Category: Digital

  • Is the Bhaskar group exiting DNA?

    By A Correspondent

     

    Since the day Zee supremo Subhash Chandra took charge of operations at Diligent Media Corporation (DMC), the company that publishes newspaper Daily News and Analysis (DNA), rumours are rife that co-owners Dainik Bhaskar are exiting the JV. This happened two years ago, and nearly every week since then we hear stories about the Bhaskars selling their stake. There have been times when we’ve heard the same about Mr Chandra too, but if a report on the BusinessWorld website is to be believed, the Dainik Bhaskar Group (DB Corp) is in the process of exiting DMC.

     

    “Following the exit of the Bhaskar Group, Subhash Chandra and his associates will have 100 per cent ownership of Diligent Media. The road map for decoupling the English language media project, launched in June 2005 as a 50:50 JV, was confirmed by a senior D B Corp executive; but the promoters of the Bhaskar Group, the Aggarwal family, said the deal was “yet to be consummated”, the report adds.

     

    (Link: http://www.businessworld.in/businessworld/businessworld/content/Dainik-Bhaskar-Exiting-DNA.html)

     

    The Agarwals are known to be hands-on and aggressive newspaper owners. So while the official reason being given was that Mr Girish Agarwal needed to concentrate on the power projects, it was evident that interest had waned. A Bhaskar spokesperson said he was unaware of any such development.

     

  • @Microsoft seminar: Creative storytelling via rich media

     

    By Shruti Pushkarna

     

    At the Rich Media Rocks seminar this year, the focus was on making it easier for brands to launch digital ad campaigns at scale while also giving creatives new and powerful canvases upon which they can tell their stories.

     

    Neville Taraporewalla

    The seminar, hosted by Microsoft Advertising, was held in the capital on March 1 at The Westin Gurgaon. Mr Neville Taraporewalla, Country Director, Advertising and Online, Microsoft India welcomed the delegates to the seminar.

     

    Speakers at the event shared examples and case studies of brands to highlight the new experiences that rich media advertising has in store, if applied with the right balance with content. An underlying issue that was pointed out in the sessions was an obvious ‘disconnect’ between advertisers and consumers. Mr Pushkar Sane, Co-Founder & CEO, Converginations Ventures Limited said, “There is a language of convenience that people are communicating in, whether it’s codes or emoticons… there is an obvious disconnect between the way we communicate as people and the way advertising is communicating with us.”

     

    Pushkar Sane

    Mr Trevor Yeats, Senior Product Marketing Manager, Microsoft Advertising reinforced Mr Sane’s point by stressing on the need for marketers to build an emotional connect with their consumers. Marketers, he said, “…need to fulfil the brand promise by creative storytelling, and rich media advertising can enable them to do so.”

     

    As was highlighed at the recent ad:tech 2012, the issue here as well seemed to be the need for marketers to accept reality as it is today and try to connect with the consumer in a way that is not completely disruptive. Content, and speaking of rich media, is not just being created by brands; even consumers are becoming curators for brands. Mr Sane said, “Rich media is not only in the hands of the advertisers and marketers, it’s a tool that is available to your consumers, it’s equally a weapon in their hands, probably more lethal in their hands than yours.” So there is a need to strike a balance between content and rich media advertising so that the user feels that he/she has a choice to ‘engage’.”

     

    In a scenario where the advertisers and marketers think of consumers as numbers that need to be hunted and targeted, thinking from the consumer’s perspective it feels like being in jail where one is trapped with excessive communication. Today consumers don’t want to be treated like targets, so brands need to understand user behaviour.

     

    To engage their consumers, Mr Sane said that brands indulge in stunts that they believe will get them the numbers. However, Mr Sane added, “Brands need to understand the difference between stunts and magic. Stunts will get you the clicks but magic will get you customers.” Brands, he said, need to ‘play the host’ rather than think ‘it’s my message to you’ when they are engaging customers.

