Tag: Rajesh Kejriwal

  • ‘Giveback’ theme of Kyoorius Creative Awards 2024

    It’s difficult to believe that the Kyoorius Creative Awards is happening without Anant Rangaswami.  While it’s the energy and drive of Kyoorius whole-and-soul Rajesh Kejriwal, its Rangaswami (Anant, to his friends) who ensured that the Kyoorius becomes a name to reckon with in adland as well. Until then, the paper merchant had earned its stripes with an excellent conference for the folks in design. Called Kyoorius Designyatra.

    Happening this evening (Friday, May 24) is the 11th edition of the Kyoorius Creative Awards (KCA). As many as five dozen jurors populated the juries for varos disciplines and categories. All the jurors are listed at: https://www.kca.kyoorius.com/kca24-jury. KCA has also introduced the Next Jury, a group of six creatives from the industry who were given a chance to attend and shadow a jury group from start to finish. According to a communique, the aim of the exercise is to expose participants to the nitty-gritties of the judging process, and help them understand what it takes to be a juror – to be able to distinguish great from good.

    So what’s new this year? “Besides various tweaks to the existing and popular award disciplines and categories, the eleventh edition of the Kyoorius Creative Awards also introduced new specialist awards for Health and Pharma, Regional Advertising and Creativity In PR.”

    And how many entries? Kyoorius received over 3600 entries from over 280 entrants to the awards this year, the highest ever since it started. Only 1060 entries made it to the First List after the first round of online judging.

    What else is new? The GiveBack initiative. For every entry that did not make it into the First List (i.e. beyond the First Round of judging) at the KCA, Kyoorius is giving back 50% of the entry fee to the entrant. According to an industry insider, Kejriwal is said to be paying back around Rs 1.25 crore to entrants.

    Post the in-person jury session, 282 entries emerged as winners of the Baby Elephant (In-Book winners). How many win a Blue Elephant, or if a Black Elephant (equivalent of a Grand Prix) will be seen at the Awards Night. There are no golds, silvers or bronze medals. Instead, only the work that deserves recognition wins an Elephant.

    “GiveBack was not just a campaign idea for us – it was a way to recognise the pain points when it comes to award shows. We’ve already started the process and entrants are receiving their GiveBack money. We took this initiative to make the Kyoorius Creative Awards more accessible to smaller agencies and have recorded the highest number of entries this year,” said Rajesh Kejriwal, founder and CEO, Kyoorius.

    And, yes, Zee is the sponsor of the Kyoorius Creative Awards. The fact that it continues to be its primary benefactor despite all that the entertainment conglomerate  has gone through speaks a lot for Zee and Kyoorius. And the friendship of the two bosses.

  • W+K on Kyoorius awards initiative

     

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    This yea, Kyoorius Creative Awards has introduced a special initiative to empower younger, growing agencies. For the first time, participants whose entries don’t make it past the first round of judging have a special incentive – they will get back 50% of their entry fee, per entry. This is also the year when newer kinds of participation are being encouraged, be it for regional or pharma.

    Kyoorius’s agency, Wieden+Kennedy India, felt this was an apt opportunity to take this brief to the next level. Said Santosh ‘Paddy’ Padhi, CCO of Wieden + Kennedy India: “Kyoorius has grown beyond an award, it has become the industry’s voice. That’s why this year’s campaign isn’t just about the award, it’s about addressing the uncomfortable realities in advertising and igniting the change it needs.”

    Added Rajesh Kejriwal, Founder of Kyoorius: “When I heard of Paddy’s brainchild, ‘Give Back’, it struck a chord with me. I know the world of Indian advertising is going through its toughest challenges and if we all don’t take ownership of our problems, if we don’t introspect and evolve, then who will?”

    Said Yogesh Rijhwani, ECD of W+K Mumbai: “Our creative team found a way to express each hard-hitting message through some stunning typography, which has become the visual voice of the campaign. We enjoyed the love, especially for craft, in the comments sections of these posts.”

  • Kyoorius Creative Awards held

    By Our Staff

     

    Kyoorius announced the winners of the 2023 Kyoorius Creative Awards held last Friday in Mumbai.

     

    Post a two-week virtual jury session, and a two-day in-person judging offsite in Alibag, off Mumbai, that brought the entire 45+ member jury together, 290 entries were shortlisted as winners of a Baby Elephant.

