Category: ADVERTISING

  • Publicis wins a Gold & Silver at The Rx Club 2014 Awards

    By A Correspondent

     

    Adshop Publicis won a Gold and Silver at the recently held Rx Club Award in New York. Publics won Gold for its entry titled- ‘Diabetes anybody’s destiny’ and also won Silver for ‘Allergy leads to Asthma’. In addition to these awards, the team at Publicis won six more Awards of Excellence.

     

    The Rx Club Awards is one of the renowned international awards that recognizes creativity in healthcare advertising.

     

    Commenting on the awards, Mithun Roy, Executive Vice President & Branch Head, Publicis said, “The awards are a proof of the fact that the team here not just gives a fresh perspective to the therapy area but also brings a whole new way of looking at healthcare communications.”

     

    Sanjeev Chopra, Vice President, Publicis stated, “For effective healthcare communications, there are two critical factors – first, an in-depth knowledge of the disease and its treatment and second, understanding of HCPs as consumers. The Publicis team has the dual advantage as it comprises of people with sound healthcare background coupled with communication experience.”

     

    The Rx Club, New York, is judged by a reputed panel of renowned industry experts and is based solely on creativity. Like every year, this year’s judges’ panel also included leading creative resources from the global healthcare advertising industry including Ross Thomson, Gene Black, Grant King, Robin Shapiro and several others.

     

  • Grey India holds exhibition to showcase employees’ artworks

    By A Correspondent

     

    GREY group India believes in encouraging art, especially when it comes from its own employees. The agency is putting up its employee’s personal artwork on display in the office area, thereby providing a platform for the young artists to showcase their work and encourage creativity.

     

    Organized by the GREY INFOCELL, the agency’s information and knowledge resource centre, the exhibition is being called ‘Project Gallery – A pop-up presentation of creative work by the artists at GREY’. The types of art includes acrylic paint on canvas, watercolour paintings, pencil sketches, paper cut art, travel and wedding photography and digital manipulation art among others.

     

    The exhibition is open to all employees, stakeholders and guests. The agency has also invited all their holding clients to view the craft and nurture the young talent.

     

  • 99acres.com urges consumers to get checklist right in new campaign

    By A Correspondent

     

    99acres.com has unveiled its new TV commercial, “Sab Dekh Lijiye, Phir Ghar Lijiye”. Designed with the objective to establish the concept of ‘first check everything before you settle in’, the new 30 seconds TVC speaks of the numerous options provided by the portal to help consumers find the right house to match their needs.

     

    Conceptualised by JWT, the TVC opens with a contemporary husband-wife lying down comfortably on a sofa, and having a playful conversation about who they like. The husband asks his wife if she’s thinking about Kalyan. In a mesmerised tone answering yes, she asks “It’s Shobha that you’re thinking about right?” In complete awe of Shobha, he accepts that he finds Shobha lovely.

     

    While they continue to talk mother-in-law is shown over-hearing their conversation while chopping vegetables in the backdrop. The wife then quickly adds that while she loves Kalyan but she can’t stop thinking about Mahesh and Amrit. The husband tells her that she should stop checking out everyone. In spur of the moment the wife decidedly answers that she loves Amrit, the husband too agrees and says he loves Amrit too. A shocked mother-in-law bangs her head into the table, while it is revealed that ‘Kalyan’, ‘Shobha’, ‘Mahesh’, and ‘Amrit’, are actually names of apartments and residential societies and the couple is actually deciding on a house from the various options available on 99acres.com. Meanwhile a voice over suggests the viewers to check-out all their options before settling down on the house of their choice.

     

    Commenting on the campaign, Sumeet Singh, Senior Vice President- Marketing and Corporate Communications, Info Edge said, “With over 65,000 new listings posted every week on 99acres.com , the portal is able to cater to various needs of different types of consumers. We understand that buying a property is a big decision and to reach the best option, one has to go through or check-out many options. Through this campaign, we have used an entertaining plot to subtly inform our consumers to check all available options while looking for property and 99acres.com is a place where one can find maximum options.”

     

    The idea, Sumitra Sengupta, Vice President, JWT Delhi, says, “Was born when we examined what one has to do to avoid missing out. You need to check options.”

