Category: Digital

  • Day 2 @ad:tech: Nothing’s too small in new digi world

    By Shruti Pushkarna

     

    [youtube width=”400″ height=”200″]http://www.youtube.com/watch?v=p2FRhKna0k8[/youtube]

    The final day of ad:tech witnessed engaging keynotes and panels on topics like social commerce and mobile marketing. Here’s a wrap up of the second day at the conference.

     

    Small is the new big: Rethinking digital in a world of smaller, smarter screens

    Day 2 of ad:tech 2012 opened with a keynote by Pete Blackshaw, Global Head of Digital Marketing and Social Media for Nestle. Mr Blackshaw opened his session, ‘Small is the new big: Rethinking digital in a world of smaller, smarter screens’ by introducing two broad themes. First, ‘the boring basics still really matter’ and the second, ‘small is the new big’. Elaborating on the first theme, Mr Blackshaw emphasized that the essentials of marketing are the very principles that a company should build its digital strategy upon. He said, “The essentials of marketing in the traditional sense that include: Searching out and identifying big ideas that are contact neutral and have a potential of sustainable communication; engaging with consumers when they are most ready to receive; and creating an attractive and rewarding brand, find unique life on the digital platform.”

     

    Talking about his role in both the areas of corporate communication and consumer communication, he said that a big convergence is happening between the two. “There is convergence between corporate and consumer communications; marketing and research – asking questions has been an integral part of consumer research and now involves a large part of digital too; product quality and sales and; supply chain and digital – as consumers can now look behind the brand,” explained Mr Blackshaw.

     

    He also talked about the three operating pillars of Nestle, listening, engaging and transforming. He said that these three are part of the many winning actions that Nestle has uniquely defined for each function. And one basic that still applies is the power of storytelling. Blackshaw cited the example of Nescafe Know Your Neighbour campaign in India to emphasize his point that good narratives work well with the consumers. One has to device a good narrative, tie it to a big idea to engage consumers.

     

    Speaking of the other theme, ‘small is the new big’, Mr Blackshaw said, “We need to think harder about simplifying our messaging and serving the consumer. We need to shrink, simplify and serve. Our screens are shrinking and so we need to simplify to serve better.”

     

    “This is a great time in marketing…organizations are in transformation, digital is creating lots of new opportunities to connect and bond and add value for consumers. The number of consumers going online, using social media is unbelievable, I think that creates both challenges and opportunities,” concluded Mr Blackshaw.

     

    The evolution of content, commerce and entertainment in the digital world

    Satyan Gajwani, Director-New Media, BCCL delivered the second keynote address on Day 2. His presentation was divided into three basic areas, content, commerce and entertainment.

     

    In entertainment, said Mr Gajwani, “…the focus has been on two or three major initiatives. One is gaana which is a digital music platform that’s really oriented around discovering new content. Second is the way we have looked at sports and IPL specifically, that’s going to be a big focus for us in a month from now when IPL launches in April. And last is a new project we are going to launch in a couple of weeks, called Box TV. Box TV is going to be a premium video destination for India where we’ll get full length movies and TV shows and eventually sports, a lot of high end content oriented around a different type of video experience.” Mr Gajwani also emphasized that it’s important to be ‘social by design’ in today’s digital world.

     

    Talking about commerce, Mr Gajwani said it is time to understand the supply chain better. He also said, “Eventually there has to be some sort of molding between content and commerce as a model where the user can engage with content that’s engaging and quickly use that as a means to transact as well.”

     

    Behind all content, entertainment and commerce, Mr Gajwani said, “…we are trying to build a KYC behind it all, which is Knowing Your Customer, both in terms of what is it that he likes and eventually developing some sort of profile of who he is. And behind that we want to launch a loyalty programme where we know what kind of a user you are and then encourage you to be a more active user by giving you badges that validate you for your activity.”

     

    Mr Gajwani concluded by saying that the hottest thing in 2011 was e-commerce and that 2012 will be all about consolidation and a deeper focus on supply chain management.

     

    Mobile Marketing

    This session designed to look at insights on how marketers are evaluating the power of mobile as a medium to drive their business objectives, was moderated by Rajesh Jain, Founder Chairman & Managing Director, Netcore Solutions. Other panelists included, Dippak Khurana, Co-Founder & CEO, Vserv Mobile; Dr Nickhil Jakatdar, CEO & Co-Founder, Vuclip; Abdul Khan, Senior Vice President & National Head of Business Marketing, Tata Teleservices and Kiran Gopinath, Founder & CEO, Ozone Media Solutions.

