Category: NEWS

  • Publicitas establishes presence in Japan

    By A Correspondent

     

    Media service company Publicitas has opened a new office in Tokyo, strengthening its global footprint and providing a strong link between media brands and the local advertising market in Japan.

     

    Publicitas represents international media owners in local markets, offering advertisers direct access to a premium, worldwide media portfolio. As of April 15, Publicitas operations in Tokyo provide Japanese advertisers with Print, TV, and Digital media solutions along with premier OOH and custom events to reach their international and premier local target audiences.

     

    Hiroko Minato, Managing Director, Publicitas Japan leads the venture. Ms Minato has more than 30 years of advertising sales experience in Japan, and will support Marzban Patel, CEO Publicitas, India and Asia in delivering bespoke solutions to clients in the region.

     

  • Sudheer KG promoted to VP & Head Programming @ History TV18

    By A Correspondent

     

    A+E Networks|TV18 has elevated Sudheer KG as VP and Head Programming of its factual entertainment channel, History TV18, with immediate effect.

     

    In his new role, Mr Sudheer will oversee and drive the programming strategy for the channel and will endeavour to create a superlative advantage for History TV18 in the highly competitive factual genre television space.

     

  • Esha Media Research’s web solution for media monitoring cuts operational costs

    By A Correspondent

     

    TV monitoring agency Esha Media Research (EMR) has launched an innovative web based solution for monitoring media, making the cost of monitoring substantially lower for the user.

     

    EMR’s web-based solution has simplified the process of tracking video clips relating to the client companies or their competition by revolutionizing delivery system compared to the conventional delivery via CD/DVDs.

     

    Under the new system, a customized web page is created for companies with the company name and logo and uploaded to EMR’s server. The client is informed by mail and SMS every time a new clip pertaining to them is uploaded.

     

    “The cost of monitoring media by opting for the web page solution has brought down the average cost for users to as low as Rs 50 per clip, almost 70-80 percent lower than the conventional mode. Further, the format of clips in the web-based option can be undertaken as per clients’ choice and are conducive to viewing on mobile phones,” said Raman Iyer, managing director of Esha Media Research Ltd.

     

  • ETV Bangla ropes in Mithun Chakraborty as host for Bigg Boss

    By A Correspondent

     

    The grandmaster is in the house. After a successful season of Jhalak Dikhhla Jaa Bangla, ETV Bangla is now gearing up to entertain viewers with the reality TV show, Bigg Boss. While Bigg Boss will now speak in Bengali, the affable and effervescent Mithun Chakraborty will be seen hosting the show in an all-new avatar.

     

    Produced by Endemol India, Bigg Boss is slated to go on air on ETV Bangla in the month of June.

     

    Talking about his new role, Mr Chakraborty said, “Bigg Boss is a very intriguing format. To be a celebrity and to be under surveillance 24×7 on national camera is no easy task and it’s my honour to be the link between the Bigg Boss house and the outside world for my fellow friends of the industry. I look forward to starting the shoot for the show soon.”

     

    Ravish Kumar, Executive Vice President & Business Head, Regional Channels, Viacom18, in partnership with ETV said, “The Bigg Boss frenzy has hooked many Hindi GEC viewers over the years and, given the phenomenal success of its first regional foray in Karnataka earlier this year, we are now delighted to introduce this format to Bengal. Society’s insatiable curiosity to get a peek into the lives of their favourite celebrities is something that holds universal appeal and we hope that the show will further accelerate and add momentum to our existing bouquet of content”.

     

    Deepak Dhar

    Deepak Dhar, CEO, Endemol India said, “Bigg Boss is based on a universal concept that has successfully appealed to audiences across markets. Adapting a cult show like Bigg Boss in a regional market helps us reach out to captive audiences who are eager to consume the programme in their preferred language. We are certain that the Bangla version will be received with a lot of enthusiasm.”

     

  • Bigflix records 1 million registered users

    By A Correspondent

     

    Bigflix, India’s movie-on-demand service, has announced a landmark of having recorded 1 million registered users. With the recent addition of diverse catalogues and an upgraded user interface, Bigflix has been the preferred personal blockbuster theatre among film enthusiasts. With consumers across the world watching films on-the-go at anytime, anywhere, the Bigflix app, which is available across platforms, has revolutionized the movie watching culture.

     

    To celebrate the milestone achieved, Bigflix has announced a special celebratory offer for all its existing subscribers who have been a part of the journey of Bigflix since the very beginning. As a part of the offer, subscriptions worth 1 million INR are to be gifted to certain invaluable customers who have been a part of the journey.

