Category: MARKETING

  • Strepsils unveils digital campaign ‘Ab Montu Bolega’

    By A Correspondent

     

    RB has launched a new campaign on Strepsils titled ‘Ab Montu Bolega’. As a leading sore throat medicine, Strepsils is encouraging people to speak their mind without any inhibitions. The brand has signed film actor Saqib Saleem of ‘Mere Dad Ki Maruti’ and ‘Hawaa Hawaai’ fame as the face of the campaign.

     

    Through ‘Ab Montu Bolega’, Strepsils aims to increase its relevance for day to day expression with a healthy voice. The campaign is digital at heart and resides on an exclusive online platform www.abmontubolega.com. The protagonist of the campaign – Montu, played by Saqib Saleem, is a boy next door who has inhibitions to express himself on various occasions in front of his family, friends and colleagues. The campaign captures his journey through various interesting situations in his life where Strepsils provides him with a healthy voice and courage to speak up on issues which matter the most to the youth today.

     

  • Leo Burnett rides away with Bajaj Discover

    By A Correspondent

     

    Leo Burnett has been appointed as the AOR by Bajaj Auto for the Discover business.

     

    Commenting on the win, Saurabh Varma, CEO, Leo Burnett said, “It is a privilege to work with Bajaj Auto again. We are committed to using the power of HumanKind and integrated thinking to create a larger share of the future for this iconic brand.”

     

    Raj Deepak Das, CCO of Leo Burnett said, ‘Bajaj is an iconic brand and gives us an incredible opportunity to create purposeful and participative work’.

     

    The mandate will see Leo Burnett crafting communications for Bajaj Discover that spans across disciplines including ATL, digital, retail and activation. The agency had created some memorable campaigns for the brand including Bajaj Calibre – The Unshakeable when they worked with Bajaj Auto from 2001 to 2008.

     

  • Five ways to break a consumer’s trust in a brand

     

    By Delshad Irani

     

    It’s never been easier for a brand to break up with a consumer than it is today in our authenticity obsessed times where people make themselves up to take a candid morning selfie. No irreconcilable differences, tears or fuss, all one needs is a breach of trust for a separation, if not divorce, to happen. In this age of complete transparency, a non-negotiable expectation people have of their brands, it’s a tweet that breaks the camel’s back. So what’s a little thing like trust? People, nowadays, have tumultuous relationships with brands anyway, so one need not expend too much energy to push them away. To make matters easier, we’ve listed some guaranteed ways to do just that. Now, we’ve left out a few, limited real-estate et al. But liberally use this Dummy’s Guide to breaking a consumer’s trust in the brand. Or treat it as a guide of what not to do. The choice depends entirely on what you want to achieve, dear reader

     

    Keep a Kim Jong-Un like grip on you brand communication.

    Whoever said communication today is a two-way street needs to go back to driving school. Learn a thing or two from the Supreme Leader of the hermit kingdom about keeping adoring fans unconditionally loyal to, and in love with, you. How? Just don’t listen to what common citizens have to say. And yes, especially if the twittering is unflattering. Hush the hashtags and ignore the critics, (Alas, labour camps are not an option here.) In fact, pretend discontent doesn’t exist. Who listens to the educated opinion of influencers and critics, anyway? And there are so very many of them. In fact, not paying any attention to what’s buzzing amongst users has its benefits. American brand DiGiorno Pizza didn’t bother reading beyond #WhyIStayed, a widespread discussion between victims of domestic abuse. That was fairly apparent when DiGiorno tweeted “#WhyIStayed You Had Pizza”.

     

    If you’d like to smash trust, don’t acknowledge the naysayers and customer feedback. Certainly don’t follow in the footsteps of, to take a local example, the food chain Faaso’s, or the etailer Amazon, who move mountains to please customers, keeping lines and tweets open 24/7 and directly addressing those who have publicly expressed their dissatisfaction with service or product.

     

    There’s another way to go about taking total control of the brand’s destiny. Do what Apple did, a brand with fans who possess the kind of dedication Annie Wilkes (the obsessed fan from Stephen King’s Misery) would find hard to match: Force U2’s Songs of Innocence, an album the company paid $100 million for the right to distribute, upon 500 million iPhone and iPad users, whether they like the Irish or not. Even lifelong devotees who write reams of web pages dedicated to extolling the virtues of brand Apple hated the move. It was the best thing that happened to Microsoft since 1984.