    Rajesh Jain opened the debate with a fundamental question to every panelist, ‘what are the barriers that are holding mobile marketing back?’

    Abdul Khan of Tata Teleservices said, “Mobile marketing has got a terrible press. Creativity is abysmal in this area. It is because of the pricing structure that it is viewed as a commodity.”

    Mr Gopinath said, “One of the key barriers holding it back is that a lot of our customers are slow in mobilizing their sites, the lack of mobile sites is holding it back. And secondly, it will take a lot more education of people in the agencies for mobile marketing to fully take off.”

    Mr Khan also added, “It is probably just a lazy mindset that is holding back mobile marketing, it cannot be money as people are frivolously allocating money tp programmes like IPL.”

    Mr Jakatdar echoed Mr Gopinath’s point of educating people, saying, “We need to communicate in the same language with brands, agencies and publishers.”

    Dippak Khurana made an interesting point that the ecosystem today is quite complex and for mobile marketing to kick off, dedicated resources have to be allocated. He said, “Currently organizations are busy with digital and social, leadership needs to take a call and put dedicated people for mobile.”

    Rajesh Jain concluded the session by drawing out the main points from all panelists. He said, “There is a need for dedicated people in organizations to look at mobile. The lack of mobile sites needs to be addressed and finally someone needs to look at the ability to convert clicks into cash. Clicks are not getting converted into cash because of lack of payment options on mobile.

     

    Social Commerce

    The session was moderated by Rajan Srinivasan, Senior VP Marketing, Web18 Software Services Ltd and the panelists included- Narasimha Jayakumar, COO, E-commerce, Homeshop18; Kirthiga Reddy, Director Online Operations, Facebook India; Ramesh Chembath, Asst Vice President, Head- Marketing and Modern Trade, Godrej and Ishita Swarup, CEO, 99labels.

    The session centred on how brands can make the most of social technologies to transform shopping experience.

    Ms Reddy making her initial comments on the subject said, “E-commerce sites need to rethink the whole e-commerce experience and think of how to put people at the centre.” She also added that online behaviour is nothing but a reflection of offline behaviour.

    Mr Jayakumar emphasized that before we get into engaging the consumers we need to get the basics of the e-commerce in place. He said, ‘First ee have to make sure that the consumer is happy with the experience and then we start engaging.”

    Answering a point on whether there is any difference in the digital social and the traditional social, Mr Chembath of Godrej said, “When it comes to appliances, it is really a social activity. Buying an appliance is when a whole family goes out to make the purchase. But there has beena huge shift in consumer buying behaviour off late. In traditional social, one would ask members of the family, neighbours or even friends before making the purchase. But now with nuclear families, people are willing to experiment with brands. Instead of asking their peers, they want to go online and check the reviews posted by users on products and brands. That’s the new digital social.”

    From the debate it also emerged that brands need to see the value of social in fundamental areas like connecting with people, sharing experiences etc. The power of social really comes from the personal connection brands can provide on the web with the help of social.

     

    Exploring the future of storytelling

    Richard Dunmall, Vice President, Global Accounts & Agencies, Microsoft Advertising made his keynote presentation on ‘Exploring the Future of Storytelling’. Mr Dunmall shared a glimpse of futuristic technologies being adopted by advertisers and publishers in connecting with their audiences and telling their brand stories. He started off by talking about how to master the new digital storytelling world. He said, “What consumers want, technology delivers through self-expression, enjoyment, connection and discovery.”

    The four trends according to Mr Dunmall that marketers are making big bets on, are

     

    i) Everyone’s a storyteller

    ii) The new face of fun – the ability for people to play, share experiences

    iii) Increasingly contextual world

    iv) More human experiences

     

    Mr Dunmall said, “Everyone is becoming a storyteller in the new digital world, becoming a relevant owner of content. Every brand has a story to tell and digital is enabling new ways of storytelling.”

    Talking about the new face of fun, Mr Dunmall said, “Technology allows human to play in a much more enhanced way, the ability to compete with each other and have fun is what leads to engagement.”

    Talking about the third trend of the world becoming increasingly contextual, Mr Dunmall said, “Every surface can become a digital source of content in the future.”

    And of all this leads to a more ‘you’ centric experience that allows brands to customize and build a brand narrative around it. Mr Dunmall concluded his presentation by reemphasizing, “Possibilities of technology are endless.”

