Tag: TikTok

  • Gen Z over-index for digital sports consumption

     

    By Our Staff

    According to MIDiA’s latest report, Sports audiences – The Gen-Z Opportunity, in Q4 2020 17% of 16-19-year-olds watched sports highlights on social media platforms, four times more than over-55-year-olds. This, notes the report, demonstrates both the growing generational divide in sports consumption and the monetisation opportunity that digital highlights now offer rights holders. It offers rights holders insight into how they can innovate and tweak their distribution strategies to provide the highest probability of penetrating this hard-to-reach audience

    According to the report, in the same quarter, 71% of traditional consumers of live sports on TV were over 35 years old, while 16-24 year olds were approximately 20 percentage points less likely to consume live sports on TV. This highlights the risk of rights holders underserving this digitally-geared audience and the importance of diversifying broadcast rights strategy. Engaging younger audiences is a way to future proof the product.

     

     

    Here’s some more from the report:

    Digital natives are more likely to consume non-live sports than older, traditional sports fans, which presents rights holders and broadcasters with untapped potential for monetisation by harnessing and actioning this insight.

    While the most valuable sports audience currently remains among pay-TV subscribers, planning for meaningful non-broadcast revenues through digital-native engagement is now crucial for pandemic mitigation, as well as addressing the needs of the underserved fans of the future. Catering to and developing a medium to connect with future fans in the Gen Z cohort and beyond, must become a strategic prerogative, to ensure long-term brand sustainability while simultaneously unearthing supplemental revenue streams.

    Crucial to this is understanding where sports fit in their media attention and diversifying broadcast strategy to reach them. For example, 16-19 year olds are over twice as likely as general consumers to watch gaming content, engage with Spotify, use Twitch, play multiplayer online games and consume video content on gaming consoles. 16-19 year olds report a significantly higher propensity for using TikTok (50%), Snapchat (67%) and Instagram (73%) than the consumer average.

    This highlights the opportunity for digital partnerships and generating organic engagement through official and affiliate accounts through which to deliver content. Understanding that 75% of this demographic engage with Netflix weekly compared to just 24% for Amazon Prime Video provides rights holders with ammunition for why they should opt for licensing original content to Netflix, should reaching Gen Z become a priority for its non-live video content strategists.

    Notes MIDiA in the report: “It is crucial to understand where sport fits into Gen Z’s attention ahead of striking distribution partnerships. Sports still has an opportunity to connect with the next-generation sports fan, allowing them to discover something they are able to personalise – but it will require adapting the current format to cater to this audience.”

  • The Big Bad World of Bought Likes & Trends

     

    By Bhuvi Gupta

     

    Bhuvi Gupta

    The business of news and entertainment is unique from other businesses as there is no underlying need for consumption and content is easily replaceable with similar alternatives. Hence, the entertainment industries have always relied heavily on glitz, gossip and glamour to garner consumption.

     

    This has taken many avatars through the decades. In the early 2000s, the Times Group innovated and changed the PR landscape when they launched Medianet, renamed as Optimal Media Solutions (OMS) since. It was very successful for the both the media and entertainment industries, because of the blurred lines between ads and news. The audience was oblivious as long as gossip and entertainment was delivered and hence many a film were boosted due to entirely manufactured gossip on link-ups and skirmishes on set. TV news followed soon after. NDTV was the front-runner of branded content in TV with shows like Earth Hour, Greenathon etc. Today, weekend programming across English news channel almost entirely comprises such branded shows.

     

    The digital equivalent of Medianet is the manufactured views, likes, followers and trends because the lines between the inorganic and organic are blurred. This is more dangerous than Medianet, because all social media platforms have Achilles’ heels which can be exploited to manufacture reach that is invisible even to the discerning viewer.

     

    All this changed when last month, the Mumbai police launched an investigation into the 75 Lakhs worth of YouTube views purchased by Aditya Singh Sisodia aka Baadshah for his 2019 single, ‘Pagal’. The song launch was a mega-affair with influencer marketing campaigns on Instagram and TikTok, YouTube advertising and other dubious means employed in an attempt to break records. Baadshah claimed that ‘Pagal’ was the fastest video to reach 75 million views on YouTube, which was promptly shot down by them due to inorganic means employed. This has subsequently lead to the ongoing criminal case filed by the Mumbai police and the investigation thereafter. The case has opened a can of worms, as newer unethical practices of the digital ecosystem of the entertainment industry began slowly getting exposed.

