Tag: Zee

  • ZEEL pauses content to #BreakTheCoronaOutbreak

    By A Correspondent

     

    Zee Entertainment Enterprises Ltd. has taken a first-of-its-kind initiative – #BreakTheCoronaOutbreak for the well-being of its audiences.

     

    Taking the initiative to create a unique reminder for its viewers, ZEE has decided to pause the content across its channels with a 30-second break throughout the day. Conceptualised by Lowe Lintas, ‘pause’ will encourage viewers in a creative manner, to use the break to wash their hands.

     

    Said Prathyusha Agarwal, Chief Consumer Officer, Zee Entertainment Enterprises Ltd: “As a responsible national television network which entertains 588 million individuals every week, it is our duty to educate and encourage every citizen to adopt and practice healthy habits to fight this pandemic. While several brands are driving awareness around good hygiene, we believe this initiative to pause content and remind our audience to wash their hands will actually drive behavior. Pausing our content when the audience is most engaged will act as an in-home trigger to wash hands and contribute towards combating the spread of the outbreak.”

     

    Talking about the initiative, Sagar Kapoor, CCO, Lowe Lintas added: “Having worked on health and hygiene brands for years, my learning is no matter how much we remind people for washing hands, there will always be laggards. Its importance is at a peak in today’s situation. Hence, a straightforward reminder to wash hands with soap.”

     

     

  • Zee partners Kyoorius to sponsor ~75% of Kyoorius Creative Awards entry fee

    By A Correspondent

     

    Entertainment major Zee Entertainment Enterprises Ltd (ZEE) and Kyoorius have announced a unique offer for the advertising fraternity which will see Zee funding around 75% of the awards entry cost incurred by the creative agencies, making their participation in the Kyoorius Creative Awards significantly less expensive. Punit Goenka, MD and CEO, Zee & President, International Advertising Association (IAA), Rajesh Kejriwal, Founder & Director, Kyoorius and journalist Anant Rangaswami made the announcement. To be called the Zee Kyoorius Creative Awards, the last date for receiving entries is April 10, 2020 and the awards are scheduled to be held on June 5, 2020 in Mumbai.

     

    Last year, Kyoorius Creative Awards had received 2600 entries. Given the entry fee of Rs 15,000 and Zee taking care of Rs 11,000, it could well be a spend between Rs 2.75 and 3 crore.

     

    Punit Goenka and Rajesh Kejriwal

    The move, notes a communique, is provoked by the acknowledgement of the challenges faced by the creative fraternity, and encourages increased participation while significantly reducing their award entry budgets. It further added: “Recognising budget constraints and immense pressure on margins experienced by the agencies, Zee has announced this support to ensure that every creative work finds its due share of recognition and appreciation. A significant reason for Zee’s support to the advertising fraternity is the fact that, as an Entertainment Company with strong and established businesses in the realm of broadcast, films, music, digital and live entertainment, the company has been a direct beneficiary of the immense creative talent of the Industry. With this initiative, Zee recognises and applauds the creative quotient of the industry, which complements the entertainment environment through the creation of television commercials, and the significant contribution of the community through their involvement in TV programming, films and content for digital platforms.”

     

    Speaking on the announcement, Goenka said: “We are extremely proud of our symbiotic relationship built with the advertising fraternity, both media and creative, in this journey of entertaining the world. We firmly believe that no creative work should be deprived of being showcased, appreciated or recognised due to commercial constraints. Our association with the Kyoorius Creative Awards enables us to make this disruptive and much-needed change in the current ecosystem. I am glad that this initiative is also in line with IAA’s overall approach of democratizing the advertising world.”

     

    Added Kejriwal: “As we step into the seventh year of the Kyoorius Creative Awards, it gives us a great sense of satisfaction to witness the immense support expressed by the creative community and marketers. This initiative would not have achieved the success levels which it has without the investment of time and energy of all the players in the value chain. We are delighted that Zee has taken a yet another thought leadership stance by supporting the creative community through its association with the Kyoorius Creative Awards. The support from Zee will not just democratise the awards ecosystem, but will also disrupt the existing power structures.”

