Category: MEDIA

  • Campaign India Digital Crest Awards 2013 on June 11

    By A Correspondent

     

    Campaign India’s platform to recognize excellence in digital advertising and marketing is back in a new avatar, as the Campaign India Digital Crest Awards (www.campaignindiacrest.com). In its fourth edition, the awards will be judged by an all-client panel comprised of senior marketers and business heads from across industry segments and geographies.

     

    The process of evaluating entries is currently underway, in 18 categories across web, mobile and OOH. A special category for ‘Showcase’ work has also been introduced.

     

    Suresh Ramakrishnan, Publisher, Haymarket Media India Private Limited, said, “Like in previous editions, the awards have received excellent response from specialist digital agencies, ad and media agencies, clients and other stakeholders in the digital ecosystem. Work on over a 100 brands is in contention this year, across 18 categories. The handpicked jury is currently evaluating entries, with emphasis being on results delivered against stated marketing and business objectives.”

     

    Winners will be announced at an awards ceremony on June 11, at Hard Rock Cafe, Mumbai.

     

  • Upclose with the NaMo chronicler

     

    This month Kingshuk Nag completes 20 years with The Times of India. Many of these have been rather eventful, albeit in a sad way. As Editor of the Hyderabad edition he’s seen the current Telangana crisis and the Satyam fraud unfold and earlier as Editor of the Gujarat editions having been based in Ahmedabad from 2000-05, he witnessed the earthquake and communal tensions after the Godhra carnage. His book ‘The NaMo Story – A Political Life’ has been receiving rave reviews for a balanced account on the the politics and persona of Narendra Modi.

     

    Mr Nag’s book – his third, the first two being on Satyam and Telengana – was launched in Mumbai at the NCPA on Monday along with a panel discussion hosted by publishers Lotus Roli, the NCPA and Literature Live.

     

    In this exchange with MxMIndia, Mr Nag is candid about why it took so long for him to write the book, his views on the Gujarat strongman and whether he thinks the CM can be PM

     

    It’s been a while since you moved on from Gujarat, and Narendra Modi has been in the news all these years. Of course now the stakes are higher given his being a Prime Minister-in-waiting. What took you so long to write the book?

    My first attempt to publish a book on Modi was in 2002 right after the riots. I met a publisher, a leading one, with a chapter that I had written.  The publisher, the lead man who was also the owner read the chapter and said it was great.  But he said he wanted a pro-Modi book written because Modi was being bashed too much. Disgusted I left. I had no experience in book writing so I did not persist.  Three years later I was introduced to the chief editor of one of the top publishing firms. We started talking. I gave him a concept note and chapterization. After a while the guy got back to me and said no this book will make a hero out of Modi. I don’t want it. It was in my third attempt in 2011 did I find a publisher. That’s the reason for the book taking so long.

     

    What reviewers say
    Definitive must-read book: Ranjona Banerji in Sunday Mid-DayShort and balanced account: Rohit Bansal in Gulf Today

     

    You’ve watched him up-close when you were in Ahmedabad, editing The Times of India. Do you see a difference in Mr Modi from then to now?

    The basic character of the man has not changed. But after having said that today he is a far more confident man than what he was ten years ago. His body language shows that. His lean mean frame has undergone a metamorphosis. He looks visibly more prosperous. He is today more authoritarian than before. However, it is a fact that he is less inviting of the press than he was a decade ago. That’s because of the riots and Modi is ill at ease answering questions about 2002. So he is apprehensive of media interviews especially meeting national mediapersons.

     

    So did you interview him again for the book?

    No, I did not interview Modi again.

     

    In an attempt to be neutral, have you gone a little soft on Mr Modi? Given that your personal views on the CM (especially when you were editing TOI in A’bad) were reportedly dramatically different.

    I don’t think I have gone soft on him. It’s that the context has changed. If I had written the book in 2002 it would have been on the riots.  Since it is written now in 2013 it focuses on the national politics and politics of Modi rather than the riots.  A lot of people are finding fault with me for not writing more on the riots. They are accusing me of diluting my stand but I don’t agree with them.

     

    Having watched NaMo from close quarters and now from a distance and ditto with the media, do you think the media has changed its stance towards Mr Modi.

    Over the years, the media has become less strident about Modi though the opposition remains. That is because with the passage of time, priorities change. Also, due to efforts of NGOs and the action of higher courts, justice has been done in many riot cases.  Many people are happy with the justice done though Modi may not have been instrumental, for this they are satisfied. Also, with stories of rampant corruption emanating from the centre, Modi is seen in a less negative light . Further, the stories of rapid development of Gujarat have gone a long way in enthralling that section of the media that represents the dream of aspiring India.

