Category: ADVERTISING

  • Brandniti+Design plans national & global expansion

    By A Correspondent

     

    Brandniti+Design has announced its decision to spread its wings across the country and internationally. Speaking on this occasion, Founder Director Haresh Motirale said: “Keeping in pace with changing time, Brandniti+Design has taken a conscious call to be on top of the game by expanding its domain and collaborating. The agency is exploring international synergy to expand its offerings in the fields of CRM, AI, E-commerce cloud technology and Listening/Monitoring services. In India, we plan to expand our regional businesses in Pune and Bangalore markets. Internationally too, we are planning to open our business in Dubai and Singapore markets.”

     

    Added Smita Thorat, also Founder Director: “It’s surely an exciting time for the communications industry where each new day marks a new change and only those will remain in the run that can adapt, adjust and grow. Brandniti+Design is definitely one such agency, which has stood strong against odds and is emerging stronger at a heartening rate withstanding the challenges and test of times. We are looking towards consolidating our position not only regionally but internationally too”.

     

     

  • Kyoorius announces keynotes for fourth edition of Melt

    By A Correspondent

     

    Zee Melt has announced the fourth edition of the event that will take place on May 30 and 31, 2018. The two-day festival will be held at NSCI, Mumbai and feature leading industry persons.

     

    The speakers include:

    :: Chuck Porter: Co-Founder & Chairman, CP&B and author

    :: Fernando Machado: Head of Brand Marketing, Burger King.

    :: Tom Fishburne: Veteran marketer and cartoonist

    :: Tom Goodwin: Executive Vice President and head of innovation, Zenith Media

    :: AnindyaGhose:  Leonard N. Stern School of Business

    :: Mark Shayler: Author, Trainer

    :: Matthew Quint - Director, Center on Global Brand Leadership – Columbia Business School

     

    Speaking about Zee Melt 2018, Rajesh Kejriwal, Founder and CEO, Kyoorius, said: “Zee Melt continues to march forward with its focus on bringing the biggest and the creative minds together on one platform and change the way marketing is perceived. Year after year, we look forward to unfold a highly-energized and knowledge driven convention. Having such notable speakers on-board for the sessions fortifies this objective and we are certain this edition will add immense value to all the attendees.”

     

     

  • DigitasLBi to now be called Digitas

    By A Correspondent

     

    Five years after the merger between Digitas and LBi, DigitasLBi has announced it will drop the LBi from its name, returning to the name Digitas. Since 2013, the two agencies have integrated to form a global network focused in mission, purpose, and culture, notes a communique.

     

    Said Michael Kahn, Global Brand President, Digitas: “Digitas is a brand of unrivaled passion and diversity of talent, all under one roof. We now take the world stage united in name, in belief, and in the unique value we bring to our employees, to clients, and to Publicis Groupe. With ‘Truth. Connection. Wonder.’ as our strategic guidepost for the work we do, the people who do it, and the culture that enables it, we believe we’re positioning Digitas for sustainable growth in 2018 and beyond.”

     

     

  • Mindshare India solidifies leadership team to drive business

    By A Correspondent

     

    Mindshare has announced further organisational restructuring.

     

    Ruchi Mathur who was responsible for growth with Mindshare – North now has an expanded remit as Senior Vice President, Client Leadership, Mindshare North & East. Mathur will work with Amin Lakhani, President – Client Leadership India in her new role.

     

    Meanwhile, Saket Sinha will work with Prasanth Kumar, CEO, Mindshare South Asia, and lead m/six India as Senior Vice President, Client Leadership, m/Six India, focusing exclusively on growing and leading the brand.

     

    Speaking on the elevations, Prasanth Kumar, CEO, Mindshare South Asia, said: “Ruchi and Saket are both dynamic leaders with strong networks in the market, as well as with consumers and clients. We are very excited with the opportunities across the landscape and we are sure that the army of leadership we have in the organisation will produce great results to our clients and therefore a successful journey for us.”

