Category: NEWS

  • WATSummit ’13 to discuss new era of digi mktng

    By A Correspondent

     

    WATMedia has announced its annual event, WATSummit that brings together eminent personalities to confer the evolving facets of social and digital industry. In its third edition, the theme of WATSummit 2013 is ‘A New Era of Digital Marketing’. The annual summit that is scheduled to take place on 15th Feb, 2013 at The Orchid Hotel, Mumbai, will also host WAT Awards 2013, wherein, thought leaders of Web, Advertising and Technology will be awarded.

     

    WATSummit 2013 will witness participation of prominent visionaries discussing topics that contribute to the growth of digital and advertising space.

     

    A panel of experts will be seen highlighting the prominence of social media with ‘Social Media Marketing – Making sense of jibber-jabber by brands’. The evolution of ‘Digital Media Marketing – Can it build a brand on its own?’ will be discussed extensively by a panel comprising Digital Agencies and Brands.

     

    The summit will also bring to light the E-commerce industry and the upspring of mobile marketing with in-depth discussion on topics like ‘Ecommerce Market build brand V/S build business’, ‘Mobile Marketing – Promises of reach V/S Actual Impact’. The final panel will be seen conferring the do’s and don’ts and the challenges of ‘Startup Marketing – Breaking the cluster and creating a Brand’.

     

    Sharing his views on the third WATSummit, Rajiv Dingra, Founder & CEO, WATMedia Pvt Ltd said, “I am pleased to announce WATSummit 2013. The response to the earlier summits has been encouraging, which brings us to its third edition. This year, at WATSummit 2013, we aim to emphasize on the new era of digital marketing. The medium has grown exceptionally over the past few years and brands and consumers across the world consider the digital medium a dominant tool. I am delighted with the participation of renowned speakers who will share their profound knowledge. With WATSummit 2013, our endeavor is to embark on a digitally successful journey.”

     

    The keynote speakers for the event include dignitaries such as Suresh Reddy – Chairman & CEO, Ybrant Digital & Neville Taraporewalla – Country Director, Advertising and Online- Microsoft Corporation.

     

  • Satyamev Jayate nets Rs 22.33 cr as donations

    By A Correspondent

     

    Even as plans for Season 2 of Star Plus and Aamir Khan’s Satyamev Jayate, MxMIndia learns that an aggregate of a little over Rs 22.32 crore has been generated as donations towards the various charities and causes.

     

    According to the response received to the information sought by MxMIndia, the total donations generated by way of cheques, credit card and smses is Rs 111,627,102. This amount was matched by the Reliance Foundation and thereby the grand total is Rs 223,254,205.

     

    The last of 13 episodes of Seasons 1 was aired on July 29 with a bonus Independence Day special on August 15. The show opened up the Sunday morning band across general entertainment channels, and it is expected Season 2 will also air at the same timeband.

     

  • Did the switch to weekends impact KBC buzz?

     

    By Kshama Rao

     

    That the sixth season of Kaun Banega Crorepati opened with a massive 6.1 is old hat; but what also seems to be equally true is that the show has failed to cash in on the success of last season. The buzz in the TV industry is that there is no buzz around the show this time despite its lofty tagline of ‘Gyan hi aapko aapka haqq dilata hai’. That there are no ratings to corroborate this (in the wake of the announcement of deferring the TAM data during week 41 ((October 7, 2012,) to week 49 (December 8, 2012) by the industry bodies, Indian Broadcasting Federation (IBF), Advertising Agencies Association of India (AAAI) and Indian Society of Advertisers (ISA), in consensus with TAM Media. The nine-data is scheduled to release along with the week 50 (December 9-15, 2012) results).

     

    Says an industry insider, “Last year, KBC had a free run with no new big ticket shows at the same time slot on rival channels. They also got many sponsors on board at a premium and though the marketing and promotional buzz was as much or more for the current season, the hype amongst viewers is negligible as if viewer fatigue has set in and it’s no longer fun to watch yet another person with a background full of hardships win. Besides, Zee’s Sa Re Ga Ma Pa and Bigg Boss on Colors cut into KBC’s timings on weekends. Also, apart from crime shows on the weekends, nothing else has traditionally worked on Sony. KBC is no longer appointment-viewing.”

     

    What the industry thinks
    Basabdatta Chowdhury, CEO, Platinum Media

    Without the data and TVR, it will be difficult to comment. It is also about reach even though success is one parameter. The show has done well for the channel and they have got their revenues, so it is a success for them.

