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  • Cannes Lions launch Mobile category; Tom Eslinger appointed first jury chair

     

    By A Correspondent

     

    The International Festival of Creativity – Cannes Lions – has announced that Mobile will be added as a new awards section, launching at the 2012 Festival. Tom Eslinger, Digital Creative Director of Saatchi & Saatchi Worldwide, will preside over the Mobile Lions jury in its inaugural year.

     

    Mobile Lions will reward the best work which lives on or is activated by a mobile device, app or mobile web. The judging criteria will be based on creativity and the idea, execution (usability, user experience, craft and design), relevance to the mobile platform and results (level of user engagement and any quantifiable outcomes). The categories for the new Mobile Lions will include Creative Use of Technology, Mobile Websites and Web Apps, Mobile Apps, Tablet Apps, Games, Rich Media Mobile Advertising and Integrated Campaigns led by Mobile.

     

    The jury will be made up of experts in mobile from digital agencies and applications development, and will award Lions to the best use of mobile in marketing campaigns with the winners being announced alongside the Press, Cyber and Design Awards Ceremony taking place on Wednesday 20 June in Cannes, France.

     

    Philip Thomas, CEO of Cannes Lions, commented, “Mobile has been part of the Lions for some years, within other sections such as Cyber and Film, and a large number of winning campaigns in sections like Media, Design, Direct and Outdoor have made significant use of mobile technology. By carving it out of the other sections, we are simply reflecting the importance of mobile in the media mix, and we are delighted that Tom Eslinger has agreed to step up and lead as jury president. The category could not be in better hands in its launch year.”

     

    Joining Saatchi & Saatchi New Zealand as a Creative Director in 1998, Mr Eslinger began creating mobile ideas launching projects for Rugby Super 12, the New Zealand All Blacks, Telecom, NZ Dairy Foods and the NZ Retirement Commission. More recently, Mr Eslinger has worked across applications, augmented reality and games for Toyota, 3M, Burton Snowboards, Coca-Cola, T-Mobile and Visa. Now based in London, he works across Saatchi & Saatchi’s worldwide digital capability and in 2002 was appointed to the Worldwide Creative Board where he leads the creative growth of Saatchi & Saatchi’s worldwide digital team, adding new teams and capabilities. He is a multiple Cannes Lion winner and has previously served on the Cyber and Titanium and Integrated juries before presiding over the Cyber Lions jury in 2007.

     

    Commenting on his appointment, Mr Eslinger said, “It’s always an honour to be asked to join a jury and awesome to be asked to be president for a new category, especially one I have a deep passion for. I’ve been creating mobile ideas for over a decade and I’m stoked that Cannes Lions has chosen this particularly exciting time to start recognizing the best ideas created for mobile devices, apps, sites and other new and wonderful permutations. I’m keen to get started!”

     

    The new look Cannes Lions 2012 website (www.canneslions.com) has been launched, with up-to-date information on the Festival and awards, interviews with key industry members, video content and much more in the lead up to the Festival.

     

     

  • INS, IBF express shock on SC order in Times Now defamation case

    By A Correspondent

     

     

    The industry bodies have joined hands in expressing grief over the Supreme Court order in the Times Now defamation case.

    Close on the heels of the IBF, the Indian Newspaper Society has put forth its stand. Mr. Ashish Bagga, President,  the Indian Newspaper Society (INS) has said in a communiqué that the order has sent shock waves through media circles across the country. The quantum of damages awarded by a lower court and the direction of the higher courts to deposit the entire amount to allow an appeal to be heard for an unintentional technical error will potentially threaten the survival and existence of media in India, he said. While recognizing that the law of defamation is an important qualification of the fundamental right to freedom of expression, he said that the law of defamation should be construed in such a manner that it does not constrain the normal functioning of the media, indeed the very existence of media.

    The Indian Newspaper Society and its members hold the judiciary in the highest esteem, the communiqué added, and believe it has played a critical role in safeguarding the rights of citizens. There is need in the Times Now matter for a display of judicial sagacity, and INS hopes that the judiciary will find occasion to review its decision.

