Category: MEDIA

  • Shailesh Kapoor: BARC Is Here: New Ratings, A New Era!

    By Shailesh Kapoor

     

    Finally, the first BARC ratings were released yesterday. Ongoing debate, both reasonable and fallacious, around the credibility of the ratings system, that lasted over a decade can be set aside. We finally have a “solution” in sight. Just that BARC will have to earn its way into becoming that solution.

     

    Evidently, what was released yesterday was the first stage of reporting that BARC would eventually deliver. To begin with, it is household data, not individual data. I don’t remember seeing any peoplemeters-based household data in India over the last 15 years. So we definitely have a new measure to keep us statistically occupied, till BARC shifts to individual data. If they continue to report both individual and household data in the long run, we can be in the most interesting viewership analysis that you could potentially have.

     

    The coverage of urban LC1 and rural markets will be the next stage, which should hopefully be not too far away. And then, of course, is the big promise of increasing the sample to 50,000 over the next three years, a task of monumental proportions, the operational complexity of which is ill-understood by many, including many in the television industry and certainly many in the I&B ministry.

     

    Comparisons to TAM are bound to happen, though they are highly inappropriate, given that so much has changed, right from the market composition to the change from SEC to NCCS to the change from individual to household reporting in this first round. Yet, the big GEC headline that was doing the rounds in the industry last evening was ‘Life OK beats Zee TV to take the no. 3 spot’. Sometimes, the diagnostics are lost in the pursuit of headlines.

     

    I also saw BARC “on-air” last night. Never to skip an opportunity, Arnab Goswami had a promotional video airing in prime time, where he quoted the first BARC ratings freely, stressing on the wide gap between Times Now and “other small English news channels.” The promo ends with “Times Now Welcomes BARC”.

     

    Though a standalone, single-channel promo, it says a lot about how the data could be received by broadcasters in general. You can expect to see a flurry of e-mailers and one-on-one client communication by channels that have done well in these first ratings. And there are bound to voices of dissent from those who haven’t, though I suspect those voices will be more like murmurs, given the whole-hearted IBF backing to BARC.

     

    TAM, meanwhile, has been portraying the image of a battered soldier who refuses to surrender. It should be worthwhile seeing what they come up with. Clearly, we are not in for a two-currency system. So, it would have to an offering that’s distinctive from the BARC repertoire. We shall know, with time.

     

    From before-BARC to after-BARC, an era may have changed yesterday. Be prepared for an eventful 2015, where talk about ratings will dominate all talks about content and brands in the television space (so what’s new, some may say). After a two-year long trailer, the film has been released, but it will reveal itself reel by reel, scene by scene. Grab your popcorn!

     

  • Colors gains much as BARC releases Week 16 data. Life OK ahead of Zee in HGECs

     

    By Our Research Editor

     

    If there was any fear that the new Broadcast Audience Research Council measurement system would be friendlier towards Star and Zee, among the two key backers of the need for a new ratings regime, the release of the data for Week 16 would’ve silenced critics.

     

    For one, Zee is a huge loser at first glance. And the gap between Star Plus and the next Hindi GEC (Colors) has narrowed even as Life OK has become a comfortable #3.

     

    Needless to say, the industry waited with much anticipation for BARC India to roll out its first set of data. For the expectation was to change how content consumption will be monitored and measured in the country. “Today, is indeed a day to celebrate for the shareholder apex bodies – IBF, AAAI and ISA, to launch in 2 years what Countries across the World would have taken at least 5-6 years,” a communiqué said.

     

    Initially, BARC India will be releasing data for 1 lakh+ cable and satellite (C&S) markets which corresponds to a sample size of 10,760 households. BARC India will actually monitor 12,000 sample households for this, using a stratified random sampling technique that is proven statistically. This will go up to 20,000 reporting homes, with addition of the less than 1 lac urban markets and rural areas to represent “What India Watches” in line with the Government of India, Jan 2014 notification.