     

    The Interactive Advertising Bureau (IAB) launched an initiative called ‘Rising Stars’ where they chose six creative ideas as solutions to digital advertising. And as part of Microsoft Advertising’s commitment to rich media, said Mr Trevor Yeats, Senior Product Marketing Manager, Microsoft Advertising, “Microsoft Advertising was one of the first publishers to adopt all six IAB Rising Star Solutions in the U.S., implementing five of them already in Asia.” These six star solutions are Filmstrip, Billboard, Pushdown, Sidekick, Slider and Portrait.

     

    Filmstrip, said Mr Yeats, “…is a powerful canvas for all industries and across all continents. It enables creative storytelling, guiding consumers through a purchase funnel where they go from awareness to interest, to desire and intent and finally maybe to loyalty.”

     

    Mr Yeats also shared some tips on building an engaging Filmstrip. He said, “It’s important that the filmstrip tells a story. Image galleries and videos can help tell the story better. And finally make the Filmstrip social, invite the customer to be a voice of your brand.”

     

    While we talk of engaging and building an emotional connect with users, ROI and performance metrics still hold importance to continue with select digital campaigns. IAB Research shows that Rising Star ads have increased both exposure time and interaction rates by 90 percent. Mr Trevor Yeats, citing IAB research, said, “Users prefer Rising Star ads, they thought they were well designed and more engaging than most ads online. Rising Star ads positively added to the experience boosting performance.”

     

    But how does one know if these Rising Star solutions will continue to ‘click’ with the consumers? Will they become redundant like the pop-ups? Mr Yeats seemed extremely positive of the Rising Star solutions as he felt that as long as the right balance with content is reached, rich media will only add to the experience of a user.

     

    Mr Farshad Family, Managing Director, Nielsen Media, shared that online still remains only 4 percent of the total advertising pie in India, but he added that the share is growing rapidly. Adding on, Oded Lida Greiss, Vice President for Emerging Markets, MediaMind said, “India ad spend is low compared to global, but the trend is on an increase in opportunities with rich media.”

     

    Mr Pushkar Sane, Co-Founder & CEO, Converginations Ventures Limited also said that although there is a lot of ‘noise’ out there, brands still need to create noise for themselves. He said, “The objective is to out-shout the competitor and to do that, interrupting people and breaking their privacy becomes a must. This is a trend that digital is slowly adapting and borrowing from television.”

     

    But since there is a constant migration that takes place at the consumers’ end, brands need to understand that people are not loyal to a platform, they are only loyal to content. They are even beginning to trust the ‘unknown’. So, as Mr Sane said at the beginning of the seminar, marketers first need to address the ‘disconnect’ between them and the consumers, which probably exists because of excessive pressure on delivering quarterly results. He said, “No one is looking at long-term building, it is almost like as soon as we put on our agency or brand hats, we leave our brains outside. There is no shortcut in this business. Brands need to learn, practice and evolve.”

     

  • IRS 2011 Q4: Media consumption grows but Radio and Cinema continue to decline

    By A Correspondent

     

    IRS Q4 2011 findings have revealed that the literacy rate and media consumption in India has witnessed growth when compared to IRS Q3 2011. The other media categories to have grown are Press, Television, C&S (Cable and Satellite) and the Internet. While Radio and Cinema consumption have witnessed a decline, the Internet has emerged as the fastest growing medium in the country.

     

    Press has seen a marginal increase of 1.5 per cent in the CAGR (Compound Annual Growth Rate) whereas TV grew only 6.9 per cent of the CAGR. After the Internet, C&S is the second largest medium to have grown in double digits i.e. a CAGR of 13.9 per cent. Radio and Cinema on the other hand declined -5.8 per cent -5.2 per cent respectively.

     

     

  • Chaitanya Prabhu joins Jump Games as Business Head

    By A Correspondent

     

    Chaitanya Prabhu has joined Jump Games (subsidiary of Reliance Entertainment Digital) as of March 1, as Business Head - India. Mr Prabhu has an experience of over 13 years, out of which seven have been in pure digital arena.