     

    Samir Khanna, EVP and Head, DDB MudraMax Media

    If you go by so-called numbers, KBC 6 is a success even though social media says otherwise. According to the common currency that we had precisely till October 8, KBC 6 was doing fairly well. Moving it to weekend was a good move since it is an episode-to-episode show and does not have continuity like serials. KBC format essentially works on weekend format, and it was a good strategy to move it to weekend slot. It might have become repetitive and getting to a point of viewer fatigue, but this fact has nothing to do with weekend.

     

    – Ananya Saha

     

    Also, unlike last season, this year, Sony gambled with the show telecast days. From weekdays it moved to weekends and that, say industry sources, did it in. A channel insider, who’s worked on the last two seasons of the show, on condition of anonymity says, “Well, it opened with a 6.1 which is huge but, yes, the sustenance ratings were affected. And with now the ratings coming in only on December 19, it’s a wait-and-watch game. Having said that, when it was on weekdays it consolidated the viewers, who were looking for more than just daily soaps as viewing alternatives. But this year, with KBC moving to weekends, the very same loyal audience has been fragmented. And that always happens because the weekend viewership is drastically different from the one during weekdays.”

     

    The source continues that while the show started with the noble intention of “gyan” being paramount and the tagline being “gyan hi aapko aapka haqq dilata hai”, it didn’t do much for the show in the later episodes. The channel brought the common man into the forefront with the last two seasons when the show moved from Star TV to Sony and we managed to surprise the audiences; that worked very well so unless you change the fundamentals, surprise your audience every time you bring in a new season, it won’t work in the longer run.”

     

    A member of the production crew who’s been instrumental in putting the show together says on condition of anonymity, “If you ask me, KBC is now settled in its orbit, so ratings don’t matter. But yes, change of telecast days made some damage.”

     

    Has the show run its course? “No,” says the channel source. “It is a great product. It has potential and like in case of any reality show, be it the Indian Idol or The X Factor, unless there is a surprise at the basic level for the viewers, the show won’t click the way you want it the way you want it to. Another very important factor that could have hampered the show prospects is the fact that it came too soon in the wake of the last season. Normally, there should be a healthy gap of say 12-14 months between the two seasons. This time, it ended in January last year and came back in September. The breathing space for the viewers was not adequate enough.”

     

    Another grouse against the show is its duration. The show last one-and-a-half hours. “I don’t think anything is wrong with the duration. 8.30 pm is absolutely fine because that’s when the viewers in the interiors tune in and by the time it’s 10 pm, the metro audience too has joined in. So it works. The celebrity specials too worked be it the Shah Rukh-Katrina Kaif episode, the Sridevi one or the recent Lara Dutta one,” the insider who wished to stay unidenitified told us.

     

    Siddhartha Basu

    Siddhartha Basu, chairman and managing director, BIG Synergy, which produces KBC, in a reply to our mail on the same, says, “These are highly subjective perceptions, and quite contrary to the depth and width of KBC’s impact, from the feedback we are getting. But please follow this up with the broadcaster who will be in a better position to respond on whether there is any objective basis or substance whatsoever to such a negative perspective.”

     

    Well, we can instead wait for December 19 when the ratings will come in and tell us the real story. Meanwhile, Kaun Banega Crorepati airs its last episode on January 19.

     

  • Edelman India forays into experiential marketing

    By A Correspondent

     

    Edelman India has announced the complete acquisition of Cream Events Pvt Ltd to strengthen the firm’s experiential marketing capabilities. The addition enables Edelman to offer seamless integration across multiple channels for marketing and communications programmes. As part of the Daniel J. Edelman India group of companies, Cream Events will continue to trade and operate as an independent brand and separate legal entity.

     

     

    Robert Holdheim

    The acquisition represents a further step by Edelman to bring its ‘Public Engagement’ communications model to the Indian market. Robert Holdheim, Managing Director, Edelman India, said, “Our partnership with Cream Events not only enables us to add experiential marketing to the mix, we believe it will boost the overall level of creativity of our programmes. Over the past three years, we have been busy building our capabilities in terms of both substance and infrastructure to execute against our broader, strategic communications model. In addition to enhancing our core strategic media relations capabilities, we have focused investment in value-added service areas such as public affairs, branding and digital communications.”

     

    “Having it all in one basket ensures consistency of message and allows our clients to minimize their interface with multiple agencies” added Mr Holdheim.