  • IAA partners Deshdoot to promote short film festival highlighting civic sense

    By A Correspondent

     

    The India Chapter of the International Advertising Association (IAA) will support Marathi daily Deshdoot, in launching and judging a pan India short film competition on the topic of ‘Civic Sense’. This competition is also accompanied by knowledge sessions on the final day of the screening. The Deshdoot Short Film competition is powered by Zee and International Advertising Association (IAA) and is being supported by Indian Documentary Producers’ Association (ADPA).

     

    Said Punit Goenka, President, IAA: “We are happy to support this initiative which aims to inculcate a sense of civic consciousness in the public. The IAA has always stepped up to play its role in anything that is good for societal change. That’s what being a responsible industry Association is all about.”

     

    Added Janak Sarda, MD – Deshdoot and Mancom Member, IAA: “As a prominent entity within the social fabric of the region, Deshdoot is also working on the creating awareness about civic sense among the people. Civic sense is the responsibility of living in communities, cities, towns and maintaining a dignified life for fellow beings as well as the nature around. The campaign run by Deshdoot has been received very well with lot of appreciation and the short film competition is a setup to further take forward this message to the society at large.”

     

     

  • SPN too unveils festive ad campaign

    By A Correspondent

     

    After Star India, Zee and Viacom18 Sony Pictures Networks India (SPN) too brings cheer to its viewers through its ‘Ab India aur bhi Happy’ offer. SPN has announced a special offer, allowing consumers to avail of a festive à-la-carte pricing of Rs.12 month on its premier entertainment channels, SET, Sony Sab and Sony Max.

     

    Said NP Singh, Managing Director & CEO, Sony Pictures Networks India (SPN) said: “We are grateful to the viewers that our premier entertainment channels are leaders in their respective genres. It is our constant endeavour to provide quality entertainment at great value. This festive offer includes our highly rated marquee prime time content. Our intent through this initiative is to contribute towards and complement the festive spirit.”

     

     

  • Star India, Zee & Viacom18 announce festive pricing

    By A Correspondent

     

    In keeping with the festive spirit, Star India, Zee and Viacom have announced special pricing for it’s a la carte channels.

     

    Said Sanjay Gupta, Country Manager, Star and Disney India Star on its ‘Tyohar ka Upahar’ promotional offer for its 16 a-la-carte channels: “The Star network is known to offer best-in-class content inspiring a billion imaginations, making us a household name today. With this promotional offer for the festive season, we hope to spread even more cheer and get more families to experience and engage with our varied entertainment offerings.”

     

    As for Zee, the festive offer sees the a la carte price of Zee TV, Zee Marathi, Zee Bangla, Zee Telugu, Zee Kannada and Zee Sarthak been reduced from the present Rs 19 to Rs 12 per month.

     

    Said Atul Das, Chief Revenue Officer – Affiliate Sales, Zee: “Zee is the pioneer of Indian television industry. Starting with ‘Zee TV’ 27 years ago, and with addition of its strong regional language offerings over the years, Zee is today the No 1 entertainment network in the country. Zee further demonstrated its leadership by becoming the first major broadcaster to declare MRPs under the NTO regime, in August 2018. While there were teething issues during the initial phase of NTO transition, it has brought greater transparency across the television value chain.”

     

    Commenting on the initiative, Prathyusha Agarwal, Chief Marketing Officer, Zee Entertainment added: “With the movement from low involvement bulk purchase to high involvement active unit purchase, the MRP regime is a great move for the consumer. Zee with its strong channel brand and culturally rooted content has become an obvious first choice for viewers. We firmly believe that we have fundamentally great products and robust value offerings. As a broadcast network, our endeavor therefore is to make our channels more and more accessible to the maximum number of viewers across the country. This festive bonanza offer would be an irresistible consumer delight and will go a long way in deepening consumer loyalty with the TV entertainment category.”

     

    Viacom18 too has announced a la carte price for its flagship Hindi GEC Colors and Kannada GEC Colors Kannada at Rs 12/month each. In line with this special festive price, Viacom18 is launching a consumer awareness campaign ‘Har Din Diwali’ encouraging viewers to now subscribe to these channels at its new price point.  As part of this offer, the a-la-carte price of COLORS and COLORS Kannada has been reduced from the present price of 19 to 12 per month each.