     

    His last stint was with Nokia, wherein he was responsible for setting up the Ovi Music Unlimited Service inIndia. After the success of the Ovi Music Unlimited inIndia, he was moved within Nokia to build the developer ecosystem for the Nokia store business. He worked with developers’ ecosystem to build monetization models for publishers/ developers and created some marquee apps for Nokia with Windows devices.

     

    Under his guidance and leadership, app download from Ovi store shot up from one  million a week to 2 million per day.

     

    Ask him one thing that made him leave the music lineage and join hard core gaming and the prompt reply: “Looking at how content owners play a key part in the success of the mobile ecosystems, I was very excited when I got an opportunity to head theIndiabusiness at Jump Games. I did foresee a big opportunity for Jump Games to be an integral part of the content and developer ecosystems and work with them to create exciting monetization models around gaming”

     

    Before Nokia, Mr Prabhu has worked with several renowned companies like Universal Music and Reliance Retail. He has completed his Masters in Business Administration from NMIMS, Mumbai.

     

  • Kingfisher set to recount its ‘Brand Journey’ with Facebook Brand Timeline

    By A Correspondent

     

    Kingfisher, one ofIndia’s top 10 brands on Facebook, has proved yet again that it is one of the most digital-savvy brands in the country. It is the first brand inIndia to adapt Facebook’s ‘Brand Timeline’, giving its consumers ample reasons for a qualitative interaction with the brand.

     

    The switch to Facebook Timeline comes not just as a new look but a strategic move to engage with its consumers more qualitatively while also highlighting the milestones and narrating the story of the brand that was never told before.

     

    The Kingfisher page has been positioned as a facilitator of ‘Good Times’ and strategically does not promote beer, considering the profile of the Facebook users. The Kingfisher Facebook fan page currently enjoys more than 3.3 million likes.

     

    Commenting on the new move, Samar Singh Sheikhawat, Senior Vice President, United Breweries Ltd said: “In the rapidly evolving world of digital communications, the changes might be multiple but the crux remains the same – finding innovative and instantaneous ways of touching the lives of consumers. At Kingfisher, we’ve always strived to set these benchmarks by moving on to new platforms swiftly and utilizing the inherent strengths of the medium to forge a deep, meaningful relationship with our consumers. In keeping with that philosophy, Kingfisher was the first Indian brand to adopt the recently launched Facebook Timeline on February 29. Our endeavour now will be to use the key features of the format in a uniquely creative manner and make the consumer interactions on Facebook richer and more memorable.”

     

    Facebook Timeline went online in September 2011. It offered Facebook users the joy of revisiting their lives with a collection of photos, posts and apps facilitating a digital autobiography! Facebook has now rolled out the Timeline for brands which will transform the way brands communicate and interact with consumers drastically. The latest format provides brands with new options for self expression, allowing them to narrate their corporate story with milestones, highlight the brand’s key campaigns and so on.

     

    Kingfisher made its entry into Facebook in April 2008 and has been successful in constantly engaging with its consumers for the last 4 years. The numbers of fans have been growing in leaps and bounds year after year, a clear indication of the ever increasing popularity on Facebook.

    Initiating, fuelling and sustaining conversations remains to be the key challenge any brand faces on social media – Kingfisher is perceived as the benchmark in this space with consistently high levels of interactivity. As a result, currently the brand’s Facebook page flaunts more than 3 million fans, making it one of the top 5 brands on Facebook inIndia. Incidentally, this also makes Kingfisher the second largest beer brand globally on Facebook.

     

    On the other hand on Twitter, Kingfisher has a fair presence with about 17,000 followers. Though Twitter is a fairly new channel in the social media universe of brands inIndia, Kingfisher is perceived as a thought leader and as a brand that listens to consumers, not just talk. This is reinforced by even some of the top global blogs on social media mentioning Kingfisher’s Facebook & Twitter presence individually as amongst the best uses of social media inIndiaby brands.

