Author: mxmadmin

  • Disney Star launches two new Hindi movie channels

    By Our Staff

     

    Disney Star network has announced the launch of two new Hindi movie channels, Star Gold Thrills and Star Gold Romance, under the Star Gold Network. The new channels will cater to diverse audiences and deliver content across genres. Star Gold Thrills and Star Gold Romance will be available for subscription starting 15th March 2023 across cable networks, HITS, IPTV and DTH platforms.

     

    Said, Kevin Vaz, Head – Network Entertainment Channels, Disney Star: “With the launch of Star Gold Thrills and Star Gold Romance, we now have a bouquet of five Hindi movie channels under the Star Gold brand umbrella, elevating Star Gold from a movie channel to a unified network of movie channels. Audiences today have a high interest in blockbuster movies from around the world, but language remains a barrier for many. Research highlights that 68% of TV-Movie audience expressed their preference for watching Hollywood movies in Hindi and we are happy to break the language barrier and present movies that our audiences want to watch with Star Gold Thrills. Female viewers consistently show a higher affinity for Hindi movies led by romance & drama, however there is not a single movies destination that caters to female audiences on TV. In fact, 98% of female TV-movie viewers would prefer a new Hindi movie channel dedicated to love and romance, and this makes Star Gold Romance a strong proposition.”

     

    Speaking on the launch of Star Gold Romance, Akshaye Widhani, CEO of Yash Raj Films added: “In India, the idea of love & romance is formed through the magical lens of cinema! And, for more than five decades, YRF movies have captivated India and Indians who have discovered various shades of love & also expressed and celebrated it in their relationships. Our iconic characters from timeless hits like Chandni, Dilwale Dulhania Le Jayenge, Mohabbatein, Dil To Pagal Hai, Rab Ne Bana Di Jodi, Kabhi Kabhie, etc. continue to spread joy among generations of fans. We are delighted that some of our cult blockbusters will now have a new home in – Star Gold Romance – India’s New destination on TV for Love, Warmth & Romance.”

     

  • India Today Conclave is back with its 20th edition

    By Our Staff

     

    India Today Conclave 2023 is back with its 20th edition. The conclave is being held in Delhi on March 17 and 18. It will be attended by top heads of state from the political, judicial, and entertainment worlds. PM Modi, Chief Justice DY Chandrachud, and film superstar Ramcharan will address the conclave. Others from various fields will also be a part of this event.

     

  • TV9 Network to host Financial Freedom Summit today (Mar 15)

    By Our Staff

     

    Money9, India’s first and only multimedia multilingual personal finance platform, promoted by TV9 Network, will host a day long Financial Freedom Summit (FFS) in Mumbai today.

     

    The Financial Freedom Summit (FFS) comes in the backdrop of India’s first independent country wide personal finance survey conducted by Money9 late last year.

     

    While India has made significant strides in its financial inclusion agenda during the last decade, the Money9 Personal Finance Survey found out that we were yet far away from achieving our true goal of financial freedom for 1.4 billion citizens of the country. The Survey also highlighted several other gap areas in the inclusion ecosystem.

     

    To bridge the gap, TV9 Financial Freedom Summit (FFS) has gathered top policy makers, BFSI leaders and regulators to deliberate through the day for a robust action plan.

     

    Anupriya Patel, Union Minister of State for Commerce and Industry, will deliver the inaugural address. Maharashtra deputy Chief Minister, Devendra Fadnavis, will deliver the valedictory address.

     

    Speaking about the Summit, Barun Das, MD & CEO, TV9 Network, said: “India has truly fast tracked the financial freedom agenda during the last decade. But given the gigantic inequity that we started with, we have yet a long road to traverse. TV9 Financial Freedom Summit is a modest effort to help identify bottlenecks and recommend a mitigation plan.”

     

    The day-long Summit will feature power sessions and theme keynotes to drive the financial inclusion agenda.

     

  • Sanjeev Kotnala: Some don’ts for use of multiple creatives

    By Sanjeev Kotnala

     

    Sanjeev KotnalaIn my earlier article, I wrote about using Multiple Creatives to enhance the impact and reach of the message. Many readers asked me- what should be avoided while creating multiple creatives and if there are some don’ts. Here is my answer based on my limited understanding as a consumer of such creative and long-time advertising experience as a marketer. Surprisingly, these do not restrict it to television or digital but operate on radio and print too and even outdoors.