     

    After Gujarat you’ve also seen a leader like YSR in Andhra Pradesh (as Editor of TOI, Hyderabad). YSR’s reign was cut short, but how would you compare the two regional leaders?

    Modi’s strategy in Gujarat has been to create a vote bank or rather to coalesce the votes using Hindutva as the glue. The strategy of YSR was different. He created a vote bank by giving out doles and everything free to the poor and not so poor by classifying them as poor. He gave free power to farmers. Rice at Rs 2 a kg, free scholarship to poor students, free houses to the poor, free medical facilities to the poor… even for operations. 85 per cent of the population got the benefits because of the manipulation of government statistics.

     

    Your view on all the hype and PR around Mr Modi… Vibrant Gujarat, hiring of a public affairs firm like APCO? Has it helped change perceptions about him.

    Modi realised that the riots had dented his image started wooing industry by giving unparalleled incentives. An essential part of the strategy is to create a hype about investment prospects in Gujarat and the guy who leads the state. Sometimes the hype is so unreal as if Modi is some superman. The hype has changed public perception because a lot of people believe that Modi is a great administrator. Also, remember, that the people are fed up with corruption and are looking for change. Modi is offering himself as the change like Anna Hazare two years ago. Whether the country will accept him as the change is a moot point but right now many find him acceptable

     

    Have you had a launch event in Ahmedabad?

    No launch event in Ahmedabad.

     

    Why not? Mr Modi is said to have this army of damn-the-critics brigade. How have they been with you post the book?

    No particular reasons. Actually the book was never launched officially.  Only yesterday in Mumbai, although the book has been in the market for a month and a half.  Modi’s men have not been in touch with me. But I heard that the book was spotted on his table.

     

    Three rapid-fire questions:

    1. Narendra Modi v/s Rahul Gandhi. Your choice:

    a. Can’t say.

     

    2. In the run-up to the 2014 elections, your view on whether Narendra Modi will apologise for Godhra and its aftermath?

    No

     

    3. Do you see Modi as Prime Minister?

    As PM: No

     

    The Namo Story – A Political Life

    by Kingshuk Nag

    Publisher : Lotus Roli

    Paperback, 200 + 8 page insert pages

    Price: Rs 295

     

  • ZeeQ ties up with BBC Worldwide, offers CBeebies to preschoolers

    By A Correspondent

     

    Edutainment channel ZeeQ has tied up with BBC Worldwide to bring a time band of award-winning programmes from BBC’s preschool brand, CBeebies, to audiences in India.

     

    This licence agreement will see ZeeQ airing preschoolers’ favourite CBeebies programmes from Mondays to Thursdays for an hour between 9.30am and 10.30am, with a two-hour repeat telecast on weekends between 11am and 1pm. The CBeebies band will launch on Monday, July 1.

     

    Through this collaboration, ZeeQ’s viewers will be able to watch Teletubbies – the multi award winning and hugely popular live action series aimed at preschoolers aged zero- to- three; 3rd & Bird – an animated series for three-to-five-year-olds, packed with entertaining stories, songs and cute characters and Charlie and Lola – an exuberant and delightfully witty animation series about two siblings based on the award-winning picture books by Lauren Child.

     

    Teletubbies has won numerous awards including ‘Best Pre-School Live Action Series’ at the BAFTA Children’s Awards for three years running. 3rd and Bird was the recipient of the Golden Magnolia award at the Shanghai Television Festival and Charlie and Lola has picked up BAFTAs for ‘Best Children’s Television Show’ and ‘Best Script’.

     

    Commenting on the partnership, Subhadarshi Tripathy, Business Head, ZeeQ, said, “We are very happy to partner with BBC. ZeeQ is committed to the positive development of children and ZeeQ’s ethos of ‘What Is Right For The Child’ gels well with CBeebies’ philosophy of providing clean and safe content to the child.”

     

    “We are very pleased to be partnering with ZeeQ to bring CBeebies’ favourite programs back to Indian TV screens”, said Myleeta Aga, Senior Vice President and General Manager India and Content Head Asia. “The CBeebies brand is trusted by parents and caters internationally to deliver a safe, non-violent and interactive experience designed by developmental experts to promote imaginative play, social interaction, language skills and educational values. The CBeebies time band on ZeeQ is just the beginning of our partnership. We look forward to working with Zee to continue to bring popular and award-winning CBeebies programs to ZeeQ.”