     

  • iPad3 could revolutionise ad & content

     

     

    [youtube width=”400″ height=”200″]http://www.youtube.com/watch?v=bAF51B0HgDg[/youtube]

    By A Correspondent

     

    Apple brightened up our lives on Holi day with the third generation of the iPad. That it launched on Holi was obviously a coincidence. India sadly figures nowhere in the iPad 3’s roll-out later this month.

     

    On March 7 in the US, Apple introduced the new iPad featuring a stunning new Retina display, its new A5X chip with quad-core graphics and a 5 megapixel iSight camera with advanced optics for capturing amazing photos and 1080p HD video.  The battery life is 10 hours.

     

    And what happens to the iPad 2? It is now offered at $399 (Rs 24,500 in India) for the 16GB Wi-Fi model and $529 (Rs 32,900 in India) for the 16GB Wi-Fi + 3G model.

     

    “The new iPad redefines the category Apple created less than two years ago, delivering the most amazing experience people have ever had with technology,” said Philip Schiller, Apple’s senior vice president of Worldwide Marketing. “The new iPad now has the highest resolution display ever seen on a mobile device with 3.1 million pixels, delivering razor sharp text and unbelievable detail in photos and videos.”

     

    According to Mumbai-based IT consultant Lionel Faleiro, the new iPad is a great evolutionary product for its screen, processing power and upgraded camera. “The main reasons that sells the iPad the most is its availability of Apps and its consistent OS updates. The quality of design of iPad optimized Apps in the iOS Store is much better than its Android counterparts,” he said, adding that he expects the iPad3 to launch in India in May this year.

     

    The new iPad’s Retina display delivers four times the number of pixels of iPad 2, so dense that the human eye is unable to distinguish individual pixels when held at a normal distance, making web pages, text, images and video look incredibly sharp and realistic. The 3.1 million pixels in the Retina display are more than one million more pixels than an HDTV, and with 44 per cent increased colour saturation the new iPad displays colors that are unbelievably richer, deeper and more vivid. Movies are now capable of playing at full 1080p HD-resolution, delivering an incomparable viewing experience on a mobile device.

     

    The A5X chip with quad-core graphics promises to deliver a fast, responsive user experience while supporting the incredible Retina display. With double the graphics performance of the A5 chip, the A5X facilitates a Multi-Touch interface, immersive gameplay and visual depth.

     

     

    Writes Patrick Thornton on Poynter.org:

    “The new iPad could finally elevate the text reading experience on a tablet to something much more akin to reading a printed newspaper, magazine or book. Most major news organizations have released iPad apps, but the blurry, pixelated text from the relatively low-resolution iPad 1 and 2 always stood out. iPad news apps may have great looking photos, videos and interactive graphics, but text – often the core of what a news organization produces – doesn’t look that good, especially in comparison to what humans have been able to enjoy for hundreds of years.”

     

    iPad Wi-Fi + 4G with built-in next generation 4G LTE offers support for fast networks including HSPA+ and DC-HSDPA, and now both CDMA and GSM iPad users have the ability to easily roam internationally.

     

    Comments Amy Gahran on the Knight Digital Media Center site: “Over the last two weeks, such updates include the iPad apps for the New York Times, Associated Press, New York Daily News, Pulse News, Flipboard, NBC Nightly News, the Guardian (Eyewitness app), the Star Tribune and more.

     

    Now that the specs and capabilities of the iPad3 have been confirmed, it’s likely that even more news organizations will be revamping both their apps and the kind of content delivered through them-especially the resolution of photos, video, and graphics.”

     

    The new iPad also supports dictation, another amazing way to get things done just using your voice. Instead of typing, tap the microphone icon on the keyboard, then say what you want to say and the new iPad listens. Tap done, and iPad converts your words into text. You can use dictation to write messages, take notes, search the web and more. Dictation also works with third-party apps, so you can update your Facebook status, tweet, or write Instagram captions.