     

     

  • Foxy Moron appoints Karthik Hariharan to lead Bangalore office

    By A Correspondent

     

    FoxyMoron has roped in Karthik Hariharan to spearhead its South division based in Bengaluru. Prior to FoxyMoron, Hariharanwas leading a portfolio of key accounts at Leo Burnett Orchard for over two years.

     

    Commenting on the appointment, Suveer Bajaj, Co-founder, FoxyMoron said: “We are excited to welcome Karthik to head our business in the South. Having worked in leadership roles across various integrated business lines, Karthik’s skill and experience will be a perfect fit to the FoxyMoron repertoire. Karthik’s solid understanding on how brands are built will now translate beautifully on digital, specially complimenting the nature of our business.

     

     

  • Triton Communications appoints Ashutosh Sawhney as CEO

    By A Correspondent

     

    Ashutosh Sawhney

    Triton Communications has announced the appointment of Ashutosh Sawhney as CEO of its operations across India.

     

    As part of his new role, Sawhney will focus on strengthening Triton’s value proposition to its clients, expand the business, collaborate with new clients and oversee the agency’s teams across offices in Mumbai, Delhi, Ahmedabad and Bangalore. The CEO is tasked with creating a vibrant new culture that is conducive to producing great advertising and communication.

     

    Said Munawar Syed, Co-founder of Triton: “We are confident that Ashutosh will provide the kind of leadership that nurtures and builds on the spirit of Triton, while fast-tracking the agency to meet  the new challenges of consumer-led marketing and integrated strategies that are driving brands today.  He brings with him rich experience in creative thinking and brand building, and will therefore be well placed to contribute meaningfully to our client’s marketing needs.”

     

    Commenting with his characteristic candour, Co-founder Ali Merchant said: “Ashutosh possesses the zest, knowledge and creativity to lead Triton’s communications business. He is young and understands the market dynamics of this challenging industry. We wish him the very best and are certain that under his leadership Triton Communications will continue to contribute significantly to our clients’ business, and continue to create the kind of path-breaking work that has been Triton’s legacy for the past 26 years.”

     

     

  • Livpure lays importance on the need to save water via #CuttingPaani

    By A Correspondent

     

    Livpure has unveiled its latest campaign #CuttingPaani. Based on the concept of Cutting Chai, a unique culture in India, this campaign brings focus on the very fact that if the quench is of half a glass then one should only take half a glass of water.

     

    Conceptualised by Famous Innovations, the three films developed portray varied scenarios which are both indoor and outdoor, namely, an office setting, a café and inside a home. The production values are high and the setup is natural establishing the concept of #CuttingPaani and amplifying the fact of optimizing usage of water by taking only what is required. The tagline of the campaign is – Agar pyaas cutting ki hui, toh full glass kyun? Bacha huya paani koi aur pee lega! The campaign intends to rope in relevant influencers to support the message of saving water.

     

    Commenting on the campaign, Sushil Matey, Director-Marketing, Livpure said: “According to Asian Development Bank’s forecast, by 2030, India will have a water deficit of 50 percent. Research also shows that 7 out of 10 people don’t finish their glass of water, which then goes to waste. Livpure was keen to draw attention to this hard reality in a simple and effective manner. Although, there have been very powerful campaigns to spread awareness about water conservation, very few gave practical and doable solutions. With #CuttingPaani campaign, we wanted to highlight the significance of drinking water judiciously. Digital, emerging as a favored medium of communication, we intend to go all out and spread the message far and wide.”

     

    Added Siddhartha Singh, CEO, Famous Innovations: “For any movement to galvanize we need a meaningful, actionable symbol that people can adopt in their everyday lives. Asking for #CuttingPaani represents just that. It’s a small step when you’re eating at a restaurant or visiting someone’s office, but it stands for a thoughtful and progressive mindset. We hope that people will feel proud when they consciously ask someone to give them only half a glass of water.”

     

     

  • Dream11 partners with Happy mcgarrybowen to unveil new brand identity

    By A Correspondent

     

    Happy mcgarrybowen has been roped in by Dream11 to create its new brand identity.

