Category: MEDIA

  • Vizeum bags media duties of Bloomberg UTV

    By A Correspondent

     

    Aegis Media’s Vizeum India announced their appointment as media AoR for Bloomberg UTV. As Bloomberg UTV prepares itself for an aggressive growth strategy, Vizeum is roped in as the Media AoR and will play a vital role in the channel’s future growth plans.

     

    Confirming the same, Sriram Kilambi, President, Bloomberg UTV said: “We were on the lookout for a passionate, result-oriented partner who would think like us and find value for us. Vizeum came to us with strong references and once we met, we knew they had what we were looking for. We are looking forward to working together.”

     

    Commenting on the win,S Yesudas, Managing Director – Indian Subcontinent, Vizeum said: “We had a dream of attracting clients and talent to Vizeum automatically in our 4th year of operation, rather than us having to go out, based on what we do. As we are embarking on the 4th year, I am delighted with the progress we are making. I take this opportunity to welcome Bloomberg UTV into the Vizeum family. We are thankful to Sriram and his team for considering us worthy. This business will be handled out of our Mumbai office.”

     

    Vizeum successfully operates in 55 countries with a philosophy of in-depth understanding of the co existence of lives, brands and media in the actual world.

     

  • TDSAT reprieve for broadcasters, stays TRAI’s ad duration rule

    By Shruti Pushkarna

     

    The Telecom Disputes Settlement and Appellate Tribunal (TDSAT) has stayed the Telecom Regulatory Authority of India’s (TRAI) notification to limit the duration of ads to 12 minutes per hour. The case will come up for hearing next on July 17.

     

    The TDSAT stay comes is a relief to broadcasters who slammed the TRAI’s move to limit the duration of ads on their networks. Uday Shankar, President of Indian Broadcasting Foundation (IBF) and CEO of Star India has confirmed the development to MxMIndia.

     

    In an earlier statement, Mr Shankar had said, “TRAI has no jurisdiction in the subject. Advertising is governed by the Cable and Satellite Act and the appropriate authority is with the ministry of information and broadcasting. The regulator is overstepping its brief.”

     

    Speaking to MxMIndia after the stay order by TDSAT, Mr Sunil Lulla, Vice-President, IBF and Managing Director & CEO of Times Television Network said, “Since the stay is only for a month, there’s another hearing coming up. It’s not appropriate for us to comment when it’s work in progress. As for our stand on the ad cap issued by TRAI, our stand is well known and it won’t change.” Mr Lulla, who is also on the Board of Directors of the News Broadcasters Association, had criticized the TRAI’s decision on limiting the duration of ads, in the past. He said, “This move is completely ridiculous. Self-regulation is the best regulation.”

     

    Broadcasters believe that low revenues from subscription leave them no option but to rely heavily on revenues from advertising. However, there is a large section of media professionals and consumer organizations which which believes that broadcasters have misused the leeway given to them so far, and the number of ads screened at peak hours mars the viewer experience.

     

  • Heading high towards Cannes 2012

     

     

    By Shubhangi Mehta

     

    In its 59th year, the Cannes Lions International Festival of Creativity, which will take place from June 17 till 23, is considered the largest worldwide gathering of advertising professionals, designers, digital innovators and marketers.

     

    Every year in June, around 9,000 registered delegates from 90 countries visit the fest to celebrate the best of creativity in brand communication, discuss industry issues and network with one another. Thousands of ads from all over the world are showcased and judged.

     

    Inspired by the International Film Festival, staged in Cannes since the late 1940s; a group of cinema screen advertising contractors from the Screen Advertising World Association (Sawa) felt that the makers of advertising films should be recognised similarly. They established the International Advertising Film Festival, the first of which took place in Venice in September 1954, with 187 entries from 14 countries. The lion of the Piazza San Marco in Venice was the inspiration for the Lion trophy.

     

    Cannes Lions juries are drawn from experts in each field from around the world. Each jury is headed by a jury president. They judge submissions in Film, Film Craft, Media, Press, Outdoor, Cyber, Promo & Activation, Direct, Design, Radio, PR, Creative Effectiveness and Titanium and Integrated.

     

    Inspiring creativity is at the heart of Cannes Lions. The Festival is where creative professionals come to debate, learn and be inspired; where the greatest industry honours are bestowed; where those pushing creative communications forward are celebrated. Amongst the featured agencies this year are names such as BBDO India, Leo Burnett India, DDB Mudra, TBWA India, JWT India, BBH India, Taproot India, Publicis India, Contract Advertising, Grey India , Happy Creative Service and Ogilvy India.

