Tag: Goafest

  • Special to MxM | Daily Commentary by Shashi Sinha

    By Shashi Sinha

     

    The Conclave got off to a rousing start yesterday. The sessions this year were in a different format from last time, where we had a few international speakers. What’s working is the international case studies that were being presented by several international leaders. There is a common theme running this year where it is not about digital, it is not about activations but about larger ideas which can be made popular and which people can use as a part of their journey. They don’t necessarily have to embrace the content, but they can embrace an idea and they can exploit it as per their wishes. So there is a consistency in the way in which the sessions have been rolled out.

     

    One of the moving sessions was by Tim Love of Omnicom, who expressed how ideas multiply when you connect with them in different ways. So, while there was a common theme this year at the Conclave, each one was different and had their own theories to present. Personally, this format works better than the format we had last year, where we had presenters coming and discussing internal issues like recession and so on, which were good to an extent but there is a newness that is needed every year and that was what has been achieved at the Conclave this year.

     

    This enables a level of conceptual thinking that is needed behind every idea. So, all in all, it was a good day to start with as there were not too many sessions and there were less but effective presentations.

     

    The Conclave saw some big international marketers from Coca Cola and Intel discuss the way ahead for the industry, but the sessions on Saturday will see some key and large marketers from India shedding light on mantras and ideas for a better tomorrow. I think from an organiser’s point of view, not only getting them to interact but also present their point of view is what will make it a different experience for the delegates this year.

     

    As for the awards that would begin from today, we are proud to have received tremendous amount of participation from agencies, but I think still that the scale could have been bigger. That is what we will attempt to do next year. This year there was a delay in the forms being dispersed and so on, so it requires evangelisation and we need to sell the idea and concepts well. But it is a very good beginning; you will see the results on Saturday.

     

    Net-net, I think, this year we have managed to get some high quality marketers to come and share their mantras. Second, the whole theme around the power of ideas has been simplified and has been presented in an enlightening way to the delegates. A lot of people were saying it is all about digital; but that is not the case. It is about an idea and how you magnify an idea. Third, and last, everyone keeps talking about co-creation of ideas but it is not about that – it is about how consumers embrace ideas. Delegates can look forward to more empowering sessions in the two days, especially the young turks from the industry.

     

    Shashi Sinha is CEO, Lodestar UM. He is also President of the Advertising Club Bombay and Chairperson of the Goafest Awards Governing Council.


    Click here to view all Goafest 2012 stories

     

  • Goafest has grown in stature: Rahul Johri

    The Discovery network is partnering Goafest for the fourth time and the focus this year is around Discovery Kids, its soon-to-be-launched channel for kids. MxMIndia speaks to Rahul Johri, Senior Vice-president & GM, Discovery Networks on Discovery’s association with Goafest (and of course Discovery Kids and how he is looking forward to digitization).

     

    On partnering Goafest in 2012

    Goafest is a landmark event of the industry and this is our fourth year of participation in the event. The who’s who of the industry congregates here for co-sharing and exchange of ideas and solutions. It has grown in stature over the past years – the quality of speakers it attracts, the kind of discussions that take place…it has gotten better every year and that is why we are excited to partner such an event. The focus of what was said today was on good quality content and we are one of the biggest content producers in the world. It is good to hear speakers deliberate on how content is playing an integral role and is at the core of everything that we do.

     

    On the age of digitization

    The onset of digitalization presents an opportunity for niche networks to come in and therefore you see our channels like Discovery Science, Discovery Turbo or Discovery HD…these channels really thrive in a digital environment where they are not limited by capacity constraints of analog cable and we are really looking forward to digitization.

     

    On Discovery’s stride in India

    We have just announced the launch of Discovery Kids a few weeks ago and that has been a big move for us. Discovery has grown rapidly in the past one year. In the last three years, we have gone from three channels to eight channels, from two languages to five languages…so we are growing very rapidly and this year it is going to be all about Discovery Kids.

     

    Click here to view all Goafest 2012 stories

     

  • We need to stop ranking ideas: Jayant Murty

    At the Advertising Conclave, Jayant Murty, Director of Strategy, Media and Integrated Marketing, Asia Pacific Region, Intel Corp presented his ideas on building brands in the era of multiple degrees of freedom. MxMIndia spoke to Mr Murty to gather his perspective on the festival and the role that marketers can essay at such events.

     

    On Intel’s association with Goafest

    A few of us, marketers, were invited here to share as to where do we think brands need to head and the kind of communication support it needs to get there. According to me, this is not a place to lecture but to engage in meaningful dialogue. Any speaker who speaks at such forums is good when they can bring in something radical and controversial that you can start a new kind of conversation. I am viewing this as: can I, as an individual, bring in something that can start a new conversation.

     

    On digital as a way of life

    One of the talking points today was digital and I do not think consumers look at life as being analog or digital or television or web. I think consumers are looking at things that inspire and interest them and it is up to marketers to figure at all points of time which medium will deliver that inspiration. What is important is that consumers, at any point in time, deal with multiple screens – computer, tablet, phone, television and the newspaper and as long as you understand and respect the fact that consumers have different expectations and you build content to make that screen as engaging and inspirational as possible, I think that’s what brands need to strive for in the future.