     

  • Wonder Cement launches campaign showcasing brand philosophy

    By A Correspondent

     

    Wonder Cement, part of the RK Marble Group has rolled out a campaign to communicate its new brand philosophy of ‘Ek Perfect Shuruaat’. The brand’s strategic intent was to own the moment of truth in consumers’ life which also happens to be the core of the brand’s existence. The philosophy is based on the strategic frame work of everything the organization does.

     

    The campaign is a robust 360 degree campaign owning the core brand idea across all mediums. The TVC has been conceptualized by Candid Creations and highlights the various emotional stages of a person’s life like marriage, first day at playschool, moving into a hostel for higher studies, first day at college, and laying of foundation stone for a new factory.

     

    Vivek Patni – Director, Wonder Cement said, “Cement as a category is seen as a commodity in general, but we don’t want our brand to be viewed that way. Hence, we have launched a series of TVC highlighting various significant stages in an individual’s life. The basic premise of our new campaign is connecting with the consumers emotionally which has been emphasized through the brand’s messaging Shuruaat Sahi Toh Har Baat Sahi.”

     

    Speaking about the campaign, Kiran Deohans – Creative Director, Candid Creations said, “Unlike other cement brands, Wonder Cement’s TVC doesn’t talk about the attributes of the product like strength, durability, hardness. Instead it showcases the important occasions that occurs in a person’s lifespan and reiterates the belief that well begun is half done”

     

    The campaign will be spread across threee months. The brand positioning will be further communicated by on-ground activation, print advertisements and radio commercials.

     

  • Qatar Airways comes on board as Presenting Sponsor of IPTL

    By A Correspondent

     

    Qatar Airways has teamed up with Coca-Cola International Premier Tennis League (IPTL) as the Presenting Sponsor for the inaugural edition of the event. The alliance with the Tennis League reiterates the airline’s strong commitment towards sponsoring key sporting events worldwide.

     

    The IPTL is the first of its kind initiative in tennis to encourage a competitive franchise-based competition. The League will travel to the cities of Manila, Singapore, New Delhi and Dubai featuring current and former ATP and WTA players in its inaugural season from 28 November until 13 December 2014.

     

    The strategic partnership will play a key role in connecting teams and sports fans from across the world to four countries in Asia to witness the much-awaited event. In its capacity as the Presenting Sponsor, Qatar Airways will be undertaking a series of on-ground activations to engage with tennis fans across the globe.

     

    Qatar Airways Group Chief Executive, His Excellency Akbar Al Baker said: “We are extremely excited about our partnership with the Coca-Cola International Premier Tennis League. At Qatar Airways, we have a long-standing history of associations with large-scale sporting events which allows us to connect with sporting fans and legendary sportsmen across the globe through our widespread global route network. Qatar Airways’ association with this event will further promote the game among the increasing fan base of tennis enthusiasts across the world.”

     

    Mahesh Bhupathi on behalf of IPTL said: “Qatar Airways’ legacy as a committed sponsor of global sports events is well known. We’re glad to partner with an award-winning airline like them as Presenting Sponsor and look forward to enjoying a long and fruitful association during and after the IPTL season.”

     

    Starting from the Philippines, the Tennis League will travel to Singapore and India before culminating in Dubai. In its inaugural season, the championship will feature renowned players such as Roger Federer, Novak Djokovic, Andy Murray, Serena Williams, Maria Sharapova and others playing for four tournament franchises – Manila Mavericks, Singapore Slammers, Micromax Indian Aces and the UAE Royals, that have been sponsored by corporates and leading sports legends.

     

  • The World is Flat, but Culture isn’t History

     

    By A Corespondent

     

    Consumer concerns about the erosion of cultural identity necessitates a new ‘Culturalisation’ approach to marketing communications, according to latest findings from VML Qais’ GenAsia  2014 pan-regional research.

     

    This year’s wave of GenAsia found that 75 percent of 36-60 year olds, and 70 percent of 18-35 year olds in India, fear for the ongoing erosion of traditional values.