     

    Said Sudhanshu Vats, Group CEO and MD, Viacom18:“As a broadcast network, our aim is to make our channels more accessible and affordable to all viewers across the country. While we are launching a slew of exciting shows on our channels, this festive offer – ‘Har Din Diwali’ will further empower our consumers to access their favourite shows at a more affordable price point.”

     

     

  • Das ka Dum… today’s question to Dr Bhaskar Das: Are you really spiritual or is it a façade?

    We launched this feature yesterday, and judging by the number of views it  generated, we can say it’s a super-duper hit.

    For those who’ve come in late: here’s a link to yesterday’s Das Ka Dum: https://www.mxmindia.com/2019/09/introducing-das-ka-dum-where-dr-bhaskar-das-responds-to-our-questions-like-only-he-can/

     

    The questions will be answered by Dr Bhaskar Das, the former big boss of the Times of India group and Zee Media and Dainik Bhaskar and now Republic TV. For those who’ve known him or have heard him, Dr Das belongs to the rare species of advertising sales professionals who is a true gyaani… and may we add, likes to share his gyaan. His unique turn of phrase can make you chuckle, but is sure to set you pondering. At MxMIndia, we enjoy our conversations with him. And for every googly we bowl at him, he hits back like no one has ever before.

    Das ka Dum will feature Monday through Friday, except on our ‘no edition days’. Enjoy Day 2.

     

     Sir, are you really spiritual or is it a façade? After all, a hard-core ‘sale-oo’ like you can’t always be so philosophical in outlook… right?

     

    It’s a very legit query in a world where facade can be attributed to anything. That we are all all spiritual beings is a default reality. In our perception of duality, spiritualism is perceived as a facade. It has no connection with marketing/sales. Absence of customary evidence of one’s spiritualism is no evidence of its absence. But I empathise with the mendacity of such doubts.

     

    Editor: we appreciate that some of the words and phrases our dear and delightful BD uses can go over your head. So, purely in reader interest, we will link such words to the dictionary meaning. Like we’ve done in the case of ‘mendacity’ today. If you still can’t figure what he really means, sorry, we can’t help you. Curse yourself for not having had the opportunity of interacting with him (BD, who else?!)

  • Discovery’s Big Push for 2019-20

     

    Television in India may have launched in the late 1950s, but it took off in right earnest only in the early 1990s when private broadcasters Star TV and Zee entered the scene. One of the early global brands that entered thereafter was Discovery – 25 years ago. And it hasn’t looked back since. Headed by some of the brightest stars in the industry, while the going has been largely good for the network, Discovery has also experimented with its content offerings. Last year, it launched Jeet, an entertainment channel that was out-of-the-box but didn’t take off on the ratings roster. The bosses were quick to take remedial measures, put it on the backburner and look ahead. The launch of Little Singham on its kids channel ensured that the Jeet blues were blown over fast enough. Earlier this year, the Discovery network announced the appointment of Megha Tata, a veteran of the broadcast space and who was part of the early team of Star TV in India. A fortnight back, Tata and team hosted an ‘upfront’ where advertisers and agencies were invited to sample some of the fare. MxMIndia caught up with the Managing Director for South Asia of the network and spoke to her on a wide range of issues. We didn’t ask her the Jeet question because it was well before her time, but did quiz her on a wide range of issues. Read on.

     

    So, settled in? How has it been at Discovery?

    Yeah, it’s awesome. It’s been two-and-a-half  months and I am super, super excited. I have always seen Discovery, from the outside, as a consumer, I have always been a big fan of Discovery as a brand and then to be inside now and seeing the product and actually understanding the wow of it, is something I am very excited about.

     

    What did you think of the product, of the offerings from the outside?

    So, of the entire bouquet, I used to be more of a Discovery and Animal Planet consumer because the rest of the propositions were not something in my daily list. I knew about all those brands but I never was consuming them too much. What I really liked personally about Discovery was the fact that there was content which was so differentiated and yet relatable.

     

    And since you had worked on NGC at Star so you knew what it was all about.

    Yeah, I was very familiar with the genre. Very may not be the right word but I was familiar with the genre. But I am very familiar with the special interest propositions because that is something which I have also done in my past jobs. But what really excited me was the fact that there is this amazing bouquet of propositions and what’s even more exciting now frankly is what can be done with it. And we are pivoting in to those spaces and which is, where the excitement is.

     

    But do you think life has gotten a little difficult for niche content?