     

    On the power of an idea

    I think what we all need to do is stop ranking ideas. I do not think anybody can say that this idea is better than the other one. That’s because a great idea from one industry looks a little bit different from a good idea from another industry. And some, unfortunately, look fashionable and sexy than other ideas. I think it would be better if we stopped rating ideas. But what one must do diligently with all the ideas that we implement is see how they fared. Did people engage with them, did it build new fans, did it start conversations…and I think we need to become more analytical in our analysis rather than this public sentiment that this is a great idea and this is an average idea.

    Click here to view all Goafest 2012 stories

    Click here to view all Goafest 2012 stories

     

  • Anil Thakraney’s 7 Do’s and Don’ts for Goafest

    By Anil Thakraney

     

    I am not doing Goa this year. Though I did attend the fest some years ago, and noticed that the participants need to do a few things differently in order to make better use of the event. Here’s my list of suggestions, if you are en route to Goa:

     

    1. Carry a permanent black marker with you. And if you notice a scam ad pasted in the exhibition area, write in full caps on top of that entry: SCAM. Do it even if YOU submitted that particular entry. There has to come a time when the ad world outgrows this charade. So why not begin the shubh karya this year?

     

    2. If you are sloshed and hugely fed and have to attend a speech by one of those luminaries, I suggest you try and grab a seat at the rear. Don’t try to please your boss and diligently head for the front row. There are other ways to suck up. And I say this because if the presenter turns out to be too sleep-inducing, you can make a quiet escape from the rear without being noticed. This is much better than being caught yawning. I do this at every speech I attend, and it’s served me well in life.

     

    3. Gherao the organizers and demand that they find a way to break the ice with Lowe. Even better, do this after downing six large pegs. It’s critical that all leading ad agencies take part so that Goafest can become a truly meaningful awards event.

     

    4. Please don’t hang around the entire time with colleagues from your own office. That is stupid. You do that back home anyways. Here’s an opportunity to meet with colleagues from rival agencies and from other cities, to forge new alliances. And if you are really lucky, she may even slip in her room key into the sandy pocket of your Bermuda shorts.

     

    5. This is for the suits: Please DO NOT wear floral shirts. It’s much too pretentious, wannabe and desperate. Stick to semi-casuals. You will be appreciated for that.

     

    6. Please say a warm hello to Piyush Pandey. In Hindi, of course. And claim that you’ve just arrived from Etawah or Allahabad or Kanpur or Varanasi or Kumaon. You may land a job at O&M. On the spot.

     

    7. Please hang around in Goa (at your cost, of course) for an extra day. You could check into a seedy hotel and spend the day ogling at the Russian chicks on Anjuna beach. Not only will this be fun, it does not make sense for 3000 delegates to exit Goa on the same day. The Goa airport, even on uneventful days, is quite chaotic. Post Goafest, it becomes a bloody nightmare.

     

    Have a good time! Cheers!

     

    Anil Thakraney wrote this as part of his Hard Knocks blog. We thought it’s just right for the Anchor – Ed

    Click here to view all Goafest 2012 stories

    Click here to view all Goafest 2012 stories

     

  • Go-Goafest!: Ajay Chandwani on why the Abby this year is special

    By Ajay Chandwani

     

    The Creative Abby has evolved in many ways and this year is no exception. With the 9 verticals, the Abby is not just a creative advertising award any more, though it had started that way more than 40 years ago. Direct, Design, Digital and Film Craft have all created new communication communities with companies participating from these functional areas. The Abby is sought after by film directors, through the line stalwarts, mobile and digital companies and others.

     

    New categories like Environment Design, Online Integrated Digital andMobile, Augmented Reality, Direct response inMobileand so on added a new dimension to entry opportunities. No wonder we saw 4,253 entries this year, a significant increase over last year.

     

    The combination of discussion with secret ballot seems to have been welcomed by most creatives for the second year running. This is a departure from the open hands vote of 3 years that Goafest 2008-10 used, with endorsement from the creative community. Also new rules on multi-category entering and discretionary clubbing on winners with similarity has gone down well with the creative folks.

     

    Jury composition has also evolved with younger and recent award winning contemporary judges being added from several agencies. At least 15 per cent of the judges were first time jury members at Abbys. Also we saw 3 new Jury Chairmen at Goafest Abby this year … Sonal Dabral of Mudra DDB, Ashish Khazanchi of Publicis and Abhijit Awasti of Ogilvy.

     

    Another added feature this year has been that judges from advertising mainstream agencies are rubbing shoulders with specialist judges in Direct, Design, Digital and Film Craft juries. The lines between specialists are blurring as convergence and creativity becomes a child of the 360 degree touch point era.

     

    The healthiest debates in discussion have been on ‘Are we honouring best in local Indian standards or benchmarking against international winners?’ With so many Indian entries chasing International awards and Indian judges at global festivals, it’s not surprising that most juries have worked out their balance on this subject.

     

    Let’s hope the audience likes the winners picked on April 21!

     

    Ajay Chandwani is Director at Percept Limited and is member of Award Governing Council in charge of Jury selection, judging process and conducting of Creative Abby

    Click here to view all Goafest 2012 stories

     

  • Anil Thakraney: Cag awards: Need to be revived

    By Anil Thakraney

     

    Interesting story on Cag awards in mxmindia. Here’s the link in case you missed it:

    http://www.mxmindia.com/2012/04/why-cag-has-stopped-awarding-seniors/

     

    To be quite honest, till I read this particular article, I wasn’t even aware that Cag awards still exist. They’ve become so low profile and unhappening in recent years, I imagined they had shut shop some years ago. In fact, I often used to wonder what went wrong.

