Category: TV

  • Zee Digital appoints Archana Anand as Business Head, DittoTV

    By A Correspondent

     

    Archana Anand

    Archana Anand the current Vice-President & Head-Global Business Development, performance marketing and life cycle management at Zee Digital Convergence Ltd, will be the new Business Head of dittoTV. In her role as Business Head-dittoTV she will report to Debashish Ghosh-CEO, ZDCL (Zee Digital Convergence Limited, the digital arm of ZEEL).

     

    Debashish Ghosh, CEO, Zee Digital Convergence Limited on her appointment highlighted, “The OTT Industry is at an influx point with competition hotting up and things looking better than ever before in terms of choices for the end consumer. Content and Broadcast behemoths have all woken up to this reality and are quickly ensuring that they too are in the race, so as to continue to engage the end consumer and his demands for watching TV anytime, anywhere. As recently was done with the launch of our exclusive beforeTV feature which telecast, shows hours before television.”

     

    Archana comes with close to 20 years of experience across domains, a management professional from IIM Bangalore, who has worked across the Sales, Client Relationship, Product, Creative and User Experience domains, to have a very well rounded and holistic sense of managing a new age product business.

     

     

  • Fourth Dimension Media completes 5yrs in India

    By A Correspondent

     

    Fourth Dimension Media Solution has completed five years of operations in India. The Chennai based media outsourcing company is counted among the successful media outsourcing firms in India. The company operates with offices in Chennai, Mumbai and Delhi.

     

    It has marked its footprints not only in television, radio and magazine but also in areas such as outdoor, cable, digital and social platforms as well. The firm currently handles the sales of Puthiya Thalaimurai (No.1 Tamil News channel), V6 (Leading Telugu News Channel), Maharashtra 1, Puthu Yugam (Tamil GEC), Da Vinci Learning (International kids edutainment channel), aggregation of National Cable TV,  Saamana, etc.

     

    Shankar

    Speaking on the occasion, CEO Shankar said, “We dedicate our success to all the clients who have believed in us and stood by us throughout our growth. I also take this opportunity to thank my team members without their relentless effort this success would not have been possible.”

     

  • Colors set to enthral viewers in New Zealand

    By A Correspondent

     

    After engaging viewers across more than 135 countries, IndiaCast is all set to further strengthen its footprint in the New Zealand market. Starting 9th February 2016, IndiaCast will reinforce Colors’ presence to viewers in New Zealand, giving them access to the finest offerings from their content library as part of SKY’s foreign language subscription channel line-up.

     

    The Colors bouquet of offerings includes a robust combination of fiction dramas, non-fiction, reality shows, live events and blockbuster movies. The programming line-up caters to many entertainment needs of the Indian diaspora across the world.

     

    Commenting on the success story, Raj Nayak, CEO – Colors said, “It has been our constant endeavor to present viewers with path-breaking content across the globe, which has fortified our position as a game changer in the television industry. As the channel launches on SKY in New Zealand, it strengthens our belief that our programming line-up provides not only Indian viewers but also international audiences with entertainment avenues in sync with their sensibilities and preferences.”

     

    Commenting on the association, Anuj Gandhi, Group CEO – IndiaCast, said, “IndiaCast has been at the forefront of bringing Indian viewers spread across the world one step closer to home and Indian culture, by bringing them the best of Indian content. Our association with SKY enables us to reach out and further strengthen our footprint with content that engages and entertains.”

     

    Commenting on the association, Megan King, Director of Content Strategy – SKY, said “At SKY, we’re always evolving to provide our customers with a world class entertainment experience. COLORS offers superb Hindi entertainment content and its inclusion in our foreign language channel line-up helps bring this culture closer to home here in New Zealand.”

     

  • Zee 24 Taas Ananya Sanmaan on Feb 16

    By A Correspondent

    The eight edition of “Zee 24 Taas Ananya Sanmaan” will continue its effort for carrying forward the tradition of “Sanman” and honoring the extraordinary, to reward and recognise the extraordinary efforts of the unsung heroes across various fields of activity which are sports, entertainment, social service, education, farming, environment, and bravery. Along with this, the platform also celebrates the achievement of the legendary person from one of the field with the Life Time Achievement honour.

    In its previous editions, Zee 24 TaasAnanya Sanmaan honored Marathi achievers and Unsung Heroes from different fields respectively. It had witnessed the presence of eminent personalities like Union Minister, Chief Minister and Dy. Chief Minister along with other luminaries.

