Tag: McCann Worldgroup India

  • Alpenliebe Gold celebrates joyful moments in latest brand campaign

    By A Correspondent

     

    Alpenliebe Gold, the candy brand of Perfetti Van Melle India has launched a new communication campaign – chhoti chhoti khushiyon ke liye. The new campaign is based on the insight that within families there are always small moments of joy in everyday life, and celebrating these moments not only enhances the joy, but also helps deepen bonds. Alpenliebe has been built as a family brand and encourages consumers to celebrate these small joys of life with the candy they love.

     

    The commercial opens with two brothers playing cricket with their grandfather sitting nearby. One of the brother hits a shot that breaks the TV antenna. Fear grips the two brothers as their father angrily storms outside to investigate why his TV feed has been interrupted. But the kids are saved by the sudden appearance of a monkey, causing the father to mistakenly blame the monkey and not his bat wielding kids. This unexpected relief calls for a celebration amongst the kids and their granddad. And how better to celebrate than with Alpenliebe?

     

    The new campaign will be supported on television and digital platform.

     

    Commenting on the campaign, Mandar Keskar, Associate Category Director, Perfetti Van Melle India, said “The new campaign is based on a strong and relevant insight. Brand Alpenliebe has a strong right to play in this space – delicious little treat, universally affordable and loved”

     

    Kapil Batra, Executive Creative Director of McCann Worldgroup India added, “Once we zeroed in on the space the challenge was to create an engaging story that not only brings this thought alive but also connects with kids. I am confident this communication achieves the objective”

     

  • ‘We had a great idea, but we had a better client’

     

    Rajdeepak Das, CCO, The Leo Group India

     

    Grand Effie is huge… what does this win mean to you?

    We had an idea but we had a better client. The client had a vision on marketing team, Rajiv Bajaj and everyone bettered the vision. Not every time in your life you create a brand from an iconic historic thing from Ground Zero and make it one of the biggest brands in the country. A brand which is going to be $5million brand. I think it’s close to my client. People have ideas but it’s the client who give she to those ideas. So cheers to the client, Sumit, Saumya, Rajiv, Eric and everyone. It’s a massive team behind the client. We are just the creative team, you think we are glamorous but there is a massive team behind this that has made it happen. It’s (Grand Effie trophy) is black because it has gone through a massive amount of fire to be black.

     

    Did you think the client would accept your (Bajaj V) idea?

    In Burnett, we believe in one thing: human kind. Every piece of work that comes out is human kind. We don’t believe if it’s not human kind we are going to sell it, when you have human kind we make sure people buy it and thats what we did.

     

    This year Leo Burnett has done very well on the back on Bajaj V and HDFC Life. You are Agency #5 which is a dramatic leap from last year. What do you attribute the success of this to?

    As an agency we are one of the youngest agency in the country. If you look at my team, the people who work on it, have one goal in life, do the best piece of work for client and believe in one thing, human kind.

     

    And you are one of the youngest CCOs in the country!

    A CCO is as good as the team you work with. Guys like Projo, Kevin, Sachin and there are 750 creatives people in the agency that make what we are.

     

    Jitender Dabas, Chief Strategy Officer – McCann Worldgroup India

     

    McCann did very well this year compared to the last few years. You had some great work. Your views on the overall performance of the agency?

    Very happy because as you rightly said we had some big campaigns which were very dear to us and not just in terms of the work you saw on Maggi which brought the brand back from dead but even on behaviour change campaigns like the one on open defecation because that gives a special joy because then you are working towards trying to change behaviour of Indians and I do believe that the kind of work you do for behaviour change, that’s the real work because that is not just selling products but actually moving a nation towards newer habits. So I am particularly proud of that and if you look at our other clients that have won like IDFC which is a completely new entrant. We won Effie for Dabur Odomos, again a fairly big campaign in terms of trying to change people’s behaviour and to fight dengue. Nescafe again is a campaign that we have always loved and built a campaign over years. Yes, of course, there we other misses, we thought Dettol and Paytm campaigns which we were very proud of.

     

    Regrets on not winning the grand Effie for Maggi or Dettol?

    Well, if we are competing there should always be regrets because that will bring you back much stronger. Yes, I did expect that both Dettol and Maggi were massive campaigns and the results are quite evident but it’s the jury’s prerogative to decide what deserves the award.

     

    You were in three figures this year, one of your best performance ever in the Effies over the last 16 years. How do you ensure you get to #1 next year?