     

    Once upon a time, Cag awards were the most respected and the most wanted in the ad world. Creatives used to value them hugely. Unlike the Abbies which were perceived to be commercial in nature, and therefore lacked the value of Cag awards.

     

    The difference between the two was essentially what happens with film awards. Those in the popular categories and those awarded by the critics. The latter is more valued by the film frat. According to the story in mxmindia, what led to the de-valuing of Cag awards is that scam ads slipped in, and the scamsters robbed the awards of the credibility they possessed. A pity, really. Because in my books, Cag had the opportunity to be that ONE awards competition which most ad people would continue to covet and which would truly reflect their skills.

     

    Surely the entry of scamsters could have been controlled. It’s not so difficult to do.

    All you need is a copy of the media plan and a letter from the client. To kill the whole idea because of that makes little sense to me. Also, GoaFest charges heavy fees per entry. And therefore its revenues are dependent on the ad frat. This makes the organizers powerless.

     

    In my interview with Shashi Sinha, he mentioned that given a choice he’d invite clients to the jury team, but the creative directors won’t allow it. What Sinha didn’t say openly is that the real control lies with the creative directors so there’s nothing he can do. They pay for the festival, right?

     

    Cag could have been that organization where there are no entries. Or the entries aren’t paid for. Like the film awards. Where the jury members select the winners on their own. And this allows the organizers to run the show in their way, on their terms. Minus all the scams and controversies that have been known to dog GoaFest.

     

    And Cag could so easily have found sponsors who desire to be associated with a clean, respected ship.

     

    In fact, I believe this can still be done. It needs just one entity/organization to revive the awards and make them the most valued in the Indian ad world.

     

    * * *

     

    [youtube width=”400″ height=”200″]http://www.youtube.com/watch?v=Qxjz_P3yjwM[/youtube]

    PS: Brilliant commercial from Land Rover. What a refreshing way to advertise a powerful SUV. Says so much about the brand without having to pack the ad with the usual, tired, vehicle-in-action shots.

     

  • The Anchor: 5 commandments for ad stardom

    By Amod Dani

     

    Some say stars are born. Others believe they are created. In advertising, however, stars are a result of both. Beautifully blended in a pressure cooker environment of tight deadlines, a dash of revealing briefs and a spoonful of client feedback.

     

    You must have it in you to become an Ad-guru, the zing, the X-factor, the mojo jojo. Call it what you may but this is the most important ingredient if you want to become an Advertising A-man.

     

    So once you’ve got your core competency (ability to conjure up fantastic ideas) and remarkable talent in place, follow the 5 commandments to become the Rajnikanth of advertising.

     

    And get ready to bask in the hot Goafest Sun, Don Draper style. Godspeed!

     

    #1 ‘P’seudonym

    What’s in a name, they ask? Everything. Take a look around at all the advertising biggies and you’ll see. The top guns have one thing in common: the letter ‘P’. According to Pandit Suryakumar, Onomsatics (the study of names) has played a significant role in determining the future of advertising in India. ‘P’ stands for Precision, Persistence, Perseverance, Positivity and above all Perfection. So ‘P’lease move over Ekta Kapoor, the days of ‘K’ are numbered. By the way how does ‘Pramod Dani’ sound? Naaah!

     

    #2 A.K.A

    Pops, Paddy, Balki, Aggie: A talent pool like that is truly unique. But what do all of them have in common? A nickname of course. Now that’s the second most important commandment.

     

    An alias, a shorter name or a unique nickname will truly put you in good stead for advertising stardom. But stay away from the names that your mother, grandmother and thousands of your relatives call you. Shontu, Monty, Bunty, Baby, Chotu, Bubbles, Pingoo and Vishambhar are not your ideal aliases. And yeah, do check for patents before you sign up for one.

     

    #3 Be the cover page

    Making a fashion statement plays a vital role in becoming an ad-star. So whether it is wearing all black or donning the latest top-hat, let your style be as unique as your work. Douse yourself into the pages of GQ or pester the daylights of your local darzi and dig out a style that defines you. From variations of facial hair to plain white shirts, from baldness to the badhti ka naam daadi look: ensure that you are a not just an ad-icon but also a style icon. Let caricature artists have a field day.

     

    #4 Bollywood, thy middle name

    Become a name frequented by the Khans and the Kapoors. Keep your feet on two rocks, one firmly placed in the ad-world, the other, nimble-footed, in B-town. Be associated with Bollywood in some way or the other. Music, Direction, Script writing, Screenplay, DOP, Spot, who cares, just make sure you are around a damn set. Flop movies or not, you being a part of Bollywood comes with a big plus: Dropping names!

     

    #5 Have your own Mnemonic

    Like the big brands they create, all the ad-biggies have their own unique Mnemonic. A brand property that is unique to their own personalities. From an exaggerated laughter to a short temper, from poignant hand gestures to exquisite catch phrases that remind you of your mother and sister, figure out what’s your Mnemonic.

     

    However this commandment comes with a big caution. At times, your Mnemonic might not be the one you’d really want as an Ad-star. So the next time you scratch your behind, burp vociferously or drive your finger into those nasal corridors, be careful, the peering eyes might just make that your Mnemonic. And not a pleasant one to say the least.

     

    And if the 5 commandments don’t help you become a star, then Sorry Mate. Kind of like my Pre-Happy April fool’s day. Not like you didn’t see it coming. As for all us mere mortals, it is back to the tried-and-tested mantra of simple hard work and passion. That’s how Piyush did it, that’s how Balki did it, that’s how Aggie did it and that’s how we must to do it.

