Category: ADVERTISING

  • Dates for Goafest 2015 announced

    By A Correspondent

     

    Nakul Chopra
    Pratap Bose

    The Organizing Committee of Goafest 2015 have announced the dates of the event.Goafest 2015 will be held on April 9th, 10th and 11th. The venue will be Grand Hyatt, Bambolim and the event will be open for all the delegates on all the three days. The ABBYs will also be held on all the three days.

     

    The Committee also announced that Nakul Chopra- CE0, Publicis South Asia & Vice President of The Advertising Agencies Association of India (AAAI) will be the Chairman of Goafest 2015 and Pratap Bose- President of The Advertising Club will be the Chairman of the Awards Governing Council.

     

    Goafest 2015 will be in its 10th edition and this is the 8th year that AAAI and The Advertising Club will come together to deliver ABBYs, India’s definitive awards that celebrate creativity.

     

  • Ramesh Narayan: Takeaways from DigiAsia 2014

    By Ramesh Narayan

     

    Taiwan has always been at the cutting edge of technology, and Stan Shih the founder and Chairman of Acer is someone who can claim to be the father of the now-humble calculator and the desktop PC. The venerable icon of the computing era was a great choice to kick off Digi Asia, the new title curated by the Asian Federation of Advertising Associations (AFAA) in Taipei on November 12, 2014.

     

    So what were the key takeaways from this conference?

     

    While technology is something that has heralded awesome change in our lives, we seem to have arrived at a stage where we are no more limited by it. If at all we are only limited by our own imagination. The era of hi-tech is giving way to the era of hi-touch. It’s more about the user. What she does, what she wants, where she wants it and how she likes it. Yes, even the logo of Digi Asia used the words ‘technology” and “humanity” in it signaling the complete shift from tech to decoding the user.

     

    The smartphone is where the future wars for marketshare and mindshare will be fought. And the terrifying thing is that the future is today. Gone are the days of predicting trends. These are days of digital tracking and exhaustive analytics in real time. Research, as we know it. is being comprehensively re-defined. Large corporates already have war-rooms with multiple screens tracking online chatter, analysing it and feeding it to relevant stakeholders for immediate action. The brave young world populated by younger Asians, and definitely younger Indians are a whole new breed and legacy managers couldn’t even begin understanding their minds. The best they can do is set up ecosystems that encourage the younger team members to think freely, experiment and come up with solutions that would resonate with their own age groups in the market.

     

    Life as we know it, even in India will really change once less expensive smartphones flood the market and more efficient data platforms are put into place. Both these are not wistful propositions but very real possibilities in the next 12-18 months. Then it will be time to apply every digital learning to tap into the enormous changes that will be felt all across the Indian market. And that means the savvy marketer is already putting in place her strategy to cope with all this disruption.

     

    There will be dramatic consumer shifts both from PC to Mobile, or in our case, straight onto mobile. There will also be a move from TV to Online Videos. Advertisers would need to move from Display to Native and Online video content along with cross-format, cross-device offerings. And Data-Driven Programmatic Buying could well be the order of the day. And of course what India’s Neeraj Roy said about planning for the transactional economy was well appreciated.

     

    And finally, while content will rule, the enabler of content will necessarily be the power behind the throne. Yes, creativity will be more in demand that ever before. Creative thinking that creates content fine-tuned for the digital medium, not adapted from traditional media. And this creativity cannot stop with creating ideas that garner awareness and induce sales in the immediate term. It must dare to innovate in a manner that keeps the customer excited and engaged while carefully eliminating complexity out of the innovative matrix.

     

    So let’s look forward to a breed of mavericks who discard old rules with the disdain they deserve. Who become the choreographers of the narrative spaces for brands and who are given the time to indulge in personal social responsibility (PSR) that create ideas that are genuinely useful to their consumers.

     

    Veteran mediaperson Ramesh Narayan was part of the Indian delegation at Digi Asia 2014 held in Taiwan from November 11-14.  This report appeared in ‘dna of brands’ issue dated November 17, 2014.

     

  • OgilvyOne shines for India at DMA Echo Awards

    By A Correspondent

     

    At a gala ceremony held in San Diego on October 28, India’s OgilvyOneheld its head high as it bagged 4 DMA Echo awards (1 silver, 3 bronze) of the 9 metals that came India’s way. The DMA Echo awards are ranked among the oldest and most revered effectiveness awards on the international marketing calendar.