    Earlier, the Indian Broadcasting Foundation (IBF) expressed great surprise and concern over the impact of the recent decision of the Supreme Court that dismissed the Special Leave Petition filed by Times Now, a member channel, which sought relief against a high court decree that stipulated the channel to deposit Rs 20 crore and furnish Bank Guarantee for Rs 80 crore, to hear an appeal in a defamation case.

     

    The IBF agrees with the recent views that have appeared in the media on this case, that such decisions should be reviewed and reconsidered. Because if media is compelled to pay up damages of such quantum despite the issuance of a public apology for an inadvertent error, it would effectively cripple the functioning of the media and an economic burden of such nature would completely jeopardise media business as it directly impacts media freedom, independence and survival, the very essentials of a democratic set up in any country”

     

  • New music world under the scanner at Nokia seminar

    By A Correspondent

     

    The global digital music industry is growing significantly; Piracy across the globe will fall. The next few years will be a challenge for the music retailers. CDs today are slowly being replaced by digital format. The whole environment is changing with digital media. A lot of our revenues come from television stations or background music. These were some of the points raised at the day two of Nokia Music Connects event held in Mumbai on November 17, 2011. Nokia was the title sponsor of the event.

    Among the many sessions on day two of the Nokia Music Connects, one of them was ‘Digital Media, Global Landscape and the Future Ahead’. It was presented by Sandip Biswas, Director- TMT Practice, Deloitte. He spoke about the growth of physical format of music despite the enormous growth of the digital format. “Most of the assets are going digital. I believe that digital music will surpass the physical music format. However the physical format of music will also continue to grow and radio, television will contribute more.”

    One of the points this session raised was whether piracy is a legal or economic problem. He also pointed out that since the year 2008 piracy did not grow but, remained stable. Mr Biswas observed that the next few years will be a challenge for the music retailers and with the growth of digital format, CD prices will rise globally.

    The other sessions that followed ‘Digital Media, Global Landscape and the Future Ahead’ were, ‘Music Publishing- Soon a reality in India?’ This session discussed what the passing of the copyright act mean for the music industry and steps can be taken to foster the healthy development of the publishing industry in India.

    The session was moderated by Vijay Lazarus, President, IMI / PPL; the panelists were Achille Forler, Managing Director, Deep Emotions, Peter Jenner, Discoverer of Pink Floyd, subsequent Manager of many, Advisor to WIPO; Brandon Bakshi, Executive Director – Europe &Asia, BMI; Myles Keller Membership Development Director,PRS for Music; Rakesh Nigam, CEO, IPRS; and S L Saha, Managing Director, The Indian Record Mfg. Co. Ltd.

    The next session was Internet/Mobile radio and streaming services. One of the points this session discussed was revenue models for these players and the opportunities in store for the music labels and artistes with these new platforms?

    This session was moderated by Ted Cohen, Managing Partner, TAGStrategic; The panelists were Prashant Bahadur, Vice President & General Manager, The Orchard; T Suresh, Managing Director, EMI Music India; Raju Singh, Music Composer; Shehzad Azad, Head- Business Develeopment &Alliances, Spice Digital; Siddhartha Roy, COO – Consumer Business & Allied Services, Hungama Digital Media Entertainment Pvt. Ltd.; Jai Maroo, Director, Shemaroo Entertainment Ltd. and Pradeep Rao, Head – VAS,Aircel.

    The ‘Music Television, Reality Shows- The opportunities’ session discussed, music on television with new channels launching in HD running back to back music and its impact on music business and consumption. Reality shows such as Sa Re Ga Ma, Indian Idol, X-Factor have helped unearth talent. What has happened to them? Have they managed to make careers for themselves? How has the journey been? What sustains these shows? Why do broadcasters persist with them?

    This session was moderated by Anil Wanvari, Founder CEO, Indiantelevision.com Group. The panelists were Neeraj Vyas, Executive Vice President & Business Head, SONYMAX & SONYMIX; Aditya Swamy Senior Vice-President, MTV; Arvind Krishnan, Director – Marketing, Bacardi; Meiyang Chang, Former Indian Idol Finalist; Anushka Manchanda (Singer); Gitanjali Sriram, Founding Partner, Naked Communications.

