Category: TV

  • UTV Movies India to launch in UK

    By A Correspondent

     

    UTV Movies India is set to launch on December 12 in the UK. Premiering on the Sky platform, the Hindi language movie channel, which will also carry English subtitles, draws on the universal passion for Bollywood.

     

    The channel upholds the promise of ‘Jeeyo Bollywood’ – living the Bollywood dream, giving viewers a direct experience of the spirit of Bollywood. The channel has a library of more than 400 titles.

     

    Advertising representation for the channel in the UK will be handled by Sky Media. Richard Hawking – Operations Director commented, “It’s a fantastic opportunity for us to add UTV Movies India to our portfolio of channels; it adds a new dimension to our offering for advertisers and great content for a growing and important audience.”

     

    Commenting on the expansion in UK, MK Anand, CEO – Broadcasting, UTV said, “With the launch of UTV Movies India in the UK we further expand our international footprint. The UK is a vital market for us as it has a large South Asian diaspora who are avid Bollywood movie lovers. We are proud to be associated with the UK’s largest media sales house – Sky Media, which comes with extensive media prowess in the region. We look forward to a successful entry into the region.”

     

    Kamlesh Patel, CEO, TVMedia3.com who concluded the deal between Sky and UTV said, “UK television viewers will be able to enjoy a rich and vibrant Bollywood movie experience that will appeal to mainstream television audiences. Bollywood movies are massively popular in the UK and with UTV Movies India we hope that this popularity increases further. It has been a real pleasure working with the teams at Sky Media and UTV Movies India.”

     

    Along with the United Kingdom, UTV Movies International is now also available in Canada on Rogers Digital Cable TV. With this development, UTV Movies’ international footprint now encompasses the United States, Australia, New Zealand, Malaysia, Sri Lanka, Nepal, the United Arab Emirates, East Africa, the United Kingdom and Canada.

  • Govt approves Walt Disney’s shareholding in UTV to 100%

     

    By A Correspondent

     

    The Cabinet Committee on Economic Affairs of the Government of India has approved the proposal of Walt Disney Company (Southeast Asia) Pvt. Ltd., Singapore for increasing its shareholding of UTV Software Communications Limited, on fully diluted basis, from 48.02 per cent to 100 per cent, pursuant to the Foreign Investment Promotion Board recommendation in its meeting held on November 15, 2011.

     

    This approval is expected to result in FDI inflows amounting to Rs.8250 crore.

  • ESPN acquires Cricket Australia rights

    By A Correspondent

     

    ESPN Star Sports has announced a five-year contract for the exclusive rights to broadcast Cricket Australia’s (CA) domestic and home international matches across various platforms including television, internet, mobile and radio, covering the entire Asian region.

     

    As a part of this deal, the current Future Tours Program (FTP) sees ESPN Star Sports broadcasting more than 191 days of live International cricket action from Australia, which includes 27 test matches, 44 one day internationals and 12 twenty-twenty games.

     

    This is the first time ever that a broadcast deal with Cricket Australia will give ESPN Star Sports rights to showcase two India series. India is slated to play four Test matches and a tri-series with England as the third team in the 2014-2015 season. This tri-series, featuring India, Australia and England and scheduled right before the ICC World Cup in 2015, is positioned as the ‘Clash of the Titans’. India will visit Australia again for seven one-day internationals and two twenty-twenty matches in the year 2015-2016.

     

    Over the next five years, all of the leading teams will be visiting Australia. In addition to the Ashes between arch rivals England and Australia in the year 2013-2014 which, based on the current FTP, will see 5 test matches, five ODIs and three twenty-twenty matches; other top cricket nations including South Africa, Pakistan, Sri Lanka, West Indies and New Zealand will tour Australia to test their mettle in the fiercely competitive environment of cricket down under.

     

    James Sutherland, Chief Executive Officer of Cricket Australia, said, “We are delighted that a telecaster of ESPN Star Sports’ standing and class will be putting Australian cricket in front of many cricket fans.”

     

    Manu Sawhney, Managing Director, ESPN Star Sports, said, “We are very pleased to announce this partnership with Cricket Australia with whom we share a very strong relationship. Australian Cricket has always been exciting and is played with utmost competitiveness in a super charged atmosphere which makes for every fan’s delight. It is therefore not surprising that it is called the ultimate test for any cricket player”. “This partnership with Cricket Australia is a testament to our commitment to serve our fans with more action packed cricket for years to come, he added.

