Category: MEDIA

  • Havas Media wins integrated media mandate of myITreturn.com

    By A Correspondent

     

    Havas Media Group India has won the integrated media mandate for myITreturn.com, India’s leading provider of tax filing and related services for individuals, professionals and small businesses. The account which includes both digital and traditional duties will be handled by the agency’s Mumbai office.

     

    The myITreturn.com vision is to simplify the tax filing process in a fast paced world. A subsidiary of Skorydov Systems Private Limited, India’s leading provider of software related to tax, compliance and office solutions, myITreturn is an authorized e-return intermediary and India’s first and only company to provide end to end [eTDS – Digital Form16 – Tax filing] solutions to companies and its employees.

     

    Saakar Yadav

    Speaking on the appointment, Saakar Yadav, Managing Director, myITreturn.com, explained: “Filing of tax is like the school exam you know you must take so our aim is to make this entire process fluid and intuitive for the on-the-move global Indian whether in India or abroad. We were looking at a mobile-first strategy, which dovetailed into digital and a media mix to connect with our audiences. Havas Media got the brief at first shot and was able to deliver the strategy, creativity and speed that we were expecting.” With regards to the myITreturn Mobile App he further added, “We are confident that the myITreturn Mobile App will help millions of tax filers to file their tax return with ease and also help them track the status of their tax return.”

     

    Anita Nayyar

    Anita Nayyar, CEO, Havas Media Group India and South Asia said: “Filing of taxes is an essential category so it’s important to get creative, catch the customer at the right moment in their media journey and encourage them to engage with the product. Though challenging if you make the path meaningful, this could be your long term customer especially in this category. Today people want things simple, quick and reliable. This is a very interesting win for us and we are happy to partner with such a dynamic team.”

     

  • Nepal Earthquake and Salman Khan Case – Tremors in Television Viewership as per BARC data

    BARC India has shared with the media some interesting data and analyses on the viewership numbers and trends of the news channels given the news of the Nepal earthquake and the Salman Khan legal tangle (and untangle).
    Here goes:

    With published data for 3 weeks (Week 16, 17 and 18) for all BARC India subscribers to refer to, in this Press Note – we share exclusive analysis on News (Hindi and English) consumption on TV.

     

    Hindi News:

    We observe Aaj Tak has been the market leader for all 3 weeks closely followed by ABP News, among top 8 News channels

     

    We also observed ratings of Hindi News channels peaking on Apr 25 (Nepal Earthquake), the ripple effect is observed for next 3 days. On May 6, peak in viewership due to Salman Khan News

     

    News channels as can be seen in the graph below started peaking around 11:45 am on Apr 25 (Nepal Earthquake)

     

    ABP News as seen in the graph below takes over no.1 position (Salman Khan Story) on May 6.

     

    Apr 25 – Earthquake News:

    Increased viewership on April 25 we can see – from Delhi, Guj for all Hindi News

     

    Our Teleview Report as seen under: Channels breaking news on Nepal Earthquake: ABP News at 11:44:53, Aaj Tak at11:44:54, India TV at 11:45:50 & Zee News at 11:46:30

     

    Here’s also sharing the Reach Grid on April 25: Reach is maximum for Aaj Tak, followed by ABP news

     

    May 6 and 8– Salman Case

    Interesting observation to take note of is ABP News rat ‘000s were highest on May 6, whereas Aaj Tak gained on May 8

     

    English News:

    In all 3 weeks Times Now is the clear market leader with around 38% channel share in the current week.

     

    We also observe that English News Channels peak in ratings on Apr 25 (Nepal Earthquake) & on May 6 in viewership due to Salman Khan News. Though unlike Hindi News, higher traction was seen on May 6.

     

    Clearly, English News Channels gets less traction as compared to Hindi News Channels on Apr 25 for the Nepal Earthquake News

     

    We also observe that English News Channels peaks post 4 pm on May 6, with different peaks for different channels as seen under

     

    Our Teleview Report as seen under: On April 25, we observe, CNN IBN breaks the news at 11:45:52 am followed by Times Now at 11:46:40 am, NDTV 24×7 at 11:46:43 am and Headlines Today at 11:48:43 am

     

    ​Meanwhile, Times Now’s persistence with the story gave them the viewership numbers.

     

    (for almost a minute after CNN-IBN broke news – other 3 channels were running ads as seen above)

     

    Over a minute later, at 11:47:17 am all channels were showing the news.

