ground networking session was held in Mumbai a few months ago and witnessed participation from nearly 100 women. It was amazing to experience the energy it created, through re-forging old connections and building new ones. Many women who attended the forum shared intimate parts of their lives with each other, and this turn helped them forge important relations. The next on-ground forum is being held in Delhi on December 1, and we are looking forward to some great networking with some more fantastic women. Though we are all virtually connected with each other, we plan to conduct one such on-ground meeting in different cities once every quarter.

     

    04. So how many women have become members of Women at Work?

    The forum has more than 800 users from across the globe and many more joining in daily. In fact, we have started receiving proposals from like-minded women from the US to start an international chapter too.

     

    05. What can one expect from the Women at Work forum?

    Apart from building connections, the members of the forum can look forward to sharing successes and learnings from each other. The forum has been created with the motive of building a bridge, an umbrella where working women across different cross sections can come together and talk about anything related to our work lives – from bad bosses to office spouses, from stilettos to mojitos, from babies to boyfriends!

     

    Interviewed by Ananya Saha

     

  • BIG FM’s Total Quartz Safety Month concludes

    By A Correspondent

     

    The month-long safety campaign ‘Total Quartz Safety Month’ – a joint initiative from 92.7 Big FM and Total Oil India, comes to a close with the very successful Total Quartz Safety Run across 21 cities of India. Garnering an outstanding response, the campaign reached out to 2 crore+ audiences across the 21 station powerful radio network of 92.7 Big FM. For the run itself, each city saw excellent local support from local traffic authorities, celebrities, NGOs and the local populace seeing over 30,000 people from across the country taking to the streets in support of this campaign. With an appropriate cause, superlative reach and mammoth support, the Total Quartz Safety Run is by far one of the most successful radio campaigns.

     

    With over 50 NGOs ranging Lions Club, Rotaract Clubs, Alert, SoS Care India, Yuva, CareForYou Foundation, Humanitarian Welfare and Research Foundation and NCC, and some of society’s well known faces like singers Sophie Choudhary and Shilajit, actors Hrishita Bhatt, Payal Rohatgi, Ramya Barna, Chirag Patil, Shekhar Singh and Sufi Sayyed, wrestler Sangram Singh, and sportsmen Raju Ganguly and Shanku Guha, along with the top notches in traffic authorities, the month long event has managed to successfully create awareness for the extremely serious cause of safe driving habits. With topics which ranged from dangers of drunken driving to talking on the cell phone when driving, to wearing the seat belts, safe driving tips and more, the response on air was overwhelming, with opinions pouring in from celebrities, experts, people who have been involved in drunk driving cases to just people who had a story to tell.

     

    Speaking about the Total Quartz Safety Run, a 92.7 Big FM spokesperson said, “This is yet another step in our endeavour of positively impacting the lives of listeners. We are extremely happy with the results of this mammoth exercise, across 21 cities of India and the difference which we have been able to create along with our partners Total Oil India. The response from authorities, NGOs, dignitaries, celebrities and the local populace in each of the cities has been overwhelming and extremely encouraging. Through this and each of our other initiatives, we continue to live our brand line Suno Sunao Life Banao.”

     

    Elaborating further, Mr B Vijay Kumar, Chairman & Managing Director, Total Oil India Pvt. Ltd. said, “Being in the business of manufacturing products which help keep your vehicle safe, we emphasise o the importance of road safety. Driving or riding a vehicle on the road is a responsibility and should be taken very seriously. We are happy with the results of the campaign and are happy to have partnered 92.7 BIG FM in this cause.”

     

  • The Anchor: Why Web Radio will be the next big thing

    By Rachna Kanwar

     

    Digital music consumption: As music consumption on digital media crosses any other medium, web radio will gain massively from the trend. More and more people will turn towards web radio for music that has been curated by radio and music experts and saves them the hassle of searching for it. Web Radio equals uninterrupted music experience online.

     

    Music discovery: Bollywood wary music lovers are looking for alternate sounds of music. On the net they can find this diversity, as there is no paucity of space. You are not restricted by genres or languages and can enjoy music be it Indie, Devotional, Ghazals or English. You’ll get your choice of music. Web Radio is and will become an essential medium of music discovery.

