Category: Uncategorized

  • 2012? Is it a repeat of 2009-10?

    Predicting Adspends has become more complex now than ever was. The economic outlook is something that one can never get the handle right, with most studies not agreeing on one number. But this is what makes it exciting to look and estimate the Adex growth in India. GroupM does a yeoman’s service of providing some startling numbers based on science than the gut, even though India tends to buck the trend away from global predictions.

     

    Every client I speak to talks of prudent spending behind potential cuts, at least the intent is a tight squeeze. Cautious optimism mixed with nervous pessimism! The growth highs of 26% in 2006 and 22.5% in 2010 looks so recent yet the thinking is a bit soft now for 2012. Since October, the moment the Eurozone market failure triggered a downslide the thoughts are very much on these lines. But let’s also look at the growth drivers – every media is expected to grow in double digits with the exception of print and out of home. Every broadcaster and publisher is trying ways and means to cut down input costs while trying to extract the maximum. The first 4 months of this year will show the trend for the year and the challenges are aplenty for media, agencies and advertisers.

     

    The world is expected to reach $522 billion, a 6.4% growth in Adspends – four regions will continue to grow in double digits: APAC (10.2%), LATAM (14.2%), Central & Eastern Europe (11.2%) based on GroupM forecasts. Digital will contribute to 22% of all measured ad investment in mature western markets and 12% in the faster-growing world. Compare this to a 30% growth predicted in India. Search and Social continue to grow in India, but in my opinion the digital growth will be fuelled by mobile and digital content. Performance Marketing is the need of the hour. The challenge in our country will be primarily on TV, which has overtaken Newspaper spends for the first time since 2011, what with increased content costs. Network channels will capitalize by using the same content on several channels to defray costs, but not everyone can attract eyeballs consistently. Accountability on short-term commitments will be the need of the hour.

     

    Ravi Rao, Leader – South Asia, Mindshare

  • Up, up and ahead – Media in 2012

    Jai Lala & Amin Lakhani

     

    As indicated by the report ‘This Year, Next Year: Indian Media Forecast’ by Mindshare, it was a mixed year for Media in terms of the growth story in 2011. The industry per se grew at a rate of 13 percent. In terms of AdEx, and in the first half of the Calendar Year (CY) 2011, the medium of television grew as high as 26 percent, which then slowed down to a rate of 16 percent in the second half. So it would be safe to say here that television grew at an average rate of 20 percent in 2011. Taking off from there, we anticipate 2012 to throw up similar growth numbers. So a 15-16 percent growth is what is being estimated for the medium of television in 2012. But unlike last year, we expect the first half of CY 2012 to show a slow growth while the second half will manage to show a sudden spurt in growth numbers.

     

    SECTOR WISE PERFORMANCE:
    TELEVISION
    If we analyse the properties that will drive the medium of television to deliver such a healthy growth in 2012, the marquee property that takes the cake yet again would be cricket (Sports). Like last year, this year would also witness an equal number of cricket-playing days involving team India. So while we had the World Cup last year, this year we have the T20 World Cup and also the Asia Cup that will balance out for the number of cricket-playing days. IPL will continue to add to the cricket-playing days with 76 matches being forecasted as against 74 last year.

     

    The other element that will drive growth for television from a supply point of view is reality shows. Each and every channel has slated a quarter-by-quarter plan around reality shows. Accordingly, the programming content around reality shows will be very high. For example, if a channel in yesteryears used to have around 10-12 percent content around reality, that is changing now to around the 15-18 percent mark. Also, given the high production costs involved with reality shows, they come at a higher price. They thus cannot be pegged at the same value as the other regular shows. While they may not command high ratings, owing to the production costs the expense for the show is definitely higher. The key point here is that all key broadcasters have a dedicated programming budget. Now given the volatility in the economic scenario, none of the top broadcasters are bringing down investments around non-fiction shows. If you look at the factors driving this trend the first thing that comes to the fore is the change in pecking order of GECs. It has moved from a 3-channel scenario to a 5-channel scenario. Till until last year you had Star, Zee and Colors vying for the No 1 slot and now it is Star, Sony, Zee, Colors and another new channel from the Star stable – Life Ok – that is also fighting for the top slot. Given the highly competitive scenario, none of these players are slicing their budgets; they are actually increasing their spends around non-fiction programmes. Even a player like Zee – it may do fewer number of reality shows but it will do them on a grand scale. In fact it is investing heavily behind acquiring big movie titles in the market. So these players won’t cut down on their expenses as they want to sample new audiences and they want to create stickiness. A recent example is Maa Group, which is said to be launching a channel that’ll be dedicated completely towards non-fiction shows. There are several such examples that can be cited here that shows non-fiction is here to stay. Even if seen from an advertiser’s standpoint, most big launches that have taken place in 2011 have been good launches. Nobody has compromised on costs for launching their product. Marketers are not shying away from need-based advertising; they are probably trying to shy away from unwarranted advertising.

     

    The other important factor that will drive television growth in 2012 would be regionalisation – thrust around this area will continue to see a rise. While we witnessed the advent of this phenomenon in the last 2-3 years, 2012 would see regionalisation completely taking off. So while the Southern markets will continue making an impact, the markets of Maharashtra, Kolkata, etc will also kick off in a big way. Also, many channels have come up in the Hindi heartland, catering to niche audiences. Another important trend that will drive the growth for television is specialisation, more so in the area of niche channels. To put this in perspective, what is being observed currently is that the long tail has been growing spontaneously. Which means that every genre is witnessing further sub-categorisation. For example, first we had the infotainment genre which has now been sliced further into food, travel, adventure, wild life etc. In fact there is further slicing that is being witnessed within these channels as well. This has led to specific channels being launched for specific audiences, indirectly leading to a long tail. So it results in media budgets being sliced further so as to enable marketers to reach out to niche audience sets. So specialisation would be another key avenue for players to tap niche markets and audiences.

     

    Another trend that will foster the growth of the medium of television is DTH. As is known, DTH has crossed in excess of 30 million homes and will continue to report healthy numbers going forward. While DTH provides the option of a more personalised mode of advertising, it also caters to a certain kind of audience. There are two sets of audiences that DTH caters to: one is where somebody prefers better quality in terms of viewing pleasure and the other is where cable is not reachable. So DTH is catering to two ends of the spectrum, thereby fuelling the growth of the medium. Another phenomenon that’ll blast full-throttle in 2012 is HD. A lot of channels have already launched their feeds on HD. It’s for the advertisers to cash in on the benefits of advertising on HD. The current estimate of people with HD-enabled boxes stands at 1 million plus. In fact, this number will swell up by a huge margin in the next 2-3 years.

     

    As for the sector-wise contributions for 2012, we expect the auto sector to bounce back. This is on the back of multiple car launches that have been slated for 2012. Even FMCG will witness a strong bounce-back. Other categories like finance, IT & ITES, retail, etc will continue to perform in a similar fashion as witnessed in 2011.

     

    PRINT
    The year 2012 is expected to be a big one for players from the print medium. The primary reason being elections – be it state level elections, municipal level, or any other. For example, in a city like Mumbai political parties themselves have realised the value of associating with print players to further their popularity amongst the masses. Even a political party like Shiv Sena is spending a good amount of money in coming up with supplements to distribute among the people. So the little lacuna support that print as a medium desperately required will come in from elections. Another sector that used print brilliantly in 2011 was auto. Thus innovations will continue to happen on a large scale. If not as a rival medium, print will continue to play a big role as a complementary medium to television.

