Category: NEWS

  • Premnath Unnikrishnan appointed South Head – Digital at MEC

    By A Correspondent

     

    MEC India has announced the appointment of Premnath Unnikrishnan as South Head – Digital. Prior to joining MEC, he was with Interactive Avenues, a leading full-service digital marketing company. Based out of Bangalore, Premnath will report to Vishal Chinchankar, Digital Leader – India.

     

    Vishal Chinchankar added, “It is great to have Prem a part of the MEC’ Digital team. He is a seasoned professional and come with a plethora of skills and expertise. He has a proven ability to create strategic simplicity, drive innovation, ensure systematic execution, and deliver results. We wish him the very best in his new role”.

     

    Premnath, a thorough digital professional with over 10 years of experience, comes with in-depth knowledge of performance based campaigns. At Interactive Avenues, Premnath has managed prestigious accounts like Wipro, TTK, ING Vysya Bank, World Vision amongst others.

     

    On his appointment, Premnath Unnikrishnan said, “It’s an absolute honor to be part of this leading organization. This opportunity has provided me a great platform to further showcase and enhance client service levels. From developing digital strategies to implementing digital technologies and running digital processes, these responsibilities will serve as a great learning opportunity. I am eager and look forward to learning from the pool of talented people present here at MEC.”

     

     

  • Silent Killer: Undercutting Agency Fees

    By Shephali Bhatt

     

    What used to be an alarming event two decades ago, has become a routine affair in the agency business now and it’s nothing to be proud of, dear agency folk. You pitch for a client. Agree to work on a price significantly lower than the previous agency.

     

     

    Agency Rate Card

    Havas’s Satbir Singh points out how advertising’s allied industries that comprise of filmmakers, music directors and photographers have their unions and guilds that have their rules regarding pricing that no client fl outs lest he be blacklisted.

     

    So, it’s not that the client is unruly. Only the agency bodies have remained toothless all this while.

     

    What does it take for all the luminaries who keep clinking beer and rum glasses at every other industry event to come together and sort this issue once and for all? Why can’t ad agencies have a rate card for basic creative service, advanced offerings, category wise rates et al? File under: easier said than done.

     

    Contract Killer

    Of the agencies accused of undercutting, Contract tops the list. Its admittedly impressive new business track record is said to be because of its ability to go lower than the already low prevailing industry standards. Genuine complaint or a large industry wide case of sour grapes?

     

    Rana Barua, the agency’s CEO, finds the conjectures funny: “We’ve won around 19-20 businesses since I came on board. There have been hires at senior levels from reputed agencies. You can’t sustain such a model at a reduced cost. Not if you’re running a WPP agency. If only money was the deciding factor, pitches would’ve been done over phone calls. It’s the work that differentiates you from the rest.”

     

    As for the competition: they are banking on a situation where the axe falls once WPP’s global bean counters discover the agency’s margins are not up to scratch. Except by then, they fear, the low rates allegedly offered by the agency may well have become the new normal.

     

    Source:The Economic Times

    Copyright © 2014, Bennett, Coleman & Co. Ltd. All Rights Reserved

    Licensed to republish

     

    Sometimes significantly lower than what’s required to run the business well. Soon, the good talent makes tracks out of the agency. Mediocre talent is shipped in and results in average to bad work, and ultimately an unhappy client who opts for a pitch. Lather, rinse, repeat. There was a time when agencies would get a 15 per cent commission of the total marketing budget.

     

    The split between the creative and media units was the beginning of the end of that model. Clients started negotiating the agency fee. For some agencies, it’s down to an abysmal 2 per cent-3 per cent now. The Tata Docomo account was moved at almost one-third the price from FCB Ulka to Contract, says the grapevine.

     

    Another overheard titbit suggests that the Uninor telecom account went from Leo Burnett to Bates CHI & Partners at one-sixth the fee. From Rs 80 lakh to Rs 20 lakh/year, if we were to believe the ad chat mongers.

     

    It’s ironic how both media and advertising spends continue to grow year-on-year but agency fees continue to diminish. In the rush to report an account win, agencies often forget that while news in trade media is good to keep one in the industry’s memory for a brief while, it doesn’t ensure profitability – both in the short and the long run.

     

    “It’s a self-defeating exercise once you realise it’ll take forever to reach last year’s fee level,” rues Satbir Singh, managing partner and CCO of Havas Worldwide, India. Undercutting also rings a death knell for agency’s favourite culprit for everything that’s wrong. Yes, the client.