    The Zee 24 Taas Ananya Sanmaan 2015 will be held in the evening of February 16 2016 in Mumbai. Panvelkar Group and DHFL are associate sponsors for it where as Mango Holidays as Travel Partner, Chikitsa as Wellness Partner & TJSB as Banking Partner are associated with it.

     

  • Sudhanshu Vats | Make in India. Show the World

     

    By Sudhanshu Vats

     

    Sudhanshu Vats, Viacom18 Group CEO and Chairman CII National Committee on Media and Entertainment, gave a closing speech at the Media & Entertainment Seminar on Day 3 of Make in India, chaired by I&B Minister of State Colonel Rajyavardhan Singh Rathore, Sumit Mazumdar and Ramesh Sippy. Here’s the text of the speech:

     

    Sometimes we get carried away with the concept of Make in India and think of it in terms of big machines, big companies, big resources. But Make in India is at the heart of every Indian, every individual. And it was actually interesting to see that Shri Narendra Modi, our honorary Prime Minister, on Saturday, emphasising on a great point: Make in India is a programme that is supposed to do two things. 1) It’s supposed to generate jobs for our youth, and 2) Be a platform for our youth to become job enablers and entrepreneurs. And I think it’s in this context that Media and Entertainment fits beautifully. The ability of an Indian and everybody associated with the M&E industry to do that is fantastic. And I think it is this concept I would want to build up on first.

     

    The size of our industry is close to about 18-20 billion dollars. India boasts of the world’s 3rd largest TV audience, 2nd largest print circulation, largest film output and one of its largest Internet audiences. Yet, at ~17 Bn USD, our entire industry earns less than some of the world’s largest media conglomerates. The latest edition of the Star Wars franchise has already crossed over 1.5 Bn USD in global ticket sales, more than 2x of global collections (including gross domestic collections) of all Bollywood films in CY15.

     

    Some will attribute this dichotomy to our content: is the comparison even valid? ‘Can we even think of matching the production budgets of global tentpole properties?’ ‘Are our stories universal in a way that they appeal to the entire world?’ Others make references to economics to explain the chasm: in terms of purchasing power parity we are significantly greater than based on our ‘nominal revenues’.  There is another lot (including myself) that looks at the regulatory framework for answers: shouldn’t pay TV pricing be completely deregulated if we want to deliver quality content? ‘We need addressability across India to ensure that the entire value chain gets its fair share of revenues.‘

     

    All these voices are acceptable, rational and attention-worthy. It might be prudent to point out that for our sector to attain escape velocity a deeper, more holistic view is required.

     

    But I think the Make-in-India programme has placed the (long overdue) global spotlight on India’s economic potential. And for the Media and Entertainment industry to realise its true potential, I would like to emphasise on what our honourable Prime Minister rightly described in his inaugural speech: The idea of the 4 Ds. Reiterating what he said, India is known for 3 Ds, which is democracy, demographic dividend and demand. But now the time is to lay emphasis on the 4th D, which is deregulation.

     

    For Indian firms to compete successfully, we need a light touch, consistent regulatory approach when it comes to our content, pricing and licensing- one that ensures parity across technology, platforms and jurisdictions. Multi-dimensional capacity building is the need of the hour. This theme has been repeated so often that it’s on the verge of becoming cliché. Yet that doesn’t take away from its relevance even today. If we truly want to transform this country into a global content powerhouse we need to invest in human capital and infrastructure. We employ around 5 Mn people today. We will easily need to double our workforce in the next 5-7 years to realise our goals.  This includes talent from the creative, technical and management spheres.

     

    We need to invest in this talent pipeline today, if we are to reap the benefits in time. The industry needs to collaborate more with educational institutions, the government needs to facilitate these partnerships and parents and teachers need to create awareness and nurture interest in design, technology and creative skills at the level of primary education. On the infrastructure side, while BharatNet is a commendable step, we need to expedite its rollout. Even today India has mobile-dark villages and some would argue that broadband speeds are too dismal to even be classified in the way that they are. Public Internet access is fast becoming a basic necessity in the lives of most Indians.  Finally, infrastructure in the form of convention centres, stadia and venues for experiential entertainment needs to be built to support our industry. If we don’t get this piece right, the puzzle will remain incomplete.

