Category: MEDIA

  • 92.7 BIG FM announces BIG Tamil Melody Awards 2012

    By A Correspondent

     

    92.7 BIG FM recently announced the BIG Tamil Melody Awards 2012, a platform which will honour singers and musicians in various categories who crafted the year’s super hit numbers. Music directors Bharathwaj and James Vasanthan, along with singer Unnikrishnan will be the jury members for the BIG Tamil Melody Awards 2012.

     

    The Award lineup will have a total of 16 categories of awards. 15 popular categories will be nominated by the jury and thereafter decided by listeners through a multi-media voting campaign. The remaining award will be conferred by the honourable Jury directly.

     

    The radio station has put together a package called the ‘BIG Karaoke Station’ for its listeners who will nominate their musicians of the year not by voting, but by singing the year’s super hit songs.

     

    As an added incentive to its passionate listeners, 92.7 BIG FM has provided them an opportunity to sing along with the top singers and music directors at the BIG Karaoke Station, and the top 5 listeners, selected both on-air and on-ground, will get an opportunity to be mentored by the nominee musicians of the year for the music awards. The winner will sing along with the mentors at the BIG FM Studio.

     

    Renowned singer and actor SP Balasubramanian has been announced as the face of the Awards, which are part of the premier radio station’s national initiative across seven regional markets.

     

  • Brandlogist wins two new mandates

    By A Correspondent

     

    Brandlogist, a boutique digital branding consultancy, has just won the digital mandate for RC Cola and social media mandate, including aspects such as social platforms, Bloggers program , social@mobile and influencers outreach, for Zee TV’s ‘Phir Subah Hogi’.

     

    For RC Cola the Indian market is literally a challenge with a far smaller market penetration, low awareness and smaller budget. They have decided to approach this challenge with an interesting perspective, taking digital as the primary driving platform and have chosen Brandlogist to help them strategize and execute this strategy.

     

    As Saurabh Parmar CEO, Brandlogist said: “That’s where we come in with an active engagement on the digital medium through which the communication extends to consumers across platforms and mediums.”

     

    Commenting on the reason for choosing Brandlogist, Mohit Khattar, Brand Head, Iceberg Foods Limited said: “It was the company’s strategy to build on a wider consumer base with the involvement of its audience and to create an experiential marketing environment by sharing the heritage and essence of the brand RC Cola.  We as a company were looking for young, creative, fresh and intelligent team who are among our target audience and would represent the sentiments and can draft the likes of the consumers. With Brandlogist we ascertained their passion for work, free flow of ideas and a sense of responsibility.”

     

    Phir Subah Hogi, Brandlogist’s second recent win is Zee’s new prime time show. Looking at the nature of the content, social media plays an important role to connect with people around the cause.

     

    Commenting on the two wins, Mr Parmar said: “It’s been 5 months but the idea of communication strategy which is new age yet not constrained by mediums is definitely having an impact. When we go to a client and say that it’s not about having x number of Facebook likes or people filing in a lead generation form without psycho-graphically analyzing that customer set or even getting a certain number of people to tweet your hashtag, but rather about doing something interesting, relevant enough so that they actually connect with you does raise a few eyebrows but has also got us the right accounts where clients have been perceptive enough.”

     

  • BBC Knowledge launches brand campaign that speaks directly to parents

    By A Correspondent

     

    BBC Knowledge has launched a new campaign -‘There’s no telling what knowledge can do’ – directed at parents. The crux of the campaign hinges on the fact that the magazine – with its focus on science, history and nature – gives the child a head-start in today’s competitive world. It has been timed with the reopening of schools in major metros.

     

    This is the first BBC Knowledge campaign targeted at parents; the campaign will run across mainstream dailies, magazines, outdoors and digital. There will be dedicated parent-child contests run by the magazine for this campaign.

     

    “The campaign, which is targeted at parents, reminds them that knowledge is the only edge they can give their kids. And that it’s not an option, but a prerequisite today, when it has become as important to outdo the competition as it has to outdo yourself ,” said Ayesha Bedi, Creative Group Head, DDB Mudra Group.