     

    Since the past couple of years, India has been doing fairly well at Cannes due to which the expectations are increasing with each passing year. Hence MxM India tried to find out what the experts think are India’s chances in the run for metals at Cannes Lions this year.

     

    Russel Barret
    Ashish Khazaanchi
    Kartik Iyer
    KV Sridhar
    Rajiv Rao
    Senthil Kumar
    Jishnu Sen
    Josy Paul

    Russel Barret, Managing Partner, BBH India, said: “India matches up to any other country when it comes to creativity. What we lack is the space between ideas and execution. The factors that affect it are probably budget and time. I am really hopeful that we will win just like any other agency which sends their work. Though out of all the Indian work that I have seen, the Tide (print) by Leo Burnett India and OOH Iconic poster by Mudra are my favourite works.

     

    Ashish Khazaanchi, NCD, Publicis Ambience was optimistic: “Our country has had some good and some not so good years at Cannes, but there has never been an extremely dreadful year for our country. India is amongst the countries having ‘great creative talent’ and the proof is the Grand Prix in the past. Our agency has done wonderfully at Cannes, but this year our focus was mostly on agency growth. My preferred work for this year would be Fox Crime ad and Gandhi booklet by Leo Burnett.

     

    Karthik Iyer, Owner, Happy Creative Service felt awesome: “Any agency would, to get recognition from the world’s best creative leaders on a global scale. India never lacked ideas, for sure. But I think more attention can be paid to craft. That’s an area we always get beaten, either because of the lack of time, budget or both. When it comes to my favourite work, there are so many it would be unfair to point a few. But a few that come to mind – Coke Studio Entry of the music from Coke bottles DM, I absolutely love that piece, Fox Crime should pick up something, Bajaj Exhaust fans and Sour Marbels to name a few.

     

    KV Sridhar aka Pops, NCD, Leo Burnett, India maintained: “The only place where our country lacks is exploring the new medium ideas such as digital. We focus more on the conventional mediums rather than the non-conventional ones, unlike countries in Latin America. The chances of India collecting metals at Cannes Lions are more in the categories like design, photography and sound design. For me the magic creators are Killer Jeans, Tide and Bajaj. I feel this will be a good year and we might get close to 20 odd metals, but we cannot regard it as a record breaking year. I’m hoping for the best for Leo – especially for properties like Tide, Coke Studio, a couple of Radio spots and Thums Up for branded content.

     

    Rajiv Rao, NCD, Ogilvy India said: “I think Indian work is absolutely fantastic, hence it does so well in the Indian market. The scenario in our country is such that we need to do a specific kind of work to appeal to our consumers, hence we do not appeal to the global jury at times. But that is not because of the quality of our work. All we need is to bridge our work in such a way that we appeal to the local masses as well as the international juries.”

     

    Senthil Kumar, National Creative Director JWT India was of the belief that they can only do their best and hope for God and the jury to do the rest: “Sure we have the potential but until the jury agrees, we won’t be striking heavy metal there. I have always believed that Indians are the most creative people on earth. We have to be more unabashedly Indian in our ideas and even in our ‘God is in the details’ execution. If only we’d stop aping the West and strive to unleash something very Indian every time, we’d have better chance at hunting down Gold Lions. This year, our creative hopes would ride on the following ideas: The Times of India Kerala Launch, RIN Eraser, Lifestyle’s Baddie bags, Nokia Recycle Films, and some other ideas that may just surprise the audience.

     

    From a potential point of view, these ads are the ones that could hunt down a few Lions for India this year: Google Chrome Tanjore, Mumbai Mirror, The Times of India Kerala Film & IPL 5 Carnival in Film Craft, The FOX Crime Series in Digital, the Nokia Recycle Viral Films, the Coffee House print work, the 3D Audi Website…

     

    Jishnu Sen, chief operating officer, Grey India, put forth his view: “The reason that the metal tally for India isn’t as high as some Latin American country is because of the international jury. Our work is always great and creative. Grey has done some great work this year with Killer Jeans and Cupid Condom. We are hoping to pick up some metals.”

     

    Josy Paul, Chairman and NCD, BBDO India felt: “India is a late entrant at Cannes, and taking that in consideration, we are doing fairly well and growing year by year. I am expecting the Gold and Silver winners from Abbys to do well at Cannes as well. As for my agency, Cannes is like a lottery, last year we did not expect to do so well, but we did. This year too, we are hoping our Gillette campaign would do well.”