     

    Today, the M&E sector contributes to ~1% of India’s GDP, much lesser than its counterparts in developed economies. With time, as it grows in importance and scale, this contribution is bound to increase exponentially. The sector’s very inclusion in this flagship programme underscores its importance. Several policy measures under the aegis of the ‘Make-in-India’ programme are well intended. We are eagerly awaiting the new IPR policy, which is a much-needed intervention to ensure that our industry prospers. A steam-lined investment approval process and favourable foreign trade policy regime is bound to provide our sector with a fillip. The Make-In-India programme is a right step in the right direction. It has captured the imagination of people around the world, bolstered spirits within corporate and policy corridors and set the ball rolling for much-needed reform measures.

     

    We power several ecosystems, beyond our own. As per press reports, over 18 Bn USD of investment proposals have been received in electronics manufacturing, particularly by mobile handset manufacturers. Have we ever stopped to ask about the utility of that awe–inspiring device with a 5-inch HD screen with 64GB storage and oodles of computing power if we don’t have high-quality, engaging video content? Media rights are the single largest contributor to almost all sporting leagues in this country. FMCG companies spend a significant portion of their top-line (~10-15%) on advertising because it contributes significantly to their growth. French islands and Turkish cities witness an increase in in-bound tourists after they’ve been featured in our films. We’re more than just us.

     

    To conclude: The first thing is to continue the journey on deregulation. Keep it light with policies that are thought through. The second thing is in the area of IPR. And I think if the M& E industry has to grow further, we will need to have a very well-articulated IPR policy and the good thing is that the honarable Prime Minister himself spoke about this at the Make In India inauguration event.

     

    We need to seamlessly blend technology and creativity. For that, we will need more physical infrastructure for us to be able to organise events that do so more regularly, more frequently and more safely. I think that is the third area where the impetus is on us for building better physical infrastructure.

     

    My final point is in the area of building capacity from the point of view of multidisciplinary talents. Because ours in a converged world, I think it’s the combination of talent and management, talent and creative content, and talent and technology which will allow us to progress.

     

    The M&E sector is a key pillar of the Make in India programme and is bound to gain from it, and gain it should. After all, when we ‘Make in India, For the World’, we also ‘Make India and Show the World’.

     

  • Viacom18 joins hands with DIPP to launch launch MTV Kickstart

    By A Correspondent

     

    Viacom18 along with #StartUpIndia initiative of the government’s Department of Industrial Policy and Promotion (DIPP) have announced the launch of India’s largest outreach programme for young entrepreneurs. ‘MTV KICKSTART’ will be an annual programme that will equip the youth to start up. Supporting MTV, the iconic youth brand, in its unique initiative – MTV Kickstart, , #StartUpIndia will bridge the gap between ideas and investors and give young India a helping hand in making their entrepreneurial dreams come true.

     

    Said Amitabh Kant, Secretary, Department of Industrial Policy & Promotion (DIPP): “I am excited about our association with Viacom18’s MTV for instituting a platform called MTV Kickstart. The multi-platform programme will help us engage with the dynamic youth of India, help them start-up with ease and inspire a new generation to follow their dreams and become successful entrepreneurs.”

     

    Delivered through engaging and interactive content through television, web, mobile and social media, MTV KICKSTART will work towards educating the youth about the ecosystem of start-ups. The program will aim to educate through personal and informal interactions with start-up kings, investors, advisory and much more.

     

    Sudhanshu Vats

    Speaking about the initiative, Sudhanshu Vats, Group CEO, Viacom18 said, “Viacom18 has always been at the forefront of being the catalyst of change within the media and entertainment space in India. We are in the business of entertainment that enriches the lives of our audiences through meaningful content and by engaging with them across multiple platforms. We now wish to extend the catalyst role to the start-up space as well by being a part of the journey of young entrepreneurs who dream to create a better tomorrow for India. The government of India has done a commendable job at addressing the need of the hour by instituting initiatives such as #StartUpIndia to encourage young Indians to become entrepreneurs.”

     

    Explaining the concept of the initiative further, Ferzad Palia, Head – Youth and English Entertainment, Viacom18 said, “MTV Kickstart is our way of driving India’s growth story by helping its biggest asset – the youth – to write their own narratives for the Make In India initiative laid down by our government.

     

  • Zee Media celebrates 150mn viewers

    By A Correspondent

     

    Zee Media is celebrating the milestone of crossing the 150 million mark in terms of average weekly viewer base.