     

    To be honest, in 2020, Baadshah’s admission to buying views would not have come as a  shock to most of us. Even the undiscerning viewer sees enough chinks in the digital armour – screenshots of identical tweets from celebs (right down to grammatical errors) praising a government or a popular icon, TikTok’s Playstore ratings being brought down in a day and then restored are two of many examples. What is not common knowledge is the sheer mechanics and extent of what goes into digital influence manufacturing and the reasons behind it.

     

    In May 2020, TikTok’s app store ratings were restored after Google deleted 80 Lakh negative comments made in the span of a week in response to the Galwan Valley skirmish. The Chinese app has since been banned in India.

     

    Why do Indian Artists companies do this?

    Creating a buzz in the entertainment business is crucial to remain relevant. Social media metrics have come to define the salability of the artist for producers and distributors. It is a flawed ecosystem exploited by all the players. To elucidate –

     

    The problem with the Algorithm

    View counts on YouTube, don’t differentiate between paid and unpaid views or the viewership duration (a view is counted after only 30 seconds of consumption). Views are a key metric for YouTube’s algorithms, especially when it comes to search result rankings and recommendations, which help drive organic views and hence generate revenue. Hence, paying for views is a natural choice because they help recoup advertising investments through organic views, while adding the credibility that higher view counts get.

     

    Not only vanity metrics

    For films, OTT and satellite TV, rights are often sold after movie trailers are released and the view metrics of the trailer, contribute to the negotiating power of the producer. Likewise, in the music industry, licensing deals, terms of contracts, concert tours and appearances are often measured basis song popularity. Hence, paying for YouTube views is a natural investment that pays for itself many times over.

     

    The problem with the platforms

    It serves social media platforms to have higher view counts because, it drives up daily traffic on the platform, while generating ad revenue. This problem of fake news, fake views, and bots serves social media portals which rely on user metrics to help set ad rates. In the absence of stringent laws, while popular social media platforms do make the right noises about removing bots and fake profiles they have little incentive to actually follow through.

     

    It’s not a crime in India… not yet!

    Many countries across the world like Singapore, France and Germany, are enacting strict cyber laws that punish hate-speech, threats, and impersonations (under which fake followers lie) as criminal offences, liable to both imprisonment and fines. In the absence of such laws in India, manufacturing inorganic views becomes dishonest but not illegal. While the fake likes industry has been thriving for the last few years, the case against Badshah may just be a watershed moment in the creation of cyberlaws, which will bring more transparency in Indian cyber space.

     

    Till laws change, as a marketer, I leave you with my content checks to avoid being gamed. On YouTube, I check engagement (likes and comments as a percentage of views), for highly viewed content before investing the time to watch. If the number is low, it is safe to say that the views have been bought. And on Twitter, inorganically trended hashtags will have a majority of tweets with the same sentence structure and central thought – so a quick scan of tweets under a trending hashtag will help check ingenuity.

     

    Bhuvi Gupta is a marketer with over 10 years across industries, of which the last six have been in Media & Entertainment. She has been a part of many launch marketing campaigns – specifically at the Times of India group, Republic TV and the latest in marketing a Bollywood film. She will write on A&M (mostly marketing, but often on advertising too) every other Tuesday. Her views here are personal. She tweets at @bhuvigupta3

     

     

  • Here’s What TikTok Influencers Earned

    Followers in million; Income in Rs crore

     

    By A Correspondent

     

    So are TikTok influencers really as big as they are made out to be? Do they really earn in crores, or is it all of loose change? An Indian Insitute of Human Brands study released on Wednesday throws light on the phenomenon of the TikTok world.

     

    And before we go further, here’s the big news: Riyaz Aly, something of 16 or 17 years in age, from Jaigon, a border town of Bhutan, has 42.3 million followers his estimated annual earnings from TikTok are in the region of Rs 5-6 crore. His run-rate during the pandemic was actually higher and he could’ve easily crossed Rs 8-9 crores in 2020, but for the ban, notes a communique.

     

    #2 in the crorepati-roster is Faisal Shaikh whose earnings from Tiktok are estimated between Rs 4 to 4.5 crore. And Arishfa Khan comes third at Rs 4-4.5 crore.

     

    The list goes on. The table above shows the Top 10 followers as per the Indian Institute of Human Brands (IIHB) study. The table below has numbers 11 to 20. The IIHB research team met a large number of those from the TikTok world, in the past week, to arrive at a gross number on the loss that TikTok’s exit has created. An educated estimate is a dent of about Rs 120 crore at most for the Top 100 influencers. Pessimistic estimates could even be Rs. 100 crore. But interestingly, the long tail of TikTok is really really long. Someone with a one million follower base could earn Rs 30-35,000 a month. At double that number, the earnings could be in the Rs. 50,000 range.