     

    With over 300 channels being watermarked with this world’s leading technology for measurement. Meanwhile, SpotTrek, launched a month earlier, was started as a third-party certification service from BARC India to track commercial spots and movie trailers telecast on TV by next day of telecast through monitoring of over 360 channels.

     

    NCCS or the new SEC system will now be the new standard, to enable smarter decision making processes with the new socio-economic consumer classification. Both content planners and advertisers will find the new NCCS system to be more objective as it captures the affluence parameters of a household, the communiqué notes.

     

    Security and cigilance is another priority for BARC India. BARC India  uses as many as 28 partners across key processes within the larger framework of meter management, panel management, DQA, IT security, playout monitoring etc. Information integrity is ensured through ‘the right hand not knowing what the left hand is doing’ principle.

     

    Said Partho Dasgupta, CEO, BARC India: “I am thrilled to share the first set of data and highlights. Solving this Puzzle has been an exciting experience and TEAM BARC India is proud to be creating history as the World’s Largest and Future Ready Television Audience Measurement Service. Thanks to IBF, AAAI, ISA and all our partners for coming together and making this happen.”

     

    Added Punit Goenka, Chairman, BARC India and MD & CEO, Zee Entertainment: ” With an aim to bring in utmost transparency within the ecosystem, BARC India will certainly be the best solution to report what the nation is actually watching.”

     

    Other broadcasters were equally effusive about the new regime. Said MK Anand, MD and CEO at Times Network: “We are happy that the new measurement system is finally in place. An extended viewer base will certainly help bring in more consumers into the analysed set and improve our services to them and thus generate more value.”

     

    Advertisers and media agencies are also excited about the new measurement system of BARC, though they caution that it’s still early days for the data. While it is impossible to contain them from making claims, it is advisable to wait for a few weeks, said Shashi Sinha, Chairman of IPG Mediabrands and Chairman of the BARC Technical Committee.

     

    Arnab Goswami, Editorial Director & Editor- In- Chief, Times Now said: “I am delighted with the BARC numbers. At 9 pm, we have 2/3rds of the audience with us, with the other one third shared between the smaller channels. In English news now, there is no No 2.”

     

    Meanwhile, here are highlights of Week 16 data:

    :: Star Plus is leading Hindi GEC channel of the country (HSM). Colors is a not-too-distant #2. Life OK is #3, not Zee.

    :: Colors leads Hindi GECs at primetime, followed by Star Plus and Zee. Yes, you read it right… Life OK is #3 HGEC thanks to non-primetime.

    :: Zee emerges strong in fegional channels like Telugu and Marathi

    :: Aaj Tak is the leader in Hindi news (HSM)
    :: Times Now leads in English news category (All India)

    :: CNBC-TV18 leads in English business

    :: IPL days put Sony Max in strong position
    :: Sun TV is a dominant leader in Tamil Nadu market
    :: ETV Kannada is the market leader in Kannada market
    :: Discovery is the leader in the infotainment category (All India)
    :: Nick is the market leader in kids category (All India)

    :: Zee TV HD has the highest Time Spent in the current week followed by Sony Six HD and Colors HD across HSM.

     

    Now, let’s look at the tables:

  • Zee is ahead of LifeOk in TAM’s Week 17 data for Households & Individuals

    TAM has released data for Week 17 (April 19 to 25) for CS Households and Individuals for HSM and All-India, offering a comparison between Week 17 and of the previous week (April 12-18). Take a look at the data below (and also at the data released by BARC India).

     

     

     

  • Hindi movie genre dips a wee bit in Week 17: TAM

    In Week 17 of 2015, the Hindi Movie Genre dropped by 1% as compared to the previous week, as per analysis conducted by S Group, the strategic consulting arm of TAM Media Research.

     

     

    :: In Wk 17 – 2015, Hindi Movie Genre dropped by 1% as compared to the previous week.

    :: Sony MAX maintained its viewership at 306 GRPs in Wk 17, more than 80% of which came from IPL matches.

    :: A further look into the performance of individual channels –

     

     

    > Z Cinema and Star Gold stood at 92 and 83 GRPs respectively, both channels having dropped marginally as compared to last week.