     

    And finally the Rat 000s Grid: Times Now getting traction on Apr 26. and May 8. Higher for CNN-IBN on May 6.

     

    Phew!

     

  • What makes WhatsApp & Facebook rule Indian Youth

     

    By Delshad Irani & Shephali Bhatt

     

    Her eyes shut still, she grapples around for the phone every morning. Then swipes to turn off the alarm and swipes some more to fire up apps — WhatsApp and Facebook, followed by Twitter and Instagram, in no particular order. They’re also the last things she sees before REM sleep. She is most millennials and Gen-Z, whose oldest members are barely 18. (If you do none of those things, then you are probably made of sterner stuff or are from another century or don’t own a smartphone. Take your pick.)

     

    Social media has altered the very fabric of human interaction, be it social or for commerce, for better or worse. A well-established fact, that. Facebook has helped us stay connected and find distant friends to give them an opportunity to marvel at our daily musings, accomplishments, babies, pooches and exciting lives, in general. It is also responsible for a spike in personality disorders and unhappy marriages, according to a study by a British legal firm. Incessant scrolling on Facebook has forever reconfigured the anatomy of the human index finger. There are 55 million daily active users (DAU) on Facebook and 49 million on mobile in India. The number’s a tad higher globally — 936 million DAU. And then a little over a year ago the biggest social network on the planet acquired instant messaging app WhatsApp for a mad sum, $19 billion, if we’re being precise.

     

     

    WHATSAPP & FACEBOOK: A TALE OF TWO NETWORKS

     

    We asked twenty-something Ruchika Sapehiya, senior producer, Ping Network, what she’d think if WhatsApp started letting advertisers advertise on the messaging service. “It won’t work. Because it’s too personal. It’s bad enough when I get bombarded by 100 photos from a furniture brand and have to block the user. Of course, if it doesn’t feel intrusive or a violation of my privacy that’s another matter.”

     

    WhatsApp founder & CEO Jan Koum in a blog post titled ‘Why we don’t sell ads’ wrote: “Advertising isn’t just the disruption of aesthetics, the insults to your intelligence and the interruption of your train of thought. At every company that sells ads, a significant portion of their engineering team spends their day tuning data mining, writing better code to collect all your personal data, upgrading the servers that hold all the data and making sure it’s all being logged and collated and sliced and packaged and shipped out… And at the end of the day the result of it all is a slightly different advertising banner in your browser or on your mobile screen. Remember, when advertising is involved you the user are the product.”

     

    On the other hand, according to company sources, Facebook has two million active advertisers, up from one million a year and a half ago.

     

    Facebook, of course, has its own app called Facebook Messenger. However, WhatsApp, with its monthly active user base of 800 million (of which an estimated 10 per cent is in India) is the one app to rule them all. According to the company, the fastest growing markets are Brazil, India, Mexico and Russia. Besides stream of consciousness texting, over half a billion active users are sharing more than 700 million photos and 100 million videos every single day. WhatsApp’s arrival and subsequent proliferation has rung the death knell for traditional SMS and it’s only a matter of time before the dancing girl in the red dress, a popular WhatsApp emoji, does the polka on its grave. To make matters grimmer than Wilhelm for traditional forms of communication, not two months ago, WhatsAppers began calling each other via the app. Hell, its usage and scope are expanding way beyond our wildest expectations. For instance, recently a sub-inspector in Kanpur send his resignation via WhatsApp.

     

    Says Ankita Chemburkar, senior writer, iContract, who, by her own admission, spends 16 of her 18 waking hours on Facebook and WhatsApp, scrolling and searching shareable content and chatting with multiple groups; “The last time I had a conversation via SMS was perhaps one or two months ago.” Says 27-year-old marketing professional, Mitali Bose, “WhatsApp is something I can’t do without. It’s the easiest way to stay in touch with people. Of course, I’ve stopped calling and talking to people for it’s easier to message and be done with it.” It’s highly unlikely people will give up on conventional chats altogether, though.