     

    Harshad Chavan, Managing Director, Cream Events, added, “We have established Cream as the preferred agency for the lifestyle sector by delivering brand experiences for more than 250 brands to date. It is the right time for us to diversify and expand our capabilities with creativity as the center of our success. We are confident of partnering with Edelman for the spectacular work and creative thinking displayed by the firm as well as a strong network of global best practices that enables us to leverage synergies.”

     

  • @India, living in China: Burson-Marsteller finds out

    By A Correspondent

     

    When everything else, or so it seems, is “Made in China”, why should India’s Twitter handle not originate from there? The fact that it has not happened by design is – or should be – a source of embarrassment for the Incredible India peddlers, for this is a strange fact unearthed by Burson-Marsteller – that the @India account is owned by an Indian person living in Guangzhou, China.

     

    The public relations and communications firm has released the second part of its “Twiplomacy” study (http://twiplomacy.com), looking specifically at country branding on Twitter. The study shows that only 9 governments out of 193 UN member states own their country name Twitter handle.

     

    In the case of @India, the account owner shares pictures from his daily life and has made it clear that his Twitter handle is not for sale. With respect to other social media channels, India is one of just 19 YouTube channels owned by the tourism office.

     

    The accounts of @GreatBritain, @Israel, and @Sweden are the most significant examples of country promotion on Twitter. @GreatBritain is part of the ‘Britain is Great’ campaign launched in March 2012 to highlight everything that is great about the United Kingdom.

     

    @Israel is the country’s official Twitter channel, maintained by the Foreign Ministry’s Digital Diplomacy Team. The account is one of the most followed country accounts with more than 66,000 followers and serves as the focal point for Israel’s government Twitter activity.

     

    The Twitter accounts of @AntiguaBarbuda, @Barbados, @Lithuania, the @Maldives, @SouthAfrica, and @Spain are run by their respective official tourism organisations to promote tourism in each country.

     

    However, three out of five country accounts are either protected, dormant, inactive, or suspended and almost half of the 71 remaining active accounts are tweeting an automated news feed broadcasting news about the country.

     

    “Looking at the findings it becomes clear that few governments and tourism organisations have understood the power of country branding and marketing on Twitter,” said Matthias Lüfkens, head of the Burson-Marsteller EMEA Digital Practice. “There is a huge opportunity for countries to use Twitter as part of their communications to engage with a large and growing audience.”

     

    Data used was taken in November 2012 looking at the Twiter handles of the 193 UN member countries. Burson-Marsteller used Twitonomy (http://twitonomy.com) to analyze tweeting patterns and the Twitter history of each account.

     

    To access the complete analysis of these findings, visit: http://twiplomacy.com/country-promotion.

     

  • Some meetha ho jaye for Rekha with Snickers

    By Ratna Bhushan  and Chaitali Chakravarty

     

    Rekha

    Mars Inc has roped in veteran Bollywood diva Rekha to endorse its Snickers brand in India as the world’s top chocolate maker looks to challenge Kraft Cadbury’s hold on the country’s Rs 3,000-crore chocolate market.

     

    This is the first time the $30 billion-plus American chocolate and pet food giant hires a celebrity to endorse its brands in India, and it marks the debut of Rekha, 58, in the world of advertisements. “Rekha came as the first choice when we thought of making a TV commercial portraying a diva-type behaviour,” a Mars India spokesperson said.

     

    RK Swamy/ BBDO will create the advertisement campaign for Snickers, the world’s largest-selling chocolate brand.

     

    Rekha, who ruled the silver screen in the 1980s with hits like Umrao Jaan and Silsila, is an unusual choice for endorsing a chocolate brand, but some experts say the move will get the brand noticed. “It’s interesting and should be clutter-breaking at least in the short term,” Anirban Das Blah, MD of celebrity management firm Kwan CAA, said. “How the ads help the brand would of course depend on the script,” he added.

     

    Interestingly, in her new role, Rekha will be taking on one of her closest contemporaries, Amitabh Bachchan, who has been endorsing rival chocolate brand Cadbury for several years. Though Snickers was advertised in 2008 and earlier this year, the new campaign will be its biggest so far in the country.

     

    “We need certain scale and distribution for a brand to optimise our media spends. We feel now is the opportune time to invest behind Snickers consistently,” the company spokesperson said.

     

    All Mars chocolate brands in India, including Mars, Snickers, Galaxy and Bounty, are currently imported. Being sold at two price points of Rs 15 and 30, Snickers competes with other global names such as Kraft’s Cadbury Dairy Milk, 5-Star and Toblerone, and Nestle’s KitKat.