     

    Of these Baby Elephant winners, 81 entries were awarded Blue Elephants, while one entry was awarded a Brass Elephant for the Creativity for Good category. There were no Black Elephant winners at the 2023 Kyoorius Creative Awards.

     

    Five entries were awarded Purple Elephants for the ZEE Equality Award presented by Indian Creative Women.

     

    Over 3200 entries were submitted this year to the Kyoorius Creative Awards. The entries come from 381 entrants from 286 companies, including brands, network agencies, independent agencies, creative hotshops, media agencies, production houses, PR firms, event and activation agencies, and even freelancers.

     

    Said Rajesh Kejriwal, founder and CEO, Kyoorius: “My heartfelt congratulations to all the winners this year. The jury debated, deliberated and discussed each entry before them through our comprehensive four-round judging process. While it’s disappointing that there was no Black Elephant winner this year, I do hope this acts as a catalyst for truly disruptive creative work in the future.”

     

    The tenth edition of the Kyoorius Creative Awards also commemorated Padma Bhushan music composer, record producer, singer, songwriter, musician, multi-instrumentalist and philanthropist, AR Rahman, with the Master of Creativity award. Instituted in 2018, the Master of Creativity award recognises a stalwart who has continuously contributed to make the marketing and communication industry more creative in whatever they do.

     

    Presented by Zee, the 2023 Kyoorius Creative Awards Night brought together an audience spanning the advertising, broadcast, communications, digital, marketing, media and pub*lishing industries from across India to celebrate the best of Indian creativity.

     

  • Kyoorius partners with ‘Indian Creative Women’

    By Our Staff

    Kyoorius has announced its partnership with Indian Creative Women, an independent forum working on amplifying the percentage of women creative directors in the Indian Advertising and Design industry. In collaboration with them, Kyoorius has come up with a host of initiatives that will boost gender equality on their stage and in the industry.

    One of these is the Zee Equality Award – The Purple Elephant, which will recognise and reward work that has addressed and impacted gender inequality in India through innovative thinking. The colour ‘purple’ signifies justice, dignity and has been historically associated with efforts to achieve gender equality. The winners will be decided by a special jury to be announced shortly.

    Said Sakshi Choudhary, Founder – Indian Creative Women: “Kyoorius is one of the most credible and influential award bodies in Asia. Every year, it brings powerful brands and agencies of India on one platform. We’re delighted to partner with them to drive real change. This year, they are a shining example and a true benchmark of what this industry can achieve on gender diversity. Our wish is to see each decision-making room in agencies as balanced as the Kyoorius jury room this year.”

    Added Rajesh Kejriwal, Founder and CEO, Kyoorius: “We have, since inception, been cognizant of the role of a platform like Kyoorius in achieving gender balance and equality in everything that we do. We are delighted to partner with Indian Creative Women for the Purple Elephant Award. In addition, we are also delighted that Zee Entertainment has enthusiastically agreed to support the Purple Elephant initiative.”

    Details of the judging criteria for the Purple Elephant are available on the site.

    Meanwhile, in 2022, Kyoorius will also recognise the innovative efforts of agencies and brands to hire, retain and promote women into leadership. This will include introduction of new policies that organizations have introduced to consciously give women within the industry an equal opportunity.

  • Entries for the 2021 Kyoorius Creative & Digital Awards now open

    By Our Staff

    Kyoorius  has announces entries to the 2021 Kyoorius Creative Awards from across India under the Kyoorius Advertising Awards and the Kyoorius Digital Awards are now open.

    Said Rajesh Kejriwal, founder and CEO, Kyoorius: “After a very difficult 2020, the environment is now improving with the roll out of vaccinations across the country and the country slowly getting back to some sort of ’normal’. If we go by the acts and developments regarding Covid and the vaccine, it’s clear that things are getting better. It’s getting better all the time. As a result, we felt that it was time to go ahead with the 2021 edition of the Kyoorius Creative Awards while reflecting the compulsions of the environment,” said Since 2013, the bedrock of the Kyoorius Creative Awards has always been the composition of its jury and transparency in the judging process,” adding “This year, jurors include Aditya Kanthy (CEO & MD, DDB Mudra Group), Ajay Gahlaut (Independent Creative), Arun Iyer (Founding Partner, Spring Marketing Capital), Gautam Reghunath (CEO, Dentsu Webchutney), Gayatri Yadav (CMO – India & SEA, Sequoia Capital India LLP), Harshad Rajadhyaksha (CCO, Ogilvy India), Josy Paul (Chairman & CCO, BBDO India), Krishnan Menon (Chief Client & Growth Officer – APAC, Wunderman Thompson), Laura Jordan Bambach (President & CCO – UK, Grey), Partha Sinha (President – Response, Bennett, Coleman & Company Ltd), Rajiv Rao (Director, Nirvana Films), Robert Godinho (MD, MediaMonks India), Satbir Singh (Founder & CCO, Thinkstr.in), Sneha Iype Varma (Executive Producer / Partner, Nirvana Films), and Tripti Lochan (Co-CEO -Asia, VMLY&R). More jurors will be added and announced soon. “