     

    “This achievement would never have been possible without the continued and relentless support from all our viewers and partners who have played an intensive role to unlock the collaborative power of the news business, making a much greater collective impact,” said Dr Bhaskar Das, Group CEO, ZMCL, adding: “The attempt is to achieve a new pinnacle in terms of revenue and market share. So let the revelry continue from a million to a zillion!”

     

    Said  R K Arora, CEO, ZMCL: “While ZMCL has gained credibility for a strong foothold and news coverage, ZMCL isimpatient like any innovator. It seeks potential everywhere and every problem is an opportunity for growth. As the largest news network, we at ZMCL believe our work must be integral to our mission of nurturing more informed and aware citizens, inspiring moments of optimism and happiness, creating value and making a difference to their viewer’s lives.”

     

    “It’s rare to be able to touch so many people’s lives and we take pride in adhering to our proposition of delivering indepth analysis, varied perspective and inspirational stories,” said Pooja Gupta, Marketing Head, ZMCL.  This journey though exhilarating, sometimes tumultuous times, has been an enriching and enlightening one.

     

    Zee Media Corporation Limited (eka Zee News Ltd.) has in its fold 10 channels, dna newspaper and the digital properties of zeenews.com and dnaindia.com. The network comprises three national channels – Zee News (Hindi News), Zee Business (Hindi Business News) and India 24×7(Hindi News). In addition, it has regional news channels, Zee Madhya Pradesh Chhattisgarh (Madhya Pradesh and Chhattisgarh), Zee 24 Taas (Marathi), Zee Rajasthan News (Rajasthan), Zee Punjab Haryana Himachal and Zee Kalinga News (Odisha). Additionally the company operates two regional news channels through its subsidiaries viz. 24 Ghanta (Bengali) through Zee Akaash News Pvt Ltd and Maurya TV (Bihar and Jharkhand) through Maurya TV Private Limited.

     

  • Zee Media issues statement on Vishwa Deepak

     

     

    Zee Media Corp Ltd has issued a statement which is as follows:

    It has come to the notice of Zee Media that Mr. Vishwa Deepak who was working with Zee News, after his resignation dated 19.02.2016, has made certain statements on various social media platforms which are not only incorrect but also defamatory and mischievous. Some of the media houses without proper verification of the facts and going into details of the false, incorrect and mischievous statements made by Mr. Vishwa Deepak, have portrayed the said statements as a statement of fact. It is disheartening to see that other media platforms without even caring to check with Mr. Pawan Nara who was reporting that night from JNU chose to believe and report wild allegations. By this statement ZMCL condemns and deny all the allegations made by Mr. Vishwa Deepak and wishes to highlight the following points appealing to all Media Houses to consider prior to portraying the statements as a statement of fact:

     

    1. ZMCL is a large media house and people leaving and recruitments are a normal affair.

     

    2. Mr. Vishwa Deepak was neither concerned nor was he involved in any stories related to the JNU issue.

     

    3. Mr. Vishwa Deepak had never discussed any of these issues with anybody in the organization, if he had any.

     

    4. The news report regarding happenings of events in JNU on 09.02.2016 and shouting of anti-national slogans such as ‘Pakistan Zindabad’is a true factual event that was not only reported by ZMCL but also other Media houses which have also reported shouting of anti-national slogans.

     

    5. It is evident from the raw footage shot by its cameraman that slogans such as ‘Pakistan Zindabad’were raised in JNU on the night of 09.02.2016.

     

    6. The raw footage of the happenings on the night of 09.02.2016 has been submitted by ZMCL to the Delhi Police and the Police Authorities are in the process of verifying the correctness and truthfulness of the said footage. ZMCL is confident and sure that the authenticity of the said footage would be once and for all clearly established by the reports of Delhi Police.

     

    7. ZMCL is an independent media house which has no affiliations with any of the political parties and as such does not take any sides while reporting any news.

     

    8. ZMCL has always endeavored to ensure that the news reported by it meets the standards of being unbiased, neutral and are true facts.

  • Viacom18 to rev up Hindi movie channel space with ‘Rishtey Cineplex’

     

    By A Correspondent

     

    Four years after selling a large Hindi films library to rival Star India and shelving plans to launch a Hindi movie channel, Viacom18 has announced its plans to fill in the gap. A move that has been described as a “no-brainer” for any entertainment network by a trade analyst.