     

    The new iPad Wi-Fi models will be available in black or white from Friday, March 16 for a suggested retail price of $499 for the 16GB model, $599 for the 32GB model and $699 for the 64GB model. iPad Wi-Fi + 4G for either AT&T or Verizon will be available for a suggested retail price of $629 for the 16GB model, $729 for the 32GB model and $829 for the 64GB model. iPad will also be available in Australia, Canada, France, Germany, Hong Kong, Japan, Puerto Rico, Singapore, Switzerland, UK and the US Virgin Islands from March 16.

     

    By the end of March iPad will be available in Austria, Belgium, Bulgaria, Czech Republic, Denmark, Finland, Greece, Hungary, Iceland, Ireland, Italy, Liechtenstein, Luxembourg, Macau, Mexico, The Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Slovakia, Slovenia, Spain and Sweden.

     

    A final word from Gahran: What will be more interesting will be to see if later this year Apple finally launches a smaller, cheaper iPad mini. This long-rumored unicorn so far has failed to materialize-but if the Kindle Fire and other smaller Android tablets keep gaining ground fast, Apple might be tempted to compete with this large consumer market segment.  It’s still a rough economy out there – and the lesson of how Android quickly came to dominate the US smartphone market is probably not lost on Apple. An iPad mini would have very different device and app support capabilities, which would require more significant adaptation from apps and mobile websites.”

     

    Please read:

    BusinessWeek: http://www.businessweek.com/articles/2012-03-07/apples-big-show-the-tech-bloggers-prom

    Poynter.org: http://www.poynter.org/latest-news/top-stories/165618/ipad-3s-retina-display-will-make -news-apps-stand-out-present-new-challenges-for-news-orgs/

    Knight Digital Media Center: http://www.knightdigitalmediacenter.org/news_blog/comments/20120307 _ipad_3_launches_what_does_it_mean_for_news_publishers/

     

     

     

     

  • Games2Win sets 20 mn users target for 2012

    By A Correspondent

     

    About a month ago, Rovio – creator of one of the most successful online game Angry Birds – made a significant announcement when it proclaimed its intention to touch the 1 billion download mark of the game by end of 2012. Not a difficult proposition, one may think, given the spurt in the online gaming market especially following the entry of supporting smartphones and operating systems. And so if a developer comes up with a game that’s unique and appeals to the masses, it would be a matter of a few days before the game races its way to being the most downloaded of the lot. This was the case with Parking Frenzy by Games2Win that made its way into the top 10 most downloaded games in the world, a few days ago.

     

    Android Game ‘Parking Frenzy’ scaled its way to the No 7 position on the ‘Free Games’ section in the Android Market (USA) recently, making it probably the first game from India to have featured this high in the space. At last count, the game had witnessed 2,676,668 installs, led by the US which recorded 636,660 installs, Germany – 197,204, Britain – 138,182, Spain – 137,128, Korea – 122,665, France – 119,187, Russia – 93,916, Italy – 84,833, Holland – 62,468, and Israel with 56,747 installs. Acknowledging the success, Raj Menon, Director – Business, Games2win said, “To be honest we knew it was a good app and would do well. But we did not expect it to be such a big hit. The game started out as any of our other games – a slow steady creep in the number of people downloading the app and playing it. Installs started rocketing from week two, and the growth hasn’t stopped since.”

     

    According to Mr Menon, the feat is unique as it is not every day that your app ranks higher than Twitter, Facebook Messenger and Angry Birds Rio. “So we are just soaking it in. But in reality, we are just concentrating on shipping – shipping the best games, apps and platforms that we hope our consumers will like.”

     

    On how the gaming market in India is evolving, Mr Menon said, “Indians are now used to the best entertainment in the world thanks to the internet. But they want it with a local flavour – something that they relate to. They play games on the world’s best sites; so they are becoming increasingly demanding in terms of game play. We have more than matched their expectations – we have the largest library of cricket games in the world and Indians just can’t have enough,” he quips.

     

    Asked why Indian online games have failed to make a mark on a global front, Mr Menon said, “There is no global ranking for individual online games like there is for mobile games on iTunes and the Android market. comScore ranks sites by traffic and Games2win is a top 20 gaming site in the world with an audience of over 15 million consumers. Our games are on the top gaming sites like Addicting games, the Spillgroup and Yahoo! So it would be unfair to say that Indian online games haven’t made the cut.”