     

    To be a star or not, well, only our stars will tell.

     

    Amod Dani is ECD, Leo Burnett.

    Click here to view all Goafest 2012 stories

     

  • Awards have no relevance to advtertising: Balki

     

    By Anil Thakraney

     

    It’s always fun meeting the big boss of Lowe Lintas. Since we have worked together before and since Balki is always forthright and politically incorrect, one is assured of an exciting but meaningful exchange. Here is he, speaking his mind on various issues. Movies, advertising, the challenges facing the industry, the kind of people he’d like to hire, and yes, about his continuing allergy to advertising awards.

     

    You have to respect the man for the wonderful work he’s been doing on both, the small and the large screen. And more so for being that rare individual in the ad world who has the balls to stand up for something he believes in.

     

    Still around in advertising? Shouldn’t you be busy making big films with Big B?

    I am making a movie a day, it’s the same thing. An idea is an idea whether it’s three hours or thirty seconds. The day I stop tripping on getting the high when one gets an idea, that’s the day I will stop. In fact, I haven’t done a film in the last two years, I have been caught up with Lowe Lintas. I do have an idea for a film which I will work on towards the end of this year.

     

    And it will back to Bachchan, I suppose.

    Not back to, WITH Bachchan. I haven’t gone away from him.

     

    What’s with the Bachchan fetish?

    When you work with the ultimate guy it becomes difficult to work with somebody else. He’s phenomenal. Such hunger and greed for performing at the age of 70… it’s truly inspirational. I can keep on making films with him for the rest of my life.

     

    Are you a fan of Abhishek Bachchan too? His career isn’t going anywhere.

    Actually I found his performance in ‘Paa’ the best. It was the most difficult role. I think his problem is more the choice of films rather than the quality of his acting. He’s got his niche, he’s very good at certain things. He’s also a good friend.

     

    So that’s why you keep using him in the IDEA commercials, often when he’s not even needed.

    He’s a better friend of IDEA than he’s of mine. I didn’t choose him, IDEA chose Abhishek.

     

    What are the learnings from movies you’ve taken to advertising?

    The biggest thing that happens when you come back from cinema to advertising is that you are even more impatient. Because cinema takes so much time to execute, you want to make the ads even faster. That’s the reason I like making ads. You make them fast and you move on. There’s an idea a day, and that’s an addiction which is difficult to escape.

     

    Your wife’s directing ‘English Vinglish’. Are you the producer? And what’s it about?

    Rakesh Jhunjhunwala has co-produced it with me, along with another investor. It’s about the insecurities of a middle class woman who doesn’t know English in today’s context. It’s about how she overcomes the fear of English. It’s a very relevant issue to a lot of people in this country. In India, it’s money, fame and (knowledge of) English which determine the class and quality of a person.

     

    Let’s cut to Lowe. Are you still as hands-on as ever?

    I am. There’s so much of work, yaar. Today, Arun (Iyer) and Amer (Jaleel) have taken on a hell of a lot, they handle 50 percent of the business. My travel has come down but my ideation hasn’t. So yes, I am still involved in major things, I know what’s happening. This is not a profession where internal structures and motivations of the agency can dictate solutions for a client. The client comes to an agency for a solution and we have to get it, by hook or by crook. Gone are the days when creative directors would sit on a revolving chair and give motivational advice to people on how to crack things.

     

    Piyush Pandey said to me the reason he isn’t making movies is because he’s not bored of advertising.

    It’s about the number of things you can do, it has nothing to do with being bored of advertising. So maybe some people are capable of doing a lot more and some people are not.

     

    Significant changes you’ve observed in the ad world in recent times.

    It’s the same, in so far as it’s still a problem/solution business. What I find is that the clients today are hungrier for more interesting solutions. I find that clients don’t want to waste an idea. And because of the complexities of the marketing issues, the problem articulation is no longer simple. You can no longer say this is small, this is big or that is cheap. It’s about understanding the complexities and simplifying them. And I find that fewer and fewer people are able to do this. Therefore far more is expected of a creative person today than it ever was. The creative person is now seen as the solutions provider. Planning is now playing a big role in the articulation of the problem. Planners are now working more for the clients than for the agency. This shift is something I don’t quite agree with, but it’s happening. This situation requires more discipline, rigour and understanding from a creative person than ever before.

     

    And I guess this impacts your hiring policies.

    It impacts that hugely. The three Cannes Gold winners don’t make sense any more. Today a lot of senior creative people have to grow within the current system. So you hire junior people who are clever and intelligent and then groom them into the system of understanding problems. It’s very dangerous hiring very senior people from the outside. We went through a phase in advertising where we said we are losing our respect as an industry. That’s changed. Today the clients respect the advertising agency for providing solutions.

     

    Both, Prasoon Joshi and Piyush Pandey told me that the industry is losing talent. There seems to be too much pressure from clients, they no longer pamper creative people. And opportunities have opened up for agency personnel in other industries.

    I don’t agree with this. I actually think there’s never been a better time to be in advertising. You are no longer respected for your whacky ideas, being a maverick won’t get you any special respect. The problem isn’t that the industry is losing talent, the problem is it’s not attracting talent. It’s damn difficult to find talent to address today’s problems. In fact, today there are a lot of people in marketing who want to join advertising. Where we are not attracting the right talent is at the junior level. We as an industry haven’t been able to articulate what is the kind of people we want.