    In the session ‘Of Live, And Independent Artistes’ discussed the emergence of independent festivals spurring a huge amount of opportunities for independent artistes and what it means for the music business? It was moderated by Brian Tellis, Chairman, Fountainhead Promotions & Events Pvt. Ltd. The panelists were  FarhadWadia, CEO, E18; Venkat Vardhan, Founder, DNANetworks; Joji George, CEO, Percept Sports & Entertainment; Sabbas Joseph, Founder Director, Wizcraft; Devraj Sanyal, Managing Director, Universal Music Group and Jayesh Veralkar, Label Head – Day 1, Sony Music Entertainment.

    The last session of day two was on ‘Artiste Management’. It discussed whether artiste management is becoming a profession like it is in more developed music markets? What role do they play with musicians in India? And how is it evolving keeping in mind the evolving music scene and the needs of the artiste today?

    This session was moderated by Brian Tellis, Chairman, Fountainhead Promotions & Events Pvt. Ltd. The panelists were Pakul Chaturvedi, Chief – Asia Pacific, Promo Sapiens; Robert Horsfall, Lawyer / Business Manager, SoundAdvice; Shaan (Singer); Jordan Berliant, Linkin Park’s Manager; Mark Wood, Imogen Heap’s Manager and John McLellan, Partner, Haldanes.

  • Firstpost.com gets its readers to play chess with the Grandmaster

    By A Correspondent

     

    Network18’s Firstpost.com, India’s first exclusive online news and views website has launched an online chess championship for its readers. This fortnightly event will see Vishwanathan Anand share some of his real-life chessboard experiences with online participants as a part of ‘Firstpost Battleboard.’

    In line with Firstpost.com’s inclusive agenda, Firstpost Battleboard (www.firstpost.com/battleboard) calls for audience participation. With a welcome video by Vishwanathan Anand readers are given an introduction to the game and are challenged to face actual challenges that the Grandmaster has faced in his career. Interactivity becomes the prime attraction of Firstpost Battleboard as the users figure out the best possible alternative to get ahead in the game and the Grandmaster elucidates the rationale behind every move by decoding the effectiveness of all the possible alternatives. Quintessentially a cerebral online offering, this game attempts to bring together chess enthusiasts from across the world.Firstpost Battleboard is sponsored by telecom major Idea Cellular.

    Commenting on his association with Firstpost Battleboard, Grandmaster Vishwanathan Anand said, “When Firstpost approached me for an online,interactive platform to take chess to a wider audience I was quite excited to do it. The aim is to take the reader through the emotion and calculation in each game. Some decisions on the board are made by intuition and some by cold calculation. It is the human element of a game that a player mostly remembers. I hope the readers enjoy the series and we look forward to a lot of interaction.”

    Speaking on the launch of Firstpost Battleboard, Durga Raghunath, VP-Products, Web18 said, “Battleboard with Vishwanathan Anand is a content innovation we are very proud of. As Firstpost continues to educate and entertain and interact, Vishwananthan Anand is a perfect partner. We hope to reach out to new audiences through efforts like these.”

  • MxMIndia-partnered ‘Paid News’ seminar today

    By A Correspondent

     

    MxMIndia has partnered the event ‘Paid News: Fooling People all the Time’ organised by Moneylife Foundation and Citizens Action Network with the support of industrialist Cyrus Guzder.

     

    To be held in Mumbai’s Madame Cama Hall (Opp Lion Gate, Kala Ghoda) on Friday, November 18, the evening will see the screening of the documentary ‘Brokering News’ followed by a panel discussion with senior journalists and the film-maker Umesh Aggarwal.

     

    About the film: The Delhi-based non-governmental, not-for-profit Public Service Broadcasting Trust (PSBT) recently released a documentary titled “Brokering News—the inside story of paid news”.