     

    Sunil Kataria, COO -sales, marketing and SAARC at Godrej Consumer Products, explains: Say you’re paying an agency a retainer of Rs 1.5 crore per annum. A good campaign that’s to run for 45 days will cost you about Rs 5 crore (because good creative costs money). If the agency goofs up, the loss to you is bigger than what you’re paying them over three years. And then shifting agencies is another critical decision for the client, he states.

     

    You never know whether the new shop will understand your brand that well or whether you’d have the time and bandwidth to take them through the brand journey again. It’s a lose-lose situation for both the client and the agency, says Ravi Deshpande, who’s recently turned an entrepreneur with Whyness Worldwide.

     

    While trying to hold his own against ridiculous price demands, he admits there were situations during his days at Contract when they had to accept businesses at not so justifiable rates. It wasn’t a ridiculously low price though, he adds. But large agencies claim they are compelled to work on incomes they’d principally be opposed to purely because there are too many small shops willing to work on those terms.

     

    Not necessarily, retorts Kurien Mathews, chairman and founder of Metal Communications (an independent agency). “The indies that undercut, never grow too big and remain staffed by the founders plus a few very junior people -and there are many of them around.”

     

    They don’t necessarily affect the business, he says, adding there are enough clients who want to pay for demonstrable creative value. Also, to the argument that network agencies have more overheads than indies, Mr Kataria asserts that the clients pay the amount required to service a brand. He pays for a team; not the entire agency.

     

    A marketer has to justify his numbers to his CEO. It’s in his nature to negotiate numbers with you, the Agency. You need to figure out a way to professionally and methodically explain how you arrive at a price point and why it makes sense for him to bet his money on it.

     

    “We give a large amount of our time for very little money. Which is why we aren’t able to invest in better people and tech,” laments Mr Deshpande. There was a time when students from IIMs wanted to join the likes of HTA (now JWT) and Lintas (now Lowe Lintas).

     

    Now, even the MICAns prefer brand management to advertising, says Sandip Tarkas, president – consumer strategy at Future Group. In a scenario where there are specialists for every service, undercutting only weakens the position of the mainline agency.

     

    You are the people who build brands. At least value yourself right, so the world can give you the respect that’s duly yours. Or failing that, enough money to keep yourself in the black.

     

    Source:The Economic Times

    Copyright © 2014, Bennett, Coleman & Co. Ltd. All Rights Reserved

    Licensed to republish

     

  • Ogilvy announces slew of appointments in Mumbai office

    By A Correspondent

     

    Abhijit Avasthi

    Ogilvy Mumbai has announced the appointment of four creative directors into its fold. They will be based out of Mumbai and reporting to the senior creative and business heads in Ogilvy Advertising, Mumbai. 

    Abhijit Avasthi, National Creative Director, Ogilvy India said, “Last few months have been fabulous for us with lots of new biz coming in. In order to bolster our creative strength we have brought in these stars. Each of them has a unique way of thinking which will enrich Ogilvy greatly.”

     

    Neville Shah

    Neville Shah has been appointed as Group Creative Director. He is a post graduate from Symbiosis Institute of Mass Communication and completed Copywriting at The Creative Circus in Atlanta. His work experience spans over companies like MTV India & MTV Indies, Commonwealth Worldwide, McCann Worldgroup, Creativeland Asia, JWT, Mudra, TBWA, McCann-Erickson, Times of India Group, JAM, 107.1 FM Rainbow and The Company Theatre. Neville worked on Indian and multinational brands such as Chevrolet, Set Max, Standard Chartered Bank, Nissan, Airtel, Philips, ESPN, Star Sports, Bajaj Allianz,  Parle Agro, Dabur, ITC and several more.

     

    Syed Mohammed Talha Nazim

    Syed Mohammed Talha Nazim, has also been appointed as Senior Creative Director and has spent the first 19 years of his career (since the age of 19!) in Kolkata, Delhi, Bangalore & Kuala Lumpur. Having worked in agencies such as Burnett & McCann on prestigious clients like Chevrolet, BMW, Fiat, Petronas, Coca-Cola, Nescafe, Dutch Lady, Aircel, McDonalds, to name some, he chose to return to Mumbai when Ogilvy beckoned.