     

    #11-#20: Followers & Earners

    Sr No Name  TikTok Followers Tiktok Income
    11 Beauty Khan 20.90 0.6 to 0.7
    12 Robin Jindal (Oye Indori) 18.80 2 to 2.5
    13 Mr & Mrs Choudhary 18.30 0.2 to 0.25
    14 Lucky Dancer 17.80 1 to 1.5
    15 Suraj Pal Singh 16.60 0.5 to 0.6
    16 Vishal Pandey 16.00 0.60 to 0.75
    17 Abraz I Khan 15.90 0.8 to 1
    18 Aashika Bhatia 15.90 3 to 3.5
    19 Hasnain Khan 15.60 0.8 to 1
    20 Bhavin Bhanushali 14.60 2.5 to 3

    Followers in million; Income in Rs crore

     

    Commenting on the incomes generated by TikTok influencers, Dr Sandeep Goyal, Chief Mentor of IIHB said: “Prices on TikTok for paid content were not high too. A Picture Post for a Top 10 TikToker was in the Rs 1,20,000 to 1,50,000 range; A Carousel or GIF cost Rs 1,50,000 for a Top 10 influencer but dropped to Rs 5000 for a Top 100 ranker. A Story was priced between Rs 5,000 and Rs 50,000 depending on the pecking order; a Story Highlight was priced between Rs 10,000 and Rs 1,00,000 and a Link in Bio (24 hours) fetched between a meager Rs 5,000 to Rs 35,000. For followers running into millions, this is indeed poor compensation,” he said, adding: “The one thing I could never fully understand with respect to TikTok was why its millions of followers did not convert into larger earnings for its influencers. There were easily at least 50 influencers with over 10 million followers. That is no small number. But the bottom of the Top 20 list barely made Rs 5-6 lacs a month, in reality. There were taller claims and larger stats touted by agents and middle-men, but the actual numbers were actually much lower”.

     

    So did TikTok suffer because of an age skew? Said Dr Goyal: “More than 60% of TikTok’s active daily user base was said to be between 16-24 years. Some even younger. While this is an age cohort that is theoretically very attractive to brands, in reality, this age-group does not really have as much discretionary spending power as compared to their peers in Western economies”.

     

    This is the first of two Reports by IIHB on TikTok. The second report will cover brand attributes of the leading players in the TikTok universe in India.

     

     

  • Bang In The Middle announces alliance with music agency Songfest India

    By A Correspondent

     

    Ad agency Bang In The Middle has announced a strategic alliance with Mumbai-based music agency Songfest India. The offering is in response to the growing need of brands to reach out to consumers via digital platforms such as TikTok, Helo, Instagram and YouTube, especially in wake of the Covid-19 pandemic.

     

    Said Naresh Gupta, co-founder and chief strategy officer of Bang In The Middle: “We’ve always believed in evolution and advising our clients on the latest in brand building. In the post Covid-era, brands shall gravitate even more towards digital content to connect with their consumers. The association with Songfest shall enable us to provide a new array of music based offerings to new and existing clients and shall enable them to reach out to newer audiences across different digital platforms.”

     

    Added Prathap Suthan, co-founder and chief creative officer, Bang In The Middle: “It is the age of co-creation. Our aim is to collaborate and create innovative music IPs that are not only highly engaging but also seamlessly allow a brand to convey its message to the viewer. Songfest India is a team of young and bright individuals and we’ve been impressed by their ideas and work ethic.”

     

    Said Gaurav Dagaonkar, co-founder and chief executive officer, Songfest India: “We’re excited about this alliance as it shall allow us to leverage Bang In The Middle’s proven expertise in creative storytelling, building brands and crafting hugely successful and memorable campaigns to create strong concepts. Prathap and Naresh are industry stalwarts who keep inspiring us and we look forward to creating some magic together.”

     

    The two agencies have worked on an ad hoc basis before and shall continue servicing their respective clients independently, while developing new ideas for potential clients together. “Work has already begun on a TikTok based campaign for a brand, as well as a series of shot-from-home music videos for another,” added Meghna Mittal, co-founder and chief marketing officer at Songfest India.

     

     

  • TikTok appoints Ashok Cherian as Marketing Head for India

    By A Correspondent

     

    TikTok has announced that Ashok A Cherian has joined the company as  Marketing Head for India. At TikTok, Cherian will be responsible for spearheading the overall brand strategy and marketing initiatives for the platform.

     

    Welcoming Cherian to the team, Nikhil Gandhi, India Head, TikTok said: “We are excited to have Ashok onboard to lead TikTok’s brand building journey and marketing efforts in India. Ashok’s appointment further strengthens our local leadership team, which is committed to ensuring structured growth and providing an exciting and safe in-app experience to our users. With his extensive experience spanning over 20 years, I believe he will add immense value in building our brand salience across stakeholders in the country.”