     

    The film by Umesh Aggarwal addresses a significant challenge facing Indian democracy today—which is the state of its media. The film looks at three aspects of paid news—how politicians are paying for positive coverage during elections, with the result that those who don’t pay are blanked out by the media; how the coverage and reviews of movies are orchestrated and paid for and of course, paid news about business and industry. It depicts in detail how journalists were forced to broker deals to offer editorial coverage to politicians.

     

    Details of the Event:

    Panelists: Umesh Aggarwal, Ayaz Memon, Paranjoy Guha Thakurta, Bhawana Somaaya, and Sucheta Dalal.

    Timings: 5.30-7.30pm (Registration and Tea starts at 5pm)

    Venue: Madame Cama Hall, KR Cama Hall Institute, Bombay Samachar Marg, Opp. Lion Gate, Kala Ghoda, Mumbai 400 023

    Admission: While admission is free, registration is required. Contact details: Call Judith/Seraphina on 022-24441058-60, or mail at mail@mlfoundation.in,or log on to www.mlfoundation.in

  • Yummy launch event for BBC Good Food

    By Akash Raha

     

    BBC Good Food magazine from the Worldwide Media stable is all set to kick off its inauguration event on November 19 in Mumbai. The magazine was earlier launched on October 21, which was also the Good Food Day. MxM India got in touch with Mr Tarun Rai, CEO, Worldwide Media Group to know more about the launch event and how the magazine has being doing in the market thus far.

     

    Speaking about the response towards the magazine Mr Rai said, “The response has been quite overwhelming both from advertisers and readers. Our mailboxes are flooded with compliments from readers, many of who have actually tried out the recipes. Some others have gone and checked out restaurants that are recommended.”

     

    The launch event on Saturday is set to be a grand celebration of fine food with fine entertainment. The menu is a five-course meal specially put together for the occasion by chefs from India and abroad, and it is a sit-down dinner for a select group of people. It will be a room full of celebrated chefs, restaurant owners, food critics and writers, food retailers, senior corporate and the high-profile set of Mumbai including stars from Bollywood.

     

    Mr Rai went on to say, “We are the first international food magazine in the country and we expect to have the first mover advantage in the fast-evolving Indian food sector. I believe we spotted the opportunity well before the others and will reap the benefit. Besides just the business objectives we do expect BBC Good Food to contribute to the exciting new developments that are taking place with food in India. We want to help people experiment more in their kitchens and when they eat out. We want to showcase the young and dynamic Indian chefs who are making food so exciting. We want to introduce our readers to world cuisines… We believe India is ready for a specialist food magazine.”

  • Proximity India hires Punit Singh to lead Digital Technology

    By A Correspondent

     

    BBDO/Proximity has hired Punit Singh as, AVP, Digital Technology.

    Prior to joining BBDO/Proximity, Punit handled digital strategy for Reliance MediaWorks for India and Malaysia . He has also headed Technology and User Experience at Tribal DDB India. He has worked on brands like Volkswagen, Idea, HDFC, Honda Cars, Standard Chartered, Asian Paints to name a few. Punit holds an engineering degree from REC Nagpur and MBA from IIM-Indore.

    On the appointment of Punit Singh, Ajai Jhala, CEO, BBDO/Proximity India said, “Punit lives at the junction of digital technology + creative + strategy. Punit is that rare talent in the digital space who can walk the talk. We hope to see the impact of his hire on both the work and attracting new talent.”

    Ranjeev Vij, VP & Head – Proximity India added, “An absolute digital junkie, Punit is passionate about everything digital and shares our vision to contribute towards strengthening of the platform in the Indian scenario with behavior-changing interactive ideas.”

    Commenting on his move Mr Singh said, “India is placed at an exciting point on the Digital front. With brands warming up to the potential of digital, the coming years would witness a paradigm shift in the way they reach out to their consumers. With thought leaders like Ajai, Josy and Ranjeev to steer and a great creative team to work with, Proximity India is set to become the next big hub of marketing rationale and radical advertising in the digital space.”

    Proximity India is the youngest agency of Proximity Worldwide, and is globally aligned to BBDO Worldwide. Proximity India offers talented communications experts with skills across the full range of relationship, digital and direct marketing services.

