Category: MEDIA

  • Infobip report: ‘Driving Meaningful Customer Engagement with Conversational AI’

    A new report from global cloud communications platform, Infobip revealed that brands prioritise customer interaction by increasing budget allocations to improve the overall experience. In India, 83% of businesses in IDC’s Future of Customer Experience Survey 2023 are investing heavily in customer service/support interactions to deliver superior customer satisfaction. The Infobip report “Driving Meaningful Customer Engagement with Conversational AI” features insights from leading IT market research and advisory firm IDC.

    The research highlights that customer expectations have evolved in today’s digital age. They now demand authenticity and more personalized attention from brands. However, many organisations still lack the capabilities to deliver unique experiences. As per the IDC survey, 60% of the organizations in India do not have the tools to maintain customer context across the customer journey and channels.

    The rising demand for omnichannel communication and the need for scalability and flexibility are encouraging businesses to adopt unified platforms with conversational capabilities. According to IDC research, companies are investing in conversational apps — such as live collaboration tools, intelligent digital assistants, and digital avatars — to provide more effortless and seamless customer experiences. In India, 82% of businesses surveyed plan to maintain or increase their spending on conversational applications.

    The report further highlights the increasing relevance of unified AI-powered conversational solutions in India and the Asia Pacific region. The industry’s shift towards improved customer experience (CX) is not surprising. Previously, customers had to wait for a service agent to respond to their queries. Now, APAC businesses are enabling customers to independently find answers, request services, and complete transactions using omnichannel communication solutions powered by conversational AI.

    Said Harsha Solanki, VP GM – Asia, Infobip: “It’s no surprise that businesses in India are prioritizing superior customer experiences through conversational AI. Increasingly, brands are using a network of diverse chatbots and AI algorithms to facilitate timely actions at crucial stages of the customer journey. In today’s AI-driven landscape, CPaaS is enabling businesses to seamlessly orchestrate customer engagement throughout the entire journey, enhancing efficiency and maximizing value. This approach allows businesses to achieve more with less, reducing costs and improving operational effectiveness while focusing on long-term customer relationships. At Infobip, we are prepared to support businesses on this transformative path.”

    Added Lavanya Jindal, Senior Research Analyst, Asia/Pacific Customer Experience and Value Streams, IDC Asia/Pacific: “Generative AI has reshaped conversational experiences. Having a single source of truth across interactions and channels powers context. This customer context allows for more relevant and intelligent conversations and raises the bar for personalisation.”

  • Journalism’s trust problem is about money, not politics

    Journalism’s trust problem is about money, not politics

    Caption: Photo: Roger H Goun on Flickr | Creative Commons Licence

    By Jacob L Nelson

    Journalism faces a credibility crisis. Only 32% of Americans report having “a great deal” or “fair amount” of trust in news reporting – a historical low.Journalists generally assume that their lack of credibility is a result of what people believe to be reporters’ and editors’ political bias. So they believe the key to improving public trust is to banish any traces of political bias from their reporting.That explains why newsroom leaders routinely advocate for maintaining “objectivity” as a journalistic value and admonish journalists for sharing their own opinions on social media.The underlying assumption is straightforward: News organizations are struggling to maintain public trust because journalists keep giving people reasons to distrust the people who bring them the news. Newsroom managers appear to believe that if the public perceives their journalists as politically neutral, objectively minded reporters, they will be more likely to trust – and perhaps even pay for – the journalism they produce.Yet, a study I recently published with journalism scholars Seth Lewis and Brent Cowley in Journalism, a scholarly publication, suggests this path of distrust stems from an entirely different problem.Drawing on 34 Zoom-based interviews with adults representing a cross-section of age, political leaning, socioeconomic status and gender, we found that people’s distrust of journalism does not stem from fears of ideological brainwashing. Instead, it stems from assumptions that the news industry as a whole values profits above truth or public service.The Americans we interviewed believe that news organizations report the news inaccurately not because they want to persuade their audiences to support specific political ideologies, candidates or causes, but rather because they simply want to generate larger audiences — and therefore larger profits.