     

    Blame the universe for your blunders.

    Never admit one’s shortcomings and mistakes, for, pray tell, what good can come of it? Consider the curious case of an etailer. Just days before Big Billion Day sale, Flipkart went to town allegedly poking fun at Amazon and its chief Jeff Bezos with cheeky hoardings. Not two weeks later, Flipkart’s Diwali super sale brought a section of its shoppers to distressed tears and tweets when the portal failed to keep its promise of giving users the mother of all sales. One incensed arm-chair shopper swore never to buy products on the site again. And she was not alone in taking that pledge.

     

    A textbook case, then, of trust destruction. Or it would have been if the Flipkart co-founders had just shrugged, merely kept mum or given the sort of non-apologetic apology so many CEOs specialise in. Filled with corollaries and dodges like “Sorry if you were upset/offended.” But instead, co-founders Sachin and Binny Bansal stood before the world, asking it to forgive them in a note that was a masterclass in contrition and remorse. What they didn’t specifically ask people to do was to go back filling their flipkarts with goodies – whether required or just powered by a deal too good to ignore. But many formerly irate members of the public did that anyway, touched by this act of public repentance and acknowledgment of failings. To say nothing of the people who bought the goods worth $100 million that Flipkart claims to have sold in one day flat.

     

    Be as authentic as a celebrity’s smile.

    Temporarily latch onto whatever trending topic or cause that has everyone in a fleeting tizzy. Be phoney, pile on and don’t forget to slap your logo on. Green, pink, the colours of the rainbow or feminism, pick your cause. It’s only paint it’ll fade away quickly. Perhaps corruption or hygiene and sanitation are more your cup of tea? Pretend to bleed for the greater good while doing nothing constructive and the yawning gap between your deeds and your insincerely articulated words will cause any vestige of trust to quickly disappear.

     

    Also, one would do well to look at marketers (the whole lot, practically) who try their damndest to fit in, like the Papa who thinks he’s one of the kids. Blinded by the power and influence of millennials, marketers of all ilk have commissioned the best surgeons to make their brands look and seem younger. There’s no better strategy to confuse both old and new users. And yes, get them wondering whether you can be trusted.

     

    Or, one could try to do something that just isn’t in the brand’s DNA. Just imagine now the damage Dove could inflict upon itself if the brand turned away from its “real beauty” positioning and hired a Kardashian or Kapoor to do the talking.

     

    Whatever you do to break trust do not emulate Tata Tea and Lowe Lintas who for over five years have been hard at work awakening the consciousness of the citizenry with Jaago Re moving from mere TV commercials to online and activation programmes that encouraged people in general and women in particular to vote.

     

    Create ads that’ll make the viewer stupider with every passing second.

    Dumbing down a brand’s advertising is a mechanism that has acquired a recent bump up in pace. Just sign on a celebrity that fits the brand like knock-off couture. Stop thinking out-ofthe-box entirely. Stop innovating, really. In fact, take it up a notch.

     

    Look what BlackBerry achieved when they hit the brakes on keeping pace with times, competition and value for the price paid. Even though there are a few hangers-on still, for every BB wielding consumer who refuses to move on, their resolve wavering, there are countless who lost the connection.

     

    Always make promises you know you can’t keep.

    After centuries of practice, politicians have mastered the art of promising their constituencies the sky but delivering no more than abject disappointment. Becoming an expert serial promise-breaker doesn’t happen overnight though. But one tries. There are lessons to learn from oral care brands that promise no cavities. Or, for instance, low-cost airlines and telecom brands. Over the years, air-fare and air-time wars have only become bloodier, much to the delight of travellers who salivate at the thought of flying away for the weekend (with data-packs active) at less than the cost of a Chinese smartphone.

     

    Then watch them come crying to the company when they discover a few extra digits in the full-and-final tariff. (It’s them, not you.) Take a customer’s expectations and aspirations to stratospheric heights and then kill the engine to give them an experience damn hard to forget. There’s no better way to end a relationship built on trust.

     

    With additional insights from marketing consultants Harish Bijoor, Nabankar Gupta and Shripad Nadkarni

     

    Source:The Economic Times

    Copyright © 2014, Bennett, Coleman & Co. Ltd. All Rights Reserved

    Licensed to republish

     

  • ‘Kahaaniyan Banti Hain’, says Imagica in new campaign

    By A Correspondent

     

    Popular theme park Adlabs Imagica has launched its brand campaign using a series of human stories under the tagline ‘Kahaaniyan Banti Hain’. These films are aimed at establishing Imagica as a destination that has some impact on every visitor. The campaign conveys the stories of people from all walks of life who visit Imagica.