     

    ZeeQ currently caters to the 4-14 year age segment. This association will help ZeeQ tap the pre-school segment as well (0-3 years) and strengthen its current portfolio of programs. The channel currently airs a mix of live action and animated shows. Some of its prominent shows include Teenovation, Science with BrainCafe, Amar Chitra Katha Heroes, Sid the Science Kid, The Weekly Wrap, Word Match and MI Four- The Multiple Intelligence quiz.

     

  • HT to focus on digital business

    By A Correspondent

     

    After announcing the partnership with Apollo Gobla, Inc (USA) to launch Bridge School of Management this year, HT has revamped its job portal Shine.com and has integrated recruitment services through Facebook. HT has integrated Shine.com, the job portal, to Facebook as the first step. The TVC conceived by Dentsu India will go live from June 5.

     

    Earlier this year, Shine.com announced a strategic partnership with social recruitment platform MyParichay. But this is only the first step, Rajan Bhalla, Group Marketing Head, HT Media Ltd told MxM India.

     

    In an exclusive interaction, Mr Bhalla said, “Our news portals are set to take the next digital leap. Our journalists are being trained currently since video will be the next big thing on digital media. We are also building a strong mobile marketing capability for our clients. Even our Desimartini.com will be scaled up and prepared for the next leap.” HT has already geared up to take Times of India head-on in various markets: tie-ups with The Hindu in the South and The Telegraph in the East markets have resulted in “creating stronger ad packages to break the monopolistic hold of TOI,” asserted Mr Bhalla.

     

    HT is also “looking strongly at social networking and leverage that platform for our clients,” said Mr Bhalla. With an aim to create disruption and a first step in this direction, Shine.com has integrated Facebook. Hiring through social media, whilst once seen as nascent, has now reached mainstream recruitment as a credible tool in a savvy recruiter’s toolbox. 85% of Indian jobseekers use some or the other online social networking platforms for finding a job, and find both Facebook friends and LinkedIn connections useful in finding jobs.

     

    Amit Garg, Business Head, Internet Business, HT Media, said, “With Shine.com, HT Media has focused on recruiter needs and strive for innovative solution which provides tremendous value in the recruitment industry. After our candidate database crossing the 1 crore mark and with 2 Lac Job Openings on site, we are now the world’s first job portal to integrate Facebook hiring solutions with our mainstream offering. Our latest survey with candidates suggests that 65% of respondents are more likely to use Facebook over LinkedIn for job search – we now have a product that bridges this opportunity between recruiters and candidates. Our strong technological capabilities and a focused team working on integrating social media for recruitment have been instrumental in creating this unique product for this space. ”

     

    While talking about the idea behind the new campaign for this product, Mr Bhalla said, “The communication challenge was to showcase, how the power of personal network can help you with your next job search and the campaign is crafted around this thought. The core proposition of ‘a friend can now help you get your next job’ is very simply articulated with the campaign idea of ‘Yaar Tu God Hai’. It’s a story of two friends and the way one helps the other in getting his dream job through the face book network represented through a human pyramid and a high-energy hummable song – Govinda Ala Re. This is a very different and refreshing new take on the category normally associated with boss bashing and quitting because of not being paid well enough. We are positive that this campaign will strike an emotional chord with both the candidates as well as the recruiter fraternity. This will be a multimedia campaign comprising TV, Print, Digital and unconventional media. So catch it and discover a whole new world of job search.”

     

    The campaign, conceived by Dentsu India, will be seen on television (on general entertainment channel Sony with its flagship programmes like Crime Patrol), movie premieres such as Kai Po Che on Zee Cinema, English Entertainment channels, news channels such as Times Now, Headlines Today, CNN-IBN and NDTV, Regional channels across Marathi/Tamil/Telugu markets. The campaign will also be launched across movie screens – chasing big properties in the next 6-8 weeks. Apart from radio spots, the print campaign will be heavily supported by Hindustan Times, Mint and Hindustan. Ambient media in Delhi/NCR, Mumbai and Bangalore would include campaigns across office areas, Mumbai locals, Delhi Metro, over 50 pubs and Café Coffee Day outlets.

     

    Soumitra Karnik

    Soumitra Karnik, National Creative Director, Dentsu India Group said, “The campaing brings alive the unique proposition of the brand through a very distinctive and memorable metaphor – that of a human pyramid of friends that helps one rise to the top, literally, and plays on the ‘backdoor entry’. In today’s connected world, social networking that helps one land one’s dream job is a powerful proposition.”