     

    > Movies OK and UTV Movies have remained undisturbed at an overall level.

     

    > At 17%, &Pictures witnessed the highest drop in Wk 17 which was driven by the drop in time spent as compared to last week. The channel lost 7 GRPs during weekend alone.

     

    > UTV Action was the biggest gainer at 11% hike. The channel was able to gain viewership in the IPL-driven day-part of 2100-2359 Hrs, mainly due to the telecast of ‘Avengers’ on Friday.

     

    :: With no premieres on the genre in Wk 17, ‘Happy New Year’ on Z Cinema was the highest rated movie of the week.

  • Coffee & Conversations with Rahul Kishore: Week #6: Ashish Bagga

    By Rahul Kishore

     

    Ashish Bagga is a difficult person to meet. Since he runs a large media corp as CEO of the India Today group, it’s very important for him to budget his time.After trailing him for almost two weeks, I had a cup of coffee with him. He always has been razor-sharp, with a keen sense of humour and rumour and laughs loudly. I began by asking him

     

    Do you consider yourself lucky?

    Indeed, I do! Luck has played a large role in my life but I have worked very hard to get where I am.

     

    Beliefs that define you?

    Behind every threat is an opportunity. While nothing succeeds like success, lessons arising out of failure are equally important. It is imperative to enjoy and learn from the journey of life! He lives by this and I think I agree with him

     

    How do you destress?

    By riding a Harley!

     

    What’s your dream job?

    Being the world’s top media honcho. Who knows he might get there

     

    If there was a movie made on you who would you like to play you and why?

    Aamir Khan. Because Aamir is an extremely talented and versatile actor and is at the top of his craft. Comes across as genuine, warm, approachable and humane. I relate very well to his value system and ideology.

     

    Your fav CEO?

    Richard Branson he says with a twinkle in his eye and a smile that hides something

     

    If Bill Gates walked in and gave you a 100 million for one big idea. What would it be?

    Contextual mobile commerce is the future and he has some ideas he would like to implement there

     

    Your fav animal?

    Bruno, our Golden Retriever

     

    One word that describes you?

    Go-getter…that he is!

     

    Who would you like to be reborn as?

    Marc Zuckerberg for what he has done.

     

  • Press Club Mumbai awards Red Ink Award to Prannoy Roy, others

    By Dyanne Coelho

     

    “I have heard a lady anchor on a Hindi channel, twirling her hair and saying, ‘Break kebaad, aapkoek rape dikhaenge’,” Dr. Prannoy Roy, winner of the Lifetime Achievement Award said to a stunned audience as he talked about the ghastly tsunami of tabloid journalism that has inflicted the Indian media space. The co-founder of the NDTV Network was speaking at the Mumbai Press Club RedInk Awards for Excellence in Indian Journalism 2015, where he was felicitated with the Lifetime Achievement Award.

     

    Often known as one of the most respected and trusted anchors in Indian journalism, Dr. Prannoy Roy blasted the tabloidization of news in India, and put the blame on advertisers. He criticized the journalists that keep their sources too close and hence alter the path of their story and emphasized the importance of maintaining stricter defamation laws so that journalists themselves cannot get away with slack trends in reporting. Talking about the lowering of standards of Indian journalism, Royretorted, “If this decline in quality continues, I believe three years from now, the Indian media will have no credibility left and Sir (pointing to Suresh Prabhu) you know what that means. It happened to politicians a long time ago.”

     

    Roy, however, stressed that the laws of defamation must be governed by the courts and the legal system and that the government must never ever have a say in the Indian media.

     

    Railway Minister Suresh Prabhu, who was the chief guest at the event after CM DevendraFadnavis was a no show, suggested that media houses should work on ‘Making News’ while chasing ‘Breaking News’. “A lot of positive news is left uncovered in this new trend,” he said.

     

    A panel discussion – Celebrating the Voice of Dissent- was conducted that included senior journalists Shekhar Gupta, former Editor-in-Chief of the Indian Express, Srineevasan Jain of NDTV, Krishna Prasad, Editor-in-Chief of Outlook and Railway Minister Suresh Prabhu. The discussion was moderated by Sachin Kalbag, the Editor of Mid-Day.