     

    When analysed separately, magazines as a medium had witnessed a drastic fall in the last three years. But the recent past has seen the advent of speciality magazines which are boosting the fortunes of the medium. These are subscription-based and cater to niche audiences, thereby managing to attract the attention of the advertiser as well. So while the mainline titles are seeing a dip the niche magazines are witnessing an upward swing. Growth-wise, the medium of magazines will remain stagnant but the shift from general to niche will be the order of the day.

     

    As for newspapers, we anticipate a growth of 8-9 percent this year. This is due to the fact that there is going to be a certain amount of demand through elections, bounce-back of certain sectors like auto, etc. Real estate is another sector that has suddenly jumped on to the newspaper bandwagon and is spending hugely on supplements/editorial booklets. A phenomenon that is being witnessed where print is concerned is the geographical venturing that players are getting into. Every publication house of today is trying to become a national player. Players like Times of India, HT, DNA etc have expanded their base across other cities and towns today. Even regional players like Rajasthan Patrika are gaining ground in other regional markets as well.

     

    The other rage that is fast picking up where print is concerned is the e-paper. Most newspapers are providing content that is conducive to the mobile and online world. A large number of advertisers have also hopped on to that medium and the numbers will grow only further. This is a trend that is being spotted on a large scale in the global markets as well.

     

    RADIO
    The biggest event that will change the fortunes of the radio industry in 2012 is Phase 3. It will obviously help radio owners to drive some incremental revenues. Also the new revenue-sharing rule in favour of radio has helped the players to reduce costs and make better money. It has helped them reduce their bleeding numbers significantly. The entire activity around phase 3 will depend upon how much revenue these players can create from local markets. Sector wise, the biggest spender on the medium will continue to be the retail advertiser in these new local markets. That’s because they will have an alternative medium to advertise on apart from the local newspaper that they advertise on more regularly. As for the metros, the larger players have managed to do well. The challenge is for players with just 4-5 stations to perform and compete with the bigger players. But there are corrections that are being carried out and we could possibly look at a revival in 2012.

     

    As for the challenges for radio, one of the things that will continue to hurt radio is measurement. While radio has managed to penetrate into smaller cities and towns, the measurement is still restricted to the 4 metros by RAM. This issue needs to be sorted on an immediate basis given that there is going to be wide scale penetration across India. Where growth is concerned, 2011 was a stable year for radio and we expect a similar environment in 2012 as well. Overall, we anticipate a 10-11 percent growth for the medium in 2012.

     

    Sector wise, retail will continue playing a big role. They will be backed by education, media and even auto. But being a highly localised medium, it will largely be retail driven.

    CINEMA
    Could be categorised as a medium that has been witnessing a golden run where growth is concerned. The only factor that will drive growth for the medium is content. If there is good content available, people will come to watch it on the screens, and not vice-versa. In fact 2011 was a year that witnessed big-ticket blockbuster movies that managed to set the cash registers ringing. This has forced even the single screen owners to realign themselves. The other factor that will propel the popularity of this medium is the increased penetration of malls and multiplexes across metros, cities and small towns. Digitisation is another factor that is helping the medium find acceptance with the masses. For example, to do a reverse telecine was a nightmare earlier. It was a task that was tedious and took an invariably long time to execute, but with digitisation, the entire process has been simplified. Also, what is fuelling the growth of cinema is that if people want to be a part of cinema which is niche in nature they can do that or if they want to be a part of mass cinema, they can do that. And given the ease in digitisation, it is now possible for advertisers to go only in Punjab and do your advertising or go only to Pune and do your advertising. So if an advertiser wants to give an impetus to a certain market or if he wants to do a pressure test in a certain market digitisation enables him achieve that rather easily. This is another factor that is leading advertisers to head back to the theatre as a favoured advertising option.
    The growth projections for this medium would be in the range of 14-15 percent for 2012. Sector wise, the trends are quite similar to that observed on TV. So categories from across would continue to pursue cinema as an advertising option.

     

    OUTDOOR
    The biggest thing that has happened to the industry is the formation of an official body for Outdoor. The biggest threat for Outdoor was the transparency of the medium itself. Today the reality around the medium is such that the moment you engage a client in a conversation around outdoor they prefer to stay away from investing in the medium. The formation of the IOA would lead to standardisation of rates and other operational modalities that will help push for more research into the medium. This effort by the industry would be recognised by clients who will go all out and invest in the medium. Marketers want to use outdoor as they provide a good imagery and high visibility. It has even allowed for newer and better innovations to help advance the sector. Also, outdoor panels, screens, LEDs are now shaping up a new revenue stream which is now getting separately classified as retail. So the medium has come into its own and will continue to grow at a healthy rate.

     

    If we club outdoor and retail activity, they both are interdependent on the other. Retail activations allow advertisers the chance to mingle and talk to the customer in a more personalised manner. Even in the case of Outdoor, earlier it was just the vinyl formats but today you have large and static LCD screens that allow you to do more. If you look at the phenomenon outside urban markets and into smaller cities and towns, Outdoor has always played a superior role. These are centres where the opportunities are far more, cost per consumer is very less and archaic modes of display like wall paintings still command a high presence there.

     

    We are predicting a double digit rate for both the mediums in 2012.

     

    -Jai Lala and Amin Lakhani are Principal Partners,

    The Exchange, Mindshare

    (As told to Johnson Napier)

     

  • 2012: The year Digital will drive brand marketing & not just support it

    Ashok Lalla,
    Leader – Digital, South Asia, Mindshare

     

    Digital as a constituent of brand marketing has certainly come a long way. From being a mere means of communication (via websites), to enabling two-way interactions with consumers and amongst consumers (via social media) and following consumers where they are (via mobile, and online-offline integrations), Digital is clearly today a must-do activity for marketers, and no longer the after thought after the rest of the Marketing programme was determined.

     

    The numbers themselves tell a story. Over 100 million internet users in India, 900 million mobile connections, 500+ million mobile subscribers, over 100 million mobile internet users, 10+million 3G users. 35+ million Facebook users. Wide spread and fast growing eCommerce usage, encouraging early adoption of location-based services like Foursquare,, enthusiastic uptake by consumers of tablets, dropping prices of smart phones….

     

    That said, spends on Digital in 2011 stayed largely in single digits for most brands, and Digital continues to be seen as a means of Marketing support by marketers, rather than a key means of Marketing impetus that it can well be. Categories like Travel, Financial services and eCommerce of course continued to be the exception to this, with Digital playing a more central role in Marketing for these categories, with spend levels bearing this out.

     

    The key themes that according to me will together help underline the importance of Digital for brands, and will put Digital at the centre of Marketing planning will be:

    1.Big picture, holistic Media management
    Digital to truly come into its own, requires to be integrated into the overall Media mix, rather than addressed in a silo. Smart marketers will look upon their Media and digital partners to be able to provide this view. Wherein, the roles of various media are well defined, and Digital is deployed in a manner that amplifies the impact of not just the Digital spends, but energizes the rest of the Marketing plan and media outlays.

     

    2.Web on Demand
    The days of broadcast communications are over. And smart brands will recognize that it’s important to build a connect with consumers wherever they are. Whenever they want. And in the manner they choose to have that connection. The ‘app-site’ will be the new website for brands. But not just an app developed by an agency and marketer. But an app that allows the consumer to choose and customize their brand experience. And change it as their needs from the brand change. A million ‘websites’ for a million consumers. Well, done right, the app-site can well deliver that.

     

    3. Divergence of web experiences
    At a time when smart mobile and web devices allow one to converge interactive experiences (voice, web, social, commerce), the marketer ahead of the curve will prepare to provide consumers a suite of optimized web experiences. Built around the reality of new devices, new screens, new reasons to adopt various devices. It will be challenging to go beyond the one experience fits all attitude, but the dividends of doing this right will justify the efforts.