     

    In addition to the cricket action, ESS also plans to broadcast Cricket Australia’s domestic cricket over 280 days. This includes popular tournaments such as the KFC Big Bash T20, the four-day Bupa Sheffield Shield tournament and the Ryobi One Day Cup.

  • Divya Radhakrishnan launches Helios to serve non-content needs of broadcasters, ropes in Bala Iyengar

    Divya Radhakrishnan

    By A Correspondent

     

    It’s now public. Divya Radhakrishnan, former TME president, has formed Helios Media Private Limited, an integrated ancillary service company for broadcasters. Helios, which was launched by Ms Radhakrishnan on November 1, has roped in Bala Iyengar as Business Director.

     

    The vision of this company has been crafted on the premise that the growing number of TV channels, and a large list waiting to come into the country, are facing a key business challenge. While content is the primary scope of these channels, a lot of effort has to be invested in creating a robust ecosystem to run the business. This puts a lot of stress on the channel business head, resulting in dilution of focus from the key delivery, which is content. Also, proliferation will lead to further slicing of the revenue pie making the all-encompassing business model non-viable.

     

    Helios Media has set up sales, marketing, research and traffic management verticals, offering services as a composite piece or as a stand-alone, based on the requirements of the broadcasters. It has offices covering the geographies of Mumbai, Delhi, Bangalore and Chennai.

     

    Bala Iyengar

    The need for such a platform is amplified with the fact that Helios has already signed up three channels/ groups at the outset. M Tunes is India’s First Bollywood Music Channel in HD. Music Express, the second music channel from the same stable, will have a combination of music, trailors, short filmy programming on current affairs and retro music.

     

    Meanwhile, Helios Media is also the Asian arm of World Media Connect which markets Indian channels to the ethnic population based in US and UK. The channels under this portfolio are 6 channels of the Sun Network (Sun TV, KTV, Gemini TV, Udaya TV, Gemini Movies, Surya TV) and Punjjabi TV. Helios will be aligning with some more channels shortly.

     

    With the above contracts already in place, Helios is in advanced stages of negotiations with four speciality channels coming into India.

     

    Ms Radhakrishnan, who has been in the business of media management for the last 24 years, is the Managing Director of Helios Media. She has worked with leading advertising agencies like Publicis and Rediffusion Young & Rubicam. In her last assignment, Divya headed the Contact Practice at Rediffusion Y&R.

     

    Mr Iyengar, who has 14 years of experience, leads the Sales and Content syndication function at Helios Media. He has held senior positions at The Times of India, Sony Entertainment Television, Star Network and MTV. In his last assignment, Bala was the Business Head of Zoom.

  • Dish TV makes it to Fortune India 500, 4 biggies exit list

    By A Correspondent

     

    Dish TV, the direct-to-home arm of Zee Entertainment features at #5 in the list of media companies in the Fortune India 500 roster of India’s largest corporations.

     

    Dish is at #437 in the overall ranking. Other media companies in the ‘500’ are:

     

    Zee Entertainment (#1 media, #256 overall), Sun Network (#2, #347), HT Media (#3, #383) and Network 18 (#4, #413).

     

    Those who don’t feature in this year’s list are Bennett, Coleman & Co, DB Corp, New Delhi Television and Deccan Chronicle Holdings.

     

    Last year, there were eight media companies in the list and their rankings were as follows:

     

    Bennett, Coleman (#1 in media, #162 overall), Zee Ent (#2, #263), Sun (#3, #367), HT Media (#4, $375), Network 18 (#5, #379), DB Corp (#6, #487), New Delhi Television (#7, #490) and Deccan Chronicle (#8, #493).

    Companies are ranked by their latest annual audited total income for the financial ending on or before June 30, 2011. Audited results declared before October 31, 2011 have been used.

     

    Clearly, Bennett, Coleman (or The Times of India group) would still be the numero uno media group, but since it is not a listed company and it reportedly had not declared its financial results by Fortune India’s cut-off date, it couldn’t be included in the rankings.

     

    The Fortune India 500 listing is part of the magazine’s December 2011 edition which is due to hit the market on Wednesday.

  • Star gets set for Life OK…

     

    By Rishi Vora

     

    The channel was rumoured to be called Star Desh. A predictable name to ward off those on the hunt for info on the channel that was set to replace the beleaguered Star One.