     

    Soela Joshi, brand publisher, BBC Knowledge said: “Marketing to parents is much more insight-driven. Parents as central role models have the responsibility to bring knowledge into their children’s life. By targeting parents, we are opening doors for their kids too. ”

     

  • Conde Nast Traveller India announces Readers’ Travel Awards 2012

    By A Correspondent

     

    Conde Nast Traveller is inviting its readers to vote for their most memorable and treasured travel experiences by participating in the annual Conde Nast Traveller Readers’ Travel Awards 2012, recognized internationally as a benchmark for excellence in the travel and tourism industry.

     

    Readers can vote for their favourite holiday destinations and travel experiences by filling in the Readers’ Travel Awards questionnaire available in the Conde Nast Traveller June-July 2012 issue or by logging onto www.cntraveller.in. The award winning destinations, hotels, airlines amongst other categories will be announced at an awards ceremony later in the year.

     

    Since their introduction in India last year, Conde Nast Traveller Readers’ Travel Awards have been recognized as the most prestigious travel awards in India.

     

    Divia Thani Daswani, Editor, Conde Nast Traveller India said: “We were overwhelmed by the response the awards received in their first edition in India. The Conde Nast Traveller Readers’ Travel Awards are widely acknowledged as the most prestigious awards in the travel industry, because they are voted for by our discerning readers, who understand, appreciate and ultimately consume luxury travel products and services. We look forward to an even greater response this year, given the increased circulation and reach of the magazine, and the growing appetite for luxury travel.”

     

    Conde Nast Traveller India readers have the opportunity to vote across 22 categories for their favourite destinations, hotels, airlines, spas, airports and more.

     

    Talking about the success of Conde Nast Traveller Readers’ Travel Awards in India, Shri Subodh Kant Sahay, Honourable Minister of Tourism, Government of India said: “Now is the time to properly market India’s tourist destinations and achieve our vision to double the number of tourists to India. Conde Nast Traveller has contributed extensively to the Indian tourism industry since its arrival in India and we believe that the magazine will offer a significant boost to our initiatives thanks to its circulation and credentials – which are tremendous, no doubt.”

     

  • Growth in mind, Webchutney rejigs leadership

    By A Correspondent

     

    India’s leading digital marketing agency Webchutney has announced key movements within executive leadership across New Delhi and Mumbai. The move signifies a clear mandate to accelerate growth by forging stronger ties with partners and clients, while streamlining vertical units and fortifying operational efficiency.

     

    Ranked India’s number one digital agency in 2008, 2009 & 2011, Webchutney was co-founded in 1999 by Chief Executive Officer Sidharth Rao, and National Creative Director Sudesh Samaria in New Delhi. The agency has grown to over 200 people across New Delhi, Mumbai and Bangalore with a diverse client portfolio ranging from startups to Fortune 50 companies.

     

    Speaking on the reorganization, Sidharth Rao, CEO, Webchutney said: “The movements reflect our commitment to building internal strength through collaborative growth. The new, dynamic leadership has a proven track record with demonstrated results, valuable experience and seamless operational control achieved consistently. They are strategically positioned to lead the new wave of innovation at a crucial time in the evolution of digital experiences and engagement in India. This also gives us the opportunity to explore new business avenues and evaluate meaningful partnerships that will guide the future of our organization and the digital industry at large.”

     

    Rahul Nanda will don a new role as Partner and President – Mobile Initiatives from his previous role as Chief Operating Officer. The new autonomous division, with focus on product initiatives in the mobile and tablet space is actively building interactive apps and games capabilities. Mr Nanda’s strong credentials backed by 17 years of experience in the digital domain will provide clear direction in cracking the dynamic role agencies and marketers play in monetizing this platform.

     

    Nishi Kant is now Chief Operating Officer – West & South Region from Executive Creative Director at Webchutney.  His outstanding expertise in crafting award winning, interactive digital experiences along with winning digital mandates and building creative portfolios of prestigious Fortune 50 companies like Unilever, Proctor and Gamble among others has received tremendous recognition from national & international quarters.

     

    Saket Vaidya steps up as Chief Operating Officer – North Region from Vice President, Regional Operations. With close to 7 years of technology experience, in his new role, he will broaden the range of specialist services offered by the agency while driving and influencing next-generation digital marketing communication.