     

    Films like Bajirao Mastani, Airlift, Pyaar Ka Punchnama 2 and still-to-be-released flicks like Force2, Kapoor and Sons and Ae Dil Hai Mushkil are part of the Rishtey Cineplex arsenal. “The channel’s launch further paves the way for new film acquisitions to offer quality film-based entertainment and big television premieres to viewers,” a communiqué adds.

     

    Sudhanshu Vats

    Commenting on the launch, Sudhanshu Vats, Group CEO – Viacom18 said, “With the launch of Rishtey Cineplex, we are entering the large Hindi movie genre thereby filing a pivotal whitespace and offering a holistic Hindi entertainment ecosystem from our stable.”adding:  “The movie channel will bolster the networks reach across India and help us dial-up our engagement levels with our viewers. It will also enable us to offer 360-degree value to our advertisers creating more opportunities for on-air promotions enabling optimization of ad inventory across the network”.

     

    Interestingly, the channel will not piggyback on the ‘Colors’ brand as a slew of non-Hindi channels did in the in recent months. It is christened ‘Rishtey Cineplex’ and thereby indicating that Viacom18 could further the ‘Rishtey’ franchise which has until now been occupied by a free-to-air re-runs channel.

     

    Raj Nayak

    Said Raj Nayak, CEO – Colors and Rishtey: “We have scripted a great success story for brand Colors with it being extended into regional languages and English entertainment. Each of these channels has helped us cater to an intrinsic viewer demand. We are now all set to give impetus to brand Rishtey with the launch of our exclusive Hindi movies channel Rishtey Cineplex that will help us fortify our Hindi entertainment portfolio.”

     

    Is there room for another Hindi movie channel? The analyst we spoke with said yes, emphatically, adding a caveat: “It’s a function of the films you win rights for and how you place them – between your flagship GEC and thereby earn ratings for it and the movie channel which is where it should ideally belong.”

     

    As per the latest data of BARC, the pecking order of Hindi movie channels is: Sony Max, Zee Cinema, Star Gold, Movies OK and &Pictures.

     

     

  • Sony ESPN channels to telecast UFC 196 in India

    By A Correspondent

     

    SONY ESPN channels, the latest addition to Sony’s sports cluster, will broadcast the highly anticipated UFC 196, live and exclusive, on 6th March 2016, at 0830 Hrs on SONY ESPN and SONY ESPN HD.

     

    Witnessing UFC’s consistent viewership in the market, SONY ESPN is taking a step forward in growing the sport’s popularity and has launched an MMA Fan Club called The Octagon. The Octagon was formed for people who simply love MMA and will create unique community experiences for fans. The Octagon’s first fan initiative is hosting a special breakfast screening of UFC 196, live at the Hard Rock Café. SONY ESPN is conducting an on air and social media contest for viewers who can win an exclusive opportunity to be a part of The Octagon experience.

     

    The fight card will be headlined by Featherweight Champion, Conor McGregor who will take on lightweight contender Nate Diaz in the highly anticipated match-up. McGregor’s popularity grew exponentially after he defeated Jose Aldo in 13 seconds to win the Featherweight title in UFC 194. He had hoped to win the lightweight belt simultaneously before Dos Anjos pulled out, citing an injury. His new opponent for UFC 196, Nate Diaz, whose brash style is expected to make a strong draw, has already grabbed eyeballs from a lot of MMA fans worldwide.

     

    Women’s Bantamweight Champion, Holly Holm will put her title on the line against No. 2 Miesha Tate in the co-main event. This will be Holly Holm’s first title defence after she dethroned former champion, Ronda Rousey in November. Tate’s recent fight was a one-sided win over Jessica Eye, with her striking technique and is expected to put up a tough show against Holm in the upcoming fight. As a result, UFC 196 could prove to be a colossal of an event.

     

    The UFC 196 fight card live screening will be taking place on March 6, 2016, at 0800 Hrs at the: Hard Rock Café, near Fun Cinema Lane, Off Veera Desai Road, Andheri West, Mumbai – 400053. The screening is also open to walk in consumers who would like to be a part of the community experience.

     

  • India is waiting to be Tickled

     

    By Shailesh Kapoor

     

    It’s common knowledge that comedy is a popular genre of entertainment content worldwide. India is no exception, of course. Comedy is one of the most preferred genres for both television and theatrical consumption in India. It is also a unifying genre, binding age groups, genders, social strata and regions, on the strength of its powerful benefit, that of de-stressing.