     

    Artists endorsed: Newer artists are waiting to be ‘discovered’ on Web Radio. They are no longer struggling to get their music heard as Web Radio is providing a readymade platform that promotes new music and sounds. For the artist community, it will become a big draw.

     

    Ease of access: There is a huge jump in web radio listenership at the workplace People are tuned into web radio at work as a background medium and apart from getting what they want they love the convenience.

     

    Reach:  As Internet literacy spreads outside the big cities and towns, there is a growing trend of web radio listenership from small towns where entertainment options are limited. As web radio is not limited by boundaries, it will grow into a preferred mode of entertainment for an Internet savvy listener. And the pull of nostalgia will bring the NRIs.

     

    Engagement: The level of engagement through RJ-driven shows will maximize the scope of the medium. It will provide the much-needed boost to the Internet revenues through the opportunities that arise from live interactions of the listener and the RJs.

     

    Rachna Kanwar is SVP and Head, Digital Media and New Business, Radio City

     

  • Is there a market for radio plays and other non-Bollywood radio content?

    By Robin Thomas

     

    Tune into any radio station, chances are you would be listening to some offbeat programmes. Take for instance Big FM’s storytelling show – ‘Yaadon Ka Idiot Box with Neelesh Mishra’ which is already in its second season. What is even more interesting is the fact that it is aired during the primetime 9pm to 11pm, Monday through Friday. After the success of Ramayana, Fever FM launched a new radio play, Gandhi beginning March this year. Radio City only recently introduced ‘Freedom Hour’, a programme which plays only Indie music and aired every Saturday from 5 pm to 6pm across its 20 stations. These are just a few examples, even smaller stations like Radio Choklate and Tomato FM have been airing radio plays and other non-bollywood, non- music contents. While content on FM radio has been evolving ever since its existence, the question is whether the listener is listening to them or is there no scope for these contents on radio?

     

    According to Harshad Jain, Business Head, Radio and Entertainment – HT Media Ltd, the listener’s choice has been changing with the evolution of the radio industry. The radio industry is showing early signs of programming content that is beyond music. “Yes there is a market for non music / non Bollywood content in the FM radio space. Music has become a leveler for FM operators. The on-air treatment done through non- music based programming element like audio drama, sports, festival specials, are contents that differentiates any brand and Fever 104 FM is arguably the only station that has built a strong emotional connect with its listeners through these initiatives. Purely from an advertisers standpoint non-music content aims towards driving engagement and high interactivity.”

     

    Kartik Kalla, National Programming Head, Radio City believes that differentiating music is the need of the hour. “Music constitutes almost 75 per cent of the total airtime and hence it is the most important feature in programming. We have recently introduced ‘Freedom Hour’ on Saturdays between 5-6pm across all our 20 stations. This is an extension of the music that is played on ‘Freedom Radio’ on PlanetRadiocity.com. The listeners enjoy refreshing music which is a welcome change from the regular Bollywood music that’s played.”

     

    Besides playing Oriya music, every Sunday evening Radio Choklate is also said to air opera or plays called ‘Choklate Rangamancha’. Radio Choklate also airs a weekly interactive show wherein, letters from listeners are read out on- air and their questions answered. Monica Nayyar Patnaik, Joint Managing Director at Eastern Media Ltd was of the opinion that radio programming has been constantly evolving over the years. Earlier FM stations would play only songs, then they emphasized more on RJ talk, then they went onto non- stop music and so on. The response from listeners, particularly for offbeat radio programmes like radio plays have been very good, it also affirms that there is a market for non-music contents.

     

    R Venkata Subramanian, Senior Director-Investments, MPG India pointed out that while non music or non Bollywood programmes create differentiation, a listener however mainly tunes into radio for music. I believe that these shows will be able to build their properties for a longer period of time only when they are associated with brands. In addition to these, radio programmes also need to be more interactive and engaging which would click with the listeners.

     

    Industry players are of the opinion that while content in radio has been constantly evolving on radio, there is a market for non- music and non- Bollywood radio programmes, but it must be highly interactive and engaging with its listeners. Despite government restrictions, FM radio has been constantly finding newer ways to engage and interact with its listeners. FM Phase III rollout is expected to witness further innovation and differentiation in radio programming, especially with multiple frequencies which is expected to introduce new genres of FM radio.