     

     

    Mahesh Madhukar Parab

    Mahesh Madhukar Parab, appointed as Senior Creative Director, is a BFA graduate from Sir JJ Institute of Applied Art. Mahesh has worked with agencies such as Da’Cunha Communications, Ambience Publicis, McCann Erickson, DDB Mudra and Contract Advertising. His work experiences spans across Indian and multinational brands such as Amul, Western Union, Siemens, HUL, Marico, Reliance, Yellow Pages, Hanes, Tata Indicom, BPL Mobile, NEO, Star Plus, Edelweiss, Tata Motor International, Asian Paints, Cadbury’s, BATA, Yamaha, Dabur, Wrigley’s, UTI Bank, Kotak Bank, to name a few.

     

    Talha Bin Mohsin

    Talha Bin Mohsin the fourth Senior Creative Director newly appointed, is a post graduate in Communication after doing his Bachelors in International Business & Finance. Talha has worked with agencies such as Contract, DDB Mudra, Leo Burnett & McCann Erickson. His work experience covers brands such as Coca Cola, National Geographic Channel, Schneider Electric, Philips Lighting, HBO, McDonald’s, Dabur, Godrej, Big Bazaar, Maharashtra Tourism, Parachute, Kotak Mahindra Bank, Barclays Bank, Radio Mirchi, Mediker, Twinings, Wrigley’s (Boomer & Orbit), Yamaha, Bata, Cadbury (Choclairs, Halls), Asian Paints (Tractor, Apcolite), Tata Motors.

     

  • Samsung appoints Rajiv Mishra as VP – Media

    By A Correspondent

     

    Samsung Electronics Co. Ltd. announced the appointment of Rajiv Mishra as Vice President, Media. In his current role at Samsung, Rajiv will be responsible for overseeing the entire media mandate for the organization across the country.

     

    Rajiv’s career spans over 22 years during which he has held several leadership positions. Prior to joining Samsung, he was the Chief Executive Officer of Lok Sabha TV. In this role, he led the overall functions of the channel including marketing, sales, distribution, producing, hosting and telecasting a complete array of programmes of general interest on issues relating to democracy, governance, social, economic and constitutional issues as well as citizens’ concerns.

     

    He has worked for leading media companies like the Hindustan Times, Star TV, TV Asia of USA, BAG Films & Media. He is also the nominated Member of various Media Advisory bodies in various Ministry of Government of India.

     

  • Lowe Lintas appointed advertising agency for Policybazaar.com

    By A Correspondent

     

    PolicyBazaar.com has announced the appointment of Lowe Lintas as its advertising agency. This development comes close on the heels of the company receiving a funding of $20 million, most of which will be deployed to step up marketing activities and ramp up technology.

     

    Speaking on the development, Naveen Kukreja, CMO, PolicyBazaar.com said, “PolicyBazaar.com has been a key force in developing online insurance along with our insurance partners. Over the last six years, we have helped > 50 Lakh users save money by comparing different policies before purchase. Online purchase and the habit of comparing different options through a neutral platform, is still in a nascent stage though.”

     

    In order to meet this objective, we are excited to partner with Lowe Lintas as our brand agency. With them on board, we are now gearing up for a new brand positioning and innovative marketing campaigns in the near future. We chose Lowe Lintas for their clear understanding of our brand, proven record for delivering some of the most successful ad campaigns and focus on delivering business results.”

     

    Naveen Gaur, President, Lowe Lintas + Partners said, “PolicyBazaar.com is a young dynamic brand which has revolutionized the financial management and investments category. Its proposition of comparing financial products is truly unique. We were very excited by this proposition and that clearly showed in our presentation to them. The first set of work after our formal association with each other will be out shortly, and I am sure that this will be the first of many steps we will take together to make this brand the success it should rightfully be.”

     

    PolicyBazaar.com, which recently completed six years, has already launched strong campaigns, which urge people to compare insurance policies before making their purchase. This year, they have already kicked off a campaign in July and are looking to roll out more campaigns.The company also recently experimented by launching a radio campaign in Delhi.

     

  • IBN7 appoints new members in team

    By A Correspondent

     

    Sumit Awasthi, well-known journalist and anchor has joined IBN7 as Deputy Managing Editor. Awasthi has worked with some of the leading news brands in the country anchoring some of the most watched shows in the Hindi News genre. His major forte has been in the realm of political reportage, but he has also extensively covered cricket and international affairs.

     

    The channel’s line-up of anchors has received a further boost with Akash Soni joining the team. Akash has over 18 years of experience across TV, Radio, Print and Online media. His expertise is in the realm of Indian politics and international affairs especially in reporting from conflict areas. He has worked with leading news channels in India and abroad including BBC World Service, London.