    Early next year, Proximity will launch their proprietary Digital Lab Initiative in India, which is a multi-faceted program, designed to drive digital thought leadership and to provide a significant added value service to its clients.

    BBDO/Proximity India, the youngest agency of BBDO Worldwide and the Omnicom Group, began operations over 36 months ago. With offices in Delhi and Mumbai and talent strength of over 90 people, BBDO India is helping shape brands like 7 Up, Nimbooz, Quaker Oats, Aviva life insurance, P&G Gillette, Godrej Protekt, Bayer Healthcare, Wrigley’s Doublemint, J&J Baby, J&J Nicorette and BlackBerry.

  • Obdurate Katju sparks walkout by INS members in Press Council meet

    By A Correspondent

    The four publisher members representing the Indian Newspaper Society (INS) in the newly constituted Press Council – Dr R Lakshmipathy (Dinamalar), Mr V K Chopra (Filmi Duniya), Mr Sanjay Gupta (Jagran) and Mr Vijay Kumar Chopra (Punjab Kesari) – strongly protested to the Chairman of the Press Council for his remarks that “he has a poor opinion of the media” and “majority media people are of very poor intellectual level with no idea of economic theory or political science, philosophy, literature”. The publisher members were attending the first ever meeting of the newly constituted Council of the Press Council of India.

    However, Justice Markandey Katju, the PCI chairman, was firm on his stand and refused to withdraw the remarks made by him. The publisher members walked out of the meeting in protest.

    Earlier in the day, the Executive Committee of the INS took strong objection to the remarks made by the Chairman of the Press Council of India in a television interview and in subsequent statements issued by him to the press. The Executive Committee of the INS noted with dismay that the Chairman’s remarks demonstrated a deep bias against members of the Fourth Estate and that such bias would adversely affect the functioning of the Council in its quasi-judicial role.

    The Executive Committee strongly felt that the Chairman had undermined his own position as Chairman of the Press Council of India and that of the Council, by categorizing a majority of media people as being of poor intellectual level. In a strongly worded letter addressed to the Chairman of the Press Council of India, the INS President urged him to withdraw his remarks.

  • Benetton’s shock treatment works, say creatives

    By Tuhina Anand

     

    Benetton’s Unhate campaign aimed at leaders and citizens of the world to combat the ‘culture of hatred’ with its Unhate Foundation has shocked many. One of its visuals showed Pope Benedict XVI in a lip-lock with Imam of Al-Azhar mosque in Cairo. This has caused such a furore that the ad had to be pulled off and an official statement on Benetton’s website said, “We reiterate that the meaning of this campaign is exclusively to combat the culture of hatred in all its forms. We are therefore sorry that the use of the image of the Pope and the Imam has so offended the sentiments of the faithful. In corroboration of our intentions, we have decided, with immediate effect, to withdraw this image from every publication.”

     

    Some of the other people in the lip-lock campaign are Barack Obama and Chinese leader Hu Jintao, Palestinian President Mahmoud Abbas and Israeli Prime Minister Benjamin Netanyahu, Angela Merkel, the Chancellor of Germany and Nicolas Sarkozy, the President of France and King Jong II, the Supreme Leader of North Korea and Lee Myung-bak, President of South Korea.

     

    The campaign is being used to launch the Unhate Foundation which champions a new culture of tolerance and combats hatred. What could be better than to show two political figures who are often at loggerheads kissing each other thus signifying the basic of love and reconciliation. Not to forget that the provocative images immediately catches the eye and even raises many eyebrows. So in that way Unhate Foundation and its advertising on its very first day of launch managed to create a stir.

     

    The campaign has been lauded by many in the fraternity. Prathap Suthan, Chief Creative Officer at iYogi, calls it brilliant.  He said, “I bet it’s taken them a million tons of conviction to come out with it. It’s not every day you get to showcase Presidents and Popes kissing each other. As a campaign, it doesn’t get much bigger, bolder or more controversial than this and yet remain hugely relevant. In the context of the world, where there’s violence, and gore, and all kinds of hate, unhate seems to be a great thought to own. Plus all the free PR this is bound to create.  This campaign has multiple layers – from colour to history to geography to homosexuality to religion to culture to love and peace. It’s a genuine Benetton campaign. And it comes at a moment when the brand is flagging. If you can get the world talking about your campaign, whether you like, love or despise the thought and the representation, the brand wins hands down. I would never have the spine, guts, and spheres to think/back this kind of a campaign. Not just me, none in India. Great campaign. Great brand. Lousy clothes, though.”

