Xapads Media is now the Core Agency Partner of Mi Ads for the India market and will offer advertisers exclusive access to premium app inventory of Mi Ads for in-OEM advertising.
Speaking on the occasion, Alok Pandey, Vice President, Sales & Marketing, Xapads Media, said, “I am beyond excited to announce our association with Mi Ads as their Core Agency Partner. Our collaboration will redefine performance programmatically and support brands to thrive in the ever-evolving adtech landscape. The branding and promotion opportunities will aid marketers in connecting with niche audiences that are challenging to reach.”
Bono Wu, Director of Channel Partnership, Mi Ads, International Internet Business, said, “We are proud to be associated with Xapads which is our core partner for Mi Ads, Marketing Solution in the regions of US, India and SEA. Xapads is not only a business growth driver, but also a trusted partner and value creator. Their expertise in programmatic advertising and data-driven marketing solutions are just a few reasons why we’re thrilled to have them. Together we look forward to delivering unparalleled results for our clients.”
Nick Law, Creative Chairperson at Accenture Song and Wesley ter Haar, Co-founder of Media.Monks, have joined as Jury Chair for Integrated and Digital categories, respectively, at the Abby One Show Awards 2023.
Said Rana Barua, Group CEO, Havas Group India and Chairman, the Abby Award Governing Council and Ajay Kakar, Managing Committee Member, The Advertising Club & Co-chair, The Abby Award Governing Council: “The Abby One Show 2023 promises to be a world-standard award show, for South Asia. The One Show partnership brings the world’s best practices and processes to the Awards. However, we do believe that an award show is as good as the Jury that judges the work. This year we have the world’s best creative minds as the Jury Chair for each of our categories. Nick and Wesley have chosen to bring their perspective and experience to our awards. And soon you will hear the names of the other legends, too. Now the ball is in the court of our industry, to win recognition for the best work in South Asia, with this envious and illustrious Jurors who will gauge the work in the context of the world’s best.”
The Abby Awards are scheduled to be held from May 24 to 26 at Goafest 2023. The last date for submission of entries is Saturday, April 8.
Other than the last edition, I have attended every edition GoaFest and yet I favour Adfest Pattaya. It is the first festival of the year and Asia’s most celebrated regional creative festival. One of the eight regional creative festivals in the WARC 100 Creative ranking that reflects the fast-changing face of the creative, marketing and production industry.
The 2023 edition of Adfest with the theme “Rise” was held between March 23 and 25, 2023 at the regular venue, the Pattaya Exhibition Hall (Peach), at the Royal Cliff Hotels Group, Pattaya. And if one is to see the Winner Showcase, one would realise the extent of technology usage and integration in advertising and communication in every form and format.
WINNER SHOWCASE
Post the festival, AdFest Pattaya has the winner showcase on its site. Where all the winners’ entries AV, film and board, are easily accessible with complete details. A few of the creatives are not showcased because the client has barred them due to some copyright issues.
I have thoroughly enjoyed my Wednesday watching the winner showcase. I would recommend everyone interested in the field to see the brilliant work showcased there. Some of the brilliant work where technology and accessibility played a major role- reflecting the change and trend included Tiger Beer, Unbranded Menu of McDonalds, Consent – partnering to showcase lack of consent, Closeup- city of love, Crazy Bundy Mixes, Shizuoka Model City, Toyota Voice Watch, Adidas – Ravi limited edition and the print special- the Annhaar Newspaper election edition that never got printed. Watch all these and more at the winner showcase.
JURY INSIGHT SESSIONS
One of the things that makes it endearing is the 45-minute breakout stage sessions of Jury Insight. Where delegates can listen first-hand to in-depth and freeform discussions with some Lotus Awards juries across panels and learn the secrets of what makes some works great.
ADFEST PATTAYA CONNECT
AdFest Connect APP is another tool that encourages and facilitates networking and interaction. It shows every delegate’s name, position, company, city, and country unless they have chosen not to be part of the AdFest Connect. It does not divulge the email addresses but facilitates the initial email sending unless opted out by the delegate. It is just a connecting tool and does not guarantee a response.
WORKSHOP AND INDUSTRY SESSIONS
There are industry-specific learning sessions needing pre-registration and with limited seats. This is no different from other festival programs. Still, they seem more relevant and industry-inclusive, like the World Producers Summit – a forum for production company owners and stakeholders to gather and discuss specific issues encountered as the industry evolves and globalises. This forum is a unique opportunity to gain valuable insights and learn possible solutions to current and emerging business challenges. Sessions like ‘Creativity for Mobile-first-era, ‘Step into AR and Reels’ and ‘CG Metahumans And The Infinite New Frontier Of Communication.’
