Category: MEDIA

  • Donald Duck @ 90: how the Disney favourite has evolved to appeal to a changing society

    Donald Duck @ 90: how the Disney favourite has evolved to appeal to a changing society

    Caption: Donald-duck wallpaper by AdorableKitty08 on DeviantArt. Creative Commons

    By Joel Gray

    Donald Duck’s first appearance on screen was the animated short titled The Wise Little Hen. He was intended as a one-off supporting character, but his immediate popularity meant Disney used him in subsequent comic stories and animated shorts.

    Within a few years of his debut appearance in 1934, Donald Duck had already achieved a celebrity status comparable to Shirley Temple or Greta Garbo. His popularity is made clear in Disney’s 1939 animated short The Autograph Hound, whereby the Hollywood A-List of the time drop their studio filming commitments to seek Donald’s autograph.

    By 1940, Walt Disney himself referred to Donald Duck as “the Gable of our stable” – pairing Donald’s popularity with the Hollywood superstar Clark Gable, the biggest name at MGM Studios at the time. Donald’s icon status was cemented in the 1940s the world over, from comic books in Europe and South America, to starring in US government domestic propaganda during the second world war.

    Donald starred in cartoons designed to encourage Americans to rally behind the war effort. These short animations range from encouraging people to invest in American government bonds, to ridiculing Hitler as a deranged despot. The latter short – Der Fuehrer’s Face – won Donald his first Oscar in 1943, though it has since been widely criticised for its caricatured imagery of Japanese people.

    Donald is arguably as popular now as he was in his mid-20th century peak. Media researcher Chris Rojek has even used Donald as an example in his categorisation of celebrities. The duck represents the archetypal “celeactor”, a “fictional character who is an institutionalised feature of popular culture”.

    Der Fuehrer’s Face won Donald Duck an Oscar in 1943.

     

    Unlike many Disney characters, Donald’s stories take place in the present day and his stories are contemporary to the audience enjoying them. This is clear in his relationships with female characters.

    In Donald’s early days, female characters were often limited to representing beauty, domesticity and subservience to the patriarchy – reflecting the experiences of women the world over. For example, Daisy Duck was originally almost never shown as having her own job or career, in sharp contrast to Donald, who is shown in many jobs including private detective, postal worker and salesperson.

    In more recent years, though, female characters have developed to reflect the modern world. This includes the animated debut of characters such as Donald’s sister Della Duck. Della is a skilled pilot, often found in the middle of action scenes and essential to the plots of the comic-book series Ducktales (2018), as well as the television show of the same name. Della Duck, Daisy Duck and other female characters have agency in these stories – they are main characters and not merely there to support the male superstar.

    Arguably, Donald Duck is a more relatable character than aliens from a galaxy far away, or teenage royals from a place of “once upon a time”. Donald and his friends meet the same daily challenges and enjoyment we do; traffic jams, job (dis)satisfaction, seaside holidays, festive family gatherings and so on. It is not difficult for his audiences to empathise, identify and understand the situations Donald finds himself in.

    In Ducktales (2017), Della Duck is a female character, and one of the stars of the show.

     

    Relatable experiences have been an important narrative device for Donald Duck over the past 90 years. Donald enjoyed the technological developments of radio and television in the animated shorts he starred in during the 1930s, 1940s and 1950s. And in his most recent animated appearances in Ducktales, characters are seen using social media platform QuackChat – an obvious parody of Snapchat.

    Donald Duck is eternally popular because he is the “everyman”. People the world over still find much to relate to and laugh at in his temper tantrums at life’s travails. He provides a way to project our own frustrations in a comparable way to more adult cartoon stars, such as Homer Simpson of The Simpsons or Peter Griffin of Family Guy.

    As long as Donald keeps pace with society, and continues to reflect the ever-changing world we live in, this duck is unlikely to fly away anytime soon.The Conversation

     

    Joel Gray, Associate Dean for Teaching and Learning, Sheffield Hallam University. This article is republished from The Conversation under a Creative Commons license. Read the original article.

