Category: NEWS

  • IPL’s Run Feast & the Future of Cricket

    Shailesh KapoorWe are in the second half of another engrossing edition of the Indian Premier League (IPL0. While the beats of IPL are now all too familiar, this season has managed to catch our attention because of the consistent stream of high scores we have witnessed. Two days ago, Sunrisers Hyderabad chased down 166 in less than 10 overs, without losing a wicket.

    The Hyderabad team has been at the forefront of the run feast that’s been unleased in IPL 2024. They account for three of the Top 4 team scores this season, including the top entry: a staggering 287 vs. Bangalore. In the 2024 edition, the 250-mark has been breached eight times already. And we are still 14 games away from the tournament’s end. In contrast, the 2023 edition saw 250 being breached only once, over the entire event!

    This is not an increment change. It’s a sign that the game may be evolving faster than one imagines. 300 is not far away, one imagines. And who knows what the upper limit in a 20-overs innings could be.

    Purists would argue that this makes the sport all too one-sided in the batter’s favour. But the audience, who are essentially there from entertainment, are certainly not complaining. And there is Test cricket for the purists anyway. It’s difficult to compare IPL viewership over the years because the digital component does not have transparency on viewership reporting, and the split between linear and digital continues to change with each passing year. But it’s safe to say that we may be in the middle of the most-watched IPL season of all time.

    The IPL will make way for the T20 World Cup, and the IPL run feast will invariably extend to T20 international games too. This may have been a boost cricket needed, for some sort of global expansion, which the governing body of the sport has been trying for years now, often half-heartedly, mostly unsuccessfully. If only they muster the courage to pull the plug on the ODI format, the future of cricket may not be that bad after all.

    In our latest sports report released in March this year, the awareness and viewership numbers for some of the foreign T20 leagues, especially the Big Bash (Australia), Caribbean Premier League and Pakistan Super League were very healthy. It shows that the Indian audience has developed an appetite for T20-formatted entertainment over time, and this will only rise if we have more high-scoring games. Perhaps it’s time to bring the Champions League, an idea that was too early for its times back in 2008.

    Meanwhile, with 14 games to go, I’m rooting for 300. Sunrisers have two home games to go, and we may not have to wait too long.

  • Tendulkar features in Ageas Federal Life

    Ageas Federal Life Insurance, introduces its latest brand campaign film, “Cradle to Crease,” an initiative focusing on financial planning and investing in life insurance.

    The campaign sheds light on the significance of early financial planning for parents through the lens of Sachin Tendulkar’s debut.

    Speaking about the brand film, Erum Kidwai, Senior Vice President & Head- Marketing at Ageas Federal Life Insurance, said: “With “Cradle to Crease,” we aim to redefine the narrative surrounding financial planning and insurance. Sachin Tendulkar’s journey serves as a powerful reminder that there is no fixed age or time to prioritize financial security. Through this film, we seek to inspire individuals to take charge of their future fearlessly and embrace a proactive approach towards financial planning through insurance.”

    Adddd Mukund Olety, CCO VML: “After a very successful Young Sachin campaign, we have created Cradle to Crease. The film features Sachin walking through the tunnel of life as he reaches the pitch. Using technology, we’ve created a hyper-realistic rendition of 16-year-old Sachin to recreate the moment he made his international debut. With the power of Gen-AI, we’ve told a story that could not have been told 5 years ago. We are constantly pushing boundaries and using technology to make storytelling richer and better. We’re sure seeing Sachin walk up to his debut shall inspire a lot of parents to plan better.”

  • Myntra unveils brand campaign with Kiara Advani

    Myntra launched its new brand campaign, ‘Trend IRL (In Real life)’, featuring actor Kiara Advani.

    Notes a communique: “The campaign features a series of films spotlighting various trends, from ruffle dresses to corpcore in western wear, and from ready-to-wear sarees to summer sharara sets in ethnic wear, reinforcing Myntra’s position as one of the trendsetting leaders.”

  • Madan Bahal, Prateek Bhardwaj, and Amit Sharma appointed as Jury Chairs for Abby Awards 2024 powered by One Show

    For the past few weeks, we have been publishing news on the announcement of names of jury chairs of various award categories of Abby 2024 (full name: The Abby Awards 2024 powered by One Show).

