Category: BLOGS

  • DeBrief: Quikr.com: Madness pays

    By Anil Thakraney

     

    Quikr.com, the online classifieds portal, has taken the best route to promote itself: Disruptive advertising. Makes a lot of sense. Because when you don’t have very deep pockets, and you are a new brand which uses new tech, you need to shake mass consumers out of their set habits.

     

    The promise, of course, is simple: You can sell anything through Quikr.com. Their new TVC is literally a riot. There’s a huge mob on the streets protesting against corruption (Anna Hazareji deserves some credit for this ad), there’s threat of violence, and the situation looks pretty grim. One police inspector climbs his vehicle to take control. But instead of asking people to behave, the officer says he’s planning to shift his residence, and if anyone is interested in buying his used household goods. One dude from the crowd suggests Quikr.com. The internet video has already scored lakhs of hit, so clearly the disruptive route is paying handsome dividends for the advertiser.

     

    Good work. This sort of outrageous advertising was needed, and it will quickly get Quikr.com into the consumer mindspace. It’s a lesson for all those small advertisers who continue to play safe in their ads, not realising that’s the worst thing they can do for their brands.

     

    Also, there’s a creative tool Quikr.com uses, which I really like. They don’t ask you to call them, they ask you to give them a ‘missed call’. This ‘missed call’ stuff is a very, very Indian thingy, the junta loves it, and Quikr.com should make it their own, it shouldn’t just be a baseline. In fact, they should create entire ads around the ‘missed call’ theme, will be hilarious.

     

    [youtube width=”400″ height=”220″]http://www.youtube.com/watch?v=9OvHnHK2QSQ[/youtube]

     

    Rating: (On a scale of 1-5): 3.5 Perfect strategy. Disruption works.

     

  • One Big Idea by Zafar Rais: Choosing the right platform for optimum outreach

    By Zafar Rais, Founder and CEO, MindShift Interactive

     

    Social media has revolutionized the way a marketer thinks today. The Indian digital advertising market this year is estimated at Rs 2,851 crore and is expected to double to about Rs 4,391 crore next year as a result of which platforms like Facebook, Twitter, Pinterest are persistently evolving to help brands connect instantly with consumers. Consumers realise the power of the medium and use it to voice their opinion on brands and events around them. The awareness for using social media to promote and leverage brands has tremendously increased in the recent times, as a core part of their marketing strategies.

     

    There are different ways through which one can ensure maximum outreach through various platforms on the social media front. We need to take into consideration various aspects while planning a social media campaign. While planning a social media campaign it is important to go beyond the numbers and look at what your consumers would like to engage with and share.

     

    Choosing the right platform: Social media engagement does not restrict itself to the presence on Facebook, Twitter and Slideshare. A platform like Facebook is key to create the right engagement whereas Twitter works best to create maximum buzz about the brand. E-commerce portals have identified Pinterest as a key platform to ensure they reach out to the right target audience. It is essential to identify the platform that will suit the personality of the brand and the nature of engagement of the campaign. It is the core responsibility of a brand to identify the nature and personality of the consumers that you wish to engage through their campaigns. The campaign ideas and the theme need to revolve around the type of consumers that we wish to communicate with.

     

    Integration of various platforms on Social Media also works best for brands to ensure a large number of consumers are targeted through their campaign. Whether it’s social media for small business or a large B2B social media marketing campaign, companies should integrate social media platforms such as Facebook, Twitter and Slideshare to their websites. This allows prospect customers to gain insights on how a brand would engage with them and gain additional information on the latest happenings which may not be present at such a high frequency on the website.

     

    Social media integration is the stuff that successful social media marketing campaigns are made of and it ensures that genuine interest is sparked by real people around a brand. Building a community of repeat customers will help a brand gain in social finance and create a credible social name among consumers in general.

     

    Integration and the right mix of content ensures that genuine interest is sparked by real people around a brand and it is up to each brand to take the onus of understanding their consumers prior to marketing to them.  Building a community of repeat customers will help a brand gain in social finance and create a credible social name among consumers in general. That is what would truly give business a holistic, integrated strategy and will be born and acknowledged in the future. Awareness of the right trends with the people can be chalked basis the research and evaluation of past case studies to understand the touch points and make a campaign a great success.