  • Zee Melt to be held online, on Sept 3 & 4

    By A Correspondent

     

    Kyoorius and Zee have announced the 2020 edition of Zee Melt, which is scheduled to be held virtually on Septemeber 3 and 4.

     

    The organisers have lined up industry stalwarts like Chuck Porter, Rory Sutherland, Sir Martin Sorrell, Vikki Ross, Fernando Machado, Beth Ann Kaminkow and Laura Jordan Bambach amongst others. Keeping in mind “economic realities”, entry to the event is priced at Rs 2950 (US$39).

     

    Punit Goenka and Rajesh Kejriwal

    Speaking on the association of Zee Entertainment with Zee Melt, Punit Goenka, MD & CEO, ZEEL, said: “We have been proud partners of MELT since inception and have seen it grow in stature and influence. We’re delighted that, together with Kyoorius, we have adapted to a complex environment and ensured that the sharing of knowledge continues.”

     

    Added Rajesh Kejriwal, CEO, Kyoorius: “We have taken advantage of the amazing adoption of digital communication and developments in tech to create a world-class conference with the finest speakers from across the world. We have also tried to address a global audience through convenient scheduling and relevant content.”

     

    Anant Rangaswami

    Said Anant Rangaswami, Editor, Melt: “We continue with the philosophy, since inception, of taking into account the long tail of interest of the communication professional. This will be clearly visible in the curation of speakers, panel discussions and workshops.”

     

  • Kyoorius Creative Awards in digital form. Entry fee: 1.5k+GST

    By A Correspondent

     

    Kyoorius Creative Awards are happening, albeit in digital form.

    Punit Goenka

    Said Punit Goenka, Managing Director and Chief Executive Officer of Zee Entertainment Enterprises Limited: “We understand and acknowledge the challenges faced by the entire creative fraternity and this disruptive step is being taken to enhance the participation levels while significantly reducing the award entry budgets,”

     

    The entry fee will be Rs 1500 per entry, exclusive of taxes.

    In addition to reducing the fees, Kyoorius Awards will donate a minimum of 2000 PPE kits to authorities in Mumbai, Delhi NCR and Bengaluru on behalf of the advertising community of India. The first consignment of 500 PPEs has been delivered in Mumbai.

     

    Rajesh Kejriwal

    Added Rajesh Kejriwal, founder of Kyoorius: “Obviously, we debated whether the Award should, indeed, be held this year. After much thought, we decided that the Awards should be held, at the same size and scale as previous awards, but taking into account the realities of the post-coronavirus world that we live in,” adding: “The major change will be in the judging process. “While the quality and composition of the jury will be similar to previous years and will see both Indian and international practitioners assessing the work, the jury sessions will be online and virtual… It is a difficult time for all businesses including advertising, and we hope the Kyoorius Creative Awards plays a small role in the upliftment of the mood of the industry and all those who work in advertising and marketing, especially the younger professionals,” added Kejriwal.

     

    The key milestones and dates are as follows:

    Call for Entry Resumes – Monday, June 15, 2020

    Entries Close – July 15, 2020

    Jury Session

    First Round – July 31 and August 1, 2020

    Final Round – August 7 and 8, 2020

    Awards Night – Friday, August 28, 2020

  • ‘If everyone profits, there will be no fatigue’

     

     

    Rajesh Kejriwal isn’t your typical advertising industry maven. He says he is a businessman first, but interesting in adding value to the fraternity’s lives. While he is a popular face in the trade thanks to his advertising awards and ZeeMelt conference, what earned him much respect and fame was the Kyoorius Designyatra, the annual design fest that he has been conducting for over a decade (14 years!). We caught up with him a few days before this year’s edition which starts today (Thursday, September 19) in Goa. Read on… 

     

    How’s this year Kyoorius Designyatra different the ones you’ve had thus far? 