     

    In fact, Games2Win has carved out a roadmap for 2012 where it plans to grow its base from 15 million to 20 million users on the online front. On the mobile front too, it will be releasing an app a month. Affirms Mr Menon, “The biggest release we have is Appucino which is Leaderboards on Steroids. Appucino is basically a location based leaderboard where users can capture their favourite location on Google Maps with their scores. Other gamers can topple these owners by simply scoring better. This ping-pong amongst gamers, we believe, will do wonders for the life of an app.”

     

  • MediaMind and Encore Media Metrics Announce Partnership

    By A Correspondent

     

    MediaMind, the leading independent provider of integrated digital advertising solutions, announced recently its partnership with Encore Media Metrics to deliver cross-channel, full-funnel attribution as an extension of the MediaMind platform.

     

    Marketers can now receive deep, actionable insights through robust, attribution-based reports through the partnership. As an integrated solution, MediaMind and Encore are reducing the cost, complexity and level of effort normally associated with advanced analytics.

     

    Attribution solves the ‘last-click’ problem by allocating partial credit to each impression, click and interaction that influence conversions. Through Encore’s statistically validated attribution model, marketers can see the true performance of each channel, vendor, placement and keyword. Encore also measures the optimal frequency for converters while quantifying opportunities to expand reach and increase ad efficiency. Armed with these insights, marketers can optimize campaigns effectively and efficiently while gleaning a deeper understanding of customer engagement cycles.

     

    “Advertisers and their technology partners are challenged to optimize every dollar in a media buy,” said Gal Trifon, General Manager, MediaMind and Chief Digital Officer, DG. “Collaborating with Encore provides our customers another opportunity to maximize campaign performance at a channel, vendor, placement and keyword level, as well as determine optimal frequency, engagement cycles, and KPIs for search, display, affiliate, email, social and other digital media.”

     

    “With the fragmentation of digital media, advertisers and media agencies find it increasingly difficult to track how consumers respond to cross channel campaigns,” said Steve Latham, Founder and CEO, Encore Media Metrics. “By integrating the Encore solution with the MediaMind platform, advertisers will have easy access to advanced insights into their ongoing campaigns while saving time, money and energy.”

     

    “To date, the biggest hurdle faced by our customers to full-funnel, cross-channel views is the level of effort required to deploy yet another point-solution across each campaign,” said Jordan Khoo, MediaMind APAC Regional Director. “We’re very pleased to be able to bring an integrated attribution solution to our customers to reduce their workload.”

     

    MediaMind, a division of DG (NASDAQ: DGIT), is a leading global provider of digital advertising campaign management solutions to advertising agencies and advertisers. MediaMind provides media and creative agencies, advertisers and publishers with an integrated platform to manage campaigns across digital media channels and a variety of formats, including rich media, in-stream video, display, search and mobile.

     

    Encore Media Metrics helps advertisers and media vendors optimize performance through better analytics. Encore helps clients measure performance across channels and beyond the last click, producing actionable insights while reducing the cost and complexity of media measurement.

     

  • Budget comes alive on moneycontrol.com

    By A Correspondent

     

    Moneycontrol.com recently launched its Budget 2012 campaign Rock the Sabha, which shows some well-known political personalities hitting the high notes.

    The latest moneycontrol.com commercial, which is currently on the air, has set the ball rolling for moneycontrol.com’s Budget 2012 campaign. With key politicians like P Chidambaram, M Karunanidhi, Mamata Banerjee and Finance Minister Pranab Mukherjee playing guitars and jiving to the beats of rock music, the rock concert effect introduces the Budget 2012 coverage on moneycontrol.com in an unexpected way.

    The bold punchline, ‘Budget Comes Alive’, brings to life the brand’s rather sober attitude and creates the right amount of curiosity towards the newly incorporated interactive elements like poll, debates, slideshows, online chats, LIVE blogging and videos on  moneycontrol.com’s budget page, said a release from the company.