     

    An elated Vikram Menon, President and Country head, OgilvyOne India said, “This is wonderful not only for OgilvyOne but for India. What’s most delightful is that the wins have come for exciting work on some of our biggest clients – DuPont, Vodafone, Unilever and American Express. And we owe a large part of these wins to them.”

     

    Burzin Mehta, Sr Creative Director, OgilvyOne, Mumbai said, “An Echo win is extra special because of the rigorous nature of judging and the caliber of its international jury comprising marketing experts, clients and creative gurus. Few things are as rewarding as recognition from clients and peers alike.”

     

  • Berger Paints launches new TVC for Easy Clean

    By A Correspondent

     

    Berger Paints has launched its new ad campaign for its interior paint brand Easy Clean with the tag line ‘No Daag No Dhabba, Only beautiful walls’.

     

    The philosophy behind this new campaign is to break the clutter of the Washable Interior Paint category and position Easy Clean as a luxury emulsion that has been substantiated with Cross Linking Polymer (CLIP) technology which forms a non-permeate membrane. This does not allow the micro-particles to enter inside the paint film and makes it easy to clean.

     

    The idea here revolves around a simple insight that people want clean good looking walls and our walls tend to get dirty. And to get those clean walls they don’t want to take too much effort. They want the walls to get cleaned easily. The USP of Berger Easy Clean is the ease with which one can keep the walls clean even with the most stubborn stains.

     

    The advertisement shows some typical Indian situations and habits that end up staining the walls and how it is a hassle free cleaning with Berger Easy Clean. The ad uniquely portrays this with the proposition of ‘No Daag No Dhabba, Only Beautiful Walls’ where we see walls getting stained by regular activities of people and the ease at which the stained walls can be cleaned. The fact that Berger Easy Clean has CLIP Technology that forms a non-permeate membrane which doesn’t allow micro-particles to enter inside the paint film making it easier to clean the wall stains and keep the house looking fresh for years serves as the “Reason to Believe” (RTB) for this advertisement.

     

  • Impressive Jury list make Designomics Awards special

    By A Correspondent

     

    The Designomics Awards met with an outstanding response with not only the big guns taking home the spoils but also some new names being recognized for their innovative use of strategic design to enhance their business productivity. The awards were presented to business houses for the successful design execution under an array of categories including digital, product design, packaging and integrated design to name a few.

     

    One of the key reasons that the Designomics Awards have gained the credibility that they have has been due to the eminent panel of judges who adjudicate the case studies. The panel this year comprised Abhijit Bansod – Founder and Creative Director – Studio ABD; Ajai Chowdhry – Chairman & CEO – HCL Infosystems Ltd.; Anthony Lopez – Founder and CEO – Lopez Design; Ashish Mishra – Managing Director – Interbrand India; Bhaskar Das – CEO – Zee Group; Bhupal Ramnathkar – Founder and Managing Director – Umbrella Design; Dr. B.K. Chakravarthy – Professor – IDC IIT Bombay; Deepali Naair – Chief Marketing Officer – Club Mahindra Hospitality; Ektaa Aggarwal – Creative Director – Landor Associates; Latika Khosla – Founder Director – Freedom Tree Design; Mahesh Murthy – Founder – Pinstorm; Mayank Ruia – Director – Residential Business – The Phoenix Mills Ltd.; Neha Harlalka – Founder – NH1 Design; Neil Foley – Founder – Neil Foley Designs; Pradyumna Vyas – Director – National Institute of Design; Pramiti Madhavji – Editor-in-Chief – Elle Décor India; Ram Gudipati – Founder and Managing Director – Brand Harvest Consultancy; Ranjana Dani – Professor – H.O.D. Graphic Design – MIT Institute of Design; Shekhar Badve – Founder Director: Strategy & Marketing – Lokus Design Pvt Ltd; Shital Mehta – CEO – Pantaloons; Suresh Sethi – Vice President, Global Consumer Design Asia – Whirlpool Corporation; Tania Singh Khosla – Founder and Design Director – TSK design.

     

  • Why do Indian agencies turn a blind idea to Idea Thiefs?