     

     

    Main image: www.CannesLions.com

     

  • Rough roads ahead for M&E, but not everyone’s complaining

     

    By Johnson Napier with Tuhina Anand, Shruti Pushkarna, Meghna Sharma and Shubhangi Mehta

     

    Not many in the business arena would want to relive the harsh moments of 2008-09, which saw the economy at its most downward. While the phase did see a few corporate entities engage in a growth spree of daredevilry proportions, most brands were put to the ultimate test of surviving the slowdown odds or risk folding up business. The phase was, as most experts would agree, the toughest that had hit the Indian shores in a long time. And that there wouldn’t be anything harsher than that in a long time to come.

     

    But then that phase was a thing of the past and if one has to assess the current scenario, there is a sentiment of adversity that’s staging a strong comeback yet again. Given the spate of hurdles facing the economy like rising inflation, hike in petroleum prices, falling value of rupee and global uncertainty, the question doing the rounds is whether the current economic crisis is putting as much strain on the industry as it did in 2008-09? And, importantly, will the gloom see the growth numbers nosedive to lower levels than what was originally anticipated for 2012-13?

     

    To recap the growth numbers that was predicted for the media industry for 2012, Mindshare’s annual report – ‘This Year, Next Year: Indian Media Forecasts’ – had projected net revenue for 2012 at Rs37,397 crore, slated to grow at 12 per cent over 2011. This was somewhat close to the kind of growth that was witnessed in 2011, which stood at 12.8 per cent. But with the current crisis refusing to die down and with the sector already moving at a slow pace since January this year, the growth figures may see a marginal fall or remain stagnant.

     

    Sectoral evaluation

    Providing his outlook, Sujay Ghosh, Senior Vice President, DDBMudra South said that there is indeed a slowdown being felt across sectors. “There is a slowdown across several sectors like retail, apparel, real estate to name a few. As it happens with every slowdown, consumer spending gets concentrated on essentials and indulgences get affected. So, footfalls have shrunk and “like to like” buying has also come down. And with the petrol price hike, things will worsen further.”

     

    Divya Gupta

    Sharing a similar sentiment, Divya Gupta, CEO, Dentsu India said that there is a slowdown being witnessed in certain sectors, but then there are others that are doing business as usual.

     

    When analysed further across sectors, the buzzword that’s doing the rounds is “caution”. Expressing such a trend in the domain of television, Ravikumar Gilganchi, VP, Sales, Kasthuri TV shared that in the last two months there has been an increased demand from the advertisers on returns and they have become very rigid on spending: “The dip would be around 15-20 per cent. However, I would like to believe that this is a short-term scenario and by June things would bounce back to normal.” His reason being that since it’s just the start of the financial year many would still be getting their budgets approved and hence, June is when the action would begin.

     

    Sujay Ghosh

    He further shared: “For the first rung channels, there is not much choice for advertisers and they will go with whatever price is being quoted with not much negotiation as they would want that channel to be part of their media plan. They would start negotiating hard with second rung channels where there are many options available.”

     

    And it’s not just broadcasters who are feeling the heat. Production houses that play an integral part in the broadcast business too are seeing a rough patch. Hemal Thakkar, Director, Playtime Creations, whose show ‘Ruk Jana Nahi’ airs on Star Plus said, “This time economic slowdown has brought inflation with it which is the biggest cause of concern. This has led to a spike in manufacturing cost of product and budget limitation puts everyone in a spot. Interest costs too have shot up in last two years and so it triples the burden of execution in limited budget.”

     

    Hemal Thakkar

    But Rahul Kumar Tewary from Swastik Productions Pvt Ltd  whose show Navya airs on Star Plus thinks there is also an opportunity in all this: “The economic downturn has affected the industry as can be seen with the shutdown of channels like Imagine, but it hasn’t made any impact on the major players. The TV industry is on track for major growth as per the industry reports.” According to him, there are unlimited opportunities in the media space as it is a growing industry.

     

    Another sector that may see a saturated growth pattern is print, which is the second favourite with the brands after television. Alok Sanwal, Project Head & Editor, Inext, expressed concern as he said, “Largely, there is a note of caution for each one of us and this phenomenon is something that a lot of ad agencies had predicted from the beginning of the year for us. If we look at the larger advertising scenario, it was not good even last year. As of now things have been fine for most publications, including us. I feel each one of us have to be sceptical of how things would shape up in the second and third quarter of 2012-13.”