     

    Commenting on the rebranding exercise, Vikrant Mudaliar, CMO, Dream11 said: “We found Happy mcgarrybowen’s design strategy true to our brand’s ethos, and their experienced team came with a dynamic & youthful vibe – everything that we wanted to take our brand identity to the next

     

    Added Praveen Das, MD, Happy mcgarrybowen said: “We have a talented, seasoned and specialised design team that has been creating waves for quite a few clients in the recent past. We are very happy to put our best foot forward for Dream11 and we look forward to taking the brand places in the coming months.”

     

     

  • Prahlad Kakkar joins Creativeland as Creative Mentor

    By A Correspondent

     

    Prahlad Kakkar and Sajan RaJ Kurup

    Creativeland Asia has today brought on board veteran ad film director Prahlad Kakkar as Creative Mentor for the group.

     

    Kakkar’s Prahlad’s mandate includes creating training modules for creative teams across all levels and develop stronger storytelling, scriptwriting and film-making capabilities internally. He will be involved on strategic marketing communications projects as well. Kakkar will also play an active role in the content division Creativeland Pictures, which is gearing up to create more original content for OTT video platforms, after its first docu-series “The Legend of Jagannath” made its debut on Netflix last month.

     

    Said Sajan RaJ Kurup on bringing Kakkar on board: “I haven’t just opened the doors of Creativeland to a 70-year-old iconic person. I have opened my doors to a significant chapter in history of creativity in Indian advertising. Prahlad is an encyclopedia of creative anecdotes and tales of ingenuity. His wealth of experience and his notorious approach to ideas is of great value to Creativeland where we are now straddling between long and short format storytelling. I hope the combination of his white druid-like beard, child-like enthusiasm and taboo-free madness will rub-off in the corridors of Creativeland as a reminder that – age is an illusion, creativity is real.”

     

    Said Kakkar, on joining Creativeland Asia as a mentor: “I’m extremely delighted to work with Raj and his team of young creative mavericks. What sets Creativeland Asia apart is their hunger for taking the path least taken. In a world where the importance of film making and creating original relevant content is taking precedence over traditional methods of ad making, I look at CLA as a breeding ground for great talent to groom and take on the world. I have spent the best part of my life teaching, training and guiding young talent and am looking forward to share my experience in this new innings.”

  • Goafest 2018 announces the National Geographic Green Award

    By A Correspondent

     

    For the second year running, National Geographic has collaborated with Goafest as its Green Partner to help make the confluence of nation’s best creative minds conscious about their campaigns, actions and impact on the environment. For the festival’s 13th edition, the channel this year has introduced a new award – The National Geographic Green Award, which recognizes creative work and campaigns on planet conservation.

     

    In line with National Geographic’s commitment towards inspiring people to care about the planet, the award will honour communication campaigns that highlight the efforts to save, reduce or re-use energy, water, plastic, wildlife and the environment in general.

     

    Speaking on this new initiative, Swati Mohan, Business Head, Fox Networks Group India, said: “This is the second year of our partnership with Goafest and we are delighted to introduce The National Geographic Green Award. National Geographic has been educating and inspiring people to care for the planet since 1888 through impactful storytelling. The festival has provided us with a perfect platform to recognize the creative work of agencies who are working in the same direction. This is another step towards our endeavour to inspire people to protect our planet. We are looking forward to see country’s best creative minds, spreading this important message through their work.”

     

    Speaking on the partnership, Ashish Bhasin, Chairman, Goafest, said: “We are delighted that National Geographic is continuing their association with Goafest as ‘Green Partners’ for Goafest 2018. This year keeping in mind the need for growing environmental awareness, a special award category- ‘National Geographic Green Award’ will be launched for the first time by National Geographic at Goafest. Several initiatives, including carpooling, calculating the environmental footprint, effective waste management and many others are planned to ensure that the festival goes green. We request our industry to participate and support this cause. Together, we can at least make a small difference by making Goafest Green”.