     

    Mars is making this attempt at a time when US chocolate major Hershey has announced plans to launch its global brands in India through its own arm. In September, Hershey exited its five-year alliance with industrialist Adi Godrej-led Godrej Group.

     

    Hershey’s intends to launch some of its global brands such as Kisses and Reese’s over the next few months. India’s chocolate market, meanwhile, has started slowing as consumers are checking discretionary spends due to slowing economy and rising prices. According to data from Nielsen, chocolate consumption growth halved in the first six months of the year to 18% from 37% a year earlier in value terms. The largest player Cadbury Kraft’s sales grew 20% in January-June 2012, down from over 40% in same period last year.

     

    Mars Chocolate’s global brands include M&Ms, Galaxy, Milky Way and Twix besides Snickers.

     

    Source:The Economic Times

    Copyright © 2012, Bennett, Coleman & Co. Ltd. All Rights Reserved

     

    Photograph: Fotocorp

     

  • MxM Monday: Is BTL gaining acceptance as a must-have in a media plan?

     

    By Ananya Saha

     

    Is Below-the-Line (BTL) advertising gaining bigger share of clients’ advertising budgets over the last few years? How innovative has BTL become, and what are the challenges it still faces?

     

    Anwesh Bose, Senior VP, DDB Mudra Max

    BTL has gained prominence over the years and will continue to do so as advertising communication is evolving from a ATL-BTL model to a Through the Line (TTL) model. The lines have blurred between ATL & BTL giving rise to a new phenomena where a medium can take the form of ATL or BTL depending on the need of the communication. The challenge today is for the communication professionals to justify the Return on Investments on any form of media and the pitch will keep getting higher. It is time for the industry to jointly work on a multimedia optimization model that would justify investments.

     

    Narayan Devanathan, SVP, National Planning Head, Dentsu India Group

    That’s a very broad question, but going by overall trends, the answer is probably yes. The more pertinent question, how much bigger is “bigger?” Who is measuring this? How does it differ by category? What all goes into the definition of BTL? For example, with the expansion of modern trade in retail, you’ll obviously see a lot more BTL money being spent on in-store merchandising, POS and promotional campaigns. A second factor affecting expanding BTL investments will likely be the short attention spans and the myriad of choices and screens that consumers interface with today. TV, radio, web and mobile are probably vying for the consumers’ attention simultaneously at all times. But with definitive metrics, the impact of last-mile tactics and campaigns will be a key differentiator between brand success and business success. All this does factor into the fact that, yes, BTL as a share of clients’ ad budgets is seeing an upsurge.

     

    Innovations can happen on three fronts: technology, measurability and the balancing act between strategic and tactical objectives of the campaign.

     

    On the technology front, something like RFID, for example, can turn walking behind a shopping cart into inputs for a shelf-stacking strategy in-store. A combination of GPS, augmented reality and a promotional scheme can turn a mobile phone into a CRM platform. But innovations like these and others depend on the evolution of both marketers and the retail (and other parts of the brand) environment.

     

    Technology can also be the difference between best-case guesstimates and data-driven strategies that reduce wastage of marketing investments.

     

    Finally, marketers have to find ways to close the gap between strategic and tactical goals. If brand-building is a strategic goal, how do you use BTL not just be a one-off tactic or part of promotions but contribute to brand-building?

     

    All said and done, as with ATL, the point of all communications, regardless of medium, is to create stories, conversations and transactions (not always monetary) that people want to engage in. If that perspective is missed, then we will continue to see a “line” and see “below” and “above” this imaginary line that only marketers – not consumers – see.

     

    Nina Jaipuria, EVP and Business Head, Sonic and Nickelodeon India

    Nickelodeon has always believed in the virtues of experiential marketing through on-ground engagements. While TV helps in reaching out to millions of viewers, it allows for only one way-communication. On the other hand, BTL promotions despite the high cost per contact have the potential of making the engagement truly memorable for consumers. There is nothing that can replace the experience and thrill that kids feel when they meet their favourite Nicktoons Ninja Hattori, Dora, SpongeBob or Keymon in person.

     

    In addition to engaging our young viewers at schools, malls, retail chains etc, we also conduct van activities that helps us reach out to smaller towns and villages in the interiors of India. For example during the launch of Motu-Patlu, we engaged kids in over 30 towns like Lucknow, Kanpur, Allahabad, Varanasi, Agra, Mathura, etc in Uttar Pradesh and Gwalior Khandwa, Indore, Ratlam, Bhopal, Jabalpur, etc in Madhya Pradesh. We often do mall activities to celebrate days and occasions that are important to kids.