    In terms of the curation and speakers, not much difference. It is the same as every year. We we research a diverse mix of speakers and we get them. The number of speakers is the same as earlier. But having seen the ground reality or the so-called sentiment or recession or market bloodbath as it is happening, we decided we will take two steps forward and see if we can save the delegates some money. So instead of starting in the morning at 9:30 as we do every day and every year, we are starting the first day at 5 pm, which reduces the cost of one day’s stay for people and saves them one working day. So, we start at 5 but the number of speakers are still the same … 23-24 or whatever we have every year. We end the first day late in the evening at 9 and then there is dinner etc. for everybody. And other than that, if you ask me what the difference is: well, we have a little less registrations than every year because every corporate has come back with lesser numbers than last year. The design community is the same, the student community is the same, the young blood community is the same. We filled those gaps but the corporate community number has dipped.

     

    So blame it on Narendra Modi?

    Ha Ha… Whatever

     

    But one thought the design folk wouldn’t be as impacted by the slowdown as, say, the advertisngwallahs,right?

    Design unlike advertising is more long term, so  there may be no short-term impact in design. Whatever is planned is planned for a longer term. So, impact-wise I don’t think designers lose too much of business. They may lose a bit of revenue because of the client bargaining a little more and cuts in budget. But I think real estate has been a bit of a dampener for the design community. Because, there was a huge amount of work happening out of real estate where they were paying a lot of money. That’s completely vanished.

     

    How many of the people you get at Designyatra are repeats? 

    Yes, about 50% of 12-1300.

     

    Has that changed at all?

    Quite a bit. For the first six years, we had 80-90% repeat. From 2011 till 2015 we had about 50%. Now it’s come down to about 30% repeat.

     

    Oh 

    Yes, 70% new.

     

    Does that indicate anything at all? 

    Well, I think there are two or three reasons. If you see every year we sponsor 300 students or subsidise 300 students heavily. The student community keeps changing so there is no repeat there. Most of the students are in their final year and after they graduate their company many not sponsor them. Also, earlier about 400-450 were from corporates, this year that number has fallen by 250. Only 200 are coming.

     

    No event organiser talks so openly about the downers. But you are pretty open about it?

    I don’t think it is negative news. It is market relevant. It’s relevant to the market today. I have never said I have 1000 people, I have never said I have 1500 people. If I have 1000,  I have that number. So be it. And if I’ve got less this time, I’ve got less. Big deal! It’s relevant to the context of today’s market scenario. The sentiments.

     

    Is that going to impact your bottomline significantly?

    Of course, the costs are the same. There is no change in our costs.

     

    So, reducing the time to half day hasn’t helped you very much?

    Has not helped me one bit in terms of costing. It’s the same number of speakers, same number of nights, same number of lunches, same number of dinners. No change.

     

    Interestingly, while in the rest of the A&M domain, there has been some fatigue in terms of attendance in conferences, this hasn’t impacted Kyoorius Designyatra. What do you think is the reason for this?

    I don’t think it is right to say there is a fatigue in media conferences. I think the fatigue is there where the events are not curated well, not researched well, not made relevant to the changing scenario every year. If you go back and see Designyatra…. Way back when we started, we just looked for legends globally and we brought the legends here. With the internet opening up, the legends were not that relevant as much as the people who were doing new work. Today if you see, we are getting some inventors who have at the age of 17 have done great work. There is one Indian at age 17 has invented two or three things which are truly groundbreaking. So, if you research well, curate well, have a diverse set of speakers and ensure that the people go back from the conference and have profited from being there year on year, I don’t think fatigue will set in. You look at it this way, there have to be three profits that event organiser has to look at. Most event organisers look at their own profit. But unless they look at profit for the organiser, which is correct….profit for the delegates, and profit for the speaker, there is no overall profit. You ensure that the speaker gets something out of coming to the event. Delegates come to Design Yatra and get profited by being there and the event organisers obviously profits from both revenue perspective and satisfaction perspective then I don’t think fatigue will set in anytime.