     

    As an old-world creative director, do you find yourself struggling with the new media?

    No. Clients want you do virals in the new media, but it’s still film. The video will never die, though the medium for broadcasting it may have changed. The production methodologies may also have changed. But the idea is the key to it all.

     

    You are not even on Twitter and Facebook. How will you ever understand the digital world?

    The reason I am not on it is that I don’t want the world to know what the fuck I am doing. That’s a personal choice, it has nothing to do with the new media. In fact, today if I am on Facebook, I am a fuddy duddy cock.

     

    The problem, Balki, is that all you uncles are obsessed with the TV commercial.

    I approach a problem very simply. There is a solution, and there is an idea. And if the solution demands a certain kind of medium, you use that. Nobody knew how to make films before or how to make a digital programme. So it’s all about expression. And you go into that particular medium and do it. I didn’t know how to shoot a film earlier, so I went to the experts to do it for me. I don’t watch television at all, but that doesn’t mean I am fuddy duddy on television.

     

    Small shops are springing up. People like Aggie are doing very well. Does that worry you?

    It’s always been happening. What do you think Mohammed Khan and Ravi Gupta did? If Ogilvy and JWT don’t worry me, then why should they? They are all competition. In fact, the more the merrier, it means more people are doing better ads, and that’s fantastic for the ad industry.

     

    Why are so many creative directors branching out on their own?

    In some cases they believe their talent is far superior to what a large agency can harness. The other reason is there are only so many people who can grow to a point in an agency. So it could be the frustration of not being able to grow beyond a point. They have to start their own thing to be what they want to be. The third thing of course is money. Some people want to be richer than what they are.

     

    Words of wisdom for young creative people.

    I think if you like sport, you should come to advertising. There is a hurdle to be crossed every day, there is a goal to be scored, there is a wicket to be taken, there are problems that come your way. It is like a game. The moment you start taking it too seriously, it’s very difficult to function in this business. A lot of things don’t make sense out here.

     

    Shashi Sinha tells me he’s cleaned up the GoaFest judging process. All the scams have been dealt with. But you still won’t take part.

    I believe the advertising industry needs credible awards. But how do you judge advertising? You say, ‘Haha, this is so funny! Oh, what a technique in this one!’ And based on that you award some ads. And two months later the agency loses the business. So obviously it doesn’t work. What the fuck are we doing in advertising? We are supposed to solve a problem interestingly. You are supposed to state the problem and the judges are supposed to ask if that ad could have solved that problem. I judged at Cannes once, and I refused to judge after that. I’ll give you an example of what happens: Those Coke print ads, where someone is sleeping under the shadow of Coca Cola bottles, has been hailed as the greatest piece of creativity. And then you have those great TVCs of Coke with Aamir Khan, which the nation loved, but which they (the Cannes jury) didn’t understand! This kind of judging has no relevance to what the purpose of advertising is. Basically the award show is a game and you play it. So it’s not about cleaning it up, I don’t value what you award.

     

    And you also have a problem with your peers doing the judging.

    Some of them I respect and some I don’t.

     

    So what sort of jury will satisfy you?

    Having some respected marketers on the jury would help. And some very good advertising people. Right now they ask anybody who’s free to come and judge, and that’s not the way to do it. You can’t choose people just because you want representation from various agencies. Thing is, before I give you a piece of work to be evaluated, before I give you the right to say if I am good or bad, I need to be assured you are a person who’s capable of telling me that. We need to first judge the judges.

     

    What disappoints you about the ad world?

    What pains me is the amount we try to market the barometers which decide who’s good and who’s bad in the Indian industry. The Gunn report, the Asian awards, etc, they tom-tom the barometers rather than the advertising itself. And all this has absolutely no relevance to what we do here. It’s time we found a barometer or an evaluation process that tells India which is a good agency. A method through which clients can credibly choose agencies beyond just the surveys and the awards. And this lack of a proper barometer has led to personality driven agencies. This propels a lot of false media management. PR for advertising people happens because of this.

     

    Why don’t YOU work on that barometer?

    Piyush Pandey and I have had many whiskies discussing this, but we only walk away promising that we should drink some more, and that’s about it. (Laughs.)

     

    Click here to view all Goafest 2012 stories

     

  • Goafest 2012: Jury chairpersons announced for Creative Abby and Media Abby shortlists

    The Awards Governing Council of the Abby Awards at Goafest has announced its team of Jury Chairpersons for the Creative Abbies this year. This year, Goafest has received more than 4,250 entries for the Creative Abby awards. The judging process will commence in Mumbai from Saturday, March 24, 2012.

     

    The jury chairpersons for various categories include Agnello Dias, Chairman & Co-Founder TapRoot India for Integrated Advertising, Ravi Deshpande, National Creative Director, Contract Advertising for Films, KV Sridhar (Pops) National Creative Director, Leo Burnett for Print, Sonal Dabral, Chairman and Chief Creative Officer, DDB Mudra for Outdoor Advertising, Abhjit Avasthi, National Creative Director, Ogilvy & Mather for Radio Advertising, KS Chakravarthy (Chax), National Creative Director, Draft FCB Ulka for Digital Advertising, Senthil Kumar, Executive Creative Director, JWT India and Chairman, JWT India Creative Council for Film Craft, Alok Nanda, Director Alok Nanda Communications for Design and Ashish Khazanchi, National Creative Director, Publicis Worldwide for Direct Advertising.