     

    But the identity has now been revealed on billboards and social networks. It’s called Life Ok. The descriptor on the channel’s YouTube page says: “Life OK, a new television channel from 18th Dec, through its unforgettable and powerful stories brings to life its unique philosophy of ‘cherishing what you have’. Life OK reminds and invites everyone to value the things that well and truly matter in life like family ties, relationships, valuing traditions and peace of mind, while in the eternal quest for more.”

     

    Since Star India and its public relations agency are tightlipped on the details, we don’t know whether Star One will shut on December 17 or be phased out gradually.

     

    Life OK, it is learnt, will cater to a wide audience targeting Tier 1 and Tier II cities of the country. Special attention is being paid on packaging and presentation. The leadership team has former MSM Sony business head Mr Ajit Thakur at the helm. That, indeed, is testimony of Star India’s plans to launch a serious challenger brand.

     

    A high decibel marketing push is planned for the launch.

    But, is there a scope for yeta another general entertainment channel? Top of mind, of course is Colors’ success in the not too distant past. Madison Media CEO Punitha Arumugam explains, “Yes there is room for more channels in the GEC space. A case in point being the launch of Colors when one thought that the GEC market was saturated, Colors launched and expanded the GEC channel share. Also, given the high demand situation for GEC inventory today, there does seem to be room for another channel.”

     

    Colors was backed by differentiated content and big-ticket shows; aggressive marketing and distribution, which helped the channel to grab the No 3 position weeks after its launch. That, however, was introduced as Viacom 18’s flagship GEC channel. Will Life OK be a successful second GEC channel?

     

    There are instances where the second channel hasn’t delivered results as per expectations. Zee Next and Star One are a few examples. Historically, second channels have received motherly treatment from networks, as the strategy has always been towards prioritising investments towards flagship channels. There have been cases where successful shows on the second channel shifted to flagship channels… but, from what is seen of the new channel from Star, special efforts are being made to ensure differentiated programming.

     

    Dentsu Media CEO Divya Gupta believes that a new channel needs to create and carve a niche for itself. “Is there a need? Perhaps not from the consumer perspective, but definitely from the marketers’ perspective! Star would do well to have a successful flanker brand.To be successful, however, it needs a distinct and independent raison de etre, which is a big challenge. The plan to feature ‘Sach Ka Saamna’ may draw initial eyeballs, but longevity and distinctiveness remain a challenge.”

     

    Janardhan Pandey, AVP, Mudra Max had a different view. “It is hard to predict if the new channel from Star will succeed or not. The market keeps changing, so one has to constantly evolve as a channel. In the GEC space, success is rare for a new channel, but not obsolete.”

     

    On the programming front, several shows are set to go on air on the new channel. Sach Ka Saamna… Bhrashtachaar Ke Khilaaf, which was to initially feature on Star Plus, has been shifted to Life OK as a strategy to give that extra push to the channel. Others include Tum Dena Saath Mera, Meri Maa, Dil se di dua…Saubhagyavati Bhava and Devon ke Dev…Mahadev.

     

    The channel will launch at 12 noon on Sunday, December 18 with an eight-hour live ‘online concert’ featuring leading leading rock bands and artists like Shankar Ehsaan Loy, Euphoria, Agni, Shaa’ir and Funk, Indus Creed, Salim Sulaiman and Kailash Kher amongst others. Interestingly, the live event will happen only for audiences on the internet, signifying an attempt to woo young, digitally-inclined viewers.

     

    Ms Arumugam remarked, “The success of the GEC channel depends totally on the content and engagement they provide the viewer – so it does not matter whether it is the second channel or the umpteenth channel from the same network”

     

    While all eyes will be on the new channel from Star, there is no doubt these are interesting times in the GEC space, where there is healthy competition between No 2 and No 3 (see table alongside for GRPs and channel shares from November 20-December 3, 2011). If Life OK does have a successful launch, battles will intensify and healthy competition will help increase the genre further.

     

    With bureau reports

  • Anil Thakraney: The TV gas chamber

    By Anil Thakraney

     

    It’s been a long time since I watched a TV debate. Because I found, much after a lot of torturous viewing, that it’s a huge waste of time. Might as well watch Bigg Boss 5. It’s far more interesting, at least the participants are fresh faces and they look glam too.

     

    Here are some reasons why TV debates suck big time on our news channels.

