Tag: Disney+ Hotstar

  • Thums Up gets Ranveer Brar for ‘biryani hunt’

    Thums Up has announced its partnership with Toofani Biryani Hunt Season 2 with Chef Ranveer Brar back at the helm. The show is conceptualised and created by Disney+ Hotstar CreativeWorks.

    Commenting on Season 2 of Toofani Biryani Hunt, Sumeli Chatterjee, Category Head, Sparkling Flavours, India & Southwest Asia at The Coca-Cola Company said: “We’re excited to present ‘Thums Up Toofani Biryani Hunt Season 2,’ in partnership with Disney+ Hotstar, serving up a sizzling flavour expedition on screen. This season, we celebrate the crisp chill of Thums Up paired with a steaming plate of rich, smoky biryani. With Chef Ranveer Brar bringing his exceptional talent back on board, the journey is set to be more delicious than ever as we uncover the best of biryani from seven diverse regions across India.”

    Speaking about the show, Dhruv Dhawan, Head of Ads at Disney+ Hotstar, added: “At Disney+ Hotstar’s CreativeWorks, we continue to leverage the power of storytelling and solve the complex marketing needs of advertisers who want to forge meaningful connections with their audiences. Thums Up Toofani Biryani Hunt season 1 resonated well with our audiences and we are excited to bring in another season which exemplifies how we combine creativity and cultural relevance to craft memorable experiences. With season 2, we’re taking this journey with Thums Up to new heights, exploring the rich flavors and traditions that make biryani a dish close to every Indian’s heart.”

  • Kartik Aaryan becomes the face of Disney+ Hotstar

    Disney+ Hotstar has collaborated onceagain with Kartik Aaryan for the latest campaign ICC Men’s T20 World Cup 2024. The ad film for the campaign emphasises on Disney+ Hotstar’s ‘Free on mobile’ offering for the tournament enabling all the cricket fans across the country to never miss any cricketing action.

    Said a Disney+ Hotstar spokesperson: “Cricket holds a special place in the heart of every Indian, and our mission is to ensure its accessibility to all. Through this campaign, we aim to extend the reach of the sport to every corner of the nation, ensuring that our users can experience every thrilling moment of the ICC Men’s T20 World Cup for free on their mobile devices. We’re thrilled to collaborate with Kartik Aaryan once again; his passion for cricket and entertainment perfectly aligns with the spirit of this campaign.”

  • Disney+ Hotstar to offer ‘Free on Mobile’ viewing experience

    Disney+ Hotstar has announced that the upcoming ICC Men’s T20 World Cup 2024 will be available to stream ‘Free on Mobile’ for those using the Disney+ Hotstar app.

    Commenting on this, Sajith Sivanandan – Head, Disney+ Hotstar India said: “By offering the ICC Men’s T20 World Cup 2024 for free on mobile, we aim to make the game of cricket more accessible, reach a wider audience across the country and ensure that none of the sporting action is missed. No sport works as a better catalyst than cricket in bringing people together. Last year’s Asia Cup and ICC Men’s Cricket World Cup, where we offered both tournaments for free on mobile, allowed us to serve newer audience segments helping us to significantly expand viewership.”

  • World Cup Cricket: Digital Streaming vs DTH

     

     

    With apologies to none at all

     

    By Vikas Mehta

     

    Vikas MehtaFinally, home after two weeks on the road. Watching World Cup Cricket streaming on the mobile or laptop was fun. But I am a traditionalist. Give me large screen TV and a DTH connection and you have me hooked. You may say that I can watch streaming on my large screen at home also. True. But my streaming experience has been mostly imperfect. I may be watching streaming on 5G or on broadband but the fluctuation in internet speed is imminent and hardly a day went by while watching World Cup streaming when the quality of video did not deteriorate or I did not face buffering. DTH at least lets me watch all the action without any drop in picture quality or interruption. My wife though was quick to point out that DTH also faces interruption, when it rains or when the electricity supply is interrupted. At least 5G or even broadband with a mini-UPS assures no disruption due to power cut. Well, that’s India for you. So many permutations, so many pros and cons.

     

    But I digress. Today, I am going to talk about what advertising I encountered on DTH and how it was different than on digital streaming.