     

    Today, WhatsApp and Facebook are the No.1 and No.2 Most Exciting Brands in this country, respectively. Keeping them company in the Top 10 are five other communication brands, ranging from mobile handset manufacturers to telecommunications — Vodafone, Airtel, Samsung, Apple and Idea. Add Google (at No.5) and its video platform, YouTube (at 11), and it’s clear that no longer are traditional brands, the doyens of FMCG or the cola companies, for instance, top of mind for large populations of upwardly mobile teens and twenty-somethings. But there’s only so much excitement detergents can lather up in our humdrum lives, really. Besides a direct comparison between WhatsApp and Dove or Pantene would be as unfair as excessive humidity on perm day. Furthermore, as Karthik Srinivasan, national head, Social@Ogilvy, points out, “Facebook is something you’re checking day in and day out. WhatsApp penetration in India is phenomenal. The app is predictable, reliable. What makes them exciting are actually the people on it. So the medium isn’t directly communicating to the end user.”

     

    The fact is people do not see Facebook, WhatsApp and their ilk as brands and commodities. “It’s an intrinsic function of daily life, an extension of myself. People don’t perceive them the same way they do Pepsi or Airtel, for instance,” says Samyak Chakrabarty, chief youth marketer, DDB Mudra Group, “The excitement comes from continued utility and these platforms’ ability to constantly reinvent the product or aspects of it.” What traditional brands ought to take away is just that — constant reinvention of brand and product can be a virtue sometimes and not a marketing sin. Says Suman Srivastava, founder, Marketing Unplugged and chief strategy officer, FCB Ulka, “Earlier, there used to be this Levers’ Way of Advertising. While Unilever may have abandoned it decades ago, I see some brands are discovering it only now. Someone has to tell them all the dependence on regressive research is not going to work. Look at Facebook. The social media platform has been panned every time it’s tried to do something unpredictable. Like launching the IPO, for instance. And Facebook has been constantly proving its critics wrong.”

     

    The bottomline is: Let necessity no longer be the mother of product or marketing innovation. Meanwhile, marketers would do well to come up with ways to seem less like a brand and more like a pal. Or Facebook friends.

     

    Source:The Economic Times

    Copyright © 2015, Bennett, Coleman & Co. Ltd. All Rights Reserved

    Licensed to republish

     

  • Ranjona Banerji: Breaking news culture leads to baseless journalism

    By Ranjona Banerji

     

    Delhi chief minister Arvind Kejriwal’s attempt to intimidate the media with the threat of defamation cases has been foiled for now by the Supreme Court. The Delhi government decided it would take all criticism of itself by the media very seriously indeed and file defamation cases in case the criticism was unfair, uncalled for, prejudiced, biased, not nice and most importantly, “spoilt the government’s reputation. The apex court has however taken note of a PIL against this Delhi government order and stayed implementation until its next hearing.

     

    Most of India’s politicians were probably hoping that Kejriwal would get away with this which might give them all one more stick with which to whack the pesky media. Still, as I understand it, anyone can accuse anyone else of libel, defamation and slander in India already so what was the purpose of this order anyway?

     

    And with so many journalists in the Aam Aadmi Party, surely Kejriwal could have got better advice? The best way to put anyone’s back up is to threaten them and why do that to a media which has served you so well in the past? Many journalists measure their success by the number of legal notices they receive. So your threats might even seem like compliments.

     

    Some gratuitous advice here: instead of a government order of this absurd sort, why not pass an order forcing media houses to issue gigantic apologies instead of teeny-weeny invisible ones after they lose cases?

     

    Okay, I’m laughing.

     

    **

     

    Congratulations to Sidharth Bhatia, Siddharth Varadarajan, founding editors, and Raghu Karnad, contributing editor, on the launch of thewire.in

     

    This promises to be a high quality news site with both reports and opinions. The intention is to remain independent of those influences which lately have so corrupted journalism and where editors have become management lackeys or political stooges.

     

    All power to thewire.in and here’s hoping for a grand future!

     

    **

     

    TV was in an uproar about a policeman in Delhi who threw a brick at a woman driving a scooter. He asked for a bribe, she refused, he attacked her. Someone recorded the fight on their phone. There was outrage all around. How dare and so on. Policeman suspended. However, later another story unfolded. The woman was not wearing a helmet. She had two children on the scooter with her. She threw a stone at the policeman.

     

    As happens all too often, this means that the story was aired without verification. This is precisely the reason why some of us in the media are sceptical of “citizen journalists”, bloggers masquerading as or being taken for journalists and “sting” operations. There is a certain rigour to journalism as it should be practised – and most often is – which amateurs are not aware of. There are also tiers in a newsroom to sift through stories and check on facts. I see on social media so many people who think that journalists do nothing, precisely because of such shoddy journalism.

     

    The rush to be first on TV with “breaking news” has destroyed too many of those basics. The result is this kind of baseless, asinine, manufactured “outrage”. Take a bow, you guys.