    Commenting on the campaign, Lakshmi Narasimhan, CEO, Web 18, said, “Apart from communicating that moneycontrol.com presents the biggest Budget coverage online, one of the key objectives of this campaign was to give a fresh perspective to moneycontrol.com and reach out to new users.”

    Ravi Deshpande, Chief Creative Officer, Contract Advertising, said, “Moneycontrol.com is the undisputed No.1 financial portal of the nation. It has redefined the way finance is presented and consumed in today’s day and age. Which is why we thought its communication too has to make a bold, emphatic statement. If the Budget campaign is disruptive, it’s only to mirror what the brand is actually doing in the marketplace.”

    Kaushik Roy Senior Creative Director & AVP, Contract Advertising said, “It’s absolutely eye-opening! The way in which moneycontrol.com is taking the boredom out of the Budget presentation. The ‘Rock the Sabha’ campaign is an attempt to make that point loud and clear. We hope it will attract newer, younger audiences, in addition to exciting millions of existing users.”

    The ad can be viewed at http://t.in.com/budget2012.

     

  • LinkedIn survey shows luck helps career, Indians believe

    By A Correspondent

     

    Professional network LinkedIn has released data about global professionals’ perceptions of the role Lady Luck has played in their career trajectory.

     

    LinkedIn has more than 150 million members worldwide and over 14 million in India.

     

    LinkedIn surveyed more than 7,000 professionals globally and found that 84 percent of professionals do believe in career luck. Forty-eight percent consider themselves to have better luck in their careers, compared to other professionals.

     

    Seventy-nine percent of the more than 500 professionals surveyed in India believe in career luck. Out of the fifteen countries in which LinkedIn surveyed professionals, India ranked as the fourteenth-luckiest country. Thirty-six percent of survey respondents report feeling slightly luckier, or much luckier, than other professionals.

     

    For professionals in India, the top five most important factors that contribute to luck are:

    • Learning from your mistakes
    • Having a strong work ethic
    • Having strong communication skills
    • Striving to be the best at what you do
    • Having strong technical skills

    Globally, the top five most important factors that contribute to luck are:

    • Having strong communications skills
    • Being flexible
    • Having a strong work ethic
    • Acting on opportunities
    • Having a strong network

    India is the only country with “Having strong technical skills” in its list of the top five factors contributing to career luck.

     

    “Progressing in their careers and moving up the organizational ladder is crucial for professionals across all levels. The objective of this survey was to discover how professionals perceive luck in their career growth,” said Hari V. Krishnan, Country Manager, LinkedIn India.

     

  • @FF12: ‘Console gaming in India is in big trouble’

    By A Correspondent

     

    Console gaming today has become only an urban phenomenon, in the small towns it is the mobiles which has become a primary source of entertainment. Women too in large numbers are exploring gaming and access to mobile gaming in India is expected to further increase. In a country like India, content needs to be contextually and culturally relevant. These were some of the points raised at the Day 2 session of FICCI Frames 2012 – ‘From East to West: The Next Big Thing in Gaming.’

     

    This session was moderated by Mr Rajesh Rao, Founder and CEO, Dhruva Interactive. The panel members included, Mr Jithin Rao, Producer with Ubisoft; Mr Ray Sharma, Founder and CEO, XMG Studio Inc;  Mr Howard Donaldson, President, DigiBC; Mr Vishal Gondal, Founder and CEO IndiaGames; and Mr Ninad Chhaya, COO, Playcaso.

     

    One of the heated topic during this session was the slow death of console gaming and how mobile gaming will play a dominant role. Unlike Mr Ray who strongly believed that the Console market was in deep trouble and that there is a massive value shift happening from console to mobile gaming, his co-panelists Mr Jithin Rao and Mr Howard Donaldson believed that console gaming was here to stay and could still play a dominant role in the Country. “I don’t see the console market going away, it may still have a dominant presence despite the ongoing digital revolution” said Mr Donaldson. Mr Rao of Ubisoft said, “I don’t see console gaming going away even in the next five years because there are still hard core gamers in India. In fact we believe that every platform has its own experience to share with the consumer whether it is big screen or small.”