     

    GOOD EXAMPLES OF THE USE OF MULTIPLE CREATIVES

    Some of the best examples of multiple creatives are Amazon Chonkpur ke Cheetahs, Tata Sky- 10 rupee ka chota recharge, CRED- celebrity series, Coke- Thanda Matlab Coca-cola. Make my trip- Ranveer- Alia series ( different situation- different message- same characters) and recent Samsonite- Tested like samsonite campaign- maybe the next one could be a boxer using it as a punching bag.

    They all have one thing in common- the message is single and straightforward though the brand uses different stations are used to deliver – amplify it. However, many times may be most of the times the greed of using multiple messaging weaved into the same storyline leads to ineffectiveness and early bor3dom, whereas one of the main reasons for multiple creatives is to keep the engagement to keep peaking with the release of the next creative.

    The creative usually is a judicious mix of Saam (The logic),  Daam (the price), Dand (a feeling of what one is missing by not using or having it) and Bhed (the differentiator or the doubt). It has multiple peak points and a single message. When Greed- Loobh or trying to add too many logical advantages to create a higher degree of  Bhed, the multiple creatives start losing their desired effect as boredom seeps in. The audience gets quickly bored as the space becomes predictable, and the involvement and engagement drop.

     

    The GREED of saying it all – HDFC LIFE – DHULA BHAAG GAYA

    The initial part DHULA BHAG GAYA is interesting as the story opener. The teaser was off course very interesting announcing the 22nd feb release.

     

    The start episode 1 was brilliant, making you curious about what happens next. But then, other than the reference to Delhi waali Buajee and the decorator refund, it meanders through forced situations that are forced for the brand-referenced logic and benefit to be tagged along. The end episode fizzles out as the audience have already tuned off. It is the greed of trying to put all the advantages in the creative series. Instead, the brand needed to force-prioritise a maximum of 2-3 propositions/advantages and maybe think of a campaign line as the brand line- Sar Uttah kar Jiyo is abrupt and not in sync with the story.

     

     

     

    The CENTRAL CHARACTER – Failure of choice- PAISA BAZAR

    When in multiple creative, a single character repeatedly appears as the story revolves around the main character Mr Excuse. It naturally starts representing the brand and becomes the protagonist- the brand’s voice. The situations used in the ads are good and very slice of life, but the person declining the loan is the same – hence almost becomes the brand voice. Whereas the brand wants to say simplified, readily available loan. The artist has delivered the expressions quite brilliantly in every situation; however, one proposes that It would have been better for the brand to invest a bit more into the artist and use a different one for each situation.

     

     

    NETNETMULTIPLE CREATIVE IS NOT ADVISABLE EVERY TIME.

    One must check out and try seeing the multiple creatives in totality, think carefully of the release strategy, sequencing and which one will be the frequency dominator. And maybe scientifically check the interest waxing and waning of the interest and the peak points of engagement before getting on the shoot or deciding the final set. In the absence of such a strict quality check- it will always be recommended to restrict the number of creatives and the number of messages being attempted.

     

     

  • Rasna launches Summer 2023 TVC campaign

    By Our Staff

     

    Rasna soft drink concentrate launches a new TVC at the onset of the Indian summer, with their favourite and highly recognised Rasna girl cheering to “We love you Rasna” alongside many guests attending a celebration in the TVC. 

     

    Commenting on the launch of the new TVC, Group Chairman of Rasna, Piruz Khambatta said: “The new Rasna TVC stands to set a benchmark in all our Rasna TV commercials, with our TVC’s enjoyed by millions in India and abroad. The key message being sent out by the brand is that Rasna is not just a product for children but can be enjoyed by consumers of all ages across demographics. Our aim is to reiterate the fact that Rasna products are enjoyed by consumers from urban cities to villages and everyone in between, whether it be a mid-aged lady or a teenage couple, Rasna is loved by everyone.”     

     

     

  • Lux Cozi ropes in Vijay Deverakonda as brand ambassador

    By Our Staff

     

    Lux Industries Limited, innerwear manufacturers, has roped in actor Vijay Deverakonda as the brand ambassador of Lux Cozi for the South market. It has launched a new 30-second TVC campaign titled ‘Super Feel’ created by Yellow Beetle Films.

