Category: TV

  • ‘&pictures will compete with Zee Cinema’

     

    The promos are on air and the hoardings with the bold &pictures logo dot the city. Zee Entertainment’s sixth Hindi movie channel is set to unveil on Sunday, August 18. It’s been billed as India’s first interactive movie channel and the objective is to cater to the young, digitally inclined and active Indian. The plan is to launch an entire parallel bouquet under the ‘&’ banner, and the movie channel is the first in the big roll-out that’s set to happen.

     

    MxMIndia caught up with ZEEL Chief Content and Creative Officer Bharat Kumar Ranga, Marketing Head – National Channels Akash Chawla and Cluster Programming Head – Hindi movie channels Ruchir Tiwari in an exclusive interaction to get a feel of what’s in store .

     

    Why &pictures when you already have a Zee Cinema which is doing very well? Barfi! got good ratings. And then you have four other channels – Zee Cinema HD, Zee Premiere, Zee Classic and Zee Action. So why &pictures?

    We think by 2015 there may be 25 movie channels in India and we have to make sure that we have sizeable share out of that. We are also attempting to capture a new way of thinking that people have. We have had different kind of movies… Khosla ka Ghosla, Kai Po Che, A Wednesday.

     

    Mind you, the youth is still devoted to Indian beliefs, integrity and values. But they want to branch out and take chances. They want to grow outside their existing structure and movies have captured this very well and we thought a movie channel is the best way to capture the new mindset that is emerging right now.

     

    You already have five movie channels from the Zee stable. Zee Cinema is doing very well, so why &pictures?

    Yes, the obvious objective is to be at the top. It will be a very different brand compared to Zee cinema. Its brand values are completely different. It will be highly interactive. It will have an exclusive library, with movies that are very different.

     

    But in the past we’ve seen – albeit in the GEC space – where second channel is never given the same attention and resources as the flagship channel

    Well, have you ever heard someone else saying that a new channel will compete with flagship channel. Here we are saying this. The two teams will in a sense compete. We are very clear about one thing: &pictures will compete with Zee Cinema.

     

    But, as per the numbers available, Zee Cinema is the No 1, Max is the No 1, Gold No 3 and Movies OK a distant No 3. The difference in TVTs between Zee Cinema and Max is over 20,000. Where do you think will &pictures be?

    Who is Number 2 here?

     

    Max…

    How about replacing it?

     

    Yes, but Max is at 215075. That’s a tall order!

    So how about something like 250000 or something like that? We will be aiming high, and aiming to get past Zee Cinema. That’s the ambition.

     

    But you also have three other cinema channels (other than Zee Cinema and Zee Cinema HD) which have not been promoted enough – specifically, Zee Classic, Zee Action and Zee Premiere. So why go in for a new channel when you have three in the stable?

    See Zee Action and Zee Classic were digital products and Zee Classic came out of that and went into the analogue market too. Zee Classic is a unique offering and doesn’t compete with any other channel. We have a huge library that it can take advantage of. The others being digital products are for different audiences.

     

    Your communiqué mentions the fact that you are targeting viewers who spend a fair bit of time on mobiles, social media etc. But these are people who also download films off the internet, are into Torrent and don’t care too much about piracy.

    Firstly, let us clarify. &pictures is not a youth a channel.  The communication is such that it is relevant to people who are young at. The second point is interesting and we are looking at the entire offering in a different way. Some people watch cinema on the computer, others on TV. Some people may want to interact with us on Twitter because. Today, our viewers are doing multiple activities and engaging in multiple manner so the whole philosophy behind &pictures from the particular perspective is that how are we meaningful to our consumers by every device of their choice, wherever that they are and in a more relevant manner. Hence it;s India’s first interactive Hindi movie channel. We will be relevant to them across platforms.

     

    Interactivity is a good word, but are you going to really be that?

    If you go on to andpictures.in, we are actually doing India’s first crowdsourced film. And there’s a lot more coming. In 45 days from now, you will see a digital product under the umbrella of &pictures which will help bridge the divide between internet and television in terms of talking to your stars. Wait for it!

     

    Are you doing interactive stuff with DTH platforms like Dish, since it’s part of the Zee group? Like pressing the red/green button for…

    Yes, yes, yes! DTH is a key part of our gameplans and we are already doing quite a bit with all DTH platforms including Dish which includes that red button you are talking about. There is a separate team in Zee which is just exploring all these possibilities and putting thigs in execution.

     

    Other than films, will there be any other programming on &pictures?

    No long formatted shows. We will have more of back-to-back movies basically.

     

    You are launching on August 18th. Any big bang premieres coming up?

    At first we are not doing any premieres. We will be airing films that &pictures stands. But soon after the second or thir week onwards the premieres will start happening.

     

    So what’s next after &pictures under the & umbrella?

    Well, we will first be working to get the & positioning right and getting the connect right. Once people start liking and loving it, we will come up with new products.