     

    Mr Garg told MxM India, “This the first phase of the campaign. With such a strong proposition in the market, we think it is important to invest continuously in marketing the product.”

     

  • First edition of NDTV Property Awards conclude

    By A Correspondent

     

    The first edition of the NDTV Property Awards 2013 was held recently to recognize and award real estate czars. Indian Real Estate companies were honoured at a ceremony in New Delhi at the Taj Palace Hotel.

     

    PNC Menon of Sobha Developers was conferred the Lifetime Achievement Award at the NDTV Property Awards and presented the Award by Chief Guest Ajay Makhen, Union Minister for Housing & Poverty Alleviation.

     

    Special Awards given included Outstanding Industry Contribution – Niranjan Hiranandani; Most Transparent Developer – Akshaya; Best Brand Ambassador – Karishma Kapoor for Avalon Group; Outstanding Woman CEO – Anita Arjundas of Mahindra Lifespaces; Best Emerging Developer – Godrej Properties; Transformational Leadership – Ravi Puravankara; Innovative Leadership – RK Arora of Supertech; Top Residential Space Developer – DLF; Top Commercial Space Developer – Prestige and Best Mall: The Property Show Viewers’ Choice – Select City Walk, Delhi.

     

    Extensive research was carried out to determine the nominees and the winners under the guidance of leading names from the industry and business world on the jury, including Renu Sud Karnad, MD, HDFC with Prof Neelima Risbud, Dean of Studies, SPA (School of Planning and Architecture), Delhi; Rohit Salhotra, MD and CEO ICICI-HFC; Anshuman Magazine, Chairman & MD, CBRE; Anoop Pabby, President, DHFL;  Amit Bhagat, CEO & Managing Director, ASK Property Investment Advisors Pvt. Ltd;  Sachin Sandhir, MD, South Asia, RICS; Roopak Kothari, Architect and Manisha Natarajan, Senior Editor, Business and Real Estate, NDTV as the other members.

     

    Jury results were tabulated and audited by Ernst & Young with PropEquity as the Knowledge Partner.

     

    The winners of the NDTV Property Awards 2013:

    Award Winner
    Most Transparent Developer Akshaya
    Outstanding Contribution to Low Cost Housing TVH Svaya, Bangalore and Vaibhava, Bangalore (Tie)
    Best Budget Apartment Tier 2 Ansal Greens
    Best Budget Apartment Tier 1 Gaur Grandeur
    Best Residential Villa Chaithanya Smaran
    Best Brand Ambassador Award Karishma Kapoor for Avalon Group
    Outstanding Woman CEO Anita Arjundas – Mahindra Lifespaces
    Best Emerging Developer Godrej Properties
    Best Residential Apartment Premium – North The Pranayam
    Best Residential Apartment Premium – South Sattva Greenage
    Best Residential Apartment Premium – East & Central Upohar – The Condoville
    Best Residential Apartment Premium – West 24K Glitterati
    Transformational Leadership Award Ravi Puravankara
    Best Residential Apartment – Super Luxury Olympia Sky Villas
    Best Residential Apartment – Luxury Raisina Residency
    Innovative Leadership Award RK Arora – Supertech
    Outstanding Industry Contribution Niranjan Hiranandani
    Best Township Less than 200 acres Siver Springs
    Best Township Greater than 200 acres Amanora Park Town
    Most Environment Friendly Project – Residential ZED Earth
    Top Residential space Developer DLF
    Most Environment Friendly Project – Commercial 3Cs Boulevard
    Best Commercial Project First International Finance Centre
    Best IT Park Manyata Embassy Business Park
    Top Commercial Space Developer Prestige
    Best Mall: The Property Show Viewers’ Choice Award Select City Walk, Delhi
    Lifetime Achievement Award PNC Menon – SOBHA Developers

     

  • Sony Six wins broadcasting rights to Euro qualifiers, FIFA World Cup

    By A Correspondent

     

    Sports channel Sony Six has won the exclusive broadcasting rights across the Indian sub-continent for the European Qualifiers to UEFA Euro 2016 and the 2018 FIFA World Cup.

    Man Jit Singh

    The new arrangement with UEFA provides Sony Six with coverage of 546 international matches in total, over three years, starting with UEFA EURO 2016 qualifiers in September 2014 to November 2015 with 10 matches of each national team across 12 match weeks. In addition to this, Sony Six will also broadcast the 2018 FIFA World Cup (European) Qualifiers starting September 2016 to November 2017. With this acquisition, viewers will enjoy some of the best international footballing action exhibited by the best players of the sport in their national colours over the next four years.