     

    Said Ashok Todi, Chairman, Lux Industries: “Lux Cozi has witnessed remarkable growth since its inception and has been keeping a stronghold in the inner garment sector by its constant innovation and marketing strategies to connect with the audience. Being a consumer-driven brand, we believe in appointing brand ambassadors who help our customers connect better with us. We are confident that Vijay’s onboarding as an ambassador of Lux Cozi, will help us to collaborate better with our consumers in the South.”

     

    Added Deven Munjal, Director, Yellow Beetle Films: “While working on the ad, the only thing we focused on was the word ‘feel’.  Lux Cozi being an undergarment brand, has always focussed on comforting the consumers with a feel-good factor when one wears it. We curated the TVC keeping that in mind. We thoroughly enjoyed working with Vijay and making the TVC; we hope that it will be loved by every single consumer as well.”

     

  • What’s common to advertising & cricket

     

     

    By Ashoke Agarrwal

     

    Ashoke AgarrwalI am a student of both cricket and advertising.

     

    The cricketing season in India starts in the post-monsoon months and nears its end in the dog days of April with the IPL. As the different hues of cricket play out this year, the parallels between cricket and advertising strike me.

     

    Cricket is the only sport with three widely played versions – Tests, One-dayers (ODIs) and the T20s. The shorter versions – the ODIs and the T20s – are later versions of the game whose oldest form is the five-day Tests.

     

    Let’s think of advertising agencies as the players, their client brands as the team they play for, and the advertising campaigns the agency and the brand management create as the type of cricket match.

     

    Test matches are games of deep strategy akin to a game of chess—the results of a Test take days to unfold. A Test match might end without a winner, but with every Test, a player’s reputation is either enhanced or diminished.

     

    An advertising campaign akin to a Test match focuses on creating a long-term positioning and equity for the brand. Therefore, the campaign’s planning horizon is over the long term, measured in years. Like in cricket, in the “Mad Men” era of advertising – stretching from the 50s to the 80s – Test-type campaigns were the norm. In the Test match era of advertising, the client’s management considered their advertising agencies as brand custodians and partners and paid them as such. As a result, advertising agencies could afford to hire intellectual and creative talent that could deliver long-term results, setting up a virtuous cycle.

     

    In the late eighties, Wall Street replaced Madison Avenue as the valued partner of companies in the US. The phenomenon soon spread across the world. As a result, the planning horizon shrunk from years to the next quarter. And the era of the ODI began in advertising.

     

    Client management tasked agencies with creating ODI-type campaigns to deliver sales and results reflected in the next quarter’s financials. As a result, agencies took on the role of a vendor who supplied services to specifications set by the clients. As a result, agency compensation changed to reflect the new realities, and agency talent pools shallowed.

     

    With the digital age coming, the era of T20 in advertising dawned. Performance marketing became the new mantra, and the planning horizon shrank further from the quarter to the click of a like, share or buy button. Agencies became clickbait suppliers, and desk jockeys’ armies paid like wage earners while the platform behemoths like Facebook and Google ate everybody else’s lunch.

     

    Like in cricket, all three forms of advertising – Tests, ODI and T20 – continue to co-exist with Test and, lately, ODIs yielding market share to T20s.

     

    Like top-rung cricket players like Virat Kohli and Ben Stokes, who are superb at all three forms of cricket, a few super agencies play, and the brands they handle continue to create all three types of campaigns. But the preponderance of agencies and brands, driven by market realities, are becoming predominantly T20 players.

     

    The super agencies cross-pollinate the skills and capabilities practising all three forms of advertising. Test teams, like the current English team, win Tests playing “Baz Ball”, bringing the aggression of T20 to the Test arena. Super agencies can bring speed and accountability to long-term brand-building campaigns—or strategic nous to the daily toil of performance marketing.

     

    Over the next decade, AI is going to change many businesses. How will it change advertising? Will AI engines take over the quotidian tasks of the ODI and T20 kind of advertising? Will the business of advertising go back to being the fine art of positioning, building and nurturing brands over periods of years and decades? Will such agencies attract, once again, a new generation of brilliant strategic and creative minds?

     

    While we ponder advertising in the age of AI, let me give you a taste of why the much-ballyhooed generative AI technology is unlikely to replace true creativity in advertising in the near future. I asked Chat GPT to provide me with a 50-word mini-essay on “Why Advertising is like Cricket”. Here is the response.