     

    Commenting on the accomplishment, Shreyash Sigtia, Business Head of Bigflix said, “This is indeed a milestone for Bigflix. We have come a long way from where we first began, and every single user who has joined us in the journey has made it possible for Bigflix to grow. The success of our service is attributed to the users of Bigflix. The subscription offer is a small token of appreciation from our side to the users who have been an integral part of the Bigflix journey.”

     

    The celebratory subscription offer worth Rs 1 million is being conveyed to the customers by means of personalised mailers. The offer is valid throughout the month of May 2013.

     

  • We want to bring stories alive: Adlabs Imagica’s Pooja Shetty Deora

    By Johnson Napier

     

    News of a new and state-of-the-art theme park along the Mumbai-Pune Expressway is making audiences take the long drive to sample the new offering. Much of the credit to the enthusiastic response being drawn could be owed to the mammoth marketing exercise being undertaken currently by Adlabs.

     

    Pooja Shetty Deora, Joint Managing Director at Adlabs Entertainment Limited discusses the marketing strategy and roadmap behind making Adlabs Imagica a ride to remember.

     

    The thrust around the marketing campaign seems to be very loud and extensive that one has seen in recent times. Are you content with the way the strategy is being implemented on ground?

    The entire campaign has been developed keeping in mind a couple of key objectives:

    – To announce the launch of India’s first and only international standard Theme Park

    – To educate customers about the concept of a ‘Theme Park’ which has otherwise been loosely used

     

    Different media vehicles have been used to achieve each of these objectives. While Digital and Social Media has been used to engage with customers and spread word of mouth, OOH has been purely used to drive impact and reach. Print has been a mix of impact and bringing alive the concept of a Theme Park. Radio has done the job of sustaining, engaging and ensuring enough recall amongst the consumers. A month-long campaign on key television channels will only add to the scale, reach and internationalness of the overall campaign and the product.

     

    Primarily all mediums that matter have been tapped for this initiative. Do you expect the returns to be as productive across all channels?

    Each media has been carefully used at different stages right from pre-launch to launch to sustenance. A clear role has been given to each media vehicle and various innovations have been implemented across media from time to time. We have already seen enough traction being generated on our e-commerce enabled portal www.adlabsimagica.com. Extremely encouraging returns have also been seen through our B2B channel with more and more travel organizations wanting to partner with Adlabs Imagica.

     

    What is novel about the communication strategy being currently implemented to popularize the theme park?

    We developed our first phase of communication to drive intrigue about the concept by giving away just enough information. The 2nd phase of launch will see various aspects about the Theme Park unfold one after another; living up to our promise of bringing stories alive.

     

    While the campaign would be running across multiple metros, is there a city-specific campaign that you’d be running or would it be national in approach?

    At this stage we want to send out a single message to all our consumers nation-wide; hence from a communication point of view the campaign remains consistent pan India. However we have phased out our reach plan with Maharashtra, Gujarat and Delhi NCR in the first chapter, followed by other key metro’s and rest of India a couple of months down the line.

     

    Would you elaborate a bit on the marketing spends being rendered across the multiple mediums that the campaign would be running over?

    We have allocated spends across different media at different phases of launch. While we kick-started with a heavy burst on Digital and Radio in the pre-launch phase; we made use of heavy Print and Outdoor communication at launch. This will be followed by a high impact burst on Television. We have spread our monies judiciously across all mediums at different phases to drive maximum impact, reach and scale.

     

    Is there a defined TG that you’d be focusing on through this initiative?

    In any communication that we do, the core TG for Adlabs Imagica will remain the family. We have been extremely prudent about all our communication being focussed to our core audience.

     

    Do you intend taking the campaign across other cities/states located closer to the theme park?

    We have already been extremely strong in our communication all over Maharashtra and Gujarat which are in closest proximity to the Park. Our campaign will soon talk to audience at a national level through our Television campaign. We see ourselves as a holiday destination for anyone across the country and the next phase will also see a pan India communication.

     

  • Links of the Day

    Google Glass unreleased and already banned: Livemint

    http://www.livemint.com/Consumer/5joaxqFTkLFC60oNJz4l1J/Google-Glass-unreleased-and-already-banned.html

    Livemint.com/New York Times-David Streitfeld

    Privacy and security issues may cause problems for the wearable technology offering from Google

     

    Pepsi, General Motors yank offensive advertisements

    http://economictimes.indiatimes.com/features/brand-equity/pepsi-general-motors-yank-offensive-advertisements/articleshow/19936788.cms

    Economictimes/Brand Equity

    Marketers are yanking ads nearly as fast as they are making them (also makes a mention of controversial Ford Figo ads).