     

    Commenting on his new role,  Cherian added: “I am delighted to join TikTok and excited at the opportunity to be a part of this team. TikTok has democratised content creation and redefined the way people create and share short-video content. I look forward to leveraging my past experience in the content and entertainment industry to further build the brand love and bring joy to our users in India.”

  • MxM Open Classroom: Day 3 of Digital Marketing by Bhuvi Gupta | 10 Commandments to Max TikTok

    By Bhuvi Gupta

     

    Bhuvi GuptaTikTok is a short video-sharing social networking service owned by ByteDance, a Beijing-based company founded in 2012. It is used to create short dance, lip-sync, comedy and talent videos. Its mission is to inspire creativity and bring joy. It can also be described as a bite-size version of YouTube, with videos ranging between five and 60 seconds in length. Users have access to an assortment of filters and effects, as well as a massive sound library with dialogues, popular songs, and other sounds.

     

    The app in the last one-year has seen massive growth in India. According to a report by data analytics firm App Annie, TikTok was the most engaging mobile application in India in 2019, and accounted for 44%, or 323 million, of Global TikTok downloads. As of December 2019, TikTok’s monthly active users were 81 million.

     

    That the app has taken over India’s mindshare is no exaggeration. The App Annie report also states that Indians spent 5.5 billion hours on the app, as compared to the 900 million hours in 2018.

     

    There are many reasons why TikTok has struck such a chord with people, across strata. Unlike other social media platforms like Instagram or Facebook, where you are expected to showcase your best self, TikTok encourages you to be whimsical and authentic. The content that is posted is short, and without possessing fancy video-editing skills, one can showcase their creativity due to the huge variety of augmented reality filters, and special effects. If being creative also takes too much effort, users can just lip-sync on a variety of trending videos to express themselves.

     

    Because of the sheer ease of using the app, it has been an equalising social media platform unlike Instagram & Facebook, which remained bastions of the urban communities in India.

     

    This stupendous growth which is a sign of things to come, means that brands should no longer ignore TikTok from their social media strategies. 10 Commandments to help brands navigate the platform are –

     

    Commandment 1 – Optimise your profile

    There are 6 key things to take care of when optimising your profile for a brand –

     

    User Name– TikTok has two fields where one must fill their user names – the profile name at the top of the page and the unique user name. As profiles are searchable using both these names, they both should ideally be your brand name for better discoverability

    Profile Pic– should be a bright logo or picture with high contrast. This is important as the profile pic, which is displayed in the middle of the right edge of every TikTok video, risks being missed unless it is eye-catching. The profile pic also has a small follow button on the post itself, so the more it stands out, the better it is.

    Profile Bio– TikTok gives you 80 characters, for a bio. Bio should either be informative, entertaining or inspiring or a combination of the three, so as to inspire action.

    Links– As TikTok allows direct links to Instagram & YouTube pages, hence these accounts should be linked. A robust YouTube or Instagram presence also gives credibility to brands new to TikTok.

    Account Verification– TikTok doesn’t have any official application procedure for getting verified. Account verification happens organically when TikTok staff see a need or want to reward users

    Pinned post– TikTok allows pages to pin upto 3 posts to their profile. These posts should be used to highlight videos that represent the brand or the latest brand campaign.

     

    Commandment 2 – Optimise Settings

    Ensure that in your profile settings (Go to Manage Your Account), the setting is for a ‘Pro’ account, as that will give you access to analytics.

    Ensure that your account is not set to private so that people can discover your content organically (go to Privacy settings)

    Ensure that all the languages of regions aligned to the brand’s business objectives are selected (go to Content preferences). This is an important so that consumers in those markets can discover and engage with the brand.

     

    Commandment 3 – Engagement Hacking

     

    TikTok uses Artificial intelligence & Natural Language Processing (NLP) to understand the content and context of each post. This helps the platform to understand which users to serve the content to. Its algorithm has been lauded for its exceptional machine learning which has enabled its far-reaching success.

     

    It is widely understood that every time a video is posted, TikTok will show the video to a sample set of 200-300 users. From this chosen audience, the algorithm uses the rewatch rate, completion rate, comments, shares & likes, new users gained as key factors among others, to evaluate every post’s engagement ranking. On the basis of this engagement ranking it will choose whether the video should be shown to how many other users or not. However, it must be noted that it is impossible to know the weights assigned to these and how best content can be optimised because that is proprietary to the TikTok algorithm.  Best practices to increase engagement, are as follows –

     

    Completion rate & Rewatch rate are key metrics basis the current algorithm, and hence brands should create shorter but high quality videos, so that the completion rate metric is met and a viewer is motivated to rewatch the posted video, as it will barely take any time.