    We have the breadth of brands. We have big brands right from global clients like Nestle, Coca-Cola, General Motors, Perfetti and there are Indian biggies like Britannia, which are currently under presented in the list we have. So what it takes is to focus more on producing good work.

     

    Your takeouts from the awardwinners this year?

    Lowe are worthy and deserving winners of this year. They have a spread of work which is just not concentrated on certain brands but across the brands. Also, a lot of work that is not just about the brand but impacting stuff outside the brand, changing what the society does, having a point of view on the society. Lowe has always done excellent work around that.

     

    Bajaj again a big idea and not the conventional way you look at a brand campaign or advertising. What I am happy about is that the kind of work which is winning is not straightforward work though from a pure planner perspective, Effies were about what moves the needles on sales. That’s something I would love to perhaps bring the focus back more on that but because the ideas are bigger they are winning but bringing it back to the needle of saying simple work that really increases market share even if it is one poster or a film should also get rewarded.

     

  • Sabyasachi ‘Zap’ Sengupta joins McCann as National Chief of Films & Content

    By A Correspondent

     

    Sabyasachi Sengupta

    Zap or Sabyasachi Sengupta is set to join McCann Worldgroup India as National Chief of Films and Content. Working from McCann Delhi he will have a national responsibility.

     

    Said Prasoon Joshi CEO & CCO McCann India and Chairman Asia Pacific: “Zap is from a rare breed of professionals who have integrity and unmatchable work ethic. He’s an exceptional creative mind and has also explored multiple disciplines of Advertising. He will add another dimension to McCann’s client offerings especially in today’s complex media world where the need for such layered talent is high.

     

    Zap began his career in Delhi two decades back, working at agencies like JWT and O&M and created some popular work like Pepsi – Nothing official about it, Adidas, Kit Kat – Have a break, Seagram’s -100 Pipers etc. As an independent adfilm-maker, he has produced work for brands such as Nescafe, Saffola, Vaseline, Maggi, Bajaj, Caratlane, Stayfree etc.

     

    Zap who will be onboard with McCann from July 2016 expressed his excitement for this new chapter, saying: “Films are the most powerful narratives of the contemporary world, and McCann has acquired a creative edge with its own unique signature. I look forward to further stimulating, synchronising and streamlining the whole process within an expanded McCann framework.”

     

  • McCann looks to lead from the front at Goafest

    By A Correspondent

     

    McCann WorldGroup India has shared their plans for upcoming Goa Advertising festival.

     

    Confirming their presence at the Festival Prasoon Joshi Chairman Asia Pacific & CEO McCann India said, “We will send symbolic token entries to honor the festival in all the categories but our delegates will participate and attend the fest in large numbers.

     

    We believe that genuine efforts have been made by the organizers this year to overcome the shortcomings and we also want to partner them in this journey.  Positively in the future we will see the festival touching newer heights.”

     

    McCann has been No.1 most awarded agency in India for last three years (International Gunn report), McCann also garnered India its first D&AD Gold pencil this year. Another feather in McCann’ cap came when Happydent was declared as one of the Top 20 ads done in world in the last century (Gunn report).

     

    Prasoon further added, “We take immense pride in our creative product, decision of participation in award shows is collectively taken by our global/local creative councils. We wish GoaFest the very best.”​

     

  • Govind Pandey to join TBWA\India as CEO

    By A Correspondent

     

    Govind Pandey

    Govind Pandey, who was COO of McCann Worldgroup India until recently, will be the new CEO of TBWA\India.

     

    Pandey, who has had a 13-odd-year run at McCann was earlier with Ogilvy & Mather, JWT/Contract and Lowe after a PDGDM from IIM Bangalore.

     

    TBWA Group India has been helmed by Vineet Bajpai since early last year when Shiv Sethuraman quit the agency.

     

    Meanwhile, McCann is said to be making a senior hire to fill in the vacancy after Pandey has left.

     

  • McCann wins 11 awards at Adfest 2014

    By A Correspondent

     

    McCann Worldgroup India, Mumbai won 11 awards at Adfest 2014 which concluded last week in Thailand.

     

    Said Jimmy Lam, President of Adfest: Adfest, says: “This year’s Lotus winners raise the bar for the industry and are indicative of the trends to come. Over the last three days, Adfest 2014 welcomed the region’s brightest creative talent to this year’s festival – creatives who will now go on to ‘Co-Create the Future’ together.”  This year, 1,095 delegates from 53 cities attended the fest.