     

    Delhi to host Portfolio Night for the first time on May 22

    http://www.exchange4media.com/50862_delhi-to-host-portfolio-night-for-the-first-time-on-may-22.html

    Exchange4media.com/Twishy

    Leo Burnett will be hosting the first ever Portfolio Night in Delhi

     

    Kiran Koshy: How I learnt to stop scamming and love advertising

    http://www.afaqs.com/news/story/37432_Guest-Article:-Kiran-Koshy:-How-I-learnt-to-stop-scamming-and-love-advertising

    Afaqs.com/Kiran Koshy

    Signed article from Kiran Koshy who is now with The Richards Group, Dallas and was in India with Ogilvy Chennai, Lowe Bengaluru and Saatchi & Saatchi Bengaluru

     

  • Next IAA Debate in Delhi: ‘Creative awards can also be given for differentiated one-off expressions’

    By A Correspondent

     

    The third in the series of the International Advertising Association (IAA) India Chapter’s industry-defining debates will be hosted in Gurgaon on Monday, 13 May 2011. Presented by the Dainik Bhaskar Group, the topic for the third IAA Debates is ‘Creative awards can also be given for differentiated one-off expressions’.

     

    Speaking for the motion of the topic will be Josy Paul, Chairman and Chief Creative Officer, BBDO India, and Pratap Bose, Chief Operating Officer, DDB Mudra Group. Deepika Warrier, Vice-President – Beverage Marketing, Pepsico India, and Lloyd Mathias, Director, Green Bean Ventures will be speaking against the motion. The debate will be moderated by Santosh Desai, Managing Director and Chief Executive Officer, Future Brands.

     

    Srinivasan K Swamy

    Commenting on the IAA Debates and the upcoming event in Delhi (NCR), Srinivasan K. Swamy, President, IAA India Chapter said, “The first two debates – in Mumbai and Goa – have been extremely well received. I expect the third IAA Debates to do as well. The topic chosen is provocative and is something in the minds of many after the recent Goafest-Abbys event. With the line up of speakers the Debate in Delhi promises to be exciting, delivering viewpoints to help our perspectives evolve.”

     

    Partho Dasgupta, Co Chairperson, IAA Debates said, “This is the good old classic format of debate where industry leaders debate serious issues. It’s not a standard comfortable panel discussion sitting on a couch. We get to hear the best opinion backed by information on subjects with speakers defending their positions passionately.”

     

  • Recommendations/observations of Parliamentary Committee report on Paid News

    On Monday, Congress MP Rao Inderjit Singh who is also Chairman of the Standing Committee on Information Technology (2012-13) presented to the Lok Sabha the report of the Parliamentary Committee on the subject ‘Issues related to Paid News’ of the Ministry of Information and Broadcasting

     

    Some of the important recommendations/observations are as under

  • Old tunes, new TVCs: Good, bad, or…?

     

    By Meghna Sharma

     

    What do Bharti AXA, Hero Pleasure and Slice have in common? In their latest commercials, all have used old songs, remixed or tweaked, to sell their products.

     

    Yes, the old melodious songs are once again back in vogue as advertisement industry jazz them up to attract audiences. Chala jaata hoon (from the film Mere Jeevan Saathi) and Chakke mein chakka (Brahmachari) for the Nissan Micra ads, Aap yahaan aaye kis liye (Kal Aaj Aur Kal) for Bharti AXA, Tum jo mil gaye ho (Hanste Zakhm) and the earlier Aaj ki raat (Anamika) for Coca Cola, Aaj kal tere mere pyaar ke charche (Brahmachari) for Raymond and Mud mud ke na dekh (Shri 420) for TVS Scooty are some of the new-old tunes on the block. Even Bombay Times got into the act, using Style mara toh darna kya, an edgy takeoff on Pyaar kiya toh darna kya from Mughal-e-Azam, with the words changed to suit the brand.

     

    Why is there such an epidemic of remix fever in TVC land? Are creatives running out of ideas, or have they just hit upon the fact that old is, well, gold?

     

    New, or an old trend?

    Prathap Suthan

    History repeats itself and the advertising industry knows that they cannot do without the old classics. “It’s not for the first time that you’ll see advertising agency using old songs, it’s been going on since a very old time, It was there even when I joined the profession,” recalls Prathap Suthan, Managing Partner/Chief Creative Officer at BangInTheMiddle and Chief Creative Officer at iYogi Inc.