DIVERSIFIED JURY PANELS.
The eight jury panels mostly follow the 8 Jury and 1 Jury president format. Interestingly, the panels are highly diversified in terms of agency and geographical representation and do not show any gender skew. There were 57 Jury members representing 18 cities at AdFest Pattaya 2023.
ADFEST PATTAYA EVOLVING WITH TIME.
The AdFest Pattaya has been evolving with time. There are, in total, 20 awards categories other than special awards. This time round, ‘The Commerce Lotus’, formerly the eCommerce Lotus, expands to include offline commerce in addition to eCommerce to celebrate creative and innovative solutions that enhance the consumer experience at source and drive business sales. The Digital amd Social Lotus, formerly Digital Lotus, introduces various new sub-categories to reflect the fast-changing landscape of the digital world and social media. And PR Agency of the Year was added to the Special Awards line-up like Network, Independent Agency, Digital Agency, Media Agency, Production Company and Advertiser of the Year. In addition, the scoring criteria were updated.
YOUNG LOTUS.
On the lines of Cannes Young Loins, AdFest Pattaya also has a young Lotus workshop before the festival, and 2 participants selected through local regional representation represent each region. AAA India partners AdFest Pattaya to choose the Young Lotus representative from India.
ARCHIVES AND ENTRIES.
All delegates have access to the AdFest Pattaya Archives, the winner showcase and the selected programme showcase. A brilliant resource that allows delegates to search and learn. And as a practice, AdFest Pattaya has a well-organised display of entries.
DELEGATE FEES ARE A BIT OF AN ISSUE FOR INDIAN DELEGATES.
The delegate Fee of Thai Bhaht 35K (83.5K INR) for the full, Thai Bhaht 22.5K (54K INR) for Young and Thai Bhaht 17.5K (42 K INR) for Students is a bit steep as there is an additional cost of travel and stay that could be approximately INR 60K including return airfare.
NET-NET.
Adfest Pattaya, the regional Creativity festival, is a recommended adfest. Though a bit costly, it is still manageable for young, under-30s, with early planning. India had 30 winners at AdFest Pattaya 2023, but not many delegates.
The India Chapter of the International Advertising Association (IAA) hosted the 13th edition of its annual property, the Olive Crown Awards 2023, in Mumbai. The awards recognised individuals and corporates who drove the message of sustainability or ‘green advertising’. Famous Innovations bagged 10 awards across categories including the ‘Green Agency Of The Year’. The awards were presented across 17 different categories, including the coveted title ‘Green Crusader of the Year’ award, which was presented to P N Mohan for: his vision and commitment to restore lakes, dedication in mobilizing people and funds for this cause, for his single-minded focus that led to seven lakes (near Chennai) coming back to life and for being an inspiration to others and giving them the courage to aim high.:
Said Avinash Pandey President IAA (India Chapter): “The Olive Crown Awards are a symbol of the intention our Association has to use communication as a force for good. The planet belongs to us all, and we owe it to future generations to leave it in a good shape for them. The winning work has been outstanding and should work as an inspiration to content creators and advertisers to carry this torch further and leave a significant imprint on the sands of time.”
Added Janak Sarda, Chairman of the Olive Crown Committee Janak Sarda, “The Olive Crown awards presentation event is always something special. We not only have the who’s who of the marketing, advertising and media fraternity with us, but they are all focussed on doing good. The supporters and the attendees are all actually symbolic of the intent of our industry to add to the efforts that will keep Planet Earth Green and Clean.”
The jury comprised Bobby Pawar, Chairman & Chief Creative Officer, Havas Group India; K V Sridhar, Global Chief Creative Officer Nihilent Ltd & Hypercollective; Garima Khandelwal, Chief Creative Officer, Mullen Lintas; Raj Nair, CEO & Chief Creative Officer, Madison BMB and Carlton D’Silva, Co-Founder, House of Awe.
Dentsu X has released its findings from its Motivations Study, to help brands better understand the innermost drivers that influence people to act in certain ways. By understanding these Motivations, Dentsu X can drive growth for brands by decoding behaviour and connect with valuable audiences like never before.