     

    Will it be beyond television? And Indian languages?

    We will appeato to people across the country and Indians across he world. This could be in multiple genre and languages.

     

  • NDTV and Vedanta announce launch of ‘Our Girls Our Pride’

    By A Correspondent

     

    NDTV and Vedanta have launch the ‘NDTV Vedanta Our Girls Our Pride’ national movement to create awareness about issues related to the girl child. The key issues that the campaign will focus on are Nutrition, Education, Health, Foeticide and Infanticide.

     

    Priyanka Chopra was named the brand ambassador for the campaign. To launch the initiative, Priyanka joined Dr Prannoy Roy, Co-chairperson, NDTV and Anil Agarwal, Chairman, Vedanta in New Delhi. Also present at the launch were Dr A L Sharada, Programme Director, Population First, Neelam Singh, NGO Vatsalya, UP, Deepak Kalra, Chairperson for Child Rights Protection Committee in Rajasthan amongst many others.

     

    Addressing the gathering via a live-link, Minister for Women and Child Development Krishna Tirath said, “We should respect women in our society because both men and women are equal partners to bring out our society forward. According to our Constitution, we have equal rights, so we enjoy equal rights as men and women.”

     

  • Neville Bastawalla joins ex-boss Saurabh Yagnik at Pix

    For Neville Bastawalla, the Saal Mubarak greeting on Parsi New Year day on Sunday had a special meaning. The following day was his first at Multi Screen Media as Marketing Head for Sony Pix.

     

    A marketing professional with over 14 years of multi-brand experience, Mr Bastawalla’s previous stint was with Star India where he joined in January 2011 as Marketing Head for its English channels and was most recently Head – Marketing for Star’s Hindi movies channels since February 2013.

     

    Saurabh Yagnik

    Announcing the appointment, Saurabh Yagnik, Executive Vice-President and Business Head – Sony Pix who was not too long ago Business Head of the English channels at Star India (and hence Mr Bastawalla reported to him there), said, “We are delighted to have Neville join the team and we are certain that his experience and understanding of the business and our audience will help us consolidate our position in the genre. We look forward to a long and fruitful working association with him.”

     

    Commenting on his appointment, Mr Bastawalla said, “I am delighted to begin my association with Sony Pix.  The channel has always uniquely positioned itself in the English movie genre, with a strong content library and innovative campaigns for its premieres and other properties.”

     

    Prior to joining Star, he was Head of Marketing at Mid-Day Infomedia where he spent about four years after a stint with Nickelodeon as Senior Marketing Manager. A management graduate in marketing, Mr Bastawalla has previously done stints with HSBC, Walt Disney Company, Contract Advertising and Mudra Communications.

     

  • On the Food trail with Sanjeev Kapoor

     

     

    The Sanjeev Kapoor is now more than that of a chef. He’s a one-person industry. Unarguably the biggest name in Indian food today, he started out rather humbly like any smart chef with a good hotel. A cookery show called ‘Khana Khazana’ on Zee TV changed all that, and Mr Kapoor became a household name in the country. The rise and rise of the Zee network also made the chef attain dizzying heights on the popularity graph. But what really cemented his status in the business of cooking was his attention to grow allied businesses.

     

    From cookery books (over 150 of them!) to restaurants (Khazana, The Yellow Chilli, Signature and Sura Vie), kitchen implements and gadgets (Wonderchef), blended spices, ready-to-cook mixes, pickles, chutneys, food impresario, guest/judge at various events and shows (including the popular MasterChef on Star Plus) and his very own food channel, Food Food. The list of his achievements, could go on, and we suggest a visit to his website at http://www.sanjeevkapoor.com/Chef-Sanjeev-Kapoor.aspx for a detailed account.

     

    As he embarks on a few brand new shows on the Food Food channel including the ‘Out of the World’ series which goes to Africa in Season 1, he takes time to speak with MxMIndia on how the channel is doing, his recipe for its success and plans for the future. Excerpts from the interview:

     

    It’s been a little over two years since FoodFood started its operations in India. How has been the journey so far?

    Very good, in fact we’ve done better than what most people expected out of us. I remember no one gave us a chance when I first talked about it. “Are you mad, no one will watch. It’s an afternoon half-hour kind of a concept and you are taking this to 24-hours? No way!” they said.

     

    There are times when I tell people that I have started a new food channel and they will say, oh, which channel is it on? I just tell them that it’s a new channel. So much so that initially when we started the tagline was ‘FoodFood – Khushi ki Recipe’ which was changed six months later to ‘India ka favourite TV channel’. That was done to send a strong message to people that we were a TV channel. But yet there were some who didn’t know that and we didn’t have so much money to burn and tell them in a big way. So from there to now, the journey has been fantastic; today people cannot ignore us.

     

    One is sure you have now started reaping the benefits from the digitization exercise but in hindsight, do you think you could have started earlier or later or for that matter even more recently as the economics would’ve worked out better?