     

    Advertising and Cricket both require strategy, patience, and a keen eye for opportunities. In cricket, a team must carefully plan their moves, adjust to changing conditions, and seize moments of weakness in their opponents. Similarly, in advertising, a brand must develop a clear strategy, adapt to changing consumer behaviors, and capitalize on emerging trends. Both cricket and advertising also rely on effective communication and teamwork to achieve their objectives. Finally, just as cricket has its own set of rules and regulations, advertising also operates within a set of guidelines and best practices to ensure fair play and positive outcomes for all involved.”

     

    Isn’t it as bland as can be? I suspect it would be the same answer if I replaced “Cricket” with any other team sport or “Advertising” with any other business service. Try it for yourselves. This proforma response is because the core of the current state-of-the-art generative AI bases its response on probability curves trained on static data without any actual capability to explore the context and synthesize creativity.

     

  • Das ka Dum with Dr Bhaskar Das | It was March 15 yesterday, and if we were to say ‘Beware the Ides of March’, what would we be referring to in A&M&E?

    Bhaskar DasWell, we should’ve figured that he couldn’t have offered any other response. Be that as it may, here’s Dr Bhaskar Das in the March 16 edition of Das ka Dum. Read on…

     

    If you wish to access the archives, please go to the Das Ka Dum tab on the website’s top navigation bar or click here: https://www.mxmindia.com/category/columns/das-ka-dum/

     

    Q. It was March 15 yesterday, and if we were to say ‘Beware the Ides of March’, what would we be referring to in A&M&E?

     

    A.The Ides of March falls on March 15 and it was the day in 44BC when Roman leader Julius Caesar was assassinated. Now the date may have been unlucky for Caesar, but how many gruesome/ unfortunate incidents have happened on that day. It’s said to be the day when one may have pay back one’s debts. But that, as we know, can happen any day to all of us. Let’s take A&M. The level of competition and complexities has gone up and the Ides can happen anytime. Accounts can go for a pitch, there could be realignment of resources. Annual adspend contracts may be suspended. Mind you, what’s bad fortune for someone, may be good news for some…

     

  • Kapil Dev to endorse QMS MAS as brand ambassador

    By Our Staff

     

    QMS MAS (Medical Allied Services), onboarded Kapil Dev as its brand ambassador. Continuing their association further, the platform has also rolled out their new advertisement Q Devices. The company provides customised scientific solutions for healthcare promotion to customers. 

     

    Speaking about the ad and the vision of the brand, Dr Guddi Makhija, the co-founder of QMS MAS, said: “As a company, we place the welfare of the customer above everything. Reliability, servicing, quality assurance and innovation are some of the core values of QMS MAS, and Kapil Dev is the true embodiment of these virtues. He was thus our first choice. We feel a strong sense of responsibility towards our customers and care deeply about their health and well-being, so we needed an icon with whom everyone could relate. We think the audience can connect with Kapil because of his warmth and confidence; this is very important for us as a brand. He will help us realise our aim of bringing smiles to each and every life.”

     

  • NoBroker.com rolls latest brand campaign

    By Our Staff

     

    NoBroker.com, online property portal, has launched a new campaign #SellFasterWith NoBroker, which is targeted at people who are looking at selling their houses. 

     

    Speaking on the campaign, Saurabh Garg, Cofounder & Chief Business Officer of NoBroker.com, said: “Selling a property at the right price is a challenging task. It is not easy as involvement of mediators brings in a lot of bias and unnecessary pressures and many times, sellers do not even get the right price. With NoBroker, selling a property is no more a stressful process but a fast, hassle-free, and transparent one. Our relationship managers take care of the end-to-end process from shortlisting buyers, verifying them, and ensuring complete paperwork. NoBroker ensures that there is complete autonomy and independence in the transaction. We understand that buying or selling a property is a big transaction and expectations of both the parties should be aligned to ensure speedy sale transactions.”

     

    The #SellFasterWith NoBroker campaign has been developed in-house by NoBroker.com and will be featured on multiple channels, including TV, Radio, OOH, BTL, FB, YT, Google over the 6 weeks. The video for the campaign can be found here:

     

     

  • BI Worldwide & Kantar unveil Channel Partners Engagement Research

    By Our Staff

     

    BI Worldwide, delivering loyalty and engagement solutions, conducted a research in association with Kantar Group, marketing data and analytics company, to analyse what inspires, engages, and motivates channel partners in India. The aim was to leverage insights from the research to create robust and reliable tools for brands to understand, measure, and strengthen their channel partner relationships.