     

     

     

    Some other interesting findings from Generation Asia on “Culturisation”

     

    General

    1. Society is far more progressive and tolerant now says 75% but at the same time another 72% say that while life has changed, family values remain the same

    2. Apart from its products, what a brand believes in and how much they know of my own ethos is important – 71%

    3. Foreign influences should be embraced, we can learn from other cultures say 72% but 75% want to stay loyal to tried and tested brands they know of

    4. 74% worry that the moral standards of society have become lower

     

    Beauty

    1. Beauty products with natural ingredients are better, especially ones which used to be home remedies – 85%

     

    Entertainment

    1. I prefer entertainment where I can bring my whole family along say 83%

     

    Fashion

    1. As long as I find clothes that suit my personality, I don’t care what label they are from – 76%

    2. I love buying brands that are unique – 65%

     

    Food

    1. Meal times are special occasions, we do try eat together as a family – 77%

    2. I am a creature of habit, I stick to food I like – 73%

     

    Travel

    1. Travelling to new places is a great way to learn about new cultures – 74%

     

    Luxury

    1. I choose luxury brands that reflect my own personality – 71%

    2. Luxury is being free to express my individuality – 70% 

     

    Conducted by WPP-owned VML Qais, GenAsia is the world’s largest attitudinal study on connected Asians.The study includes 34,000 respondents across 10 Asian markets. In 2014, the study looks into the 36-60-year-old segment (Power) adding to insights already collated for the 18-35 (Potential) demographic. In India, the study covers 2,000 respondents in the five cities of Mumbai, Delhi, Hyderabad, Bangalore and Chandigarh.

     

    The study uncovered that 72% of 36 to 60-year-olds and 77% of 18 to 35-year-olds like living in a world that is flat and imbibing from other cultures, however, there is a strong sense that development equals sameness. A surprising 77% of 18-35 year olds try to preserve cultural connections through family values.

     

     

     

    Indians are seeking a sense of identity and relevance, of ‘here’ rather than ‘anywhere’, rejecting the global homogeneity that too many are embracing. The ‘worldwide vanilla’ approach to everything represents a missed opportunitywhen so many consumers are craving relevance based upon cultural values.

     

    At the same time, they are open to learning from the world and adopting world formats, as long as they have a hint of their “own” in them. “This insight helps global brands looking to connect with Indian consumers think differently. Itis a new approach to marketing communications that we call ‘Culturalisation.’ This need to be able to talk to a generation’s cultural identity is what brands need to think about, instead ofendless discussions aroundGlobalisation versus Localisation,” explains Tripti Lochan, CEO of VML Qais.

     

    Findings showed that despite the generation gap between Potential and Power, both agreed but from very different directions. The older ‘Powers’ were raised with advertising that encouraged them to aspire to ‘international’ ideals, the younger ‘Potentials’ increasingly seek their own cultural place in the world.

     

    The study was launched in Mumbai and New Delhi with panel discussions. The Mumbai leg discussed how Culturisation is affecting women in India and their attitudes to multiple categories of beauty, love, communication, careerand fashion, given the findings: 74% women think that being in a marriage is only worth it if one is happy and 59% think love is over rated, marriages are about compromise; 62% women feel good looks makes a difference in career more than talent, whilst only 53% men think so.

     

    The all-women panelists were Anu Menon (aka Lola Kutty), Asha Hariharan (Beauty Expert), Charlotte Chunawala (Communications expert), Elizabeth Venkatraman (Senior VP, Marketing, Kotak Life Insurance), Megha Sarin (Fashion and Food blogger), NonitaKalra (Columnist and former Editor of Elle) and Vrushali Telang (Author and former Anchor).

     

    And in Delhi, the theme was on how Culturisation is impacting Parenting in India, given the findings: 91% of Delhi parents surveyed say their kids are the center of their lives, but only 60% rate their kids having fun as more important than them studying and 74% say they make sure everything in their kids’ lives is ‘arranged’ by them.

     

    The panelists were Jyotsna Ghoshal (Director Corporate Communications, Merck & Co.), Prasanto Roy (Writer/Speaker on Tech, Digital, Green, former President & Chief Editor Cyber Media Group),Ranu Kawatra, (Advisor, Edutopia),Sharmila Bakshi (Political Science teacher, Vasant Valley School), Sumit Vohra (CEO & Founder, AdmissionsNursery.com) and Swati Bhattacharya (former NCD of JWT now leading Dentsu’s Mama Labs).

     

  • So Sorry series bags Gold at the 5th Asian Digital Media Awards 2014

    By A Correspondent

     

    The India Today Group’s pioneering animated ‘So Sorry’ series of politoons added one more feather to the cap by winning the Gold for Best Online Videos at the 5th Asian Digital Media Awards 2014 held in Singapore. The event organized by the World Association of Newspapers and News Publishers (WAN-IFRA) had participation by media companies from over 30 countries.