  • Lada Guruden Singh to turn producer with Sony studio

    Lada Guruden Singh

    Lada Guruden Singh has stepped down from his role as General Manager, Sony Pictures International Productions, India where he oversaw local production and has signed a producing deal with the studio.

    During his stint as General Manager at SPIP India, Singh was instrumental in bringing and developing the biggest IPs at the studio- from the superhero IP- ‘Shaktimaan’ to the film rights of ‘Madhubala’. He set up these projects along with the remake of Spanish film Campenoes in addition to Chetan Bhagat’s One Indian Girl.

    Said Shebnem Askin, EVP, Creative Production and Head of Sony Pictures International Productions said: “We are thrilled to be able to continue to work with Lada in his new journey as a producer. Of course, we will still be working closely with him, on his slate which includes many of the terrific projects he brought into the company, this should keep us closely connected.”

  • ABP Network expands into online gaming with GamesLIVE launch

    ABP Network has announced its expansion into the world of casual online gaming with the launch of GamesLIVE, under the flagship of ABP LIVE. This platform offers the ultimate free online gaming experience, featuring a vast library of over 600 HTML5 games. GamesLIVE promises endless fun and entertainment, making high-quality games accessible to everyone, anytime, and anywhere.

    Commenting on the launch, Avinash Pandey, CEO of ABP Network, said: “We are delighted to launch GamesLIVE, our new gaming platform under ABP LIVE, which represents our dedication to expanding into the digital entertainment landscape. Our goal is to provide a seamless and enjoyable gaming experience for our users, both at home and on the go. As we look to the future, we constantly strive to expand our offerings to our stakeholders and provide them with an unparalleled experience. Our reputation as a trusted network is well-established, and we aim to achieve the same level of excellence with this gaming platform.”

  • Ranjona Banerji: Journalism of Courage? Really???

    Ranjona BanerjiThe Indian Express calls itself “journalism of courage”. For many years, we believed this pat on the back because as long as the Congress Party was in power, and at some points even when the BJP was in power, the Indian Express showed a lot of courage. It took on Indira Gandhi, India’s most powerful prime minister – present company excused – and did it fearlessly. It took on Dhirubhai Ambani – who was soon to become India’s most powerful industrialist, present company excused – and did it fearlessly. It even managed to cover the Gujarat riots of 2002, held in the domain of then chief minister Narendra Modi, with some level of courage.

     

    It even did a most remarkable investigation into how the Indian Army in 2012, under then General VK Singh (now in the BJP and until lately a minister in the Modi Cabinet) had possibly planned a military coup on Manmohan Singh’s government. The investigation was done by Shekhar Gupta and Ritu Sarin.

     

    https://indianexpress.com/article/news-archive/web/the-january-night-raisina-hill-was-spooked-two-key-army-units-moved-towards-delhi-without-notifying-govt/

     

    Since Modi became PM in 2014, the Indian Express has remained extremely courageous, one cannot deny that, but largely when it comes to the Opposition, Sonia/Rahul Gandhi and so on. Taking on the ruling BJP, Modi, Amit Shah, er, not so much. It has practically handed over its column space to the BJP fan club, with a mere nod to the other parties.

     

    But this is not actually about the Indian Express. This is about the statements it has carried by Mohan Bhagwat, the RSS chief or sarsanghchalak as they call their boss. Bhagwat, who has got elevated status from Modi with a dedicated Doordarshan spot for his Dassera speech, was apparently somewhat contained in that space by Modi and Amit Shah. JP Nadda, now Cabinet minister but former president of the BJP, had even said during the election campaign that the BJP did not need the RSS or words to that effect.

     

    Bhagwat has spoken to the Sangh about how arrogance in a “sevak” is wrong, that Manipur was neglected for a year and now had to be dealt with immediately and that “decorum was not maintained” during the election campaign. Is this a return to “journalism of courage” where elliptical criticism of Modi – albeit from the BJP’s boss organisation the RSS – is given prominence?