     

    There is a definite difference in the kind of audience which comes in  for Zee Melt.. there is hardly any one standing outside in the Designyatra

    There is a difference between Melt and Designyatra. Designyatra is a very linear conference… just one hall and every speaker speaks in that hall. There’s nowhere else for anybody to go. Also, the destination, it’s in Goa. So people have left whichever city they are in and they have come into there. There’s nothing much to do and they are there. And unless there is a speaker who is totally not relevant to them or etc, they may walk out but other than that there is nothing that’s not happening there that is not relevant to them. In Melt there are many disciplines… Designyatra addresses only design. And there are only people there who are interested in design. There is no grey area for anybody. But if you look at Melt there could be a big name speaker but speaking on measurement and measurement is not interesting for more than 100 people. Or there could be something on Ad Fraud. So there are multiple halls…multiple sessions on diversity etc etc…and there are some sessions which are relevant for only a few. I seriously believe that the world of advertising and marketing cannot have a linear conference. And all advertising and marketing conferences that are still being linear will face fatigue.

     

    And with Design Yatra it is a linear conference… although even design has changed considerably 

    Correct!

     

    So are you at any point of time looking at changing that also?

    Maybe. We are exploring how can we make it more experiential. We are not changing from linear to something else but we are looking at how can we make it more experiential. So, can I take another hall and do something more … there is one hall where the speaker comes and talks which also great for the students…. But can I take another hall and so something more for the students…. Can I take another hall and do something more for the young professionals between 23-28, whose learning curve is something different from that of the student. Likewise can I take another hall and do something for the age group of 35-45  who think they know it all but don’t know it all because they are not so used to technology as the youngsters are…. So they need to learn. There are 45 year old designers who don’t know what Instagram is. So there is something that I can do to help that curve. So these 3 buckets is something that we may change over the next 2 years.

     

    And do you follow the same rules that you don’t repeat people for 7 years.

    Yes. At least five years.

     

    And, how much time does the curation of Designyatra take?

    One full year. We have five speakers confirmed for next year. The work for the next year has already started. The dates for next year are already frozen. And you can’t….if you do that in two months time it can never happen.

     

    But it will be Goa? You want to stick to Goa?

    Next year is our 15th year so we are exploring different locations.

     

    You’ve done Jaipur in the past.

    I think Jaipur was not a wrong choice. Jaipur worked because Jaipur as a city has character and that’s great for designers.

     

     

  • Old favourites star ar Kyoorius Awards

     

    By A Correspondent

     

    It was a night when some old favourites came off with flying colours. Ogilvy, which has been winning top honours at the Kyoorius Creative Awards, won 15 Blue Elephants, while Dentsu Webchutney bagged 14 Blue and one Black Elephant. Wunderman Thompson (eka JWT) went home with 11 Blue and one Black Elephant. DDB Mudra bagged 12 Blue Elephants and Famous Innovations won 11 Blue Elephants. The Black Elephant is awarded to work that’s truly exemplary across all disciplines.

     

    Overall 2600 entries were received for the 29 categories. A total of Two Black Elephants, and 302 In-Book Winners were awarded. DDB Mudra Group took home 12 blue elephants. Wunderman Thompson India won 11 blue elephants, and Famous Innovations took home 11 blue elephants. All In-Book winners take home Baby Elephants and are featured in the Kyoorius Awards Annual.

     

    The Kyoorius Creative Awards are organised in association with The One Club of Creativity, organisers of the One Show, the aim of creating a truly neutral and transparent platform to reward the best in Indian advertising, media and digital creativity.

     

    Commenting on the awards, Rajesh Kejriwal, Founder & CEO, Kyoorius said: “We are proud to present the Kyoorius Creative Awards to such talented professionals who have managed to change the way society thinks through their unconventional, out of the box concepts that redefine standards for the advertising industry. We have always positioned ourselves as an organization that rewards and recognises impeccable work that steers public perception. We congratulate all our award recipients and thank the jury for accomplishing the insurmountable task of selecting winners from an exceptional pool of talent.”

     

  • 1 Minute View: Nice, pre-audit idea. Hope it works

    1 Minute ViewIf it works, it will do the industry a world of good. Obviously, there’s some money to be made by the people who’ve created the concept and are executing it, but those are small monies considering the amount that can be saved.

     

    Rajesh Kejriwal’s Kyoorius has come with the idea of The Shortlist, an attempt to advise advertising agencies on whether the work they wish to enter in major international and national awards stand a chance. This will be a confidential report given to the agencies who send in the entries for an appraisal. No awards night. No metals awarded. Comprising the jury will be global and desi greats who’ve been part of the jury at some of the best awards in the business.