    So here’s one more: Madan Bahal, Co-Founder and Managing Director of Adfactors PR, Prateek Bhardwaj, Chief Creative Officer and Head of Creative (India) at Lowe Lintas and Amit Sharma, Founder Director of Chrome Pictures have joined as jury chairs for the Public Relations, Direct and Video Craft categories respectively.

    The Abby will be held from May 29 to 31 as part of Goafest 2024. This year, Goafest is being held in Mumbai, at Westin Powai, overlooking Powai Lake.

  • Public Affairs Forum announces officebearers for 2024-25

    Public Affairs Forum of India (PAFI), the association of corporate public affairs practitioners, has announced names of its officebearers for 2024-25. PAFI represents members from over 100 major Indian and global companies. Deepshikha Dharmaraj took over as the President of PAFI for 2024-25 with immediate effect from Vinita Sethi

    “This is a pivotal year as the world turns its attention to India and its influence in geopolitics, climate change, and business uncertainty,” said Dharmaraj, who is CEO of BCW India Group (soon to be Burson India Group). “With the collective experience and guidance of PAFI’s exceptional past presidents, officebearers and the PAFI secretariat, I am looking forward to foster meaningful ideas and facilitate dialogue to support the government, policy and corporate decision makers.”

    Added Sethi, the outgoing President of PAFI and Senior Vice President & Chief Public Affairs at the Apollo Hospitals Group: “Over the last year, we have implemented steps towards increasing member engagement through sectoral councils, hosted a very well- received 10th Annual Forum, and continued our efforts to build capacity among young public policy professionals. We also initiated a focused initiative towards accelerating the participation of women in the workforce and leadership. Looking ahead, I believe PAFI will continue to deepen this work and lead public policy practitioners across more areas.”

    Chetan Krishnaswamy, Vice President, Public Policy, Amazon India is the new Vice President. Medha Girotra, Vice President- Communications, Asia Pacific, Mastercard is the new Secretary, and Shivnath Thukral, Director and Head Public Policy, Meta India is the new Treasurer.

  • Star Sports partners with Asian Legends League for next three seasons

    Star Sports has partnered with the Asian Legends League as the Official Broadcast Partner for the next three seasons, spanning from 2024 to 2026. The Asian Legends League, a platform for former retired cricket legends from Asian countries, is set to showcase the talents of iconic players in an exhilarating league format.

    The league, organised by World Sports Group (WSG), will feature five franchise teams representing renowned cricketing nations: Indian Royals, Sri Lankan Lions, Bangladesh Tigers, Pakistan Stars, and Afghanistan Pathans. The highly anticipated event is scheduled to take place from May 27th to June 4th, 2024.

    Said League Commissioner Chetan Sharma: “We are delighted to partner with Star Sports, a pioneer in sports broadcasting, to bring the Asian Legends League to fans across the globe. This collaboration will undoubtedly enhance the viewing experience and elevate the stature of the league.”

    In addition to the partnership announcement, WSG has finalised key committees to uphold the integrity and standards of the league. The Code of Conduct & Ethics Committee, chaired by Ashok Malhotra, includes esteemed members such as Chetan Sharma, Vijay Dahiya, Harwinder Singh, and Parwinder Singh. Furthermore, the Playing Condition Committee, led by Vijay Dahiya, comprises Harwinder Singh, Sarabh J Singh, and Nensi Patel.

  • Speed thrills. But it kills. Kills creative rigour…

    Speed thrills. But it kills. Kills creative rigour…

    With apologies to none

     

    Vikas MehtaI live in the foothills of Himalayas and whenever I drive up the mountains, I see this sign on the roads. Speed thrills. But it kills. And this also reminds me of the state of Indian advertising. How? Let me outline it.