     

    1. The same dull and sleepy faces. The same spokespersons of various political parties hop from studio to studio each night. Each a big bore, and each clueless about his/her leader’s real agenda. And compelled to support any idiotic dictate from their bosses. If you are glued to your idiot box when people like Abhishek Singhvi, Chandan Mitra and that lady from BJP pontificate each evening, you badly need a life.

     

    2. Because news channel editors and their assistants are too lazy to make an effort to discover new voices, we are stuck with the same ‘experts’ each evening. Suhel Seth, Shobhaa De, Prahlad Kakkar, etc, are now telling us how to decode every news item. From terrorism to FDI in retail to the Kingfisher mess to harassment of women. In such a vast nation, is it so difficult to find new voices? And more importantly, voices of people we can trust and respect?

     

    3. The entire concept is fraudulent. Because the anchors deliberately pick people with extremely polarised views, the debate becomes an exchange of gas. Like a school boys’ discussion. No one ever concedes that the other guy may be making a valid point, even if he/she feels so. That admission will appear to be a sign of ‘surrender’ on a TV debate. So the participants keep yelping at one another rather than talking to one other. I particularly avoid watching debates on theBhopalgas tragedy. Because gassing levels shoot through the chimney on those days.

     

    4. The anchors, who are supposed to be neutral, almost always throw in their two bits, thus adulterating the show by injecting their own agendas and biases into the discussion. This murders the concept of a debate, reducing it to a charade. I have often noticed that the much celebrated, award winning anchors lose their patience with guest speakers whose views they don’t approve of. You call this a debate? I call it nautanki.

     

    Like I said, better spend the time watching a reality show. A porn star any day for me over a narcissistic, gassy TV anchor.

     

    ***

     

    PS: Everyone is appreciating Mr and Mrs Aamir Khan for going public with their surrogate baby. There is even talk of making the couple spokespersons for surrogate parenthood. Well, methinks we are giving the couple too much importance out here.

    Aamirbhai had NO option but to reveal the truth in the media. How else could he have explained the presence of a bachcha in the house, with missus having shown no signs of pregnancy? Trust some people to jump at making virtue out of necessity.

     

    Anil Thakraney is a Mumbai-based columnist and commentator and is a former adman and editor. He is Editor-at-Large, MxMIndia. The views expressed here are his own.

     

  • Anil Thakraney: Cut the Anna crusade

    By Anil Thakraney

     

    It is fashionable to credit the social media for Team Anna’s stupendous run. They have managed to hilao the government big-time, and it is often said their oxygen is the support provided by tweeters and facebookers. I totally disagree.

     

    The real fuel for Anna’s campaign comes from the television media. It is they who, in their childlike enthusiasm, have converted the saint from Ralegaon Siddhi into a god-like cult figure. And quite frankly, I am not surprised. It’s our TV media’s belief that any story that generates ratings must be given liberal play, even if it demolishes every tenet of good journalism. From no angle can you justify the role played by the assorted news channels as crusaders and poster boys for Team Anna. When the social media does that, it becomes understandable. Because the virtual world consists of individuals fed up of corruption… dudes who don’t really comprehend the complexities of the Lokpal bill, and are basically venting steam. That’s fine. But for professional journalists to become recruitment agents for Anna is simply an appalling situation.

     

    Anyway, what’s done is done. Team Anna is threatening Hunger Strike Part 2, this time from the ‘salubrious’ Mumbai. At least this time around the news channels must respect the principles of journalism and desist from going over-the-top on the coverage. Because it’s very clear by now that, drunk on the TV media’s fan-like support, members of the team have become arrogant and Dubya-like in their attitude. The ‘my way or the highway’ deal. How healthy is that approach for democracy, we all know quite well.

     

    Bottom-line: Let Team Anna fight its own battles. Report the story, like any other story, and no more. There are other interesting ways to get good ratings. Try village horror stories. At least they don’t threaten Indian democracy.

     

    ***

     

    PS: Wieden + Kennedy’s London office has found a charming way to wish you this season. The agency has set up a window outside their office, from where passers-by can take part in the celebrations. Lovely idea.

     

    Link: http://achoirofyou.com/

  • Movies Now: One year old, strikes gold

    By Rishi Vora

     

    Movies Now has completed a year. And the story of the channel’s progress since day one of launch is an exciting one, especially for the officials who’ve been running the show. Numbers of the past 51 weeks across eight metros indicate that Movies Now has garnered a market-share of 30 per cent and has increased the category viewership by 50 per cent (from 50 GRPs to 75).