    Yes, I do. I think we probably need to define niche a bit. If your product has a very convincing proposition, which is very distinctive, then your ability to grow is very high. But if you are one of the many and there is not too much of a distinction out there then the challenge will be even tougher. So, in our case, the propositions of Discovery, Animal Planet, Discovery Kids and our digital propositions which we are coming up with, are so distinct and so clear, that the consumer wants  it and hence that gives us the ability to deliver in terms of growth and further investments.

     

    But with OTT flooding content, there is actually so much to see. While Discovery content is compelling how do you get people to watch all of it?

    True and hence you are now talking about the depth of content, which is what I want to highlight actually. When you look at what players offer including those on the OTT space, real-life entertainment content is probably in the range of 600-1200 hours or something to that effect. Globally, we have 300,000 hours of content which is factual entertainment. And we add 8000 hours every year, so the depth is huge. I am not saying that the entire content will work for a market like India, therefore, you start identifying what works in this market and play that out. Second, what works for a ‘consumer take’ point of view is watching content in the language of their choice and that again is something that Discovery has done beautifully.

     

    At the Upfront for advertisers, Isaac Thomas mentioned that the content is not just going to be in the eight-odd top languages but also other languages, say,  Assamese, Odia…

    As we go along, we will see how that plays out because I think initially, even as we speak, we already have five, plus adding three will make it an eight-language proposition. The largest offering in this space in the market. So, Discovery will be in eight languages, Animal Planet is going to be in about three or five, Discovery Kids is going to be in about five to seven languages. This is all investment that’s happening in the language space which will translate to even when our OTT proposition comes through. How that sort of plays out, I think it’s early days to comment on that.

     

    And how is the ROI on the languages?

    It has added to the performance of the channel. Absolutely. It contributes… you can see it in the growth of the channels.

     

    Are regional language-specific revenues coming in?

    The regional language-specific proposition is actually D Tamil. It is an independent channel by itself for Tamil audiences which is programmed separately and marketed separately. So, that has a different revenue stream.

     

    But not the others?

    No, Not the others.

     

    Coming to specifics about the various channels. Discovery first. While it’s  been around for long, it has also been reinvented a few times. Going forward, are you looking at doing things differently or will it be more of the same?

    There is bigger, better, bolder stuff coming, and that is not only from our global proposition. Globally actually, Discovery is going back to its original DNA … creating more content which is in adventure,l ike in travel adventure space which are things which we all go ‘Oh! My God’ or ‘Oh! Wow’ about. That’s the kind of content that is going to be further invested in at a global level. A lot of that is going to come in to India as well, new faces will be  brought in and new explorers will be brought in. We are definitely going to be doing more of Indian content, Indian IPs but we rather do things which have never been done before.

     

    How do you strike a compromise between Indian content which may be create a buzz and top quality international fare for which people turn to Discovery?

    That’s why you don’t have so much of it [Indian content] because it’s very small and limited and in fact going forward we want to do fewer but bigger IPs. And when I say bigger, it’s not just in terms of  the scale but also in terms of the idea and what is it that we can do. So, some of the stuff that’s going to happen very soon on our channel which we are going to talk about is show content that has never been seen before.

     

    From a sales point of view, you have shows like the one with Mahindra and Byju’s. What, according to you, works better with advertisers – Indian or international ccontent?

    The branded content piece that has worked so far is  being specially created for the brands out of India.

     

    Is it because the integration is easier?

    In India it’s easier. Since it is content created for the [Indian] brand, it obviously becomes Indian. There are some like on TLC which is Indian content  integrated with the brand. Those kind of shows will always be very India-driven and they play out really well on the channel. In fact, our genre will be the only one after probably news which can bring about the branded content kind of proposition on to the platform.

     

    But some of the branded content stuff on TLC also plays out on English entertainment channels like Colors Infinity, Star World, etc. So are you competing with them in this space?

    Not really, it’s again very uniquely positioned. TLC stands for Travel, Lifestyle and Cooking, and that’s what you bring to the mix and what is only going to get stronger in this proposition is the Scripps acquisition which happened last year. That content is hugely available for us. Like HGTV is for example, the number one channel for home entertainment!

     

    We haven’t seen much of Scripps content in India.

    That’s going to be pumped up on TLC.