    Every year, I watch the Indian Premier League (IPL), eager to watch the cricket and also the new ad campaigns. IPL would mean that many brands would be ready with new ads. Much thinking and effort would go into the same. Brands like Vodafone would release campaigns just for IPL. Zou Zou ads were released by Vodafone only during the IPL. New brands like Cred made a splash and an impact with some outlandish campaigns during IPL. Swiggy’s ‘no order is too small’ with its ubiquitous uncle was another such memorable campaign. Even fantasy betting brands like Dream 11 made their beginings during IPL. Amazon’s Chonkpur cheetah was another memorable campaign which resonated during IPL. And who will forget the Indian Panga League ads done by Virgin mobile which were produced enmasse and was the first example of brand going viral in India.

    But, sadly, in the past two-three years even though advertising spends during IPL have increased and the opportunity to advertise has also increased manifolds with OTT channels now hogging a lion’s share of the advertising budget, the level of creativity and the memorability of the campaigns has moved in the opposite direction. Even brands like Cadbury’s Dairy Milk which have almost always been synonymous with memorable creative ads, have become pedestrian.

    I have seen marketing and advertising pundits commenting about the same. Everyone has some solid reasons. Lack of talent bemoan a few. Advertisers are not remunerating ad agencies enough so good talent is staying away from advertising. True to a certain extent but this is not a recent phenomenon. No long-term relationships between clients as every advertising execution is seen as a project and every project is pitched for. So, agencies do not understand the DNA of the brand. Again, partly true as I will explain later. Digital and ROI/ measurability is destroying the concept of creativity. That is an overrated statement as almost all clients for decades have been trying to understand impact and effectiveness of advertising. It’s like saying that science and its rigor kills creativity. Many a pre and post tests have existed and many brands have lived by them and still produced some memorable advertising.

    All the above reasons may have combined to contribute to the decline in the advertising standards, but in my thinking the single most reason that has caused a decline in creative standards is the lack of rigour in advertising.

    Starting from the brand or client. Is there a good brief? Is the marketing objective clearly spelt out? It’s not just about increasing sales. It could be differentiating a benefit. It could be reinforcing a new benefit. It could be creating a brand perception. It could be strengthening an emotional connect. But is it spelt out and defined? Does the agency convert a marketing brief into an advertising brief?

    Is the Target Group well-defined? I am not saying buyer groups but target group. The misunderstanding today unfortunately, is that since IPL is a universal event liked by all, the brand should talk to all. That’s a big mistake. Because a brand can use different tone of communication for different target groups. One tone means the lowest common standard. Please all and fall flat on your face.

    Is the brand personality clear? That can also affect the tone and the type of communication. Pepsi is cheeky, fun, rebellious, thinking out of box. But not Coke.

    And brand personality can decide the brand ambassador. Every brand need not use the Khans or the Bachchans or the Kapoors. Or even the Kohlis or the Sharmas. Nor should their price or availability decide the brand ambassador.

    How much is all above discussed and debated and decided upon? It’s all about doing things fast and immediately.

    I would like to take a simple example. RBI is doing a good job alerting people against frauds and financial awareness. From what I read and from experience of my relatives, I think RBI is trying to alert senior citizens who may not be either tech savvy or even financially savvy from potential frauds. And an ambassador like Amitabh Bachchan is for that TG a respected and looked upon icon. So, RBI ads are doing a good job. But are they making an impact with the GenZ, who are into money management in a big way from a young age? I doubt it. If RBI has to talk to them then its messaging, tone, ambassador all need to change.

    Are RBI ads memorable? Not exactly. My definition of memorable is simple. Will the TG remember it amongst a clutter. Will they think about it? Will they talk about it and maybe forward it on social media? The answer is no. They could have been much more memorable if these had a good consumer insight. Currently, the ads are just a proposition and explanation type of ads.

    And insight like all the above points needs a strong rigour. It’s something which one does not think about or even imagine but it lurks in the mind and is semi-conscious. It’s not an obvious thing but needs astute observation, deliberation and peeling of layers by asking questions. Every guy’s fantasy is that the girl makes the first move, is an insight. When it comes to cricketing loyalties or for that matter sport loyalties families can be divided, is an insight. The biggest enemy of the child getting into winning ways is the love of mother, is an insight. Consumption is not a guilt, is an insight.

    The rigour involved in defining the target group, in defining and maintaining the brand personality, in finding a relevant TG insight is what is missing in today’s advertising. And these are missing for the reasons that pundits mention.