     

  • Shailesh Kapoor: Priyanka Chopra: India’s Breakthrough Girl

    By Shailesh Kapoor

     

    It’s been a breakthrough that we have waited many long years for. ABC network commissioned Quantico, the new drama series starring Priyanka Chopra in the lead, last week. Our mainstream media, including the entertainment media, largely ignored the ‘news’. It was perhaps understood as another Indian actor taking up another bit role in a US production, in her desperation to go global.

     

    But when the trailer and the poster were released mid-week, the degree of Priyanka Chopra’s achievement was visible in full measure. Playing the half Indian-half Caucasian Alex Parrish, Chopra was at the centerstage of the promotional material, which unambiguously pitches her as the lead protagonist of the show.

     

    Though the news story got momentum after the trailer, I’m not sure if its true significance has been understood. For the last four decades, perhaps more, we have craved for representation in the Hollywood market. Every little ‘achievement’ has been celebrated, be it Amrish Puri’s Molaram in the Indiana Jones film, or Vijay Amritraj’s two-bit role in Octopussy.

     

    We pretend to own Slumdog Millionaire as if we produced it. We can make a big deal out of our leading ladies visiting Cannes. The Indian media would pick up any story that pitches an Indian celebrity on the global stage. Even Ali Fazal’s blink-and-miss in Furious 7 got its share of coverage.

     

    But in all these years, there have been very few real achievements. Indian actors have been cast in films like Gandhi or Slumdog Millionnaire because the nature of those roles demanded that Indian actors be cast in them. (Even there, Bin Kingsley was preferred over Naseeruddin Shah!). There have been some individual accomplishments such as those by Anil Kapoor, Irrfan and Nimrat Kaur, but nothing as significant as Priyanka Chopra’s latest victory. After a singing debut that can, at best, be described as a semi-successful experiment, she’s bagged something any Indian actor would be willing to give up the 200 crore blockbuster for.

     

    If Quantico succeeds, it would be an added bonus. But even if it doesn’t, the floodgates may have opened in no uncertain way. Bagging prominent parts in Hollywood is as much about talent as it is about having the right agency representation. Chopra’s breakthrough may encourage many others to aggressively look at how they represented and positioned globally.

     

    The media response over the last three days has been on expected lines. There has been basic news coverage headlined around Chopra, some troll pieces on her accent in the trailer, and then, the focus moved to her white Zac Posen dress at the Quantico event two days ago.

     

    When the series goes on-air, you can be sure that Chopra will have to face her share of brickbats from the social media and the Indian press. But none of that will take anything away from her spectacular achievement at the global stage. An achievement we must celebrate whole-heartedly.

     

    PS: On a related note, Quantico can be a massive boost for the English Entertainment category on the Indian television, which so far continues to languish as a super niche cousin of the English Movies category.

     

  • Havas wins integrated media for iOrderFresh

     

     

    Havas Media Group India announced the win of the integrated media duties of iOrderFresh, a mobile-first commerce venture in the fresh perishable foods and groceries retail space. The mandate includes integrated media buying and planning across traditional media and digital solutions for search, social and mobile. The account will be handled by the Havas Media New Delhi office.

     

    Nitin Sawhney, Founder and CEO, iOrderFresh, explained, “iOrderFresh has a simple promise to the consumer; fresh produce directly from the farm to your kitchen in a few hours. The business is built on the premise of freshness and convenience. It aims to create a whole new experience for shopping for food and groceries available at your doorstep by just downloading the app from any smartphone. Currently available in Delhi and Gurgaon, on both Android and iOS platforms, we are looking to consolidate our presence in the NCR region before expanding to other cities. Havas Media carved out a compelling mobile-first, integrated media strategy to get more people to download the app and also to scale the brand.”

     

    Anita Nayyar, CEO, Havas Media Group India and South Asia said, “Getting home delivered fresh fruits and veggies in our hurried lifestyle and traffic bound commute is a blessing. The Indian shopper’s attitude to online retail is very positive today so the perishable retail space is only set to grow. Havas Media with its digital strengths and integrated media offering is well geared to engage this shopper and add to the shopper basket.”

     

    Mohit Joshi, Managing Director, Havas Media India, added, “It is a good win in a challenging category. We are happy that our rich experience in the dotcom domain is helping us get more clients in the category. We look forward to a great association with them.”