     

    The reach too, increased from 46 million viewers to 56 million. And the average time spent has shot up from 42 minutes to 55 minutes. (Source: TAM, CS 15-34, AB, All 8 Metros, week 52’10 – week 50’11).

     

    The channel launched with a bang and shook up the otherwise dormant category, dominated primarily by Star Movies, and of course other players like HBO and Sony Pix, which had spent reasonable amount of time in the market.

     

    HBO has been in the market for more than a decade. Experts believe that with the right kind of content, marketing and distribution push, Movies Now wiped out every bit of complacency that had set in among existing channels. Now, as even other players would agree in the category, the market has become more competitive, and a lot of action can be expected in the genre.

     

    The strategy was to first set foot in the six metros and from there look at expanding their reach further. In fact, in its first month, the channel did not have a single DTH company on board. Currently present in eight metros, Movies Now will now look at getting to the 1 million+ market. With digitisation of TV, quite naturally the channel will look to move from analog to digital.

     

    Currently the channel reaches out to 100 million households and the plan is to get to the 140 million mark by end of next year.

    Ajay Trigunayat, Channel Head informed MxM India that the plan was pretty much to aim at the top. “We were clear right from the beginning that we wanted to bring a stellar brand to the viewers. We’ve challenged the status quo and reshaped the marketplace. 89 per cent of our viewership is library-led, and unlike other players, we cater to all eight metros. In the past one year, we have increased the category reach by 22 per cent and time-spent per viewer by 33 per cent.”

     

    He added, “In 2011, we are the most searched English Movie channel on Google India, we have about 5 lakh Facebook fans.”

    For Sunil Lulla, Managing Director and Chief Executive Officer, Times Television Network, Movies Now is a super-smash-hit story of the year 2011.On what it means to the Times Broadcast Network, he said: “As a network we cater to the Urban Affluent audience. All our channels – Times Now, ET NOW, Zoom and Movies Now have been doing very well in their respective genres. These channels, put together, provide great value to advertisers; it generates a fantastic synergy.”

     

    On what he expects from Movies Now in the future, he said that the channel’s primary focus will be to achieve consistent growth and in the process widen the gap from its nearest competitor.

  • Sony as GEC #1? I don’t speculate, says biz head Sneha Rajani

    The phase three to four weeks from now could be an interesting period for the GEC industry. Mainly because Sony, having tasted success with KBC and a couple of fiction shows (Bade Achhe Lagte Hain and Kuch Toh Log Kahenge), is all geared to topple Star from its No 1 position.  Colors is not too far behind; in fact both Sony and Colors have locked horns at the second position, on 236 GRPs. Colors’ Bigg Boss opened with 4.3 TVR and the general sense is that the show hasn’t delivered as per expectations, especially after a high-octane marketing activity.

     

    For Sony, it’s an opportunity to get to the top. The channel is launching two new shows – Dekha Ek Khwaab and Parvarish – in prime time, replacing KBC. It is clear that the channel is betting big on fiction again. Several attempts have been made in the past but none has worked out well until the channel’s recent hit – Bade Achhe Lagte Hain.

     

    If the two new fiction shows (Dekha Ek Khwaab starting November 21) succeed in its plan to become household names, we might see a new genre leader. The channel has tasted success in the ’90s, but that was some time ago. The focus for now is on the present and the leadership team is hoping to make the most of this opportunity.

    MxM India’s Rishi Vora speaks to Senior VP and Business Head Sneha Rajani on expectations from the new movements.

     

    Q: What are your expectations from the new show ‘Dekha Ek Khwaab’ on the ratings front?

    I never speculate.

     

    Q: At least tell us what you’re expecting from it on the launch day, or the first few weeks so to say…

    Obviously, since we’re launching the show, we expect the numbers to be good.

     

    Q: Do you expect it to match the kind of viewership KBC has produced, to keep that momentum going?

    Absolutely not! That is not our expectation. And it would be foolish to think that immediately at launch, it’ll deliver the kind of numbers KBC has. That would be a very false expectation to set.

     

    Q: Why would you say so?

    KBC is a popular show, it has been around for a while and it has created a special interest among the viewers across India. For our new fiction show, to expect it’ll deliver or match up to the popularity of KBC, would be asking for too much, honestly.

     

    Typically fiction takes time to settle down as against reality formats which have the ability to spike up the ratings of the channel at launch at the start.

     

    Q: Which means the GRPs is likely to see a dip in the coming few weeks?