    Short-term relationships mean not understanding the brand in terms of either brand personality or their TG. Incidentally, this holds good for the marketing teams also. Marketing people keep on jumping for better prospects. So, there is no one who really understands the brand or it’s TG or it’s personality.

    Marketing teams going through revolving doors means that marketing objectives are all short-term sales-related. Bonuses and increments are linked to the same. All ROI or effectiveness is measured in those parameters. And since Digital has various ways to measure immediate returns the concept of TG gets converted to user, or bluntly put the whole universe. So, brand-building, emotional connect, TG relationships etc are rarely considered as objectives. Either for marketing or advertising.

    This results in poor communication, improper results and poor remuneration for agencies. And finally, short term relationships.

    It is a vicious cycle that keeps on repeating.

    I am not saying that this happens with all clients or brands but my experience shows that this is symptomatic.

    So, everything happens in a rush. There is no time for proper TG understanding or clearly defining the TG. Everything is required immediately. There is no time to even craft an ad in terms of casting or art direction or editing. Rigor is sacrificed. Fundamentals are not pursued.

    As I said. Speed thrills but also kills. In this case it kills creativity, memorability and sadly the advertising industry.

  • JioCinema targets youth with Anime Hub

    JioCinema has bolstered its content offerings with an all-new Anime slate for its Premium subscribers. Starting yesterday, May 12, JioCinema will be home to top Anime shows having cult fandom and the launch will be headlined by the global simulcast of Season 4 of Demon Slayer. JioCinema Premium members will have unlimited access to the Anime Hub, a communique adds.

    With an aim of growing the Otaku (anime fan) community in India, the offering will be home to a curated selection of hits and hidden gems, all available in an ultimate ad-free experience with offline viewing options. Animayhem will continue to thrill its fans with new content everyday across the month with hits like ‘Bofuri: I Hate Getting Hurt, So I Put All My Skill Points Into Defense,’ dark comedy  ‘My Next Life as a Villainess: All Routes Lead to Doom!,’ magic driven ‘The Familiar of Zero,’ goblin-hunting action ‘Goblin Slayer,’ and supernatural mystery with ‘In/Spectre’, ensuring there’s something for everyone.

    If you aren’t familiar with the above names, then you are obviously much older and not in sync with the GenZ is watching. And some millennials and Gen Alpha folks as well.

    Speaking on the introduction of a dedicated hub for Anime, a JioCinema spokesperson said: “JioCinema Premium’s consumer-first approach has opened access to high-quality and diverse content for audiences across India. Our latest offering, Anime Hub offers a world of content that will keep anime fans entertained. From simulcast real-time global releases to hundreds of hours of top Anime titles, we are confident that JioCinema’s Anime Hub will grow to become a destination of choice for anime fans in India.”

  • Kyoorius Young Blood Award goes to two CDs from Dentsu

    Devansh Chaudhary
    Devansh Chaudhary
    Rohit Sharma
    Rohit Sharma

    Dentsu Creative celebrates the achievement of Devansh Chaudhary, Associate Creative Director – Copy, and Rohit Sharma, Art Director, who have won the Kyoorius Young Blood Award 2024 for their work ‘Cali: The Indian Denim Thread’. The winners will be honoured with the Red Elephant – an award that recognises excellence and innovation among young professionals under 28 years of age.

    The challenge, presented by brief partner Myntra, was to reimagine the timeless denim with an Indian twist and create a narrative that reflects the rich and diverse culture of India, with a contemporary appeal.Under the guidance of Manzoor Alam – Executive Creative Director, Dentsu Creative India, the duo created the winning proposition.

    Amit Wadhwa
    Amit Wadhwa

    Speaking on the win, Amit Wadhwa, CEO, Dentsu Creative India said: “We are extremely proud of Devansh and Rohit, who have shown exceptional talent and originality in their work. They have not only met the challenge but also exceeded our expectations by creating a product that is both functional and meaningful. This recognition reinforces our belief in nurturing and empowering creative minds to make a lasting impact on the industry.”

  • Tredence appoints Munjay Singh as COO

    Munjay Singh
    Munjay Singh

    Tredence, a data science and AI solutions company, has appointed Munjay Singh as Chief Operating Officer (COO).