     

    Commercial interests undermine trust

    The business of journalism depends primarily on audience attention. News organizations make money from this attention indirectly, by profiting off the advertisements – historically print and broadcast, now increasingly digital – that accompany news stories. They also monetize this attention directly, by charging audiences for subscriptions to their offerings.Many news organizations pursue revenue models that combine both of these approaches, despite serious concerns about the likelihood of either leading to financial stability.Although news organizations depend on revenue to survive, journalism as a profession has long maintained a “firewall” between its editorial decisions and business interests. One of journalism’s long-standing values is that journalists should cover whatever they want without worrying about the financial implications for their news organization. NPR’s Ethics Handbook, for example, states that “the purpose of our firewall is to hold in check the influence our funders have over our journalism.”What does this look like in practice? It means that journalists at the Washington Post should, according to these principles, feel encouraged to pursue investigative reporting into Amazon despite the fact that the newspaper is owned by Amazon founder and executive chairman Jeff Bezos.While the effectiveness of this firewall in the real world is far from assured, its existence as a principle within the profession suggests that many working journalists pride themselves on following the story wherever it leads, regardless of its financial ramifications for their organization.Yet despite the importance of this principle to journalists, the people we interviewed seemed unaware of its importance – indeed, its very existence.

     

    Bias toward profits

    The people we spoke with tended to assume that news organizations made money primarily through advertising instead of also from subscribers. That led many to believe that news organizations are pressured to pursue large audiences so that they can generate more advertising revenue.Consequently, many of the people interviewed described journalists as being enlisted in an ongoing, never-ending struggle to capture public attention in an incredibly crowded media environment.“If you don’t get a certain number of views, you’re not making enough money,” said one of our interviewees, “and then that doesn’t end well for the company.”People we spoke with tended to agree that journalism is biased, and assumed that such bias exists for profit-oriented rather than strictly ideologically oriented reasons. Some see a convergence in these reasons.“[Journalists] get money from various support groups that want to see a particular agenda pushed, like George Soros,” said another interviewee. “It’s profits over journalism and over truth.”Others we spoke with understood that some news organizations depend primarily on their audiences for financial support in the form of subscriptions, donations or memberships. Although these interviewees saw news organizations’ means of generating revenue differently from those who assumed that the money mostly came from advertising, they still described deep distrust toward the news that stemmed from concerns about the news industry’s commercial interests.“That’s how they make money,” one person said about subscriptions. “They want to entice you with a different version of the news that is not, I personally believe, overall going to be accurate. They get you to pay for that and – poof – you’re a sucker.”

     

    Misplaced concern about bias

    In light of these findings, it appears that journalists’ concerns that they must defend themselves against accusations of ideological bias might be misplaced.Many news organizations have pursued efforts at transparency as an overarching approach to earning public trust, with the implicit goal being to demonstrate that they are doing their work with integrity and free from any ideological bias.Since 2020, for example, The New York Times has maintained a “Behind the Journalism” page that describes how the newspaper’s reporters and editors approach everything, from when they use anonymous sources to how they confirm breaking crime news and how they are covering the Israel-Hamas War. The Washington Post similarly began maintaining a “Behind the Story” page in 2022.Yet these displays do not address the chief cause for concern among the people we interviewed: the influence of profit-chasing on journalistic work.

    Instead of worrying quite so much about perceptions of journalists’ political biases, it might be more beneficial for newsroom managers to shift their energies to pushing back against perceptions of economic bias.Perhaps a more effective demonstration of transparency would focus less on how journalists do their jobs and more on how news organizations’ financial concerns are kept separate from evaluations of journalists’ work.

    Cable news as a stand-in

    The people we interviewed also often appeared to conflate television news with other forms of news production, such as print, digital and radio. And there is ample evidence that television news managers do indeed appear to privilege profits over journalistic integrity.“It may not be good for America, but it’s damn good for CBS,” said CBS chairman Leslie Moonves of the massive coverage of then-presidential candidate Donald Trump in 2016. “The money’s rolling in.”With that in mind, perhaps discussions about improving trust in journalism could begin by acknowledging the extent to which the public’s skepticism toward the media is well-founded – or, at the very least, by more explicitly distinguishing between different kinds of news production.In short, people are skeptical of the news and distrustful of journalists, not because they think journalists want to brainwash them into voting certain ways, but because they think journalists want to make money off their attention above all else.For journalists to seriously address the root causes of the public’s distrust in their work, they will need to acknowledge the economic nature of that distrust and reckon with their role in its perpetuation.The Conversation

    Jacob L. Nelson is Associate Professor of Communication, University of Utah. This article is republished from The Conversation under a Creative Commons license. Read the original article.