    Yes, there will be a drop in GRPs post KBC. At least for some time till the fiction shows settle down.  But, that’s as per plan.

     

    Q: When do you see Sony becoming the No 1 channel in the GEC line-up?

    Like I said, I don’t like speculating. I don’t think we are going ahead with the strategy fixated with the idea of being No 1. We are going ahead with the plan to focus on fiction. Bade Achhe Lagte Hain and Kuch Toh Log Kahenge have delivered the goods, and I’m sure Dekha Ek Khwaab and Parvarish – our two upcoming shows will also do well in primetime.

     

    Q: What is the split ratio you like to maintain between reality and fiction?

    Fiction 80. Reality 20.

     

    Q: You’re No 1 in the prime-time band. And all it takes to be No 1 overall is just one good show, because as far as your current standing goes, you’re just 30-35 GRPs behind Star.

    Yes, the gap is not very big. And it is our endeavour to get there.

     

    Q: Three months is a decent time to get there.

    I will not speculate on three months or six months. As long as we get there, I will be happy.

  • Times TV boost for Ajay Trigunayat, Avinash Kaul

    By A Correspondent

     

    Times Television Network has enhanced the responsibilities of two of its senior personnel: Avinash Kaul, who will now be Chief Executive Officer ET Now and Zoom, and Ajay Trigunayat, who will be Chief Executive Officer, English entertainment channels.

     

    Mr Kaul and Mr Trigunayat will continue to report to Sunil Lulla, Managing Director and Chief Executive Officer (MD & CEO), Times Television Network.

     

    Announcing the new organizational focus, Mr Lulla said, “2011 has been a significant year of growth for Times Television Network (TTN). As the channels consolidate positions, it offers opportunities for talent to develop. Mr Kaul and Mr Trigunayat will bring new ideas, energy and passion for the network’s ambitious growth agenda. We wish them great success.”

     

    During the course of 2011, TTN’s revenue has grown by over 50 per cent, its reach has spread to 26 countries besidesIndiaand its channels are in leadership positions.

     

    Speaking on his appointment, Mr Kaul said, “‘Bollywood’ and ‘Stocks’ are deep passions ofIndia. I’m delighted to have a blend of entertainment and information as part of my mandate. I look forward to ensuring that ET NOW continues to consolidate its position asIndia’s premier stock market channel.”

     

    Mr Kaul was previously the CEO of Zoom and prior to that has worked with Fulcrum (Group M), Discovery Communications, Star, NDTV Media and Sahara One in strategic and management roles.

     

    Mr Trigunayat, commenting on his new role, said, “Movies Now has just about completed one year of stellar performance and I am looking forward to consolidating and growing the franchise of Hollywood entertainment for Times Television Network”.

     

    Mr Trigunayat was earlier Channel Head of Movies Now. Prior to joining Times Television Network, he has been in theMiddle Eastin an entrepreneurial capacity. He has also held the position of Business Head of the Zee English Channels bouquet, built brands and strategies for Lintas, Contract and Rediffusion and was in Sales at Pepsi.

  • Life Ok will compete with Star Plus: Sanjay Gupta

     

    By Rishi Vora

     

    The new gleam in the sky from broadcast major Star India promises a unique viewing experience, differentiated content and a philosophy which it will thrive on. The idea is to have a challenger brand, one that’ll challenge even Star Plus – the No 1 channel in the GEC line-up today.

     

    Life Ok – the new avatar for Star One – was launched on December 18, 2011. The channel will target to first get to the 60-70 GRP mark, and from there its first big milestone – to be a significant player by winning the No 4 position and beating one of the four big players.

     

    How well it suits the Indian viewers is something to look out for. Meanwhile a quick glimpse of what the management is thinking. MxMIndia’s Rishi Vora speaks to Chief Operating Officer Sanjay Gupta on his expectations, and much more. Excerpts:

     

    Q: Why the decision to shut down Star One and launch Life Ok?

    Star One as a channel has been there for several years. But it delivered a very average sort of performance. It catered to a niche audience and never quite made an impact. In GRP terms, it clocked about 30-40 GRPs. So there was a need to ask tough questions. We thought there was an opportunity in the GEC landscape to come up with a channel that is unique and differentiated, going by the viewer and the way he consumes content. So we decided to rebrand Star One to Life Ok.

     

    Q: It is said that Star One was not given the required strategic push to compete with Star Plus and other GECs.

