Tag: Ogilvy

  • Titan Eye+ unveils new ad campaign with five films

    By Our Staff

     

    Titan Eye+ launches its new ad campaign featuring five different films, each of 10 seconds duration. The campaign, ‘Acha Hua’, conceptualised by Ogilvy, plays on the good old adage of ‘whatever happens, happens for good’ presenting the uncomfortable experience of breaking a spectacle as an opportunity to get the best vision.

     

    Maneesh Krishnamurthy, Marketing Head EyeCare Division, Titan Company Ltd., said: “Titan Eye+ is seen as the category expert but Indian consumers often also seek tangible value for money. With this campaign we are showcasing the exceptional value that Titan Eye+ brings through five shorties showcasing our innovation in lenses and value for money services and product. In a category bereft of occasion shopping, we have introduced one with a humourous twist. We’d love to be top of mind everytime a spectacle is broken because it gives you an opportunity to switch to Titan Eye+.”

     

    Puneet Kapoor, Chief Creative Officer, Ogilvy South: “The idea came from the thought that if you haven’t got your eye prescription from an able expert, chances are you are toting glasses that might not be suited best for your eyes. Hence the breakage or loss of spectacles is an opportunity to get the right prescription and solution from an expert brand that cares about your eye health. This was the genesis of the spectacles breaking campaign with the idea-line ‘Accha hi to hua’. The humour that came from the many entertaining ways in which people lose or break their glasses in ingenious ways.”

     

  • Ceat launches SUV tyre campaign

    By Our Staff

     

    Ceat Ltd tyre manufacturer launched its new TVC for its four-wheeler SUV tyre range. The TVC features Rohit Sharma, Shreyas Iyer and Shubman Gill.  With the forthcoming cricket season, the three cricketers are all set to spread the message and highlight the importance of having good SUV tyres that can handle speed as well as offer a superior grip. The new TVC conceptualised is Ogilvy.

     

    Speaking on the campaign, Lakshmi Narayanan B, Chief Marketing Officer – CEAT Limited said: “It’s the cricket season and CEAT is thrilled to get 3 of India’s top cricketers – Rohit Sharma, Shreyas Iyer and Shubman Gill  in  ‘never seen before’ avatars. CEAT’s wide range of SUV tyres have a unique capability to provide both speed and control while delivering on its promise of safety and comfort. Our range of offerings, which include SportDrive SUV, CrossDrive SUV and SecuraDrive SUV address a wide range of on-road and off-road requirements.”

     

    Rohit Joseph , Senior Creative Director, Ogilvy adds: “In general, creatives are a little vary of sportsmen, when it comes to performing in front of camera. Scripts are watered down, roles are pruned, lines shortened or a ‘propah’ actor is built in for heavy lifting. But this time around, with CEAT’s conviction, the team got the confidence to go beyond the norm. We had three star players, acting out of their skin (and such a commendable job), in a duration strait-jacket of 20 seconds, segueing into tyre story, effortlessly. We are quite thrilled with the result, and awaiting all the brand love this one will garner in coming days.”

  • Dabur unveils black toothpaste for white teeth

    By Our Staff

     

    Dabur Herb’l Charcoal Toothpaste has launched a first brand campaign. Conceptualised by Ogilvy, it targets millennials and Gen Z for unconventional way of getting sparkling white teeth using black toothpaste.

     

    Binit Kumar, Category Head – Oral Care, Dabur India Limited said: “Dabur Herb’l Charcoal is completely new addition to the portfolio and we felt that since it’s a paste for the new age consumers we should have some fun with the communication so that it makes the point as well as connects with the audience. What we had at the end was a commercial which we hope breaks the norms and gets a bright smile on the consumer’s face, though it not being a white toothpaste.”