     

    Tarana Mehta is the new Chief Strategy Officer at Webchutney from Vice President – Strategy and Business Development. Armed with over 10 years of experience in the advertising /digital industry, she has a proven track record in business development, operational leadership and strategic consulting with a plethora of brands  including HSBC, L’Oreal, Evian, La Roche Posay, Coca-Cola, Kraft, Titan, Mastercard, Barclays & Marico across the Indian and North American market.

     

    Meghana Bhat will move up as Executive Creative Director from Creative Director at Webchutney. A copywriter by skill, & creative strategist by choice, she has helped brands understand and make optimum use of digital media to become more relevant and entertaining to their audience.

     

  • UTV Stars enters UK as UMP Stars

    By A Correspondent

     

    Following a successful launch in India and the Middle East, UTV STARS now enters the UK market as UMP STARS. Premiering as a free-to-air channel on Sky, UMP STARS is a specialty entertainment channel dedicated exclusively to Bollywood.

     

    Commenting on the expansion in UK, MK Anand, Managing Director- Media Networks, Disney UTV said: “We are pleased to launch UMP STARS in the UK which will complement the presence of our flagship Hindi Movies channel UMP Movies in the region. UK has a large South Asian diaspora and Bollywood fanbase. With the launch on UMP STARS, the TV viewers will now be able to enjoy rich and vibrant Bollywood content. We are proud to extend our media sales association with Sky Media and look forward to another grand entry into the region after the successful launch of UMP Movies in December 2011.”

     

    Advertising representation for the channel in the UK will be handled by Sky Media. Richard Hawking – Operations Director commented: “We’re thrilled to be adding another UMP channel to our portfolio. Following the success of UMP Movies, UMP Stars strengthens and broadens our Asian offering to advertisers while delivering fantastic Bollywood content to Sky’s customers.”

     

    Kamlesh Patel, CEO, TVMedia3.com who exclusively distributes Disney UTV Channels in UK and Europe and sealed the deal between Sky and Disney UTV said: “TVMedia3 is delighted to bring UMP Stars to mainstream UK audiences on the huge success of UMP Movies earlier this year. TVMedia3 looks forward to building and delivering this unique content with the team at Disney UTV to audiences across the world”.

     

    The Broadcasting arm of Disney UTV made inroads into the UK market with the launch of UMP Movies on 12th December 2011. With the launch of UMP STARS, the company further strengthens its foothold in the region.

     

  • Where the economics stand for 4 key stakeholders post IPL’s fifth season

    By Ravi Teja Sharma

     

    Beyond the brawls and the bustups, there was cricket. And business, which became steadier and better. As millions continued to watch the cricket, IPL 5 strengthened the league’s business credentials.

     

    Franchises

    Their costs are mostly fixed and they are squeezing more out of each revenue stream. In the humdrum of IPL3, the operative word was ‘valuation’. The then-IPL chief Lalit Modi proudly announced two new franchises, Kochi at $333 million and Pune at $370 million.

     

    In other words, Pune’s owner, the Sahara group, was paying 3.3 times the priciest original franchise (Mumbai, $112 million), setting a new benchmark for valuing a team.

     

    More insanity followed: Modi was dismissed by a tweet, Kochi imploded, and Sahara had second thoughts about its $370 million investment. Sanity returned in season five. “Initially, it was more about valuations, not viability,” said Venky Mysore, CEO of the Kolkata team. More than any other season, IPL 5 has been about viability.

     

    Not of the surviving kind, but of the thriving kind. “For the first time, most of the franchises will be financially better off,” said IPL commissioner Rajeev Shukla.

     

    “Many have become profitable after IPL 5.” Like Kolkata. “We reduced our combined losses by about 50 per cent in IPL 4,” said Mr Mysore. “This year was equally good or better than last year…we should wipe out the remaining losses.” Chennai and Delhi say they have been profitable since season three, and that this year was better.

     

    The economics for a franchise are simple. Every franchise incurs two kinds of costs, and both are essentially of a fixed nature: the licence fee and player costs.

     

    For a metro franchise, the licence fee is around Rs35 crore a year, while the player cost is Rs55 crore. Add sundry expenses, and a franchise is looking at total costs of Rs100-120 crore. On the revenue side, there are essentially three revenue streams.