    Engage with viewers interacting with your content – Turn on post notifications so that you can be responsive to your followers who engage with your content.  Engaging with people who react to the post, within the first few hours of posting it, will also help to increase the post’s engagement rate. In layman’s terms, the higher the engagement, the more the post will be shown to other users, which in turn creates a virtuous circle for more engagement

    TikTok’s algorithm will down vote content which is extremely violent, dangerous, sexual, political or incendiary.  Accounts that frequently post such content also get shadow banned. In India, TikTok was banned for download, in early 2019, due to alleged pornographic content on it.

     

    Commandment 4 – Leverage the USP’s of TikTok

     

    Post frequently as on TikTok as accounts use compounded growth metrics (Likes & Views), and hence profile benefits from frequent posting.

    Brands should participate in some viral trends aligned to their brand, rather than only follow their marketing calendar to keep their TikTok community engaged.

    Make your content basis the analytics – this means its best to have a content strategy, which is responsive to the brand’s community, so as to create content, which will drive the most engagement. Hence, brands should post when their followers are active, in languages spoken by most followers, etc.

    Never delete content – Unlike other social media platforms, content on TikTok often enjoy what is knows as a ‘Delayed explosion’. This means, content posted on the platform may not go viral when its posted but see an upswing in discovery after weeks or even months.

    Follow popular trends – The short video format survives on content that is current. Hence, creating content around news stories, such as Covid, cultural events like festivals & current TikTok trending hashtags & sounds, helps in increasing discoverability

    Ensuring that content you post follows conventional how–tos of content marketing to create content with stickiness.

     

    Commandment 5 – Optimise Hashtags

    Ensuring that you keep the below n mind while using hashtags can help to increase the discoverability of your content –

     

    Use 5-6 hashtags per post – if too many hashtags are used on TikTok, then the caption moves up and the vertical frame looks crowded  & unaesthetic. If too few hashtags are used then it means decreased discoverability.

    :: Use hashtags relevant  & popular to posted content

    :: Use trending hashtags – TikTok shows the highest trending hashtags on its ‘Discover’ button. Hence, using relevant trending hashtags increases discoverability

    :: Use hashtags related to popular keywords for which your brand is discovered.

    :: Use long tail hashtags – a long tail keyword is a phrase that is longer and more specific to search queries. Long tail keywords get lesser traffic but have higher engagement, as they are so specific. For example #howtobakechocolatecake is a long tail keyword as compared to #baking, which is a general keyword

    •  Add hashtags relevant to your brand, for e.g. competitor’s hashtags to ‘Favourites’ so that you can monitor them

     

    Commandment 6 – Using TikTok Music

     

    TikTok allows you to use a variety of sounds in videos. These sounds can be songs, dialogues, and variety of other sounds, which can be used as background music or audio tracks to lip-sync to.

     

    Music is key to TikTok videos. The more times the algorithm sees people using a particular audio track, the more it’ll feed your song to new viewers, thereby creating a virtuous circle of virality.

     

    This chain reaction has helped lots of otherwise overlooked songs go viral on TikTok. Music labels are now releasing snippets of songs on TikTok alongside their release, as it helps drive massive discovery and virality for original music. For example, the Baadshah and Jacqueline Fernandes song, Genda Phool, released in March 2020, amassed 250+ million views on YouTube, in a month of release, helped in part by its massive reach on TikTok. Brands can use music in the following ways

     

    Use pre-existing and new audio tracks – As a brand, background scores, catchy brand jingles and witty repartee as dialogue form a key part of marketing communication. It is hence advisable to leveraging ads to create original content – Popular jingles & ads from the past, as well as new original audio tracks, when launching new campaigns. Creating engagement for the brand jingle can help to drive discovery for the campaign.

    Use trending sounds  – they are a way to get your content discovered as they have a proven track record of getting engagement. As they use sounds which are already trending your content has a higher probability of being on the ‘For You’ page of users which have engaged with the sound

     

    Commandment 8 – Be creative

     

    Ideas are central to the TikTok experience. Videos can be uploaded or created in-app with stop and start recording, timers, and other tools. Live streaming is also an option. Users can add visual filters, time effects, split screens, green screens, transitions, stickers, GIFs, emoji, and much more.

     

    TikTok which initially started as a lip-sync app has evolved to house content across industries – for fitness enthusiasts, bakers, photographers, salsa dancer et al

     

    Hence brands should create content strategies accordingly.