     

    Rahul Kumar

    As for the larger players, Sanwal feels that there is a word of caution there and the trend is utilitarian, by which he means, it is extremely sales driven: “So to that level, I think, it is a challenge for them. At the end, revenues may continue to grow but the larger challenge would be how to control expenses or optimise investments.”

     

    R Rajmohan, publisher, Open said: “What we are seeing now is worrisome but the print industry has been witnessing a slump from January this year onwards. The range varies across newspapers and magazines and in some cases it is much more than 20 per cent drop in revenues. The market sentiments have not been positive for a long time and this has led to people curtailing their ad spends on a large scale.” As for the brands, he feels they are playing the game of caution. “They will only spend where they see a genuine need. As for the genre, I feel the lifestyle magazines would continue to do well while the others may not do so well. But the scenario may change with the onset of the festival season. Till then it is wait and watch.”

     

    But there are those who believe that the scenario is not as bad for the sector and that it is on track for recording modest growth. Krishna Prasad, Editor, Outlook said: “I don’t know if the sentiment is as gloomy as it looks. If you look at the papers and magazines, there are so many sectors that are still promoting ads in them. The media, per se, has been witnessing tremendous action with so many new channels being launched and so many acquisitions and takeovers being the order of the day. So from a macro view, the economic gloom is not really taking a toll on our industry. But that does not mean all our problems are over, far from that. Oil prices are shooting through the roof, the value of rupee is falling further and all these factors will make our growth a challenge. We will have to see how things pan out in a couple of months from now.”

     

    He added: “Brands are being careful with their spends. Even big brands are treading cautiously and are not going overboard, unless required. We will have to wait and see what the forthcoming months will unfold for the print industry.”

     

    Agreeing with him, Mr Ghosh said that there are indeed pressures being felt by the clients as well: “There are client pressures in terms of numbers and therefore the client expects us to value add…in terms of strategic thinking on how to get more share of wallet. So our involvement with the client has gone up significantly. Similarly, the clients are concentrating on trying to get more out of their spends from everywhere.”

     

    He further stated: “I think the spends will remain constant or probably fall a little but nothing drastic will happen. Because the clients have been through it earlier and are experienced enough in not going overboard with expenses…especially with hiring, inventories and so on. So they won’t have to cut down much on marketing spends or any other spends for that matter.”

     

    Need for self-introspection

    KV Sridhar

    Always the one to be bridging the gap between the client and the consumer, the advertising agencies too are approaching the gloom with a note of caution. Providing his outlook, KV Sridhar, NCD, Leo Burnett, said: “If the industry is affected, the agency is affected and all this is caused by our internal issues more than the external issues. There are three pointers to this. First, advertisers do cost cutting and there are agencies available that are ready to work at lesser prices, this in turn affects the complete industry. Second, there are inefficient government policies, where the government is neither affected nor concerned about the sky-scraping inflation. And third, it’s the fact that we are all a part of a global family as an advertising fraternity. Keeping all this in mind we can still expect a double digit growth, the issue being that growth is also not enough for us, we are always aiming for more.”

     

    Agnello Dias

    Agnello Dias of Taproot India spoke on behalf of small and independent agencies when he said: “Ours is a small and independent agency, and hence personally, I do not think that agencies like us get affected by slowdown. It’s actually the bigger agencies having clients who play a part in the rise and fall of the economy of the country who get affected by the slowdown.”

     

    Representing the industry as president of AAAI and also the Executive Director – India Operations of Draftfcb Ulka Group, Nagesh Alai too feels that the current slowdown is affecting the advertising industry: “The advertising industry, to a considerable extent, is linked to the fortunes of the country’s economy/GDP. The recalibration of GDP growth to under 7 per cent, the high inflation, the high interest rates, falling FDI inflows and share portfolio pullouts, the plunging rupee, lowered credit rating, policy paralysis at the government et al have significantly heightened concerns in the business world and that is reflected in poor business confidence.” According to him, while a few sectors like FMCG seem a bit more confident, most other sectors are seeing a softening and are seeing revenue and profit pressures.