     

    The biggest revenue contributor is the ‘central pool’. All the money the BCCI raises by selling broadcasting rights and sponsorship goes into a common pool. The BCCI keeps part of this and distributes the rest among teams.

     

    With the BCCI negotiating hard with the broadcaster and sponsors, each franchise’s share of the central pool has steadily increased-from Rs29 crore in season one to Rs40 crore in season four.

     

    “The central payout will increase to Rs 50-60 crore this year,” said Mr Shukla. The franchises have no control over the central pool. They do have control over the other two main revenue streams: ticket sales and sponsorships, from where the good franchises raised, on an average, Rs30 crore and Rs30-40 crore, respectively.

     

    In both these areas, IPL-V saw the franchises, with one eye on growth and another on the bottom line, pushing new levers. Teams say they increased ticket prices and reduced the number of passes, and consequently made more.

     

    “Gate collections in season five would have doubled compared to earlier years,” said Rakesh Singh, joint president, India Cements, the South-based cement company that owns the team, without giving specific numbers.

     

    Amrit Mathur, CEO of the Delhi team, too declined to share numbers, but described ticket sales as “phenomenal”. “We limited passes only to our contractual agreements,” he said. What teams did more was to reach out to the paying fan.

     

    Kolkata, for example, had 10 cars going around the city and doubling up as ticket counters. The team also did corporate sales to fill up the 80,000-seater Eden Gardens.

     

    For next year, it is looking to convert some of those seats into hospitality boxes, whose revenue potential is 20 per cent more. Teams earned more from sponsors too by selling advertising on 10 designated spots on a player’s uniform.

     

    “We expect it (sponsorship revenues) to be 50-75 per cent higher than year one,” said Mr Mathur. Chennai’s strategy was to cut back on sponsors. “We wanted to clear the clutter and charge more instead,” said Mr Singh of the Chennai team, whose sponsors include Aircel, Gulf, LifeOK, Amrapali and Usha.

     

    Some other nascent revenue streams are gaining ground, like merchandising. “About 10-12 per cent of our revenues this year came from licensing and merchandising,” said Colonel Arvinder Singh, COO of the Punjab team. And the Delhi Daredevils is looking to lend its name to sports bars, the first of which has come up at the Delhi airport.

     

    For teams owned by corporates, in addition to a tangible payback, there’s also an intangible one for the main business. For example, all the branding on the Bangalore players is from the liquor and airline brands owned by team owner Vijay Mallya.

     

    “That has been our main priority,” said Russell Adams, vice president-commercial operations for the Bangalore team. Similarly, India Cements has used IPL to drive into markets other than the South.

     

    Besides the visibility from player jerseys, it has been wooing cement traders in cities in Gujarat, Madhya Pradesh and Rajasthan with a package of an IPL match in Chennai and a pilgrimage to Tirupati.

     

    “This was a masterstroke for us: to enter a market dominated by biggies like Ultratech,” said Mr Singh. It all contributed towards viability-of the long-term kind. And valuations, today, stand forgotten.

     

    Broadcaster

    Viewership addition tapered, but it’s still a critical mass watching. There’s pressure on two of the numbers that matter for SET Max. According to TAM, which tracks TV viewership, the number of people who tuned into IPL grew just 0.4 per cent this year, against 12.9-19.8 per cent in the previous ones. And they watched less.

     

    If they saw 4.5 per cent of all the minutes they could have in the first three years, they saw 3.5 per cent in 2012, the same as in 2011. Or, a TVR (television viewership rating) of 3.5 per cent. That said, even a TVR of 3.5 per cent is top draw, more so if it comes with a reach of 162.9 million.

     

    “No programme will give the pan-India reach that IPL does for two months,” said Nandini Dias, COO of media-buying house Lodestar Universal. It is why, she added, SET Max commands a 60-70 per cent premium in pricing over another programme with an identical TVR.

     

    This year, SET Max charged Rs5 lakh per 10 seconds, the same as in 2011 and 150 per cent more than in 2008. “Ratings fell, but we did not drop our price,” said Rohit Gupta, president of Multi Screen Media, which runs SET Max. Mr Gupta declined to disclose revenues, though he admits it is “lower than 2011”.