     

  • IAA to host ‘The Mentorship Program’ in Mumbai

    By A Correspondent

     

    The International Advertising Association (IAA) India Chapter has invited Sangita Jindal, Chairperson of JSW Foundation to launch its Mentorship program for 700 young professionals with about 35 leaders on Friday, September 19 at Bombay Stock Exchange’s International Convention Hall. The Mentorship program will be launched right after interactive session on “Engaging with the Audience – Lessons from the Entertainment Industry” between R. Balki, Chairman & CCO, Lowe Lintas + Partners and Stefan Haves, renowned Director from Hollywood from 4 pm onwards. Anish Trivedi, renowned Theatre personality and Author will moderate this session.

     

    The HBO South Asia is the Presenting Partner and Mahindra Special Services Group and NASSCOM are the knowledge partners of the IAA Young Turks Forum.

     

    Srinivasan K Swamy

    “IAA is for the first time doing a double event – an high energy interactive session followed by a mentorship programme where 20 young executives will have their questions answered on their personal career issues by one of the 35 seasoned professionals/entrepreneurs assembled at the event. The interactive session too will be a very engaging one since Balki and Stefan are well known professionals. Balki in addition to award winning advertising work has also directed two successful Bollywood films “Cheeni Kum” and “Paa”. Paa won 5 awards out of 14 nominations at the 16th Star Screen Awards. Stefan Haves on the other hand is also an acclaimed director, creator and producer of circus, theater and film whose creations have appeared across the globe,” said Srinivasan K Swamy, President IAA India Chapter & Vice President, Development, Asia Pacific.

     

    Monica Tata

    “HBO has always had a strong connect with youth audiences and we are delighted to be associated with this thought exchange platform for young leaders,” said Monica Tata, Managing Director HBO South Asia, Presenting Partner of the IAA Young Turks Forum.

     

  • Hungama.com awards its creative mandate to Scarecrow Communications

    By A Correspondent

     

    Hungama.com has awarded its creative duties to Scarecrow Communications. With this appointment, the agency will be responsible for designing clutter breaking creative communication that further augments the presence of Hungama.com in the digital music industry.

     

    The agency’s prime mandate will be to reach out to the existing consumer base of Hungama.com and target digital music consumers across the country via 360 degree creative communications that maximise the potential of various medium including print, OOH and digital.

     

    Sidhartha Roy

    Commenting on the appointment, Siddhartha Roy, CEO at Hungama.com said, “Scarecrow Communications comes with a widespread portfolio of media and entertainment brands. With the agency’s deep understanding of the sector and innovative creative campaigns for various brands over the years, we have decided to award the creative mandate to them. We at Hungama.com look forward to a fruitful association with Scarecrow Communications that can help us drive our vision towards being a preferred music streaming service.”

     

    Raghu Bhat

    On winning the account, Raghu Bhat, Founder & Director at Scarecrow Communications said, “Hungama.com is the pioneer in digital entertainment. A new-age brand that exists resides at the cusp of devices, music, Bollywood and the internet – four forces that touch the lives of almost every Indian. We are thrilled with this mandate and will also treat this as a great learning opportunity.”

     

  • CyberMedia becomes Google AdSense certified partner

    By A Correspondent

     

    CyberMedia (India) Ltd. has recently become Google AdSense Certified Partner in India. As a certified partner of the Google AdSense Partner program, CyberMedia (India) Ltd. will help online publishers earn through targeted advertisements and optimizing their online inventory. CyberMedia will also advise potential online establishments on how to make the most out of their traffic and achieve better eCPM rates.

     

    Explaining the significance of the tie-up, Dhaval Gupta, Business Head, Cyber Media mentioned, “CyberMedia continues its journey as the innovation leader in media and media services, by becoming a Google Certified Partner for Adsense in India. By leveraging Google products – Adsense, Analytics, AdWords, Webmaster, among other – CyberMedia Services offers the most comprehensive ecosystem that online publishers can leverage. We will utilize these tools and expertise to help publishers analyze, optimize and monetize their online footprint.”

     

    The Google AdSense program is recognized as a popular advertisement placement service in the world which helps publishers to monetise their inventory by placing contextually relevant ads on their content. By signing up with CyberMedia, publishers can hope to gain the technical expertise needed to better monetize their online properties using AdSense and benefit from a host of value added services on offer.