     

  • MxM Mondays: Is Radio perceived as a poor cousin to Print & TV?

     

    By Ananya Saha and Robin Thomas

     

    The onslaught of FM radio came as a breath of fresh air for listeners in India by the late nineties, and the success of FM Phase II launch further fuelled the FM growth story. According to industry estimates, radio’s overall advertising pie is around 4.5 per cent, and this is expected to growth even further with the FM Phase III launch. The medium promises reach, greater recall and marketing solutions that are cost-effective. With FM Phase III also expected to roll out soon, the radio industry gears up for another phase of growth which may see newer genres coming into play, differentiation in content, news, sports broadcasting and so on. However, despite these developments, why is radio perceived as a poor cousin to its traditional counterparts, particularly print and television? How do FM players, media planners and the advertisers view the medium?

    Comments in alphabetical order of last names

    What the radio industry has to say:

     

    Harrish M Bhatia

    Harrish M Bhatia, CEO, 94.3 MY FM:

    It is highly unfair to compare radio to print or television considering the policies associated with each medium and the length of time that the media have existed in the private sector. Restrictive governing policies have not allowed radio to diversify its product offering and showcase its true potential as a people’s medium. The private radio industry is still nascent and hasn’t been given the autonomy that television, or even for that matter online media, has enjoyed. Internationally, where markets are more evolved, radio enjoys about 8-10 percent of the advertising pie. Secondly, there is a lack of credible measurement systems to back the potential of radio. While dealing with the issues like long delays in Phase III implementation, music royalties and insufficient measurement tools, the radio industry has barely managed to consolidate resources and sustain itself. What is needed now is a strong mutual focus on solving these issues, hard-selling the medium and moving head-on into the third phase.

     

    Although it still does not address certain issues, Phase III should help open up the market for players to expand to newer markets and increase their radio footprint. What will be interesting to see is the change in dynamics that will come into play on account of the large number of non-metro stations that come up in the third phase, bringing radio on par with media like television. Advertisers will be able to benefit from this growth, leading to increased revenue potentials for radio. Moreover, with growth expected from smaller markets, the spends by national advertisers in these markets will also grow as no other medium offers reach like radio, in the fastest possible time, addressing challenges in a particular market and in their local language.

     

    Media spends by advertisers are not proportionately allocated to radio even though it has outgrown other media in time spent. As per the recent RAM research conducted in the four markets of Jaipur, Ahmedabad, Nagpur and Indore, average time spent listening to radio is 160 minutes as compared to IRS figures of 107 minutes watching TV, 85 minutes reading the newspaper and 30 minutes on the internet. If properly planned and used innovatively, the radio can do wonders for a particular brand. Hence, there is a need for enhancing the medium further to highlight its mammoth reach and effectiveness, which is what the radio industry as a whole should strive to do. Furthermore, radio needs to be bought on the strength or merit in particular target geography instead of as a network. Having said this, creative selling of radio has allowed greater inroads for some brands, especially in Tier II and Tier III markets, which are rapidly expanding.  Some of the key reasons have been the unique strengths of radio like customized communication to address local market needs, and ‘radio properties’ that contribute significantly in brand building.

     

    Sanjay Hemady

    Sanjay Hemady, Chief Operating Officer, HIT 95 FM,

    FM Radio is young, it has been evolving for 10 years and growing, adding value every single day to the listener and advertiser, its vast, extensive and unparalleled reach undoubtedly will take longer. Other mediums have taken long to establish, why should we compare with traditional mediums when there is no race, there is so much to achieve as a standalone medium. Radio broadcasters have been working towards creating their own territory, convincing clients, brands. The broadcaster is learning with day-to-day experience to give its best, by listening to the listener, by changing formats as necessary, positioning it differently, etc… it will take its own course, the time will come. We love objections and we solve them meaningfully.

     

    Expansion to newer markets will mean a bigger reach, we will get to entertain far more listeners than today, new formats will come in, fresh new talent gets identified, more jobs will get created, more brands will add radio as a definite medium. Give it some time, FM Phase III will subsequently open up a bigger offering for brands to reach out to more consumers.