The fact files dive into how Motivations play a role in customer decisions, and why traditional data often fails to capture these nuances. Profiling more than 400,000 people in 70 markets across the world, the study has identified six core Motivations that drive everyone at varying levels:
• Accomplishment,
• Affection,
• Information,
• Possession,
• Power,
• and Protection.
Each core Motivation comprises 25 sub-Motivations that are defined by individual statements that help dive deeper into the uniqueness of each person and their drivers.
The Motivations Study is being released as part of Dentsu X’s privately owned and operated consumer insight tool CCS. Through CCS, brands can understand audiences on a deeper, human level. This includes understanding media behaviours, lifestyles, passions, favourite brands, and category behaviours.
The Motivations fact files include:
• A deeper look at understanding people’s Motivations, such as why a customer buys a product and why they do the things they do.
• How understanding Motivations is important for understanding target audiences and bridging the expectation gap to become more relevant.
• How understanding Motivations is helping clients target truly relevant audiences with creative messages, plan intricate offline events and break biases in product positioning.
Prerna Mehrotra
Said Prerna Mehrotra, CEO, Dentsu Media APAC: “In today’s data-rich environment, for brands to be truly relevant, it is important for them to understand the underline motivations behind audience behaviours. We are excited to share local insights on how understanding motivations can close the disconnect between the product offering and what consumers really want. Even within markets, we see distinct nuances that make the core Motivation different from the sub-Motivation. This report will help our clients understand the human truths about their audience empowering the brand’s planning process across all marketing disciplines.”
The Abby One Show Award 2023 Governing Council has appointed Prajato Guha Thakurta, Co-founder and CCO of Manja as Jury Chairman of Brand Activation & Promotion category.
Thakurta has worked for around 18 years in some of the country’s top creative agencies like McCann, JWT and DDB Mudra, where he has shaped brands like Barclays, Lee Cooper, Stayfree, Pears, The Economic Times, Smirnoff and Nokia, among others.
His last stint was at Leo Burnett where he drove the agency’s creative culture as its National Creative Director and helped turn it into one of the most awarded offices in the country. His portfolio there included brands like McDonald’s, Jeep, Google, Bajaj Auto, Isuzu, Abbott and PhonePe.
Over the years, his work has won him several awards, both national and international, including Cannes Lion, D&AD, One Show, Adfest, Spikes and Effies.
Said Thakurta (or Prajato, as he is called by friends and colleagues): “I am absolutely chuffed to be a part of the Brand Activation & Promotion Jury at the Abby One Show Awards. This is arguably one of the most exciting categories, and I’m really looking forward to seeing work that is truly immersive, engaging, brave and brilliant.”
Search marketing is on the cusp of its most consequential transformation since Google first introduced its sponsored keyword search auction over 20 years ago, and the more recent introduction of the use of data and algorithms to provide greater personalisation in search results.
Now a third era of search beckons – one defined as much by image or video as text, and by artificial intelligence and natural language processing, in which marketers shift from targeting keywords to targeting intent and context.
WARC Media’s latest Global Advertising Trends report, Search 3.0, explores the impact of retail media on advertisers’ paid search investments, the growing role of social platforms on search journeys, and the rise of generative AI search.
Author of the report, Alex Brownsell, Head of Content, WARC Media, says: “The search market is on the cusp of an era of innovation. Google’s long-standing market dominance is set to come under unprecedented pressure as consumers pivot away from text-based search towards discovery on social, generative AI reinvents the search experience, and the explosive growth of retail media, the majority of which is search-orientated, continues.”
Steady growth for search, even in tough times
Amidst an ongoing digital ad market slowdown, traditional search spend (excluding retail media) is proving to be resilient. While global advertising investment is forecast to grow just 2.9% to $907.2bn this year, paid search, the largest media channel by ad spend globally, is set to increase 6.2% according to WARC Media.
40% of the global search market is in the US, where WARC Media forecasts a robust 12% growth rate this year, taking its value to nearly $100bn.
In APAC, where social commerce is far more established, paid search’s share of advertising budgets falls to 17%. Japan, the APAC market outside of China with the biggest search spend, is forecast to see search investment expand to $7.4bn in 2023. In China search spend is expected to grow to ¥131bn ($19bn).
The search market, including retail media, is forecast to reach $350.4bn in 2023
Retail media has transformed the search advertising market over the last few years. According to WARC Media and GroupM forecasts, total search advertising spend, is set to be worth $350.4bn this year, of which just over a quarter (26.8%) will come from retail media, valued at $93.8bn.