     

    Mumbai agencies sent 314 entries, next only to 712 entries from Tokyo.

    Winners’ Tally:

    Dentsu Inc., Tokyo 27 Awards
    Leo Burnett, Sydney 19 Awards
    Hakuhodo Inc., Tokyo 16 Awards
    McCann Worldgroup India, Mumbai 11 Awards
    Ace Saatchi & Saatchi, Manila 7 Awards

     

    Top 5 Award By City

    Tokyo 84 Awards
    Sydney 36 Awards
    Bangkok 35 Awards
    Mumbai 24 Awards
    Singapore 13 Awards

     

  • Leo Burnett maxes metals at Creative Abby

    Team Leo Burnett celebrating its rich pickings at the Creative Abby

     

    By A Correspondent

     

    The Men in Black from Ogilvy may have opted out from participating at this year’s Creative Abby but that did not deter around 4300 entries from vying for the most coveted crowns in the fraternity. The Creative Abby, as the Advertising Club’s awards recognising creativity is known, traditionally marks the culmination of the two-day Goafest.

     

    Leo Burnett bagged 71 awards of which nine were golds. McCann Worldgroup got 56 metals which included a Grand Prix and seven golds. JWT India got 48 awards with five being golds.

     

    Other than McCann, Grey Worldwide and Interface Business Solution were awarded Grand Prix.

     

    The metals have four grades with Grand Prix right at the top and Bronze at the lowest. Typically, Goafest’s Awards Governing Council does not hand out rankings of agencies as per award metals received.

     

    Last year, at Goafest 2012, Ogilvy received maximum metals and Leo Burnett was among the Top 5 with 3 Golds, 11 Silver and 21 Bronze (Total 35). JWT India has improved its performance from last year. Taproot India has dipped since last year with just one gold, four silvers and 13 bronzes (Total 18) while it was flying high with 6 Golds, 13 Silvers and 15 Bronze (Total 34) last year.

     

     

    Top Awarded Agencies
    Agency Grand Prix Gold Silver Bronze Total
    McCann Worldgroup

    1

    7

    15

    33

    56

    Grey Worldwide India

    1

    0

    7

    6

    14

    Interface Business Solution

    1

    0

    0

    0

    1

    Leo Burnett

    0

    9

    34

    28

    71

    JWT India

    0

    5

    17

    26

    48

    Click here for Agency-wise Tally of the Creative Abby (as provided by the Goafest Awards Governing Council)

     

    Photograph by Shailesh Mule/Fotocorp

     

     

  • 1 Gold, 2 Silvers,1 Bronze on Day 3

     

    By A Correspondent

     

    “Of course, it feels awesome to win a Gold for something which we had put in a lot of hard work.” That’s Rahul Mathew, Executive Creative Director, McCann Worldgroup India, Mumbai. Mr Mathew and co-exec CD Akshay Kapnadak worked on the Outdoor Lions-winning campaign for Western Union Money Transfer. “It also reinforces the client’s trust on us and our work,” he said. McCann had produced a three-part campaign for Western Union

     

    McCann bagged India’s first Gold in Outdoor Lions for Western Union Money Transfer

     

    Indian entries won four metals on Day 3 of the Cannes Lions 2012. While McCann bagged India’s first Gold for Western Union Money Transfer in the Outdoor Lions, there were two silvers and one bronze in Media Lions. The sole shortlist from India in Creative Effectiveness did not win any metal and in the Mobile Category, there was no Indian shortlist.

     

    Leo Burnett snatched a Silver for Doorstep School in the Best Localised Campaign category
    Cheil won Silver for Samsung Printers in the Best Use of Integrated Media category
    BBDO won a Bronze Lion for its work on Gillette

    The Silver for Leo Burnett came in for Doorstep School for use of media in the Best Localised Campaign category.  Lead credits for the ad: K V Sridhar, National Creative Director, Nitesh Tiwari, Executive Creative Director, Vikram Pandey, Creative Director and Amit Thakur, Art Director.

     

    The other Silver for Cheil was for Samsung Printers for Best Use of Integrated Media. Lead credits for this: Varun Arora, Executive Creative Director,  Shiva Kumar and Dinkar Porwal, Creative Directors and Kamlesh Jangid and Shubhasis Bhatacharjee, Art Directors.