  • Crumbling of the Bollywood star system is imminent

    Crumbling of the Bollywood star system is imminent

    Shailesh KapoorOver the last year or two, there has been escalating media coverage how remunerations demanded by Bollywood stars are making Hindi film-making an increasingly-difficult business. The top rung of stars, such as the three Khans, have either turned producers, or forgone their fee against what’s called a ‘backend’ deal (typically referring to a distribution or licensing deal), the next line continues to operate on fixed fee structures, where the numbers increased significantly since before the pandemic. There’s also a lot of conversation about star entourages, and how ridiculous their costs are.

    Now all this would just be gossip, if the stars could justify these fees through their box-office performance. But that’s not happening at all. The biggest ‘Hindi’ language film of the first six months of 2024 is likely to be the dubbed Hindi version of Kalki 2898 AD, which released yesterday. A non-starcast, concept-led film Munjya is set to cross the Rs 100 cr mark, even as star-led titles made at much higher budgets, such as Bade Miyan Chote Miyan, Maidaan, and Chandu Champion, have fallen well short.

    For a year or two after the pandemic, streaming platforms were in a mad rush to acquire theatrical films. Since these deals happened before the theatrical release, the star power came into the picture. With time, and facing their own share of challenges related to stagnant subscriber growth and profitability, streamers have become conscious, and are often insisting on deal structures that have box office linkages.The message is clear: If the star cannot pull an audience in the theatres, he (or she) is not ‘saleable’ on OTT either.

    Movie channels in linear television have been on the decline anyway in the post-NTO world. Licence fees for satellite rights is no longer a prominent item on the P&L of most films. The reliance on theatrical (box-office) revenues is only going to go up in the coming year or two. And all evidence suggests that stars cannot pull in the audience anymore on their own strength, and need the story or the concept to work for the film to stand any chance on the theatrical front.

    It is hard to imagine how any of this is sustainable. Hindi film producers cannot even make films that go direct to OTT anymore. There is no demand for such films, either from the streamer or the audience side. There is only one way out: Stars must understand that the audiences and the marketplace has evolved, and bite into the humble pie that a pay cut can be. They can also be a lot more prudent in their film selection, aligning it with evolving audience tastes and expectations in a digital-first, post-pandemic era.

    Whether that will happen is anyone’s guess.

  • Nazara to publish FAU-G Domination mobile game

    Nazara Publishing, the publishing arm of gaming company Nazara Technologies, along with nCore Games has entered a publishing partnership for FAU-G Domination. This is the latest game from the FAU-G franchise, the previous version of which garnered up to 50 million downloads.

    Said Nitish Mittersain, Joint MD and CEO of Nazara Technologies: “Made in India games have a huge potential to address the growing needs of the Indian gamer with locally relevant content and we are excited to partner with nCore to bring FAU-G: Domination to all our players.”

    Added Vishal Gondal, Co-Founder of nCore Games: “In recent times, the Indian government has called upon its citizens to support homegrown apps through the ‘Make in India’ initiative. FAU-G: Domination is our humble response to PM Modi’s ‘Make-in-India’ call, and we’re thankful that Nazara shares our vision to bring the best of India to the world. This signals India’s arrival as a major player in the global gaming industry.”

    Said Deepak Ail, Co-Founder & CEO of Dot9 Games: “We’re grateful that India’s biggest gaming company is supporting us to bring FAU-G: Domination to the world. Gaming is for everyone, and FAU-G: Domination is our effort in making that a reality.”

  • Dharma Cornerstone marks third anniv

    Dharma Cornerstone Agency (DCA) has completed three years. DCA was founded in 2021 as a joint venture between renowned filmmaker Karan Johar, Apoorva Mehta, CEO of Dharma Productions, and Bunty Sajdeh Managing Director of Cornerstone Sport.

    The agency represents a diverse roster of actors, directors, writers, musicians, and content creators, with a focus on discovering and nurturing talent across various regions in India. It’s roster includes actors Janhvi Kapoor, Tiger Shroff, Triptii Dimri, Aditya Roy Kapur, Sara Ali Khan, Ananya Panday, Tamannaah Bhatia, and Disha Patani; Oscar-winning producer Guneet Monga; musicians Neeti Mohan, Jubin Nautiyal, and Amaal Mallik; and digital creators like Orry, Sumukhi Suresh and Sufi Motiwala, among others. Journalist Rajeev Masand, COO of DCA, helms the film side of talent representation.