     

  • One Big Idea by Agnello Dias: Uniform fee structure is the need of the hour

    Agnello DiasBy Agnello Dias, Co-founder, TapRoot India

     

    In my view, the one big idea that can transform the advertising agency business in India would be to bring on a uniform fee structure. Currently the agencies work on various payment models and that has led to a situation where agencies are reduced to being seen as a service provider instead of a partner in building brands. The various compensation models, be it a retainer fee or a commission fee, also have no uniformity and change to meet the needs of the clients and the agencies. In this situation, the worst thing to happen is that we now fail to estimate the exact value of our industry, which has become impossible. With no real valuation available the industry has also lost out on its chance to emerge as a contributor in the value chain where advertising comes only much later.

     

    Hence, a uniform fee structure is the need of the hour for the advertising fraternity. This will help in advertising getting its due which otherwise is being relegated to the background when it comes to clients, and seen as a quick solution provider, which should not happen. Once a fee structure is in place, it would be a positive step towards bringing back advertising to the main realm in a marketing strategy.

     

  • Anil Thakraney: AirAsia: Will shake up Indian skies

    By Anil Thakraney

     

    AirAsia’s decision to fly into Indian skies is great news, both, for the newly formed venture that will run the desi operations, and for the Indian flyers. AirAsia is purely a low-cost carrier, that’s the market they understand, that’s their expertise. And the Indian market has been crying out for another low-cost airline so that the ticket pricing gets more realistic. So that train travellers can start taking air travel a little more seriously. For example, if last-minute travel from Mumbai to Bangalore costs me Rs 8,000, we certainly aren’t talking low cost out here. In any case, competition is always good, and with Kingfisher as good as dead, there is an opportunity for a new player.

     

    AirAsia has tied up with the Tatas, which is also good news. This means the Tata Group will return to the airline business after decades, after their exit from what is now called Air India. The group will want to ensure the project shines, their name is on the line. And Tony Fernandes of AirAsia is a kickass airline man. He inherited a bleeding airline in the year 2001, and turned it around within a year. This isn’t a liquor baron who’s decided to suddenly fly, Fernandes is a hardcore airline man. Which is why this team gives me huge hope. And you do need a power team like this to deal with all the problems that operating in India comes with, mainly high fuel costs and crazy taxes.

     

    I believe they will initially fly in the smaller cities and towns, but am guessing that strategy is to test the Indian waters (or skies, in this case), and am sure within a year AirAsia will connect the metro towns, that’s where the traffic lies. If I wish to fly Mumbai to Delhi, and have taken that decision three days earlier, and if the ticket price is about three thousand rupees, we have a sure winner here.

     

    Net net: A great team, perfect timing, correct product offering and a desperate need in the marketplace. This is one venture that can’t possibly go wrong. And sadly, Dr Mallya will have to grab a Kingfisher beer and watch AirAsia’s aircraft take to the skies. And ponder over what might have been. Alas!

     

    ***

     

    PS: Meanwhile, here’s what’s happening with the Indian carriers. With too much free time on hand, and being stuck with ‘aunty’ air hostesses, Air India pilots are looking for fun elsewhere. This dude decided to write an obscene rap song and also star in it. Of course, the video’s gone viral, of course, the pilot’s in trouble, but who cares? We, the janata, are funding all this nonsense. One more reason why an AirAsia is badly needed here. We want pilots, not rappers. Anyway, it’s a fun video, enjoy!

     

  • One Big Idea by N Ramamoorthi: PR = PUBLIC Relations

    By N Ramamoorthi, President & Country Head, Ogilvy Public Relations Worldwide

     

    PR in India has often been associated with outcomes related to very select communities. Shareholders, investors, business audiences, influencers. How about adding the public at large?

     

    It is natural for companies to engage with stakeholders who have a tangible influence on their business – through customer service, marketing, advertising, and local community programmes. Why should they engage with people who have no direct connection with their business?

     

    Because the public is becoming involved.

    The basic lesson from the (oft quoted) Anna Hazare movement – even though there was no constitutional need to do so, Parliament had to engage with a group of people who got involved.

     

    As a country, we are going through a difficult period of economic change. On the one hand, significant development – new roads, schools, malls and airports. On the other, a segment of population that can see, but does not have the means to experience this development. (And I don’t just mean the bottom of the pyramid here).

     

    This disparity will either lead to unrealistic expectations, or to resentment. And then at the first opportunity, to involvement. Think about the recent case in Mumbai where there was a brief movement against payment of road tolls.