     

    Speaking about the research, Siddharth Reddy, Managing Director, BI Worldwide India said: “BI Worldwide India commissioned Kantar to pioneer a first-ever, in-depth research in the loyalty marketing industry, conducted at this scale. The research brings focus on a holistic relationship between brands and channel partners. Together, we endeavoured to identify the factors that affect channel partner engagement and developed a framework that enables brands to measure and optimise engagement.”

     

    Added Biswapriya Bhattacharjee, Director, B2B & Technology, Insights Division, Kantar India: “The research is truly one-of-its-kind and delves deep into channel partners’ mindset to understand what inspires and motivates them to give their best. Brands can design results-oriented channel loyalty programs when informed by insights from a methodical and scientific research. KANTAR is delighted to have partnered with BI Worldwide India to bring together a plethora of such data-backed insights and perspectives on secrets to win over channel partners.”

     

    Key Research Takeaways

    The research uncovers key statistics and insights that brands should consider when designing and implementing their channel loyalty and engagement programs to drive better ROI:

    :: A staggering 78% of channel partners in India are not engaged.

    :: 8 key drivers of engagement influence a brand’s relationship with its channel partners – Operational Excellence, Rewards & Incentives, Recognition, Learning, Brand Affinity, Communication, Well-being, and Events.

    :: Focusing holistically on all the 8 drivers helps brands foster strong and profitable channel partner relationships.

    :: Brands can measure the strength of channel partner engagement, leveraging BI WORLDWIDE’s unique model, developed in consultation with KANTAR, called the Affection Matrix.

    :: Basis performance and preference, channel partners can be placed in 4 different quadrants of engagement of the Affection Matrix – Engaged, Trapped, Unattached and Vulnerable.

    :: A whopping 49% of channel partners feel ‘Trapped’ with the brands they work for i.e. they prefer the brand even though they are not satisfied with it.

     

    :: Brands can maximise channel partner engagement using BI WORLDWIDE and KANTAR’s jointly-developed, IBC (Invest, Build, and Consider) solution framework.

    :: 68% of channel partners are extremely satisfied with travel-based rewards, followed closely by luxury rewards at 66%, and business infrastructure-related rewards at 64%.

    :: A brand’s best bet is to invest in a strategic mix of rewards that covers the entire efficacy scale – transactional, functional, and aspirational – to amplify channel partners’ loyalty.

    :: 50% of channel partners prefer receiving business communication through app-based messaging platforms, such as WhatsApp and 50% use social media platforms, such as Facebook, Instagram, etc.

    :: Voice, Messengers, and Apps are the mediums to consider while developing channel partners’ communication strategies.

     

    The research is a deep dive into channel partners’ expectations and equips brands with models to optimise their channel loyalty programs in a complex and layered market like India.

     

  • Havas Creative India appoints Anirban Mozumdar as CSO

    By Our Staff

     

    Havas Creative India has announced the appointment of Anirban Mozumdar as Chief Strategy Officer (CSO), close on the heels of appointment of Tarun Jha as the Chief Executive Officer (CEO). Anirban will lead the strategy function of Havas Creative India. Based out of the Gurgaon village, he will work closely with Tarun and Anupama Ramaswamy, CCO, Havas Worldwide India.

     

    Said Bobby Pawar, Chairman, Chief Creative Officer at Havas Group: “At Havas, we believe that the future belongs to brands that make a meaningful difference to people and the societies, and our conviction is supported by the results of our annual global Meaningful Brands study. Anirban has extensive advertising and marketing consulting expertise and a passion for high-impact solutions, which is why we are thrilled to have him lead Havas Creative India’s strategic function.”

     

    Tarun Jha, CEO, Havas Creative India, added: “Havas Creative India has been scripting an incredible growth story over the last few years. From a single-client agency, Havas Creative India has grown to a network of 6 agencies. Our diversified portfolio of offerings are exactly what marketers are looking for in this constantly evolving industry, and we will be bringing in more specialist divisions soon. Anirban’s induction will further strengthen the team, alongside Bobby and Anupama, our two strong creative pillars, to propel us into a new era of growth.”