     

    A senior official from the channel, not wanting to be named, said revenues from IPL-IV crossed Rs1,000 crore, against Rs800 crore in IPL 3and Rs260 crore in IPL 1. SET Max’s original deal, struck in 2008, was for $1.02 billion (about Rs 4,000 crore) for 10 years.

     

    This was revised in 2009 to $1.64 billion (Rs 6,560 crore) for nine years. When the number of matches increased from 60 to 74, in 2010, this number increased further, said Mr Gupta, on a “pro-rata basis”. Back-of-the-envelope calculations show the current deal would be for about Rs 8,000 crore and that SET Max needs an average of Rs 1,050 crore a year over the remaining five years to break even.

     

    “IPL has become a brand that is big enough to sustain for many more years,” said Piyush Pandey, executive chairman of Ogilvy & Mather India. Added Ms Dias: “If IPL remains in the top five programmes through the coming year, it could still command its 60-70 per cent premium.”

     

    The other broadcaster, Times Internet, which owns the rights for international broadcast, Internet, mobile and valueadded services, and radio, expects to break even this year. According to CEO Rishi Khiani, Times Internet is paying Rs 67 crore a year to BCCI.

     

    It reached 26 million viewers this year-an increase of 55 per cent over 2011. “If you sell it right, there is an opportunity,” said Mr Khiani.

     

    Sponsors

    They got their bang, in different ways. For more, they will likely have to pay higher. IPL’s main sponsors only have good things to say about their pricey tie up. The established talk about reaching a wider audience.

     

    “We were well-known in the north, but now have spread awareness in other parts as well,” said Rajeev Talwar, group ED at DLF, which paid Rs 40 crore a year for the title sponsorship. The fledgling talk about IPL as the main piece of their brand strategy.

     

    Karbonn Mobiles started in 2009 and tied up with IPL in 2010. Sashin Devsare, ED, said IPL put Karbonn “in the consideration set of a mobile buyer.” Likewise, Volkswagen, which came to India in 2007.

     

    “We needed to raise brand awareness,” said Lutz Kothe, head of marketing and PR, Volkswagen Passenger Cars. “All these sponsors would have got five times worth exposure for every rupee spent,” said Hiren Pandit, managing partner with media-buying agency Group M.

     

    “But over a period of time, that exposure becomes a blind spot if there is no other engagement.” For example, Vodafone used ad campaigns to push specific business ideas: ‘happy to help’ in 2008, the Zoozoos in 2009 and 2010, 3G in 2011, and Internet services this year.

     

    In contrast, DLF was content being the title sponsor and having an on-ground presence. All sponsorship deals are due for renewal.

     

    “Most were done on an anticipated performance of the league,” said Basabdutta Chowdhury, CEO of Platinum Media, a unit of Madison World. “Now that it has a proven record, BCCI would be looking at higher value.” The season of BCCI hardball is beginning.

     

    Promoter

    BCCI’s golden goose is IPL and it is making it work overtime. Just how important the IPL is to the entity that runs cricket in India can be gauged from one statistic. In 2010-11, the IPL accounted for 48 per cent of the revenues of the Board of Control for Cricket in India (BCCI).

     

    Add revenues from the Champions League Twenty20, which owes its existence to the IPL, the figure shoots up to 60 per cent. IPL is BCCI’s golden goose, and the board is making it lay as many eggs as it can.

     

    This means birthing new revenues streams by adding more dates to a packed cricketing calendar or earning more from existing streams by negotiating hard with those who want a piece of the IPL. Both have yielded smart financial payoffs for the BCCI.

     

    Thus, in 2009, was born the Champions League, which essentially gives the BCCI and the top four IPL finishers a revenue kicker. The same year, BCCI renegotiated the TV deal with Set MAX and squeezed out 78 per cent more.

     

    In 2011, it added two teams to the IPL (one has since folded) at a valuation that was about thrice the maximum from the initial lot in 2008. Overall, the number of matches increased, which translated to higher TV and sponsorship revenues.

     

    The BCCI earned more. So did the franchisees, as the BCCI shares some part of its broadcast and sponsorship revenues with them. BCCI’s ‘surplus’-the equivalent of a corporate net profit-has increased from Rs 11.6 crore in 2008 to Rs 118.8 crore in 2010.