     

    It is not that any of these feelings are new. It is just that they are now gaining a stronger voice. Through social media and even through traditional media – look at the number of articles that use members of the public to support their story.

     

    It would therefore be a great idea for companies to actively add the public to their list of stakeholders. Research their opinions – on the company and its corporate reputation, on its leadership, on its products, on the industry even. Find and associate with a cause that resonates with the public. Proactively put programmes in place to advocate the cause. Show how the company works towards achieving it.

     

    This will not only ring-fence a company from potential crises, but also help its business in the long run.

    Miles Young, the Worldwide Chairman and CEO of Ogilvy & Mather recently had this to say at a ThinkTank Live summit, “In the new world, the role of PR is to help socialize the enterprise”. To me, it means, give the public “emotional ownership” of your company.

     

    After all that’s what PR is all about, isn’t it? Not just consumer, but Public relations.

     

  • One Big Idea by Monica Tata: Robust monitoring – the broadcasting industry’s gamechanger

    By Monica Tata, General Manager, Entertainment Networks, South Asia, Turner International India Pvt. Ltd

     

    I believe that the unique gamechanger for the broadcasting industry will be a robust monitoring system that is in touch with changing times and which captures the growth of our industry correctly across all genres. Currently channels are getting under-represented, and this is adversely affecting their monetization.

     

    Also I believe that the broadcasters need to be paid rightfully for the value they bring to the table. The current CPRP system does not fully take into account the increase in eyeballs that has come by with increased investments in distribution of channels & content. While the kid’s category GRPs have grown by 9%, reach has grown by 17% for the same period, which means that we now reach to 34 mn kids versus 29 mn. The English movies genre on the other hand has grown from 4.90 mn to 6.06 mn thereby fueling the growth by 23% (Source: TAM Q2 2012 over Q2 2010).

     

    The advertising rates increase only takes inflation and channel performance into account without completely doing justice to this increased reach of the channels which has come on the back of continuous increased investments by the broadcasters.

     

    Going forward, amongst other things, a robust monitoring system and broadcasters being rightfully paid for the value they bring to the advertisers will help fuel the growth of industry.

     

  • Ranjona Banerji: Ad gains over news at TOI

    By Ranjona Banerji

     

    A bare few hours after the serial blasts happened in Hyderabad our news channels were on their usual inquisitorial quest for answers to questions only they wanted answered. A person who does not spend his or her life in front of a TV screen would have had little clue about what had happened but would know that the chief minister has visited (why, though if he hadn’t the question would have been why not), that the Union home ministry had sent indications (why had no one acted), that America had managed to pre-empt terror attacks (why can’t we) and was it the Lashkar-e-Taiba or Indian Mujahideen or a response to the hanging of Afzal Guru or a reaction to Union Home minister Sushil Kumar Shinde’s comment about the RSS and BJP holding terror camps.

     

    Yes, you might be wondering: what happened and in which part of Hyderabad, how many people died and how many were injured. For this you would have to read the scrolls running at the bottom of your TV screens since the Intifada was in full flow. I must give credit to Headlines Today for putting a Google map up on screen but since they didn’t contextualise the area – Dilsukhnagar – one was none the wiser.

     

    By the time the newspapers arrived on Friday morning, none of Quasimodo’s questions were answered and instead we got the details of what had happened. When journalists are taught about the Five W’s and an H, no one tells them that ‘Why’ is the only question to be asked. Or maybe they do. Judging from what passes for instruction in journalism schools in India…

     

    Of course, the only newspaper which could not answer the right questions was The Times of India’s Mumbai edition. Because it came covered in glossy orange selling something or the other and a tiny legend somewhere told you that, “This particular edition had to be released at 10 pm, which is much earlier than usual, for unavoidable reasons. For the latest news, please go to…”

     

    The “unavoidable reasons” were clearly the money which was to be made and perhaps newspapers should just tell its readers the truth: “We have sacrificed the news today because so-and-so advertiser has come up with this daft idea and as a result we have had to change our printing and distributing schedules”. As to who the advertiser in this case was I cannot tell you as I threw the glossy orange paper aside and didn’t bother to look at the name and could not be bothered to pick it up again. Did anyone else pay attention and rush out and buy the product or service or whatever?