     

    The DigiMarketing Imperative

    The last keynote of Day 2 was a presentation on ‘The DigiMarketing Imperative’ by Kent Wertime, Chief Operating Officer, Ogilvy & Mather, Asia Pacific. Mr Wertime started off his presentation with a question on how ready are marketers to make the shift to DigiMarketing and everything it entails.

    Mr Wertime said, “Market despite the enormous opportunity is dramatically under-spent around the world. Agencies need to be much quicker in moving and they need to add a lot more capability than they have. There is definitely a continued lag in digital and as an industry, marketers need to fill the gap increasingly.”

    Mr Wertime also said that the shift to DigiMarketing needs to be a tectonic shift. He said, “It’s really not about the fast movers but about the slow movers. If one looks at the shaping of the future, it has actually followed a very logical course. Similarly the shift to DigiMarketing needs to be a tectonic shift. Marketing money is going to go increasingly to the digital and within a global context, markets like India have enormous room to grow.”

    Mr Wertime also added that the number of people armed with digital devices is increasing and so as an industry we have to take opportunity of this shift in a way that will please customers.

    Talking about whether the shift to digital will be that of a replacement kind, Mr Wertime said, “The digital is an additive story and not replacement, it is a relational story with traditional media.”

    Concluding his presentation, Mr Wertime said “There has to be a shift from POE to PUC, that is, Paid Owned and Earned to Participation Utilty and Contribution.”

     

    ***

     

    Delhi will play 3rd time host to ad:tech in 2013. Rammohan Sundaram, Event Chairman and Founder, CEO & Managing Director, Networkplay Media Pvt Ltd announced that ad:tech will be back in New Delhi in 2013 between Feb 20 and 23. He also announced that the launch of ad:tech Bangalore will take place sometime towards the end of September.

     

  • Pulp Strategy wins Digital Media mandate for Lavazza

    By A Correspondent

     

    Pulp Strategy Communications has won the mandate for the Digital Media and Activation for Italian coffee major Lavazza after a multi-agency pitch.

     

    Barista Lavazza had called for a pitch a few weeks back and several agencies took part in the process. Pulp Strategy’sDelhioffice will handle the account. The agency’s mandate includes overseeing the brand’s digital and social media strategy, media buying, and planning across all digital and interactive channels. In addition to this, strategic planning for activation at retail is also a part of their area of responsibility (AOR).

     

    Barista Lavazza traces its roots back to the old coffee houses inItaly– the hotbeds of poetry, love, music, writing, revolution and of course, fine coffee. Offering alternative options and pleasures of coffee to millions, the chain is also revolutionizing the coffee drinking experience in most Indian cities.

     

    Barista Lavazza has managed to capture the loyalties of many, elevating the experience of coffee to a lifestyle. Its leadership position can be attributed to a remarkable expertise in specialty coffee coupled with a sound technical competence, an ever-evolving delightful retail experience.

     

    Ambika Sharma, Managing Director & CEO Pulp Strategy Communications said: “Being chosen as the Digital AOR by LavazzaIndiais a matter of honour and pride for us at Pulp Strategy. LavazzaIndiahas big plans towards quality and leadership position in the café business inIndiaand we are excited to partner them in fulfilling that goal. Our biggest strength is a talented team and a holistic integrated approach, which understands the sensibilities of the brand as well as the nuances of retail and social media”

     

  • Flipkart launches Flyte for music

    By A Correspondent

     

    Flipkart.com has launched Flyte, its digital music store which marks the e-commerce player’s foray into the emerging digital content market. This store will allow users to download music in the form of individual songs or entire albums from a collection that is backed by leading Indian and international music companies.

     

    Flyte promises the Indian consumers:

    • Country’s most comprehensive online music collection of over a million tracks from 150,000 unique albums.

     

    • Mp3-format music downloads that can be played back on any digital media device (mobile phones, PCs, tablets, car stereos and others).

     

    • CD-quality music (320 kbps) available for 99 per cent of the music catalog – a first inIndia.

     

    • “DRM-free” music which means that users can freely transfer their music from one device to another very easily

     

    • Downloading the same file 3 more times after the initial download – at no extra cost, to make it even more convenient for users to sync their entire Flyte music library across their multiple digital devices

     

    • Single songs prices starting at Rs6 and albums start at as little as Rs25.

     

    • All standard payment options such as credit / debit card, internet banking, gift vouchers and the Flipkart Wallet will be available for purchases made on Flyte.