     

    While the outdoor and indoor rides & attractions have been beautifully woven into the script, the focus however, is on human stories and moments with Imagica as the backdrop. These brand films will be aired across national and regional television channels and will also be shared and showcased on Facebook, YouTube, cinemas and OOH media.

     

    Commenting on the idea behind the campaign, Harjeet Chhabra, Chief Marketing Officer, Adlabs Entertainment, said, “These films establish the impact that Imagica has through human stories that happen here. We believe these stories will excite people who have not experienced and engaged with the brand so far and will also resonate well with more than a million people who have been to Imagica already and will help us re-engineer the word of mouth through them. There are very few brands who can claim to have an impact on the lives of people and we are happy to occupy that slot in the minds of our consumer through these films.”

     

  • Armour Station TV announces additions to lineup

    By A Correspondent

     

    Armour Station TV, a Digital Out Of Home media company has announced new additions to its existing network – Chennai (Egmore), Ahmedabad and Delhi(Hazrat Nizamuddin).

     

    Armour Station TV works on a PPP model with Indian Railways, in which railways provide live train running information to Armour’s proprietary software which is then announced and displayed on the screen in a synced A/V format.

     

    Armour Station TV has been providing these services for over 13 years and with the addition of the new stations is now available at eight railway stations in India including Mumbai CST, Mumbai Central, Pune, Ahmedabad, Bangalore, Chennai Central, Chennai Egmore & Hazrat Nizamuddin.

     

    Anil Hirani, Director, Armour Display Systems, said, “We are committed to providing traveller’s with accurate travel related information and have invested in high-end audio and video equipment at all the stations we are present in and we plan to expand our network in the coming years.”

     

  • Logicserve Digital unveils digital inventory service LTD

    By A Correspondent

     

    Accredited digital marketing agency Logicserve Digitalhas launched Logicserve Trading Desk (LTD). The service aims at disentangling the tedious job of digital media buying and planning, with expertise in choosing the right inventory.

     

    Armed with a comprehensive understanding of the latest technology, global expertise, performance-driven insights into the digital market and healthy relationships with the publisher network; LTD is an essential service for anyone looking at digital media buying around the world. It aids in identifying and allocating the inventory at competitive rates. LTD is a combination of tapping market’s nerve, categorizing media buckets and analysing the performance in real-time.

     

    The advantage that LTD provides ranges from access to the best DSP/RTB platforms, assistance in digital inventory buying, comprehensive multi-media approach, retargeting, optimisation, creative assistance etc. With a 360 degree service, inclusive of impressions across display, mobile, video etc, LTD becomes a single platform for multiple media buying.

     

    “With each media buying platform reciprocating in a unique manner- identifying, tracking and optimising can be a cumbersome task. Hence, we have introduced Logicserve Trading Desk where the client’s life is simplified and spends optimised,” Prasad Shejale, Co-Founder & CEO (India), Logicserve Group.

     

  • Nivea unveils campaign for Body Milk lotion

    By A Correspondent

     

    Nivea has unveiled a new campaign for Body Milk lotion. This film peeks into a day in the life of twin sisters. While one sister has to apply body lotion again and again, the other doesn’t have to as Nivea Body Milk gives her 24 hour moisturisation in just one use.

     

    The objective of this TVC was to establish Nivea as the ‘Dry Skin Expert’ by offering a solution to the consumers who are used to applying body lotion again and again.

     

    The film takes the viewer on a journey with Nivea Crème, as it cares for all kinds of skin needs around the world. The ad celebrates the iconic blue tin and its 100 years existence across the world and its role in enhancing beautiful moments every day.

     

  • Parle Products unveils second phase of ‘Litter Free’ campaign

    By A Correspondent

     

    Ahead of the forthcoming Jagadhatri Puja in West Bengal, Parle Products has announced the second phase of their Litter Free campaign titled ‘Swacha Pratigya Puroskar’. This is the first time Parle has tied up with 60 puja pandals in Hooghly, inviting pandals from across the city to participate in the ‘Parle Swacha Pratigya Puroskar’.