    See, economics is always a call and having a partner like Astro, it becomes a joint call. In fact from the start they wanted this to be much bigger and there were many shows that we did and I said that I don’t want to do it and they said how can you come to know if people have not experienced something till you give that experience? Whether it will work or not, how can you say that? I said it’s a very expensive way of doing things where you first put up a show and if it does not work, then you replace it. So because we launched in an analogue regime we had to broadbase and so we took the mass route and spent a lot of money on that. Currently, we are clearly the number one lifestyle channel across channels today in terms of numbers.

     

    But TLC is bigger …

    We do about four times their viewership.

     

    And in revenues?

    A ten-year-old story is different from that of a two-year-old. Where competition is concerned, we know how they look at us. Also with NDTV Goodtimes, despite having such a lineage and good investor backing how come they can’t get viewership numbers as us? Though I can tell whether this show will work or not and whether you can get viewer response or not. So because we did it, we could counter the situation and now it is a big entry level barrier for everyone. everyone was thinking of getting into food after digitization But with the position of strength that we have and the loyalty that we have, it’s very difficult for anyone to replace or displace us. If we started with this, we may have saved some money but to get this kind of stickiness what we have today is just something else.

     

    The position of strength that you are referring to is obviously yourself because you have been the key driver of the channel. Btw, did the fact that you were also involved with Khana Khazana on Zee in any way take the thunder away?

    Never, we were monitoring the numbers from Day 1. We all know how discerning viewers are and the one thing that worked for us is that we always went with original programming. While people may think that the shelf-life of programming is very long but the relevance changes very quickly and viewers can feel that what is taaza and what is baasi in an instant. For instance, the butter chicken I made 10 years ago may have been very different from the way I do it today…. So words spread fast and it’s a no-brainer. Let’s say Food Food was not there, would they have benefited? Yes, they would have. But in a scenario when there is a better option and you don’t have to do much more to get that better option, then you go for that better option.

     

    You’ve had a mixed journey at FoodFood where you tasted success with a few big programmes that did very well while others may not have worked as well. What has been the key learning in all of this?

    When we first started I was very clear as to what would work but at the same time if we have to grow the category – and that’s a perspective which Astro brought in – we had to make it big. So we tested with big shows like the one with Madhuri Dixit and all of that. Though the idea was not to do a show it was the endorsement that it’s not just food it is lifestyle. So we tested everything. So right now we can predict this will work or this will not work but at that time also I knew what would be the outcome…

     

    To use food lingo, what according to you has been the recipe for success for Food Food?

    There are many aspects like figuring out what is the TG that you are going to target. One way is to target everyone or you can do it in a focused way. So currently the set which has affinity to a certain kind of content is a fixed set, can you change them easily? No it’s like changing a daily newspaper; it’s like changing the way they have their tea… some would change very slowly rest may or may not change ever or either you get a new set or you go as per what they want. Also, digital is completely different from the medium of television. The way TV viewing in India is that you know why it is being watched how it is being watched or consumed; it’s predictable. It’s not tough at all so if you focus and understand who it is for it all fits in well. When I was doing a show for Zee TV and I can tell you that this comes naturally to me. Likewise, if I am doing an article for Bombay Times I know what and who is it for and similarly for Dainik Bhaskar or for a New York daily. The same is the case for a radio show.

     

    With television, most Hindi-speaking markets are similar and are not very different from each other. It’s primarily a medium of entertainment that’s why we get the biggest numbers in GEC. If a channel like Food Food thinks that we can replace entertainment, it is not that easy. We can break the clutter at best which we are doing. We will do that job till it matures properly. So currently our focus is more learning, more input and information with part entertainment. The entertainment quotient will increase and that’s why you are seeing a Master Chef kind of thing but the basic platform is entertainment and that’s why entertainment to them is more important. As for us, we are more information-led not entertainment-led because the entertainment dynamics are very different for them.

     

    Have you been able to monetize Food Food well enough?

    Well, in reality, we have just about started real selling of the channel. In any new category, people take time before they can start giving you any premium. Our thing was very clear – we didn’t want to be sold as an aloo-pyaaz kind of thing. The last month was our highest in terms of sales.

     

    Is this advertiser-funded programming the future for a channel like yours or is it also more spot sales?

    Currently we do more maximum spot sales, but I think that integration and customization of needs of advertisers works well in our kind of category and even globally. So we will follow the global trend here.

     

    What about onground activations?

     That is something in which we are probably the best in the country. This is something I started with as a mandate almost 15 months ago. About 2.5 years back, we did an event in three months. So one day I said let’s do 20 events a month over the next six month. Last year, for one or two months, we did some 89 events in Delhi.

     

    And are these events for advertisers?

    At times it is advertiser-driven and at times we say that even though there is no advertiser but to constantly do things for the channel offline because that’s the connect we want to build with our audiences. We are not a Star Plus that we can spend so much money on mass advertising; you have to play it slowly. Let’s reach out to smaller number of people but they will be loyal and today we get invitations from where they do everything. We did some 40 events all over India for Tata dal, which no other TV channel can even think of.