     

    The prestigious awards are recognition of outstanding work in the fields of news website, online video, data visualization, multimedia campaign, mobile services, tablet publishing, reader engagement and outstanding new product in Asia.

     

    Speaking on the award, Ashish Bagga, Group CEO– India Today Group said, “The So Sorry series stands out not just for the cutting edge animation but also for the humour and simplicity with which it mirrors the present day developments in Indian politics. I congratulate the entire team for adding one more award to their ever expanding tally.”

     

    ‘So Sorry’ is a an informal entertainment and graphically cutting edge show that is a lighter reflection of the Great Indian Political Tamasha which has been running through the television channels, digital, web and mobile platforms of the India Today Group. This one of its kind, political Satire on Television uses humour and wit to reflect on the political landscape, making it relatable to the common man.

     

  • AdStrat: WagonR taps ‘Smart’ customers with latest campaign

    The new TVC campaign for WagonR created by Dentsu Creative Impact aims to reinforce the brand’s core proposition of SMART by taking a thought leadership stance. The TVC running on air across channels showcases the smart WagonR owner as someone who is forward looking, enterprising, has a problem solving capability along with a strong sense of responsibility.

     

    Campaign Objective:

    Strengthen the core proposition of ‘Smart’ while staying true to its leadership stance.

     

    Campaign Idea – WagonR. For the Smarter Race

    The TVC showcases the smart WagonR owner as someone who is forward looking, enterprising, has a problem solving capability along with a strong sense of responsibility. The WagonR owner is shown as creating a win-win situation in a heartwarming way for otherwise, two distinct worlds.

     

    CreativeSpeak:

    Amit Wadhwa, Branch Head, Dentsu Creative Impact –

    “Being a leader brand, it becomes imperative for WagonR to build on its ideology and showcase a fresh perspective while drawing from its core of smart. With this campaign, the intent was to showcase the brand’s POV through a strong consumer insight which is relatable and has positive intent.”

     

  • Asian Paints launches ‘Varna Maalai’

    By A Correspondent

     

    Asian Paints joins Tamil Nadu in its preparation for Pongal this year with the launch of Tractor Emulsion ‘Varna Maalai’ – a special TV serial colour combination guide designed exclusively for the people of Tamil Nadu. This unique colour combination guide aims to help the people of Tamil Nadu in their decision making process when it comes to choosing colour combinations for their homes.

     

    Choosing the right colour combinations for our rooms is something everyone looks forward to when they paint their homes. This is an area where one is always looking for inspiration and guidance to make one’s home stand out. Keeping in mind the role TV plays in inspiring people, Asian Paints has innovatively associated with the three popular TV serials – Vaani Rani, Vamsam, Thendral and their three female leads – Radikaa Sarathkumar, Ramya Krishnan, Sruthi to showcase Tractor Emulsion’s wide range of bright, vibrant colours through a unique colour combination guide called “Varna Maalai”.

     

    Tractor Emulsion ‘Varna Maalai’ or ‘Garland of Colours’ contains different shades and colour combinations showcased in rooms from the TV serials including drawing room, dining room, bedroom, kitchen and puja room. The book has 60 different colour combination options to help people choose the right combination for their homes.

     

    Speaking on the launch, Amit Syngle, President-Sales, Marketing & Technology, Asian Paints Ltd said, “Painting is an integral part of beautifying one’s home during festive seasons and Tractor Emulsion ‘Varna Maalai’ is our endeavor to be part of Tamil Nadu’s preparation for this process before Pongal. The book is envisaged to help consumers in visualizing colour combinations for various rooms of their home and thus help them in their decision making.”

     

  • Taproot to get Dentsu identity. Exec Chairman Rohit Ohri eyes PR, Activation & regional creative shops

    By A Correspondent

     

    Rohit Ohri

    In August 2012, Japanese advertising major Dentsu acquired Taproot, the boutique creative agency set up by Agnello Dias and Santosh Padhi. Ever since Aggie and Paddy (as the Taproot co-founders  are called in the industry) have integrated into the Dentsu India system.

     

    They head the Creative Council that the network has set up in India and now jointly do business like the Congress campaign or for NourishCo, the Tata-Pepsi jv.