     

    Commenting on the Jury, Shashi Sinha, Chairman of the Awards Governing Council, said, “We are delighted to have such a remarkable line-up of Jury Chairpersons this year. All of them are creative stalwarts and I am pleased that they will be judging the Creative Abbies this year. The judging process will be transparent and fair. KPMG will be monitoring the judging procedure again this time.”

     

    This year, for the first time, Goafest is introducing Grand Prix Abbies for nine verticals.

     

    The shortlists for Media Abbies has also been announced. Goafest 2012 will be held at the Zuri White Sands in South Goa on April 20-21, 2012.

     

    BEST USE OF TV

     

    BEST USE OF CINEMA

     

    BEST USE OF NEWSPAPERS AND MAGAZINES

     

    BEST USE OF OUTDOOR & AMBIENT MEDIA

     

    BEST USE OF SPECIAL EVENTS & STUNTS/LIVE ADVERTISING

     

    BEST USE OF RADIO

     

    BEST USE OF INTERNET AND DIGITAL MEDIA

     

    BEST USE OF SPONSORSHIP

     

    BEST USE OF BRANDED CONTENT

     

    BEST USE OF MIXED MEDIA

     

    BEST USE OF NEVER BEFORE USED MEDIA

     

    SPECIALIST CATEGORY- YOUTH MARKETING

     

    SPECIALIST CATEGORY- VERTICAL MARKETING

     

    SPECIALIST CATEGORY- PRO BONO MARKETING

    Click here to view all Goafest 2012 stories

     

  • 7 reasons all creative agencies must be at GoaFest

    By Dhunji Wadia

     

    #1 GoaFest is the most prestigious advertising festival in India, jointly hosted by the AAA of I and The Advertising Club Bombay.

     

    #2 It’s a wonderful opportunity to attend stimulating seminars and rub shoulders with the best minds in the business from India and overseas.

     

    #3 One gets to see the entire body of innovative work created in the last year.

     

    #4 The size of the organization does not matter – small organizations have as much a chance to win an Abby as big ones do.

     

    #5 Everyone wins – the people who create the groundbreaking work as well as the viewers who get to see all in one stretch. It’s a celebration of the work created by the industry.

     

    #6 The awards also spread good work globally.

     

    #7 They happen in Goa.  I rest my case!

     

    Dhunji S Wadia is President, Everest Brand Solutions.

     

  • Goafest 2012 to be held on April 19-21

    By A Correspondent

     

    Goafest, the much awaited yearly event from the Advertising Agencies Association of India and Advertising Club Bombay, has come out with its festival dates for 2012.

     

    This year’s Goafest will be held on April 19-21 at the same venue as last year, The Zuri White Sands resort on Varca beach.

     

    Other details of the festival will be announced following a committee meeting on January 9.

     

    Over the years Goafest has become the biggest congregation of advertising professional under the sun and sand inGoa. It is touted asIndia’s biggest advertising and awards festival.

     

    The theme for last year’s festival was ‘Ideas are all around us-can you SPOT one?’ Two of the biggest awards held during the festival include the Media Abbys and Creative Abbys.

    Click here to view all Goafest 2012 stories

     

  • With animals, what you see is what you get. With human beings, it’s more complicated


     

    Make no mistake about this: Lynn de Souza has a soft, warm, chilled out, happy exterior. But inside that resides a steely, tough, hard-edged professional. And she needed all that internal strength to survive and thrive in an industry notoriously dominated by what she calls the ‘Old Boys Club’. Lynn and I go a long way back, and this made our conversation frank, fun and, yes, highly argumentative. And we discussed many issues ranging from the dubious media research, the future of various media, her role in promoting gender equality, her formula for cleaning up the otherwise scandalous Goafest. And why she, er, chooses dogs over men.  

     

    By Anil Thakraney

     

    What’s your exact job portfolio at Lintas?

     

    I look after Lintas Media Group, and our subsidiaries Karishma Initiative, Aaren Initiative and Lin TV. LMG and Karishma are media agencies, Aaren Initiative is the largest OOH agency and Lin TV produces and distributes branded content. I am responsible for their overall financial and reputation, health, corporate governance, etc.

     

    Who do you report into?

     

    Michael Wall, the global CEO of Lowe Worldwide.

     

    Would you not like a global role now, having been there and done that in India?

     

    Have I been there and done that in India? I don’t think so. India’s potential story is not even the tip of the iceberg, and I haven’t even travelled the whole tip yet! I would love to have a global role that is based out of India, because this is where it’s all happening. I am fiercely proud of India and all things Indian and it’s our time to show the globe a thing or two. We don’t need to be sitting in Manhattan or London to do that, in fact, that could be counterproductive.

     

    Would it be correct to say you’ve reached the top of the Indian media peak?

     

    More like the bottom of the ocean, which has the most beautiful creatures and colours in the world. There are so many challenges ahead, so much to learn and so much to do. Our lives as consumers of media are being transformed so rapidly it’s really hard to keep pace, and this rate of change is even faster in an emerging market like ours. What we thought we knew yesterday is no longer relevant today, and what we think we know today will not be relevant tomorrow. The only people who can be on top of all of this are those who want to keep learning and keep evolving and keep travelling. There is no place for those who think they have arrived.

     

    What’s your goal for the next 10 years? What else would you like to achieve?