     

    Suggesting the possible solution that agencies could adapt, he said: “Overall, it’s going to be quite a challenging 2012. Most agencies will be affected and may have to relook at their numbers. Having said that, it is better to accept the situation as a business cycle and weather it with prudence and caution. It’s certainly not gloom and doom. My sense is that this time around, it is entirely up to us to rescue the situation and the sooner we do it, the better it will be for everybody. I only hope that the incumbent government gets out of paralysis and inaction and takes some positive steps in the interest of our economy and its people, if they are hoping to win at the 2014 general elections.”

     

    Though a relatively small domain, Out of Home too is seeing the effects of the slowdown. Sunder Hemrajani, MD, Times OOH highlighted the trend as he said: “After the last slowdown which happened in 2008-09, when the industry actually declined, subsequently the industry had two good years, 2010-11 and virtually 2011-12. The last year, 2011-12 started well for the industry, in the first half from April to September, the (Out of Home) industry saw good double digit growth rates. The slowdown started in November and carried on right upto March and April this year. So overall, you had a situation where the industry grew at about 8 per cent but first half was significantly better than the second half.”

     

    According to Mr Hemrajani, what has happened is the whole environment, and this is true not just of OOH but all media segments, has become very uncertain. “As a result of that uncertainty you find that people are holding on, clients are not making long term commitments. Earlier one used to get an annual deal or a six months deal, but now they have become three months and one month…so the level of commitment is becoming more short-term rather than long-term. Secondly, the pricing…it’s becoming difficult to increase prices and in some segments the prices have declined as well.”

     

    But the situation is not as bad for Rajan Mehta, Founder and CEO, LiveMedia. He said, “Contrary to the current economic situation, our business is growing quarter on quarter. Possibly because it’s new and hasn’t hit saturation as yet and also because it is very well targeted and hence cost effective. We are seeing that marketers for whom we were not a priority medium earlier are beginning to consider us as their media budgets have been reduced. They say ‘necessity is the mother of invention’ and therefore it is in these hard times that when advertisers are being challenged to get a bang for their buck that they are discovering and adopting mediums like LiveMedia.”

     

    Adding his thoughts, Haresh Nayak, MD, Posterscope Group India said, “From trade point of view we are seeing trends as close to 2008 and clearly non occupancy has gone up resulting in loss of business. This coinciding with monsoon which is supposed to be the lean period for OOH has brought down business and according to our estimates the non-occupancy has gone to 50 per cent. Though we implemented 18 campaigns last month, we are seeing a trend of quick availability and ease in implementing large campaigns due to slowdown.”

     

    With the rupee showing slow signs of recovery and with petroleum prices expected to be hiked further in the coming months, the M&E industry will have to look at alternative strategies to see itself emerge stronger from the economic broil. It may help that the mediums of digital, radio and so on are putting up a strong show, especially digital that is scheduled to grow in excess of 30 per cent. Radio, too, could make merry with the stage set for phase 3 rollout, providing them alternate streams for revenue generation. For now, players are opting to tread on the cautious route and one will have to wait a couple of quarters before the fate of the sector could be ascertained.

     

     

  • E-shopping hits busy young mums too

    [youtube width=”400″ height=”200″]http://www.youtube.com/watch?v=5zi9nBtflKY[/youtube]

    By Shubhangi Mehta

     

    Babyoye.com has come up with its first advertising campaign and it aspires to convey a series of messages to the new and young working mothers who are pressed for time. Babyoye.com gives consumers more than 120 brands and over 30,000 products to choose from. With just a click of a button mothers can avail the best products for their children.

     

    The current campaign was worked internally by them along with the production house. Their media agency is OMD.

     

    The biggest innovation that Babyoye.com is, by bringing world class baby and kids products at the click of a button thus enabling parents to spend quality time with their baby. By providing a wide variety of choice, parents can make an informed decision.

     

    [youtube width=”400″ height=”200″]http://www.youtube.com/watch?v=biWxrRxGsio[/youtube]

    Arunima Singhdeo, Director & Co- Founder Babyoye.com said, “We had initially been focusing on the digital medium which still remains to be a big promotional tool. However, we have recently started experimenting with offline mediums also and if the response is good, we will definitely continue with the same”.

     

    Babyoye.com is focusing on digital-led campaigns which are generally product-led. They have recently launched their own line of baby apparel. The collection has been designed very thoughtfully keeping in mind the new born essential needs.

     

    Apart from that, the brand campaign is currently being run on the offline mediums – TV and they are evaluating using other mediums as well. They are also in the midst of tying up with various brands that target kids to run a few co-branded campaigns.