     

    **

     

    There have been some complaints that the Indian media has not picked up on the Shahbagh protests in Dhaka. Many of these complaints are in the Indian media itself, but in the opinion sections. The Shahbagh protests are being compared to the Arab Spring and refer to the anger amongst young people that those who sided with Pakistan in the Bangladesh movement for freedom are not being sufficiently punished, amongst other things. The murder of one of the main organisers of the movement, a prominent blogger, has also angered lakhs of people.

     

    Once again, the impact of social media cannot be underestimated. As for the Indian media, it is so obsessed with its own ideas that sometimes it forgets to look outside the window. Or maybe the windows are all covered in some glossy colourful newsprint provided by advertisers.

     

    **

     

    My careful (or willy-nilly) assessment of the weather bulletins on BBC World has led me to this conclusion: the weather people at BBC World are bored sick of the weather, which to them was usually a search for wherever the sun was shining. So now they package weather news into peppy little nuggets of holiday information. This is the right time to go skiing in Austria, sun-worshipping in “Ibitha” and so on. Meanwhile, there may be hurricanes, typhoons, murderous snow storms, droughts and anything else happening, but who cares? Just pack your skis and head for Innsbruck.

     

    Ranjona Banerji can be followed on twitter at @ranjona

     

  • Reviewing the Reviews: Kai Po Che

    Kai Po Che

    Key Cast: Sushant Singh Rajput, Amit Sadh, Rajkumar Yadav, Amrita Puri

    Directed By: Abhishek Kapoor

    Screenplay By: Abhishek Kapoor, Pubali Chaudhari, Supratik Sen, Chetan Bhagat

    Produced By: Ronnie Screwvala , Siddharth Roy Kapur

     

    Abhishek Kapoor did the near-impossible, got Chetan Bhagat good reviews, if only for the adaptation of his novel – and how critics hate his books!

     

    Kai Po Che also did something more courageous – it is a well-promoted film without a single star. Maybe a whole lot of factors joined together to fetch it many four stars, and nothing less than three stars. Many felt it stopped short of being an exceptional film, but when the competition is with Brainless Bollywood, every little act of rebellion counts.

     

    Karan Anshuman of Mumbai Mirror raved over it, but also lamented, “Kai Po Che is interesting at many levels, deftly executed, and a film born out of conviction. It could’ve ended up as a modern classic, a fitting film for Dil Chahta Hai to pass the mantle over to. Unfortunately, it doesn’t quite deliver to potential and ends up merely ‘good’.”

     

    Anupama Chopra of The Hindustan Times found the film flawed but also deeply satisfying. “Abhishek Kapoor’s biggest accomplishment is that he and his writers have created three full-bodied characters – these boys, with their towering ambitions and aching vulnerability, are people you and I know. And then, most critically, he has also found three wonderful actors who inhabit the characters wholly. Sushant, Raj Kumar and Amit become Ishaan, Govind and Omi. Their lack of stardom works in their favour (though I’m fervently hoping that post release, each one becomes a sought-after star). We believe them. We partake in their joys and struggles. Kai Po Che! is beautifully shot by Anay Goswamy but it’s not glossy. You can almost feel the sweat and dust of the narrow lanes.”

     

    Rajeev Masand of IBNLive gushed, “At a crisp two hours, Kai Po Che is enriched by its sweeping score and by Kapoor’s deft handling of the film’s varied moods. For evidence of his considerable growth as a director one needn’t look much further than the palpable dread he infuses into scenes of an angry Hindutva mob storming a Muslim ghetto, and the light-handed touch he brings to the portions of the three friends goofing around. Kapoor tackles sensitive issues like the Gujarat riots with equanimity and empathy, and Anay Goswamy’s terrific camerawork complements the director’s vision intuitively.”

     

    Shubhra Gupta of The Indian Express was kind too, “Kapoor’s Rock On had its moments, and I liked it, but Kai Po Che is so much better, despite its tired saffron-and-trishul-infused scenes, as well as those that show the too-familiar bloody rampage through the terrified-Muslim-housing-colony. This film rises beautifully above its faults. It does not allow simplicity to descend into simple-mindedness, as it transmits real emotions, and gives space to a stand-out performer.”

     

    Vinayak Chakravorty of India Today commented, “We are looking at New Bollywood, evolving exactly as it should. Stirringly topical, solid in the comment it leaves, and yet never losing focus on the classic entertainment formula that has forever driven our commercial cinema. What’s more, it sets the stage for three new exciting talents in the bargain too. That in a nutshell defines Abhishek Kapoor’s new film. Kai Po Che adapts The 3 Mistakes Of My Life, bestseller author Chetan Bhagat’s pop ditty mixing cricket rage with a few quickfix notes on the politics of religion, confusion of youth and questions about coming of age.”