     

    By Shephali Bhatt

     

    Caution:The tone of this article is slightly harsh. In our defence, if you are in advertising you had it coming.

     

    Under ordinary circumstances, you empathise with a victim. Not with the Indian advertising industry, at least not this time. Why not? Because for the longest while now, agencies who claim to be problem solvers haven’t figured out how to prevent a basic issue that mars their existence: the theft of ideas at pitches.

     

    A few weeks ago, we had an anonymous senior adman pen a much discussed column about idea theft. It’s this convenient thing clients do as agencies present their most ‘groundbreaking’ work. They adopt (read: steal) ideas that catch their fancy without so much as a by your leave.

     

     

    The Legalese Simplified

    – Ideas cannot be protected under any law pertaining to intellectual property rights (IPR).

    – Copyrights protect expression of an idea. Patents protect inventions.

    – But, an agency can enter into an agreement with a client whereby he’d be bound to keep information given at the time of pitching confidential.

    – While industries like cinema, music, photography have strong unions safeguarding the creative folks rights, ideas are not protected under IPR anywhere. Only its embodiment in a tangible form can be protected.

    – The best way forward for a creative in any field is to be wise about their sales pitch.

    – If you’re a lyricist, share a stanza; a musician, share a tune; a scriptwriter, share a chapter.

    – And if you’re an adman, show your past work to the client or sign an NDA before showing speculative work.

    – If you are desperate, God save you.

     

    Inputs by Rahul Chaudhry, managing partner at Lall Lahiri & Salhotra, an Intellectual Property law firm)

     

    Some other agency gets to work on the campaign and soon Agency No 1 is staring at a YouTube video, now gone viral, that keeps clocking like after like. Leaving its staffers seething in impotent rage and the desire to scrawl ‘Hey, this was my idea’ in the comments thread.

     

    If this sounds distressingly familiar, look no further than the mirror while trying to find people to blame. First, agencies don’t do their homework. All clients aren’t cut from the same righteous cloth.

     

    There are Bermuda Triangles of the marketing world, who have a reputation for idea shopping. It was something a large Indian conglomerate was frequently accused off especially given its close ties with a particular agency. But typically, such clients opt for whoever quotes the lowest. And yet, pitch after pitch, ad shops go in all guns blazing, their finest creative minds working overtime, effectively delivering their best ideas free of charge.

     

    Mostly, the idea gets mutated by the time it comes to fruition so the original agency often finds its ownership hard to prove. To quote a few instances, the preorder strategy, a digital queue for the launch of a fast food chain in India was supposedly presented by an agency that didn’t get the account.

     

    A knit-wear brand is notorious for idea shopping. A creative head remembers writing a campaign for the Ministry of Tourism once. He didn’t win the account but one of his lines showed up in the final campaign. 8 out of 10 creative directors have been on the receiving end of this unabashed thievery of ideas.

     

    On the other hand, there are the rare cases of magnanimous clients like VIP who compensated an agency for using a modified version of its brand name suggestion for a new line of women’s bags – Caprese.

     

    Idea theft, like many advertising grievances, isn’t confined to India. Remember the #ShareACoke campaign? A veteran adwallah told us that when the original idea (by O&M, Sydney) was adapted by another agency in a different market, the Australian network agency created a mini uproar and got compensated. Good for them if that’s what actually happened. And what do their Indian counterparts do? Nothing. Actually, they discuss it grudgingly over a pint or few of beer.

     

    So, next to nothing would be more like it. The conversation brings about life-altering thoughts like – If the client can make us sign an NDA (non-disclosure agreement), why can’t we do the same? Legally, they can. But with agencies shying away from asking for a meagre fee hike, the chances of them demanding an NDA are slim to none.

     

    With undercutting and declining margins, agencies are under so much pressure to achieve topline, they can’t afford to say no to any fresh stream of revenue or upset a marketer by bringing up the NDA. The last thing anyone wants is the reputation of being a difficult agency.

     

    “The irony of it all is that despite being the biggest supplier of ideas, we have no command over our own product,” laments Anil Nair, CEO and managing partner of L&K Saatchi & Saatchi. The client knows agencies are desperate for new business. If he is unscrupulous, he will take advantage of the situation. It’s a sign of a shortsighted client though, says Ajay Kakar, CMO, Aditya Birla Group – financial services, to relinquish Lord Krishna for his army. We know how that panned out.