     

    The first observation I had was that digital streaming was always a ball slower than on DTH. The reason I found out was technical. But it definitely is a bummer, specially during close matches. Not that there have been many in this World Cup, but I would hate to be watching matches like Pakistan vs South Africa or Australia vs New Zealand on streaming and my daughter telling me the result before I know it!!!

     

    The second obvious observation was the sheer number of advertisers on DTH vs digital streaming. And that was a surprise to me. Disney + Hotstar is streaming the matches free on mobile through its app and I would have imagined that this in turn will get them more advertisers. And the overall audience for streaming has been good. The India vs New Zealand match for example got over 4 crore viewers, more than the India vs Pakistan match. So, what explains the less number of advertisers on streaming?

     

    The answer I think may lie in the type of viewership that DTH vs digital streaming offer. If I may take the liberty of slotting the type of audience by the media channel, though this is purely hypothetical and I have no data to back it up, but do hear me out.

     

    During my travels, I noticed that mostly it is the GenZ which was comfortable watching the matches on mobile screens. Definitely because it was free but more importantly because matches on mobile could be watched anywhere. GenZ could watch it in her/his university, while travelling by public transport or at home in her/his own cocoon with earphones plugged on. There is a sense of individuality and privacy while watching the matches on mobile, something which GenZ craves for.

     

    Laptop or maybe tablet screens is the preferred choice for the millenium. Specially during working days. The Disney + Hotstar window would be minimised, volume muted but catching the action  every few minutes is the norm. I witnessed this even during a presentation!

     

    DTH is a family pastime at home or for the retired people. The millennials with their friends, or spouses or even parents watch the action late evening at home. The exception here again is the GenZ. They value their privacy. But they multitask while watching the matches. Multitask in terms of chatting about the matches with friends, exchanging instant memes, all the while maybe doing their college or school tasks.

     

    And I think advertisers have observed the same. And most of the advertisers are targeting the family or the millennial. No wonder, auto brands like Skoda and Mahindra are active on DTH but absent on streaming. GenZ is not whom auto brands are targeting. And they catch the millennials in the evening on DTH. That’s also the reason I do not recall seeing any Dream 11 ad on TV but discovered that it is a broadcast sponsor on digital streaming. Mostly, it’s the tech-saavy GenZ and to some extent the millennial who are the TG for gaming apps like Dream 11. Not necessarily a family type or retired person.

     

    I guess that’s what public sector banks like SBI, PNB etc were thinking with their presence on DTH. So too was Fogg as it has had a family personality as opposed to Axe which is more individual, seductive. No wonder Axe is on streaming. But I was surprised to see that Axis Bank was advertising for its app on DTH. Maybe streaming would have been a better choice for the same.

     

    The presence of health brands like Herbalife or Emami Herbal Kesh on streaming again was a no-brainer, since such health products are preferred more by millennials and GenZ to some extent.

     

    And the best example of media segmentation and targeting came from Hero. It has used DTH for its festival offers on motorcycles under the sub-brand Hero GIFT (Great Indian Festival of Trust). Targeting the family and maybe more small-town buyer who is middle-aged and not into technology but wants an affordable mode of personal transport. DTH and cable are the perfect media to catch this person. Whereas for their EV scooter Vida, digital streaming is the targeted medium.

     

    But then what explains the presence of a new brand of EV, Eblu Feo on DTH and cable broadcast? And it seems to be targeting independent women as Neena Gupta is the brand endorser. Your guess is as good as mine but I think it wants to announce its presence nationally on a medium which gives it a wider reach and also depth of reach. Digital streaming maybe is restricted on those parameters.

     

    I was also impressed with the use of digital streaming by Whisper. Targeting young women who want the best protection for themselves, Whisper is alluding to the reality that these women are also avid cricket fans. Something that has been reinforced by the presence of Pantene, another P&G brand on digital streaming. As an aside, it sems that P&G is making a big play on cricket and that too through digital streaming. The first two weeks matches on streaming were dominated by an overwhelming presence of Tide and truth be told, the one ad being repeated ad nauseam had started to grate. Will Tide or Pantene make a comeback or some other P&G brand will come in the later stages on streaming?