     

    Now, the Mumbai-based creative agency which has produced some awardwinning advertising since it was set up in early 2009 is all set to sport the Dentsu identity.

    When asked whether it would mean that a Dentsu will be prefixed or suffixed to the name, Mr Rohit Ohri, Executive Chairman, Dentsu India said in an interview to ‘dna of brands’ and MxMIndia: We’re working on the nomenclature. Taproot has a very unique culture and we didn’t want to destroy that.”

    Meanwhile, Mr Ohri also said in the interview that “there are very clearly some holes still left to be filled”. These “holes” are reference to PR and Activation agency, he said. In addition, the appetite for digital shops continues even after the WebChutney acquisition.

     

    And that’s not more. Citing the success of JWT’s success with Hyderabad’s Mindset, Mr Ohri has his eyes and ears open for regional biggies.

     

    See ‘dna of brands’ at: http://epaper.dnaindia.com/epapermain.aspx?pgNo=13&edcode=820009&eddate=2014-12-01

     

    Don’t miss the Rohit Ohri interview on MxMIndia tomorrow

     

  • Upclose with Rohit Ohri, Dentsu India

     

    By Pradyuman Maheshwari

     

    After 21 years at JWT, Rohit Ohri moved to head Dentsu India in mid-2011. A scuba diving and golf enthusiast, Mr Ohri completed three years at Dentsu in August this year. From an all-Japanese client set, today over 70 percent of his clients are homegrown.

     

    With Taproot and WebChutney in the fold, Mr Ohri is now looking at more acquisitions – Public Relations consultancies, Activation companies and even regional agencies. Excerpts from a freewheeling conversation with Rohit Ohri:

     

    Over two decades at JWT – 21, to be precise and now three years at Dentsu. How was the transition and the journey been thus far?

    Three years have been enormous in terms of learning. For 21 years in JWT, I learnt at a particular tempo and pace. Being the largest advertising agency in India, there are systems and processes which kind of work on their own and you don’t really need to do much around them. When I joined Dentsu, the entire organisation had to be built. From IT to HR to the talent and client management systems, all that had to be put into place. While the previous management did a pretty good job in terms of launching Dentsu in India and getting clients, the fundaments were pretty weak. One of the big things we needed to do was to put these in place. It wasn’t just a quick-fix to get the organisation back on track, it was really about transformation. In the three years, we’ve grown significantly. In 2013-14 we’re the fastest growing Dentsu branded agency in any country anywhere in the world.

     

    When you joined, it was a depleted set of accounts…

    After the previous management and the top bosses moved out, there wasn’t any Indian leadership. There was an exodus of Indian clients and a lot of the Japanese clients weren’t really happy with the instability in the agency. There were challenges on every count. All the Dentsu-branded agencies were in the red. When I joined, I didn’t realise how big the mess was, but I knew it needed much fixing. Eight-nine months is a huge time for an agency to lose a lot of its momentum and its business.

     

    The fact that you have to build afresh must have also been an opportunity for you to set up an all-new organisation.

    Yes, we built the whole agency again ground-up; I dipped into my years of experience at JWT, into what was the University of Advertising, and I was fortunate enough to pick out the things that would work and leave things that wouldn’t.

     

    As you look back, would you say joining Dentsu was the right decision?

    The amazing thing is when the news broke on my joining Dentsu, many people called and said: ‘Are you nuts?!’

     

    Some of us in the media also thought the same.

    (laughs) They said I must be crazy. If I waited little longer, I’d be the head of JWT! Why quit? Today, the same people say this was an inspired move!

     

    21 years at JWT is not a short time. Clearly, the path to ahead was known to you. If it wouldn’t be JWT directly, a Contract, etc?

    Yes, but it wasn’t defined. It would’ve been a zig-zag road and gone up there eventually, but I don’t think we had great clarity behind that at that particular time.

     

    Many people have left JWT in their prime. Wonder why.

    It’s different strokes for different people. I felt whenever I needed growth, JWT was able to provide me the space. When I was in Kolkata from just being an account executive to heading all of account management, I said I needed another opportunity and I was moved to Delhi to head of Pepsi. That was a fantastic time. I absolutely loved the seven years I spent as head of Pepsi, we did some of the finest work Pepsi has ever done in this market. That was hugely satisfying! Then I headed the Delhi office which was another huge challenge and hugely exciting. We grew rapidly and Delhi became the largest office of any agency in India and one of the most profitable offices of JWT worldwide. It was very strong and when I quit, we were at the peak. To me, it’s very important in life to time your exits and entries.