     

    In terms of the way you are progressing, what are some of the new shows that one will see on your channel? Also, what about shows for other international markets? How does that work out with FoodFood?

    Essentially, what we have realized in the programming mix is that one of the things that clearly seems to work is straight learning – that works the best. Even Star India knows this. At MasterChef they would do a recipe section on weekends and till last year that got higher ratings than the main show on which they would have spent 40 times. That’s India for us, but you have to balance it out.

     

    So you do things which are large, expensive but for brands they are important. It’s like in a restaurant I will serve prawns and crabs and things like that and talk about that. Marginally, the sale is less but yet you do that because in your mix you need that and it gives a message to users that this is premium product. It’s like all these GECs burning their money in reality shows leading to huge losses. So we said that we don’t have money for losses and realized that at the same time perception is also important.

     

    I think from the advertiser’s point of view everyone wants people who could afford more. So we also decided this is where we want to go and move up and so this show can beam out of Africa. It’s like that when people are used to seeing Sanjeev Kapoor in the studio, so if I go out, would that work? That is a common reaction that we get from viewers. They want to see something like that but it’s too expensive because my time is expensive and the productivity is also much lower so our channel also can’t really afford that. So we have to do this for the channel but since learning works we have integrated learning in that. So there is on-location cooking that happens which also creates largeness around a product.

     

    Like?

    For instance in Chai time with Chef Ajay Chopra, we’ve spent a lot of money in the packaging. There are 20-30 models shot in a five-star. So people get that upmarket, upscale feeling.

     

    Are you looking at doing more international-based content or Indian-based?

    Currently, we are only looking at content which is only relevant to us – in India. International content unfortunately has not relevant; there is nothing that is available globally which would cut ice in a real sense with Indians. In food, the way we eat food is very different. We are a largely vegetarian country and there is no content of good quality that is available where there is no beef, no pork and is largely vegetarian. Would our viewers watch it? They would but they would not have the respect for it. So the easiest way is to produce content yourself.

     

    But some of the content on TLC etc gets a lot of advertising…

    They do get lot of advertising because it’s ten years old. In fact one problem that I have with that kind of programming is that it’s old in concept.

     

    So you are looking at Africa to start with and then move on to other countries…

    That’s correct. We are looking at other places too.

     

    How long is the series?

    It’s a 15-part weekly series to begin with. We will do about 13-15 parts every series.

     

    And are we going to see more new shows along with this?

    We are bringing in a couple of new shows. The good thing or the bad thing is that whether our shows work or not we have to bring in new series all the time. So for example, we have my show Sanjeev Kapoor’s Kitchen, Turban Tadka, Mummy ka Magic, Health Maange More etc.. but we are also launching High Tea with Ajay Chopra. The initial promos have come out very well. Then we are launching one more show which is Namaste Breakfast with Shipra Khanna, winner of last year’s MastercCef. Now you are beginning to get some talent who can hold themselves.

     

    What other shows are you looking at? Are you looking at doing more documentary or outdoor-hosted shows that are the trend today?

    Yes we had a show called ‘Khaata rahe mera dil’ but the problem is that the cost of producing these shows is much higher than what can be monetized from them.

     

    But there is Highway on my Plate on NDTV Goodtimes that is doing well.

    Yes there is only one such show that works. I would want to do something like that and I would love to do something like that but I have to find the right talent that can pull it off. Such shows are actually 100 percent driven by the talent.

     

    Are you looking at any international formats etc?

    See we have done all this… We have worked with the BBCs, Endemols of the world, Red Chillies…we have done all that. So we know what works today and with more ability to spend we are investing in polishing it more than just spending it on very large concepts.

     

    So you are not going to have a new season of Madhuri Dixit?

    Not in a rush as yet and why I say this is that if I want to do it I will do it in partnership with a GEC.

     

    So are you scouting for a partner for the Africa show?

    Actually we are in talks with a news channel. That should happen very soon…

     

    Going forward, what would be your emphasis on the digital media? Would you be creating different content for the medium?

    We are now present in all mediums so to say but we still don’t have a kickass app, which we need to do. We have partnered with some digital leaders in a sense and in the next six months we will be able to see the difference. Today, we are present on YouTube with our content and currently we have just about started our journey on that platform.

     

    So you are digital-ready?

    Yes, 100 percent. We were that from Day 1.

     

    For your channel to be a bigger success, you obviously need to create five more Sanjeev Kapoors, right?

    That’s what I have been doing.

     

    But with more great success?

    If it takes timem so be it. Let’s say Turban Tadka if it could stand on its feet… then we have Mummy ka Magic with Amrita Raichand, which does very well. She needs to get more focused doing this and she is someone who can do that. Now I am hoping the same with Rakesh Sethi and Ajay Chopra…and that’s the biggest challenge I have. I know that but that’s where I spend most of the time.