As brands commit more budget towards retail media, and the number of platforms increase, marketers may be forced to make trade offs where their ad spend goes. Advertisers will also need to rethink their approach to paid search and SEO, and particularly how their brands show up towards the bottom of the purchase funnel.
Search experiences are fragmenting across platforms
Younger audiences increasingly favour searching for information and inspiration on visual platforms such as TikTok, Instagram, Pinterest and YouTube or RED, Douyin and Zhihu in China. According to data from GWI, in 2020, 19.2% of internet users turned to TikTok to search, rising to 27.5% last year.
As search evolves into a “system for exploration” and search strategies diverge depending on category and demographic, Google’s dominance of the global search advertising market is being challenged.
According to WARC Media, whilst Google remains the dominant force in search and is forecast to earn $176.4bn in advertising revenue in 2023, its share of total search, which includes retail media, is set to drop from 51.0% in 2021 to 50.4% in 2023.
Over half (53%) of global advertisers surveyed by WARC for The Marketer’s Toolkit 2023 report said they plan to increase ad investment with Google this year, down from 59% the previous year.
Generative AI threatens to disrupt search behaviour
A race has begun to develop the most compelling AI chatbot search product. Microsoft plans to incorporate OpenAI’s ChatGPT – estimated to have become the fastest-growing app in history, reaching 100 million monthly active users in only two months – into Bing.
However, as it stands, Bing is only forecast to earn a 5.2% share of the global search market in 2023, per WARC Media. Yet the news was deemed a “code red” situation for Google, which has subsequently rushed to launch Bard, its conversation technology.
The arrival of generative AI will cause major considerations for brands, such as how paid ads will fit into the conversational nature of the content, the partiality of chatbot responses, risk of content misinformation and misalignment with brand guidelines.
Download a complimentary sample report of WARC Global Ad Trends: Search 3.0 here.
Global Ad Trends, is a quarterly report which draws on WARC’s dataset of advertising and media intelligence to take a holistic view on current industry developments. It is part of WARC Media, which provides rigorous and accurate benchmarks aggregated and verified from over 100 reputable sources, empowering media decision makers to plan strategies with precision. WARC Media is available by subscription.
As Goafest gets set for its 16th edition in late May 2023, the Advertising Agencies Association of India (AAAI) and The Advertising Club have announce the Governing Council and Committee Members for Goafest 2023.
Following is the Governing Council for Goafest 2023:
• Prasanth Kumar, President, Advertising Agencies Association of India and CEO, South Asia, GroupM
• Partha Sinha, President, Times of India Group and President of The Advertising Club
• Jaideep Gandhi, Chairman, Goafest 2023; Founder, Another Idea
• Mohit Joshi, Co-chair, Goafest 2023; CEO, Havas Media
• Rana Barua, Group CEO, Havas Group India & Chairman, The ABBYs Award Governing Council
• Ajay Kakar, Managing Committee Member, The Advertising Club & Co-chair, The ABBYs Award Governing Council
• Anupriya Acharya, CEO South Asia, Publicis Groupe
• Sam Balsara, Chairman, Madison
• Rohit Ohri, Group Chairman & CEO, FCB Group India
• Shashi Sinha, CEO-India, IPG Mediabrands
• Ajay Chandwani, Managing Committee Member, The Advertising Club
• Malcolm Raphael, Senior Vice-President, The Times of India Group
The sub-committee members for Goafest 2023 from Advertising Agencies Association of India are:
• Content Committee Chairman: Vikram Sakhuja, Group CEO, Media & OOH, Madison Communications
• Delegates Committee Chairman: Sam Balsara, Chairman, Madison
• Creative Committee Chairman: Rohit Ohri, Group Chairman & CEO, FCB Group India
Creative Committee Joint Chairman: Anusha Shetty, Chairman & Group CEO, Grey Worldwide India
• Client Associations Chairman: Shashi Sinha, CEO, IPG Media Brands
• Client Associations Joint Chairman: Prasanth Kumar, CEO South Asia, Group M
• Advertising Associations Committee Chairman: Srinivasan K Swamy, Chairman & Managing Director, R K Swamy
Said Prasanth Kumar: “We are blessed to have great leadership working together to make Goafest ’23 a remarkable event. This year sees greater support and collaboration across the industry coming together. As always, Goafest is a passion centre and while we discuss greater opportunities across the industry and celebrate our great work am sure will push the boundaries as a collective team and achieve greater progress.”