    In fact, the campaign is reported to have given a lift to Benetton’s flagging sales. But this is not a first for the brand. It has been championing social causes with its controversial ads even in the past. As Manish Bhatt, Founder Director, Scarecrow Communications Ltd, remarked, “If this attempt was made by any other brand one would dub it as a move to be controversial but Benetton has historically never been timid. It has been pushing boundaries hence the current ad very much adheres to brand personality. Creativity is known not to adhere to political correctness be it in art, poetry or advertising. Benetton has been consciously doing this for years.”

    Even earlier Benetton has pushed boundaries when it took on issues of racism and homosexuality with its simple, compelling but controversial advertising. Priti Nair, Founder, Curry Nation, says that it’s Benetton and the advertising remains true to its personality. She said, “I have read that Benetton is calling it a touch of ironic and constructive provocation. Which it is!”

    KV Sridhar aka Pops, the NCD at Leo Burnett said, “The intention of Benetton advertising is good, however shocking it might be, but then its Benetton. Hugging would probably be more easily accepted imagery but then it would not have caused any shock as the kissing is doing now.”

    The campaign is supported by film, guerilla actions across the world showcasing the visuals and the digital where a Kiss Wall is created and people invited to share their pictures of their kisses and opinions besides Unhate list, a Twitter-based list of the things and people that are not hated, which is constantly updated by visitors. There will also be an Unhate Dove, an art installation made using empty bullet shells sent in by residents of war zones around the world and recycled to make a dove, the symbol of peace, which will carry with it the Foundation’s message of peace.

    The campaign in that sense is encompassing an entire ecosystem to unveil the concept of Unhate which many may argue to be grammatically incorrect. The Foundation aims to be a think tank, attracting personalities and talents from the fields of culture, economy, law and politics, and people who have gone from simple citizens to leaders of movements, distinguishing themselves through their ideas and actions against the causes and effects of hatred.

    While the campaign is controversial and getting people to talk but the truth is that it is meant to just do that. Arun Iyer, National Creative Director Lowe Lintas, said, “The campaign is designed with all intention to court controversy and it’s successfully doing that. At the concept level, Unhate is something no will have any issue with whereas at the visual level this will cause lot of talk. I think it has succeeded in doing what it is supposed to do!”

  • The Anchor: 7 pieces of jargon creative types love

    By Amod Dani

     

    #1 Film opens on…

    Three famous words which satisfy every copywriter’s dream of visiting Rio, Ibiza, Vegas… uh no? Ok let’s get real…Bangkok.

     

    #2 360

    The number that comes first to mind when the entire team is brainstorming to create ACTS, Road shows, Innovative hoardings and Radio Programming concepts to sell… yes, you read right, “Sabun ke saath chammach FREE, FREE, FREE!!!!”

     

    #3 Clutter Breaking

    Vishwaas hai, ismein kuch khaass… Oooh Yeah! That was clutter breaking wasn’t it. Come on, half the line and you instantly remember the ad.  Wah! Now if that’s not clutter breaking I don’t know what is. Yeh toh bada toing hai!!!!  😉

     

    #4  D&AD

    Sigh! Ok here’s an acronym that every creative person would know. And if you don’t, head straight to your workstation and type in Google and then “Advertising Creative Awards for dummies”. The Design & Art Direction Award’s pencil has often eluded Indian hands and is the one piece yet to fall into the tricolour kitty. Time to visit the temple, I say.

     

    #5 JSR

    Here’s a document that encapsulates all the inefficiencies of the agency. Made and remade frequently, only to be forgotten and ignored. It shows its ugly head again following stinkers and finger pointing, before threats with “We are calling for a pitch!”