     

    Apart from food, you are obviously into various other things. How much time do you devote to Food Food vis-à-vis your other forays?

    Maximum. In fact if I were to give other businesses as much time as I give to TV, they would be doing five times better (laughs)

     

    Where new projects are concerned, are you looking at any new announcements in the future?

    Currently the other business that we have is largely our presence on digital as Sanjeev Kapoor. The Sanjeev Kapoor channel on YouTube is the largest; I think its Top 10 in the world in terms of number of subscribers. So I started all this at the same time. Of course our digital presence Sanjeevkapoor.com, social media etc is there, but I have started focusing little bit more on the restaurant business. Then there’s Wonderchef which is also doing exceedingly well.

     

    You possibly are the biggest name in food in India. How do you look at constantly re-inventing yourself? How do you go to the next level?

    Fortunately, I have the ability to think ahead which at certain times I convert it into business. With certain things I may not proceed as fast. Let’s say internet. I saw this coming many years ago so I launched the website in 1996 when Times of India had just about thought of a website. When TOI was just taking baby steps on the internet sanjeevkapoor.comwas up and running. I launched my CD-ROM when population of home computers with a CD-ROM drive was less than 50,000 in this country. Much before that I launched my first book. Also, where YouTube is concerned, I started it about three years ago.

     

    So you have been ahead of the curve.

    Yes, I had the ability to see. So a food channel at that time was ahead of the time. For instance  in digital before anyone was talking about Top level Domain (TLD) I have done full research and I was not willing to commit at that time a large amount of USD 400,000…that was too much money for me. If at that time I had done it I would be owning .food today in the world – first person in the world to think that.

     

    For me, business is incidental. My excitement is to do new things. So currently I am working on something that is path-breaking and I am doing it because I find it fun to do.

     

    You’ve endorsed a few products. Any more coming up?

    In the last 20 years I have endorsed about 10 products. Only 10 in 20 years and people do 20 in a year. So I am very particular with that. I currently endorse Tata, i-Shakti  dal, I do Nature Fresh oil. I do commodities, I don’t do value-added products because I don’t know whether I would get into commodities myself but value-added I may. So I keep those things with myself. And if tomorrow I have to create those businesses then why should I give my endorsements?

     

    Are you looking at any language feeds?

    I want to but I don’t want to talk about it at the moment.

     

    And how is the relationship with Astro and your partners coming along?

    Sandeep Goyal and I are one part and then there’s Astro….

     

  • Colors goes free to air in the UK

    By A Correspondent

     

    General entertainment channel Colors will be available free in the UK from September 2. With this move, the flagship channel of the Viacom18 group, which is distributed by IndiaCast (a TV18 and Viacom18 jv), will not be available as a part of the Viewasia bouquet and will be available to all Sky Digital Viewers as well as being available on Virgin Media’s cable platform, growing the channel’s reach exponentially, adds a communique .

     

    Raj Nayak

    Said Raj Nayak, CEO, Colors in a statement: “UK has a captive fan base for Hindi general entertainment, and we are elated to offer two of our leading brands, Colors and Rishtey, to our viewers here. With this move, we will be reaching out to a much wider audience base giving them an enriching viewing experience of our top class fiction and non-fiction programming”.

     

     

     

    Anuj Gandhi

    Anuj Gandhi, Group CEO, IndiaCast added: “UK continues to be one of our most important markets – where in the past we have challenged the status quo with the launch and success of Rishtey and now with Colors going free to air, we are making our next big move towards leadership

     

     

    Said Gaurav Gandhi, Group COO, IndiaCast: “Our business in the UK has grown tremendously and we have launched three brands (Rishtey, COLORS and News18 India) in three years in the region. Over the last 12 months, we have had phenomenal success with Rishtey that has made us the strongest challenger in the market. With Colors going free to air, we will neutralize the undue distribution advantage that  some of the other South Asian channels have enjoyed in the market, making it a level playing field and we are confident  of  being the leading south Asian network in the UK in the near future”.

     

  • HUL to run region-specific ads on Nickelodeon as Viacom18 ties up with Amagi for micro-targeting

    By A Correspondent

     

    Viacom18 and Amagi Media have announced an alliance to increase advertising effectiveness on television using the latter’s technological prowess.

     

    Using Amagi’s DART technology platform, Viacom18 will enable Hindustan Unilever to simultaneously run different television advertisements in different regions on Nickelodeon. This innovation will allow HUL to micro-target its communication in each region. Amagi calls this “creative-versioning” where different television creative in terms of product variant or a different creative rendition of the same advertiser is played in different regions on the same channel simultaneously. Creative versioning addresses critical needs of both broadcasters and advertisers seeking to optimize their Return on Investment (ROI) from the television spot. Given the TRAI’s recent 12 minute ruling on advertising, broadcasters and advertisers have been seeking ways to optimize their Return on Investment and stretch the time within the limited inventory.