     

    At Nickelodeon, we are constantly seeking new and innovative ways of connecting with kids all through the year. In-store promotions and toon visits at retail stores further helps in strengthening our on-ground presence when it comes to merchandize

     

    Brand partnerships also play a very important role in creating unique propositions for designing innovative on-ground programmes. BTL promotions are thus an integral part of our media plan as they enable us to connect with our consumers and give them a ‘Touch. Feel. Play.’ experience. In today’s day and age, it is imperative to be present across multiple touch points and to tangibilize the brand.

     

    Uday Mohan, Executive Director – North, MPG India

    With the increasing fragmentation of the media space it is not enough to just make “contact” with the consumer, but more importantly to “connect” with him. First hand experience of the product/service offering and the customization of it allow this impact extending it to sales as also brand perception. It is here where the relevance of BTL in the overall marketing/media mix is increasingly gaining importance.

     

    BTL is now moving from its earlier perception of basic activation to being an integral part of the consideration set at the media strategy formulation stage itself. FMCG for the mass audience spends even up to 25 percent of their advertising budget, luxury would spend more. Auto, telecom, food outlets also see the merits of BTL as we see more spends and ideas. It is getting very innovative using insights and planning; 3M Scotch-Brite came up with Wash your Bill, where you had the choice of washing dishes over paying the bill, adding a fun twist to the old adage of ‘pay your bill or wash the dishes’. The activation connected with a younger audience, made them use the product, gave immediate gratification, put it up on YouTube and created word-of mouth.

     

    Lack of quality data is a major challenge that BTL faces as there are as yet no set parameters for evaluation. Another challenge is the infrastructure and operational co-ordination required from global and nationalized brands of mass appeal where delivery to target audience becomes an issue. For example even Pepsi in its ‘Open Happiness’ campaign could create the reach because of the use of digital and social, else the cost would go out of hand. BTL activation for a mass brand would require innovative use of the media mix to get the desired effect.

     

    Ambika Sharma, MD & CEO, Pulp Strategy Communications

    There is a definitive shift in perception, below-the-line is media that barrier is fading, it is new media which adds the rich creamy layer to the traditional media plan. Inclusion of BTL in a plan has increased steadily but has seen a stronger spike in the last 2-3 years. It is not in the perfect place that it could be in the consideration set but it is no longer ignored like it used to be a decade ago.

     

    BTL is now increasingly being evaluated and included when developing the mix, for the simple reason that it cannot be ignored, as it is the only media that allows people to experience the product outside of the retail format. Below-the-line activations can be great when done cleverly. The medium provides the freedom to engage with your core consumers and almost always has the potential if designed wisely to be quirky and attention-grabbing.

     

    BTL needs to be carefully considered in the planning process and not as an after thought. A well-thought-out, through-the-line campaign (or 360-degree approach), will always have more impact than one curtailed to a limited approach. This is perhaps the most positive change where in some marketers are consciously choosing BTL within their plan with specific deliverables in mind. This way the plan is tighter knit, and the ROI is richer. This change has reflected in a higher share of voice for activation in the media budget.

     

    Other factors have also contributed, one is what we call the “Ego” slice in the media plan, prominent some time back its the forced fit into the prominent / upmarket ATL mediums because “presence there was a must” at times this ate into the working budget which would have been considered for new media including activation. This is no longer the case. Activation / BTL is holding its own in media plans and gaining its due in media budgets.

     

    Samar Singh Sheikhawat, Senior Vice President - Marketing, United Breweries Ltd

    We do not call it BTL, but refer to it as activation or leveraging. I would say that activation has always been an important part in the UB Group’s marketing intervention. And today it is almost equal to our sponsorship amount. So if we are involved with an event, property or platform, and suppose Rs 50 lakhs as sponsor, we will spend an equal amount in leveraging it or BTL. I would say, it is practically 1:1 for UBL and our portfolio of brands when it comes to the ad pie division of BTL with other media.

     

    I think a lot of things are happening apart from the display being used in this medium. The kind of consumer touchpoints being used, digital and social media is becoming a big thing and is being used increasingly as activation by us. Video mapping, production technologies have improved a lot. There are new techniques we are using from overseas in terms of projections, holograms, video mapping on walls etc. the ways to reaching out to consumer is getting innovative whether it be direct mailers that we do or CRM or get-togethers. The kind of media being used in activations is seeing innovation and substance that is being used in production is getting innovative.