     

    4. Mobility strategies will make mobile marketing work harder
    Mobile marketing usually sees a check-box approach, where marketers tick-off the elements of outreach that mobile offers. 2012 will see smart marketers pulling back to plot a larger Mobility strategy first, and then using the various elements of Mobile as a means to a larger end, rather than an end in themselves. It may seem a subtle semantic shift, but in reality it’s something that can help brands get ahead in a consumer world that’s literally on-the-go all the time., and therefore ripe for Mobility thinking and planning.

     

    5. Brand-curated content hubs
    The fact of the matter is that people look out for content and programming that interests them, and not for brands. While some brands have tried to create content that’s interesting for their consumers, and at the same time relevant to the brand, they have discovered it’s a losing battle. As content streams keep growing, brands will find it impossible to keep up, unless they get into the content generation space themselves. A simpler and more meaningful method will be for brands to curate content streams, but with a cut that’s at the sweet spot of their consumers and brand world. And thereby enmesh their brands better with their audiences.

     

    6. Socialness to drive Media
    All media (and not just Digital) to be truly effective will need to be social at its core. Social in a way that builds interconnectedness between brands and their audience. And enables consumers to not just interact with the brand, but with each other. The reason is not hard to find: there’s a clear shift in power from brands to influence consumers to consumers themselves to influence their peers. This new reality calls for brands to integrate ‘Socialness’ into all their communications and brand activation activities – TV, print, retail, promotions, and of course Digital.

     

    7. People as Media

    Conventional media plans have a channel strategy, and reach and influence objectives. In 2012, the most important media channel that smart marketers will increasingly focus on will not be specific Social websites, TV channels, print publications or radio stations. But it will be People. And all the rest of the media mix will be oriented around activating a brand’s audience (People) to be the key driver and proponent of a brand’s communications. While all media plans are created to reach people, a People as Media approach makes one’s audience the starting point rather than the end point of brand marketing. An exciting shift in orientation that can help shape the future of brands.
    To me, 2012 will be Digital’s most exciting year for brands in India yet. An inflection point for the way it’s seen and deployed by Marketers. I am waiting for the day when Marketing = Digital. And believe me, that day is closer than most people would like to believe. Stay tuned…

     

  • Media’s incredible tryst with growth rages on

    By a Correspondent

     

    The good thing about the Indian economy and its consistent growth story, especially when the economic conditions are favourable, is the stellar numbers it manages to throw up with aplomb. From sectors that have a minimum hold on the market to some of the biggest contributors like Energy, Retail, Services, FMCG, Real Estate, etc most categories go all out in propelling the economy achieve the desired GDP growth when the conditions are favourable. But the true test of a nation said to be making steady progress is when it withstands pressures, especially when the economic conditions are frail and beats the other developed economies in the game of survival.

     

    In its annual study titled, ‘This Year, Next Year: Indian Media Forecasts’ released by Mindshare India, the report highlights the tremendous growth story witnessed by the Indian media industry in 2011, safely beating the downfall odds that 2011 was supposed to have cast on the sector. With an AdEx growth of 13 per cent the industry managed to accumulate net revenue of INR 33,388 crore for CY 2011 as against INR 29,609 crore that was reported in 2010. (This year, GroupM has switched to reporting calendar year numbers and not fiscal numbers as has been done in the past to be in line with global reporting. Also, while the numbers have been calibrated keeping in mind the actual performance of the media market, they are net advertising revenues not inclusive of agency commissions and thus reflect what media owners have earned and not what advertisers have spent.)

     

    What makes the report a must-read is the prediction for 2012 that boasts of a recovery and increased AdEx spends by advertisers. With net revenue projected at INR 37,397 crore, the media industry is slated to grow at 12 per cent in 2012 driven largely by the mediums of television, newspapers and digital. Topping the AdEx charts for 2012 would be television that is estimated to net INR 16,083 crore revenue at a growth rate of 15 per cent. Adding up to the growth numbers would be the contribution from Print that is estimated to bring in revenues totalling INR 15,250 crore (newspapers + magazines) at a growth rate of 8 per cent. This would be followed by the contribution from Digital that is estimated to fetch INR 1,968 crore in revenue and a modest growth of 30 per cent. At INR 2,277 crore, the study estimates Out-of-home to be the next big contributor clocking a growth rate of 10 per cent. At INR 199 crore and growth rate of 15 per cent, Cinema would continue raking in big bucks and casting its positive influence on the audience in 2012, the report states.

     

    Winter

    Media                    2008        2009        2010        2011Actuals       2012f

    INR mn, net

    TV                         89,796       94,133       118,535     140,263                  160,839

    Radio                 10,094       10,878       13,250       14,575                    16,178

    Newspapers  101,775      102,229     123,790     133,029                144,260

    Magazines       8,424         8,151          8,200         8,200                      8,241

    Cinema             1,108         1,303          1,508         1,734                      1,994

    Outdoor           12,103       13,314       15,710       16,967                    18,409

    Retail                 3,000         3,000          3,450         3,968                      4,364

    Total                  15,103       16,314       19,160       20,934                    22,773

    Out-of-home*               

    Digital               7,256         8,768          11,650       15,145                    19,689

    Media total    233,555 | 241,774 | 296,093 | 333,881 | 373,975

    (* Total Out-of-home = Outdoor + Retail)

     

     

                                                      YOY % Change

                                   2008        2009        2010        2011Actuals   2012f

    TV                         11%           5%              26%           18%                        15%

    Radio                 25%           8%              22%           10%                        11%

    Newspapers 3%              0%              21%           7%                           8%

    Magazines     2%              -3%            1%              0%                           0%

    Cinema            10%           10%           16%           15%                        15%            

    Outdoor           -10.2%      0%              18%           8%                           9%

    Retail                0%              0%              15%           15%                        10%

    Digital               33%           21%           33%           30%                        30%

    Media total   8.1%        3.5%        22.5%     12.8%                  12.0%

     

     

    Where growth numbers for 2011 are concerned, yet again, the domains of television, print and digital were the most sought-after by advertisers in terms of net revenue and percentage share of media. With a growth rate of 18 per cent television eclipses the other mediums managing to attract revenues worth INR 14,026 crore and a percentage share of 42 per cent. This was modestly better than what it managed to attract in 2010 which was INR 11,853 crore and a media share of 40 per cent. Following close is Print (newspapers and magazines) that have reported a combined share of 42 per cent and revenue of INR 14,122 crore. This is somewhat better than what it managed to garner in 2010 – INR 13,199 crore. When dissected further, newspapers have managed to grow at 7 per cent while magazines have managed to stay unchanged for 2011.

     

    Following print is the domain of digital that has reported a percentage share of 5 per cent and net revenue of INR 1,514 crore for 2011. This too is healthy from what the medium managed to attain in 2010: INR 1,165 crore at a growth rate of 33 per cent. With a percentage share of 4 per cent and revenue of INR 1,457 crore, radio is next on the charts recording a growth of 10 per cent for 2011. This is comparatively better than its 2010 estimates that stood at INR 1,325 crore though the growth was far healthy at 22 per cent. Outdoor has managed to attract revenues to the tune of INR 1,696 crore registering a growth of 8 per cent. Under Out-of-Home, retail outdoor advertising managed to attract revenues to the tune of INR 396 crore against a growth rate of 15 per cent. Whereas Outdoor attracted net revenue of INR 1,696 crore at a growth rate of 8 per cent. When combined, outdoor and retail together account a percentage share of 6 per cent. The combined Out-of-home number for 2010 stood at INR 1,916 crore that grew at a rate of 15-16 per cent. Cinema follows next with INR 173 crore registering a growth rate of 15 per cent in 2011. This was better than what it managed to record in 2010: INR 150 crore and a growth rate of 16 per cent.