     

    TLC will hence be Scripps plus existing content?

    We are not going to launch [new] channels but the content will play out on TLC because a lot of that fits very well on TLC…. content from the Travel Channel, content from the Food Network, content from HGTV.

     

    Moving on, you have planned a revamp of Animal Planet.

    We are doing a brand revamp, a new logo, completely refreshed, new broadcast design, new promotion… a lot of marketing push will be behind it. That’s happening on July 15. You will see a lot of that happening in the coming weeks.

     

    I haven’t watched Animal Planet much in the recent past. I would do that when my daughter was three or four. Perhaps it’s a channel that people watch at a certain time point in life but  not much beyond that. How do you make Animal Planet relevant across audiences?

    I think that’s one of the key points of our focus in the coming months. On the back of the brand refresh, we are going to be positioning it as a more for family viewing kind of a channel. In fact, this is one channel which can actually unite families to sit together and watch content…

     

    Co-viewing is quite high in India.

    And content has become so individualistic and there are ways to do it now. So this is a nice way to bring the family together. Having said that you will see more of the marketing push which will be driven on that. We want to take Animal Planet beyond TV as well and I think there is an opportunity to take the brand out in to the market of creating those passion communities who love animals. There is hence a whole wide space out there for us to explore and that’s something we want to do.

     

    So, are you looking at setting up nature clubs, tours and the like?

    Yeah, we have lot of things on those lines… pet clubs and internationally we have some shows which are aligned to that thinking as well.  I think there’s a great opportunity [waiting for us].

     

    You mentioned TLC is going to be loaded with a lot of Scripps content. When will that start?

    It’s already started in doses. It will get more apparent and pronounced as we go along.

     

    And then Discovery Kids, a genre that you are so fond of.

    Yeah, D-Kids. I am super-excited because that’s been a great success story.

     

    Little Singham is very popular

    Yes, he is a fabulous character and he ticks all the right boxes… he is the superhero and does the right things, beats the bad guys and sends a good message and is patriotic and so lot of positive things come out of this association from kids as well. I think parents also like kids to watch content which is giving some kind of a positive message.

     

    Discovery Kids did get a  big push on the the distribution front last year.

    Yeah, one of the things which has really worked for us was the brand pull of Discovery and the packaging which we did. The distribution became strong even post NTO was because of this aspect. Packaging was right, and there was a brand pull. So, Discovery Kids definitely benefitted out of that and  we have now doubled up on the investment when it comes to animation for the channel. We want to create more and invest more in Little Singham for sure and create more episodes.

     

    The competition is stiff in this genre.

    Yeah, but that’s good, competition is always good. It helps grow the genre.

     

    Except they have been there for much longer.

    But it takes time to build that… Rome was not built in a day, the Taj Mahal was not built in a day. We all know that, it takes time to build. Discovery Kids is relatively very new but the focus is newer, let’s put it this way. You will see now more focus here, you will see more growth here, and we want to drive that, not only just Little Singham but adding new IPs.

     

    Hmmm. Other channels have more IPs

    Yeah, but it didn’t happen overnight.

     

    It didn’t happen overnight but it happened soon enough.

    It takes time to create animation, it’s not live action and I know that as I’ve been there. We know what we want and it’s not an overnight game, We want to build this and create a position of strength in the next few years to be among the Top 3 players in the genre.

     

    And which your head office is aware of and okay with?

    Yes, and is willing to support and invest because we are showing great growth there. We have a growth story, we have a ratings growth story and revenue growth story… we are investing well and aren’t frivolous, everything we are investing is working. So, there are lots of positive on the Discovery Kids space and that I think has a great story for us to become a strong proposition in the coming years.

     

    Just to get a perspective on your investments on content, the refresh and marketing push. What’s the pie looking like… what are you investing on?

    On the content, you mean?

     

    On content, refreshing and marketing.

    I think it’s a combination of multiple things. For content it will be kids, because it’s all-Indian content, lot of the international content comes on other channels so hence the cost is then amortised across. Marketing would be a big push for us across all our brands and that’s going to be important to get the communication right. When I say marketing, it’s just not random marketing [efforts], it’s very focused, using and driving the community piece which is the passion community piece, which is the bedrock of our strategy and is powering people’s passions.