     

    Commenting on this, Man Jit Singh, CEO, MSM India, said, “The Qualifiers starting from 2014 through 2017 will set the stage for two of the biggest tournaments in World Football – the UEFA Euro 2016 and 2018 FIFA World Cup. These are exciting times for all sports fans and we are delighted to bring such world class sporting events to their homes.”

     

    NP Singh

    Adding to this, NP Singh, COO, MSM India, said, “We at Sony Six reiterate our commitment to give the audiences the best of International football. The Qualifiers for both UEFA Euro 2016 and 2018 FIFA World Cup (European Nations) will complete the exciting qualifying journey for the fans to set up two of football’s biggest tournaments.”

     

    Guy-Laurent Epstein, UEFA’s Marketing Director, said, “We are delighted to have extended our partnership with Sony Six on UEFA Euro 2016 to the European Qualifiers to the UEFA Euro 2016 and the 2018 FIFA World Cup. Sony Six will be offering to football fans in India a comprehensive platform and an extensive coverage of European national team football.”

     

  • Jaldi 5 with Ritu Dhawan: Hindi news is for both masses and the classes

    For someone in the news television business, Ritu Dhawan prefers to stay away from the limelight. But with India TV having established its numbers and an A-team in place, the objective has been to assert the channel’s supremacy over others. In this Q&A, Ms Dhawan, Managing Director and CEO of India TV, speaks on how Hindi news channels score over their English counterpart, the recent ad campaign in the trade and preparations for the channel’s 10th anniversary.

     

    01. It’s interesting to see your latest ad campaign taking on the English news channels on viewership numbers. Why this desire to put down English channels… it’s not the first time that a Hindi news channel has done so?

    We don’t intend to put down English channels or any other channel for that matter. Our attempt is to clear the misconception in a small section of the trade, that India TV is not for the affluent. Some rivals have been indulging in this propaganda for some time. It is high time that we told the truth. This campaign communicates a ground reality. All English news channels put together have been used only as a unit that a section competition has used over a period of time for comparison. We have just added a bit on numbers and made it holistic with top Hindi News Channels compared against the said unit.

     

    01.a Is it because advertisers are biased against Hindi news channels to advertise their premium products?

    The fact is that there is a set of advertisers who prefer to advertise premium products on niche channels including English news. But we don’t look at it as a threat. No genre can take care of overall advertising objectives alone. It is about co-existence. In fact Hindi news is for both masses and the classes and this is the biggest strength of the genre.

     

    02. We did a dipstick on the theme of your current campaign and the feeling has been that leading Hindi news channels such as yours should stick to their core strength of reaching out to the masses. Your comments?

    While we agree that we are a mass leader, but who says that a mass leader cannot be a class’ choice. Numbers speak louder than words. The campaign in question only compares competition over last 3 months but having said that if you delve a little deeper you will find that the same trend continues, particularly in terms of leadership rankings on same data parameters and markets spread over last two years. Thus, it is safely claimed that India TV is a consistent leader even on the parameters as communicated in this specific campaign. And yes, we are sticking to our core strength only.

     

    03. If you are indeed looking at positioning yourself as reaching out to the urban elite, would you also look at making any shifts in your content strategy and packaging to appeal to those sensibilities?

    Precisely this is what we are communicating. We are already reaching out to the urban elite. In fact we are the undisputed leader in India’s top two markets – Delhi & Mumbai for a very long time now. We just have kept a little low profile on this till now. Thus content strategy doesn’t need any major changes, but yes, as we have always been, we will always be innovative and adapting to the fast changing preferences of our vast and varied audience.

     

    04. How has digitization (Phase 1 and 2) been for you (as in, how has it impacted you)? Also, have things improved post the LC1 measurement by TAM given that it tracks more markets in your stronghold of HSM?

    Smooth transition during digitization has been the challenge for TV industry in general & news genre in particular. With digitization, India TV has emerged even stronger. In digitized markets of Delhi and Mumbai,(which also are the highest weightage markets for Hindi news viewership and priority markets for advertisers), India TV is leading with a huge gap now, with the nearest competitor thus establishing that India TV content is viewers’ choice.