     

    While Kejriwal sent us a communique which had many biggies in the business endorsing the concept, one needs to figure how well it works. For, if an agency goes ahead and enters work that the Shortlist jury may not have found metal-worthy, it would defeat the exercise. But for that we need to give the concept a chance. Here’s to Kejriwal and Kyoorius for a winner idea.

     

     

  • Will adland buy Shortlist?

     

    By A Correspondent

     

    It’s an initiative that will help agencies manage costs in the area of awards entries. Entries to awards – especially the international ones – cost loads of monies, and in times when agency budgets are shrinking and client fees are touching a new low, this could well be a, well, Whattan Idea Sirji development.

    So basically there will be a group of 27 judges – Indian and international – all of who have been on the juries of major awards – who will tell agencies in confidence if their entry has it to win a metal in the global or desi awards.

    There’s a small catch though: in order to save big monies, you need to pay small monies. So in order to get the expert view from The Shortlist’s jury, you need to pay Rs 4000 per entry. The decisions of the jury will be confidential and there will be no awards event, release of lists etc.

    Rajesh Kejriwal

    Rajesh Kejriwal, Co-founder and CEO, Kyoorius is ecstatic about the idea. “All the people in the agency business we spoke with – CCOs and even CFOs – love the idea. Awards are expensive investments – the reasons for entering an award show are many. As the economic climate in which agencies operate gets tougher, wiser decisions have to be made to ensure better ROI. The Shortlist provides valuable feedback and validates what eventually can or should be entered into awards shows.”

    The smart businessman that Kejriwal is has perhaps hit a winner idea. The communique that his office sent us was loaded with near-endorsements. Josy Paul, Amer Jaleel, Santosh Padhi, Bobby Pawar… all the gods of the business. And since it’s Kejriwal and Kyoorius, obviously the blessings of Ogilvy will also be there.

    The Shortlist has been set up in partnership with Zee Entertainment Enterprises Ltd, and with the support of The One Club For Creativity, organisers of the One Show and the ADC Awards. Kyoorius has now allied with The One Show to power its awards. It was earlier tied up with D&AD.

    Said Kevin Swanepoel, CEO, The One Club for Creativity: “The Shortlist is a highly useful new resource that will greatly assist creative directors as they determine their awards show entries. The decision to enter a piece of work to an award show must be well thought-through, and The One Club has worked closely with Kyoorius to develop this platform to help agencies make that determination. The Shortlist utilises a robust evaluation process, designed specifically to provide an actionable audit. At the end of the process, creative directors will have greater confidence in then submitting their ‘shortlisted’ work to The One Show global awards.”

    The question though we had is will agencies respect the decision of The Shortlist jury and not submit an entry that has not been found to be awards-worthy? We spoke to a few people who had heard of the initiative and while they are hoping that the idea works, they are unsure if they will actually accept the Shortlist jury decision if they reject a creative.

    Said one creative biggie requesting anonymity: “It’s great when they say ‘yes’ to a creative, but if they reject it, then there are larger issues at play. Keeping the client happy, taking care of the egos of the creative team, etc etc.” Added another: “It’s a CFO-friendly agency and most agencies – especially the networked ones – are managed by accountants. But we must remember that it’s finally a creative idea. I think Year 1 is going to be a wait-and-watch one. We will all see how it has worked.”

    Details on the call for entries, categories, submission guide and jury to be revealed soon at theshortlist.kyoorius.com. The evaluation of entries to The Shortlist will be announced in February 2019.

  • Ogilvy maxes at Kyoorius Creative Awards

     

    It was an Ogilvy night yet again at the Kyoorius Creative Awards. The agency which has traditionally bagged bag at Kyoorius, maxed with two Black and 27 Blue Elephants. Production firm Early Man Film which won a Black in the 2016 edition, bagged a Black for The Story of Kaveri, the film for which it also bagged the sole Grand Prix at this year’s Abby. The other Blacks were bagged by FCB and BBDO.