     

    According to the report, the key top categories that have fuelled growth in CY 2011 include auto (owing to various new launches across categories in both 2 wheelers and 4 wheelers), consumer durables and telecom (due to the launch of mobile number portability and 3G services). The study also notes that FMCG advertising has grown at a healthy rate, despite slowdown in spends from a few of the large players. However, growth in FMCG spends has been slower than the market average and has to an extent slowed down a potential more robust AdEx given that the category contributes to approximately 50 per cent of total television AdEx.

     

     

    Television:

                                              2008        2009        2010        2011Actuals        2012f

    Net Revenue (mn)     89,796       94,133       118,535    140,263               160,839

    YOY % change                        11%           5%             26%          18%                     15%

    % shares of media              38%           39%           40%          42%                     43%

     

     

    With a growth of 18 per cent and 42 per cent share in 2011, the report notes that television will continue to post high growth numbers as its cost-effectiveness and high reach make it the default choice of advertisers in difficult economic conditions. In fact, the first six months of CY 2011 have shown an even greater growth vs. the same period last year for the medium.

     

    The factors that have led to the superb growth of the medium include Sports (owing to Cricket World Cup, IPL moving from 60 matches to 74 matches etc.) and Niche channels owing to new channel launches and advertisers’ increasing concentration on high margin categories. Hindi GECs, too, have managed to grow at a fair pace, given the increase in ratings of some of the players and a change in the hierarchy. The regional markets, especially the South, have grown slower than industry average owing to a high base effect and drop in ratings of some of the key players. Similar is the tale with the genre of News (English, Hindi and business) which has been growing at a very slow pace, owing to the slowdown in spends from BFSI players who dominate the genre and a drop in ratings of some of the leading channels of the genre.

     

    For 2012, the study notes that the sector will be able to register a growth rate of 15 per cent with net revenue standing at INR 16,083 crore.

     

     

    Print:
    – Newspapers

                                              2008        2009        2010        2011Actuals        2012f

    Net Revenue (mn)     101,775     102,229     123,790    133,029       144,260

    YOY % change             3%             0%             21%          7%                                8%

    % shares of media    44%           42%           42%          40%                             39%

     

    – Magazines

                                                2008        2009        2010        2011Actuals        2012f

    Net Revenue (mn)     8424          8151          8200         8200                    8241

    YOY % change             2%                  -3%           1%            0%                              0%

    % shares of media     4%                    3%          3%          2%                                 2%

     

     

    While print did see a comeback in 2011, the first six months of this fiscal have not grown as well at all. While newspapers reported an overall CY growth of 7 per cent magazines were unchanged as they recorded a zero per cent growth. Further, the recent economic situation again impacted the categories that favour print such as education, real estate, retail and to a lesser extent financial services and the automotive categories.

     

    In print, while overall volumes of English dailies have increased marginally, key positions such as front page, back page have seen a drop in volumes for most leading publications. Hindi print and regional print on the other hand has been growing owing to, amongst other reasons, new launches by existing players. The overall 5 per cent increase seen is made of very different numbers for different players. Key regional language players will have double digit growths, while smaller players in their markets decline and feel the brunt of the move away from print. The large English dailies will fight hard to stay in the same place.

     

    For 2012, a similar sentiment is expected from the medium with newspapers estimated to report a growth of 8 per cent and magazines a bland zero per cent.

     

    Radio:

                                                   2008        2009        2010        2011Actuals        2012f

    Net Revenue (mn)     10,094       10,878       13,250      14,575                 16,178

    YOY % change                           25%           8%             22%          10%                     11%

    % shares of media                             4%          4%          4%          4%                          4%

     

    A mixed CY 2011 for radio. With a growth rate of 10 per cent, radio earned revenues to the tune of INR 1,457 crore. But this rate is less than the 22 per cent it managed to attract in 2010. According to the study, while previous six month periods showed growths of the order of 20-30 per cent versus the same period the previous year, the last six months have seen only a 1 per cent growth versus the same period last year. The same situation is reflected in the advertising volumes. The larger players seem to have chosen to hold on to their rates while the smaller ones have discounted to get more volumes.

     

    Going forward, the report states that in the short term radio will not have much growth. At 11 per cent, the medium is expected to attract a stagnant AdEx share of 4 per cent in CY 2012. And while new frequencies will be allocated in April 2012, it will take at least six months for these to be up and running; the subsequent revenue impact will be really felt only in 2013.

     

    Digital:

                                              2008        2009        2010        2011Actuals        2012f

    Net Revenue (mn)     7,256         8,768         11,650      15,145                 19,689

    YOY % change                         33%           21%           33%          30%                     30%

    % shares of media                  3%               4%             4%          5%                          5%

     

    Perhaps the only medium to be blazing ahead with high growth numbers in 2011 reporting net revenue figures of INR 1,514 crore and a growth rate of 30 per cent. Growth in this medium continues as expected due to several factors. The online populace now stands at 100Mn. New advertisers are coming online and existing ones are said to be increasing their spends. In display advertising, video advertising content is expected to drive growth. Search is the major part and also growing strongly. This is a result of increased consumer activity online as well as the clear response measurability it offers. These 2 components are very “visible” to consumers and advertisers and follow the increase in the audience involvement with the medium.

     

    As for Mobile, it is witnessing high growth with 5-600 mn connections. With legislation restricting SMS advertising, mobile internet is what is driving it forward. Some of the factors include…

     

    • Superior quality handsets i.e. smartphones which are getting more affordable making it possible for more consumers to view superior quality brand messages. There are estimated 5-7.5 lakh tablets today which are expected to grow very significantly. Costs are also falling down significantly. 3G is as yet expensive for the average consumer so it has not yet become a significant driver. Rich media ads can be served only on smart phones.

    • Apps – Since screens are small, people are going through the apps route which makes it easier for consumers to download and consume content like news. Hence print players have developed apps that allow their “readers” to consume their content anywhere. Digital teams are building destination advertising. All players are seeing significant 200% growths in downloads. This also allows more engaging, innovative advertising too vs. the print version.

    • Superior Content – From the brands’ point of view, interest increases with superior quality content. Content such as movies/ cricket attract plain display advertising as well as sponsorships. The content providers are themselves making efforts to drive usage because of the revenue sharing arrangements they have with providers.

    Growth is driven through visibility in forums and advertiser education. Hence usage of the medium is more a function of advertiser evolution and the ability to use the medium well rather than being linked to specific categories. For 2012, the study envisages a growth of 30 per cent with AdEx share of 5 per cent.

     

    Out-of-Home:

    Outdoor:

                                                  2008        2009        2010        2011Actuals        2012f

    Net Revenue (mn)     12,103       13,314       15,710      16,967                 18,409

    YOY % change                              -10.2%   0%          18%        8%                          9%

     

    Retail:

                                               2008        2009        2010        2011Actuals        2012f

    Net Revenue (mn)     3000          3000          3450         3968                    4364

    YOY % change                       0%          0%              15%        15%                          10%

    Outdoor + Retail:

                                              2008        2009        2010        2011Actuals        2012f

    % shares of media   6%               7%             6%                 6%                          6%

     

     

    The year has been a mixed bag for the medium of Out-of-home too. Outdoor as a medium managed to record revenue to the tune of INR 1,696 crore and a 8 per cent growth rate. What can be said of the outdoor industry is that it is going through changes of inventory formats, move to smaller towns and players getting more organized. All this is expected to result in growth albeit at lower levels. It is however better than the uncertain future it would have faced in its original form.