     

    Speaking about the launch of Flyte, co-founder and CEO, Flipkart, Sachin Bansal said: “We had maintained that making digital content available was one of our focus areas and this launch marks our first step in that direction. An online music store made sense, given the wide appeal this category enjoys in the country. Needless to say, all the features that delight Flipkart customers – selection, convenience and customer service will also be intrinsic to Flyte.”

     

    Sameer Nigam, VP, Digital at Flipkart added: “With Flyte, consumers inIndiawill now be able to download a wide range of music legally, and at an extremely reasonable price. We hope that such a move will help curb piracy and go a long way in supporting original music and its creators. With music available across 55 languages and 700 genres and sub-genres – this is a service that should appeal to all age groups and music lovers”.

     

    Till date there have been few, if any, platforms available in the country for legal music downloads and this has contributed to rampant piracy. With Flyte, legal music will become available and affordable to everyone inIndiawith Internet access – at the click of a button.

     

    Flipkart.com,India’s largest e-commerce player for physical goods, started with books in 2007 and entered the consumer electronics category with the launch of mobiles in Sep 2010. Since then it has grown rapidly with the introduction of innovative features like COD, 30 day replacement guarantee and its own delivery network. Today the portfolio ranges across 11 categories. The site ranks among top 30 in the country (as per Alexa rankings) and gets 12 million+ visits every month.

     

  • Nokia unveils phone with 41 MP camera!

     

    By A Correspondent

     

    This wasn’t going to be our Big Story today. Given the launch of our smashing new journalism channel, a story on the state of scribeland was more appropriate. But, we were woken up to the amazing sounds of surprise, shock and awe on social networks. Good ol’ boy Nokia is keen on a fight to the Finnish. Pardon the pun, but let’s get on with it.

     

    At the Mobile World Congress in Barcelona, Spain, Nokia unveiled what’s possibly the mother-of-all-camera phones. The Pureview with a 41MP sensor.

     

    The Nokia 808 PureView is the first smartphone to feature Nokia PureView imaging technologies, bringing together high resolution sensors, Carl Zeiss optics and Nokia developed algorithms, which will support new high-end imaging experiences for future Nokia products. It runs on the Belle operating system and is likely to available from May 2012… just a few more months. It is rumoured to be priced at $600.

     

    “Nokia PureView imaging technology sets a new industry standard by whatever measure you use,” said Jo Harlow, executive vice president of Nokia Smart Devices. “People will inevitably focus on the 41 megapixel sensor, but the real quantum leap is how the pixels are used to deliver breath-taking image quality at any resolution and the freedom it provides to choose the story you want to tell.”

     

    The PureView should be a delight even for professional photographers. It features a large, high-resolution 41 megapixel sensor with superior Carl Zeiss optics and an innovative pixel oversampling technology. At standard resolutions (2/3, 5 and 8 megapixels), this means the ability to zoom without loss of clarity and capture seven pixels of information, condensing into one pixel for the sharpest images imaginable. At high-resolution (38 megapixel max) it means the ability to capture an image, then zoom, reframe, crop and resize afterwards to expose previously unseen levels of details. With great low-light performance and the ability to save in compact file sizes for sharing via email, MMS, and on social networks, the PureView makes it possible for anyone to take cool, pro-like images in any conditions.

     

    Comments Devindra Hardawar on venturebeat.com: “Nokia is well aware that such large resolution pictures will be difficult to share, so the phone will oversample pictures to a size roughly around a 5 megapixel picture. That means better picture quality without scary file sizes. And if you do dare to take a picture at the full resolution (which is actually 38 MP), you’ll be able to zoom into the picture after the fact without losing much detail.

     

    In addition to superior still imaging technology, the PureView also includes full HD 1080p video recording and playback with 4X lossless zoom and the world’s first use of Nokia Rich Recording. Rich Recording enables audio recording at CD-like levels of quality, previously only possible with external microphones. This is a boon for online journalism as short, clear clips can be captured clearly on the device.

     

    The phone features exclusive Dolby Headphone technology, transforming stereo content into a personal surround sound experience over any headphones and Dolby Digital Plus for 5.1 channel surround sound playback. In fact, the unveiling at the Mobile World Congress yesterday happened at the Nokia and the Dolby stalls.

     

    Check out the Pureview preview at http://www.nokia.com/in-en/products/pureview/

     

  • AdoTube announces new offices spanning 5 continents

    By A Correspondent

     

    AdoTube, the in-stream video advertising technology company owned by Exponential, announced on Monday five new offices expanding AdoTube’s global footprint to now cover North America, Europe, Asia-Pacific, the Middle East andAfrica. The five new locations -London,Toronto,Mumbai,Singapore, andDubai- will help capitalize on the reported 1.2 billion online video viewers watching videos globally.