     

    Presently, LC1 markets are not an advertiser’s top priority in general (except for categories like FMCGs of course). We are doing reasonably well here but there is a slight scope of improvement here. We are sure that the said improvement will happen pretty soon… much sooner than these become priority markets for advertisers.

     

    05. India TV launched on May 20, 2004. As you embark towards the 10th anniversary mark, are you looking at any new launches? Any plans on the English Channel which was once being discussed? It is also a big year for news channels given some state and of course the general elections? Do you see space for regional channels?

    Certainly yes, you can expect certain announcements soon. We have been waiting for the digital-transition to smoothly settle down. We have our plans ready. Timing you will get to know soon.

     

  • 1 Minute View: Welcome aboard, Amazon.in

    So one of the world’s most popular e-commerce players is here in India. Yes, Amazon is here. It’s starting out small – with just books, movies and television shows, the website promises to add categories like mobile phones and cameras in the coming weeks.

     

    It’s a marketplace model, where sellers can sell through Amazon as also make use of the websites delivery mechanism.

     

    Are we delighted about Amazon’s launch? Yes, we are. It sure will set new standards in the e-commerce space.

     

    Are we excited about the launch? No, we aren’t. For one, Amazon.in is not like the full-blown Amazon.com site. One would’ve expected Amazon to come up with something bigger.

     

    Perhaps the folks are still studying the Indian space and prefer to not jump on to the bandwagon.

     

    We can be sure there will be more coming up in the coming weeks and months.

     

    Until then, let’s be happy one more phoren power brand is here.

     

     

     

  • Micromax launches 3D campaign for Canvas smartphone series

    By A Correspondent

     

    Handset manufacturer Micromax has undertaken a unique online engagement activation for the launch of Canvas 3D, the latest smartphone in the Canvas series.

     

    The phone gives users 3D content without the need for 3D glasses. The brand activated a unique 3D campaign in the online space which is Interactive and engaging in nature.

     

    Micromax’s online partner, Interactive Avenues came up with the idea of building a compelling launch activity across MSN and Yahoo homepages. All visitors to the pages were urged to click on the Micromax Canvas 3D banner ad placed on the homepage, transforming the entire website into a 3D webpage. The campaign saw the brand engage with top portals for building engagement and excitement among the consumers in online space. The banner, with the help of Mediamind, was served on various websites using the browser’s 3D rendering engine for the first time ever.

     

    The takeover on Yahoo innovation generated a whopping 15 percent engagement rate against global benchmarks of close to 1 percent, resulting in over 894,000 impressions that generated more than 900 tweets and 8719 Facebook link visits. The campaign witnessed over 1.3 minutes as the average time spent on MSN, resulting in a 2.83% interactivity rate.

     

    “The online medium has become a platform that connects youth with their favorite brands beyond boundaries. The online campaign has helped Micromax reach out effectively to both new and existing customers and the exemplary response is a proof to the same. The latest campaign offered a spectacular 3D moment and brought alive our commitment of providing unique experiences to the users,” said Shubhodip Pal, CMO, Micromax.

     

  • ABP Majha to present Seven Wonders of Maharashtra

    By A Correspondent

     

    Leading Marathi news channel ABP Majha will presenting the Seven Wonders in Maharashtra awards in Mumbai today (June 6).

     

    Ashok Venkatramani

    Says CEO Ashok Venkatramani: “ABP Majha realizes the rich heritage and culture of the state of Maharashtra. ‘Seven Wonders of Maharashtra’ is a step forward to reinforce the belief of every Maharashtrian in his/her heritage. The state has a lot of wonders, but the ones who will make it to the list of Top 7 wonders will be decided by a stringent process of selection by the eminent jury and citizens voting.

     

    The Maharashtra Tourism Development Corporation (MTDC) is presenting sponsor.

     

  • IndiaCast to test iTunes market with Bombay Talkies

    By A Correspondent

     

    In what could be an all-new legitimate consumption source for movie-lovers and a revenue source for movie-makers, the recently released film Bombay Talkies is now available to rent and purchase on the iTunes store in India. This digital film release marks the first time IndiaCast Media Distribution Pvt Ltd, a joint venture between TV18 and Viacom18, has offered movie fans the option to download and watch Bombay Talkies (a film co-produced by Viacom18 Motion Pictures) weeks after its theatrical release on the lines of the best practices of Hollywood, of choosing an early window on digital as a concurrent strategy to theatrical. The film was released in theatres on May 3.