    Who knows, eh?

     

    There is a short clip of a podcast going around social media. It shows, amongst a group of senior BJP/right wing “thinkers”, one self-declared Congress supporter, and Smita Prakash, the editor and owner of ANI, which is apparently Asia’s largest multimedia news agency. This growth and reach is no mean feat, especially given that of all the various legacy media RW/BJP TV channels and journals, hers is the most efficient and at the forefront of BJP/Modi propaganda.

     

    Prakash declares in the podcast that the RW content from the BJP was “minuscule” unlike the Opposition which had trucks broadcasting videos from Youtuber Dhruv Rathee and TV journalist Ravish Kumar. This claim is ludicrous in itself and even more so when it comes from the editor of ANI. Prakash herself went out of her way to promote Modi. As did every major mainstream TV channel, from India Today and News18 to Times Now, NDTV and the Hindi channels. Modi gave “interviews” to some of these where no one questioned or corrected his absurd claims that he was not biological but divine origin and that no one had heard of Mahatma Gandhi until Richard Attenborough’s 1982 film.

     

    And let us not forget Modi himself. His election campaigning – as Bhagwat politely pointed out – was brazen, Islamophobic and filled with falsehoods. No one in the India gets more prominence or publicity than Modi. If he did not do well enough in these elections, which has upset these sections of the RW, it is not because the RW did not do enough.

     

    Maybe Prakash and others might ask themselves why they did not do enough to represent the people of India. Many of whom did not vote for Modi and the BJP precisely because the media’s endless propaganda did not reflect ground realities.

     

    Naah, I joke. Self-awareness is not amongst the RW media’s dominant traits. Otherwise, why would they…

     

     

  • Exit Polls: A ‘No Confidence’ Motion

    Exit Polls: A ‘No Confidence’ Motion

    AI generated image showing an abstract representation of the discrepancies between the Exit Poll results and the actual results declared on June 4.

     

    Shailesh KapoorThe marathon elections are finally past us. But not without a result not many saw coming when the elections season started three months ago. The results on June 4 came as a surprise to many, particularly because a plethora of exit polls funded by mainline news channels of the country had predicted a resounding victory for the Narendra Modi-led NDA, with almost all of them giving the alliance 350+ seats, and some even predicting ‘400 paar’.

    As we know now, even ‘300 par’ didn’t materialise. Since then, there has been intense debate about exit polls, and whether their inaccurate predictions are simply a case of incompetence on the part of multiple agencies, or a result of malafide intent to influence the stock market. I have been asked this question more than a few times over the last 10 days, in my capacity as the head of a media research firm.

    While I’m no stockmarket expert, the scam allegations seem a bit far-fetched. It would take multiple agencies to comply with the perpetrators of the scam, put their reputation on the line, and hope that they make some illegal money off it. The history of scams suggest they are ‘designed’ in a way that they are under the radar, far from the public eye. Exit polls were anything but that. In any case, I don’t see how we will know any more on this topic anytime soon.

    The incompetence argument is a lot more persuasive one. Despite large sample sizes (while not all polls reveal their methodology and sample design, some do), and the claim to have covered all 543 constituencies, and represented different demographic segments adequately, how do so many polls get it wrong? In my opinion, the incompetence doesn’t lie in their ability to conduct field surveys, but in their lack of confidence to look at the findings dispassionately. All quantitative research that comes with the responsibility of predicting an outcome will operate on ranges, rather than exact numbers. And it’s now evident that the exit polls were leaned towards the higher ends of their ranges, and probably stretched them further. One poll made sure its upper end was 401, and another went for the round figure: 400!

    Over the course of this year’s election coverage, we have seen many pollsters become election experts, going beyond analysing their data, and entering domains of political analysis that’s best left to journalists with their ears to the ground. Bafflingly, many editors of mainline news channels have encouraged this, by giving pollsters a platform on their shows every night, even during the period when the Election Commission embargo on exit poll results was in play.