     

    2010 saw an 18 per cent increase in spends as compared to 2009 OOH investments. This year was a year of recovery in OOH, with spends pacing up in the 2nd half of the year. Interestingly, Real estate emerged as the biggest category investing in OOH for the first time toppling mobile services to a 2nd position.  Media (T.V, Newspapers, magazines and radio) feature among the top ten spenders in OOH. Another interesting aspect which emerged in 2010 was heavy spending by local jewellery and local showroom brands reinforcing the fact that the disposable incomes are actually rising even beyond metros and mini-metros.

     

    Another noticeable trend was that spends also increased significantly in malls (facades) and airports. As air passenger traffic grew in India by an approximate 19 per cent, there was a 15 per cent increase in Airport spends as compared to 2009. As more and more Indians are spending more time out of home in tune with their Asian counterparts, increased footfalls at these spaces have led the advertisers investing more in malls and airports. All new car launches had actual car displays at the airports and few key malls.

     

    Prior to 2010, an average OOH plan had 5-8 cities and 2010 saw a  paradigm shift with most of the national OOH campaigns across categories rolling out in tier I and tier II cities as well.

     

    A trend that was observed in Delhi was that the OOH inventory there changed significantly with the Commonwealth Games. The city now has international OOH formats such as seniors, columns, information kiosks, Pole MUPI’s etc. Municipal Corporations seem to have woken up to street furniture and its role in public convenience, too.

     

    Industry operating practices: Till early 2010, there was no formal national OOH Association in the country. Recession, decline in OOH spends in 2009 and few industry malpractices forced the different regional OOH associations to align themselves with IOAA (Indian Outdoor Advertising Association). Some much required norms were laid down in 2010 around:

     

    – Credit period

    – Timelines for release orders, Campaign confirmation forms (CCF)

    – Introduction of formal media agreements

     

    Also, the much awaited 2nd phase of MRUC OOH research was not initiated in 2010. In the first phase, Mumbai and Pune were covered and the findings were shared in 2009. It is hoped that the 2nd phase will be initiated soon.

     

    With the increase in the number of digital/LED screens at various consumption spaces, the share of Digital OOH increased in 2010. With the inauguration of T3 terminal at Delhi airport and several other big format LED panels coming up, digital OOH spends witnessed an upward trend in 2011.

     

    Retail Media

    With net revenues at INR 396 crore and a growth rate of 15 per cent, Retail continues to grow steadily providing active platform not only to reach the consumer at the right place but also leave him with a Maximum Impact with innovative form of communication possible at the said destinations. Malls and Multiplex still hold a large share of this space and spends observed for Activation VS Static Branding range approximately in the ratio of 30:70.

     

    Apart from Top 6 Metro’s and Tier II cities, Malls and Multiplexes are also emerging rapidly in Tier III cities thereby validating their growth numbers year on year. Eating & Dining as a category also continues to attract advertisers for carrying on tactical campaigns in a controlled manner and register high ITP for their brands.

     

    Digital OOH screens as a medium is still stagnant at the growth rate with majority of the spends still with key players like OOH Media, Live Media, etc. Other Retail mediums like Supermarkets & MBO’s continue to grow steadily at around 10–12 per cent with advertisers supporting on ground activation at these destinations for sampling, product demonstration and eventually aid sales.

     

    The active categories in this medium have been FMCG, Telecom, Banking & Insurance, Automobile and Entertainment.

     

    Cinema

                                              2008        2009        2010        2011Actuals        2012f

    Net Revenue (mn)     1108          1303          1508         1734                    1994

    YOY % change             10%               10%           16%          15%                      15%

    % shares of media      0%                  1%             1%          1%                           1%

     

    A medium that is being heavily pursued by advertisers and audiences alike, Cinema recorded revenue of INR 173 crore in CY 2011 registering a growth of 15 per cent. Over time, the medium has been seeing a lot of activity on ground which has significantly impacted the number of active advertiser screens in the country; over a third of the total screens are seeing sustained advertiser interest. National multiplex chains and digital cinemas operating in the single screen space are the key drivers of the industry.

     

    National Multiplex chains: The reorganization of the multiplexes sales model is likely to see rate revisions being collectively enforced by the large chains. Further, the expansion of cinema chains into class I towns is helping to drive advertiser interest in the medium at both local retail and with regional / national players. However given the uncertainty on the available content, the study foresees a situation where rates will swing reasonably this year. Digital cinema is catching on considerably and is already contributing to a third of the cinema AdEx now. As a result, the study expects to see a 15 per cent growth in this medium.

     

    2012: a year of revival?

    As for CY 2012, the study predicts a growth rate of 12 per cent. Trends suggest that while in the near term the industry is likely to see some slowdown in advertising, ad spend levels are likely to increase in the medium term. IT/ITES, BFSI are the sectors most likely to see a negative impact on ad spends while FMCG, auto, pharma etc are likely to revive/ remain strong. The study further notes that big advertisers who have been maintaining margins by cutting ad spends owing high commodity prices, are likely to get back to higher ad spends with commodity prices reducing as margin pressure eases off.

     

  • Gautam Kiyawat to replace Punitha Arumugam as Group CEO @ Madison Media

    By A Correspondent

     

    Madison Media has announced the appointment of Gautam Kiyawat as Chief Executive Officer of Madison Media Group. Mr Kiyawat takes charge as Ms Punitha Arumugam, who held the same position, has moved on to Google. She served her notice period till last week.

     

    Mr Kiyawat, a senior marketing, communications and media professional with experience over various markets including India, South East Asia and US has over 17 years of experience. A engineering graduate, he did an MBA from IIM Bangalore and started his career with Procter & Gamble in India. Apart from P&G, he has worked with Philips, Star TV, AdVerb (a company he co-founded), and Research in Motion, (Blackberry) Asia Pacific which he joined earlier this year. He will be based in Mumbai and join Madison on May 1.

     

    Says Mr Sam Balsara, Chairman & Managing Director, Madison World, “I am delighted to have Gautam join us. His cross market experience of managing brands, media companies and a digital startup are all very relevant to the exciting future we see for Madison. I am sure he will add a lot of value to Madison Media clients and bring a fresh new holistic business perspective”.

     

    Says Mr Kiyawat, on his joining Madison, “It is fantastic to be joining an organization that I have respected immensely as a client for its expertise, its values and for always being guided by doing the right thing. Along with Sam, Sriram and the Madison team I look forward to an exciting time in building on the momentum and taking Madison to greater heights.”

     

    In addition, as has been reported, Madison alumnus Mr D Sriram is to join Madison Media as a Consulting Director and will spend approximately one week every month advising on agency operations, and will also be available for key clients.

     

  • Good Friday Holiday Notice

    The offices of MxMIndia will be shut on Friday, April 6 on account of Good Friday.

    There will hence be no updates and no edition of the newsletter tomorrow.

    We will be back on Monday, April 9. We will of course be around, so if there’s anything striking that you would want us to know, please mail or call us.

     

  • I am shocked and disappointed: Sameer Nair

    By Anil Thakraney

     

    Sameer Nair, whose baby Imagine channel was, is quite surprised by its sudden demise. Mr Nair founded Imagine in 2007 in partnership with NDTV, and ran it for four years. He quit last year after Turner bought the channel from NDTV.

     

    Speaking to MxMIndia, he said: “I am quite shocked and disappointed to hear that they’ve decided to shut the channel down. They (Turner) seemed to be quite gung ho about Imagine, and I thought they were going full steam ahead. There is a lot of investment and a number of jobs at stake.”