    “As we celebrate our third anniversary, we remain committed to protecting artists and storytellers in an increasingly challenging media landscape,” said Uday Singh Gauri, CEO of Dharma Cornerstone Agency. Uday with over 16 years of experience in representation and management has been instrumental in steering the agency into its fourth year, and through the rapidly evolving landscape of the film and entertainment business. Uday also co-founded Exceed Entertainment and HRX.

    “Our landscape is evolving rapidly, and the biggest challenge we foresee is the lack of adaptability,” said Apoorva Mehta. “DCA is well-positioned to navigate these challenges by employing the right people to do the right work at the right time, place, and price.”

    “We are excited about the future of DCA and the opportunities that lie ahead. Our focussed approach to talent management, our combined strengths with innovative thinking and global expansion plans will hopefully enable us to create even more value for our clients and partners in the years to come,” added Bunty Sajdeh.

  • Brrrrrrr! The news media is shivering!!!

    Brrrrrrr! The news media is shivering!!!

    Ranjona BanerjiIn Monday, as Leader of the Opposition, the first in a long while, Rahul Gandhi gave a speech which had the Lok Sabha laughing with him and the treasury benches squirming, with the BJP all riled up.

     

    The speech got enormous traction on social media all day, it has got 5 lakh views on Gandhi’s Youtube channel.

     

    Narendra Modi has not uploaded his Lok Sabha pronouncements to his Youtube channel. One short clip of Modi talking about former vice-president and fellow BJP member Venkaiah Naidu received 22000 views.

     

    How did our legacy media cover this speech? Often, as is the norm, headlines do not represent the bulk of the copy which follows. For instance, the Times of India headline reads: Lok Sabha sees rare PM Modi vs Rahul Gandhi faceoff. The copy however is mainly about Gandhi’s speech. Since the actual “face-off” was a bit of a damp squib.

     

    https://timesofindia.indiatimes.com/india/lok-sabha-sees-rare-pm-modi-vs-rahul-gandhi-faceoff/articleshow/111403045.cms

     

    This “report” from NDTV cleverly attempts to present happenings in Parliament from the BJP’s perspective, and further, is written to mislead the reader into thinking that the BJP and Modi had the upper hand. The reality of anyone who actually watched the proceedings was quite the opposite. Even TOI hints at that.

     

    https://www.ndtv.com/india-news/pm-narendra-modi-rahul-gandhi-lok-sabha-bjp-rss-not-entire-hindu-community-rahul-gandhi-vs-pm-in-lok-sabha-6008976

     

    The Hindustan Times also concentrated on the poor beleaguered BJP with this pathetic “point by point rebuttal”. I am unable to understand whether they actually believe their own drivel or were directed to write like this:

     

    https://www.hindustantimes.com/india-news/on-rahul-gandhis-hindus-agnipath-scheme-charges-bjps-point-by-point-rebuttal-101719878748437.html

     

    The fact that the BJP misrepresented Rahul Gandhi’s speech – especially his remark about Hindus – has not been covered, rather shamefully.

     

    Factcheckers have checked the misinformation in the BJP-led government’s “rebuttals” which makes the newspaper’s coverage even more embarrassing.

     

    The Hindu provides more comprehensive coverage of Gandhi’s speech and the BJP’s reactions:

    https://www.thehindu.com/news/national/you-are-not-hindus-rahul-gandhis-dig-at-bjp-draws-protests-in-lok-sabha/article68355018.ece

     

    India Today’s tawdry notion of being the “gold standard of journalism” apart, the following link is interesting because it gives the people of India an idea of how the BJP wants to limit how much the people of India are allowed to know. All the items “expunged” from Gandhi’s speech are important subjects for us to discuss. Whether India Today is aware of this or not, well. I’m not going there.