     

    In announcing this expansion, AdoTube is also unveiling a rebrand including a new site, logo and look and feel to cater to its expanding global audience. The new website has gone live and can be viewed at www.AdoTube.com.

     

    “Access to broadband technology has spurred global consumption of online video across multiple devices,” said Steven Jones, Chief Strategy & Operations Officer, AdoTube. “AdoTube is well positioned to help brands benefit from that shift by delivering highly engaging and relevant campaigns in online video content. Our expansion into EMEA and APAC brings those capabilities to a much wider audience.”

     

    AdoTube is headquartered inNew Yorkwith offices in three otherUScities, as well Romania, Russia and Melbourne, Australia. Heading the London office is Niall Hogan,UK Commercial Director, and Tiernan Jinks, Senior Sales Manager, who both join AdoTube from Tribal Fusion UK. Carolyn Cramer, Exponential Country Manager,Canada, will lead from the Toronto office along with Michael Prytz, AdoTube’s Director of Sales, Canada. Vijay Kundari, Director of Sales, and Pooja Gupta, Senior Business Manager, will cover most of Asia-Pacific from AdoTube’s Mumbai and Singapore offices. Kundari joins AdoTube fromIndia’s largest media company, Web18, and Gupta previously worked with Tribal Fusion. Covering both the Middle East and Northern Africa from the Dubai office is Amer Attyeh, Business Manager. Amer was previously responsible for developing Tribal Fusion’s presence in the same area.

     

    AdoTube is a global in-stream advertising technology company. Its powerful and flexible technology provides a complete video advertising platform offering publishers and advertisers easy and efficient access to in-stream video advertising across all media platforms. AdoTube is part of the exponential Group of online businesses – a technology-enabled media services company headquartered in Emery ville, California with operations in 37 locations worldwide.

     

  • ArtistAloud.com is back in a new avatar

    By A Correspondent

     

    ArtistAloud.com, the digital platform for independent music has been entertaining audiences with the very best in independent music. With support from the audience and musicians alike for two years since its inception, this digital destination is back in a brand new avatar.

     

    To commemorate the second anniversary and the launch of the re-vamped website, ArtistAloud.com will be celebrating the Seagram’s Fuel Music Day on March 2. Music Day is going to be the longest webcert with around 50 independent artists performing live for the digital audience. 50 artists, 1 stage, Seagram’s Fuel Music Day is an attempt to connect artists and listeners closely. Also, for the first time ever 50 artists will share a stage and a venue to perform for all music lovers across cities, counties, language and genre.

     

    The Seagram’s Fuel Music Day event that will start at 12pm with artists like Suneeta Rao, Manasi Scott, Shefali Alvares, Shilpa Rao, Harshdeep Kaur, Neha Bhasin performing their favourite numbers. This is the first time ever that 50 artists will come together to perform Live for the webcert. Other stalwarts of music industry like Shankar Ehsaan Loy, Sonu Nigam, Shankar Mahadevan, Kailash Kher are also expected to attend Seagram’s Fuel Music Day to show their support for independent music inIndia.

     

    The 9-hour long webcert attempts to enthrall the audience with absolute mix of genres. From fusion to pop, Bollywood to rock, Seagram’s Fuel Music Day will have something special for every listener. The event will be relayed live to a global audience on www.artistaloud.com from Rang Sharada in Mumbai.

     

    The idea was conceptualized by ArtistAloud.com to celebrate their second anniversary. During the last two years, the website has emerged as the most preferred digital destination for independent music in India. With a promise to offer audiences access to more artists, new genres, multiple releases and music videos, ArtistAloud.com is back in a new avatar.

     

    The website has been revamped with a prime objective of offering unreleased singles – Music First. With the new Artistaloud.com, the consumer now gets a chance to browse the home page that showcases multiple artists and multiple releases at the same time.

     

    With video consumption on the rise, users will now have access to high quality video content on the website. The new revamped website allows full streaming of songs as compared to the previous 30 second samples.  Besides a new layout and structure, the new site will also subsequently introduce a plethora of properties that will live up to its brand promise- ‘Music First.’

     

    ArtistAloud.com is now made accessible through 5 touch points- website, WAP, IVR, APPS and social media. The main objective behind the revamp was to make the site compatible with any device – PC, mobile smart phone, tablets and connected televisions.