    Branded Hashtag Challenges 

    These campaigns encourage users to create videos around a specific hashtag, often using a specific song or set of dance moves. in 2019, Pepsi used TikTok as their primary platform for promoting their new brand anthem with the tagline ‘Har Ghoont mein Swag’. The campaign anthem was sung by 2019’s most popular Bollywood Punjabi singer, ‘Baadshah’ and the music video starred popular Bollywood youth icons & social media influencers, Tiger Shroff & Disha Patani. The campaign required users to recreate the trademark dance move of the song which was called the  #SwagStepChallenge. The campaign was a huge success, with 240+ million views and over 15,000 user-generated videos within 24 hours of its launch. The campaign also naturally spilled over to Instagram, where it received 20+ million views. The campaign remains one of TikTok’s most successful brand campaigns in India.

     

    Branded lenses

    Brands can partner with TikTok to create 2D and 3D lenses for users to “try on” and share. Doing so also lands companies in the Trending section of the Discover tab for 10 days. Pepsi used branded lens in a followup campaign to the #SwagStepChallenge called #SwagSeSolo

     

    Commandment 7 – Get inorganic reach via Ads & Influencers

     

    As the TikTok platform is relatively new and nascent, both the popular modes of getting inorganic reach i.e. Advertising & Influencer Marketing give better ROI than more mature social media platforms like Instagram, Facebook & YouTube.

     

    Influencer Marketing on TikTok

    Ensure the influencer’s audience demographics is aligned to you brand

    Use cloutmeter.com to assess profiles. Typically, a good engagement rate is upwards of 5%

    Influencers are relatively underpriced basis influencers with similar reach and followers on YouTube & Instagram, as the platform is still nascent

    Accounts which can be categorized as ‘Influencers’ differ basis social media platforms, i.e. an Influencer on Instagram may not enjoy similar reach on TikTok, and hence influencers should be defined basis the platform

    Leverage your existing PR & social media agencies for influencer marketing as many have started to offer these services as well. Specialist Influencer marketing agencies have also sprung up, but the industry us still nascent

    Beware of fake influencers –

    Likes to Followers ratio – On TikTok, as organic reach of quality content is a key feature of the app, the average Likes should always be a multiple of the Followers.

    Check for genuine followers – scan followers to check if they are genuine or bots (typically have with no profile pictures and followers, but will be following a lot of people)

     

    Commandment 8 – Use developed social media communities from other platforms to drive growth

     

    Most brands have been using social media on other platforms and have invested considerable energies in developing robust communities. Developing synergies across their content and community can help jumpstart reach on TikTok via –

    Repurpose content posted on other platforms – Brand having presence across multiple different social media platforms will already have a robust marketing calendar, and multiple pieces of original and quality content per platform. Repurposing the content o create short videos will help build a brand’s community on TikTok and utilize resources, effectively.

    Share original content created for TikTok on Instagram – TikTok allows accounts to share their posts on Instagram using TikTok’s built-in “Share to Instagram” feature. This moves the TikTok watermark and crops the frame of the video to make it suitable to the Instagram user interface. Resharing such posts can help make your community on Instagram also follow you on TikTok.

     

    Commandment 9 – Don’t confuse TikTok for Instagram

     

    • Content discovery is central – TikTok’s default screen is the ‘For You’ page of trending videos customized basis a users’ browsing habits. The platform is customized for discovery of ‘viral’ content. This is similar to Instagram’s second tab of ‘Search & Explore’

    • Allows you to be whimsical – Mainstream platforms like Instagram & Facebook have focused on presenting a curated image of your brand persona. TikTok allows and celebrates brands, truly with #NoFilter, allowing the brand to showcase more whimsical content.

    • TikTok helps to reach audiences in tier 3 and 4 cities – generating content and going viral is easier than other social media applications. Even if you’re a new user or an inexperienced video maker with a low-quality phone camera, the world of TikTok embraces you.

    • As the platform is still at a nascent stage, it allows for easier and more organic discoverability and reach

     

    Commandment 10 – Underused features of TikTok – Lives  & TikTok coins

     

    TikTok like Instagram, Twitter, Facebook & Youtube also offers pages the option of going ‘Live’. This feature is accessible only when an account gets 1000 followers. Brands will soon start to leverage TikTok Lives as well. Livestreams can be hosted by users are older than 16 years. Only those aged above 18 years can purchase, send, or receive virtual gifts.