     

    #6 G*** M***

    A phrase often hurled at colleagues expressing a sense of disagreement.

    For example:

    CS:                   There’s a new brief.

    Creative:         Ok…

    CS:                   Deadline’s in two hours.

    Creative:         G*** M***!!!!! (Flatly)

     

    #7 Night hai!

    When the pitch for a new client is the next day and your kickass idea has just been torn to pieces. The layout’s bombed and the script’s changed. There’s nothing like a campaign in sight. Result: call your boss an old F@#^&*, call your girl and tell her you are screwed, call Dominos, call for a quarter of… wait, make that a bottle of Old Monk and get set. Dark circles, here we come.

     

    Amod Dani is ECD, Leo Burnett.

  • Hard Knocks: Exposing the big daddies of corruption

    By Anil Thakraney

     

    Mumbai Mirror’s cover story on 15/11/11 caught my attention for different reasons. The story involved conflict between a traffic cop and a celebrity nutritionist, and yes, it had to do with petty corruption. Here’s the link: http://www.mumbaimirror.com/article/15/201111152011111
    5025305142b58e3baa/PautiWhat-for-Celeb-nutritionist%E2%80%99s-fine-fight-against-corrupt-cocky-cop.html

     

     

    The story reminded me of the one I had done years ago for a tabloid. Dressed as a rich cat, I drove around on the streets of Mumbai breaking every single traffic rule, while being filmed by a battery of photographers. And on every single occasion, I was let off after ‘tipping’ the havaldar. At the time it was a sensational story. I received thousands of happy and angry e-mails. And yes, I was pretty chuffed at having pulled off a ‘big’ story.

     

    However, down the line, I have had a change of heart. I am no longer proud of what I did that day. Sure, some lowly traffic cops got pulled up or were suspended for a bit, but what did the story achieve beyond that? Did anything change? The answer is obvious: No. I now realise there’s no greatness or value attached to exposing the small fry of society. They are sitting ducks, easy to be caught with their hands in the till, and putting them under pressure makes no difference anyway.

     

    Given that, I really think the Indian media as whole must move on from such worthless stories. If we really want to make a difference, we need to go after the big fish. Exposing the big daddies of corruption will make the real difference, as the 2G scandal has shown. There’s another thing, and this is more personal in nature: I am convinced it’s pointless even blaming the small operators in the food chain for being corrupt. When the entire system is so rotten, when corruption is so deeply embedded in this nation, with its tentacles going right to the top, does it really make any sense in punishing the chhota mota chors? Which is why I no longer quarrel with traffic cops, autorickshaw drivers, cabbies, ration card office clerks, municipal office clerks, etc, when they cheat me. I quietly pay them off. Because they are just tiny leaves of the huge corruption tree we have all collectively planted and nurtured.

     

    ***

     

    PS: Totally adore the new Benetton ‘Unhate’ campaign. Controversial, funny, irreverent and very Benetton. But a tad disappointed they ignored the subcontinent. Imagine SM Krishna and Bina Rabbani Khar together? Hmm. That would be heavy!

  • Zee pumps in $250mn for wellness content

    By A Correspondent

     

    Subhash Chandra, Chairman of Zee group, today announced the creation of a $250 million content development, production, co-production and acquisition fund in the United States that will benefit Veria Living, a network devoted to showcasing wellness programming and related content across multiple media platforms.

     

    The New York-headquartered Veria Living television network is available throughout the US to the Dish Network, Verizon FiOS and Frontier Communications subscribers. Veria Living offers the world’s largest line-up of first-run, original programming – connecting viewers in a contemporary and accessible manner to the benefits and joys of living a healthy lifestyle.

     

    The establishment of the $250 million fund is yet another step in Zee’s five-year plan to further expand Veria Living’s presence in the US and beyond as the go-to-source for all things health and wellness. Said Mr Chandra, “We are firmly committed to growing the Veria brand across the television, internet, mobile and OTT platforms. By focusing on original content development and production we’re not only looking to build a broad US audience for Veria Living, but also setting the table for the expansion of the brand globally over the next couple of years.”