     

    Ritu Sharda, Chief Creative Officer, Ogilvy India (North) added, “The legacy of Dabur is celebrated across the country and this campaign for Dabur Herb’l Charcoal Toothpaste is a testament to the progressive nature of the brand. The new #BlackForWhite concept challenges the conventional approach to advertise a toothpaste. The aim was to disrupt the stereotype and make a black toothpaste the new normal for youngsters.”

     

  • Ogilvy creates new campaign for Amazon

    By Our Staff

     

    Amazon India urges people to rethink the range of products that could be purchased from Amazon.in by asking “Aaj Kya Khareeda?” in its new campaign, created by Ogilvy India. This is to amplify the width of selection which is one of Amazon’s strengths, where the focus is on driving awareness around everyday products. It reminds customers that Amazon is a one-stop-shop for all their needs, not just the occasional, one-off needs but frequent, daily ones as well.

     

    The campaign comprises of four films on TV and digital along with several multi touchpoint activations on Outdoor, influencers etc. All the films have been directed by Aarti Desai of Caffeine Films and conceptualized by Ogilvy India.

     

    Speaking about the campaign, Neville Shah, Senior Executive Creative Director, Ogilvy said: “There is so much excitement when we get something in a box at home. But is it just as exciting, if it’s regular everyday things? Maybe not as much. The stories rely on the charming anticlimax, to remind people that Amazon.in has simple everyday things. Exciting. Perhaps just as much.”

     

    Added  Ravi Desai, Director, Mass, and Brand Marketing – Amazon India: “Our new campaign ‘Aaj Kya Khareeda’ reinforces Amazon as an everyday shopping destination that caters to daily requirements and needs of our customers. We want to simplify our customers life and be the shopping partner that helps you buy products from a wide selection spread across numerous categories, get reliable delivery and customer care, thus leading to a delightful shopping experience.”

     

  • Wavemaker India appoints George Kovoor as CCO

    By Our Staff

     

    Wavemaker India, the agency from GroupM, today announced the appointment of George Kovoor as the Chief Creative Officer (CCO). Kovoor will report to Ajay Gupte, CEO – South Asia, Wavemaker and will be based out of Bengaluru. He joins Wavemaker after his eight year long stint with Ogilvy where he was Digital Lead – Mumbai and South operations.

     

    Speaking about the appointment, Ajay Gupte said: “We are witnessing an exciting phase of transformation in the media industry where traditional methods are challenged at every step. Data, Content and Technology have always been the three key pillars at Wavemaker and we have all experienced the magic when these three ingredients are used in the right proportion. In his previous roles, George has played an instrumental role in integrating mainline and digital creative teams. He enjoys an incredible reputation in the creative industry for his impressive work which has been recognised at local and global platforms. With George coming in as the Chief Creative Officer, I am quite confident about taking our creative offerings a notch higher.”

     

  • Ogilvy is Effie Agency of the Year

     

     

    By Our Staff

     

    There was an unusually cool breeze at the lawns of Taj Landsend hotel in suburban Mumbai, the venue of choice for the Effie Awards each year. Conducted by The Advertising Club the Effie Awards are key for networked agencies as the performance in India adds up to the global performance, and when it comes to critical pitches, it’s Effectiveness (hence Effie) as against Creativity (the Creative Abby) that matters most.

     

    EFFIE India 2022 Client of the year

     

    So in the 2022 edition, it was favourites Ogilvy that took away the top honour of the Agency of the Year. Mondelez India was Client of the Year, while coveted Grand EFFIE was won by Leo Burnett India for Whisper India’s campaign ‘Whisper: Changing the education system to keep girls in school.’

     

    Grand EFFIE India 2022

     

    Surpassing all its previous editions, Effie 2022 received 986 entries, the highest ever in 22 years, and saw participation from 53 agencies.

     

    Speaking at the awards night, Partha Sinha, President, The Advertising Club, said: “It is extremely heartening to witness Effie become the most coveted trophy within the marketing and advertising fraternity. Like every year, this year too, Effe has witnessed significant patronage from industry veterans and category leaders. I’d like to congratulate all the winners for crafting impactful campaigns that are now sheer examples of innovation and effectiveness.”