     

    Numbers for the last two years are not available, though the BCCI had forecast a surplus of Rs 209.9 crore for season four.

     

    “BCCI revenues have gone up,” is all that Rajeev Shukla, commissioner of IPL and vice-president of BCCI, is willing to disclose. Revenues could increase further as all sponsorship deals are due for renewal now. And even as it says it will address scheduling concerns, the BCCI has allowed all franchisees to play three T20 matches with teams from tier-II cricketing nations like Canada, the US, Netherlands and Ireland.

     

    “This will spread awareness about IPL and improve the league’s reach next season,” said Mr Shukla. And also improve the BCCI’s financial health.

     

    Source: The Economic Times
    Copyright © 2012, Bennett, Coleman & Co. Ltd. All Rights Reserved

     

  • Facebook tests tech to link pages of under-13s with parents’ accounts

    If Facebook wants to open its doors to kids under 13 – as well as acknowledge the millions that are already there – it’s going to need to tread cautiously.

     

    The social network is testing technologies that would link children’s pages to those of their parents and enable parents to approve friend requests and access to applications, according to a report in the Wall Street Journal.

     

    These mechanisms wouldn’t be introducing young children to Facebook for the first time, but rather would give them a way to be there officially.

     

    While the fact that young children are using Facebook is about as secret as the gambling at Rick’s in “Casablanca,” the notion of shepherding more kids onto the platform is bound to be controversial for reasons ranging from cyber-bullying to the unseemliness of potentially feeding their data into the engine that drives Facebook’s advertising business.

     

    The report has already triggered a reaction from regulatory powers, with US Reps Ed Markey and Joe Barton, co-chairmen of the Bipartisan Congressional Privacy Caucus, writing to Facebook CEO Mark Zuckerberg: “While Facebook provides important communication and entertainment opportunities, we strongly believe that children and their personal information should not be viewed as a source of revenue.”

     

    There’s evidence to suggest that millions of parents would welcome the opportunity to give their children access to Facebook, with a Microsoft Research-backed study showing that 36 per cent of parents surveyed had knowledge of their children joining Facebook before they turned 13. But even though millions of children are already illicitly using the platform, Facebook could be more exposed legally if it opts to bring them out into the open, since the current setup allows for the company to maintain that the site is not designed for children under 13, according to Linda Goldstein, chair of the advertising, marketing and media division at law firm Manatt, Phelps & Phillips.

     

    “I think they’re going to be buying a lot of additional regulatory headaches,” Ms Goldstein said. “The value of the data and the ability to eventually capture this data at such an early age is interesting, but they’re going to have to weigh that against consumer perceptions.” In order to move forward with any plan to open up the platform to children under 13, Facebook will need to comply with the Children’s Online Privacy Protection Act, which states that sites collecting data from children under 13 must obtain parental consent.

     

    Source: The Economic Times
    Copyright © 2012, Bennett, Coleman & Co. Ltd. All Rights Reserved

     

  • Havas picks majority stake in Mediaxis MPG

    By A Correspondent

     

    Havas Media, the world’s fastest growing media group has announced its majority stake in Zurich based media group, Mediaxis MPG. The move follows a relationship fostered by the group’s MPG brand over the past nine years and places Havas Media as one of the top ranking media operations in the Swiss market. Mediaxis MPG will remain as the group’s main operational brand.

     

    “The Swiss market is a key market for Havas Media and I am delighted that following a prosperous 9-year relationship, the management team have decided to further commit to the group and officially join our other 122 markets worldwide,” said Alfonso Rodes, CEO Havas Media.

     

    Mediaxis MPG, a leading qualitative media agency within the Swiss market, has a roster of clients including Reckitt Benckiser, Danone, Lindt, Barclays and Hermes who will continue to benefit from Havas Media’s respected tools, methodologies and thought leadership programmes. The founder, Peter Hofstetter will remain as Chairman, and member of the Executive Committee. The management of the company will remain on-board as key elements on the new long-term joint expansion plan.