     

    Sudhanshu Vats
    Srinivasan K.A

    Said Sudhanshu Vats, Group CEO, Viacom 18: “As a leading broadcaster, Viacom 18 has been pioneering several innovations and has been at the forefront of providing newer platforms for improved customer deliveries. This initiative further builds on our strategic thrust of sharper segmentation. We are pleased to partner with Amagi and Hindustan Unilever on this unique concept of micro-targeting.”

     

    Srinivasan K.A, Co-Founder, Amagi Media added: “We are happy that we have been chosen as the partner to enable this innovation. This is the first time worldwide in television advertising that a single spot bought nationally has been used to communicate different brand messages in different regions. Such micro-targeting is going to be the future of television advertising.”

     

  • Governance Now launches in Hindi, soon in Marathi!

    By A Correspondent

     

    The Sri Adhikari Brothers media group of brothers Gautam and Markand Adhikari has launched the Hindi edition of Governance Magazine with well-known editor and Padma Shri recipient Alok Mehta as editor.

     

    Buoyed by the success of the English edition which was launched in January 2010, SAB vice-chairman and managing director Markand Adhikari said he is bullish about the Hindi edition too. The content mix will be different from that of the English version which is edited by senior journalist B V Rao.

     

    Markand Adhikari

    Mr Adhikari informed that a Marathi edition is also underway from next month, with content essentially from the English and Hindi editions.

     

    While the magazine project was on an investment mode for the first two-odd years, it is now looking up thanks to quality content and a growing emphasis on events and conferences, said Mr Adhikari. “There is no alternative to good content and we’ve ensured that our editorial is unbiased and sticks to our core values,” he added.

     

  • Shailesh Kapoor: What Do You Mean By ‘I Should Know Why I’m Doing This Campaign’?

    By Shailesh Kapoor

     

    They are omnipresent. They are on TV, in the newspapers, on the radio, on the hoardings, in the theatres, on Facebook, on Twitter. No matter where you go, a launch campaign of a new TV programme, a new TV property or a new (or being-presented-as-new) TV channel will find you out. Across just the national channels, more than 150 such campaigns of various sizes and shapes are executed every year in India.

     

    Everyone has a view on an ad: Bad ad, good ad, stupid ad, clever ad, and so on. It is natural then that TV campaigns are discussed with great interest in the media industry. “Did you see the promo of the new show on Colors”, “What do you think of the &pictures campaign”, “I really like the IBL promos on Star”, “Jee Le Zaraa looks interesting from the promos”, etc.

     

    One of the professional hazards of my work is that I invariably end up being dragged into these discussions. Either a question is posed to me, or an opinion is stated, more like a cue to respond with mine. Yes, like everyone else, I too have a view (sometimes a more confidential one, having “tested” the campaign in question). But I really don’t know what to say at most times, and my attention is focused on finding an escape route.

     

    The reason for my response is not diplomacy but something more direct and relevant to the idea of a “campaign” (or “ad”, for that matter) itself. Any campaign, across categories, should be designed to address certain sharply stated campaign objectives, i.e., the desired consumer messaging or response the campaign aims to achieve. Hence, the measure of a successful campaign is its ability to deliver on the campaign objectives successfully. Hence, how can one even begin to comment on a campaign without knowing its objectives?

     

    Many of us in the media cannot distinguish between a campaign that does not deliver to its objectives, and a campaign that is designed to meet wrong or strategically-flawed objectives in the first place. The latter is not a case of a bad campaign but a bad strategy. That’s a different discussion altogether. But invariably, the discussion gets mixed up and before we know, we are questioning why the brand even exists!

     

    But there is a bigger problem. Most campaign creators in television don’t even set objectives to start with. I have often tried asking the seemingly innocuous question: “What are the objectives of this campaign?” Some of the answers I have got, and I kid you not, have been:

     

    • To promote the show (as against promoting competition?)
    • To get eyeballs (you may as well have said “to make money”!)
    • To create awareness (rudimentary as it may be, it’s not entirely inane)
    • To create buzz (still more acceptable, given the ones above!)

     

    Recently, I met an MBA batchmate who is the brand head of a category in one of the leading FMCGs in India. As I shared my predicament with him, he looked wide-eyed and reasonably speechless, before gathering the courage to say: “I would have been sacked for saying any of that even in my first year of work!”

     

    Setting campaign objectives is not an easy task. It requires discipline and debate. In the earlier working model, ad agencies would own the brand and drive this area. Today, the strategy is reasonably scattered across functions: the brand team, the ad agency, the media agency and the research partner. Yes, there are some channels that are objectives-oriented in their approach towards some campaigns, but those are case studies that are far and few in between.

     

    Next time you have a big campaign coming up, try defining what you EXACTLY want the campaign to achieve. The answer may not be as easy as you think, and like it’s often the case, the God may lie in the detail!