     

    The focus area for babyoye.com in 2012 would be to add more and more product range and catering to higher age group of kids as well and building the brand name would remain a priority.

     

    On the association, Karisma Kapoor comments, “I was thrilled to shoot for this campaign. As I personally indulge in shopping from Babyoye.com, I truly believe that Babyoye is a convenient platform for new mothers with hectic schedules who can shop while baby is sleeping or while watching TV.”

     

  • Sriram Kilambi quits Radio Mirchi, GG Jayanta is new national marketing head

    By Robin Thomas and Shubhangi Mehta

     

    Sriram Kilambi who was the National Marketing Head for Radio Mirchi has called it a day. GG Jayanta Regional Marketing Head – South Radio Mirchi will be the new National Marketing Head. Prashant Panday, CEO, Radio Mirchi, confirmed the news to MxM India.

     

    GG Jayanta was the business head of Andra Pradesh for three years and Regional Marketing Head- South, Radio Mirchi and hence handled two roles simultaneously for Mirchi.

     

    Mr Kilambi will be serving his notice period till March end. It is being speculated that he might be moving to UTV.

     

    In May 2011, Sriram Kilambi, who was the Senior Vice-President and Cluster Head, ENIL Mumbai, had been promoted as Marketing Head for Radio Mirchi.

     

    Mr Kilambi has spent more than 12 years across FMCG and media sectors in various roles like sales, marketing, and customer management, and had started his career with Coca-Cola India in 1999. In 2006, he joined ENIL as Vice-President and Cluster Head, East, where he successfully ran the Kolkata station and launched the Patna centre.

     

  • Rajat Uppal is the new GM Marketing, Red FM

    By Shubhangi Mehta

     

    Rajat Uppal has quit Fever 104 FM and moved to Red 93.5 FM as General Manager- Marketing. On being contacted Mr Uppal confirmed the news to MxMIndia.

     

    In his new role, Mr Uppal will be responsible for strengthening the brand “RED” and drive all marketing initiatives of Red FM. Mr Uppal comes with close to 10 years of marketing experience across Liquor and Media Conglomerates like UB Group, Radico Khaitan, Reliance BIG Entertainment (BIG FM) & Hindustan Times (Fever 104 FM).

     

    Prior to working with Red FM, he was the Deputy General Manager- Marketing at Fever 104 FM (HT Media Ltd.)

     

    At Fever 104 FM, he was working as part of the national marketing team and handling marketing for Fever 104 FM, Fever Entertainment( Events Division) & FAT Productions, a new business venture of creating, aggregating and selling content for all digital media including, but not limited to, Mobile, Internet, radio, TV, CDs and other similar storage hardware devices. He was also responsible for managing key national campaigns for trade & consumer audiences besides spear heading online, digital & new marketing innovations.

     

  • Appy Fizz finds a new buddy in Saif Ali Khan

    By Shubhangi Mehta

     

    Appy Fizz, ‘the cool drink to hang out with’ has found Saif Ali Khan, a new and popular face as a pal. Popular amongst his gang of friends for his sparkling wit, one liners and tireless fizz, Appy Fizz, will now be seen hanging out with Saif Ali Khan, in a series of TVCs created by Creativeland Asia.

     

    In the films, we see Appy Fizz hanging out with Saif and friends during his shoots for films. In the first film from a campaign of three, we see Saif greet his friends as he enters his personal pad at the film studio right after pack up. Appy Fizz jumps out of the fridge eager to see his friend after his long hours at work, startling Saif. Saif then introduces Appy Fizz to his bunch of friends. And then there is no stopping Appy Fizz. In his typical witty style, Appy Fizz boasts to his new friends how Saif and he have done many films together, as even a confused Saif finds this unbelievable. Appy Fizz then explains how he was always present in the intervals at the popcorn-and-drinks counter. This funny banter continues and we see Appy Fizz win the hearts of his new friends with his light-hearted banter.

     

    Nadia Chauhan, Joint Managing Director & CMO, Parle Agro, said: “Saif Ali Khan is a great youth icon who loves his work as much as his life. The actor brings in the cool quotient to Appy Fizz’s friends circle, and both complement each other and make a very entertaining duo. We’re sure the two will make a winning pair.”

     

    She added: “Right from inception, Appy Fizz has been a runaway success. It is the creation of not just a successful brand but a successful category and we are the only players offering such a unique product in the market. We see huge potential in this brand and its massive acceptance has us led us to investing heavily in it. We see a very large growth contribution from Appy Fizz this year and in the years to come.”