     

    The media professionals expressed concern at some politicians turning ‘mini dictators’ and trying to threaten the freedom of speech. They also took a jab at the BJP government for the comment made by a party member that every Hindu woman must have at least four children.

     

    The RedInk Award for Impact Editor of the year went to Arnab Goswami, Editor-in-Chief of Times Now, for his ability to capture eyeballs and expand audience reach with what in his own words is ‘the longest one hour television news debate.’ On being asked what he has to say to those who criticize his form of journalism saying that it has a negative impact, Arnab is quick to respond, “We are in the business of news, not in the business of compliments. So for us criticism and praise in equal measure is okay, as long as we do our job honestly.”

     

    The RedInk Award for Journalist of the Year, instituted for the first time, went to Sreenivasan Jain of NDTV for his consistent investigative work epitomized in his series ‘Truth versus Hype’ and other programmes. Scroll.in was awarded the ‘Best News Start-Up of the Year’ for scaling up its influence rapidly as an alternative source of news and features.

     

    The RedInk Award for business journalism in the print medium went to Dinesh Narayanan of The Caravan Magazine and in the television space went to Dibang from ABP News.

     

    The award for Crime journalism in print was shared by two journalists, Leena Reghunath of the Caravan Magazine and Vinod Kumar Menon of Mid Day. In the broadcast space the RedInk award for excellence in crime reporting went to TarunNangia and Dipu Rai of Zee Business.

     

    Sharad Vyas ofMid Day bagged the award for excellence in Environment reporting, while in the broadcast category, the award was shared byUmeshKumavat from ABP News and Rajat Singh of AajTak.Kumawat’s wife walked up on stage proudly to receive the award on his behalf as he was in Nepal reporting at the time.

     

    In the category of Health and Wellness, the RedInk award in the print space went to Johnson Poovanthuruth from Deepika Magazine and to Nikita Saxena from Caravan Magazine. For the broadcast category, VrushaliPurandare of TV-9 walked away with the award.

     

    The Redink Award for the Human Rights category in print went to SalilTripathi, from The Caravan Magazine and for television to Shams Tahir Khan of AajTak.

     

    The much-awaited RedInk award for excellence in political reportage in print went to Dinesh Narayanan of The Caravan Magazine and in broadcast; it went to Jitendra Dixit of ABP News.

     

    Caravan continued to steal the show as  Rahul Bhatia walked away with the RedInk award for excellence in sports journalism in the print space, whereas Suprita Das of NDTV won the same in the broadcast space.

     

  • Season 2 of Hunnarbaaz! Mission Skill India takes off

    By A Correspondent

     

    Hunnarbaaz! Mission Skill India – Season 2 has started airing on DD National every Sunday at 11 am. It is partnered bythe Ministry of Skill Development& Entrepreneurship (MSDE) along with continued support from the National Skill Development Corporation (NSDC). Hunnarbaaz!feels proud to be associated with MSDE and NSDC to achieve the set target of skilling 119 million youth by 2022. With exciting skill based competitions and exceptional success stories to motivate the youth of the country, Hunnarbaaz! Mission Skill India has lined up fresh content for this series.

     

    Dilip Chenoy, Managing Director& CEO, NSDC said, “We are happy to extend our support to Hunnabaaz! Mission Skill India in the new season. We strongly believe that Hunnarbaaz!is an effective platform which focuses on the importance of skilling not only for an individual but also for the nation.”

     

    Apart from skilling for the youth, skills and job opportunities for the differently abled will be the focus in this season as the Department of Empowerment of Persons with Disabilities under the Ministry of Social Justice and Empowerment is a Segment Partner for the first five special episodes.

     

    The special episodes for differently abled highlight the problems faced by them and how some exceptional people have displayed their ‘never-say-die attitude’. Innovative competitions like Treasure Hunt using the Sign Language with the Speech Impaired, Website Designing with the Visually Impaired and Dance Competition with the Hearing Impaired are a part of this fresh season.