     

    Sanjukta Sharma of Live Mint is cautious in her praise. “It is a simplistic story, naive even, in trying to tackle some big questions. How does a Hindutva-espousing political party get young recruits, and then turn them into zealots? Can a college graduate be entirely oblivious to the implications of the social perceptions and political forces around him? Can cricket really be the cure to all our differences? The film skims over these questions. But it triumphs over the shallow story with well-executed cinematic detail.”

     

    Janhavi Samant of Mid-day wrote, “Abhishek Kapoor’s Kai Po Che! is mellow in its mood but loud in its message. It is simple, colourful and vibrant but it doesn’t shirk from portraying the grey, the black and the complex. But most of all, Kai Po Che! doesn’t sit on the fence; it neither shies away from blaming nor from forgiving. And for a Hindi film, that’s quite something.”

     

    Pratim D Gupta of The Telegraph raved, “Sometimes there comes a film so good you are scared to write about it. Scared that you might kill it by writing about it. Because original material so mediocre has been turned into a motion picture so moving that putting it back into words might undo the magic. Abhishek Kapoor has struck, again! And even though this too is about friends and fracas and reunions, Kai Po Che! is not cut from the same manja as Rock On!!. Adapting Chetan Bhagat’s The 3 Mistakes of My Life, Kapoor creates a world that’s innocent yet ominous, friendly yet foreboding. Far, far away from the world of flashy, affluent SoBo (South Bombay) boys strumming their guitars and wooing their girls, to three young hard-working men trying to set up a sports business in trouble-torn Gujarat at the turn of the millennium.”

     

    Sudhish Kamath of The Hindu raved even more, “This is us. The real middle class India. Real people, not stars. Real houses, not sets. Real clothes, not fancy pants. You’ll fall in love with everything about India. And Gujarat. Kai Po Che is everything that Rock On and 3 Idiots were, put together – dreams and aspirations, friendship standing test of time, the pursuit of excellence, a commentary of our education system and a coming-of-age film with not a single moment of dishonesty. We haven’t seen stronger characterisation, economy in words, visuals or time, in recent mainstream films.”

     

  • Anil Thakraney: Role Model Premji

    By Anil Thakraney

     

    I have always harboured a major grouse about our tagda industrialists: Which is that our kanjoos sethjis abhor the idea of sharing money. Hoarding wealth seems to be a part of the great Indian culture, and that habit really stinks in a third world nation like India where millions of people crave for a roti, where many have no torn blanket to cover themselves with in bitter cold. Whatever little charity is done is actually naam ke vaaste effort, aimed at gaining quick brownie points on Page 3.

     

    Which is why I was shell shocked when I read the news about Azim Premji’s decision to transfer millions of Wipro’s equity shares, worth Rs. 12,300 crore (wow!), to a trust. A trust that will do philanthropy, focusing mainly on primary education. In fact, Premji has already donated a percentage of his personal stock in Wipro for social work. So the latest donation is over and above that! This is simply sensational news, because, as I said, richie rich Indian people don’t like sharing, in fact they don’t seem to even care what the have-nots think. A good example is that extremely distasteful monstrosity called Antilla in South Bombay. As someone said, that’s the owner’s way of showing the finger to India’s starving masses.

     

    Anyway, all we can do is puff up our chests with pride knowing that we have a Premji in our midst. And the rest of the tycoons can hang their heads in shame. Apparently the government is working on a proposal to slap higher taxes on the super rich. I am quite doubtful if this will ever happen, the super rich enjoy too much clout in the corridors of power, they will be able to quickly demolish such a plan. But am hoping it happens. If our bada seths aren’t going to loosen their purse strings for charity work, then we have to find a way to force them to do it. It’s only fair.

     

    So, a big salaam to Azim Premji. One thing’s for sure: He must definitely sleep well at night, certainly better than a whole lot of other Indian industrialists. Sharing happiness can do that to one, others should try it out.

     

    ***

     

    PS: Ah! A kindly clock that gives us second chances, and freezes important moments in our lives. What would we not give to get our hands on such a marvel? I would freeze the moment when Shri Advani started out his Rath Yatra, and took the nation down the tube. I won’t allow the Rath to move an inch. Cool ad from Guinness. And wonderfully shot too.