     

    The top evolved brands across all mediums are convinced with radio, they have been consistently advertising since FM got privatized. Radio is a reminder medium, it scores on immediacy, it is about consistency and brands who have believed in the future of this medium have benefitted immensely. Brands who have worked closely to understand this medium and used it effectively are a happy partner. Going forward a collaborative approach will add more to this growth, and other extended avenues like Mobile Radio, Internet Radio, Radio Activation will also add revenue.

     

    Prashant Panday

    Prashant Panday, CEO and Executive Director, ENIL (Radio Mirchi):

    I disagree that it is a poor cousin of the other media! Each medium has its own relative size and one has to keep that in mind. A 48-kg lightweight boxer gets the same Gold medal in the Olympics as the 85-kg heavyweight winner gets! They are separate media and should not be compared. However, what is indeed correct is that even radio’s natural share has not yet been achieved. Worldwide, the share of radio is 8.5 percent, and this is just the average. In the countries where radio has developed well (US, NZ, Sri Lanka etc), radio’s overall advertising share is 12-13 percent. In India, radio’s advertising share is just 4.5 percent and the reason for this is that the government has simply not released enough frequencies. The share of radio will increase if 400 Khz separation is adopted by the Government as recommended by TRAI. That will increase supplies to 18-20 private channels per city.

     

    FM Phase 3 will only increase share from 4.5 per cent to 6 per cent or so. If we want to go to 8 percent or more, we have to release more spectrum in the major markets.

     

    Radio has become a “core” medium now. Every advertiser uses radio and they use it all the time. In fact, radio pricing is also quite strong. Did you know that Radio Mirchi is in the top 10 electronic media brands in the country after Star Plus, Zee, Colors, Sony, DD, Sun TV, 1-2 sports TV channels… It’s bigger than all music channels, all news channels, all regional channels, and all movie channels!

     

    Suresh Sanyasi

    Suresh Sanyasi, National Sales Director, Radio Indigo

    Yes, people consider radio a poor cousin. This has happened because of the endurance power of the medium. The people who do not understand the potential of the medium, cannot do much for it. Radio is and will remain a traditional mass medium. Radio works differently in different areas. Unlike television, this medium takes the demographic and area listenership into consideration. Radio as an advertising medium is harnessed largely by the retail sector and their ad spends on this medium is increasing. The medium provides immediate ROI, and is measurable.

     

    Regulatory issues are hampering the content creation on this medium. News and features get immediate audience. Once the regulations are eased, listenership might also increase.

     

     

    B Surender

    B Surender, Senior Vice President and National Sales Head, Red FM

    It is unfair to compare the growth and size of FM radio industry on equal terms with the print and television media here in India. To start with , FM radio was launched extremely late in India around 2002 with steep licence fees,  restriction on genres, frequencies, etc  making the business virtually unviable till the year 2005. It is only after phase two expansion with some policy corrections around 2005-06 that the industry started taking off. It has already grabbed an impressive 4.5 percent share of the media pie in India. If the Government frees FM radio further from its shackles through its phase three policies, one can expect terrific momentum in its growth.

     

    In my opinion, the  biggest roadblock for the industry’s progress currently is the most unreasonable restriction on entering newer genres like news and current affairs, live sports etc,  clubbed with issuing of multiple frequencies within a city. If the television industry was given the freedom to operate in these genres inspite of it being visually enabled, why not the FM radio industry?

     

    Phase three means a lot to our industry as it’ll considerably improve geographical coverage and reach, and enable content differentiation, to a reasonable extent, thanks to the provision for existing radio players to acquire multiple frequencies in the same city. It will consequently attract more categories of advertisers locally as well as nationally and more importantly, increase the depth of consumption of those advertising already. This in turn should take its share of the ad pie up to 7-8 percent. If they free up the news and current affairs genre, which is considered the second biggest genre on radio, properly, then the share of radio can potentially touch double digits over the next few years.

     

    The key word is ‘evangelising’. Industry players need to take up the task of promoting the enormous benefits of this amazing medium in such a manner that advertisers get a more holistic understanding. In India, listeners have lapped up the medium wholeheartedly across age groups. There is a clear case for radio players to pool their precious resources and launch a RAB (Radio Advertising Bureau) kind of initiative in India on the same lines as USA, UK, South Africa, etc to evangelise the medium among advertisers and ensure a substantial share of value in their minds.