     

    Siddharth Kak, Producer, Hunnarbaaz! Mission Skill India,said, “It is eyeopening to see how the differently abled are able to perform, better than their normal counterparts. There’s huge wealth of opportunities for them in the industry today which are being highlighted in Hunnarbaaz Season 2.”

     

  • Torque makes a winning start in Q2 ’15

    By A Correspondent

     

    Torque Communications has had a good start to the year including the recently-won account of Myntra. Earlier, Torque won assignments for Spanish steel giant Tubacex and Nasscom Foundation.

     

    “We see two large qualitative shifts that benefits Torque. One, companies are increasingly looking at communicating stories irrespective of the medium – so our grasp of how news and stories are flowing today are making a difference. Second, there is increasing focus on quality of thinking and execution. We see leaders in their fields getting ready to jump from the conventional bandwagon to the realization that digital consumption makes geographic specificity irrelevant. It doesn’t matter if you are in Koppal or Kolkata, consumers are participating in a common marketplace and reputations of companies and brands matter as much in Delhi as in Dehri on Sone. The unified view of the brand is changing communication thinking and this will get accelerated over time as mobile internet consumption matches mobile commerce spends,” shared Supriyo Gupta, CEO, Torque Communications.

     

  • Rahul Jauhari appointed CCO at Rediffusion Y&R

    By A Correspondent

     

    Rahul Jauhari

    Rediffusion Y&R has announced the appointment of Rahul Jauhari as Chief Creative Officer, Rediffusion Y&R Group. Meanwhile Komal Bedi Sohal, will relocate to Y&R Singapore as Chief Creative Officer.

     

    Rahul is no stranger to the Rediffusion YR Group. His team created memorable work for the Tata Group on brands likes Tata ACE and Magic. Rahul’s work was responsible for the successful repositioning of Kaya (Marico) and Onida, to name a few. Prior to Everest, in a 7-year-long stint at Rediffusion Delhi & Mumbai, Rahul led the creative work on Airtel, the agency’s biggest account.

     

    Over the past four years, Everest Brand Solutions added accounts like SAB TV (Sony Entertainment), CNN IBN, Kotak Mutual Funds, IndiaFirst General Insurance, Onida, Catch Spices (DS Group), Aditya Birla Retail & more. In addition to this, the agency added multiple brands from its largest account Parle Products.

     

    Dhunji Wadia

    Commenting on Rahul’s appointment, Dhunji Wadia, President Rediffusion Y&R India said, “Rahul has done a stellar job within the group. What I admire most is his passion and collaborative style of functioning and unending quest for creative excellence. Komal remains an ally within the network and we will continue to take full advantage of that and I wish her the very best in her new role.”

     

    Komal has spent the last two years as CCO at Rediffusion Y&R India, during which time the agency has undergone a resurgence, with a run of 16 new business wins and a return to The Economic Times’ list of India’s top 10 advertising agencies.

     

    Commenting on the appointment, Y&R Singapore Managing Director Melvin Kuek said, “Komal’s track record of both new business and awards success make her an ideal creative partner at the helm of Y&R Singapore. Having also ramped up the agency’s strategic planning team we’re very optimistic for 2015.”

     

  • Suparna Mucadum to head Kolkata ops for Rediffusion Y&R

    By A Correspondent

     

    In a major ramp up, Rediffusion Y&R has appointed Suparna Mucadum as Vice President to head its Kolkata operations. In her new role, she will be reporting to Dhunji S. Wadia, President, Rediffusion Y&R and add to the company’s leadership team.

     

    Dhunji Wadia

    On her appointment Dhunji says, ” Suparna has a proven reputation as a leader and is enormously regarded by her clients and the industry. I am very excited that Suparna will now lead Rediffusion Kolkata and its presence in the East.  I am certain that with her brand of entrepreneurial leadership, our operation will scale new heights.”