     

    With an objective to spread the message to keep the city and our surroundings clean, the initiative involves rewarding the most clean and litter free pandal. Chosen panels of judges that are specialist in their respective field selected the best entries and felicitated them with Parle Swacha Pratigya Puroskar. The top three pandals awarded with prize money by Bengali Actress Rimjhim Mitra were Moran Road Sarbojanin Jagadhatri Puja Committee(Moran Road, Chandernagore, Hooghly), Halderpara (Adi) Sarbojanin Jagadhatri Puja Committee (Adi Halderpra, Chandernagore, Hooghly) and Telinipara Annapurna Barowari Jagadhatri Puja Committee (Telinipara, Bhadreswar, Hooghly)  followed by 10 consolation prizes, winners were selected based on cleanliness, ambiance, discipline and the overall appeal of the Puja.

     

    Speaking about the campaign, Bhavin Panchamia, Senior Product Manager, Parle Products said, “With this initiative we intend to encourage citizens of our country to keep their city clean and participate in the Parle Litter Free Campaign. Jagadhatri Puja is an important festival and an excellent platform to launch the second phase of our ‘Litter Free’ campaign. This is the first time we are participating in this Puja and are happy to extend our efforts across the country.”

     

    The ‘Parle Litter Free’ campaign aims to educate citizens to be responsible towards the environment and aim at achieving a cleaner nation. Through this association, the five days of puja witnessed 60 pandals across Hooghly competing to keep their pandals clean and litter free. Parle ensured placement of dustbins at all pandals which will later be donated to various housing societies in the city signs encouraging the residents to keep their premises litter free. There are signs declaring that the pandals as a litter free zone, educating the audience to avoid littering the place and most importantly indulging the audience to make a pledge about keeping the area and city litter free.

     

  • Cadbury ties up with Warner Brothers for new merchandise deal

    By A Correspondent

     

    Cadbury Gems has announced the rollout of a new range of iconic Justice league toys through a licensing agreement with Warner Brothers. The deal has been facilitated by Dream Theatre Pvt. Ltd.

     

    Speaking about the deal, Jiggy George, Founder and CEO, Dream Theatre Pvt. Ltd. said, “We are very proud of successfully chartering the licensing agreement between Cadbury Gems and Warner Brothers. Both are powerful players whose brand values are strengthened through this mutually beneficial partnership. It is a testament to the expansive potential of promotional licensing in the burgeoning consumer marketplace of India.”

     

    The deal will also lead to the launch of a new pack called the Cadbury Gems Playpack. The unique offering allows kids to play with the pack while giving them a choice of exciting toy assortments like a Super Hero Skateboard and a Super Hero toy. To support the launch, Cadbury Gems will come up with a new TVC that showcases the new range of toys in a fun and a quirky manner.

     

  • Myntra Fashion Incuabtor to boost careers of young fashion designers

    By A Correspondent

     

    Myntra has announced the launch of Myntra Fashion Incubator that will provide young aspiring fashion designers a once-in-a-lifetime opportunity to build and scale their brand idea into a sustainable business venture.

     

    Talenthouse India has partnered on this initiative as an outreach partner and will reach out to its 10,000+ registered fashion community pan India on its platform to encourage young talent to leverage from the programme. The aim is to inspire young budding talent and Talenthouse is using all its resources through its digital and on-ground efforts.

     

    The one-year ‘Designer in Residence’ program will provide mentorship, infrastructure and capital support to the selected applicants and give them the unique opportunity to showcase their work at various platforms of relevance. The selected candidates will receive financial support to create merchandise for one full season and get an opportunity to retail their merchandise nationwide on the Myntra platform.

     

    Abhishek Verma, SVP, Myntra Fashion Brands said, “This fashion incubator initiative is an attempt to strengthen our commitment of building sustainable and aspirational fashion brands within the country. With the help of Talent House, we will unearth hidden talent from every part of India and give them a platform to make it big in the Indian fashion space.”

     

    Niloufer Dundh

    Commenting on the launch, Niloufer Dundh, Sales Head, Talenthouse India said “India has over 1500 fashion institutes that churn out over 200,000 graduates each year. This budding talent has a lot of potential and we at Talenthouse India like to associate with endeavours that convert classroom learnings to create business for the artist community and add value to their life. We are delighted to partner with Myntra on this project as it provides a dynamic opportunity to aspiring fashion talent.”