     

    But at the fag end of your JWT stint, there were some dampners like a bit of Pepsi and Airtel going to Taproot, right?

    Not really. When you look at the time when I’d left, it was a Rs 112 crore revenue for JWT Delhi office only, larger than many agencies put together! That time it was the fourth largest advertising agency in India as an independent office. We were growing very rapidly. To my mind, one of the big reasons to move out was not the slowing down of JWT, but it was about the opportunity.

     

    Did they try to hold you back?

    Yes, of course. There were other options to go abroad and at that time I wasn’t so keen on moving out of India.

     

    You had some fantastic clients you were virtually married to at JWT. Didn’t you think of bringing them to Dentsu?

    Not at all. While I had relationships with many clients, to my mind the most important thing was that I didn’t want to run before we could walk. The agency had to be built first to a particular strength and capability before you could take on a big client. You can get a client but you can lose a client even faster. In all fairness, Dentsu at that time had pretty big clients. Toyota, Maruti Suzuki, Honda, Panasonic, Hitachi, Canon, we haven’t lost any. When I joined we just had the Japanese clients.

     

    So you consolidated and then the Taproot acquisition.

    Aggie (Agnello Dias) and I worked together in JWT and while I was in JWT, he started Taproot and we lost one project in Pepsi and a bit of the Airtel business to him. We were on two sides of the fence in many ways. There was fierce competition. It’s amazing to think that in one lifetime, there was this great partnership when we were together and then we were on opposite sides of the fence.

     

    The perception was that Dentsu is a Japanese agency only for Japanese clients and the creative ideology is completely middle-of-the-road! To change all of that you needed a flaming torch. That would be an agency like Taproot and quite honestly, Dentsu had not even heard of TapRoot. The Japanese took my word and we agreed this was a great idea. At that time, I think, Aggie was already talking to some holding companies and pretty close to signing on the LOI. Everyone said the Japanese will take so long! But if they have an agreement in the plan and they believe your strategy is correct, the implementation is absolutely fast! Within 10 days they had an offer on Aggie’s table saying this is what we’re looking at.

     

    It was a huge high for you, a personal victory of sorts. Would you say that has been your biggest high in the last 3 years?

    Yes, the Taproot acquisition was a huge high. Suddenly the industry perception about what Dentsu wanted to do in India actually changed. Fundamentally, apart from the fact that we’ve done well on a business front, changing perceptions is the hardest part in the business.

     

    Taproot has been reasonably independent in the Dentsu fold. Any plans to change the name.

    You’ll see some changes going forward. It’ll become a Dentsu company, the Taproot brand will stay.

     

    A Dentsu in the prefix or suffix?

    We’re working on the nomenclature. Taproot has a very unique culture and we didn’t want to destroy that. You’ve got something for a specific value. There were different stages in the post-merger process. In the first stage, we kept it completely separate. In this stage, we started working together. We have a Creative Council and all creative guys work with them on certain group creative initiatives. Part 2 is we’ve started pitching for clients together. Because we’re working together, we use Taproot’s creative ability and you use Dentsu’s integrated thinking.

     

    This has been working very successfully over the last two years. I’ll give you an example. We’ve got NourishCo, a Tata and Pepsi joint venture. We handle all their businesses together. We have AkzoNobel here, ITC in Bangalore and we did the Congress business together. It’s a win-win situation for both.

     

    What about your existing creative agencies?

    We have four creative agencies: Taproot, Dentsu Communications, Dentsu Creative Impact and Dentsu Marcom. It’s not such a huge number because Dentsu Communications is roughly the same size as Taproot. If you look at just Dentsu brands, they’ve also grown on their own. In the South, we won TVS, we have MRF in Chennai, HT here and then we have Max, the agency has won a large number of clients on it’s own. The big thing has been Honda. We’ve seen enormous growth in Honda Motorcycles. Dentsu Creative Impact and Dentsu Marcom are doing very well. All of them are growing. To achieve 65 per cent growth, every single piece of that business has to deliver. All the engines have been firing. The idea is that the acquisition adds to the overall Dentsu strategy which is interconnected. The entire group benefits then, from that relationship.

     

    How about Dentsu Media?