     

     

  • Glory days again for Abby: Ajay Kakar

     

    Every award generates controversies, but if there was an award for the award with the maximum number of controversies and murmurs, it would undoubtedly go to the Creative Abby, part of the annual Goafest conference held every summer in Goa. The Abby Awards have lost sheen over the years because of the absence of two key agency networks – the Mullen Lowe Lintas Group and Ogilvy. And then there have been disputes about plagiarism and scam ads winning big. While the processes have been cleansed over the years and there have been attempts to enthuse the naysayers to participate, this year, the Advertising Club and the Goafest Organising Committee have taken a quantum leap to change things. To start  with, they appointed Ajay Kakar, Chief Marketing Officer with Aditya Birla Capital (eka Aditya Birla Financial Services) who has witnessed the Abby in its glory days and also see it dip in equity. More importantly, he is an active marketer, spends a fair bit on advertising, and has led the Ad Club’s Effies Organising Committee which, interestingly, sees the participation of all agencies (save those with global mandates to stay away from all awards, including Cannes Lions). In an exclusive face-to-face interview (as against one over mail or phone), Ajay Kakar speaks to Pradyuman Maheshwari on the decisions he has taken, the thought behind the Master Jury and Jury of Masters, and whether he expects the cleansing will help bring back those who’ve been staying away for a while. Read on….

     

    Life’s been smooth sailing for you. Great job, the very visible Aditya Birla Capital campaign, a steady work-life balance and then you took on possibly the most controversial and thankless task in the country – chairing the Abby Awards Governing Council. Why?

    I have had the opportunity of chairing the Effies for five years. I have been on the Managing Committee of the Advertising Club for many years and I am fortunate for that.

    Having spent many years in advertising, though the last 12 have years I’ve been a client, I have realized that no marketer can be successful without successful partnerships [with advertising professionals]. But for that you have to literally encourage and excite each other. You have to be at each other’s celebrations and each other’s sorrows and that’s possibly been my motivator. I know awards are important because they recognise creativity, they recognise success. They recognise the best among the best. If I am part of the relationship, if I am dependent on this relationship for my success, I must partner this part of the industry.

     

    But while the Effies are a huge success with the Big 2 participating in it, in the Abby, it’s not just Ogilvy and Lowe absent but a large number of agencies don’t enter.

    I must confessthe day I went back home and told my family that I have been honoured with the post of the Chairman of the Awards Governing Council, my son’s first and only reaction was that I was being suicidal. It made me think for a second and I told myself that it’s an after-hours job. It’s demanding and possibly been a thankless job for various reasonsin the memorable past. But there was an opportunity to change things. I must thank VikramSakhuja, the President of the Advertising Club, to get me to do this. He also gave me a very clear and open mandate. His said let’s do whatever needs to be done. Because he agreed with me that in it’s 50th year, the Abbysare remembered more for the past than for the current.

     

    You also did something suicidal for the Ad Club… reduced the number of categories thereby halving the revenues. And there are detractors who are telling us that many more agencies are staying away this year resulting in the Goafest Abby not getting as many entries…

    So we had two options. One is to tinker around with the past. I could subtract a few categories, redefine some and we would have had yet another year which would have more of the same. Actually, last year, was a success and I don’t think there was any perceived gap in Abby 2017. Soone could just do a little more and be home and dry.  But when one sat back and recollected conversations from the past and when I said the common feeling is that the Abby is remembered more for the past than the present. Somewhere the Abbywas lacking the sheen it had in the past. It was not held in the same high esteem it held in the past where the Abby Award had a pride of place in the mantle of ad agencies and CEO of ad agencies. So we decided we won’t stay with status quo.

    I believe an Award is as good as the people who judge it. And therefore in the past there have been observations that this jury member has not won an Award so how can he judge someone else. So that became a starting point for us. What if we had a Jury of Masters. Whetherit’s the Creative Abby. Whether it’s the Media Abby.Or whether it’s the Specialist Abby or the Craft Abby. Can we have a jury of Masters of their Craft. Undisputed masters. So when you win an Abby, you know it’s been judged by the Master Jury. And, god forbid if I lose, I shrug my shoulders and I say that this jury of Masters believes that I shouldn’t win. Then who am I to question?

     

    But you have people from agencies who have not participated in the Abby in the recent past. In the past, jury members have had to have their agencies sending entries. You’ve changed that rule too?