     

    This medium faces challenges in terms of credibility and execution capability. Anything that you do in BTL needs to be relevant to your product, your target audience and to your brands’ positioning. A large part of differentiation in BTL goes towards execution.

     

    Raghu B Viswanath, Founder & Managing Director at Vertebrand Management Consulting

    Media today is fraught with many challenges. While the overall ADEX spends has been growing at a much higher rate than GDP increasingly clients are questioning whether they are getting enough bang for buck they have spent by advertising in media.

     

    Earlier brands focused on getting more eyeballs translating to more awareness on the brand. Since the competition intensity was earlier relatively low mere awareness got translated to purchase. That is not the case today. With increasing competition and very little differentiation, it is important for brands to not just enhance the brand – building efforts on awareness creation, but to go beyond and engage their customers meaningfully. This in turn means that brands need to connect with their customers through as many touch points as possible. So, non-traditional (BTL) lends itself to this two-way communication. The rules of the game is not about seeing or hearing. It is about experiencing the brand with all the senses. Hence, touch feel and other sensorial connects with the brand, is the need of the hour.

     

    For many brands, BTL is becoming a more significant component of their marketing spends (almost equal to ATL). I believe this trend is expected to grow, as brands pursue serious efforts to engage better with their customers.

     

  • Publicis Groupe acquires iStrat & MarketGate

    From L to R: Shripad Nadkarni, CEO, MarketGate, Nakul Chopra, CEO South Asia for Publicis Worldwide, Sharda Agarwal, Executive Director, MarketGate, Jean-Yves Naouri, Chief Operating Officer of Publicis Groupe and Executive Chairman of Publicis Worldwide, Navneet Singh Sahni, CEO, IStrat and Sonya Sahni, Head of Marketing, IStrat

    By A Correspondent

     

    The Publicis Group announced two acquisitions thereby working towards its stated aim doubling its 2010 turnover by 2015.

     

    The enterprises acquired digitial agency iStrat and marketing consultancy MarketGate.

     

    iStrat was founded in 2003 and provides solutions across all forms of digital marketing. The agency services a broad range of prestigious clients, including Alpha G:Corp (real estate), the Confederation of Indian Industries, Dupont (luxury accessories), Hero Corp (motorcycles), Hindware (kitchen and sanitary appliances), Maruti Suzuki, the NASSCOM software trade association and Nestlé. The agency, which is headquartered in Delhi and employs a team of 50, provides the full range of digital communications services including e-commerce store fronts, search engine optimization, social media, and rich media.

     

    MarketGate, which was founded in 2005, delivers services in business growth planning, marketing strategy, brand positioning, portfolio strategy, brand architecture development, and marketing skills development. The agency’s seven consulting experts aim to rejuvenate brands and power their growth by deploying marketing processes throughout their clients’ organizations. Clients include Colgate, Dabur (foods/personal care), General Motors, GlaxoSmithKline, Godrej (personal care), HSBC, ICICI (financial services/banking), Madura Garments (fashion), Mahindra & Mahindra (automobile), MTR (foods), and Radio Mirchi Viacom.

     

    As a part of this acquisition Publicis Groupe will also acquire MarketGate Dimensions, a subsidiary providing research-based solutions to business, marketing and brand issues, with offices in Mumbai, Delhi & Bangalore. Its client list includes Glenmark (personal care), Kellogg’s, Maruti Suzuki, The Walt Disney Company and Viacom 18.

     

    iStrat will be rebranded Publicis iStrat and will operate as a unit within Publicis Modem, Publicis Worldwide’s global digital network. Its founders Navneet Singh Sahni (CEO) and Sonya Sahni (Head of Marketing) will continue to lead the agency. MarketGate will retain its name and will operate within Publicis Worldwide. It will also continue to be led by founders Shripad Nadkarni  (CEO) and Sharda Agarwal (Executive Director). Both iStrat and MarketGate leadership will now report into Nakul Chopra, CEO South Asia for Publicis Worldwide.

     

    “We’ve recently made a number of smart, bold moves in India, and we’re going to continue doing so,” declared Jean-Yves Naouri, Chief Operating Officer of Publicis Groupe and Executive Chairman of Publicis Worldwide  in Mumbai. “Building digital capabilities is a fundamental part of the Publicis strategy, and today’s acquisition of iStrat and the strengthening of our digital arm in this promising market is a key step towards realizing our growth goals. In addition, MarketGate is a fast-moving strategic outfit with strong skill-sets, an impressive range of clients and thorough knowledge of the Indian market and its consumers.” he continued.