    [youtube width=”400″ height=”220″]https://www.youtube.com/watch?v=ZAaNbzydxiA[/youtube]

     

     

     

  • One Big Idea by Sajjan Kumar: Internet – the productivity tool par excellence

    By Sajjan Kumar, VP, Imaging, Nikon India

     

    The internet is the one of the biggest technological innovations mankind has ever had, which surely seems to have stirred a revolution. At the time of its inception, the inventors couldn’t fathom the sensation it would become or the major role it would play in our day-to-day lives. The internet world as we know it today has undergone far-reaching changes since its early days while becoming a critical communications infrastructure underpinning our economic performance and social welfare.

     

    Starting from its modest birth, the Internet has already profoundly changed our economic and social world and will remain the same in the future. If today’s Internet is a crucial element of our economy, the future Internet will play an even more vital role in every conceivable business process. It will become the productivity tool “par excellence”.

     

    Internet technology is ever-evolving. It is predicted that cloud control is key to the future of the internet, and with the growth of smartphones and tablets, mobile technology is now at the heart of personal computing. People are using the mobile web and applications to interact with friends and family through social media, as well as access, explore, buy and consume everything from content and services to information, entertainment and utilities, from anywhere at any time. In a world increasingly dominated by mobile devices, location and relevancy matter, the businesses should aim to take advantage of the unique characteristics and benefits that the mobile platform can provide.

     

    The next big move will be to tap users browsing the internet through mobile devices, and using various channels within the mobile medium to garner high traction for the business. This will bring about possibilities like we have never had before.

     

  • One Big Idea by Suresh Srinivasan: Being conversational will matter

    By Suresh Srinivasan, Vice President (Advt), The Hindu Group of Publications

     

    One must look at the overall landscape of the media industry to understand the survival and growth strategy. Growth for the media business has come from diversifying to various multimedia offerings. The print players have gone on to have various properties in different mediums, be it television, radio or OOH among others.

     

    The overall industry has been growing at a moderate pace. For the print industry, the game-changer has been the supplements. These supplements are specific in targeting people thus catering to a specific need and taste. Specific targeting also becomes possible with multiple supplements which are also very innovative.

     

    While supplements are something that we have already experimented with, if one were to look at the game-changer idea for print it would be to explore possibilities of making the product more conversational. In today’s era, the internet is one of the biggest threats to the newspaper business but one can look at integrating this medium with print and leveraging it to reap benefits. One can take up local micro issues using the reach that print has and then take the discussion further online. This would also help in getting the emotional connect which is extremely necessary to make print relevant to its consumers. Another game-changer idea would be to look at ways to get the FMCG companies who have moved to television, to start spending on newspapers. Print can give the FMCGs who are traditionally big advertisers great value, but the need is to show these players how this category can benefit if they up their spends on this medium.

     

  • Debrief: Greenply: The magic is back!

    By Anil Thakraney

     

    Another good ad from the makers of Greenply, those folks who usually back solid creative work. Yup, they did put out a really horrendous TVC in 2011, which featured a really crappy New Year party, but things are back on track. And the promise is still the same: Durability.

     

    The new ad features actor Arjun Rampal playing a magician. The trick is simple: He inserts old objects into a wooden box, and they come out looking brand new. The commercial traverses his journey from a village jaadugar to an internationally acclaimed magician. And covers his entire lifespan. As Rampal becomes old, there are aspersions cast on his credibility. So in his last show, he puts himself inside the box, and emerges as a young Rampal. Timeless, always new, just like Greenply.

     

    Nice. This ad will appeal to a wide spectrum of audiences, from a memsaab looking to renovate her fancy house to a village carpenter. Indeed, that seems to be objective… they want to make Greenply a mass brand. Also, signing up a Bollywood actor seems to be an effort in that direction, though I didn’t see the need for a celeb. It’s a strong idea, and would have worked regardless. Anyway, at least they roped in an unusual actor, Bachchan or SRK would have totally killed this ad.

     

    All said, good to see Greenply back in form. Hope to see even more sizzling work in the future, but minus a celeb.

     

    [youtube width=”400″ height=”220″]http://www.youtube.com/watch?v=4qhyysDxzko[/youtube]

    Rating: (On a scale of 1-5): 3.5 Entertaining and single-minded