     

  • Vserv appoints Pranab Punj to lead global marketing mandate

    By A Correspondent

     

    Vserv has announced the appointment of Pranab Punj as Associate Vice President, Global Marketing. Pranab, a veteran in the digital sector, strategically complements Vserv’s aggressive growth plans and further extends the company’s leadership in the ever-evolving mobile ecosystem across geographies with a strong focus on Emerging Markets. Pranab will be responsible for driving Vserv’s global marketing endeavours, brand positioning, PR, events and digital marketing.

     

    As a part of the senior leadership team, he will be key in devising and implementing Vserv’s marketing strategy for a diverse global target audience incorporating marketers, telecom operators and app publishers.

     

    Dippak Khurana, CEO & Co-founder, Vserv, said, “We are glad to welcome Pranab to the Vserv team at this growth juncture as we scale our business globally. Pranab’s unique experience in dealing with digital brands & products will enable us to accelerate our marketing efforts. In an ever evolving ecosystem as ours, there’s a constant need for all stakeholders to reinvent their mobile strategies and we look forward to make great strides together in empowering them.”

     

    With over 13 years of award winning experience across digital media & entertainment industry, Pranab has held senior level positions in brand management, product & general management, across top MNC’s & Indian conglomerates. In his previous assignment, Pranab was the Director of Digital Media at Viacom 18, where he was responsible for driving marketing and managing the web business.

     

  • Licensed to Play

     

    By Amit Bapna

     

    The confectionary giant Parle Products had to create excitement for its Milk Shakti cream biscuits basis a valuable consumer insight. Typically regular cream biscuits though liked by the kids are resisted by the mothers who are the gatekeepers on the kids eating habits, and on the other hand the do-good biscuits are something that the kids do not take to easily, according to Mayank Shah, group product manager, Parle Products.

     

    The solution came from the iconic characters Tom & Jerry who were licensed and imprinted on the biscuits before they were baked. The characters helped the kids relate to it even while keeping the mom happy. Its success has already made the brand launch another variant – this time a twin cream offering in chocolate and strawberry flavours continuing with the character imprint.

     

    In its pursuit of strengthening its portfolio in the kids segment in India, the lighting division of the Dutch major Philips decided to take the character route by launching Disney-themed LED lighting products.

     

    Hero Cycles, a leading player in the kids cycle category with over 30 per cent share, was convinced about the potential of this segment, more than any other. Earlier this year they launched the range of branded bicycles: Mini Mouse and Princess for girls and Mickey Mouse, Spiderman and Cars for boys, amongst others.

     

    “The characters work very well for the kids by increasing their preference since it is akin to owning the character,” shares Rajesh Gulati, president, corporate strategy and planning, Hero Cycles. With this offering, the brand is looking at a completely new segment, the gifting market, in a big way.

     

    The new range is currently selling 5000 units a month and plans are to clock 100,000 pieces by March 2015. These and many other brands in India have started to look at character licensing keenly in a bid to increase sales as well as create a favourable disposition for their brand in a cluttered market.

     

    While licensing in the US and Europe is at a much more evolved level, India is just about starting to get there. Disney is leveraging the art of storytelling and creation of sustainable IPs very well having emerged as the largest brand licensor in India.

     

    Shares Abhishek Maheshwari, head, consumer products, Disney India, “Over Rs 1,000 crores is being spent on Disney products by consumers in India and there are over 3000+ SKUs in the market that range from toys to stationery fashion to home solutions, food, health and beauty.”

     

    The iconic characters of Mickey-Mini Mouse, Toy Story, Cars, Superheroes, Star Wars and the rest are becoming ubiquitous. Closer home, Chhota Bheem created by Hyderabad-based Green Gold Animation has emerged as pure-play Indian success story.

     

    Launched in 2008, the character amassed a huge fan following amongst kids and families in a short span. As per Rajiv Chilaka, managing director & founder, Green Gold, today the character has a life much beyond the small screen and is present in over 3000 SKUs ranging from comic books, home video to apparel, toys, back to school merchandise, shoes etc.

     

    Nearly 40 per cent of it’s revenues are coming from the licensing and merchandising opportu- nities that range from juice packs to a soon to be launched mosquito repellent brand. Chhota Bheem has even reached global shores – in Indonesia it is telecast in the local language and in Singapore in Tamil to cater to the resident population there.