     

    Goals are for footballers and 20-year-olds. I don’t have any. I am just happy to be alive, to have a wonderful family, to work with some awesome people, to have a few good friends, and to do my little bit for my four legged friends. I take each day at a time, that’s all, and just try to do the best I can for that day, honestly. When I was young, I did have plans and was ambitious, too ambitious. My values have changed. It’s important to be good at what you do, but it’s also important not to be so good that you become bad for everything else around you.

     

    Key challenges ahead for the media buyers.

     

    Look beyond the colour of money to the colour of advertising and media content, and the kaleidoscope of consumer insights. Get away from the keyboard and play some real piano now and then. Visit places they have never been to, in reality, and not only on 3G. Meet and talk to people from all cultures including, especially including, our villages in the length and breadth of our country. Data will never be a substitute for reality and as long as we hold on to it for dear life, we will continue to reduce the value of the media, and the consumers they deliver, to the lowest common denominator – a CPRP.

     

    Are our creative people ready for the new media? And the clients?

     

    I think the younger ones are. I have been meeting a lot of independent digital agencies recently, and it’s always great fun to meet their founders – usually young creatives and techies who have left traditional agencies and employers to write their own dreams and ‘apps’! You would also be surprised how many clients are now taking to what you call ‘new’ media like fish to water. There are lot of questions and uncertainties and domain knowledge issues of course, but there is no dearth of desire to learn, because user technology has become so easy and enjoyable that once they use the digital spaces for themselves, they want to start using them for their brands.

     

    Was media unbundling a good thing? You pioneered it.

     

    It was the best thing to happen to the media function. Till then, media planners were languishing in the backrooms with their big red NRSs and estimates, always at the tail end of a presentation and often sent home without even presenting. Making the function profit seeking in its own right attracted the right kind of front-room talent, investment in tools and databases and the ability to then cope with a magnifying media world. Which industry has seen such an explosion of new offerings in such a short time – 600 TV channels, 70,000 print titles, 350 radio stations, and countless websites, all in 15 years or less? Unbundling has allowed us to specialize enough to cope with this growth, possibly even enable this growth.

     

    Predict the future of the print media in India. Newspapers are shutting down all over the world.

     

    You need to separate form from content. Newspapers abroad have digital versions that have a much larger following than the newsprint version. I read the NY Times every day because the reading experience is so enriching, it doesn’t matter that I don’t live in that city. As long as people have eyes, they will read, and as long as they read, there will be something delivering the news to them in a written form… in newsprint or cyberspace, or Kindles, how does it matter? About India, do you know that the highest read newspaper in the world is a Hindi daily? Regional language papers have trebled in readership in the last ten years. Tier two and three cities, where literacy is still not even 70% and growing, register the highest growth.

     

    And what about television?

     

    TV will be fully digitized very shortly and this means that the convergence of content across digital broadcast, web and telephony platforms is almost here. My agency is already producing content for television, re-purposed for mobile, and developing web apps to go along. As are many others. Consumers follow and lead content, so to track them and predict their behavior will be very important, our measurement systems will need to keep pace and adopt new technologies to capture, retrieve and analyze data.

     

    There are too many complaints about media research in India. What can be done to change things?

     

    There’s an overload of data in some aspects. We have different data sources for different media. And there’s no one single source available. That’s why many of the media agencies invest in their own studies. We have our own, for example. What worries me is that nobody’s looking at the future. So that we have future-ready research which is truly centered around the consumer. I told the IRS people that they need to think ahead. They have a 10-year-old way of collecting data and that has to change.

     

    Also TV viewership measurement.

     

    That’s why you can’t recommend media only on that basis. Which is why a lot of us have our own proprietary research which picks up a whole lot of other aspects. You cannot rely only on these data sources.

     

    That’s no solution. We need few but reliable research studies which the whole industry can follow.

     

    It’s not necessary for everything to be done at the industry level. You do things at an industry level when you want a currency. When you want a common parked research where both the buyer and the seller access it, so it becomes a currency. But if you want to do things that are genuinely good for the brand, you develop a whole lot of other proprietary studies, which many of us do.

     

    Lynn, frankly I am disappointed with you. You’ve spent a lifetime in the media industry, you’ve done it all, you’ve made your money. Isn’t it time for you to think of the industry and take on the challenge of reforming media research so that everyone benefits?

     

    If I did that, I wouldn’t say it to you. If I had any ambitions that I want to change something, I would quietly go about doing it my way. Three years ago, I didn’t want that there should be two research agencies, the IRS and the NRS. I was sitting on both the committees and I found both doing the same things, both saying the same things, so I said why can’t they be together. So quietly, at both meetings, I would suggest let’s have only one study. It took three years of doing this before the RSCI got formed. They’ve elected me as the first Chairman and we had our first meeting only last week. I am hoping we will change the readership agenda of this nation. Print is still the largest medium in India, and if the RSCI works out, we will make a big change. But I won’t thump my chest and say ‘Hum yeh kar rahe hain, hum woh kar rahe hain!’ (Laughs.)

     

    Not enough. You should take on media research full-time, and become the Queen B who made a huge difference.

     

    (Long pause.) I promise to give it a serious thought just to please you. (Laughs loudly.) But I will not commit to anything you wish me to commit to!

     

    You’ve cleaned up Goafest. There were no scandals this year. How did you do it?