     

    When asked what in his view may have gone wrong with Imagine, Mr Nair said GECs is a very difficult segment and it needs deep pockets and a determination to go the long haul. And that he thought Turner had the muscle power to go the distance. Talking about his own stint at the channel, he said: “We had some successes and some failures. It was a tough market, we faced economic difficulties. And GECs is a tough space to be in, it’s a very competitive category. We were the first to re-create the Ramayana and we launched ‘Rakhi Ka Swayamwar’, a show like that had never been done before. I think we did some good work.”

     

    And what were the reasons behind his own departure from the channel? Mr Nair’s response is pretty frank. “I was used to operating independently. After Turner took over, one had to integrate into the Turner system. And this made me just a department head. And so I left.”

     

    Mr Nair says he’s currently working on some exciting projects but will reveal details once it all falls into place.

     

  • Rude people spur innovation, says Red Hat CEO

    By Dibeyendu Ganguly

     

    One of Red Hats’ most valuable assets is the system of blogs it has created over the years, where employees can discuss and debate on a range of work issues.

     

    In the spirit of an enterprise that’s makes its money from open source software, Red Hat takes great care to ensure the intranet is truly open. Anyone in the company can post anything – which can lead to ticklish problems.

     

    Last year, Red Hat President and CEO Jim Whitehurst was informed that company intranet was being flooded with jokes. Occasional light banter had always been a part of the communication system, but now people were regularly posting funny stuff that had nothing to do with anything. It had to stop.

     

    Mr Whitehurst, formerly the COO of Delta Airlines, proposed appointing a moderator, who would scan all mails before they appeared on the blogs. “I was advised it would be a disaster,” he says.

     

    “If management appointed a moderator, people would go off the list.” What Red Hat did instead was to identify the five largest contributors to each blog and ask them to help ‘soft moderate’ their peers. This approach worked since these individuals were highly respected software developers and sales executives, who had a stake in the smooth functioning of the intranet.

     

    The solution was also a cultural fit. “We’ve never had one-way memos in Red Hat. Whether it’s to do with technology or corporate strategy, everything is up for discussion, and everybody is invited to participate. The worst thing you can do is surprise people with unilateral decisions that have never gone through the discussion process,” says Mr Whitehurst.

     

    The intranet system has become all the more useful as Red Hat has grown and expanded geographically. More than 60% of its 4,000 employees are now outside the US – in engineering centres located in India, Australia and Czechoslovakia – and intranet keeps them all connected.

     

    Wherever they are, employees know what the thinking is in the organisation and are never clueless about strategy. The intranet also takes care of one of the most vexing issues that global organisations face – the difficulty of having real-time discussions across time zones. This way, an engineer in Pune can put his views on the technology blog during his own working hours, for his counterpart in Boston to read later. The intranet also serves as a great equaliser.

     

    For those whose first language is not English, writing things down is easier than participating in a conference call, where those more fluent in English are at an advantage. And if it’s well integrated into the culture of the organisation, the intranet can reduce, if not eliminate, the geographical advantage of those located in the home country. “I still get inputs from those I run into in the hall, but I also read the inputs from those located elsewhere, thanks to the intranet,” says Mr Whitehurst.

     

    The Red Hat intranet provides a study in how people communicate across cultures. While Americans and Europeans can get rude and aggressive, Asians tend to be polite and diffident, which Whitehurst actually sees as a failing: “In open source culture, it’s perfectly acceptable to call somebody an idiot. We celebrate obnoxious people in the organisation because they spur innovation. But in Asia, it’s against the cultural norm. That’s probably why India and China are big users of open source software, but not big contributors. You need an aggressive personality to climb the hierarchy in open source projects.”

     

    Red Hat loves the mercurial temperament – even arrogance – of programmers and engineers with deep technical knowledge and gives them a lot of leeway. “Google gives all its employees 20% free time to pursue their own projects, but we give our high-merit engineers 100% free time if they want it. However, if you haven’t established yourself, you get 0% free time. It’s a meritocracy, not a democracy,” says Mr Whitehurst.

     

    When it was acquiring a US-headquartered but Bangalore-based company called Gluster last year, Red Hat sent down a team of engineers from the USA to check whether there was a cultural fit. “We were basically buying a team of people. Our engineers are very smart people and they want to work with other smart engineers in a relatively fun environment,” says Mr Whitehurst.

     

    A face-to-face check is necessary for an acquisition, but once a company is acquired and becomes a part of Red Hat’s global intranet, it’s no longer that important. The intranet’s ability to cull talent is actually remarkable. Follow the postings and it becomes quite obvious who the natural born thought leaders are. The others automatically defer to them and their ideas tend to provoke the maximum discussion and debate.

     

    “The worst insult on the blogs is when nobody responds to your postings,” says Mr Whitehurst. “That means they’re not even worth shooting down, let along debating. On the other hand, those with original ideas are always listened to. Meritocracy flourishes on our intranet.”

     

    Source:The Economic Times

    Copyright © 2011, Bennett, Coleman & Co. Ltd. All Rights Reserved

     

  • Publicis acquires Indigo, to run as Leo Burnett unit

    By A Correspondent

     

    Publicis Groupe has announced the acquisition of leading digital agency, Indigo Consulting. Indigo will operate as a unit within the Leo Burnett Group in India and will retain its name. Its founder, Vikas Tandon, will continue as Managing Director, reporting into Arvind Sharma, Chairman of the Indian Subcontinent for Leo Burnett.

     

    Since its inception in 2000, Indigo has developed websites, software solutions and digital marketing  programs for clients around the world, including Asian Paints, HDFC Bank, HSBC, Loop Mobile, Tata AIG Insurance and South Australia Tourism. The agency currently employs a team of 160 people at its Mumbai headquarters and Delhi office. Their work has been recognized with various awards.

     

    Commenting on the acquisition, Tom Bernardin, Chairman and CEO, Leo Burnett Worldwide said, “From a global point of view, the potential and opportunities that India offers are massive. Over the years we have increased our efforts into this important market. Indigo Consulting, with its strong track record as a full-service interactive and technology agency, is the perfect strategic fit for our aspirations in India and around the world.”

     

    “Our growth strategy for Leo Burnett in India and Asia Pacific is based on two core pillars: digital and shopper-marketing” added Jarek Ziebinski, President of Leo Burnett Asia Pacific. “India is a key market for us, and it’s reporting explosive growth in the digital sector. We want to make sure Leo Burnett has the right infrastructure in place to meet the needs of tomorrow. I also see Indigo Consulting developing beyond India, to become an important player within our network in Asia Pacific and globally.”

     

    Said Mr Sharma: “This is an important step in Leo Burnett India functioning as a fully integrated communications company capable of carrying through HumanKind brand campaigns across all media including digital. We look forward to partnering clients on the digital needs of their businesses and brands as well as planning  and executing fully integrated HumanKind brand campaigns across all media including digital.”

     

    According to Mr Tandon,  the move would mean that Indigo will take its digital marketing prowess to Leo Burnett’s clients, “while also benefiting from additional knowledge and insight on brand and creative communication through cross-training and collaboration”.

     

    The Publicis Groupe aims to double its size by 2015 in India, which is the world’s 16th largest advertising market.

     

  • That Rajesh Kamat was 1st CEO of Endemol is not a coincidence: Deepak Dhar

    By Shruti Pushkarna

     

    Deepak Dhar has been responsible for Endemol’s operations since he joined the company in 2006. Dhar has produced popular shows for Endemol such as Bigg Boss, Laughter Challenge, Fear Factor – Khatron Ke Khiladi, Jo Jeeta Wohi Super Star, Wipeout, Chottey Miyaan, operacion Triunfo and Mission Ustaad. Prior to Endemol India, Dhar worked with Star TV as group head, programming. He was instrumental in producing shows such as Pop Stars and The Great Indian Laughter Challenge. Before joining Star where he worked for around five year, Dhar was senior producer at MTV for three years. Deepak Dhar has been Managing Director of Endemol India since 2007 and he will continue to lead the company post the alliance with CA Media, as CEo. Excerpts from an interview with MxMIndia:

     

    From what we in the media knew, Endemol India was the wholly owned India arm of Endemol in the Netherlands. So why go to CA for 49 per cent stake?