     

    What advertisers and media agencies have to say:

     

    Anwesh Bose

    Anwesh Bose, Senior Vice President, DDB MudraMax

    The answer lies in the question itself. The argument today is why radio is the poor cousin. The entire eco-system of communication that is advertisers, agencies and the media owners are to blame for the condescending perception regarding the medium in our country. Before we answer the “why” we need to know the ‘what’s.

     

    The knowledge gap: most of the ‘professionals’ in the communication eco-system are not aware of the number of radio stations that exist in this country and a handful of them have ever seen a physical copy of the AIR rate card. An interesting fact is that the geographical coverage of radio is higher than that of any medium in this country and very few are aware of it.

     

    The information gap: Unlike TV and print, radio has very little data to prove its effectiveness and efficiency. In the times that we live in, most of the communication planners are data clerks; therefore for them radio is nothing but a ‘cheap’ medium that is local and low in reach therefore it is an option not an important component of a media plan.

     

    The perception gap: due to the lack of knowledge and information, the perception regarding the medium is dilute. Dilute perceptions lead to misplaced notions. The radio media owners have themselves done a lot of dis-service as well. There is an identity crisis among the radio brands because all of them are busy copying each other, as a result of which everyone is a ‘me-too’. Add to it the fact that it is a medium that has a one-time entry cost and no recurring costs, therefore the complete dependence on advertising revenues for sustenance. Anything that is ‘free’ is not valued.

     

    The ‘why’ will remain ‘why’ unless the ‘what’s are rectified. I would like to conclude by saying that it is imperative that the glaring gaps are closed and it is up to the stakeholders to do their bit. It calls for thought leadership – are we up to it?

     

    Abdul Khan

    Abdul Khan, Senior VP, Tata Teleservices

    I think poor cousin is an unfortunate phrase to be used for this medium. The current share of advertising pie that radio gets is about four percent. And, we only have ourselves are to blame for this. The problem is that the mode of distribution (airwaves) has been confused with medium. There exists woeful situation of lack of innovation, programming and talent in this industry. Radio is not in sync with the youth of the country, which is the biggest drawback given that youth is the TG for every other medium.

     

    The last remarkable property that one remembers on radio was Binaca Geet Mala. And radio now beams music when there lay enormous possibilities when it comes to programming. There is an enormous opportunity of delivering creativity through audio waves.

     

    Radio currently is not offering genuine value. Except for radio forums where issues and solution are discussed, there seems no sense of urgency from within the industry and the ecosystem. Even the discussions do not lead to reforms.

     

    Government regulation is not responsible for this situation. Yes, there have been regulations but other mediums also face regulations. What the ecosystem needs to understand is the fact that radio as a medium has enormous possibilities.

     

    Vivek Srivastava, Joint MD, Innocean Worldwide

    The perception of radio varies according to the advertiser’s profile. For the local advertisers, like retailers and jewellers, radio is a high-performance medium and a primary advertising medium at times. But for national and established advertisers, radio suffers from an image problem.

     

    Radio has been traditionally typecast as a low-preference medium. It has been treated as a transit medium, a medium that people listen to while they are driving or travelling. People believe that even with listeners accessing radio through their mobile phones, the listenership is actually percolating down.

     

    What is also hampering the growth of the medium is the fact that radio is a victim of current circumstances. There is hardly any money put in when it comes to producing for radio, even when huge budgets are allocated for production in print and television. Yes, we do see flashes of brilliance on this medium as well but it is only far and between. The whole ecosystem is responsible and should act towards making this medium more rich.

     

     

    Sanjay Tripathy

    Sanjay Tripathy, Executive Vice President-Head Marketing and Direct Channels, HDFC Life

    Radio is considered a very topical medium and advertisers can customize messages to geographies and city. While there is a great amount of flexibility that the medium offers but there are certain issues that the medium has:

     

    1. There is no channel or programming loyalty by consumers – Consumers listen to songs and not so much to content.

     

    2. It is still a medium (in larger cities) which is heard while concentrating on doing something else ie driving, cooking, etc. Therefore it becomes a medium that is on the background and not so much a primary entertainment medium as television.