     

    Very few brands, I can recall only Phone Pe and Bookings.com, who were present on both DTH and digital streaming. The reason again is simple. They are targeting very wide instead of narrow focusing. They are still selling their categories and brand building is incidental.

     

    But the most significant presence for me on DTH has unfortunately been the presence of surrogate brands. The various brands of Pan Masala posing as silver-coated elaichi or whatever and also liquor brands under dubious categories like water or experience or playing cards. Interestingly, none of these brands are on digital streaming. What does it tell us? That there is hope. That the advertisers know that targeting GenZ may get them into trouble. That the younger generation is more into healthy products and doesn’t care too hoots about such ads. That the same younger generation is maybe more ethical and frowns upon such surrogates. Or very simply it is the family man who is into these vices? Whatever the reason, the divide is stark.

     

    Join me next time as some new campaigns unfold in the final phase of the World Cup. Let’s see if some new observations are going to unfold.

     

  • Disney+ Hotstar sets new peak concurrent viewership

    By Our Staff

     

    Disney+ Hotstar reports concurrent viewership of 3.5 crore views during the ICC Men’s Cricket World Cup 2023 match between India and Pakistan on Saturday (October 14).

     

    The clash of titans on Oct 14 marked a watershed moment for the platform and for digital sports viewership across the country, notes a communique, adding: “Asia Cup 2023 has already garnered an overwhelming response from fans, with 2.8 crore viewers for the India vs Pakistan match and 2.1 crore viewers for India vs Sri Lanka.”

     

    Said Sajith Sivanandan – Head, Disney+ Hotstar India: “We would like to thank all the fans who tuned-in to watch the India-Pakistan match on Disney+ Hotstar. Your love for the game is what made it possible for Disney+ Hotstar to break all the previous records across all cricket formats and hit a peak concurrency number of 3.5 crore viewers. As the cricketing rivalries continue, we’ll continue to honour our commitment towards delivering an unmatched viewing experience to all our users. We look forward to many more such experiences as the ICC Men’s Cricket World Cup unfolds.”

     

  • Disney+ Hotstar ad film features Kapil Dev

    By Our Staff

     

    Disney+ Hotstar’s latest ad campaign featuring Kapil Dev captures the fervour of cricket fans for the approaching ICC Men’s Cricket World Cup 2023. The matches can be watched free on mobile only on Disney+ Hotstar.

     

    The campaign is  conceptualised by Manja Brand Works LLP and directed by Nitesh Tiwari.

     

    Talking about the collaboration, Sidharth Shakdher, Head – Marketing, Disney+ Hotstar India said, “Cricket serves as a unifying force that brings our nation together. By offering free mobile streaming of the ICC Men’s Cricket World Cup 2023 on Disney+ Hotstar, our goal is to make cricket more accessible to all, and who better to collaborate with for this endeavor than the iconic Kapil Dev. Through this campaign, our aim is to harness the deep-rooted passion for cricket that resonates across the nation, reaching every nook and corner.”

     

  • Mahindra to sponsor ICC Men’s Cricket World Cup 2023 on Disney Star

    By Our Staff

     

    Mahindra & Mahindra Ltd farm and auto sectors announced the expansion of its cricketing association as the Associate Sponsor with Star Sports for the ICC Men’s Cricket World Cup 2023 and ‘co-powered by’ sponsor on the digital platform, Disney+ Hotstar. In addition to the ICC Men’s Cricket World Cup 2023, this collaboration ensures visibility for Mahindra’s Automotive and Tractor brands during the Asia Cup 2023.

     

    Said Rajesh Jejurikar, Executive Director & CEO – Auto & Farm Sectors, Mahindra & Mahindra Ltd: “We are excited to be a sponsor for the ICC Men’s Cricket World Cup 2023 on Star Sports and Disney+ Hotstar. This sponsorship is a key milestone in our mission to connect deeply with the passion of millions of Indians. We see a strong synergistic resonance between our SUVs and Tractor brands and the vibrant spirit of Indian cricket. Through this sponsorship and our upcoming engagement activities, we aim to create cherished memories and strong bonds with our customers.”

     

  • Free-to-stream: Will subscription models survive?