     

    Elaborating on the awards, Mitrajit Bhattacharya, Chairperson, Effie India, said: “It gives me great joy to host the Effie Awards once again as a physical event, celebrating the best work of the year with the people who create them. A big thank you to 493 judges who judged a record-breaking 986 entries over three rounds of online judging. I also thank each participating agency and client for their support. And a huge shout out to our sponsors, The Ad Club managing committee, the Effie committee, Effie New York, and The Ad Club secretariat to make this event a huge success.”

     

    Adding on the enhancements in the award process this year, Pradeep Dwivedi, Co-Chairperson, Effie India, added, “We have built a sustainable trajectory as a leading Effie organising body, having successfully implemented the new Acclaim Platform for the jury process this year, in tandem with our worldwide peers and Effie Global team. The adoption and change management of the same by our industry members has been truly amazing!”

     

    A special award for creator marketing was awarded to Mondelez, Wavemaker and Ogilvy.

     

    EFFIE 2022 RESULTS

     

    EFFIE 2022 Agency of the Year

     

    EFFIE 2022 Client fo the Year

     

  • Varun Katyal launches Clapboard – a content production startup

    By Our Staff

     

    Varun Katyal
    Varun Katyal

    Varun Katyal, ex-Ogilvy Creative Director, launches Clapboard, a digital-first content production startup. It is an automated content production platform to package advertising services as a SAAS offering. Using technology, Clapboard aims to create disruption in the creative services space and enable brands and agencies to produce film content in-house by way of an app

     

    Said Katyal: “Clapboard is the first automated content production platform. It engineers the skill sets of an agency producer into AI form, giving brands direct access to best-in-class talent. An industry first, Clapboard makes content production democratic, transparent & super quick. It’s an agency-agnostic, brand content production platform that combines craft insight and technology to bring your creative work to life. Clapboard is an app, a transparent cost benchmarking tool, an aggregator of directors, cinematographers, actors and lots more. In its first offering, Clapboard helps brands and agencies line up full blown film crews with the click of just a few buttons. The app virtually assembles talent, generates 3 transparent quotations and gets brand teams PPM ready, all by the time one finishes a cup of coffee. It is a comprehensive ecosystem that automates the discovery and booking of talent, whilst gathering live data on availability and also automagically sorting out all the paperwork.”

     

  • Brooke Bond Red Label Tea rolls out new brand ad

    By Our Staff

     

    Brooke Bond Red Label Tea releases a new brand campaign. The latest ad narrates that acts of ‘kindness is just a cup away.’ The campaign has been creates by Ogilvy Mumbai and produced by Purple Vishnu Films.

     

    Akshay Seth, Executive Creative Director, Ogilvy: “There’s something that is warmer than a great tasting cup of tea- the warmth of a stranger’s company when it is needed the most. We’ve all been in situations where a handshake, a hug, a few comforting words can work magic. For this to get translated, the story and execution needed to feel authentic and heartfelt. And this is one of the reasons the ad is resonating, with people coming forth with their personal experiences.”

     

  • Marketing Analytics, Rich Data and Deep Learning

     

     

    By Ashoke Agarrwal

     

    Ashoke AgarrwalMarketing analytics is as old as marketing. Simple arithmetic and the magic of ratios drove marketing analytics in the early days. For example, the rug shop owner in the bazaars of Istanbul would estimate his annual sales based on his year-to-date sales as a ratio of his last year’s sales. Or he would estimate price elasticity by running an experiment for a day or two and analysing the data again using simple arithmetic.

     

    Over the decades, as marketing evolved as both art and science, the depth and availability of data increased, and so did the sophistication of marketing analytics.