     

    Early Man was the second most awarded agency with one Black and two Blues, and FCB came next with one Black and five Blues. A special Master of Creativity award was presented to actor Amitabh Bachchan for his immeasurable contribution in advertising communication

     

    The 5th edition of Kyoorius Creative Awards saw a total of five Black and 90 Blue Elephants were presented to the winning titles spread across Advertising, Media and Digital categories. Over 2200 entries across 15 categories with 374 unique entrants were received. Last year, the number of entrants were over 1800 with a total of 304 unique entrants.

     

    Speaking about the Kyoorius Creative Awards, Rajesh Kejriwal, Founder CEO, Kyoorius, said: “We have some brilliant work put up by communication agencies this year and I personally would like to congratulate each one of them them for their truly deserved win. It gives me immense happiness to announce that we received a 20 per cent increase in entries this year and selecting the winners was indeed tough for our respected jury. But innate knowledge of our jurors in their respected domain has contributed immensely in ensuring fair, unbiased and credible selection process.”

     

    The Five Black Elephants that signified the best of the best, were seen held high by 4 winning teams. While Ogilvy & Mather won maximum number of blue elephants, the black elephants winners were:

    1. Ogilvy & Mather for – #HoliNotHooliganism and Vodafone Sakshi

    2. Early Man Films for -The Story of Kaveri

    3. FCB India Group for – SindoorKhela- No Conditions Apply

    4. BBDO India for – #FuelFor The RealFit

     

    The Black Elephants were presented to the winning teams by Mr. Amitabh Bachchan. This year, the Power of Print award, an IP owned by the Times Group was presented to Curry Nation Brand Communication for ‘Lifeline Question’.  Brave New World, Bengaluru and FCB Interface were awarded the runner-up winning title for their campaigns ‘No’ and ‘Honarary Doctors’ respectively.

     

    Kyoorius Creative Awards also saw an out-of-home (OOH) advertising contest titled ‘Inoohvation’  in association with Kinetic. Creative Agency Studio Mars won the coveted title for their campaign ‘Will they see Blue’ while While J. Walter Thompson and Locopopo bagged the runner-up title for their campaigns ‘Interactive Digital Billboards’ and ‘Blue Skies For our Children’ respectively.

     

    Interestingly, the award to Bachchan was presented by Kejriwal and Sanjay Prabhu, Vice Chair, Radio Indigo and Exec Director and Publisher, Asianet Commuications. Prabhu, who led the BPL brand from 1990 to 2015, was instrumental in signing on Bachchan for his first endorsement (with BPL).

     

    Said Sonal Dabral –  Group Chief Creative Officer & Vice Chairman – ‎Ogilvy & Mather in a statement: “It’s a great feeling to be the leading agency once again at this prestigious award show. Kudos to all the passionate teams at Ogilvy that made it happen. Winning two Black Elephants and 27 Blue elephants across categories from digital to traditional is a testimony to the fantastic breadth of winning talent that we have in Ogilvy India. I’m thrilled that we won not one but two Black Elephants, but I’m particularly happy that both these big winners, for Vodafone Sakhi and #HoliNotHooliganism, deal with critical issues around gender inequality, prejudice and gender-based violence.”

     

    Speaking about winning the Black Elephant,  Josy Paul, Chairman and National Creative Director, BBDO India said in a statement: “Quaker Oats is how I start my day.  It’s my morning raga. So I am personally super thrilled when this everyday energy routine wins India’s biggest award. And it’s all because of our awesome team at BBDO Delhi and our truly enlightened client at PepsiCo, and the fantastic craft and film direction by Neeraj Ghaywan. Thank you for the Grand Prix breakfast.”

     

    Honda Inoohvation-

     

    STATUS Application Name Agency Name
    WINNER Will They See Blue Studiomars
    RUNNER UP Interactive Digital Billboards J. Walter Thompson
    RUNNER UP Blue Skies For Our Children Locopopo

     

    Times Power of Print Winners list

    WINNER

    Entry 2436 | “Lifeline Question”

    >> Entrant Agency: Curry Nation Brand Communication

    >> Entrants: Viplaksh Mehta & Sushant Ainapure

     

    1st RUNNER UP

    Entry 2377 | “No”

    >> Entrant Agency: Brave New World, Bangalore

    >> Entrants: Trisha Dutt&YadhuPriya

     

    2nd RUNNER UP

    Entry 2661 | “Honarary Doctors”

    >> Entrant Agency: FCB Interface

    >> Entrants: Ganesh Sripriya& Fauzan Malim

     

    Kyoorius Creative Awards Winners List