     

    Commenting on the campaign, Sajan Raj Kurup, Founder and Creative Chairman, Creativeland Asia, said: “I’m glad we have been able to design a campaign that preserves the sanctity of Appy Fizz communication over the years and yet build in a popularity factor through Saif Ali Khan as a celebrity cast. What makes it even cooler is the fact that it has been able to depict Saif Ali Khan as a hangout buddy and not necessarily a celebrity endorser in the campaign.”

     

    On this new association Saif Ali Khan said: “It gives me great pleasure to be associated with Appy Fizz and look forward to a long fruitful relationship with the brand. I believe brand endorsements are partnerships which go beyond what one sees on TV and Print. Appy Fizz came to me with really exciting concepts which got me interested. Many new ideas and innovations will be seen by the consumer shortly and I am confident that they will be loved.”

     

    As part of the campaign, Creativeland Asia has also designed and developed a microsite, www.appyfizz.com making hanging out even more fun and interesting and a lot simpler for friends. So, if someone wants to hang out with their friends all they have to do is visit the website, and choose one of the options for hanging out with friends either at a nightclub, a bar, a cafe, an entertainment or for a house party. Once they choose an option, Appy Fizz asks them a locality they are interested to hang out in and accordingly suggests to them suitable places they can go to in that specific area. If the visitor opts for a house party, Appy Fizz suggests places in the vicinity where they can buy drinks, food or any other supplies from. Friends can even create an event complete with details like time and place and automatically post it on Facebook and Twitter and invite friends for the same. Creativeland Asia has also developed aMobile application for those on the move.

     

    The website is designed like Saif Ali Khan’s personal pad at the film studio, complete with a music system that allows you to play your choice of sound track as you explore the website, and a Television that connects you to the Appy Fizz page on Youtube.

     

    The campaign has been conceptualised by Creativeland Asia and the films have been directed by Sajan Raj Kurup and have been co-produced by equinox and Crocodile films. The VFX and the animation has been done by Mfx inKuala Lumpur.

     

  • Ditto TV aligns with Percept H

    By Shubhangi Mehta

     

    Percept H has won the creative mandates for the recently launched Ditto TV, the OTT (over the top) television offering from Zee. The win comes after a multi-agency pitch. The account size is pegged to be at Rs10 crore.

     

    Commenting on the selection, Manoj Padmanabhan, Head of Marketing, Zee Digital said: “Since this is a new category inIndia, we were looking for an intrinsic understanding of new technologies and media consumption trends. Percept H was a winner in terms of understanding of the business and also in terms of crafting impactful creative.”

     

    Ayan Chakraborty, Chief Growth Officer, Percept H said: “The team is excited to be working on this brand, which is surely going to set a new trend in terms of media consumption in this country.”

     

    While this is the first time any of the media majors have invested in this technology inIndia, OTT TV is a proven and very successful format globally, for on-the-go consumption of media and entertainment. Some of the leading players like Sky generate a significant amount of revenues through this channel format.

     

  • Satyan Gajwani is Times Internet CEO as Rishi Khiani moves on

    From the MxM Infodesk

     

     Moving Out: Rishi Khiani Moving In: Satyan Gajwani

    Times Internet Limited has announced that Satyan Gajwani will be its CEO with immediate effect. Rishi Khiani, currently CEO, has stepped down to pursue opportunities outside of the company.

     

    In an internal circular, managing director Vineet Jain said: Under Rishi’s leadership, TIL has grown its userbase by 150% to 28M visitors, has seen significant growth in revenues and launched strategic properties such as Gaana.com and the new indiatimes.com.

     

    We thank Rishi for his contributions to the growth and  success of TIL and wish him all success in his entrepreneurial endeavors.” Said Mr Gajwani, “We’re sad to see Rishi move on, but excited for his future ahead. Indiatimes has made great progress under his leadership, and I’m excited to take it forward to new and bigger heights. These are big shoes to fill but with such a strong team in place, I’m sure we’ll succeed.”

     

    Mr Gajwani will report to Mr Vineet Jain. Mr Khiani will stay on till August 17 to help in the transition.

     

  • Dainik Bhaskar group ties up with Time & HBR

    By A Correspondent

     

    Dainik Bhaskar Group has become the first newspaper to provide exclusive content from Time, the current affairs magazine and Harvard Business Review to its readers on a regular basis. The exclusive content will feature in the Sunday edition of the newspaper.