     

    Suparna  has over two decades of industry experience. Over the years, she has worked at JWT, Trikaya, Rediffusion Y&R, AMSI Radio, Polar Fans and lead operations at Genesis Advertising and  Grey Group.

     

    In her vast advertising experience, Suparna has worked on several brands, across categories, including Times Of India, Goodricke Tea, Tata Steel, Spencer’s, Reliance Telecommunication, Shaw Wallace, West Bengal Industrial Development Corporation, National Insurance Company, TAJ Bengal, Tata Tea, Dunlop, Rupa innerwear,Metro Cash & Carry, BOC, ONGC, Zee Bangla , UNICEF.

     

  • ZETC opts for a vibrant new look

    By A Correspondent

     

    ZETC has rolled out a refreshed new look which reflects the culture of today’s youth.The renewed look of the channel has been carried out with an aim to provide viewers the latest Bollywood music and showsalong with the hot trending topics that tinsel town has to offer.

     

    The new logo of ZETC presents a more youthful and energetic feel to the channel with a play on vibrant rainbow colorsthrough animation. The tagline Youth Music Café of the channel,which is an extension ofthe new brand ideology,will help young viewers to identify and relate to the programming on a personal level.

     

    Announcing the new brand strategy, Vishnu Shankar, Channel Head, ZETC said, “Today’s youth lives in an era of abundance. They have access to the best of the programming content and hence they expect supreme quality from the entertainment providers. The industry has evolved in an interesting way over the period of time and these are the times of transformations. At ZETC, it has been our endeavor to provide our viewers with the best programming content. Our channel has grown with the genre and has developed a loyal fan base which will expand rapidly as we unravel its untapped potential with the new refresh look. In its new manifestation we will leverage the iconicity of Bollywood and transform ZETC into themost preferred Hindi music channel.”

     

    As a part of the revamp strategy, the channel will see several additions on the programming front.Iconic characters of Hindi cinema will be brought to life in entertaining parody forms along with the music, film reviews and juicy filmy gossip. Highpoints of the programming will be exclusive a talk show hosted by renowned trade analyst KomalNahta and the Bollywoood Business Awards. The talk show will cover the latest developments in the film industry including new releases, interviews, box-office collections, the emerging trends and future forecasts.

     

  • Popular regional shows now occupy extended primetime slot on Zee

     

     

    Zee TV has announced the launch of the dubbed versions of regional shows on its channel. Two of Zee Marathi’s successful shows have been dubbed in Hindi - Julun Yeti Reshim Gaathi as Mohe Piya Milenge and Eka Lagnachi Teesri Goshta as Mile Sur Mera Tumhara. The shows will be aired from Monday-Friday in a new primetime slot ‘Ummeed Ke Naye Rang’.

     

    ‘Mohe Piya Milenge’ is the story of Meghana who ties the knot with Aditya, an impressive young man much sought after by parents as an ideal match for their daughters – only to reveal to him, post –marriage that she loves somebody else. The show captures how the mature, young man chooses to help her connect with the man she loves rather than exposing or humiliating her for this breach of faith. ‘Mile Sur Mera Tumhara’, on the other hand, is a show that follows the lives of two young lawyers, Om and Isha, who fall in love with each other. Both the shows have some of the finest Marathi actors like Sukanya Kulkarni, Girish Oak, Umesh Kamat, Spruha Joshi, Lalit Badane amongst others.

     

    Pradeep Hejmadi, Business Head, Zee TV says “It has been our constant endeavor to enrich our content offering and bring more and more great stories and characters to our viewers and the extension of our primetime to 5 PM is a step in that direction.  There is no pecking order for ideas and stories. It’s archaic to think that only Hindi can come up with earth-shattering ideas. When we were generally looking at ideas, we realized that in Zee Marathi there were some really good stories, and when we tested a few of the stories in other markets, they were quite nice. So, we evaluated whether we should completely re-create or dub. When we dubbed the shows, they were well-received and people loved it that way. The two Marathi shows are a mere beginning – viewers can look forward to some vibrant regional content from different parts of the country dubbed in Hindi on ‘Ummeed ke Rang’ in the times to come.”