    We entered into this, largely from a strategic point of view…we had ambitions to go in the film business, and when we started talking to CA Media, they had strategic insights into the business. So this is more of a strategic investment than a financial one.

     

    Is the balance 51% owned by Endemol, Netherlands?

    Yes, the controlling stake is with Endemol and the balance with CA Media.

     

    Is there a possibility of further liquidation?

    I don’t think so.

     

    Any investor likes to cash out at some time… is that something that has been discussed? How much of a window is CA looking at?

    Well it’s too soon to talk about exit. We’ve just taken our company from being a TV production company to a content production company, so we are not looking at exits at this point.

     

    Also read…
    Two investments done. Many to come!
    CA Media to invest in companies, build brands
    We’re looking at strategic inputs from CA Media, Zodius: Vijay Nair

    It’s interesting that CA in India is headed by Rajesh Kamat who was the first CEo of Endemol India? Coincidence or did that help in this?

    Rajesh brings in a huge strategic insight. So no, it’s not a coincidence. With this investment we have put together the power of Endemol and his insights into the business.

     

    Endemol is essentially known as the Bigg Boss and owner of assorted reality show formats. That’s possibly an unfair comment. What next?

    Bigg Boss was only one part of our business. A huge amount of our content is also fiction, we produce around 900 hours of fiction. So fiction is our next focus area, we will also look at regional, we will look at digital very seriously. More importantly, we will look at movie production business.

     

    How much will CA have a say in operations of Endemol? For instance, that x person should be the guest in Bigg Boss?

    None at all. They are controlling the business but the operational control is entirely with Endemol.

     

    You are looking at expanding to regions: so where next? And what will you take where?

    We are already there in the Southern market, we have shows in Telugu and Tamil. Now we are focusing on Marathi. We will also look into Bengali, very soon you’ll hear announcement on regional players.

     

    There are networks like Zee which have not been buying international formats…?

    See that depends on the channel’s philosophy. A lot of broadcasters are picking up formats but there are still those who don’t pick up formats. So it clearly depends on an individual channel’s philosophy.

     

  • Two investments done. Many to come!

     

    By Shruti Pushkarna

     

    In many ways, the Taj Lands End hotel has been lucky for Rajesh Kamat. The early days as captain of Endemol India and Colors were spent at the hotel in Mumbai. No surprise then that Mr Kamat located his CA Media office at the hotel when he joined it last year as CEO to oversee the Indian investments for The Chernin Group.

     

    For most in the media fraternity, Mr Kamat’s decision came as shocker since he was cruising as COO of Viacom18 Group and CEO of Colors. He spearheaded the channel to leadership position in a record 9 months – thus breaking the 9-year supremacy of Star Plus in the Indian GEC space. Prior to Viacom18, Mr Kamat was Managing Director of Endemol India, where he set up Endemol’s operations in India. As the news of CA Media’s investments in Endemol India and Only Much Louder had just begun reaching the fraternity on Thursday evening, Mr Kamat took time out to speak with MxMIndia:

     

    It’s interesting to see the span of investments you’ve made? One in an international production company and another in a not-so- known youth and music company? So what kind of investments can one expect from CA Media India in the future?

    What we are trying to build is a portfolio of assets and each of these will come in with its own uniqueness. You will see us not only invest in different companies but also build different brands in companies. So the first set of announcements are more on the buying side of it, in the second set you’ll probably hear of a build, we’ll actually support an idea and build out a business.

     

    It’s therefore going to be a diversified media property which has pretty much all kinds of assets under it. Now coming to specifically Only Much Lounder vs. Endemol, Endemol is what I call the content hub and we will go on to make it into a content powerhouse. While it’s a strong television player, we believe there is a fair amount of growth that can be looked in. We can look at inorganic growth in television, we can look at moving from one screen to multiple screens. So, on one hand we have an investment in Endemol which is a traditional content hub, on the other, we are investing in a nascent pocket of music overlapping with youth, I see that as investing in the youth power.

     

    If there is a company which is talking about college festivals, music festivals and managing talent in a Dewarists kind of show and more importantly in a nascent pocket, if you find a promoter who you can bank on, it can’t get better. I think that’s the unique combination we found in a Vijay from OML in the music and youth space and on the other end, Endemol, the conventional traditional content business. So that’s pretty much what you see in our investments today.

     

    It’s a year and 26 days since you set up operations. In hindsight, do you think you could’ve announced the ventures sooner?

    No, that’s my biggest learning, having come from a broadcast background, I am used to weekly ratings. In transactions and deals, when you are talking about building relationships, trust in a partner and then investing in a partner, I don’t think things move at that pace, because you have to build the rapport, relationship, then establish the value that you get to the table, then talk about the value that you can unlock in that business proposition and then do the deal. So I think it’s fairly decent in terms of pace. And if you talk to any private equity VC guys, you rarely have two announcements in one go and too within nine months of starting off.

     

    Also read…
    CA Media to invest in companies, build brands
    That Rajesh Kamat was 1st CEO of Endemol is not a coincidence: Deepak Dhar
    We’re looking at strategic inputs from CA Media, Zodius: Vijay Nair

    How many proposals did you vet?

    I don’t even keep a count (laughs). I would typically say a ratio would be 1 on 10 or 2 on 20… would invest in 1 on 10.

     

    How come Endemol? There are several homegrown production companies too?

    If you are talking about a company which has the single largest independent producer globally, if you are talking about a catalog of offering, if you are talking about a creative hub which is scalable, it couldn’t get better than Endemol.

     

    Is it quite a coincidence that you were also the founder-CEO of Endemol India? It obviously means a lot that you have invested in it… you have a great amount of faith in the company

    It’s not. What does happen is that if you’ve had an association with them since inception, then you know the roots of the company. I have enjoyed an equation with them in form of having set that company up, and then, as partners at Colors and now as investor in the company… I am enjoying all of them.

     

    So will you have a say in Endemol operations?

    In any of our investments, we invest in them because we believe the business model is good and the management is great. So from an operational standpoint we never interfere with what the management is delivering and they are the reason why we are investing. What we get involved is more at the capital, strategy and in terms of an overall direction.  That’s the role we play.

     

    Since a lot rests on key programming that Endemol does, will you possibly look at who the guests in the Bigg Boss house will be?

    No, no…I think Deepak is more than happy and excited and so is the Colors team deciding who goes inside into the Bigg Boss house. In fact I watched the show but I am not as animated about the show.

     

    Which are the languages that you see Endemol getting into?

    It’s only fair if you put up that question to Deepak.

     

    There are investors/VCs who are hands-off, and there are some who are hands-on… what will you be?

    We would like to be strategically involved. In case of an OML, what we do is, we build a plan out with the promoter…if we built a plan out with the promoter, then at every step wherever they need support, we stand by them, that’s our role. So not only do we invest money, we actually invest time and expertise.

     

    Tell us about the other project that you are investing in… Only Much Louder?

    It’s a youth activator brand, it’s a company which does college festivals, as I said we are investing in youth power, so they are a company which focuses on youth. They use music as a vehicle and we believe it’s a great company to get into because alternate music and music is growing as a pocket, and if you have a captive youth which in India more than 65 percent is less than 35 years of age, then it can’t get better. And we have a great promoter in Vijay.