     

    ArtistAloud.com is a digital platform that provides music lovers access to unreleased music, which they can sample, buy as well as share with the world. An initiative pioneered by Hungama Digital Media Entertainment Private Ltd, ArtistAloud.com is an opportunity for independent artists to build a connect with their fans and for fans to have access to their music that is previously unreleased and created by the Artist for them. The site currently houses original music from over a hundred artistes – both well known and new.

     

  • Zee aims to Ditto its DTH success story

     

    By Rishi Vora

     

    It is said that one who adapts as per the changing times is the one who succeeds in the long run. Recession or no recession – it doesn’t matter. If organisations continue to focus on what the market needs, success stories will continue to emerge and growth will eventually take precedence over many a hurdles.

     

    Adapting to the market and launching a relevant product in India’s broadcast sector is Zee Enterprises Ltd; the company that has been credited for making early inroads in the TV entertainment space in India and making it big internationally. It has now set an example in the New Media space with the launch of Ditto TV.

     

    Punit Goenka

    Ditto TV is India’s first Over-The-Top TV distribution platform offering live TV and on-demand content to end consumers on mobile phones, tablets, laptops, desktops, entertainment boxes and connected TVs.  The product has been brought out in the Indian market with the help of technology partner, Siemens.  “The offering fundamentally turns appointment viewing as a concept on its head,’ said Punit Goenka, Managing Director and Chief Executive Officer, ZEEL.

     

    On what it means to the group Mr Goenka said: “It adds a different dimension to business model. The idea was to bring cutting-edge wireless broadband digital services to customers across the world. Over the years, we have launched many industry firsts, but this is a launch that I’m excited about; I believe that Ditto TV will transform the way content is consumed and monetised.”

     

    Vishal Malhotra

    “For our channel partners- namely, for content owners, distributors, retail, OEMs and service providers, Ditto TV creates unique revenue generating opportunities,” explained Vishal Malhotra, Business Head – New Media, Zee Entertainment Enterprises, on what it means to its channel partners.

     

    Apart from India, the platform will be available in the UK, UAE, New Zealand and Australia. And United States will follow in the priority list, by end of this quarter.

    So yes, it’s an experiment by Zee, but as experts have pointed out, it’s a risk worth taking as consumption patterns of consumers are going through a sea change with the advent of digital technologies.

     

    Ditto TV will offer features such as adaptive streaming, elaborative programme guide, content recommendation engine and an interface which is integral to enhance the user experience. Moreover, it allows for complete customisation in terms of cost as well as content – where users are given an option to handpick a basket of channels as per their own personal preferences.  Price points start at Rs49, where the consumer gets access to three channels of his choice.

     

    Yogesh Radhakrishnan, a veteran in the field of TV distribution in India, said: “There are some issues like inadequate bandwidth; broadband connectivity is a pain, but having said that OTT is a technology for the future. For it to reach to the masses, it will take some time.”

     

    As for the broadcasters, Ditto TV comes in as an additional platform to showcase their channels on. And just as the thought crosses the mind, as to how many broadcasters will Zee be able to get on board, the news is that already 21 channels have agreed to use this platform.

     

    MSM Group, TV Today Network, BBC, and Zee are a few networks that will allow their channels to be available on the platform. A few important contracts yet to be signed which includes Reliance Broadcast, Star and Times Network. The company expects to offer a complete set of 50 channels shortly.

     

    The sense is that it is a matter of time before the rest of the industry embraces this new platform from Zee. As informed by Mr Goenka, monetisation via advertising can only happen once it reaches out to a critical mass – at least 5 per cent of the audience which consumes TV content on a daily basis. So there is still some time for advertisers to worry about this new delivery platform. But, that doesn’t make this venture of any less significance for Zee.

     

    Mr Goenka pointed out that a significant investment has gone into setting up Ditto TV and that he expects his new media division to contribute about 10 per cent to the group in terms of revenue in the next five years. Needless to say that Ditto TV is the first step in the bigger game to boost the company’s digital and new media play.

     

    On what this means to DTH and cable operators, Mr Radhakrishnan explained: “These are very, very early days. There is no doubt that OTT is the technology of future, but for now, it is just a beginning and not a threat to other distribution channels. Also, it is unlikely to replace the existing mode of distribution channels, as new media and technology comes as a welcome ‘value addition’ to the business.”