     

    Adds Chilaka, we are looking at the global market keenly and have plans to go global not just in content but even in L&M (licensing & merchandising) space. Even brand owners have started seeing character-licensing differently. Says Anand Singh, director, Cartoon Network Enterprises, South Asia, Turner International India, “Earlier there were fears of cannibalisation and about the character becoming more prominent than the product.” A slew of successful campaigns with brands like Cadbury Gems & Dairy Milk, McVities, Real juice have helped them realise that character licensing actually complements marketing activities, he adds.

     

    Ben10, the biggest boy’s franchise globally, is one of Turner’s most successful characters and has more than 75 licensees across categories in India. More localised success stories could be coming to the fore in which Bollywood is emerging as a key player. Already films like Krrish 3 and Dhoom 3 have opened up the immense possibilities of licensing.

     

    Yash Raj Films’ Dhoom 3, released last year managed more than 20 partners that ranged from a specially created Dhoom tyre launched by Ceat to Barbie collector dolls and Hot Wheels bikes from Mattel, marking the California based toy company’s maiden merchandising association with Bollywood.

     

    There were many other brands like Gulf Oil, Bombay Dyeing, Steelbird as a part of the licensing arrangement. Confesses Rohit Sobti, vice president (licensing & merchandising), Yash Raj Films, “It needed a lot of mindset change internally for all of us to accept and open up to the fact that a 40 year old consumer brand (like Yash Raj Films) would be on many other brands.” Realising it’s immense potential, YRF has also started looking at licensing in a big way across gaming, products, TV animation, experience, celebrity brands, ecommerce, and representation of 3rd party entertainment brands, he adds.

     

    Jiggy George, founder-CEO of Dream Theatre, a brand management and licensing agency views the growth in ecommerce in India as a way to fuel brand licensing. It provides addressability to fans, a better range than brick and mortar.

     

    Cash on delivery guarantees extended distribution. Along with tie-ups for characters like Tom & Jerry and Pokemon, the company has been at the forefront of launching consumer products for the first successful digitally built brand: Angry Birds that became big without TV penetration.

     

    Currently, the Angry Bird franchise has over 400 products in around 20 categories. Even as licensing grows, two of the major pain areas remain piracy and reach. While the former is being tackled, the latter is being aided by modern trade growth, increased digital penetration and growth in ecommerce.

     

    Branded shop-in-shop concepts, character corners and dedicated web pages are helping in not just showcasing the entire range but giving the consumer the choice of browsing multiple products from their favourite characters.

     

    According to Pinakiranjan Mishra, partner and national leader – retail and consumer products, EY, ecommerce will surely give a boost to licensed brands to reach out to more consumers as an additional channel. However the real upside could be if the ecommerce players become licensees themselves.

     

    For instance, Kook N Keech a private label launched by the leading ecommerce site Myntra has got into a character licensing arrangement with Disney and Marvel characters and has actually seen a huge traction for the site with characters that include Mickey Mouse, Iron Man, Captain America and Hulk.

     

    Points out Ganesh Subramanian, Chief Operating Officer, Myntra. com, “Leading fashion brands globally are looking at characters keenly as they are in vogue”. They are not limited to kids anymore; even adults are picking character-led merchandise in a big way, he adds.

     

    Mickey Mouse, Angry Birds, Chhota Bheem images taken from respective company websites

     

  • Havas retains MTS India account

    By A Correspondent

     

    Havas Media Group India has yet again retained MTS India’s integrated media business following a multi-agency pitch which included all the top agencies.

     

    Speaking on the retention, Leonid Musatov, Chief Marketing and Sales Officer, MTS India, said “Havas has been our partner since we launched in this country. Their thought leadership, Digital-at-the-core approach and category understanding was impressive. Considering all such attributes, we have decided to retain Havas as our partner agency.”

     

    “Given MTS India’s data centric play within the telecom industry we wanted to extend our digital focus. After considering various options, we have decided to retain Havas Media as our agency. We look forward to working with the Havas team with renewed vigor”, said Amitesh Rao, Director Brand & Media, MTS India.

     

    Commenting on the win, Anita Nayyar, CEO, Havas Media Group India and South Asia, said “It is a matter pride that MTS has once again chosen Havas Media. The pitch has further entrenched our relationship with MTS. It has been a great association till now and we will ensure we provide more meaningful connections for the brand in the coming year.”

     

    “MTS is a dynamic brand which thrives on innovation. We are very confident that we will keep up the great work that we have been doing over the years for the brand. We are delighted to be extending our partnership with them” commented Mohit Joshi, Managing Director, Havas Media India

     

    Havas Media recently won the integrated media mandate of Yepme.com and the digital duties of XOLO mobile and Business World.