    Yes, so the clear direction was to ensure that the jury members were very credible because they were masters of their craft. People who have themselves earned and won recognition both in India or on the world stage. Therefore we looked at people who could become the benchmark of creativity as far as our industry is concerned. So, like I said, if you look at the Creative Abby and the 15 members of Master Jury on the one hand or if you look at Jury of Masters of the Media Abby or Broadcaster Abby or our Direct Abby. You look at the Digital Abby. You look at jury members that we have for each of these. And I am confident that everyone has only word to say: wow!

     

    But while we have people from Lowe on the Master Jury, which also doesn’t participate, but there’s no one from Ogilvy though former NCD Abhijit Awasthi is in the list.

    I believe that an award is as good as the people who judge it. Therefore, from the very outset, we were clear that we wanted the best of best to judge Abby Awards 2018. Masters of the art. Masters of the craft.

    And from there emerged our ‘Jury of Masters’ strategy. You will see this strategy manifest across all the categories of the Abby Awards 2018, be it Creative, Media, all the Specialist categories and the Craft categories.

    In the case of the Creative Abbys, we decided to form a Master Jury that comprises 15 undisputed ‘maharathis’. We reached out to each of them, personally, in their personal capacity, requesting for their passion and time for their ‘first love’: advertising. To be an integral part of the Jury that decides and sets the creative standards for Abby Awards 2018 and the industry at large. While reaching out to these Masters,  we did not have any filters in mind. We did not wish to dilute our ambition to have only the best of best. We did not ask any of them whether their agency will be participating in the awards, or not.

    I believe that we are blessed to have every one of these celebrated masters, on board. They did not take a second before conveying their full support and commitment. Yes, we do have the likes of Amer and Arun, from agencies that have not participated in the past. We do have the likes of Bobby and Raj Deepak Das, from networks that have chosen to be off the awards circuit, globally, for this year. And we do also have the likes of Prasoon, Pops, Abhijeet, Aggie, Paddy, Senthil, Swati and Raj Kamble. I am extremely grateful to each of them who have selflessly agreed to partner and support the charter of Abby Awards 2018, to celebrate creative excellence.

     

    And do you have the blessings of Piyush Pandey?

    Piyush is a passionate well-wisher of the industry and an undying champion of creative excellence. But to know his personal views, who better to ask, than Piyush himself .

     

    Do you think it was easier for you to have achieved this because you are no longer an agency person.That you are a big spending advertiser so people possibly agreed to hear you out and accept the offer or rather couldn’t refuse.

    I have been blessed to know the fraternity in person and it’s a relationship I enjoyed over the years. So I am sure that the door-opener was easy for me as I just had to reach out to them. And they were kind enough to listen. But I think at theendof the day when you look at such senior people and what you requesting is for their time and their name.  I thinkit’s their commitment to the industry. Their commitment to Abby and their love for Abby that they have agreed to participate and give us their time and give us their passion and give us their name.

     

    Creative Gurus are known to have big egos, some with reason. You have selected 15 and there were a few who were not available for whatever reasons. But there a host of others who think they are big, and they possibly are. Do you think you would’ve upset them?

    If we have, my apologies. That’s not the intent and with such a talented industry, there are many to be signed on and many more that you could sign on. So, on one hand, yes, it’s possible that some people may have been missed out inadvertently and as I said my apologies but the intent was that those who wehave on  Board should be aboveboard and that has been our intent.

     

    One of the controversies that has been raging through many years is that there are many scam ads that win awards. In fact there were murmurs that some agencies may stay away this year because last year there were many scam ads winning big awards. How are you grappling with this problem?

    One of the Master Jury members did ask me for my interpretation of the Creative Abby Awards, and asked me to share it with all so that they are all on the same page. My belief is at the Abby Awards 2018 we want to celebrate creativity for brands. That will be our intent and thatis our brief to the Master Jury. Needless to say, they are Mastersof their art and they are the gatekeepers of the creative standards that they want for the Awards 2018. I know it’s in very safe hands this year.

     

    But are you okay with creativity that has just been created for the sake of awards?

    So we have created a definition which prescribes if a piece of work is eligible to be entered and we will go with definition.