     

    Rudrarup Datta, Head of Marketing and Operations, Viacom18 Motion Pictures said, “Bombay Talkies has been the toast of audiences and critics alike. Along with an official selection in the gala screening at the Cannes film festival this year, which stamped its mark on the success of the film, we’re delighted to offer the film on iTunes so soon after its theatrical release.’

     

    Commenting on the first of its kind model, Saurabh Doshi, Head – New Media, IndiaCast said, “With the premiere of Bombay Talkies on the iTunes store in India, we have set a new precedent for the digital distribution industry. To ensure a robust and working revenue model, the shift was essential as consumers are now moving to their digital screens for entertainment that provides them easy access to entertainment at their convenience.”

     

    When asked whether IndiaCast has any specific targets for movie downloads, Mr Doshi told MxMIndia: “Very difficult to comment as this is the first time something like this is being done. Since there is no precedence, we are also eagerly waiting to test waters.”

     

    And will see special a promotional drive for this “Alot of digital promotion has been done by both IndiaCast and Viacom18 Motion Pictures in terms of sending out mailers, posting on social network sites, consumer press release, stories and links on group company entertainment portals like In.com etc to promote the film,” Mr Doshi informed. “iTunes have also sent out emailer to all their subscribers, kept the film as first placement on top of the storefront and projected Bombay Talkies as a featured film for the fortnight.”

     

    Explaining the licensing arrangement for iTunes and the like, Mr Doshi said: “Platforms like iTunes etc come under digital platforms category which are enabled through internet. Thus the rights are very different from other rights like DVD, Home Video / DTH etc. Any internet enabled platform will have to license the rights separately & the movie will be delivered to end consumers through an internet enabled device only.”

     

    Bombay Talkies movie is available for download at the price of Rs. 490 for HD Buy, Rs. 290 for SD Buy, Rs. 150 for HD Rent and Rs. 120 for SD Rent at https://itunes.apple.com/in/movie/bombay-talkies/id651557983

     

     

  • Ad cap effect: Rising customer satisfaction & ad rates

     

    By Ananya Saha

     

    Broadcasters have agreed to the toe the TRAI line on 10+2 minutes ad duration in a phased manner and fully with effect from October 1. Is it a good call? Will it impact the broadcast industry as the ad inventory comes down to almost half? What should be the broadcasters’ strategy to balance the revenue since it might take time for digitization benefits (subscription revenues) to shape up? MxMIndia asked industrywallahs what they think.

     

    PM Balakrishna, COO, Allied Media

    The regulation is certainly going to have an implication. There will be a huge change that the broadcast and media industry will have to make. The broadcast industry is skewed towards time bands, where prime time commands higher rates. With lack of ad space, the demand will see an increase. Price will become an issue. It is the medium that will start becoming a problem. At increased costs, the television medium will have to justify the cost to the clients. It is a preferred medium for many brands but with increased costs, they may start looking at other media options. It might create ripples.

     

    At the moment, brands and clients have not looked at it much. The industry is in the habit of not reacting till it lands on their head. But in the next one month, clients will start reacting. Going forward, a lot of advance booking will come into play. The move has been strategically placed around the festive time and hence may become chock-a-block. It will affect client and media agencies – we will have to plan much ahead.

     

    Punit Goenka, MD & CEO, Zee Entertainment Enterprises Limited (ZEE)

    Increasing rates – to keep pace with the increased reach of our media brands – is an on-going endeavour of the sales team. Now, in light of the TRAI directive, requiring us to reduce inventory which will enhance the overall viewing experience to a more engaged audience, the advertisers only stand to benefit multi-fold. So, with our advertisers getting a much better media proposition, the value for the same will also be at a premium. As such, our efforts to increase rates will only get further intensified. The extent of increase in rates will vary across genres and will be through a process of renegotiation of all contracts in a phased manner between July and October.

     

    Nina Elavia Jaipuria, EVP and Business head, Kids Cluster, Viacom 18 Media Pvt Ltd

    There are two implications of it: long-term and short-term. In the long term, it is good for all parties, including the advertisers, broadcasters, audience. It is a win-win situation in the long term, and it is important to keep that in mind when we look at the short-term implications. There is bound to a short-term pain for a long-term gain. The subscription revenues, to start showing results post-digitization, will have to wait. Ad revenues will fall. However, with limited inventory, the ad rates are bound to increase.

     

    The ad rates in kids category has not seen growth in a while. The only increase happens due to FCT or a new channel launch. Most of the growth has come from increased inventory, and it does not make sense since we tend to over-depend on it. With an increase in inventory, the ad rates do not go up. There, clearly, has been over-utilization by about 15-20 percent.