     

    https://www.indiatoday.in/india/story/rahul-gandhi-lok-sabha-speech-parts-expunged-from-parliamentary-records-2560992-2024-07-02?onetap=true

     

    A more complete report of Gandhi’s speech comes from the digital non-legacy media, obviously:

     

    https://thewire.in/politics/in-maiden-speech-as-lop-rahul-gandhi-tears-into-bjp-on-hate-politics-price-rise-and-neet

     

     

    What I have not been able to find is another newsworthy event which happened in Parliament yesterday: that Prime Minister Modi was reduced to being just one more MP, one more politician in a Constitutional post. Not a non-biological divine being – both Gandhi and A Raja referred to this – and not the Teacher of the World. This was perhaps more significant that Gandhi’s speech. And the squirming of the worms in the media is directly related to this downsizing.

     

    Mahua Moitra gave an extremely fiery no-holds-barred speech. Happily, the legacy media was happier with giving Moitra her due. Massive congratulations all around for such courage.

     

    https://www.telegraphindia.com/india/hear-me-dariye-mat-mahua-moitra-tells-pm-narendra-modi-in-lok-sabha/cid/2030875

     

    https://timesofindia.indiatimes.com/videos/international/tmc-mp-mahua-moitra-bashes-bjp-in-fiery-lok-sabha-speech-paid-heavy-price-for-watch/videoshow/111410814.cms

     

    Both Rahul Gandhi and Mahua Moitra emphasized the fact that they do not fear Modi and the BJP.

     

    Judging from this coverage though, the Indian media though is still shivering and snivelling in its collective shoes. Uriah Heep has nothing on them.

     

    Ranjona Banerji is a senior journalist and commentator. She writes on MxMIndia on Tuesdays and Fridays. Her views here are personal.

  • Zee assigns additional charge of music to Umesh Bansal

    Zee Entertainment Enterprises Ltd has assigned additional charge of the music business to Umesh Bansal. This is in addition to his current role as the Chief Business Officer of the movies business.  Bansal will continue to report into the MD & CEO, Punit Goenka. The decision, notes a communique, is in line with the resource optimization approach of the Company and aims to enhance the synergistic capabilities of the movies and music business to drive the growth of the company.

    Anurag Bedi who has led the music business so far will be assigned new responsibility.

  • Sona Mazumdar joins Ampverse DMI as GM Marketing Solutions

    Sona Mazumdar
    Sona Mazumdar

    Ampverse DMI, a gaming and entertainment platform, has appointed Sona Mazumdar as the head of its newly launched Marketing Solutions unit in India. Having successfully collaborated with over 300 top brands such as Porsche, Samsung, Riot Games, KFC, and Coca-Cola across Asia, Ampverse aims to replicate its Southeast Asian success in the Indian market.

    Commenting on Sona’s appointment, Charlie Baillie, CEO of Ampverse, said: “We are thrilled to welcome Sona Mazumdar as the GM of our marketing solutions vertical. A seasoned professional, Sona has a proven track record in crafting impactful campaigns and building robust client relationships. Her expertise aligns perfectly with our vision to revolutionize brand engagement within and beyond the gaming community in India. With Sona’s strategic vision and extensive experience, we are confident in our ability to set new standards in marketing excellence and drive our ambitious growth objectives, creating a lasting impact in this dynamic market.”

  • IAA presented EarthDay 2024 award

    EarthDay.org, the largest environmental movement in the world, presented IAA India with an awards for excellence in sustainability. The India Chapter of the International Advertising Association (IAA) was presented the prestigious award for Best Organisation Spearheading Sustainable Development .

    Dr Karuna Singh Regional Director EarthDay.org said that IAA efforts in spreading the message of sustainability were truly laudable.

    Said Avinash Pandey, President IAA: “The IAA in India is committed to creating and amplifying the green agenda for some 15 years now. It began with the setting up of the widely acclaimed IAA Olive Crown Awards supported by AFAA. This annual award salutes excellence in communicating sustainability and also honors corporates and individuals who have made a significant contribution to the environment. The awards have grown in stature and size year on year.”

    Ramesh Narayan, who was earlier felicitated by EarthDay.org as the individual who has done the most for sustainability in the marcom space, accepted the award along with Avinash Pandey.

  • L&K Saatchi & Saatchi challenges menstrual discrimination

    L&K Saatchi & Saatchi has unveiled a thought-provoking film to celebrate the ‘Naali Bindu’ (Red Dot) initiative by Zee Sarthak, the Odia general entertainment channel.