     

    So whether Ditto is able to script a ditto success story that of Dish TV – Zee’s DTH offering, is something to watch out for. For now it looks like a welcome initiative – both from the consumer and the trade point of view.

     

  • BIGFlix to rev up online movie streaming

    By A Correspondent

     

    BIGFlix, a part of Reliance Group’s digital entertainment business, and Unisys Infosolutions, a leading 360 degree digital provider of VAS content and enterprise messaging solutions, on Wednesday announced their partnership for online streaming of over 200 full-length feature films and music videos on BIGFlix.com.

     

    Commenting on the partnership, Shreyash Sigtia, Business Head, BIGFlix Pvt Ltd said: “BIGFlix+, beingIndia’s first and only movie-on-demand subscription service, offers an exhaustive choice of HD Quality movies to the net savvy movie buffs inIndia, at their convenience, across multiple internet connected devices. We are glad to be associated with Unisys Infosolutions, a pioneer in providing value added services. This association is extremely vital for us as it will provide aid in reaching out to masses effectively.”

     

    “As a constant endeavour to equip consumers with latest blockbuster movies and other video content, this partnership proves to be a step closer to enhance, strengthen and expand the MOD (Movie on Demand) service in India” he added.

     

    Commenting on the announcement, Shelley Chaudhury, founder and Managing Director, Unisys Infosolutions said, “We have grown significantly from a regional content specialist to a strong contender for digital distribution of Bollywood movies, and the partnership with BIGFlix underscores this.  Through this collaboration, we expect to continue playing an essential role in facilitating movie and music producers in increasing the reach of their content to a wider audience.”

     

    Unisys Infosolutions has created a catalogue of new and old Bollywood feature and has also featured popular regional movies as well as over 5000 music videos in more than 15 languages, including Hindi.

     

  • Airtel voted India’s ‘buzziest’ brand

    By A Correspondent

     

    Leading marketing communications portal www.afaqs.com announced that Airtel is the number one in the results of its seventh edition of ‘India’s Buzziest Brands’ – a poll-based survey aimed at measuring the viral effect and customer conversations garnered by brands across India.

     

    Airtel, which has been accorded with the coveted “Buzzy Gold” title for emerging at the top, faced stiff competition from Facebook and Flipkart, which bagged the second and the third spot respectively. As per findings of this poll, Airtel is the only telecom operator to place in the top 10.

     

    The poll was carried out on the website from January 30 to February 7. A total of 60 brands were shortlisted for the poll. Voters were sent a link for voting on their email account to avoid digital ballot-stuffing. On visiting the Poll page on the website, the voters were asked to choose five brands that they felt had the greatest ‘buzz’ in the year gone by from the shortlist of 60.

     

    List of the 15 Buzziest Brands as per the India’s Buzziest Brand Poll 2012

     

    1 Airtel
    2 Facebook
    3 Flipkart
    4 Hero
    5 Samsung
    6 Google
    7 Snapdeal
    8 Cadbury
    9 iPhone
    10 Twitter
    11 Vodafone
    12 YouTube
    13 Blackberry
    14 Pepsi
    15 Nokia

     

     

  • ICICI Prudential Life launches mobile-specific website

    By A Correspondent

     

    ICICI Prudential Life Insurance Company Ltd (ICICI Prudential Life) on Wednesday announced the launch of ‘ICICI Pru Mobile Website’ that provides innovative service options to customers through their mobile phones.

     

    The launch of this mobile website is another milestone in the company’s endeavour to implement technology-centric initiatives to ensure increased convenience and provide the highest quality of service to its customers.

     

    This mobile website can be accessed by any individual by simply typing in www.iciciprulife.com on the mobile browser.

     

    With the launch of the mobile website, the company has successfully enabled customers, prospects and its distribution network to avail various service facilities via their mobile phones.

     

    Speaking on the occasion of the mobile website going live, Madhivanan Balakrishnan, Executive Director, ICICI Prudential Life Insurance said, “Our endeavour has been to introduce technological innovations across our various processes as well as engagements with our customers to ensure increased convenience and efficiency. We closely monitor the changing preferences of an increasingly technology-savvy audience and its need to transact ‘on the go’. The ICICI Pru Mobile website will enable customers to access information regarding their policies as well as enable premium payment through the mobile phones. We are confident that this innovation will be of value to our customers as well as partners.”

     

    ICICI Prudential Life Insurance Company is a joint venture between ICICI Bank and Prudential plc.