    It may be hard to resist fame, but if it comes at the cost of objectivity, a pollster must examine if it’s worth it. As it is, our news channels operate like echo chambers, and it is hard to not get influenced by their narratives if they are platforming you as an important talking head.

    So, the pollsters have gone wrong in their minds, probably working backwards from a pre-decided outcome they talked themselves into believing. It’s impossible to say what conclusions a more objective analysis on their data would have led them to conclude.

    In any case, exit polls seem to quite a wasteful indulgence for news channels. But it’s a vicious loop, because no channel wants to miss out on an evening’s hype. Just like no pollster wants to be the only one who got it wrong!

  • Spotify launches inhouse creative agency

    Audio streaming and media service provider Spotify has launched its new in-house creative agency – Creative Lab.

    As part of this, the local Creative Lab teams in the markets will provide “more local and nuanced insights, and work closely with brands and agencies to build campaigns through workshops, inspiration sessions, and collaborative ideation and concepting”. Brands such as The Coca-Cola Company and Royal Enfield, among others, are already using Creative Lab to strengthen their brand storytelling in India.

    Said Arjun Kolady, Head of Sales – India, Spotify: “Spotify inspires artists, creators and advertisers at every stage to do what they do best: create. We currently work with brands to help them reach new customers, strengthen brand reputation, and deepen trust. Through Creative Lab, we want to focus on providing an additional service that enables brands and agencies to design their campaigns and messaging for the Spotify audience.”

  • Zee Media appoints Santosh Kumar as Editor of Zee Bharat

    Zee Bharat has appointed  Santosh Kumar as its new Editor. In his capacity as Editor, Kumar will lead Zee Bharat’s news operations. His expertise in political, socio-economic, and investigative journalism will sharpen Zee Bharat’s mission to provide incisive and impartial news coverage.

    Said Rahul Sinha, Managing Editor of Zee News: “We are thrilled to welcome Santosh Kumar to Zee Bharat. His extensive experience and insightful perspective will play a pivotal role in shaping the future of our news programming. With Santosh at the helm, we are poised to redefine news broadcasting in India.”

  • Daddy downgraded to daddy!

    Daddy downgraded to daddy!

    Ranjona BanerjiThe Indian mainstream media is still grappling with the election results of June 4, 2024. You might imagine that they’d have grown up by now but no. The children are still weeping that Daddy may have downgraded himself to daddy. One TV person is bereft that the opposition keeps opposing and won’t allow daddy’s government to “breathe easy”. Another wonders why anyone would call for the resignation of the railway minister after a rather bad train accident in Bengal.

     

    An investigation by Alt News looks at how Meta “allowed” policy violations of its own codes (put in place after the Cambridge Analytica scandal) by proxy pages put up by political parties. Most of these proxy pages supported the BJP and pushed their Islamophobic messages on social media. Meta is the parent company of Whatsapp, Facebook, Instagram and Threads.

     

    Often when Meta is investigated, the tables have somehow been turned on investigators by this very powerful corporation. Meta has also denied the content of this investigation by Alt News. It is however worth reading, just to understand the layers that run in social media, without the understanding let alone knowledge of lay people. As in most consumers.

     

    Exclusive: How Meta allowed policy violations by proxy pages running pro-BJP ads

     

    If even a small percentage of this is true, it gives the lie to the on-air weeping by media giants like Smita Prakash of ANI and other right-wing functionaries about how the BJP and the rightwing did not do enough on social media to make sure it won the general election with a massive majority.

     

    The upshot of the success of various social media influencers and sites which highlighted the shortcomings of the last Narendra Modi government is a possible renewed attempt by the new Modi government to double down and get its controversial broadcast bill through. This bill will severely impact all “content creators” which do not get their entire content from the BJP IT cell. One can expect no support from the legacy media when freedom of expression is curtailed. Remember, according to stalwarts of the legacy media, the opposition must not oppose and to demand accountability from elected representatives is unfair.