     

    Nonetheless, it’s the agency network that should boycott such clients. So, why haven’t the doyens of this industry done anything to check these defaulters? “It’s because most of our senior leaders are on extension and they don’t give a damn about where this industry is headed,” says Satbir Singh, managing partner and CCO of Havas Worldwide India.

     

    You have people who should’ve retired two years ago, getting paid a crore annually. Why would they risk anything? Rather why do they need to risk it for something that in most cases doesn’t even concern them? Celebrated creatives are typically insulated from this phenomenon; it’s mainly the mid-level creative who often ends up feeling violated. Ideas are likely to build his career and the stuff histories are made of.

     

    The agency ecosystem needs to safeguard these or run the risk of losing talent to another industry (a fad plaguing advertising but that’s for another edition). The AAAI (Advertising Agencies Association of India) says it’s working towards protecting ideas.

     

    While the call for a pitch fee went nowhere – rumour has it that agencies keen to pitch coughed up the fee themselves – in the last few years; they are looking to revisit pitch guidelines along with the ISA (Indian Society of Advertisers), shares MG Parameswaran, the association’s president and the advisor to FCB Ulka.

     

    The NDA clause will be a part of the revised guidelines, we’re told. So, when do we get this revised charter, we ask? In about three to four months, says Nagesh Alai, chairman of the legal wing. Until then, and maybe even after then, it’s open season on ideas.

     

  • UTI Mutual Fund unveils new brand and corporate campaign

    By A Correspondent

     

    UTI Mutual Fund has launched a new brand and corporate campaign with the brand proposition “Haq, ek behtar Zindagi ka”.

     

    UTI Mutual Fund has worked with Contract Advertising to create a new brand identity that reflects both the brand’s heritage and its revived energy. The campaign has been initiated with the positioning of the brand to new as well as existing investors. The creative thought behind the advertisement was to showcase a “Slice of Life” moment, which can be related emotionally by a wide cross section of investors.

     

    The new brand proposition “Haq, ek behtar Zindagi ka” was arrived after conducting meticulous research and evaluation exercise to understand the role that mutual funds play in fulfilling the aspirations of an investor.

     

    Commenting on the new brand campaign, Leo Puri, Managing Director, UTI AMC said: “We are fortunate to have a very strong brand. An effective branding strategy helps us to promote recognition and set us apart from competition. Considering the transformation in the industry and changing investor profile, we have initiated this campaign which beautifully portrays our new brand proposition as well as our core vision.”

     

    The advertisement has been created by noted Advertising professional, Mr. Amit Sharma of Chrome Pictures.

     

  • Hyundai launches its first ever corporate campaign in India

    By A Correspondent

     

    Car major Hyundai Motor India Ltd has launched its first-ever corporate campaign focusing on India. Themed ‘Life is Brilliant’, the TVC is designed to strengthen the company’s connect with the Indian consumer, showcasing the role the car brand plays in uniting the family.

     

    Hyundai has successfully completed 16 years in India and has consolidated its position as a trendsetter brand in India in line with its brand slogan  “New thinking New Possibilities”, notes a communiqué.

     

    Said Managing Director and CEO B S Seo on its launch: “Hyundai’s endeavour of keeping customers first is reinforced with this corporate campaign that has India and its masses at its core. Our goal is not just to be the company that sells cars, but to be the ‘most loved brand’ – one that offers values and experiences that go far beyond our customer’s needs and expectations”.

     

  • Adstrat: DDB Mudra West unveils 12 Months Free Shopping Festival campaign

    Future Group is India’s first and largest independent homegrown pure-play retail group. With a pan-India presence and multiple store formats, which meet the everyday needs of millions of customers in India, Future Group helps them live a better quality of life every day. The group has grown and continues to grow on a simple belief to be a part of every consumption opportunity of the Indian consumer.

     

    The Objective

    With the onset of Diwali, the biggest shopping season that India witnesses, at a time when the customers open their wallets and indulge in purchase – be it fashion, electronics, food, home fashion, kitchen goods, or even gifting, Future Group decided to bring all their different store formats from Big Bazaar, Food Bazaar, FBB, Central, Ezone, Home Town, Brand Factory and ‘I am In’ into a common platform where customers can benefit from their purchase across the entire portfolio of Future Group stores and promote cross purchase between stores.