     

    Marketing mix modelling using multivariate analysis became a vital activity in the marketing departments of large companies. The data fed to the analytics was sales analysis by geographies, advertising spends, pricing and SKU spreads, and measures of brand lift – awareness and consideration across the company’s brands and competition. Some of the data was first-party data – collected and owned by the company. Further, second-party data – data provided by syndicated research studies like retail and advertising audits – became increasingly important over the years.

     

    The statistical tools’ sophistication increased, including multivariate analysis tools like Principal Component Analysis, Multivariate Analysis of Variance, and Hierarchical Cluster Analysis.

     

    About two decades ago, the age of Big Data, Smartphones and Social Media dawned. And as the next decade sees the emergence of the age of AI, a new dimension to marketing analytics has begun to come into view.

     

    Machine Learning, particularly Deep Learning, is different from statistical analysis.

     

    A simple explanation of the difference is that statistical analysis gives a more precise inference about the relationship between variables, while Deep Learning is more focused on making accurate predictions.

     

    Currently, the debate on using Deep Learning in Marketing Analytics is raging in academic circles.

     

    The October 2019 issue of Sloan Management Review published one such paper – “Is Deep Learning a Game Changer for Marketing Analytics?” by Glen Urban, Artem Timoshenko, Paramveer Dhillon, and John R. Hauser.

     

    Urban et al. studied data on credit card choices provided by NerdWallet.com. The data set was for 260,000 individuals across demographic factors like age, gender, household income, and cards owned. Zip code etc. The data set also included 132 attributes for cards offered (APP interest, reward points – miles, cash etc. and card fees – annual, transfer etc.). The study used three models to analyze the data:

    :: Linear regression of choice as a function of user demographics and card attributes

    :: The second model was a simple deep-learning model

    :: A third model used deep learning but added a step of consideration to the final purchase.

     

    The study found that the difference in predictive accuracy between the three models was insignificant – 70.5% for linear regression, 71.7% and 73.0% for the two Deep Learning models.

     

    Deep Learning is expensive to conduct in terms of the expertise required and the processing needs, including computer power. Urban et al. concluded that statistical analysis would be more cost-efficient when the data set is fully structured. They hypothesized that Deep Learning would be more efficient at analyzing “rich” databases, including user-generated content like Amazon reviews, Instagram posts, Facebook posts and comments.

     

    A study by Liu, Daria and Mizik supports the above hypothesis. The July/ August 2020 issue of Marketing Science reports on the study under the title “Visual Listening: Extracting Brand Image Portrayed on Social Media”.

     

    Liu et al. used a multi-image deep convolutional neural network model – a form of Deep Learning- to predict the presence of perceptual brand attributes in the images consumers post online for 56 brands in the apparel and beverages categories. The study checked the model’s predictions against those made by human judges and found a good fit. The model used by the study is branded as the BrandImageNet and is of use to brand owners for automatically monitoring their brand’s portrayal on social media in real-time and thus better understanding consumer brand perceptions and attitudes towards their and competitors’ brands.

     

    Decades ago, Ogilvy launched the Magic Lantern, which used factor analysis to create a highly appreciated compendium of dos and don’ts for advertising in a particular category. The Magic Lantern used multivariate analysis tools like Component Factor analysis to factorize a brand’s advertising and relate the factors to its market success. It is quite likely that today the Magic Lantern team has moved on to include social media imagery besides advertising imagery along with Deep Learning methods.

     

    Deep Learning is a valuable tool in analysing other aspects of user-generated content, as Timoshenko and Hauser reported in their paper – “Identifying Customer Needs from User-Generated Content”, published in the Jan/ Feb 2019 issue of Marketing Science. The study worked on an extensive data set of 115,099 oral‐care reviews on Amazon in the US, spanning the period from 1996 to 2014 and randomly sampled 12,000 sentences split into an initial set of 8,000 sentences and a second set of 4,000 sentences. The study then used a convolutional neural network to filter non-informative and repetitive content. The study compared user needs identified through Deep Learning analysis of User Generated Content (UGC) with needs identified by professional researchers working on industry-standard experiential interviews. In summary, UGC identifies the vast majority of customer needs (97%), opportunities for product improvement (92%), and hidden opportunities (92%). In addition, the UGC-only method identified seven hidden opportunities, while the interview‐only identified two. As user-generated content explodes, Deep Learning methods are proving to be very useful in using this expanding treasure trove to increase marketing efficiency and effectiveness.