     

    Another interesting points raised during the session was the importance of mobile in the rapid growth of gaming in India. According to Mr Chhaya, “The change has been that phones are getting smarter. Consoles have become more of an urban phenomenon but, in smaller towns it is the mobile phones which have become major source of entertainment. The people in small towns are fast adapting to mobile internet. Internet on access through mobile is fast growing and the change which has come is that people have not only become more aware but, the fact that the apps system has also changed the entire environment. I would say for the better.”

     

    Mr Gondal observed, “Even women are exploring gaming in a big way. We are expecting four to five million Indians accessing Internet from mobile and expecting atleast 50 per cent of them playing games. In a market like India, local IP will do much better that global. On the production values, consumers are looking at higher production values with the best of the breed of contents and I believe that the consumers will not settle for anything less.”

     

    Mr Rajesh Rao summed up the session stating that while there are many ideas and lots of opportunities and potential in the market, the industry needs to explore them.

     

  • @FF12: Time to experiment with technology

    By A Correspondent

     

    Now that digitisation is set to come into effect from July 1, the convergence of media assumes greater significance. This was the topic of discussion in the second session on Thursday at FICCI Frames 2012.

     

    In a session moderated by Neeraj Roy, MD & CEO, Hungama, Sanket Akerkar, MD, MicrosoftIndiatalked about “The Converged future – Multiple platforms, technologies &transforming applications for media and entertainment”. The theme of his keynote address was significance and emergence of digitisation.

     

    To illustrate how connected we are today, he cited an example of how a teenaged son of a friend uses Xbox to connect with friends he was with at school and play games. Though this may common enough, he added that the group of friends used the very same environment to connect and do their homework. This can also be taken as learning life lessons of surviving in the digital world.

     

    Mr Akerkar said that the consumer lifestyles are controlling the conversation, citing the example the “Occupy Wall Street” movement. The industry has to takes its cues from what the consumers want. According to him, even ads will now be consumed as per the consumers’ choice and the advertisers can’t dictate the place and time for the consumption. Now the people are going to become the content creator and content consumer. The main challenge for the industry is now to seamlessly blend and enable technology to become user friendly.

     

    Jonathan Bill, SVP Internet and Data Services, Vodafone joined the conversation to discuss how the telco-eco system can offer better opportunity to the media and entertainment industry to monetise the services.

     

    Mr Bill said thatIndia’s telco-eco system is a hyper competitive market which the lowest price points in the global market. It generates the lion share of revenue in the entertainment stream for Vodafone.

     

    Mr Roy said that technological progress has enabled applications that recognise the customer preferences, be it the Internet or the phone.

     

    Mr Akerkar agreed and added thatIndiawill have 25 million smartphones by the next year and this connectivity gives the opportunity to the industry to experiment in creating applications for the users. He said that the technology is moving ahead at such speed that one only needs to use their imagination to think ‘what next innovation’.

     

    All the speakers were in agreement that once the digitisation bill comes into effect, the choice of content available to the user will be limitless. As Mr Akerkar said, “the challenge will be to separate content, be it mainstream or user generated into what is relevant or not.”

     

    They also discussed the feasibility of creating video content for mobile devices. Mr Bill was of the opinion thatIndiahas huge possibilities as it is the largest internet video consumption market. Mr Roy said thatIndiais poised to become the largest internet market in the next 3-4 years, surpassing evenChina.

     

    The speakers discussed how even gaming had huge possibilities if one was to look at co-developing games along with films. Mr Akerkar said that there was a business model waiting to happen if one figured how to reduce the initial cost of investment and figure out how to connect a known brand (film) and gaming.

     

    But the biggest challenge is the transition to the digital eco system. It is not enough to rely only on advertising revenues. Mr Bill said that the way forward is moving from free Internet content to paid content.