     

    One is aware that entries have to signed off by clients, but in the past we have seen that advertisers do accept requests by the agencies to allow scam ads to happen. And clients don’t mind humouring their agencies and creative professionals…

    I will not be in a position to comment on what clients do and what clients don’t do. At the end of the day we have a check and balance and wehave auditors. As long as the work passes throughthat filter we are comfortable.

     

    But the auditors like KPMG or whosever will not know the reality… whether the ad is entered for an award or was it really published/ put up/ aired?

    So you know it’s like a bank which honours your cheque as long as the signature matches what they have on their records. They honour the cheques.  It is not for them to lift the corporate veil as they say to find out ‘did you give that signature voluntarily or not.’

     

    Are you happy with the way the Abbys Award 2018processes havegone thus far?

    Ithink the intent is to create a product which wins acceptance and recognition across the industry. My belief is that the product is good why will a consumer not buy it. This year, we are investing in the product and I think thanks to the Master Jury as far as the creative Abby is concerned and thanks to the jury of Masters as far as all the other categories are concerned. I feel we are very blessed this year and if you look at the juries who are going to set the standard. The members who are going to set the standards each of them is a role model himself.

     

    Bottomline: do you think that with this jury and all the changes that you have brought in, we will see an Ogilvy and Lowe back in the Creative Abby next year?

    I hope so. You have reminded me of a very important endorsement that we already have. We have heard of agencies who have not participated and they are big namesin their own right. But to have their creative captains, to have their creative chiefs delink the decision of their agency to participate in the awards with being associated with the awards as a member of the jury. So to have both the Lowe agencies with us, to have Leo Burnett with us, to have representatives of Publicis who aren’t participating worldwide in any form but they are part of our Master Jury. I think it’s an endorsement and indicator of their own desire to give shape and stature to Abbys.

     

    The key thing for them to come back is that you need to be there for the next three years to ensure that the improvements continue and standards are maintained.

    One step at a time. I think this year is where we have put our best foot forward and we have won immense support from the fraternity. The success of this year will help us build on a successful future year after year.

     

    I remember Balki saying that ideally clients should also be part of the jury because they know what works for brands and have a keen eye on creativity. Is this something that you may look at it in the future?

    Actually, there were many other features that we wanted to introduce. Many facets we wanted to introduce but somewhere we decide to restrain ourselves and said let’s look at first two or three big steps first. Like the creation of a Master Jury for the Creative Abby. The formation of a Jury for Masters for all categories of Abbys. The bringing back the Agency of the Year…

     

    Hmmm. The very controversial Agency of the Year!

    We have the Media Agency of the year.  We have Specialist Agency of the year. We have brought these back because that was anther reality that we have to accept at the end of the Abbys every member of the media carried the name of a winner but their definitions were  oftendifferent therefore the name of the  winner was possibly different.

     

    Are you going to have points being given for shortlist like at Cannes?

    Yes, we will have a clear points system which will help us rate an Agency of the Year based on the metals. It will be a transparent score that is available and so that all speculationsare put to rest. And it will be a transparent and a known currency that will be used to crown the King.

     

     

  • 157 finalists shortlisted for APAC Effie Awards

    By A Correspondent

     

    A total of 157 entries have emerged as finalists and will be contending for metals at the 2018 APAC Effie Awards. This year’ss awards are headed by the Awards Chairman, Charles Cadell of McCann Worldgroup, and eight Heads of Jury – David Porter of Unilever, Elaine Chum of Philips, Guan Hin Tay of J. Walter Thompson, Joanna Flint of Google, Rupen Desai of Edelman, Ruth Stubbs of iProspect, Sameer Desai of Mundipharma and Silas Lewis-Meilus of McDonald’s.

     

    Dominating the list this year is McCann Worldgroup with total of 33 finalists. This is followed by Ogilvy and Mather with 28 finalists and BBDO Network with 22 finalists.

     

    Said Cadell: “It is always inspiring to review work from across the Asia Pacific Region. The Jury this year had a challenging task in defining what represents the best of our business. We are proud to unveil the finalists for the 2018 APAC Effies and look forward to congratulating all winners at the awards gala.”