     

  • Hindi movie channels regain viewership in Week 19: TAM

    The Hindi movie genre regained viewership in Week 19 of 2015 (May 3 to 9, 2015) after having dropped for two weeks straight, as per S-Group, the strategic consulting arm of TAM Media Research

     

    :: While the genre’s Reach has remained at the same threshold (more than 78.5%) in recent weeks, it was the increase of almost 5% in the Time Spent that led to the increase of 33 GRPs.

     

    :: While Total TV saw a 1% drop in viewership, Hindi Movie genre increased its overall share by 1% this week.

     

    :: Sony Max remains the genre leader, and also the main source of the hike.

     

    :: Z Cinema, which came close to being replaced by Star Gold as the 2nd ranked channel in Wk 18, managed to strengthen its position by gaining 7 GRPs. Star Gold remained stable at 85 GRPs.

     

    :: Movies OK and &Pictures are the only channels to have dropped this week, both losing similar viewership share. The two channels which had witnessed a hike in Wk 18 have returned to their average weekly viewership levels.

     

    :: Both channels from the UTV group have seen an increase in viewership, UTV Movies more so than UTV Action.

     

    :: For all channels that have seen a significant increase, weekend has played an important part, Sunday off-prime specifically for UTV Movies and Z Cinema.

     

     

    :: Only Sony MAX and Z Cinema increased during primetime, both Reach and Time Spent playing a role in it. The top-rated movie for Z Cinema during PrimeTime was ‘Entertainment’.

     

    :: On the other hand, UTV Movies and UTV Action saw heavy increase during off-prime, driven by increase in their respective Time Spent.

     

    :: For UTV Movies, ‘Tevar’ and ‘R Rajkumar’, aired in succession on Sunday afternoon, brought in a total of 6.3 GRPs.

     

    :: ‘Hum Saath Saath Hain’ on Z Cinema was the highest rated movie of the week on the genre.

  • Zee Entertainment launches new corporate brand film created by FCB Ulka

    By A Correspondent

     

    You hear Prime Minister Narendra Modi talk of ‘Vasudhaiva Kutumbakam’ in most of his addresses internationally. Just last week, speaking to the Indian diaspora in Shanghai, China, the Prime Minister spoke of Vasudhaiva Kutumbakam which can be translated from the Sanskrit as The World is My Family.

     

    Interestingly, Vasudhaiva Kutumbakam is also the corporate credo of Zee Entertainment Enterprises Limited (ZEEL).  Now building on its global positioning of ‘Vasudhaiva Kutumbakam – The World is My Family’, ZEEL has announced the launch of its new corporate brand film. Currently reaching over 959 million viewers across 169 countries, the film reiterates Zee’s role as a global brand, a cultural ambassador, uniting people in India and across the world through its wide network of 33 domestic and 36 international channels.

     

    Zee Entertainment had unveiled its corporate brand positioning and identity,‘Vasudhaiva Kutumbakam – The World is my Family’, in 2013.

     

    Roland Landers
    Satbir Singh

    Speaking on the new brand film, Roland Landers, Head – Corporate Brand, ZEEL said, “In its journey of 22 years, Zee has made a significant place in the hearts and minds of millions of viewers across the world. Through this film, we not only cherish their presence, but also welcome the world to be a part of this family.”

     

    Satbir Singh, Chief Creative Officer, FCB Ulka, the communications agency that created the film said, “Zee is today this massive family with millions of family members around the world, connected through highly engaging television and movie content. We are celebrating this inclusive value of Vasudhaiva Kutumbakam, or the World is a Family, with this film.”

     

    The film will be aired on all Zee Entertainment and Zee Media channels starting today (May 18). The film’s roll-out will be supported by a print ad as well as intensive promotion on YouTube and other social media platforms.

     

     

     

  • Sony Six acquires telecast rights of Copa America

    By A Correspondent

     

    Sony SIX has acquired the rights to telecast the 2015 edition of Copa América live in South Asia. The tournament serves as the international football championship for South America and is organized every four years by the CONMEBOL, the governing body for the sport in the continent. This year’s tournament will be held in Chile from 11th June to 4th July 2015 and will be telecast on Sony SIX and Sony KIX.

     

    The Copa América is one of the widely followed sporting events in the world, due, in large part, to the participation from football superpowers such as Brazil, Argentina and Uruguay among others. This year’s event will be the tourney’s 44th year in competition and will feature twelve teams, including the ten members of CONMEBOL and two guest sides from North America – Mexico and Jamaica.