    Ever since Divya Gupta has come on, we’ve made fair progress, a lot of it has been a challenge for us. This year has been spectacular for Dentsu Media. They’ve done really well.

     

    How’s the WebChutney acquisition doing?

    When I look at my overall strategy, I see that four or five years down the line, there won’t be separate digital and creative agencies. There will be one agency. Keeping creative excellence in mind, I was looking for a digital agency that also excelled in creative work. That’s been my greatest satisfaction to see the quality of work that WebChutney has done…

     

    Is that also going to be integrated in the system like Taproot?

    A lot of it is already happening. One of the big initiatives we’re doing for next year is that the creative agency and the digital agency will sit collocated, so WebChutney move in with the Dentsu brand agency.

     

    And one keeps hearing about more acquisitions coming up, are they the route that you looking at?

    I don’t think acquisitions is the strategy that we are following but we are looking at full-service integrated offering for clients. Here, we have a creative agency with a media agency and a digital agency coming together and creating a whole set of services, so there are very clearly some holes still left to be filled.

     

    Like?

    Like PR and Activation.

     

    PR and Activation, and anything else?

    And, of course, digital is one space we are continuously looking at.

     

    Any more creative agencies?

    Well, we are not closed to that, that’s all I can tell you right now.

     

    You are already have a large presence in Delhi, Mumbai and Bangalore. Why another creative agency?

    May be for geographic expansion. We were not there in Kolkata.

     

    Is there any business there?

    There is a fair amount of business in Kolkata, Ahmedabad and Hyderabad. JWT’s Mindset acquisition in Hyderabad has been quite a successful acquisition for them. So the opportunities exist…

     

    Lastly, a few months back, there were rumours that you were quitting.

    Yeah, I heard those rumours myself, but I did clarify very quickly. There is no truth in them, but people keep talking. The interesting thing is that when I speak to my colleagues outside India, they are absolutely amazed that people in advertising agencies in India get so much of media coverage.

     

  • AdStrat: DDB Mudra unveils second phase of Volkswagen’s Polo campaign

    Be it design, performance, safety or overall driving experience, Volkswagen has delighted India with one innovative, well-put-together car after another. Abiding by this communication, the first phase of the campaign positioned the New Polo as a refreshingly beautiful car to own and drive. The second installment of the New Polo campaign, DDB Mudra West has used the New Polo’s USP of ‘1.5L TDI engine’ to great use in its proposition: Power, when you need it.

     

    Challenge:

    Having established the New Polo as a refreshingly beautiful car to own and drive in the first phase of its communication, Volkswagen felt it was time to emphasize the performance of its powerful 1.5L TDI engine.

     

    Idea:

    With many refreshing additions on the inside and outside, the New Polo is a car to reckon with. It has a shiny new front grille, new sporty steering wheel, new alloy wheels, advanced multimedia console with steering-mounted controls and new dual-beam headlamps with cornering lights, among other things. But, most importantly, hauling it all is a powerful 1.5L TDI engine that generates an impressive 90PS horsepower and 230Nm of torque.

     

    The engine ensures that power and time are always on your side when you’re on the road. Perfect for today’s ‘get-it-done-yesterday’ world. Thus, was born the idea of ‘Power when you need it’.

     

    Creative Execution:

    The media roll-out consists of three sharply-executed 30-second TV commercials, along with a series of tongue-in-cheek print ads. Not to mention, exciting digital and outdoor implementations, in sync with the Volkswagen spirit of innovation.

     

    For instance, the first TV commercial features a husband, who forgets his anniversary but saves himself from his wife’s wrath after he manages to get her a gift just in time. Of course, thanks to the New Polo.

     

    In another commercial, a young man returns home at the end of a tiring day at work, when he gets a call from his girlfriend, reminding him that he was supposed to meet her at the movie theatre. Once again, the New Polo comes to his rescue.

     

    In the third commercial, a woman discovers that the man she has a crush on is single again. And, as luck would have it, he’s at a restaurant with some friends. The New Polo helps her rush to the restaurant just in time to meet him.

     

    CreativeSpeak:

    Rahul Mathew, Creative Head, Mudra West: “Car advertising has seldom taken power out of the hands of secret agents and rich playboys. But VW doesn’t make promises only for these privileged few. So, even something as explosive as power has a very relevant role in the everyday and that’s just what we sought to capture in our communication for the new Polo.”