     

    “We have all prospered as a result of our partnership and joining the Havas Media team is a natural step in further strengthening the group’s operations in the Swiss market. The existing management team have committed to driving this group forward and look forward to continuing to benefit from Havas Media’s tools and wider thought leadership activity such as its Meaningful Brands framework,” said Peter Hofstetter, Chairman of Mediaxis MPG.

     

    The majority stake is in effect from June 12.

     

  • Spark Punjabi launches new shows

    By A Correspondent

     

    Spark Punjabi, the international Punjabi channel which is a joint venture between Reliance Broadcast Network and CBS Studios International, is adding a new spark to its programming. True to its promise to deliver variety entertainment relevant to different target groups, beginning June 11, Spark Punjabi will feature special shows.

     

    Comedy seems to resonate very well with the viewers, even in the PHCHP region, and hence Spark Punjabi will be launching 2 new shows – Naadaniyaan, a situational comedy, and Bulbulay, a story of four lunatic characters, in the prime time slots.

     

    The new shows are being promoted through an aggressive multi media campaign, featuring TV, Radio, OOH, Print, Digital, Cable, Cinema across the PHCHP region to ensure that audiences quickly sample these new offerings.

     

    The channel launched these shows in sync with its recent campaign called ‘Choose Your Set-Top-Box Wisely’, designed to increase awareness and empower consumers with adequate information to make the right choice while choosing their set top boxes, while also enabling operators to build their brand equity.

     

  • Bheem, Katrina Kaif and Sachin Tendulkar are kids’ favorites, says Ormax Media

    By A Correspondent

     

    As per the sixth edition of Ormax Media’s kids’ favourite character ranking study, Small Wonders, Bheem is the favourite television character among kids, followed by Doraemon at No. 2.

     

    The study also tracks the favourites of kids across nine other parameters. The table below lists the favourites across five parameters:

    Parameter No. 1 Favorite
    Favourite Film Star – Male Salman Khan
    Favourite Film Star – Female Katrina Kaif
    Favourite Cricketer Sachin Tendulkar
    Favourite Sportsperon (Non-cricket) Sania Mirza
    Favourite Hindi GEC Character Anandi (Balika Vadhu)

     

    The other three parameters measured by Small Wonders among kids are their Favourite Sports, Favourite Play Items and Favourite Places to Eat Outside.

     

    The study was conducted among 6-14 year old kids, SEC ABC, in eight cities – Mumbai, Delhi, Kolkata, Ahmedabad, Hyderabad, Lucknow, Jalandhar and Chennai.

     

    The study report gives details on all parameters across age, gender and markets.

     

     

  • Gangs of Wasseypur to raise the thriller quotient of Channel V’s Gumrah

    By A Correspondent

     

    Channel V has entered into an association with the cast and crew of Gangs of Wasseypur to deliver a spine chilling episode of ‘Gumrah’ this Sunday.

     

    In the forthcoming episode, director Anurag Kashyap and the stars from his movie Gangs of Wasseypur – Manoj Bajpai and Richa Chadda will render crucial roles. Gangs of Wasseypur is a celluloid depiction of a revenge saga set against the socio-political dynamics in the land of coal and scraps trade mafia of Wasseypur.

     

    Unlike regular tie-ups, wherein movie stars limit their screen time to only special appearances, Gumrah has the lead stars from the movie enact roles and give shape to the entire story. Sardar Khan ( Manoj Bajpai) and his wife (Richa Chadda) are set to play their characters from the movie and that has been skillfully interweaved with the episodic content, with a special voice over by Anurag Kashyap.

     

    Speaking on the show’s association with the movie, Prem Kamath, Executive VP and GM, Channel [v] stated: “We are pleased to be associated with Anurag, Manoj Bajpai and the team for Gumrah. This association lends credibility to both sides unlike any other occasion. In this episode we have tried to synthesize the key narration of the movie and the fundamental objective of Gumrah – that is to simulate a thought amongst the new generation to realize and chose the right path of action.”

     

    Anurag Kashyap, director and screenwriter, Gangs of Wasseypur said: “Gumrah is very closely knitted to the theme and story of Wasseypur. Based on the youth psyche, each story in Gumrah projects crowded emotions that often lead to unconceivable actions. GoW also deals with one such emotion namely revenge, which instigates human mind to take the path of crime.”