     

    I am a great delegator. And I give a lot of respect to people I delegate to. So we had Shashi (Sinha) completely given the role of running the awards. I gave Sundar the role of running the conclave. I looked after the organizing and the venue. The most important thing I did for Goafest was to create an impression of being clean. I looked for a very clean looking place, I changed the venue itself. So it looked fresher, cleaner, greener. That had a very subtle effect. Then, I roped in the ASCI and the IAA with the responsibility agenda on the first one and the sustainability agenda on the second one. That gave the impression we are doing something good for the industry, and not just pampering creative egos.

     

    How did you handle the problem of self-voting?

     

    Shashi led that and he did a fantastic job. People were not allowed to self-vote. One or two individuals who were supposedly high on self-voting in the past were not included as judges this time.

    But Lintas still won’t take part in the awards…

     

    We do not have any confidence in the awards given by our peers. I was given a job to do, to chair Goafest. I was forced to do it, and I did it to the best of my ability. But that’s different. You know, I served at the Cannes media jury in 2009 and it was a fantastic experience. It was professionally run, it was technically advanced. I have served on the Indian juries as well, and it was nonsense, though am sure this time around they did a better job. I have seen the behaviour of our peers, the kind of lobbying and planning that goes on. As an agency we are not into chest-thumping. But when our agency wins awards because our clients have won, I value those because the consumers voted us.

     

    But now that you’ve cleaned up the place, will Balki take part next year?

     

    That you have to ask him. But it has to do with the value you place behind awards. Not everyone thinks awards are the best thing in life.

     

    Looks like you’ve fallen in line with Balki’s ideology.

     

    (Laughs.) On the contrary he may be falling in my line! We have our own independent reasons.

     

    What’s this about women’s rights you’ve been promoting?

     

    Internationally, diversity and inclusion is a big agenda. As a part of that agenda, two years back, IPG asked me to set up and lead the women’s leadership network. Initially I refused. I didn’t think there should be segregation of any kind. Later I studied the subject in detail, and I realized there’s a very powerful economic reason why you have to support women. There are three ‘Ws’ that will transform this century: Web, Weather and Women. And the power that women are exerting on this century is enormous. It’s said if women were empowered at Wall Street in 2009. things wouldn’t have been the way they were. In India we have 29 women heading banks and financial institutions. So there is an approach that women bring to the table that improves the productivity of a team. So it’s important to keep and retain women. At IPG, 30% of our staff are women, and when you come to the top, it’s just 11%.

     

    How do we change this inequality?

     

    We need hardcore practices in place. We can have a hiring quota set aside for women. I believe last month Hindustan Lever hired only women. We need to make everybody conscious we are not doing anything special for women. We have to make men and women understand that when you work together, you do well. For example, Coca Cola has something called the ‘Power of 3’. They believe that in any big team, the minute you have three women in the team, the group becomes far more productive. And if you have just one woman in the team, she gets eaten up.

     

    But Lynn, women falling out along the way is a social problem. Babies have to be looked after. How will you change that?

     

    You try and keep them engaged in the work orce. Some of the things we’ve done include giving them the option to work from home when they are pregnant. By giving them a desktop mirroring system at home. That’s literally like working in the office. There are lots of such ways in which you can keep women productive even if they have babies.

     

    Personally, I am quite cynical about this whole thing. You can’t change deeprooted beliefs and attitudes so simplistically.

     

    Anil, you are basically cynical about everything! Anil ‘bloody cynical’ Thakraney! (Laughs.)

     

    Why are all ad agencies headed by men?

     

    In the creative agencies there is a very strong old boy’s club. It’s very difficult for women to break through into that club. And if they don’t play by those rules, they will not break into it. Read my blog on this (link).

    Exactly why were the 3As of I guys giving you stress? Why didn’t they want you in?

     

    (Long pause.) Because I am clean.

     

     

    You found corrupt activities going on?

     

    (A longer pause this time.) No comment.

     

     

    One rival media chief you admire.

     

    Sam Balsara. He’s awesome. A hardcore desi boy with so much energy, he does so much.

     

     

    The best boss you’ve had.

     

    Ravi Gupta. And Steve Gatfield.

     

     

    One thing you learnt to do from Roda Mehta?

     

    Two things. Precision and integrity.

     

     

    One thing you learnt NOT to do from Roda.

     

    (Thinks.) Over-precision. Beyond a point you have to just let it go, you don’t need perfection.

     

     

    Roda didn’t just do the media job, she built the media planning and buying industry in India. None of you guys have been able to do that. She was a game changer.

     

    It’s not needed. You don’t need a crusader in today’s world. You need inventors and innovators. In today’s world we need enablers. Twenty years ago it was different, it was the licence era, there were strictures and rules. Today there’s far more freedom. No one wants a crusader. Everyone wants an enabler.

     

     

    Would it be correct to say you love dogs more than men?

     

    (Laughs.) Why only dogs, any animal. With animals, what you see is what you get. With human beings it’s more complicated.

     

     

    Is that the reason you are still single?

     

    No, it has nothing to do with that. I didn’t find anyone as intellectually stimulating as… my dog! (Laughs.) Are you happy to hear that?

     

     

    Have you watched Balki’s two films?

     

    I haven’t watched ‘Cheeni Kum’ yet. And Balki hasn’t forgiven me for that. But he sent me the ‘Paa’ DVD, and I really liked it. I didn’t watch the last five minutes of the film though. Because I wanted to make my own ending. I wanted the character to live. So I made him into a dog. (Laughs.)