    Every business can reach its potential. The business idea, in the case of Star One, was to be a niche channel. So in thought terms, I don’t think we were very sharp. We did not have a content offering that was differentiated enough to create a long-lasting impact on consumers’ minds.

     

    Q: So was Star One treated like a second channel? Was it a conscious call that it should not compete with Star Plus?

    The question that we asked ourselves was: Should we continue to have a channel which is a second channel or should we really continue to have a channel which fights? Which may be second, third or fourth, but that’s not very important. We thought we should have a channel that’ll compete with every channel – be it Zee, Colors, Sony or even Star Plus. The whole idea of changing the name to Life Ok was to liberate the channel so that it could cater to consumers as a brand and as a content destination. So that it could be different and unique and in the process have a more meaningful presence than Star One.

     

    Q: So Life Ok is not going to be the second Hindi GEC channel of the Star Network?

    It is in the Hindi GEC, one more offering from Star India. Star Plus is our first offering. The reason why we have changed Star One to Life Ok is because this channel has come up basis our understanding of viewers and we believe there is a gap. The name carries a philosophy. Unlike Star Plus for example, where we connected Star and Plus-and it became Star Plus, Life Ok is a name with a purpose.

     

    Q: Was there any research done on the name? What was the thought process behind naming it Life Ok?

    The idea was to have a name which captures the philosophy of the channel. A lot of research and consumer work has gone into deciding the name.

     

    Q: Can you elaborate on the philosophy?

    Let me explain. We’re entering a very, very tough competitive market – the Hindi GEC market. So why will this work? In my view, this is likely to work is because this channel comes with a very unique promise which consumers and viewers will see every day. Stories and characters of this channel will come on every day – not for five days but for all seven days in a week. As a viewer you want to seek whatever you like – it can be music, films, radio, newspapers, and also in my mind the characters of the shows you watch on daily basis. So content will be offered to consumers seven days a week.

     

    Also, stories on other GECs are not pacy enough, in terms of the speed. So what we’re doing on this channel is, we will tell three stories in an hour unlike the norm which is two stories every hour. We will tell a story in 20 minutes, so when viewers come to our channel, they will find the stories very pacy.

     

    Q: What is the thought process behind the two-minute break?

    The two-minute break is again a viewer experience. I don’t want a big break. As a viewer that will put me off. A lot of people get distracted with a long break and end up not watching your show. So with three stories in an hour and the two-minute breaks, we’re telling the viewers that they don’t need to go anywhere. They know it’s coming back in two minutes, so they are more likely to be on your channel if the commercial breaks are not very long.

     

    Q: But that means there will be an impact on the bottomline.

    In the short run, yes. But in the long run, it brings you more eyeballs. Once we have a set of viewers, we can then make up…

     

    Q: What is the programming strategy for the weekends?

    Fiction shows, non-fiction shows, we will use Sach Ka Saamna every day including the weekends. We will also have movies on weekends, in the afternoons. Afternoon time is very important-the whole family gets together and watches TV. So yes, we will have a variety of content running on the weekends.

     

    Q: We’ve seen some failures in the broadcast industry – 9x and Real being prime examples. So what are the things that you need to be extra careful about?

    Doing a new channel is a very costly exercise. Therefore, there will be a huge amount of risk that you always run, whether you refresh a channel or you create a new channel. In either of the cases, it is important to have a differentiated offering. If the viewer is getting the same thing on many other channels, why is he going to watch yours? The idea for this channel, therefore, is to keep the viewer at the centre and offer him something unique. So if you’re able to stick to that – not only in the philosophy and the thinking, but also on the content you offer every day, then it gives you more chances of being successful.

     

    Q: True, but second GECs which have launched in the past haven’t done well. SAB, you may say, is an exception.

    Yes, Sony is a good example where it has two channels – Sony and SAB. And they’re working well, so if there is an appropriate positioning, relevant content, it would work. I think the learning which I mentioned earlier, if we have a unique proposition, keeping the consumer at the centre and differentiated content, it should work. And Sony and SAB is a good example in my mind to quote. Hopefully, Star One can learn from that and create a more meaningful positioning.

     

    Q: Are you going to roll out shows which cater specifically to the youth, the single largest segment of India? Something like Bigg Boss which does well in that department?