     

    The three media giants have come together to leverage their specific content strengths and collectively provide rich and relevant world class content to the readers. Dainik Bhaskar Group isIndia’s largest newspaper group with 1.9 million readers in 13 states. Time is the world’s largest circulation weekly news magazine with a readership of 25 million, of which 20 million are in theUS. It is widely regarded as one of the most popular magazines. Harvard Business Review delivers the latest techniques, best practices and the most thoughtful advice from the world’s leading management experts.

     

    Elaborating on the collaboration, Kalpesh Yagnik, National editor, Dainik Bhaskar Group said: “We at Dainik Bhaskar focus at generating the best and most relevant content for our readers. Time and HBR are relied upon by the policymakers, the world over. We will thus, bring to our readers, the latest trends in international politics, strategy, diplomacy, environment, entertainment, science or economy.”

     

    The content for the Sunday edition has been completely revamped. The edition will focus on management lessons to be applied in day to day life along with wide spectrum of topics like Health, Fitness, Career, Self Help, Money management, Politics, education, Music, Lifestyle, Environment, Good reads through columns by eminent experts of the respective fields.

     

    Dainik Bhaskar, in reflection to the changing times and women empowerment, will also provide a separate segment devoted to women. Fashion, Food, Travel, Health, Life, Career and money management besides this, there will be a Sunday Jacket, above the regular front page of the newspaper. This will carry exclusive news analysis, ground reports and so on.

     

    Speaking of the change, Sanjeev Kotnala, VP Dainik Bhaskar group said: “Content is always the king for any media brand. And we are loved by our readers as we focus on them. Our strategy revolves around being ahead of the curve.”

     

  • Sanika Jahagirdar is Wedding Photog of the Year

    By A Correspondent

     

    After a record breaking 20,954 entries from all overIndia, Sanika Jahagirdar from Mumbai won the third edition of Kodak Better Photography Wedding Photographer Of the Year. A professional photographer, Ms Jahagirdar is the first female to win this title since the awards were first started in 2009.

     

    Better Photography, a photography magazine, declared the winners at a grand awards ceremony hosted at The Westin Mumbai. Ms Jahagirdar, who was also the category winner for Photo Series on a Single Wedding, was judged the title winner by the final judge, the renowned wedding photojournalist and documentary photographer Sephi Bergerson.

     

    A freelance professional photographer, Ms Jahagirdar was extremely excited after the win: “I am highly thankful to Better Photography for providing such a platform and opportunity to the wedding photographers. Achieving a title as the ‘wedding photographer of the year’ is completely priceless. It is difficult to explain in words how excited and honoured I am feeling.”

     

    Apart from earning the title of Kodak-Better Photography Photographer of the Year 2011, she has won a cash prize of Rs1 lakh, including a D-LITE IT One standard kit from Associate Partner Photoquip and two photobooks from Associate Partner Canvera.com which were also given to each of the other category winners.

     

    As a special surprise, Ms Jahagirdar also won a photography workshop by Sephi Bergerson that costs Rs60 thousand.

     

    According to Sephi Bergerson, “I see the Wedding Photographer of the Year awards as a way of rewarding outstanding achievements, as well as a tool for supporting and promoting emerging new talents. There will always a call to be made. Two of the six finalists had a close fight and I eventually chose Sanika as the winner.”

     

    Every year Better Photography Wedding Photographer of the Year invites entries fromIndiaunder six different categories. These entries are judged by eminent photographers to select the six category winners who compete at the final face-off which decides the title winner for the year. This year a special leg on album making was included as part of the evaluation criteria and the six finalists were given six hours each to design their albums on the designing stations provided to them at theKodakDesigningCenter.

     

    Better Photography editor, K Madhavan Pillai said: “The Kodak-Better Photography Wedding photographer of the Year Awards are the only national level awards inIndiato recognize and laud the artistry and vision of the country’s finest talent in wedding photography.”

     

    The competition was organized by Better Photography, in sponsorship with title partner Kodak along with Associate Partner Photoquip and Canvera.com, Television Partner CNBC TV18, online Partner Wedding Sutra.com and blogging Partner Miss Malini.

     

    According to Mr. Srinivasu Saraswatula, Country Business Manager-Consumer Digital Group, KodakIndia: “Into its third year, this event has grown in stature, scale and above all has become an industry benchmark. It’s served all stake holders well beyond their imagination when this was set up couple of years back.”