     

    Building digital capabilities at the heart of our agency is fundamental to the Publicis strategy. iStrat is a perfect strategic fit for our vision – both from a perspective of their excellent capability and culture. We expect them to play a lead role in taking Publicis forward in India” said Nakul Chopra, CEO South Asia Publicis Worldwide. Nakul Chopra also added, ‘The acquisition of MarketGate underpins both our commitment to this market and our clients needs’ said Mr Chopra. “MarketGate will add a potent upstream capability that will benefit both Publicis and our clients immensely.”

     

    “We are excited to become a part of the Publicis Worldwide network, and we look forward to tapping into its global best practices,” added iStrat co-founders Navneet Singh Sahni and Sonya Sahni. “Today’s deal will offer richer, more diversified possibilities to both our clients and our teams. Our experience in India’s digital space, together with Publicis’ considerable knowhow in brand-building, will create an incredibly powerful offering for both current and future clients.”

     

    “This is a very exciting move for all of us at MarketGate,” added Shripad Nadkarni and Sharda Agarwal. “Twinning the world-class expertise of Publicis Groupe with our extensive experience of marketing and consultancy across all sectors in India will make for a very powerful combination. We’re passionate about our clients, and we know that they will benefit from this move.”

     

    Publicis Groupe counts more than 2,500 permanent employees across India, through the following global networks: BBH, Digitas, Leo Burnett, MSLGROUP, Publicis Healthcare Consulting Group, Publicis Worldwide, Saatchi & Saatchi, Starcom MediaVest Group, and ZenithOptimedia. The Groupe has been working to increase its profile in the country, including recent acquisitions of Resultrix (August 2012) and Indigo Consulting (April 2012). India is currently Publicis Groupe’s 13th largest market in terms of revenue.

     

  • Tatas eye big foray into edutainment

    By Anshul Dhamija & Reeba Zachariah

     

    India’s oldest industrial house, the Tata Group, is sketching big plans for children’s edutainment market, a move signalling the tea-to-telecom conglomerate’s interest to tap business opportunities around the country’s 330 million population aged below 15 years.

     

    Bengaluru-based Titan Industries, a Tata Group company, is expected to finalize business plan for edutainment vertical, positioned as ‘after school education through gadgets and technology’, within a month, people familiar with the development said. This will be among the biggest growth drivers for watch and jewellery-maker, which is the fifth largest Tata firm by market valuation.

     

    The company’s new business division wants to develop a network of about 160 edutainment stores, expected to rake in more than $1 billion revenue by the end of the current decade. Titan scanned several business models targeted at the children’s market, including toy retailing, before narrowing its focus to edutainment stores.

     

    Titan’s edutainment business strategy will combine content with 3D and simulation technology with themes like ‘journey across time’, which sits well with the company’s watch business too. The company has prepared an extensive case study, with inputs from design architects, to be presented to the board of directors later this month.

     

    The edutainment business will be deemed to be formal only after the board approves it. A questionnaire to Titan Industries spokesperson remained unanswered at the time of going to press.

     

    Titan reported Rs 8,840 crore ($1.63 billion) revenue last fiscal powered by the watches and jewellery divisions. The company has explored plans to boost its top line revenue to $10 billion by 2020. The company, in which the Tatas hold more than 25% stake, closed the Friday trading on BSE almost flat at Rs 307.

     

    Tata Group companies with surplus cash on their books have been asked to draw up plans of how they would utilize their cash surpluses in adding value to shareholders. Titan had surplus cash of nearly Rs 800 crore at the end of last fiscal. The flagship edutainment stores will be more than 80,000 sq ft, located in the suburbs of the big metros, attracting investments of Rs 100 crore each. The stores in smaller cities will vary between 8,000 to 10,000 sq ft.

     

    Titan will start work on rolling out the initial stores in two southern metros, once the board approves the business plan.

     

    The $100-billion Tata Group’s interest in edutainment tracks the growing investments in this space. Last month, Bollywood star Shah Rukh Khan acquired 26% stake in the India franchise of Mexican edutainment brand KidZania, scheduled to open first store in a Mumbai suburb March next year.

     

    Source:The Economic Times

    Copyright © 2012, Bennett, Coleman & Co. Ltd. All Rights Reserved

     

  • Madison Media wins Radikal Rice Media AOR

    By A Correspondent

     

    Madison Media has recently won the media mandate of Radikal Rice.  The account was won in a multi-agency pitch, where MEC, Zenith Optimedia and Carat participated. Radikal is one of the leading manufacturers and suppliers of premium basmati rice with nutritive value. The account size is estimated to be approx Rs 25 crore and will be handled by Platinum Media in Delhi.