On opening up delegate registrations for Goafest 2023, Sam Balsara added: “Goafest has earned its position as a destination that celebrates creative excellence in most disciplines in Communication in South Asia. We look forward to welcoming teams from across India, South Asia and indeed the globe to come and participate in Goafest as we exchange thoughts and discuss the future of communication and increasing its role and accountability to the marketer, further making way for growth of the Industry.”
Partha Sinha
Added Partha Sinha: “With each edition of Goafest, India’s position in the global creative industry is only strengthened. Given the format and scale of Goafest, the festival has firmly positioned itself as the most sought-after creative festival in South Asia. With day-long sessions and masterclasses led by the brightest minds in the industry to evenings that honour and celebrate work that has set new benchmarks and trends, Goafest is the only festival of its kind in India and Asia that drives value, encourages creative excellence and discusses pertinent topics, aiding our industry’s growth. We look forward to hosting our industry colleagues and partners once again at Goafest.”
The theme Goafest this year is: ‘The Future of Creativity is Here’. With advancements in technology, including machine learning, deep learning, and natural language processing, the boundaries of creativity are being pushed further than ever before. There is a rise in innovative tools and technologies that enable new forms of creativity; for example, virtual and augmented reality (VR & AR) technologies are already opening up new avenues for artistic expression, allowing creators to build immersive, interactive experiences that blur the line between the physical and digital worlds.
Rohit Ohri
Unveiling the theme, Rohit Ohri said: “Generative AI is pushing the boundaries of what is possible and opening new doors to creativity and innovation. This technology will allow our industry to explore newer ideas at a much faster pace and is likely to play a significant role in shaping the future of creativity. Inspired by this game-changing development, we have used Generative AI in the design process of our three-day festival. With sessions and masterclasses that deep-dive into the creative technology landscape, we are sure to re-envision how we collaborate with machines to bring transformative ideas to life.”
Changemaking technologies and the changemakers behind them are reshaping the world while creating a positive real-world impact on communities, societies, and countries. While some may worry that AI will replace human creativity, it is certain that it will instead be used to enhance and augment human creativity, leading to even more groundbreaking and innovative creations.
India Today Group Creative Editor, Nilanjan Das has won two Best Infographics and one Best Spread Illustration award from the prestigious New York-based The Society of Publication Designers (SPD).
A communique adds that the India Today entries beat others from the New Yorker, The New York Times, The Economist, Bloomberg, Businessweek, Forbes, Media Vox, The Wall Street Journal, The Washington Post Magazine and many other leading publications.
More jury chairs for Abby One Show 2023 have been announced. Valerie Pinto, CEO, Weber Shandwick, Ahmed Aftab Naqvi, Global CEO & Co-founder, Gozoop and Ashwini Deshpande, Co-Founder and Director of Elephant Design, join as Jury Chair for Public Relations category, Jury Chair of Mobile Category, and Jury Chair of Design category respectively.
Said Ashwini Deshande: “It is an absolute privilege to be judging the Design category at Abby One Show Awards. India is a unique playground for brands and consumers. I define Design as a creative way of solving a challenge. I am hoping to see great work based on real life insights that solve a challenge in a delightful way.”
PR Professionals, ithe ntegrated communications agency, has been awarded the public relations mandate of Patna Metro. The scope of work includes public relations, stakeholder mapping and engagement, and crisis management, among others. Patna Metro with two lines and 24 stations is an urban Mass Rapid Transit System (MRTS) under construction in Patna, Bihar’s capital city.
Said Dr. Sarvesh Tiwari Founder & Managing Director, PR Professionals: “The Patna Metro project is a significant milestone for Bihar and we are honored to have been chosen as the communications partner for it. We have a proven track record of providing effective communications solutions for large-scale infrastructure projects, and we look forward to working closely with the Patna Metro team to deliver a world-class mass rapid transit system to the city. We will leverage our expertise and experience of MRTS projects and ensure seamless communication and engagement of Patna Metro with its key stakeholders, including the media, government, and the general public.”
Some people have equated IPL matches as the equivalent of modern-day colosseum games with the two teams being the gladiators. The stadiums are a riot of screaming chanting spectators who are fenced in almost like prisoners. I tend to agree, having watched one or two matches at the stadium before the pandemic. But I think the same spectacle is at home too. Specially if one is watching the match on a big screen. Except one feels like being imprisoned by a cacophony of repetitive and listless ads. Not to forget the myriad ads by the channel which keep on promoting the matches endlessly.