     

    Prasana Krishnan

    Commenting on the acquisition, Prasana Krishnan, Business Head, SONY SIX said, “The Copa América is an iconic competition with almost a centenary-long heritage behind it and we are elated to broadcast the property on our channel. With Copa America, we stand to strengthen our South American offering along with Copa Libertadores, the region’s premier club competition. The telecast of the tournament also reaffirms our position as the ‘home for international football.”

     

    The 2015 Copa América will feature some of the biggest names in football including Lionel Messi (Argentina), Luis Suarez (Uruguay), Neymar Jr. (Brazil), James Rodríguez (Colombia) and Alexis Sanchez (Chile) apart from many others. Moreover, the current titleholders, Uruguay will look to defend their crown and extend their lead in terms of the number of Copa América titles won i.e. 15, the most for any team in the competition.

     

  • Vishakha Singh’s window-shopping platform Red Polka launched, gets first round of funding

    By A Correspondent

     

    Red Polka, a curation-led podium which showcases brands, designers, their trendsetting products, and the unique stories behind them, has closed its first round of angel funding from a clutch of investors. The funds raised will be used to launch Red Polka mobile app and for team expansion. The app is expected to hit leading app stores in 2-3 months.

     

    Vishakha Singh, Founder and CEO, Red Polka says, “Red Polka caters to discerning shoppers with a need to discover good designs. The shopper tends to explore more and gets delighted with handpicked designs that are recommended apropos her taste. Red Polka curates designs in categories like clothing, fashion accessories, home décor and kids’ products (up to the age of 8) and recommends them to shoppers. The curation is based on the interest graphs of the audience and is packaged with stories and tips.”

     

    Red Polka operates in e-commerce enabling space, which is a relatively new segment in India. However, their USP is curation. They not only discover and showcase designs in fashion but also curate products keeping in mind their audience profile. Since the explosive growth in the e-commerce sector, this space has been growing rapidly as they help direct traffic to e-comm and online retailers and improve conversion rates.

     

    The company is also focusing on attracting right talent to build a strong team. While Red Polka has an in-house team of curators, tech-savvy designers, content writers and relationship managers, the company has hired Parnil Mhatre as Chief Technology Officer. Mhatre comes with Artificial Intelligence background and setting up predictive analytics and recommendation systems is his forte. His expertise would enable Red Polka to customise their curation for Women shoppers.

     

  • Hungama.com crosses 50mn+ monthly active users

    By A Correspondent

     

    Hungama.com has achieved a new milestone in the Indian digital entertainment space by becoming the first company to cross 50 million monthly active users across its entertainment service. This milestone places Hungama among the top 5 music and video streaming services globally, including platforms like Pandora and Spotify.

     

    Over 250 million consumers accessed Hungama’s services over the last year, during which the platform registered 200% growth in monthly active users.

     

    Over the past 12 months, Hungama has introduced several first features as well as several key catalog additions to create an unmatched consumer experience. The fast pace of growth in mobile data adoption among consumers across the board has provided a platform for Hungama to tap into the market with its mobile-apps, leading to massive penetration in both metros, urban, semi urban and even rural India.

     

    Anticipating the market opportunity in semi urban and rural India, Hungama rolled out multi-lingual support in its Android app in October 2014. It was the first music led mobile app globally to be available in more than 5 languages when it was launched with support for Hindi, Tamil, Telugu and Punjabi, along with English.

     

    In July 2014, Hungama also introduced its PRO service for Android and iOS devices. The service featured integrated video and audio downloading for the first time in a single app, along with a caching feature for music that allowed users to save their music and video which can be played without internet connection anywhere, anytime in turn saving data cost.

     

    Neeraj Roy

    Speaking on Hungama’s achievement, Neeraj Roy, MD & CEO of Hungama Digital Media Entertainment said, “We are glad to be the music & video service of choice for over 50 million South- Asians across the world. The milestone is the result of initiatives that we at Hungama began undertaking about 15 months ago. Over the next year, we plan to continue to build on this momentum to grow into newer markets and explore more avenues to distribute digital music and video. Hungama is on track to reach 100 million MAUs by March 2016.”

     

    Hungama’s patent pending gamification layer has become immensely popular with its consumers who are now rewarded for multiple actions and on a daily basis and redeem their points for a range of products and services. Whether you are listening to music or watching a video, its never been so much fun and rewarding as on Hungama.