     

    Lives on TikTok, have an interesting feature, where viewers are allowed to give virtual gifts to the page. These gifts can be purchased using TikTok Coins. The price for these coins at the user’s end is approximately INR 100 for 80 coins.  Diamonds are a measurement of the popularity of the relevant. On the basis of the gifts, Content Provider receives, Diamonds get accrued to the content creator’s account at a rate of conversion determined by TikTok.  Users cannot purchase Diamonds. These ‘Diamonds’ are exchangeable for currency.

     

    Pictures taken from public feeds of users on TikTok, TikTok Newsroom & pexel.com

     

    Bhuvi Gupta is a marketer with 10 years of work experience, of which the last 6 have been in the media & entertainment industry. She has been a part of many launch marketing campaigns with experiences at the Times of India group, Republic TV and the latest in marketing a Bollywood film.

     

     

     

  • NBA expresses concern over threat faced by news reporters (+MxM View)

    By A Correspondent

     

    The News Broadcasters Association (NBA) has raised concerns on the tendency among people belonging to a certain section of society resorting to abuses and threats against anchors and reporters working in news channels.

     

    Notes a statement: “Anchors and reporters working in news channels are being specifically targeted through social media platforms like WhatsApp, TikTok and Twitter. There are videos circulating on social media in which some religious preachers are naming some TV news anchors and threatening attacks on the reporters of those channels. The NBA strongly deplores this pernicious trend in a section of society and appeals to the government and law enforcing agencies to take immediate preventive action against such anti-social elements.”

     

    MxM View: We think the NBA should also ask some of its member-channels to exercise caution in the headlines and direction of its news reports. Yes, it was congregation of a certain religious community, but one needs to be careful that you don’t damn the entire community.

     

     

  • ETMoney’s ‘Tax Ka Bhoot’ highlights common man’s struggle with taxes 

    By A Correspondent

     

    ETMoney has launched a rap song featuring TikTok star Yuvraj Singh, aka Baba Jackson and actor Biswapati Sarkar on the average Indian’s fight against the ‘Tax Ka Bhoot’ haunting their lives.

     

    The video is conceptualised and produced by RVCJ Digital Media in partnership with the ETMoney marketing team led by COO Santosh Navlani.

     

    Said Santosh Navlani, COO & Head of Marketing ETMoney: “Taking our tax campaign ahead in its final phase in run-up to March 31 deadline, we have launched India’s first-ever rap on tax. The primary motivation to become financially savvy for our mobile-first millennial users is to  ‘avoid the pain of tax deduction’, and this led to the idea of the video that highlights the pains of Indian taxpayers and what they can do to avoid them.”

     

     

  • IAMAI hosts third edition of Pixels 2020 on digital entertainment

    By A Correspondent

     

    IAMAI conducted the third edition of Pixels 2020 last week to deliberate on the next phase of growth for the digital entertainment industry. The industry is now at an inflection point, and according to a recent study, the digital entertainment industry is expected to grow at 29.1 per cent between FY19 and FY24 to reach INR 621 billion by 2024. With more than 30 OTT players and 10 music streaming apps in existence catering to various entertainment and media demands, Indians are consuming content across an array of digital formats and platforms.

     

    Setting the context, in his keynote address, Nikhil Gandhi, India Head of TikTok, said: “The last year has seen a sharp growth in short video consumption and added to a big increase in overall watch time for online video. This phenomenon has also given rise to a rich content creator ecosystem which has seen big success with short video,” he added.

     

    In a panel discussion on Battle of Web Series – Aiming for 100 Crore Club, speakers discussed about how revenue gets attributed in developing a web series and all the nooks involved around creating one. They also discussed how branding and culture of such shows has immensely helped and lead to monetization in the business. Discussing on the various aspects of the digital space, the panelists shared their thought on how different business is growing and helping in creating a new system.

     

    On a session on Trend Alert – Children’s Content key panelists like Abhishek Dutta, Senior Director & Network Head – Cartoon Network & Pogo, South Asia; Uttam Pal Singh, Head – Discovery Kids, Discovery Communications; Saugato Bhowmik, Business Head, VOOT Kids gave insights on how localisation of shows has actually helping their businesses to grow and adding multiple levels to it like content in local languages has helped the industry to grow. The speakers gave an insight that around 20 per cent of the business caters to the kid’s section and how crucial it is provide correct content for them.

     

    A fireside chat was also held with actor Amol Parashar, where he enlightened the audience how digital space has actually helped him evolve as an actor and has given him that space along with the flexibility without putting any particular constraints.