     

     

    By Shailesh Kapoor

     

    Shailesh KapoorThe much-anticipated India-Pakistan clash in the Asia Cup, scheduled tomorrow (Sep 2), marks the start of a busy cricketing scene. The action is equally hectic off the field too. The start of the Asia Cup also coincided with the news that Viacom 18 has bagged the rights for BCCI-organized bilateral series in India over the next five years.

     

    Viacom 18/ JioCinema’s entry into sports has disrupted the landscape in 2023. From being a driver of paid subscriptions, cricket is now playing the role of reach aggregator on OTT. The Asia Cup is available for free streaming on Disney+ Hotstar, and the ODI World Cup that follows will go the same way. Indeed, the era of paid sports content in India maybe over. It’s only a matter of time that sports channels on TV go free-to-air as well.

     

    With the no. 1 sport in the country (and by some margin) being available for free, the state of several other sports, including football, tennis, wrestling, etc. hangs in balance. Will they continue to be “premium” offerings that get smaller audiences who are willing to pay for them? Or will the networks hope to expand the reach of these sports by making them available free? The question, of course, extends to television too.

     

    Are we going back in time, by shunning subscription models in favor of those dependent on advertising? Far from it. For the last several years, almost all major players, in the streaming space in particular, but also in linear television, have over-rated an average Indian’s inclination to pay for content. They have priced their products at levels that are untenable, and then gone on to offer handsome discounts, to the extent of 50-75% at times.

     

    But the core question is not about the price alone. It is: “Why pay at all?” Changing a market’s mindset from free to pay is an arduous task. We have seen how niche channels lost out once the NTO effects kicked in a few years ago. Outside the top 10 cities in India, paying for data, however low the rates maybe, itself is a choice to make. Stand-alone subscriptions are not even serious considerations. Reluctantly but inevitably, platforms have consented to being a part of aggregator bundles, where the ARPUs are much lower. A Jio-Netflix deal was announced just last week.

     

    It may seem like an extreme position to take, but the days of pay content in India, especially when it comes to mainstream content that’s targeting a wider demographic, may be numbered. The major GECs going free-to-air in the next 2-3 years is not ruled out either. It would just take one of the top 4 to make the move and grab the top spot, and things may look very different overnight.

     

    All hail the advertising economy!

     

  • Disney+ Hotstar unveils campaign

    By Our Staff

     

    Disney+ Hotstar has unveil a campaign titled ‘Bas Aao. #FreeMeinDekhteJao’ offering free streaming of Asia Cup 2023 and ICC Mens Cricket World Cup 2023 on mobile. Conceptualised by Tanmay Bhat, Deviah Bopanna and team Moonshot, the platform released a film that showcases the intensity of India’s love for cricket. The ad film is directed by Kishore Iyer.

     

    Speaking about the campaign, an unnamed Disney+ Hotstar spokesperson said: “Cricket holds a special place in the hearts of Indians, and we want to make this sport even more accessible to our users. By offering the opportunity to watch the Asia Cup and the upcoming ICC Men’s Cricket World Cup 2023 for free on mobiles, we are geared up to take cricket to every corner of the country and tap into digital-first audiences. The campaign film too reflects the same ethos, bringing to light the lengths we Indians go to follow cricket, along with Disney+ Hotstar’s commitment to delivering a top-notch and convenient viewing experience.”

     

    Why don’t spokespersons wish to be named, one wonders. Are they not happy with and/or proud of the campaign? Or are they not allowed to be named?

    Whatever!?

     

  • Not at all Quiet on the OTT Front

     

     

    By Shailesh Kapoor

     

    Shailesh KapoorOver the last three years, it became abundantly clear that streaming (or OTT, as it’s called in India) is the medium of the future in this country, even as other media will continue to co-exist. Linear television always had the numbers. But thanks to a mix of factors, ranging from the pandemic, to ever-reducing data costs, to a nosey TRAI, linear television has barely managed to stay afloat. Pressure on revenues has been felt across the board, and that’s never a good sign.

     

    Streaming itself is trying to find its sweet spot. Is it a premium paid (SVOD) medium, as all the promotions of well-mounted web-series suggest? Or is it a medium for the ‘masses’, where free (AVOD) content is going to dictate the future? The jury has been out. And the last few weeks have seen their share of action on this front.