     

    He isn’t alone; many from the industry feel that the old classics are evergreen and anyone can relate to them. But what’s more important is, how does one use them? “If an old song works for one brand, you’ll see many others copying the trend. But that doesn’t mean or guarantee it will work for all of them. If a song fits the situation and helps the brand tell their story in 30 seconds is when an agency has done a good job with it,” feels Manish Bhatt, founder director, Scarecrow.

     

    Manish Bhatt

    The Indian Railways advertisement which used Ashok Kumar’s song Rail gaadi is a perfect example of using an old film song for a current situation. The advertisement not only became an instant rage among youngsters but also got many awards at national and international level. “Encashing on an old tune is what matters here more,” adds Mr Bhatt.

     

     

     

     

    Narendra Kusnur

    Narendra Kusnur, music columnist and critic, feels that since Hindi film songs have always been popular in India and the older ones have a high recall value, so naturally they can act as an effective tool in advertising as longed as they are used intelligently and go along with the brand positioning. “Why only old Hindi songs? Titan watches used the western classical piece Mozart’s 25th Symphony. People remember the tune and the ad, though many don’t know it’s Mozart. However, it’s always more satisfying to create a completely original jingle line. Something like Lifebuoy or Vicco Vajradanti or Vicks. So that should be the first effort,” he adds.

     

     

    Josy Paul

    “Making one nostalgic has worked in the past, does even today and will continue to do so even in the future,” asserts Mr Suthan.

     

    However, Josy Paul, Chairman and National Creative Director, BBDO India, feels that a trend is not an idea but a bunch of guys following each other. And the guy who started it may have already left the room.

     

    Shortcut or creativity?

    There is no dearth of songs because of the Indian film industry and one can find a song to fit any situation – but does using them mean that the advertising industry being lazy? Or is this creativity too?

     

    “Using an old song alone won’t do the trick; one needs to add new value to the song or force people to look at it again because of the unusual nature of the idea. Else, it’s just an old song which one might hear on the radio,” says Mr Paul.

     

    “There is nothing wrong in using an old track, but one should not treat it as a shortcut. Finding an appropriate song which fits the bill is difficult and needs creativity too. It’s an art form as well,” adds Mr Suthan.

     

    Citing the example of Parle’s campaign Roko mat, Mr Bhatt explains, “If an original jingle/song is catchy or works wonder for a brand then originality shouldn’t never be ignored. The main aim is to stand out of the clutter and help a brand reach its TG.”

     

    Hemant Kenkre

    Hemant Kenkre, a former music channel professional and a corporate and brand communications veteran, explains, “The old songs are remixed to suit the younger lot whereas the older generation too recalls the retro numbers. However, the brand managers need to understand that the song should suit their brand rather than overpower it. But it wouldn’t be right to say that there is any negative impact in using old songs for a brand.”

     

    “Using the power of music to one’s benefit is the deal breaker here – old or new doesn’t matter,” Mr Bhatt adds.

     

  • Sunil Mutreja bids adieu to Amar Ujala

    By A Correspondent

     

    Sunil Mutreja, Executive Director at Amar Ujala has decided to move on. He confirmed the development to MxMIndia. However, his next destination is still unknown, though industry sources tell us he’s mulling entrepreneurial as well as job options.

     

    Having joined the company in 2007 as President, Marketing; he was elevated to as ED in 2011. Prior to joining Amar Ujala, he was the CEO of Advertising International Corporation LLC (ADINC) Y&R for a year in Muscat. He began his career, which spans over three decades, with The Times of India in 1989. He was associated with the company for four years. He also became AVP at Times TV for a year. He has also worked with Dainik Bhaskar, and as CEO with Channel Nine Entertainment as well.

     

  • Simplify360 offers support for Google+ pages

    By A Correspondent

     

    Simplify360 Inc, a social business intelligence firm started in Bangalore in 2009, has added another feather to its cap with the support of Google+ pages becoming the first social media analytics platform from Asia offering this integration.

     

    With this offering Simplify360 envisions to increase its social data coverage and enhance the analytics offerings to its existing enterprise clients and agency partners.

     

    Bhupendra Khanal, CEO Simplify360, remarked, “Google+ is one of the most futuristic social networks and has shown great potential to be leveraged by businesses. This integration will be crucial for us to develop and provide value to our customers to take advantage of the full potential of Google+.”