     

    Says Mr. Siddharth Chaudhary, Managing Director, Radikal Overseas, “After reviewing several agencies, we found the right partner in Madison Media, given their expertise of the Indian media market and proven track record.”

     

    Says Gautam Kiyawat, Group CEO, Madison Media, “We are excited to partner with this new age food company, and are looking forward to helping them gain their rightful share in India’s growing food industry.”

     

     

  • Woodland on its Green Path

    By Tuhina Anand

     

    There has been an increased focus by brands today on being environment-friendly. The outdoor adventure brand, Woodland has been consistent in its effort to be Green conscious ever since its inception. However, now the company is making concerted efforts to imbibe a 360-degree approach going green. It started with in-house effort to go green in their manufacturing process to converting the retail stores to being environment friendly, now the effort it to communicate the same to consumers extensively and rope in partners who would help Woodland in their Green initiatives.

     

    Talking about their approach, Amol Dhillon, Vice President-Strategy & Planning, Woodland, said, “We have been constant in our effort to be environment friendly and sustainability. Our campaigns like Eco Everest, Leave No Trace and Proplanet have always conveyed the message. Our effort is to be carbon neutral by 2015. In this direction we have started listing the eco index on our products and educate our customers on the amount of carbon footprint that they are leaving with each Woodland product.”

     

    The company has been taking conscious effort to make earth a green place like its Eco Everest Campaign where teams of Sherpas who brought in trash from their climb in a bid to keep the Himalayas clean. Then there is the Leave no Trace campaign which is in collaboration with the music fests to connect with young TG and make them conscious about keeping the environment clean. In its effort, Woodland is looking at innovative ways to connect to the youth through popular interactive festivals and events like Sunburn (New Delhi) and Raagasthan (Jaisalmer). Woodland in partnership with these properties has been co-sponsoring the ‘Leave No Trace’ campaign to inculcate a sense of responsibility in the youth towards a clean and safe environment to meet their ultimate goal which is to inspire the next generation and increase their participation in the conservation of nature.

     

    The initiative is heavily promoted by a 360-degree approach thus Woodland making its stance clear on environment and sustainability once again.

     

    Mr Dhillon explained, “We are an outdoor and adventure brand and we believe that we must make an effort to keep our outdoors and environment clean thus we keep finding ways by which we can collaborate in our effort and thereby also connect with our TG.”

     

    The company is now looking at partners with whom they can collaborate in their green initiative. It has recently joined hands with Lufthansa as their green partner and even with Royal Challengers Bangalore in their green initiative. The focus is to partner with more stakeholders in this bid.

     

    Woodland last year committed 15 crore in its Proplanet campaign. In fact the focus is to allocate 5 percent of the total budget in innovation and communication of Green projects.

     

    Woodland hopes to end this financial year with 400 stores that are not just in tier 1 and II towns but also in tier III and IV tows too. The company has been seeing a year-on-year growth of 30 percent in the last few years and in fact the sales this year in November is 50 percent more than compared to the same month last year.

     

  • Nidheesh Tyagi to join BBC as Editor (Hindi Service)

    By A Correspondent

     

    The Dainik Bhaskar group’s Editor (Digital) Nidheesh Tyagi has put in his papers. He is moving to the BBC as Editor, Hindi Service.

     

    He is scheduled to join the BBC on January 14 and will take charge of the Hindi service in television, radio and the online media. Mr Tyagi takes charge from Neil Curvy, who has been holding fort with the Hindi team since July after Amit Baruah had resigned.

     

    Mr Tyagi is one of the few multi-lingual print editors in the country, having edited Hindi, English and Gujarati newspapers in his two-decade-long work experience. He has worked with The Tribune (Aug 2010-Nov 2011), as Editor, Pune Mirror (Dec 2007-Aug 2010) and Editor, Deshbandhu, Bhopal (Sept 1997-Nov 1999). At Bhaskar, he was Resident Editor of Chandigarh (Dec 1999-Feb 2003, April 2005-Mar 2007), Executive Ed, Divya Bhaskar (Feb 2003-Mar 2005), Editor-New Media (Mar 2006-Dec 2007) and Editor-Digital from November 2001 onwards. At Bhaskar, his portfolio constituted digital media offerings in Hindi, Gujarati, English and Marathi.