     

    Perhaps the biggest shift in the dynamic has been around the IPL. The 16th edition of the league, which starts March 31, will stream free on JioCinema. That’s a polar opposite to how it was thus far: IPL was a subscription (and hence, revenue) driver for Disney+ Hotstar, not just in India but at a global level too.

     

    Then, there’s the talk of the largest AVOD player in India outside of YouTube, i.e., MX Player, being up for sale. The content side is going through its continuous evolution. For example, price points for acquiring streaming licences to theatrical releases have not stabilised yet.

     

    All these are healthy signs, one would think. A growing category is bound to see new ideas, new strategies, and new alignments. And some of these may shape the future of the category. For example, there is little doubt in my mind that IPL’s streaming viewership will outnumber that on linear television this year.

     

    How did linear television find itself in this situation is a matter of another debate. But it should not have, because it’s still the staple, go-to medium for millions of Indian families every night. But the only way you can fight technology is by building a precise and relevant narrative. The linear TV industry has failed to do that for itself.

     

    Amidst all the positive action, the talk of censorship of streaming content has started again. This week, the I&B minister advocated censoring “vulgarity”. The genesis of this not-so-veiled threat lies in a Delhi High Court judgment will handling a complaint on TVF’s show College Romance. The state and the judiciary playing moral police can be a major irritant in a category that’s otherwise amid a period of high activity and growth.

     

    All eyes, hence, are on India’s streaming story, in its second phase, where the category seeks stabilization and re-alignments. And the upcoming IPL will set the ball rolling on that front.

     

  • Max Life Insurance partners with Disney+ Hotstar for campaign

    By Our Staff

     

    Max Life Insurance Company Ltd. has announced the launch of its digital ad film on Max Life’s term plan for homemakers, in an exclusive association with Disney+ Hotstar’s Connected Television (CTV) offering. To drive regional language consumption, the digital ad film is also being released in six languages i.e. Tamil, Kannada, Bengali, Marathi, Telugu and Malayalam.

     

    The digital film is conceptualised by Tribha, produced by Kailash Picture Company and directed by Sonal Dabral and features actor Boman Irani.

     

    Commenting on the launch of the campaign, Rahul Talwar, Chief Marketing Officer, Max Life Insurance said: “Max Life firmly believes in encouraging consumers to embrace their ‘real value’, and homemakers form an important segment whose contribution to society is priceless. We are excited to launch our campaign with Disney+ Hotstar, the leading OTT service in the country. This association opens up avenues to reach a wider, gender balanced audience; helping us promote the positive and reaffirming message conveyed in the film. Currently, homemakers in India are allowed term cover only as an add-on to their earning spouse’s cover. This term plan offering will help secure female homemakers’ lives independent of their spouse’s income proof. This association is a step towards empowering Indian women and enabling greater financial inclusion by protecting them in challenging times.”

     

  • Sajith Sivanandan joins Disney+ Hotstar as EVP

    By Our Staff

     

    Disney International Content and Operations Group has announced the appointment of Sajith Sivanandan as Executive Vice President and Head of Disney+ Hotstar. Sivanandan, who joins Disney+ Hotstar from Google, will take up his new role in October with a dual reporting line to Rebecca Campbell, Chairman of Disney’s International Content and Operations Group and K Madhavan, President, Disney Star.

     

    Sivanandan will oversee Disney+ Hotstar’s overall business operations in India with direct responsibility for defining the streaming service’s strategic business priorities and charting a product roadmap for Disney+ Hotstar’s sustained and exponential growth in the years ahead.  He will also work closely with local leadership in international markets as well as with the Disney+ team in the US to drive Disney+ Hotstar’s continuous growth which, with its unrivalled scale, innovation and breadth of content, has become the leading streaming service in India.

     

    Said Campbell, Chairman, International Content & Operations, The Walt Disney Company: “I am delighted to have Sajith join our executive team and lead the innovative team at Disney+ Hotstar. His deep experience in the region, combined with his strong leadership and business management skills will greatly benefit Disney+ Hotstar as the platform embarks on its next phase of growth.”