     

    3. Radio Channel software ie Radio Jockeys have not been able to build loyalty with the consumers / listeners.

     

    Therefore, radio has become a support media to television or print, and is primarily used as a reminder medium.

     

    Radio industry is using qualitative / quantitative researches to convince marketers/advertisers but these are researches done by radio channels independently and marketers do not get a third party verified data.

     

    RAM, the measurement system for radio is not considered to be a credible system.
    Few of the reasons are:

    • Diary- entry method- whereby a selected person, maintains a diary of radio stations tuned into.
    • Coverage of just 13 cities including 4 metros.
    • Small sample size of 480 is used in metros to measure the effectiveness.

    Thus, advertisers and radio industry are concerned about accuracy, authenticity and relevance of RAM’s ratings. In my view, in order to be an efficient system, RAM must have higher sample sizes that are statistically significant, transparency in processes and electronic gathering of data.

     

  • Anurradha Prasad re-elected AROI president for 2nd term

    By A Correspondent

     

    Anurradha Prasad

    The AROI (Associations of Radio Operators for India) has re-elected Ms Anurradha Prasad as its President for the second consecutive term. Ms Prasad was re-elected unopposed at the Governing Body Meeting of the AROI held earlier this week.

     

    Talking to MxMIndia about her immediate plans as President AROI, Ms Prasad said her basic agenda would be about brand building for the radio industry. “Radio in India is one medium that has been completely ignored,” she noted. The third phase of FM radio which is expected to kick-start shortly will also be among her key focus areas and part of her agenda. She further stated, “I will endeavour to placing the radio industry on the correct roadmap of the advertising world. We must evangelise and educate the advertisers about the benefits of using radio as a medium and how they can effectively reach out to their consumers.” Ms Prasad is also the Chairperson cum Managing Director, B.A.G Network.

     

    In addition to this development, AROI has also created four initiatives for further enhancing the future growth of the Indian radio industry.

     

    The ‘Self Regulation and Content Complaint Redressal’ initiative will be led by Apurva Purohit, CEO, Radio City.

     

    The second initiative which deals with the ‘Measurement System’ will be led by Tarun Katial, CEO, Reliance Broadcast Network.

     

    ‘Brand Building’ of the radio industry will be jointly led by Harrish Bhatia, CEO, MY FM and Harshad Jain, Business Head, Fever 104 FM.

     

    Prashant Panday, CEO and Executive Director, ENIL (Radio Mirchi) will be leading the setting up of ‘Outstanding Policy Initiative and Control Agency Accreditation’.

     

    AROI will also be forming an initiative which deals with the ‘Copyright and Music Royalty’ issues. This initiative is to be led by Rahul Gupta, Director, Radio Mantra.

     

  • The Anchor: 5 ways a radio station can attract more listeners

    By Rochak Kohli

     

    #1 Be Here And Now – Topicality is the key to listenership. Radio is a here-and-now medium and one must stay true to its basic nature.

     

    #2 Entertain – Radio should act as best friend to the listeners. Entertainment doesn’t mean being frivolous… Radio should be meaningful entertainment. It should inspire listeners.

     

    #3 Utility Heavy – Regular utilities make listeners habituated to your station. They match their clocks with you, follow the roads as you say. Utilities are the easiest way of making radio part of the listener’s lives.

     

    #4 Interact – Listeners always feel special when they hear their voice on the radio. They feel heard, and believe that they are also a part of the system. An opinion, a dedication, a debate will make them stay tuned.

     

    #5 Innovate Constantly – Innovation always helps you remain fresh. It’s simpler to innovate in radio, as execution of an idea is instant. New benchmarks, surprise songs and new formats will make you the favourite.

     

    Rochak Kohli is AVP Programming at 92.7 BIG FM.

     

  • Paritosh Joshi: Everything I had to know, I heard it on my radio

    By Paritosh Joshi

     

    Three times this last week, radio has crept into my conversations, with three quite different people. Let me cite just one. We were talking about our preferences between playing music from our CD collection and dialing up a radio station. My guest was enthusiastic in his approbation for the radio, for a very simple reason too. “When you play music from your collection, you always know what’s coming up next,” he said, adding: “and what makes radio fun is it’s an endlessly unfolding sequence of surprises.”