     

    Yet, over the last few years, especially the last two, we have been in probably our worst phase in terms of the quality (and even the quantity) of content being dished out in this genre in India. There have been sporadic success stories in the regional space, but for the purpose of this piece, let’s focus on Hindi language content.

     

    About four years ago, SAB TV had promised a lot in this genre. They had some exciting new shows on-air. But in recent times, the channel has lost some of that momentum, and its flagship show Taarak Mehta Ka Ooltah Chashmah has lost its slot leadership too. Sensing the gap perhaps, Life OK has entered a similar space now, with Hamari Bahu Rajni Kant launching last month and May I Come In Madam coming up next week. The female perspective in Life OK’s comedy is unmistakable. How well this ‘experiment’ works will be in known soon.

     

    The only fiction comedy success story over the last three years has been Bhabiji Ghar Par Hain, the &TV programme that managed to find resonance, in its characters, treatment and setting. But even that show has not managed to grow after a very strong start. Star Plus’ attempt in this genre, Sumit Sambhal Lega, an Indian adaptation of Everybody Loves Raymond, failed to create a stir. Color’s Mrs. Pammi Pyarelal (2013) was a non-starter too. Zee TV’s weekend offering Neeli Chhatri Wale found an audience, but never quite skyrocketed on the popularity charts.

     

    With Taarak Mehta past its prime, the fiction comedy genre faces an apparent opportunity situation, whereby there is a huge audience available, but the right content just doesn’t seem to come by. Instead, non-fiction (though scripted) comedy has been in the spotlight over the last three years, because of the immense popularity of Comedy Nights With Kapil, and the subsequent migration of the star to Sony, announced formally earlier this week.

     

    In films too, the situation is not too different. The entire 2015 has only three mainstream comedy releases in Bollywood: Tanu Weds Manu Returns, Kis Kisko Pyaar Karoon and Singh Is Bliing. This year, two sex comedies released and bombed badly within a week of each other.

     

    There has been much talk in the industry, especially television, about how comedy is a tough genre to write and that we just don’t have the writing talent for it. Production houses and channels cite examples, one after the other, of how they have burnt their fingers with the genre. Those bad experiences have been wrongly rationalised as: The audiences do not like watching comedy in a daily format.

     

    The notion is evidently not true. The need to de-stress goes up with every passing year, and with it, the lucrativeness of the comedy genre keeps rising as well. A lucrative genre doesn’t mean mediocre content will deliver. But in times where new launches in other genres have failed one after the other, there are very high chances that the next big fiction hit on Hindi television will be a comedy show.

     

    When and on which platform that happens, is the million-dollar question indeed.

     

  • Times Network partners with Amagi for geo-targeted advtg

    By A Correspondent

     

    Amagi has announced that Times Network will use Amagi’s services to enable geo-targeted advertising on five of its channels – Times Now, ET Now, Romedy Now, Zoom, and Magic Bricks Now.

     

    Times Network delivers differentiated content across news and entertainment channels, to over 100 million viewers in the country. Amagi’s technology will enable the broadcaster to split ad inventory and provide regional ad spots to different brands. Times Network’s partnership with Amagi means that advertisers will also have the flexibility to buy regional ad spots on its channels at optimised costs. While this enables bigger advertisers to optimise their media spends, the smaller and regional advertisers can also advertise on national TV and target only markets of their choice and pay only for that. This opens a very good opportunity for entrepreneurs and small advertisers to see their brand on a National TV like a Times Now.

     

    Expressing his confidence in the partnership’s ability to deliver benefits for national and local advertisers, MK Anand, MD and CEO, Times Network, said, ‘’Our Network specialises in delivering decision makers at the top end of the Indian population. Our audiences are comparable with English Newspapers. With the ability to provide geo-targeted reach, we will now be able to offer city specific solutions complimentary to English Newspaper campaigns at very efficient costs. This will be a major innovation for media users.”

     

    “The partnership with Times Network is an evidence of the industry’s belief in Amagi’s core value proposition. Our endeavour is to help industry players recognize innovative and efficient technology-driven ad solutions. A unique patented technological platform has helped us emerge as a reliable choice for TV broadcasters to enable geo-targeted advertising. This marks another landmark step in Amagi’s growth and we are bullish about delivering exceptional results.’’ added Baskar Subramanian, Co-founder of Amagi.