     

    The Brief

    To communicate to the audience to shop at any Future Group store of their choice, to get never before cash back and benefits. This could be encashed on a monthly basis or for the entire year at any of the Future Group Store.

     

    The Idea

    The festive season is upon us. A time for weddings, Diwali celebrations, moving into a new house, purchase new vehicles, renovating shops and what have you. In short, a time when most people in India go on a shopping spree. Future Group’s ‘The 12 Months Free Shopping Festival’ debuts at this opportune time. The creative idea then was to showcase this frenzy of shopping, which is further heightened by the exciting shopping schemes tied to this shopping festival.

     

    The Execution:

    Teasers

    The temptations of shopping during the festive season are all around us. Be it for Diwali, a wedding in the family or moving into a new home. So, the creatives depicted people abstaining from shopping or not letting others shop, in three different settings that reflect the aforementioned occasions. Because they’d rather wait till 1st October when The 12 Months Free Shopping Festival kicks-off – in order to plunge headfirst into a shopping binge.

     

    Main Films

    In the reveal films, it shows ‘The 12 Months Free Shopping Festival’ has begun, and a roving camera catching people red-handed with a massive amount of big ticket purchases. They are seen offering unconvincing reasons to the camera (in a sing-song) for doing so. A recurring chorus, however, calls their bluff throughout. Because the real reason is, of course, the exciting shopping schemes offered at this mega event. Towards the end, the shopping scheme itself is depicted with a unique Hammer Game device as seen in amusement parks. All this, set to a peppy tune.

     

    Commenting on the campaign, Akshay Mehrotra, Chief Marketing Officer, Big Bazaar, said, “We believe ‘The 12 Months Free Shopping Festival’ is among the most powerful ideas from the Group and will form a unique and valuable year-long relationship with our customers. The festive season is a time for family shopping; our customers can shop from all our categories for every family member and get rewarded by getting free shopping benefits through the next 12 months of the year. ‘The 12 Months Free Shopping Festival’ is the biggest reward program ever launched for our customers and this campaign communicates the uniqueness and value proposition of ‘The 12 Months Free Shopping Festival’ to people.”

     

    Sonal Dabral

    Speaking about the campaign, Sonal Dabral, Chairman and Chief Creative Officer, DDB Mudra Group, said, “An exciting, high energy and truly creative festival needs to have an equally creative and high energy creative communication idea. That’s exactly what we delivered with this campaign.”

     

  • Digital L&K Saatchi & Saatchi announces key appointments

    By A Correspondent

     

    Anil K Nair
    Anil K Nair
    Arunima Singh

    Commenting on the new appointments, Anil K Nair CEO, Digital L&K Saatchi & Saatchi said, “Sandeep Sarma brings a healthy mix of traditional brand knowledge and digital planning skill sets to head and consult a few strategic business units at Digital L&K Saatchi & Saatchi. Arunima Singh is an out and out digital native having worked in various aspects of the digital industry. A strong leader, she will be leading and building quite a few cutting edge digital led engagement initiatives for us.”

     

    Sandeep has over 10 years of rich experience in digital and has worked with Times Internet, Zapak.com and RK SWAMY BBDO on brands like P&G India, Mars India, Mercedes-Benz India, LIC, Raymond, Pepsi, Axe. Arunima Singh brings with her 12 years of experience and has previously worked with Social Wavelength (JWT) and Sobhagya Advertising Agency on brands such as Magma Fincorp, Dr. Batra’s, Force Motors, Kotak Mahindra, HUL, Skyscape, Apollo Clinics, Rajiv Gandhi International Airport, Tata Housing, Intel, Piramal, to name a few.

     

  • Dentsu-UNFPA join hands to launch CSR Advisory Services

    By A Correspondent

     

    Dentsu India’s social and development sector communication division, Citizen Dentsu, in partnership with UNFPA (United Nations Population Fund) India, launched CSR advisory services, to assist Corporates with their CSR planning and implementation. With this initiative, Dentsu India will be the first Ad and Communications firm to offer CSR services, along with a reputed implementation and monitoring partner, UNFPA India.