    Said Shub Bhowmick, CEO and co-founder of Tredence. “Tredence collaborates with more than forty Fortune 500 companies to help them uncover opportunities in marketing, customer experience, supply chain, and other functions. We have developed verticalised collections of AI and data accelerators that our clients have implemented to achieve tangible business improvements within weeks. Under Munjay’s leadership and strategic guidance, we aim to propel this vision forward, driving innovation and operational excellence across our business functions and practices, and achieving new levels of success.”

  • Ranjona Banerji: Pussyfooting from the traditional Indian media

    Ranjona BanerjiMadhavi Latha, the BJP candidate for Hyderabad, “found herself in the midst of a controversy” says a Times of India article. The controversy was one which Latha appears to have caused herself by going to a polling booth and asking Muslim women in burkhas to lift their veils so that Latha could check their identity cards. Or perhaps TOI meant that the controversy part was because someone released a video clip of Latha doing this. Had the video not been made public, there would have been no controversy to be in the midst of?

     

    I write this on May 13, as India votes in Phase 4, and there are reports all over social media that voting is being stopped by election officials, especially in UP, because large numbers of Muslims have turned up to vote. These are unverified accounts but they point to the general pattern of “controversy” which the rank Islamophobia and undemocratic behaviour of the BJP and its supporters engenders.

     

    Does this also qualify as being in the midst of a controversy for the BJP’s second chief campaigner Amit Shah, also part-time Union Home Minister? That Raghav Trivedi, a TV reporter with moliticsindia, was beaten up at Shah’s Rae Bareli rally? Perhaps according to the venerable media, Trivedi caused a controversy by asking questions of people at the rally? Questions, as we know, cannot venture further too far from the “how do you eat mangoes, stay fit” mould when it comes to BJP politicians. Especially important ones.

     

    Interestingly, the Indian Express article on the same event has updated itself faster than TOI, to include the cases filed by the Hyderabad Collector against Latha for “undue influence at an election” and “obstructing public servant”. The article also mentions Latha’s earlier act of firing mock arrows at a mosque, while campaigning.

     

    I even saw a headline in the Express which said that a low voter turnout in Madhya Pradesh was bad for the BJP. However I think this may be compensation for esteemed Express columnists like Surjit Bhalla and Tavleen Singh telling us that the Indian economy is doing better than ever although there is no evidence of this or that Narendra Modi’s not mentioning his own achievements is the fault of a long election season.

     

    This sort of pussyfooting from the traditional Indian media explains why Youtubers like Dhruv Rathee can get over 7198528 views on a video within a few hours of release, and 11 lakh likes. The video is one more in a series where Rathee explains to his viewers how Modi’s entire past, from being a tea-seller to being poverty-stricken was a cleverly constructed lie.

     

    It may seem amazing to someone who gets into the story late that there was no consistent debunking of these lies about Modi when they first appeared. Because Rathee has done nothing more than use long-available material as evidence. Instead, the media just amplified the lies put out by the massive PR campaign built up around Modi. Knowing very well that they were lies.

     

     

    Rathee’s videos get their views. Other Youtubers who debunk political waffle, have been taken down on official request by the government when their focus has been on the BJP.

     

    I once again expect to hear spurious explanations of how scared the media is, especially from people whose vast media experience comes from having one friend/ niece/ nephew/ uncle/ aunt in a newsroom. And I once again refuse to accept them.

     

    The media cannot be excused for the current condition we find ourselves in. This election and after.

     

    Ranjona Banerji is a senior jouralist and commentator. She writes on MxMIndia on Tuesdays and Fridays. Her views here are personal.

  • Santoor relaunches lime soap with new TVC

    Santoor, the Wipro Consumer Care and Lighting flagship brand, has unveiled a new TVC for its lime soap.

    Said S Prasanna Rai, Chief Marketing Officer (CMO), Wipro Consumer Care & Lighting: “We have relaunched Santoor Lime soap with a great new fragrance. In an in-use consumer research we have found that this new Santoor Lime soap has been loved by 9 out of 10 freshness soap users due to its better bath sensorials. This TVC embodies the same essence of Santoor Lime soap which delivers a refreshing bathing experience lifting the mood.”