     

    Moving to digital, there are quite a few digital players already, you will be one more of the platforms that exist. Given that most OTT platforms are game to collaborate, wouldn’t it have been easier for you to do that rather than spend monies and establishing an all-new platform?

    Good question and am glad you asked me. So, here’s my take: One, when you say that there are a lot of players, you are absolutely right but I don’t think there is a single player in the real-life entertainment space. We are not in the game of streaming entertainment. We are very differently and uniquely positioned and hence that’s our USP. Second, to try and test the waters whether this content will work on a platform like this our partnership with Daily Hunt did extremely well. It reiterated our belief that there is an audience out there. It has really worked well in the last 3-4 months. We have reached 400 million views, 7 million monthly users, and it is only getting stronger and lot of that coming from the regional content play as well. Three, we are the only guys who have invested in language and that library of content when you look at it so that made it very plausible for us to think that we have the content to be able to propose to a consumer. Four, The real-life content we have as a library is in the range of probably 600-1200 hours collectively. In Phase 1, we will be dipping in to around 8-10 thousand hours of content. So, when you do that math and you create a proposition which is the short-form proposition which we know is how consumers are wanting to. Plus the content we have from Scripps, BBC, the 4K content which we are building plus all the original content being created for D2C platform… the the proposition is so strong.

     

    There are two sides of the digital business: content and technology. Wouldn’t it have been better to tie up with a Jio or an Airtel because they have the technology anyway?

    And so do we. We are investing in it. In fact, recently there has been a very senior hire in the name of Peter Faricy who has come from Amazon. He was the running Amazon Marketplace, and he and his team of engineers have come with a clear understanding and a vision of how the D2C proposition will be played out globally. There are millions of dollars being invested in not only content but technology – creating our own platform because they have been there, done that so they know what works for the consumer. That’s the kind of level of investment the organisation is looking at undertaking because we are moving from transition to transformation and you have to move in that direction. So, while partnerships are good, it’s not an either-or scenario. We are looking at an ‘and’, we can have partners and yet have our own proposition. I think both can co-exist  because we have the ability unlike many other players we are not  creating new content. We already have a library… it’s huge.

     

    Has life settled after the new tariff regime

    Actually it has not. It’s still evolving.There are still so many moving parts to the whole proposition.

     

    For you too?

    Yes, for us too. We are also as impacted like any of the big industry players but what I was really happy to note was that we could have had a further impact considering we were not a mass proposition but because our brand value pull was so strong that we have not only we are back in the same reach numbers but our timespend has grown to almost 20-25%. And I think two things really worked in our favour as a result of that. One was the fact that there was a consumer pull for our product because we had a great proposition as a package and the second was pricing. We are really economically priced for the value for money we are offering.

     

    What kind of targets have you set for yourself. Obviously expectations are fairly high in terms of relationships you bring to the table and you have been-there-done-that.

    I have key priorities in my head for the next 12-18 months. One is to really make the leadership position of our factual entertainment way ahead of the game, like an undisputed leader between Discovery and Animal Planet. Two, be the Top 3 player in the kids space and we are doing enough and more on that and hopefully get there and to be the #1 real-life entertainment OTT service when we launch. That’s tall ask to be honest but I think our team is really geared up. The whole leadership team is very bright and smart and we are really hoping that this will help us.

     

    And when are you launching the OTT services?

    We don’t have a closure, but I think early next year.

     

  • Mallika Dua lends voice to Zee TV’s digital campaign

    By A Correspondent

     

    Zee TV has collaborated with actor, writer and stand-up comedy star Mallika Dua to produce exclusive content for a digital campaign to promote the launch of its new fiction offering ‘Hamari Bahu Silk’. The show highlights the story of a young girl Pakhi who signs up for a job of a voice-over artist for sensuous films so that she can financially support her family.

     

    Said Prathyusha Agarwal, Chief Marketing Officer, Zee: “Hamari Bahu Silk touches upon the subject of unconventional career choices, the judgements they draw from amongst one’s own inner circle and the filters of Log Kya Kahenge that come in the way of taking up these jobs. But with the show addressing the issue in a light-hearted manner, we took a humorous approach to build the digital surround for its launch. Mallika Dua, widely applauded for her spot-on observations and irreverent takes on social phenomena makes for a fine fit for us to collaborate with on a campaign like #KaamBadnaam where we celebrate oddly satisfying jobs like the one taken up by our protagonist of Hamari Bahu Silk.”