I used a strong word, prisoner. For many reasons. Because most of the ads are bad. I am sorry there is no better word to describe how I feel about the decline of a profession with which I was associated for quite a long time. And I think everyone is getting caught in a vicious economic cycle, with we, the audience at home, getting the wrong end of the stick at the lowest end of the food chain.
As a sport, IPL is definitely a hot property. It’s sport, entertainment, tamasha and money all rolled into one. And it can’t get bigger. The biggest name in world cricket are a part of it. There is a bottomless pit of unlimited audience and there are big brands and corporates ready to shower crores on it. Safe to say that IPL has made the BCCI the big bully of world cricket. But in all this, the viewers, who sit at home and watch the matches on TV and through streaming, who are the reasons that the brands spend the big bucks are being served up some sports in the cacophony of the ads. Hardly a decade ago, when the IPL started, brands and companies would work towards preparing some memorable communication for the IPL. But the decline is alarming.
Many people put the blame on arrival of digital. On lack of enough data to measure ad effectiveness. On short attention spans. But all of this is irrelevant. What has happened is that in the guise of all of the above both, marketeers and advertisers have become lazy.
Lazy enough to repeat product proposition and forgetting the role of desired response. Lazy enough to finetune the target audience and not talk to all. Lazy enough to get some celebrities and not bother to see if their personality matches with the brand’s. Lazy enough not to have an idea which the target group can relate to. And to sum it up, lazy enough to not weave a story but happy with hammering a generic benefit while glamming it up with technical effects.
And still worse, in today’s day and age lazy enough to run ads which have been on air for past few months. Be it Kingfisher,Kamla Pasand, Rajashree Pan Masala, Vimal Pan Masala, TVS tyres, Macho underwear…….and all of them use celebrities, most of whom do not fit the brand personality.
There are some new ads. Spinny. It’s a vehicle buy, sell and upgrade platform. And they use not one or two but three ex-cricketers. Tendulkar, Kumble and Yuvraj. I am not even getting into if the brand personalities match but I did not even get what the product is or how it is different from other vehicle resell platforms. And seriously, does the brand want us to believe that these three are the best of friends who would be going for long drives in ordinary vehicles?
Those of you who read my last column here, will remember that I had singled out the Dream 11 ad as a stand out. It’s follow up ads are also very well done. I think that amidst a clutter of fantasy sports brands, it’s Dream 11 advertising which has positioned the brand brilliantly. The others, inspite of using celebrities, are a haze of similar sounding and similar offering brands.
I had asked my readers to revert with their comments on the Ranveer Singh Pepsi ad. Some who responded, mostly GenZ, gave it a thums up. I think it’s a good ad, could have been better, but Pepsi has finally found a celebrity which matches its brand persona. Frankly, I wonder what took them so long. I always slotted, Ranvir as the Pepsi type of a guy.
Then there is the new Rupay Visa card ad. A very good example of story telling while communicating the product proposition. Well crafted, good stimulus and sustains interest. Watch it here.
In a similar vein is the new Maaza ad with Amitabh Bachchan. I thought the second ad in the series, worked very well. It sticks to the product benefit. It uses the personality of Mr. Bachchan and very nicely superimpose it onto the brand and in an interesting way also takes care of the target groups desired response. Here it is.
Last IPL, Tata the key moneybags of the tournament, had launched the Tata Neu super app. While the product got a lot of flak and the consumer experience was not as great as thought, the communication has not disappointed. Even this year, the peppy, making shopping an enjoyable experience, the ads have focused on the story of Neu coins helping you buy more. The short stories have good humour and they have focused on the product proposition interestingly.
Just when one thought that things were looking up, I came across this ad for Happilo. So, you are an official sponsor. You can use some cricketers. Their availability is an issue. They maybe cannot act or emote. What does one do? Use them in a song and dance. Use them against a chroma background. Superimpose the shots with some tech wizardy. Get a rap sounding song. Highlight all benefits in the lyrics. Use some GenZ typical words or phrases. Let the brand name be mouthed in direct proportion to the number of seconds that the celebrities can speak. Voila! You have an ad.
Can it be worse? Yes, watch this Ceat tyre ad with three cricketers.
I am bailing out. Need a release from all these ads.
So, next week I am off to watch a match. Maybe it’s better to be a prisoner in the colosseum of a stadium rather than in my TV room. Will keep you all posted.