    We’re very focused on youth because we believe that is an important target audience. So if you look at the non-fiction we are beginning with – Sach Ka Saamna with Rajeev Khandelwal, where the big issue which we are tackling is corruption. Now, that is something which is at the top of every young person’s mind in the country. From the content, which you will see in the next few days, in terms of the message it delivers, it is not about saying let’s point fingers at others. It is about saying, ‘If somebody has to clean up the system, he or she has to start with us.’ That’s the message. And it is very much focused on the youth of India. Another show – Devon Ke Dev… Mahadev – we’re talking about one of the biggest gods of the country for whom most youngsters, especially women, fast for Mahadev in their early teens and before marriage. So that is a very unique thing we have on the channel and that’s the beginning of FPC every day. The rest of the content is dealing with absolutely the key issues which youth will emphasise on in a really big way.

     

    Q: But mythologies haven’t done very well for other channels. Colors and Imagine have tried it and haven’t produced fantastic results.

    I think Colors did fairly well on Jai Shri Krishna – the mythology serial they had. So if positioned well, it can work. We believe there is a market for mythology in a big way. It will have a different kind of emotion being catered to consumers.

     

    Q: Did you consider doing a big-ticket show like KBC, Bigg Boss, bringing a popular celebrity hosting the show?

    I think we have been very careful in the kind of emotions we want to deliver. And we wanted to be true to the philosophy of the channel that we’ve created. So we’ve stepped away from bringing a big celebrity. If somebody comes, he or she should be able to respect the values of the brand. And it is about cherishing what you have as a philosophy ‘Jo Apne Pass Hai Woh Khas Hai‘ and that’s why all the content pieces are on the lines of that philosophy. In fact everything we’re doing is true to that. And that’s the reason we’ve stayed away from having a big celebrity on the channel.

     

    Q: So going forward if there is a need to have a Amitabh Bachchan or a Shahrukh Khan, would you go for it?

    At this point in time I would say if it fits in nicely with the philosophy of the channel, then we will definitely consider it.

     

    Q: Why Madhuri Dixit as the Sutradhar?

    There is a lot of learning that’ll come out from the shows we’re putting up on the channel. What we wanted to do by bringing Madhuri was: as we show the content, everybody takes away their own understanding. What she does on the channel is, she poses questions, brings in her understanding and her life reality, and really puts a lens in front of viewers to evaluate and see the content well. And therefore, it really raises the question – are we really cherishing what we have or not? Or are we worrying only about possibly the dreams of future alone? And, in her life she’s done the same. She has been one of the big superstars and has taken a break – been a family person. So she has balanced her life very well. So the persona fits in well with the channel’s philosophy. And she hopefully will be able to raise the questions in everybody’s mind and help viewers view the content through a new lens.

     

    Q: But what is the fan following of Madhuri Dixit today? Do you think there are enough fans, because quite clearly, her days are gone.

    Firstly, all big stars have a really valuable equity in consumers’ minds. But the important thing is how this fits in with the channel’s philosophy. And in my mind, it fits in very, very well.

     

    Q: How has the response been from the trade?

    Mixed response, I would say. People are surprised that the brand name doesn’t carry Star in the name – that’s been one of the questions from a trade point of view. And they’re wondering why. And also the other trade response is that we have a good variety of content. So they feel that the content looks very powerful and hopefully, the next few months will tell us how the business goes.

     

    Q: What will be the channel’s reach on Day One?

    Star One today reaches out to around 40-45 per cent of people every week. Those are the people who come every week to view Star One. Hopefully those people would definitely come to see the channel and basis the marketing campaigns, other sets of viewers will get curious about the channel and they’d come and like to watch it. So anywhere between 40-45 per cent definitely should come and maybe some more would like to come and check out the channel. And finally the content strength will determine how many people will become regular watchers.

     

    Q: Do you expect to be the No 4 channel, beating Zee, say in a month’s time after launch?

    Star One is at around 40 GRPs right now. And if we grow significantly, that’s the first good number to look at, because this journey is a long journey. We are not starting it to really take a big leap in week 1or week 4. If you’re able to grow from where we are significantly, that’ll be the first milestone. And as I said earlier, it competes with every channel in the GEC space. If the content is powerful, it’ll grow – but the first initial aim would be to get to a 60 or 70 GRP mark. That will be an important milestone for us.

     

    Q: How long will the aggressive marketing campaign continue?

    We started this campaign around a week ago. We started it on December 12, it continues in full intensity now and it will continue for another few weeks. So it will be a four-week campaign which will run supporting the channel launch.