     

    The fact that the mainstream media did not want to listen to their own boots on the ground underlines just how deep the dependence on propaganda has become. From all accounts, reporters knew, in UP and Rajasthan for instance, that the BJP would not do as well as projected. In spite of this, mainstream TV channels ran exit polls which rammed up the BJP’s chances well above the ground reality. The BJP may have believed this: but why did the media?

     

    Sadly, this malaise is not limited to the Indian media. As evidence mounts of Israel’s brutality against Palestinians, the bulk of the Western media is still unable to call out Israel’s transgressions. Even today, eight months after the Hamas attack which began the bombardment of Palestinian civilians by Israel, big names in the media are unable to fearlessly attribute responsibility to Israel. These names include The New York Times, the Guardian and the BBC, some of the most trusted and respected entities – so far – in the world.

     

    If you look for media reports on allegations of torture by the IDF on Palestinian prisoners, and by some Palestinian armed groups of Israelis, media outlets like Le Monde and Al-Jazeera are most likely to provide the information. It is easier to go to the United Nations websites than to the media.

     

    On which sad note…

     

    Ranjona Banerji is a senior journalist and commentator. She writes on MxMIndia on Tuesdays and Fridays. Her views here are personal

  • Ranjona Banerji: Let’s watch hyper-dramas unfold

    Ranjona BanerjiWrong as it is in the ethics quotient, the meltdown of India’s mainstream media after Narendra Modi and the BJP did not do as well in the general elections as they expected, is very amusing.

     

    TV anchors and assorted TV people are in a state of anger and shock. Rather than scream at their guests as they usually do to invoke anti-Muslim feelings or provoke anti-Opposition rage, some are turning on each other; others bemoan their fate and still others remain bemused and bewildered.

     

    One TV person commented on X (formerly Twitter) that the new “exuberance” of the Opposition was just not allowing the new government (almost the same as the old government) to “breathe easy”. In the land of TV, it is the job of the Opposition to let the government breathe easy and the job of the media to encourage and support the government as much as possible.

     

    It’s toss up though as to which factors of this general election upset these media cartoons more: the fall in total BJP seats especially in the state of Uttar Pradesh, or the fall in Prime Minister Modi’s personal standing. Add to these two sad facts the further ignominy of the BJP’s loss in the temple town of Ayodhya, and the sense of loss and despair makes them inconsolable.

     

    Not too long ago, Kallie Purie, vice-chairman and executive editor-in-chief of the India Today group said this at an India Today conclave: “The media cannot play the role of the Opposition. Expecting it to do it leads to unfair charges of Godi or Modi media. If the Opposition is in disarray, the media cannot be blamed for it. We cannot present another side equally strongly if it doesn’t exist. We are observers in this boxing match. We are not the players.”

     

    This was the situation in March 2024. By June 2024, the mainstream media finds that there is an Opposition and that the Modi government has been, in some small way, humbled despite the overwhelming support of the “Godi” media. The term was coined by TV journalist Ravish Kumar, who quit NDTV when it was bought by the Adani Group, and means “lapdog” media, for those who came in late.

     

    The fact that a media mogul can make such a clear, confident defence of bias demonstrates once again how completely the Modi-verse had dominated and controlled the media.

     

    In the latest issue of India Today magazine, this is what Aroon Purie, Kallie’s father and the overall boss of the group when I worked there a few lifetimes ago, had to say about the election results:

    “Besides all these factors, there is the intangible. The pervasive sense of fear in society. People talk in whispers in drawing rooms. When meeting government ministers, even in private conversations, they switch off their phones and ask you to do the same. Business people fear getting on the wrong side of the government. Academics are afraid of expressing their opinions freely. NGOs face a hostile environment. Since all the exit pollsters were wrong in one direction, I suspect they got their predictions messed up because people did not tell them the truth about who they were voting for out of fear and said ‘yes’ to the ruling dispensation. A free press is essential for a vibrant, functioning democracy. If the press is closely monitored and ‘guided’ to cover countless government events and criticism is muted in fear of retribution, then we all get far removed from ground reality. This is true of other ruling parties too. Perhaps the past regime would not have faced this electoral fate if it hadn’t lived in its echo chambers. The autonomy of institutions has been undermined. Enforcement agencies are being used as instruments of terror. Loosely drafted, draconian laws like PMLA and sedition are being used casually. With countless rules and regulations, cases can be filed without much substance. It is well known that, in India, the process is the punishment, and very few cases are ever closed. This is not new, but has been accelerated and adopted as routine practice.”