     

    Speaking on the win, Alok Agrawal, COO at Cheil Worldwide India, said, “The Minus One project for Samsung Printer has been winning awards and accolades at various international and Indian festival. So in a way, we knew that the work was a strong contender to be a winner. This is a fine example of a simple yet a powerful idea. One has seen various environment related communication but this is something which each one can practice by just reducing one point size when taking a printout thus reducing the usage of paper. Also the way the entire idea was approached and communicated was unique and caught up on the viral thus helping in winning the Media Lions.”

     

    The Bronze Lion has been won by BBDO for Gillette. The agency’s campaign titled ‘You Shave, I Shave’ . Lead Credits: Josy Paul, Chairman/Chief Creative Officer, Rajdeepak Das, Executive Creative Director, Sandeep Sawant/Josy Paul/Rajdeepak Das. Creative Director, Josy Paul/Yohan Daver/Riti Hamlai/Prakhar Deogirikar/Rajdeepak Das/Sandeep Sawan, Copywriters,  Rajdeepak Das/Sandeep Sawant/Ravi Shanker/Sagar Jadhav/Yohan Daver/Prakhar Deogi, Art Directors.

     

  • Havells fans ropes in Bollywood’s first superstar Rajesh Khanna

    By Rajiv Singh

     

    He thrilled millions of his fans with his electrifying presence on silver screen during late 60s and 70s. Now, after staying out of the limelight for decades, but with his air of stardom almost intact, a frail Rajesh Khanna has pleasantly shocked all by featuring in his maiden TV ad – for Havells fans.

     

    Created by advertising agency Lowe Lintas, electrical equipment maker Havells India’s ‘Fans are forever’ campaign takes viewers down the memory lane by showing glimpses of the unprecedented mass hysteria and a frenzied fan following that the first official superstar of Bollywood enjoyed for decades.

     

    For a superstar whose fans were legion and who wrote romantic letters in blood to him, a fan commercial may not be the ultimate box-office humdinger, but it has definitely created a buzz with some advertising experts hailing it as a masterstroke.

     

    “It’s a bold ad, so true to the life of Rajesh Khanna,” said Prasoon Joshi, executive chairman and CEO of McCann Worldgroup India and president, South Asia.

     

    Sometimes ads are done not to hardsell a product, but to start a conversation or create a language for the brand, said Mr Joshi. “This is one of those advertisements.”

     

    For Havells India, which has more than 13 per cent share in the Rs3,500-crore fan market, the commercial is yet another instance of out-of-box advertisements that the brand has been resorting to over the last few years to break the clutter on television.

     

    “Fans are not so talked-about category,” said Anil Gupta, joint MD of Havells India. “With almost similar-kind of communication by all the brands, we wanted to break the clutter.”

     

    Josy Paul, chairman and national creative director of ad agency BBDO India, said Havells has always gone for highly salient advertising, to make people look again at boring stuff like switches and fans.

     

    “Nostalgia is a sweet thing and brands can benefit from this,” he says, adding, “We brought music director Bappi Lahiri back with 7Up ‘golden lemon offer’ in 2009, and the commercial was a super hit.”

     

    However, not all are impressed with the brand using a yesteryear superstar. Prathap Suthan, managing partner of brand-new independent ad agency Bang in the Middle, believes the Havells commercial is like a living obituary to the legendary superstar. “This is rank terrible advertising,” said Mr Suthan. “I don’t know whether to cry for Rajesh Khanna or console him.” He feels that the pun around ‘fans’ has not worked.

     

    YLR Moorthi, marketing Professor at IIM Bangalore, said the retro of an ageing yesteryear superstar who looks a pale shadow of his former self may not connect with young consumers. “The ad assumes that the target audience has seen the movie ‘Anand’,” said Mr Moorthi. “Will the new generation connect with the advertisement,” he wondered.

     

    However, Mr Gupta of Havells India is convinced that the new advertisement campaign with cut across all age barriers. “We did a lot of research before roping in Rajesh Khanna,” said Mr Gupta. The young generation is very much aware of Rajesh Khanna’s movies and songs, he added.

     

    The jury may still be out on the advertisement, but for Rajesh Khanna, the star who fathered superstardom in India, a small commercial is a reminder of the many glories that were his for the taking in a country that was rigidly socialist and almost without the amplified profusion of second-by-second ads that innundate the present.

     

    Source: The Economic Times
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