    Said Rohit Malkani, Chief Creative Officer, L&K Saatchi & Saatchi India: “Our association with Zee Sarthak and Nali Bindu is something we hold very dear. Every year, the entire team including our client puts on their thinking caps a month or so before Raja Parba to create a piece of communication that endears, cuts through and most importantly undoes a social knot. This year we are super proud of a creative output that not only seeks to highlight a social prejudice but revives a traditional art form as well.”

    Added Pratik Seal, Chief Channel Officer, Zee Sarthak: “As a channel deeply rooted in cultural contexts, we understand the importance of addressing and challenging regressive norms. Our Naali Bindu initiative is an effort to eradicate menstrual discrimination and promote dignity and respect for young girls. By using Rabana Chhaya, we not only bring attention to a critical issue but also honour a traditional art form, thus driving impact and cultural significance.”

    https://www.youtube.com/watch?v=Ctq762n4so0

  • Dhruba Mukherjee to hold fort as Avinash Pandey quits ABP Network

    ABP Network will now be helmed by Dhruba Mukherjee, CEO of parent ABP Limited. Although this is being dubbed as an interim arrangement and since it’s in addition to his existing role of heading the publishing company, there is word that the company may witness some tectonic changes.

    Dhruba Mukherjee
    Dhruba Mukherjee (Pic: WAN-IFRA)
    Avinash Pandey
    Avinash Pandey

    On Friday, after the closure of the offices of MxMIndia, we heard that Avinash Pandey, CEO of ABP Network, had announced his parting after nearly two decades of association. Pandey joined the ABP News Network in 2005 and over the years held key positions – from being the head of sales to COO to overall head of the network. Known to have started out as a loyal understudy of the then TV Today and ABP News CEOs G Krishnan and Uday Shankar, Pandey has assumed key roles in industry forums. Over the last two years, he has been President of the India chapter of the International Advertising Association as well as the News Broadcasters & Digital Authority (NBDA). ABP Network has also been very actively associated with various industry events.

    While thanking Pandey for contributions to the company, Atideb Sarkar, Chief Editor & Director of the ABP Network, Atideb Sarkar said: “I would like to thank Avinash for his immense contributions to ABP Network. During his two decades in the company, it has grown manifold in reach, revenue and impact. His leadership in the past five years has seen us at the forefront of digital broadcasting while extending our reach from Jammu to Kanyakumari. He played a key role in our award-winning centenary campaign. On a personal note, he has been a pleasure to work with, a joyful fellow traveller in my professional journey, and a friend. Thank you, Avinash, for all that you have brought to the ABP family. We wish you success and happiness in your future endeavours.”

    In recent years, ABP Network has also diversified into the setting up of ABP Studios and doing live events. This is other than the four 24×7 news television channels with presence in eight languages on digital.

    However, while the company is high on salience and connects with the advertiser community, there has been some anguish over its ratings over the past few years. Even the digital avatar which had a very high connects was seen flagging in the recent elections.

    As of now, all those who reported to Pandey have been advised to report to Mukherjee.

  • ShemarooVerse launches Futuristic Immersive AI Gaming Experience

    Shemaroo Entertainment has entered into a partnership with GMetri, an in AI-powered immersive learning and game development. This collaboration expands ShemarooVerse- Shemaroo’s metaverse platform, into the realm of immersive AI gaming, bringing IP-based gaming to the Web3 platform.

    Said Arghya Chakravarty, COO of Shemaroo Entertainment Ltd: “At Shemaroo, we have always led the way in innovation, and ShemarooVerse, our metaverse platform, exemplifies our dedication to creating future-forward entertainment. By incorporating AI-based gaming, we aim to deliver an even more captivating experience for our consumers. Our collaboration with GMetri represents a pivotal advancement in transforming audience interaction with our popular movies, and we are excited to be developing groundbreaking innovations in the immersive entertainment and gaming space in India.”

    Added Utsav Mathur, CEO of GMetri: “We’re thrilled to bring our FruitSalad.ai technology to ShemarooVerse, showcasing the power of our immersive learning and gaming platform. This collaboration allows us to demonstrate how our AI-driven solution can transform entertainment IP into engaging, interactive experiences. By leveraging our expertise in creating gamified, immersive 3D worlds, we are not only enhancing fan engagement but also showcasing the versatility of our technology across various sectors, from corporate learning to entertainment. This partnership with Shemaroo is a testament to the adaptability and effectiveness of our platform in creating compelling, personalized experiences at scale.”