     

     

  • Zee unveils packs for life from Dec 29

    By A Correspondent

     

    With less than 10 days to go for the new TRAI-decreed distribution regime to kick in, the Zee group too has unveiled a slew of packages for viewing.

     

    Punit Misra

    Speaking on the unveiling, Punit Misra, CEO, Domestic Broadcast Business, ZEEL said: “The new pricing regime by TRAI is a transformational structural reform that will go a long way in strengthening the sector with the creation of a uniform pricing model. It puts the power of choice with the consumer, giving him the flexibility to opt for channels and bouquets he loves and pay only for those.  For over 26 years, it has been our commitment at ZEE to bring families together through the power of television. Our research on subscriber choice modelling and path-to-purchase understanding pointed towards consumers treating television as a family asset. The monthly purchase is optimized for everyday entertainment needs of all the family members.  Hence our approach towards pack configuration has been ‘family first’ – offering the top genres that contribute up to 85% of family viewing needs of our viewers on a daily basis.”

     

    Championing the “Freedom of Choice”, Zee has launched “Channels Ka Chunaav 2019” , a multimedia multi-stakeholder communication initiative, urging viewers to fulfil demands of all family members through Family Ki Suno, Zee Ko Chuno! Keeping with the topicality of elections and the power of choice that has the ability to change status quo, Zee, with this campaign, aims to be the catalyst for the transformational change expected across the TV ecosystem.

     

     

  • Amit Shah joins Zee as Cluster Head – Regional Hindi Speaking Markets

    By A Correspondent

     

     

    Amit Shah

    He may well be wanting to get away from it all and enjoy varied television content, but you know we aren’t talking of that Amit Shah. This Amit Shah has joined Zee Entertainment Enterprises as Cluster head – Regional Hindi Speaking Markets (RHSM). In his new role, Shah is responsible for television channels in the RHSM – current footprint in markets of Maharashtra, Bengal, Orissa & Bihar. He manages 10 channels – Zee Marathi, Zee Marathi HD, Zee Talkies, Zee Talkies HD, Zee Yuva, Zee Sarthak, Zee Bangla, Zee Bangla HD, Zee Bangla Cinema and Big Ganga. Additionally, he is also responsible for new market entries and tapping other channel opportunities in existing RHSM.

     

    In his previous role as an Associate Director – Marketing, Gum, Candy & Beverages – India, at MondelÄ“z), Amit Shah managed a portfolio comprising of Bournvita, Bournvita Little Champs, Tang, Choclairs and Halls. Before joining MondelÄ“z, Shah worked with Dabur India Limited in varied sales and marketing roles.

     

     

  • Wion spreads its wings to the Middle East

    By A Correspondent

     

    Zee Media’s English news channel World Is One News (Wion) has been launched on Etisalat in the United Arab Emirates and Qatar. Viewers in those countries can also watch the channel on Du and Ooredoo. Wion’sMiddle East debut comes on the heels of its launch in seven African countries: Nigeria, Kenya, Zambia, Zimbabwe, Ghana, Botswana and Rwanda. From February to April, Wionwill be spreading its outreach to other South Asian countries like Bangladesh, Sri Lanka and Myanmar, notes a communique.

     

    Said Zee Chairman Subhash Chandra on the launch: “After a successful start in India, Wionis gearing up to bring world-class journalism to the people of UAE and Qatar who have long been waiting for a global network from India.”

     

     

  • BD joins DB today, as Exec President

    Bhaskar Das

    By A Correspondent

    Pardon the licence we’ve taken to play with the initials of two institutions in India’s media and entertainment and sector. An all-new journey in the lives of the two Bhaskars of medialand begins today. Veteran mediaperson Dr Bhaskar Das has joined the Dainik Bhaskar group today (Nov 2) as Executive President. Das has spent over three decades with The Times of India group and the last five-odd years with the Zee group.

    As reported by MxMIndia on September 11, Das’ contract expired with the Zee group in late October.

    This is a group-level position, and we are told by sources that Das will report to Bhaskar group director Girish Agarwaal and will work along with Satyajit Sengupta, chief of corporate sales and marketing, who incidentally also worked with The Times of India group before he joined DB.