     

    We are looking at increasing ad rates by 25-30 percent. We have started working along with the clients and will comply with the deals and contracts. By the time October comes, we should be ready! However, this 10+2 ad cap assumes 100 percent usage of ad time, which might not be true especially in our category. So the ad rate increase will have to take care of it.

     

    Rahul Johri, SVP and General Manager – South Asia, Discovery Networks APAC

    Our core mission is to satisfy viewers with the highest quality and entertaining programming. We are equally committed to offer the maximum value to our clients who continue to appreciate Discovery’s networks’ efficient and effective inventory.

     

     

     

    Ashish Pherwani, Partner, Advisory Services, E&Y

    Basically, this regulation will have an impact on broadcasters. By reducing the available inventory, it will put pressure on ad revenues. Broadcasters will try to combat this in three ways: (a) reducing content cost (b) trying to increase ad rates and (c) trying to increase subscription income. Channels with a heavier skew towards prime-time advertisements will face a higher impact. What will be of interest to see is how advertisers react to the reduction in inventory available for prime-time shows.

     

    Shailesh Shah, Secretary General, Indian Broadcasting Foundation

    No one is being asked to, and no one is “toeing a line”. Every single broadcaster believes that advertising should be in line with the law enacted in the mid-1990s. There are no exceptions. Some believe this will happen naturally as consumers make choices; some believe it can be done in line with digitization. The zillion-dollar question has always been “by when”. None of the broadcasters are really ready for a fell swoop, however.

     

    Even though the law has been in existence for almost eight years (Advertising Code of the Cable Television Act), it never got enforced as the government probably felt a new industry needs to develop its roots before such a law can be enforced. The authority (aka government) apparently feels the roots have grown well and it is now time to enforce the law.

     

    Broadcasters formed a well-represented committee to find the least-resistant and least-harmful way to help make that happen. The transition it has worked out is best, under the circumstances.

     

    Will it hurt? Most certainly, in the short term it will be agony – to advertisers, to agencies and to broadcasters. On the flip side, it is an opportunity for the broadcasters to come together to ensure digitization is done completely and in a hurry so that the thus-far-elusive subscription revenue kicks in, alleviates the pain and, hopefully, makes it go away. Clearly, it will become difficult to survive if one is at the periphery of the industry or has not become relevant as yet. New entrants will find it difficult to get things going in the short term. Regional players will also face hardships. Over time, as alternative revenues come about, and the battle for lesser space intensifies, I believe the industry will find its new level.

     

    Advertising rates have always been addressed by market forces, and will most certainly continue to do so. Where the enforcement-related water-line settles is to be seen.

     

    The advertising inventory today is an average of just over 11 minutes per hour as measured from daily inventories. The inventory, where it matters, will come down, however, but much less than by half. In general, please understand that it has not been as bad as it is being made out to be.

     

    Here’s the irony. There are well over 60,000 local cable operators. No one in the Government has an estimate of more than 75 percent of these. There are close to a 1,000 MSOs. The Government knows about 60 percent of them. These distributors manage their own (mostly) local channels and, as if it were a cottage industry, are not regulated at all. It is estimated that there are well over 30,000 such television channels operated across the country and several of them produce and carry news too. In comparison, the broadcasters are licensed for just over 800 channels, operate just under 650 channels and quite a few are still reeling under the current economic circumstances.

     

    The broadcasters are the real Davids in all this and the distributors, who purport to catch a cold every time broadcasters sneeze, are the real Goliaths. I really have not understood what is being “regulated” as a result. The complex sagas of the world’s largest democracy are far more interesting than fictional dramas.

     

    To sum up, India needs to digitize at break-neck speed. The industry will hurt in the interim. The quintessential cultural undercurrent of the Indian populace and its businesses that says “this is my fate” will decide what really is the fate of the industry!

     

    Ashok Venkatramani, CEO, MCCS

    Eventually, it is a good thing – especially from the point of view of the consumer. However, the speed and abruptness with which it is being implemented is a serious cause for concern. It puts undue amount of pressure on a broadcaster who is yet to reap the benefits of digitization and is not sure how it will reflect on the revenues.

     

    In the long run, yes, it is good for everybody. It will put pressure on broadcasters like us to create much better content. And of course, it is healthy for the consumer.

     

    We are contemplating an ad rate increase, and will announce it very soon. An ad rate hike, when the regulation is being implemented abruptly, is inevitable.

     

    *Responses are in alphabetical order by last name