     

    Shailesh Kapoor is founder and CEO of media insights firm Ormax Media. He spent nine years in the television industry before turning entrepreneur. The views expressed here are his own. He can be reached at his Twitter handle @shaileshkapoor

     

  • Roger for Ten Cricket in Canada

    By A Correspondent

     

    Zee Americas in partnership with Ethnic Channels Group has announced the launch of Ten Cricket on Rogers Communications Inc.

     

    Roger’s addition of Ten Cricket will enable cricket fans in the region to watch all home and away matches played between teams representing West Indies, Pakistan, Sri Lanka, South Africa, and India. Ten Cricket’s 24-hour programming will include live and repeat broadcasts of major tournament matches such as Test, ODI and T20 as well as popular shows such as Cricket Classics, Great Centuries and The Inside Story.

     

    “Cricket is the second most popular sport in the world next to soccer. Cricket lovers in Canada will be enthralled by Ten Cricket,” said Slava Levin Co-Founder and CEO of Ethnic Channels Group.

     

    Sameer Targe, General Manager of Zee Americas said: “Canadian cricket enthusiasts have experienced Ten Cricket through ATN cricket channels for the last two-and-a-half years and we saw great traction for our content.  It was only logical for us to stop syndicating that to ATN (through Willow TV) and launch a full-fledged 24×7 linear channel—Ten Cricket”.

     

  • ‘Heritage music’ channel InSync gets Aidem for adsales

    By A Correspondent

     

    Recently launch InSync, India’s first heritage music channel, has appointed Aidem Ventures for its advertising sales representation.

     

    Ratish Tagde

    The brainchild of renowned Violinist and MD of Perfect Octave Media, Ratish Tagde, InSync covers an array of music genres from Indian classical music to Sufi, Ghazals, Folk, Fusion and many more. The opening programming line-up also includes interviews, talk shows, documentaries, genre based reality shows and youth-based fusion shows.

     

    As a part of the launch marketing strategy, the channel plans to connect to and to build awareness amongst its local targeted audience by organizing 40 to 50 musical concerts across India over the next one year while simultaneously covering them on the channel.

     

    Manish Rach

    The channel has roped in Manish Rach to take responsibility of the distribution of the channel. “InSync is a pay channel already available on major MSOs including Hathway, InCable, DEN,GTPL, Fastway, Star and DIGI Cable. Talks are currently on with the major DTH platforms in India& a few international distribution players as well” said Mr Rach.

     

     

     

    Vikas Khanchandani
    Nikhil Sheth

    Speaking of the association, Vikas Khanchandani, Director, Aidem Ventures, said, “InSync has the potential to set the standard for excellence and innovation in the Indian television industry while forging deep connections with diverse and passionate audiences. ”

     

    “As the only heritage music channel available, InSync has the first-mover advantage. We are also going to be offering customizable, branded event solutions to keen advertisers,” added Nikhil Sheth, Business Head, Hindi Entertainment & Niche channels who joined Aidem a few months back from Mahuaa.

     

  • Zee Anmol to launch Sept 1 on TV & mobile

    By A Correspondent

     

    L-R Content-Head, Hindi GECs, ZEEL Ajay Bhalwankar, Head-Marketing, National Channels, ZEEL Akash Chawla & Chief Creative & Content Officer, ZEEL Bharat Ranga at the launch of Zee Anmol

    When we spoke about this channel to Bharat Kumar Ranga and Akash Chawla at the time of the &pictures announcement, they said the channel will be a lot more than just repeats of popular shows a la Star Utsav and DD India. Wait for the launch, they had said.

     

    And the key differentiator will be the simultaneous launch of the free-to-air general entertainment channel on September 1 on the mobile and television platforms. Popular stars Kratika Sengar, Sayantani Ghosh, Binny Sharma and Sa Re Ga Ma Pa 2012 winner Jasraj Joshi alongside Zee’s official spokespersons announced the launch of the new channel in New Delhi on Tuesday.

     

    Positioned as ‘Dil Choo Jaaye’, ‘Zee Anmol’ stands for the most invaluable things in life – Love, family, memories!

     

    Said Mr Ranga, Chief Creative & Content Officer (CCCO): “We have easily the richest library of content in the country and our shows are products of people’s love. Our insighting mechanism, which cuts across the length and breadth of the country, strongly indicates that the audiences today are craving for some of their all-time favourite shows from Zee’s library and ‘Zee Anmol’ is an attempt to bring these popular shows back in to their lives!”

     

    “The content of Zee Anmol will be first-time consumption for a vast majority of viewers across smaller towns where C & S penetration is still picking up,” he added.

     

    Taking the route of ‘Entertainment along with Value’, the channel will interact with its viewers through interesting on-air contests that ask learning-based questions centered around its shows.