     

    The provisions of CSR Policy, notified under the Companies Act 2013 promises to be a historic milestone, as India becomes the first country in the world to bring social responsibility to the centre stage of corporate reporting framework. The real challenge, however, for the 6000-odd corporates above a certain size, who now will be required to plan, implement and report their CSR activities annually to their stakeholders, is really coming out of a familiar domain and diving deep into a much-talked-about, but fairly unchartered CSR territory.

     

    Citizen Dentsu, manned by a team of professionals, has years of experience in strategic communications for numerous development sector issues like child survival and safe motherhood, immunization, HIV and AIDS, education, water and sanitation and environment. Besides, Dentsu companies all over the world work on CSR initiatives for many of their global and local clients.

     

    Emphasising the respective roles of the two partners, Rohit Ohri, Executive Chairman, Dentsu India Group and CEO, Dentsu APAC, said, “While Citizen Dentsu will work closely with clients in strategizing and planning their CSR initiatives, helping clients extract the maximum through brand-CSR synergy, which we think company heads will be greatly interested in, UNFPA will provide technical support for projects undertaken by pre-evaluated and approved set of NGOs”.

     

    Frederika Meijer, Representative, United Nations Population Fund, India adds, “We have a range of CSR-ready projects that companies can partner on to meet their CSR commitments in India. More importantly, with UNFPA employing globally certified protocols to monitor and evaluate non-government and civil society organizations (NGOs), as well as their work, the CSR projects can be expected to be far more efficient and effective”. She believes that while there are thousands of field-level organizations ready to take up CSR projects, Citizen Dentsu’s experience with social and developmental projects in India and UNFPA’s inputs in terms of NGO selection and planning, monitoring and evaluation of projects, would be a clear and unique differentiator.

     

    Rajendra Singh from Citizen Dentsu and Rajat Ray from UNFPA India will be steering the partnership. With both being seasoned hands in brand and corporate advertising, as well as in handling development-led projects, it is easy to understand why they have been picked for the task.

     

  • McDowell’s #No.1 Yaari strikes a chord with viewers

    By A Correspondent

     

    McDowell’s No.1 has created another milestone as it announced the launch of the first seven minute musical – #No.1 Yaari. Capturing the essence of close friendships, the brand has released this campaign across several platforms to connect and engage with its consumers. The seven minute movie has gained popularity since its release last week especially with the song - ‘Aisi Waisi Dosti Nahi’ by Mohit Chauhan becoming very popular written by Sonal Dabral-Executive Creative Director and Chairman of DDB Mudra and directed by Anupam Mishra. The overall essence and message of the film – of close buddies, nostalgia and special moments resonates with the brand proposition of McDowell’s No. 1 hence the right fitment.

     

    McDowell’s No.1 has already created a huge burst through digital, cinema, radio as well as television to promote this film.

     

    Unnati Sinha

    “Real friendship is one of life’s strongest and most rewarding relationships. We’re very proud of our new McDowell’s No. 1 film that portrays real friendships that bind people together through the years. This is the first time that McDowell’s No1 had used a long musical narrative to communicate the brand proposition through nostalgia. Consumers and the trade have loved the film particularly as McDowell’s No. 1 is at the heart of their own special memories of celebration with their closest friends,” shared Unnati Sinha, Sr Vice President Marketing, United Spirits Limited.

     

    The campaign has received tremendous response digitally. Within 1 week of release, the campaign has received over 1.33 million views (Facebook + Youtube) and the number is only increasing. 9,500 people shared the campaign video on Facebook+Youtube. Also #No.1 Yaari video has received over 46,000 likes/comments on social media in constrains. This has been the biggest content campaigns for McDowell’s No.1 in India till date.

     

    Sonal Dabral

    Sonal Dabral- Chairman and Chief Creative Officer at DDB Mudra Group & lyricist for song ‘Aisi Waisi Dosti Nahi’ stated, “Beyond the transience of social networks, there is a friendship that is deep and genuine. I wrote the ‘#No1Yaari’ song as a tribute to such cherished, meaningful friendships that enrich our lives. ‘Aisee Waisi dosti nahin’ is exactly how I define these rare special friendships. It’s a track that will transport everyone to the wonderful moments that have made these friendships special and sure to bring a smile to their face, as it will remind them of their own No1 Yaari.”