     

  • Red Digital creates the second successful TweetMob for Mirinda

    By A Correspondent

     

    Post the announcement of Mirinda signing up Red Digital for its social media duties and in the back drop of having successfully introduced and executed the concept of a TweetMob, Red Digital yet again created a TweetMob on February 24 for Mirinda. The result this time was even better. Twice in two weeks now, Mirinda TweetMob #tags were one of the most talked about topics on Twitter.

     

    With the hot Indian summer approaching fast, PepsiCo has launched a new campaign for its orange soft drink, Mirinda. The campaign, which orbits around the theme ‘Pagalpanti Bhi Zaroori Hai’, is based on the thought that drinking Mirinda, this summer, is an intense and inescapable experience that leaves one breathless.

     

    “We think of TweetMob as a flashmob on Twitter where our intention is to take over Twitter and engage the twitterati for a certain duration while plugging the brand connect. After the successful execution of the first TweetMob on February 14, it was a challenge for us to out-do ourselves with the benchmarks we set for Mirinda and, more importantly, prove to ourselves that it was not a one-off success by repeating it in a grander manner. It was great to taste success again and take over Twitter,” said Yashraj Vakil, Chief Operating Officer, Red Digital.

     

    The TweetMob started at 3pm on February 24 with a simple question asking people what they thought was crazy enough around them to be called #PagalPanti. The TweetMob lasted till midnight during which Red Digital created and managed conversation around the hashtag ‘#PagalPanti’. Through the TweetMob, Red Digital helped connect Twitter and Facebook users who tweeted about the topic with various Mirinda branded hash tags, creating a plethora of endorsements for the brand.

     

    It wasn’t long before #PagalPanti started trending inIndia. The activity saw 3,700 tweets in the span of 9 hours for @MirindaIndia. Every 50 tweets with #PagalPanti helped the brand reach 7,990 people generating close to 0.6 million views. The brand reach this time was 5 times of what the first TweetMob generated. #Pagalpanti featured among the topics breaking globally and trended in Mumbai,New Delhi,HyderabadandBangalore. @MirindaIndia also saw itself trending in Chennai andHyderabad.

     

    The TweetMob will happen again on March 2 and the following Friday after that.

     

    Commenting on the TweetMob and its success, Harsh Jain, Founder & Managing Director, Red Digital said, “Flashmobs are suppose to be innovative, rebellious and spontaneous. With every flashmob now being represented as a Bollywood song and dance activity, we wanted to showcase their true power in other forms. We chose Twitter because it has become a platform for people to share ideas, collaborate, aggregate and explore new things spontaneously. Twitter is both a place where like-minded people can interact as well as a place for rebels to express their views. We are proud to have created and introduced the concept of the TweetMob; success was just a corollary. The independence of ideating with a bold and social brand like Mirinda has given us this opportunity to explore and innovate. We are thankful as well as determined to create and execute many more path breaking ideas through our association with Mirinda.”

     

    Speaking on Mirinda’s partnership with Red Digital, Ruchira Jaitly, Executive Vice President – Marketing, Beverages (Flavours), PepsiCo India said, “As marketers, we continuously seek ways to engage with the consumers via innovative means. Mirinda’s TweetMobs is a unique innovation on the digital space that utilizes the strengths of the medium effectively to communicate with our consumers on our latest initiative. The idea is fun and youthful and helped to create awareness of our new flavour campaign in a never-before fashion. It is delightful to see the results of this path-breaking idea for the second time in a row.”

     

  • HomeShop18 unveils online bookstore

    By A Correspondent

     

    Homeshop18.com has added to books vertical an all new user-friendly online bookstore having a massive catalogue of over 10 million books in more than 100+ categories.

     

    The acquisition of CoinJoos.com has helped HomeShop18 strengthen its books business and tap the massive books market in the country. The company has spruced up its technology backbone to offer book lovers a world-class book shopping experience through a superior browse and search experience.

     

    Commenting on HomeShop18.com’s bookstore going online, Sundeep Malhotra, Founder and CEO, HomeShop18 said, “Books are a critical part of our e-commerce growth strategy and the launch of our bookstore plugs the gap which we felt we had in our product range. This is a category which touches all demographic groups and, therefore, a very critical one and we are very excited to add books to our range of offerings”.

     

    The initiative will make it easier for book lovers across the country to shop much more conveniently with HomeShop18 offering both online payment and cash on delivery options. The company is also expected to make further announcements in the books category in the coming weeks.

     

    HomeShop18 is Network18 group’s online and television retail marketing and distribution venture, and offers a wide product range across several categories.