     

    The programming line-up of ‘Zee Anmol’ in its launch phase includes shows like  ‘Pavitra Rishta’, ‘Choti Bahu’, ‘Saat Phere’, ‘Naagin’, ‘Maayka’, ‘Kasamh Se’, ‘Sindoor’, ‘Jhansi ki Rani’, ‘India’s Best Dramebaaz’, ‘Shabaash India’ and ‘Dance India Dance’ amongst others.

     

    Speaking of the channel’s simultaneous launch on mobile and television, Mr Chawla, Marketing Head, National Channels, ZEEL said, “With the mobile internet penetration in India reaching almost 100 million, a simultaneous mobile launch of ‘Zee Anmol’ will significantly aid in increasing the reach of the brand. Viewers, even with 2G connections and non-smart phones, will be able to keep up with the channel through its WAP site zeeanmol.tv. The idea is to present viewers with ‘convenience of consumption’. We will use repurposed content such as concise 2-3 minute webisodes of our shows, mood-based videos, most memorable dialogues of our show’s artistes to facilitate convenient, on-the-go, “snacking” consumption of the channel.”

     

    Added Ajay Bhalwankar,  Head-Content, Hindi GECs, ZEEL: “Countless viewers who constantly write into us demanding that we bring back these iconic shows will rejoice at the proposition of Zee Anmol. The launch of this FTA channel opens up new horizons of reach for Zee. ”

     

  • Times TV to launch Romedy Now in mid-Sep + Jaldi 5 with Ajay Trigunayat, CEO, English Ent Channels

    Ajay Trigunayat, Harsh Sheth & Sunil Lulla at the launch of ROMEDY NOW

    By A Correspondent

     

    It was a well-guarded secret and the invitations didn’t quite reveal what the channel was all about. Media conglomerate Bennett, Colmean & Company Limited (better known as the Times of India group) announced an all-new English entertainment channel: Romedy Now. Catering to urban, upscale audiences, the channel will offer a combination of ‘Love and Laughter’.

     

    Speaking to the media, Sunil Lulla, Managing Director & Chief Executive Officer, Times Television Network, said, “We at Times Television Network, are excited to strengthen our footprint in the English entertainment category with the launch of Romedy Now. The success of Movies Now highlights the tremendous opportunity that the category presents, with both viewers and advertisers.”

     

    Jaldi 5 with Ajay Trigunayat, CEO, English Ent Channels, Times Television: People watching shows through downloads and internet streaming are negligible
     

    01. And we all thought there was a downturn, advertising was bad. Etc, etc, etc. And you are launching a channel, which isn’t mass, it’s not exactly uncluttered though there may be no clear romcom positioning. Comments?

    The downturn is not impacting the English entertainment category – which caters to the urban mass. The category is definitely not niche, 6 crore people watch this category every week and it is growing at a healthy rate of 98%.

     

    We don’t utilise positioning as a brand management tool. The brand identity is pivotal to the insight that life is about love & laughter crystallised in 3 words – ‘Love. Laugh. Live.’ brought to life in Warm golden yellow.

     

    02. Romcom in the English entertainment space has had some trouble with the BCCC and various regulatory complaints. So: how are you going to get around that?

    It is not love and laughter content but voyeuristic content which is objectionable to the viewer. We don’t encourage voyeurism on our channels

     

    03. One of the issues in this genre is people watch shows on the internet much before the show’s aired here. Any thoughts on beating that? How current will be your shows (season-wise)?

    People watching shows through downloads and internet streaming are negligible in numbers. Average downloads per show in India are less than 5000 and the highest ever is 37000. English television reaches out to 6 crore people for 60 minutes.

     

    We will be offering the shows within a short span of 24-72 hours of US/international telecast. Other shows which may be repeated are determined by the popularity of the show and viewer demand.

     

    04. Do we see ‘Made in India’ content?

    Not yet, we have considered this but we will not execute this for some time.

     

    05. Any tie-ups with international production companies/channels for content?

    All key studios, example Warner, Fox, MGM, Regency and 40+ mid/small size distribution tie ups are in place.

     

    Added Ajay Trigunayat, CEO, English Entertainment Channels: “We changed the game in the English movie category by challenging the status quo with the launch of Movies Now. Extensive research has revealed, the audience is seeking highly differentiated and personalised content and the identification of this ground breaking shift of genres and the significant gap between behaviour vs. need, has led to the conception of Romedy Now.

     

    Elaborating on the brand, Harsh Sheth, Associate Business Head, said: “Romedy Now is the go-to destination for the ‘time-pressed’ urban masses who neglect the most important aspects of life -‘Love & Laughter’. Therefore,the essence of the brand, ROMEDY NOW, is crystallised in three words -‘LOVE.LAUGH.LIVE.’ brought to life in warm golden yellow.”

     

    The channel – to launch in mid-September – will be launched in standard definition and high definition (HD) and across all distribution platforms. There is a strong marketing plan as the the channel will utilise the combined strengths of the Times Television Network and the Times group publications at the time of the launch. BBH India is the creative agency.