     

    And as the Internet of Things (IoT) develops along with the age of AI, Deep Learning will play a more significant part in product design. A paper titled “Unsupervised Learning for Product Use Activity Recognition: An Exploratory Study of a “Chatty Device” by Nemitari, Khanesar, Burnap and Branson, published in the journal Sensors offers a fascinating insight into this area.

     

    In conclusion, advanced statistical analysis will continue to be more cost-efficient and effective compared to Deep Learning regarding structured data analysis. However, in a world where “rich data” – unstructured multi-media user-generated content on brands and products is exploding, Deep Learning will emerge as a valuable tool in increasing marketing efficiency and effectiveness. Further, deep learning techniques will be needed as IoT matures to effectively use the continuous chatter of embedded sensors.

     

  • Ogilvy & Hindu message on wildlife conservation

    By Our Staff

     

    On World Wildlife Conservation Day, The Hindu and its agency partner, Ogilvy Bangalore have renewed their resolve to save the environment. The Hindu featured ‘The Other Obituary’ grieves the loss of flora and fauna that were killed due to human intervention.  ‘The Other Obituary was released in the newspaper on December 4, 2022 and will be featured every week in ‘The Other Obituaries’ section online.

     

    Said Sharat Kuttikat, Group Creative Director, Ogilvy India (South): “Losing a loved one is an agonising experience; the loss of any member of our extended families from the wild should feel no different. In this context, ‘The Other Obituary’ is a provocative piece and the need of the hour. By reporting deaths of animals, birds and our precious natural resources, we hope the section brings into focus human cruelty and negligence that needs to stop.”

     

  • Livon launches a self-check guide for breast cancer

    By Our Staff

     

    Livon, a hair serum brand from Marico Limited, has released a self-check guide to prevent breast cancer. The 40-second video with the hashtag #KeepAbreastAndLivon, the brand urges women to check for breast cancer every month in an effort to beat the disease.

     

    Notes a communique: “Livon has partnered with Dr. Lakshmi Sukumaran, a breast cancer survivor herself, to guide followers in the right way to self-check. Conceptualised and executed by Ogilvy’s Content Force, the  video emphasises the importance of self-check for every woman.”

     

  • Ayushmann Khurrana promotes Titan Eye+

    By Our Staff

     

    Titan Eye+ has released its latest campaign with brand ambassador Ayushmann Khurrana. Conceptualised by Ogilvy, the ad is devoid of voice-overs and dialogues and uses the signature Titan symphony to deliver the key messages.

     

    Commenting on the new campaign, Maneesh Krishnamurthy, Marketing Head EyeCare Division, Titan Company Ltd. said: “It is our ongoing effort to lead consumer conversation in the eyewear category that’s often dominated by price and discount. It is our perspective that Indian consumers are value-conscious and not merely price-conscious. Titan Eye+ provides great value for money with expertise in eye testing, care in recommending the correct solution and a wide choice starting Rs. 999 – making us India’s most trusted eyewear retailer with a 4.9 / 5 rating on google. That we could say all this, without uttering a single word makes this truly enjoyable.”

     

    Added Puneet Kapoor, Chief Creative Officer, Ogilvy South: “Brands like Titan Eye + that deliver consumer delight at all touchpoints, do generate a great word of mouth. And our very talented team on Titan Eye+ came up with the idea of what better expression for word of mouth, than whistling the beloved Titan tune. The idea had instant likability and took a lot of detailing and designing with the director, to deliver the message charmingly.”