     

    How come Only Much Louder and not other higher profile companies?

    As I said, it’s a great pocket, we love the promoter and we believe that with him we can scale new heights.

     

    Do you see it reaching the heights of, say, a Wizcraft?

    You need to talk to Vijay on that…what I can tell you is, yes we are building the brand. We are making every possible effort to work towards whatever best… there are five verticals they are working on, we would love to work with them on each of the verticals to see whatever maximum potential they reach, why would you want to benchmark on anybody…

     

    What are your targets for CA for the year?

    We don’t set out with a mission to buy five or four companies, what we do is, we talk to promoters, we identify good companies and invest in different companies. So I don’t think we set out with a target or a mission to acquire or build x numbers. We’ll identify pockets which are growing, we’ll identify businesses which are great, promoters who are good to invest and who we can trust, and the minute we find one, we’ll invest, so no targets.

     

    MxMIndia is read by a variety of constituents amongst media and marketers. If we were to send a message to people on the kind of projects you are seeking, what can that be?

    If we find businesses which are synergistic, we believe we can add value, and then we go ahead and invest in them. If we believe that we can grow the business, then we get into them. However, if it’s even a business which we believe is a good investment but we cannot add value and we are not strategic in the business, we’ll not go after it.

     

  • CA Media to invest in companies, build brands

    By Shruti Pushkarna

     

    It’s been a little over a year since Rajesh Kamat surprised the Indian media to leave Viacom 18 where he was flying high as COO having successfully launched Colors as CEO. Mr Kamat, who had earlier also been Chief Executive at Endemol India, joined the Asian investment arm of The Chernin Group (TCG), CA Media. Yesterday, Mr Kamat announced CA’s investment in two Indian companies, Endemol India and Only Much Louder.

     

    Speaking to MxMIndia, Mr Kamat added, “What we are trying to build is a portfolio of assets and each of these will come in with its own uniqueness. You will see us not only invest in different companies but also build different brands in companies. So it’s going to be a diversified media property which has pretty much all kinds of assets under it. Therefore, on one hand we have an investment in Endemol which is a traditional content hub, on the other end we are investing in a nascent pocket of music overlapping with youth, I see that as investing in the youth power. I think that’s the unique combination we found in a Vijay from OML in the music and youth space and on the other end, Endemol, the conventional traditional content business.”

     

    CA Media has acquired a 49 percent stake in the Mumbai-based Endemol India, an independent content production house. The objective is to build Endemol India into a leading and most valuable content production company in India across television, film and digital content.

     

    Founded in 2006, Endemol India has grown to be one of India’s largest producers of entertainment television. The company is known for its successful shows including “Bigg Boss” (India’s version of “Big Brother” which has had 5 Seasons to date) and “Fear Factor” (4 Seasons) for Colors. Other hit programming includes talent shows “Laughter Challenge” (4 seasons) and “Jo Jeeta Wohi Super Star” (2 seasons) for Star Plus, and over 400 episodes of “Deal or No Deal” and the recently launched “The Money Drop” for Sun Network.

     

    Also read…
    Two investments done. Many to come!
    That Rajesh Kamat was 1st CEO of Endemol is not a coincidence: Deepak Dhar
    We’re looking at strategic inputs from CA Media, Zodius: Vijay Nair

    Deepak Dhar who has been Managing Director of Endemol India since 2007 will continue to lead the company as CEO. Commenting on the choice of CA Media as the investor, Deepak Dhar told MxM India, “We entered into this, largely from a strategic point of view…we had ambitions to go in the film business, and when we started talking to CA Media, they had strategic insights into the business. So this is more of a strategic investment than a financial one.”

     

    Key strategic priorities for Endemol India include establishing a strong presence in the Indian film sector as well as expansion in scripted and regional television, areas in which Endemol India is already active. CA Media’s backing provides Endemol India with extensive operational experience from its principals and the required financial resources for executing the ambitious growth strategy. At the same time Endemol India will continue to produce and exploit Endemol’s global portfolio of formats and IP. International distribution of all content developed by the operation will be handled by Endemol.

     

    The Chernin Group Chairman and CEO Peter Chernin commented via a communique: “India is a critical investment market for CA Media and we’re pleased to partner with Endemol to work together to further leverage the growth in the Indian media and entertainment space. We believe that Endemol India is poised to capitalize on the expected explosive growth across all platforms in this industry.”

     

    “India represents a significant opportunity for Endemol and our collaboration with CA Media strongly positions us to become the region’s largest content producer,” added Endemol Group CEO Just Spee.

     

    Rajesh Kamat

    Commenting on the acquisition, Mr Kamat said, “Our new partnership with Endemol fits in well with our plans of creating a diversified portfolio of assets in the media and entertainment space, with Endemol India being at the epicenter.”

     

    This alliance between CA Media and Endemol has reunited Mr Kamat with Endemol given that he was responsible for setting up Endemol’s operations in India. Mr Kamat told MxM India that he has a lot of faith in Endemol and he enjoys an excellent equation with them. “What happens is that if you’ve had an association with them since inception, then you know the roots of the company,” he said. “I have enjoyed an equation with them in form of having set that company up, and then, as partners at Colors and now as investor in the company… I am enjoying all of them.”

     

    CA Media has also picked up an undisclosed stake in Only Much Louder (OML), a music, live events and youth media company, along with Zodius, an investor and operator of digital media, commerce and services.  OML operates at the intersection of three key elements – alternative culture, youth and brands. It focuses on reaching the youth market in India through high quality entertainment properties including music festivals, television and web-based content.

     

    OML started as an artist management firm in 2002 and has now expanded its operations to include a large-format music festivals division, a full-fledged production house, a digital wing and an expansive artist management and bookings enterprise. OML works with various brands in the country in conceptualizing and executing their marketing and branding strategies aimed at the youth segment.

     

    Deepak Dhar


    On this investment, CA Media CEO Paul Aiello said, “Our investment in OML represents one end of the spectrum of our investment plans in India – that of identifying and backing talented people in virgin domains, with sustainable as well as scalable business models. OML is in an exciting domain and we foresee great potential ahead.”

     

    Added Mr Kamat, “It’s a youth activator brand, it’s a company which does college festivals…we are investing in youth power, so they are a company which focuses on youth. They use music as a vehicle and we believe it’s a great company to get into because alternate music and music is growing as a pocket, and if you have a captive youth which in India more than 65 percent is less than 35 years of age, then it can’t get better. And we have a great promoter in Vijay.”

     

    Through this investment and management support, CA Media and Zodius plan to assist OML in scaling up its operations, to achieve true scale, over the next few years.

     

    Vijay Nair

    Speaking to MxM India about the objectives of this alliance, Founder and CEO of OML India, Vijay Nair said, “Building a stronger team is the primary objective of this. And secondly, scaling some of the things that we’ve been already working on. Thirdly, a specific reason for working with CA Media and Zodius is to focus a lot more on the digital and television part of it as opposed to our focus which has just been live events so far. So we want to take it to multiple platforms.”

     

    Mr Kamat clarified that CA Media’s role in the alliance will be strategic in nature and all operational control will rest with the promoters, Dheeraj Dhar in case of Endemol and Vijay Nair in the case of OML.

     

    CA Media was formed in November 2010 by Mr Peter Chernin, former News Corp President and COO and former Star TV Asia CEO Mr Paul Aiello. The company appointed former Colors CEO and Viacom18 COO Rajesh Kamat as its India CEO last year. CA Media, which is majority owned by The Chernin Group, invests in media, entertainment and technology businesses across Asia with a primary focus on India, Indonesia and China.