    Make no mistake, Purie Pater Familias, is clear at the end of his editorial that he still believes that Modi is the best man for the job. But his comments on the importance of a free press are quite entertaining as is his assertion (not quoted here) that we also now have an Opposition which has to be accepted.

    Purie Sr’s comments on the disastrous exit polls – which his own TV channels promoted quite shamelessly – are also good fun.

    There is no call to extrapolate anything from this. India Today and the others in TV’s Lala Land are very likely to continue with their adulation of Modi and their promotion of Islamophobia. But it is also slightly likely that they will be forced to occasionally jump off their master’s lap and go and have a sniff and lick elsewhere.

    For us, who have no hope from them, sit back, get yourself some popcorn, and watch hyper-dramas unfold.

     

    Ranjona Banerji is a senior journalist and commentator. She writes on MxMIndia on Tuesdays and Fridays. Her views here are personal.

  • ABP Network appoints Samvrit Bhattacharya

    Samvrit Bhattacharya
    Samvrit Bhattacharya

    ABP Network has appointed Samvrit Bhattacharya as the National Sales Director for Digital Sales. His focus will be on scaling revenue, delivering impactful solutions to clients, and driving innovations in the ABP Network’s digital sales sector. Based in Noida, he will be reporting directly to Rupali Fernandes, CRO at ABP Network.

    Speaking on the appointment, Fernandes, a warm welcome to Samvrit as he embarks on this new journey with us. We are excited to have him on board and look forward to his contributions towards our continued success. Under his leadership, I am confident our digital business will soar to new heights.”

  • Big FM concludes campaign to combat water shortage

    Big FM has concluded its campaign ‘Jal Andolan – Desh Ne Thaani Not to Waste Paani’ to combat water wastage. The campaign was supported by celebrities like Manoj Bajpayee, Divya Dutta, Raghubir Yadav, Faisal Malik, Mini Mathur, Alka Yagnik and Anuradha Podwal, who came together to raise awareness on water conservation .

    Said Sunil Kumaran, COO of Big FM: “The need for water is perpetual for all. As demand rises and the population grows, conserving not only water but all natural resources has become crucial. Through ‘Jal Andolan,’ we aimed to further emphasise the importance of mindful water consumption and thereby the needs for its conservation. I would like to extend my gratitude towards all the dignitaries who supported this initiative; their influence is vital in fostering a healthier environment for those without access to fresh water.”

  • Sony Pictures Entertainment appoints Nachiket Pantvaidya

    Nachiket Pantvaidya
    Nachiket Pantvaidya

    Sony Pictures Entertainment appoints Nachiket Pantvaidya as General Manager of Sony Pictures International Productions (SPIP).

    In this role, Nachiket will oversee local Indian production while working alongside Shony Panjikaran (General Manager and Head of Sony Pictures Releasing International, India).

    In his earlier assignments, Nachiket was Group CEO, Balaji Telefilms, Business Head of Sony Entertainment Television. He was also the Business Head of Star Plus and held several roles in the Star TV network, including Head of Star Pravah and Managing Director of Fox Television Studios. An IIM-Ahmedabad alumnus, he has also held key management roles in BBC and Disney.

    Shebnem Askin, EVP, Creative Production and Head of Sony Pictures International Production said: “Sanford Panitch and I are so pleased to have Nachiket join the Sony Pictures International Productions to lead our local Indian production. These are exciting times as we take a step to make and release our biggest local slate for the Indian market in the next two years. We are most excited as Nachiket brings along not only rich industry experience but also new energy and dynamic execution skills to lead SPIP to a prime position.”