     

    The conference also saw other speakers including Ajay Chacko, Co-Founder & CEO, Arré; Nagesh Banga, Deputy Country Manager, BIGO LIVE; Paras Tomar, TikTok Creator & Founder, Nuskhe by Paras; Ali Hussein, CEO, Eros Now ; Hiren Gada, CEO, Shemaroo Entertainment Limited; Sameer Hanchate, Filmmaker, Sameer Hanchate Filmmaker  ;Vivek Jain, COO, MX Player ; Abhishek Dutta, Senior Director & Network Head – Cartoon Network & Pogo, South Asia ; Kumaresh Bhatt, Co-Founder and CEO, UR Popular; Uttam Pal Singh, Head – Discovery Kids, Discovery Communications and Saugato Bhowmik, Business Head, Voot Kids among others.

     

     

  • Hair & Care celebrates the joy of open hair with #KhuleBaalBefikar

    By A Correspondent

     

    Marico Hair & Care launched a new campaign titled #KhuleBaalBefikar that celebrates the joy of open hair. A key element of this campaign was the TikTok challenge that went live on November 23.

     

    Speaking about the campaign, Koshy George, Chief Marketing Officer – Marico Limited, said: “At Marico, our priority is to understand consumer mindset and accordingly develop an insight-driven campaign. Hair & Care is a young, fun brand for audiences who like to enjoy every moment in their lives fully. These consumers are always looking for entertaining content on the new-age social media platforms and are willing to adopt new trends. Our media mix was hence devised scientifically keeping in mind newer formats that would gain engagement from our core consumers. TikTok is one such platform that has helped us drive our brand narrative – #KhuleBaalBefikar in a fun, engaging, short-video format.”

     

    The film was conceptualised and shot by BBH India with Chrome Pictures and is currently on air in Hindi speaking markets. Commenting on the campaign, Subhash Kamath, CEO & Managing Partner, BBH India, said: “Hair & Care has always been an exciting brand for us. It is young and fresh and demands a very different approach from regular hair oil advertising. The brief was simple and clear and we had fun creating this campaign. The promise of ‘Khule Baal Befikar’ isn’t just a functional promise. It symbolises the sense of freedom and expression of our youth audience. So it was important to make it fun and entertaining, and the creative delivered beautifully on that promise.”

     

     

  • TikTok partners GoIbibo for its Diwali offering

    By A Correspondent

     

    TikTok has announced its collaboration with GoIbibo to make this festive season special for its community of over 200 million users. TikTok has launched Diwali-themed stickers that will be available for users to create personalized greetings using #TikTokDiwali. The users with the most creative greetings will win rewards ranging from goCash+ to domestic and international travel packages provided by GoIbibo. The campaign is live from October 19 to 28.

     

    Said Sachin Sharma, Director of Sales and Partnerships, TikTok India: “At TikTok, we encourage our community to share their special moments on the platform. Through our collaboration with GoIibibo, we want to make those moments even more joyous for our over 200 million users. We are excited about this partnership and look forward to seeing our users share warm yet quirky Diwali greetings for their friends and family.”

     

    Added Sunil Suresh, Chief Marketing Officer, Goibibo: “We are delighted to partner TikTok to make this Diwali extra special and engaging for our travel community. Traveling is an experiential way to create new memories. The essence of our collaboration is to give an opportunity to the TikTok users to get creative, share their happy moments with the community to create exciting new memories. GoIbibo hopes to add in the energy and vibe to the festival with this campaign.”

  • Voot works it up with TikTok

    By A Correspondent

     

    OTT platform Voot has collaborated with short video service TikTok to make B-town favorites sweat out secrets as they ditch the usual couch and ‘Work It Up” in a new celebrity chat show – TikTok India presents “Work It Up”. Hosted by Sophie Choudry, the show will go live starting October 13 on Voot.

     

    ‘Work it Up’ is produced by Voot Studio which offers advertisers and brands creative, production expertise and interactivity offerings.

     

    Said Akash Banerj, Head – AVOD Business, Voot: “Voot has continuously created content that is immersive and provides an ideal opportunity for brands to integrate and effectively deliver their brand proposition. The recently launched Voot Studio is focused on leveraging this story telling capability by providing high engagement, innovative and relevant brand solutions for advertisers beyond the conventional 30-seconder format. Work it Up created in association with TikTok India is one such initiative that will entertain while educating viewers.”

     

    Added Sachin Sharma, Director-Sales and Partnerships, TikTok India: “#EduTok was conceptualised with an aim to ensure that learning becomes fun and engaging. Fitness is a popular and prominent category among on TikTok’s #EduTok. We are thrilled about our collaboration with VOOT as it’s the perfect platform to encourage people to adopt fitness as a lifestyle and inspire them through some of their favourite celebrities. We are excited to see the reaction of our users for the show and look forward to being a part of something that is entertaining and trendy yet inspirational.”