     

    To which I would add that there is something rather relaxing about leaving the hard work of choosing what plays next to someone else, indeed someone else who is specialized in the art and craft of assembling and running through playlists.

     

    Got me thinking about radio, so it was the obvious next step to check out what the industry association offered up. Wasn’t hard to locate the website of the Association of Radio Operators for India (AROI). Promptly went there to discover – well, not a lot. Had to get something on the industry and thankfully, the good people at KPMG and FICCI had the latest “Indian Media & Entertainment Industry Report” available for download, which I swiftly proceeded to do. Here’s what I found.

     

    The Radio industry in 2012 is worth a mere Rs13 billion, ~ US $ 240 million and represents a mere 1.6 per cent of the overall industry of Rs 823 billion, ~ US $ 15 billion.

     

    In five years, it is projected to grow to Rs 29 billion, still just ~ US 540 million but representing a slightly more respectable 2 per cent of the overall pie. Evidently, this will require it to grow faster than the overall pace, which it is projected to do, clipping along at a 21 per cent CAGR even as the overall number doesn’t quite get to a 15 per cent CAGR.

     

    Dig deeper and you will find that a lot of the enthusiasm stems from FM Radio Phase III which will introduce private FM to as many as 227 new towns. So that is all it takes to make radio exciting, is it?

     

    Let’s take a look elsewhere and find out what radio is really about. A good place to start is any of these: Last.fm, “tunein.com” Radio or “shoutcast.com” Radio Directory. All of them are aggregators, like the portals of yore in some ways, which offer you an endless variety of radio stations from across the planet. An important aspect of what is on offer is the range of ‘genres’ by which the stations are classified. Here’s a list of the genres under the broad category, ‘Music’ on TuneIn:

     

     

    Adult Contemporary Country Hip Hop Rock Top 40-Pop
    Blues Decades Jazz Soul World
    Classical Easy Listening Oldies Spanish
    College Electronic-Dance Religious Specialty

     

     

    Just in case you might think this was a bewildering choice, I have news for you. ‘Sports’ offers a choice of 21 genres, including, trust me, ‘Fantasy League’.

     

    The point I’m making is quite simple really. Radio is all about precise choices and tightly defined audiences. Stations have an unapologetic and uncompromising commitment to their audiences and are only able to attract them because they stick to playlists that reflect the choices of their highly differentiated audience.

     

    What does the picture look like inIndia? Our earliest templates from what radio stations must sound like came from Akashvani, the one channel that catered to our teeming millions long before the brash youngsters arrived on the scene with FM Phase I.

     

    Akashvani was the ‘one size fits all’ / ‘any colour so long as it is black” radio station. From programming in two, even three, languages to carrying everything from mythologicals through adventure serials (anyone remember Inspector Eagle here?), to the News and various topical features, radio did everything – catered, as it were, to the lowest common denominator.

     

    Look at where we are now. Barring one station that chooses to play a purely Western playlist, all our major metros run a whole bunch of stations whose content is largely interchangeable, mainly because their music and even anchoring style – chatty, hip youngsters doing their clever, irreverent thing, are right out of a cookie cutter.

     

    Now before I get flamed out by radio folks pointing to the compulsions of recouping sizable licence costs, I must beg forgiveness and hide behind the defence of ignorance. What I do know, however, is this cannot possibly be the best way for radio to go forward.

     

    Radio must target tightly and then programme obsessively to that chosen audience. “Let me be just like everyone else” is not good marketing in any category, least of all radio. Keep in mind that radio will shift away from airwave frequencies to the Internet. That’s when the same-same (known, I believe, as Adult Contemporary) content will die anyway.

     

    I began by invoking Queen’s Radio Gaga and can’t help but quoting again from the same, wonderful song at the end.

     

    “You’ve yet to have your finest hour Radio – radio”

     

    Paritosh Joshi was until recently CEO, Star CJ. He has been a marketer, a mediaperson and a key officebearer on industry bodies. He is Strategic Advisor, Ormax Media. He can reached via his Twitter handle @paritoshZero