     

  • Thomas Cook assigns creative mandate to L&K Saatchi & Saatchi

    By A Correspondent

     

    Thomas Cook has assigned its India mandate to L&K Saatchi & Saatchi India following a multi-agency pitch. The agency’s Mumbai office will manage the mainline creative services for the iconic travel and tourism services MNC.

     

    Thomas Cook was founded in London and has a wide global presence today. Thomas Cook (India) Ltd. is the leading integrated travel and travel related financial services company in the country offering a broad spectrum of services that include Foreign Exchange, Corporate Travel, MICE, Leisure Travel, Insurance, Visa & Passport services and E-Business.

     

    Abraham Alapatt

    Abraham Alapat, Chief Innovation Officer and Marketing Head, said, “We at Thomas Cook are delighted to announce L&K Saatchi & Saatchi as our new creative agency partner. As India’s leading integrated travel services provider and the most respected brand in travel – we at Thomas Cook (India) Ltd., have embarked on an ambitious programme of total transformation – of existing businesses as well as pioneering some very exciting innovative new ventures. And as part of this larger exercise, we identified (post evaluating several creative agencies as part of a pitch process) L&K as the kind of young, open, proactive and nimble agency partner we need.”

     

    L & K Saatchi & Saatchi will look to support Thomas Cook in its ambitious plans for the coming years in reshaping the way travel is being sold.

     

  • Do looooong ads work for brands?

     

    By Priyanka Nair & Mukta Lad

     

    3.33. 3.53. 4.40. 7.16. Before you shut this paper and run a mile, we will have you know that this isn’t a complicated math problem coming your way, but the durations of some of the ads you’ve been seeing of late. With our daily dose of listicles masquerading as news for our seriously short attention spans, one would think quick and easy fixes are the way to go.

     

    The world of advertising begs to differ, though, offering a paradox. A spate of really long ads are the not-so-new kids on the block, where brands are taking the liberty to take as long as seven minutes to narrate their mostly heartwarming stories, The year is seeing a lot of the films that take their time to tell the tale, both internationally and back home.

     

    Pepsi’s ‘Ghar wali Diwali’
    KitKat’s Diwali
    Kissan’s ‘Joy of Togetherness’
    Fortune Oil’s ‘Ghar ka Khaana’
    Google’s ‘Reunion’
    Tata Sky’s ‘PrisonBreak’

    Most recently, KitKat and Pepsi jumped on the Diwali bandwagon, and two much talked about long-format films were born. They are usually released online, making it an inexpensive medium to tell powerful stories. But with such ads clearly becoming a regular trend, we have to ask; are brands really justifying the length of their communication with stories that are compelling enough? And do they work?

     

    Piyush Pandey executive chairman and creative director, Ogilvy & Mather India and South Asia, the man behind Fortune Oil’s emotive four-minute ‘Ghar ka khaana’ ad, believes, “With long-format, your single responsibility is to the viewer. It’s like people who make movies. A viewer of a long-format ad has made the effort to click on your film. It’s not like he was sitting around watching something else and the ad came on. It’s your responsibility to make sure he feels rewarded after the time spent and says ‘I must share this with my friends.’ I am assuming as professionals we know that we have a responsibility to the brand.”

     

    For T Gangadhar, MD, MEC India, it was the advertising during FIFA that has lingered on in his mind, especially the riveting spots by Nike and Adidas. “The episodic treatment, the fleshing out of the idea, the execution was such that there would have been no other way to create them except through the medium of long-format,” he says, admitting that he really didn’t notice the amount of time he was investing in watching them.

     

    Globally, too, brands have asked their agencies to deep dive into this particular style of creative build up for some time now. From Johnnie Walker to Dove and many in between, several brands have tried and tested using this narrative style for some years now.

     

    Apart from Fortune Oil, KitKat, Pepsi, Google’s ‘Reunion’ and #PledgeToVote, Tata Sky+’s ‘Prison Break’ and Kissan’s ‘Joy of Togetherness’ are some of the Indian ads that went much beyond the proverbial 30 seconds.

     

    Narayan Devanathan, EVP and national planning director, Dentsu India Group thinks of this trend as a fad, though. “To me, this seems like the work of diva creative directors who want to cash in on lack of extra mediabuying costs, the freedom the internet offers as a medium and the fact that they might be able to wiggle out a few favours from the directors in the same budget,” he says bluntly.

     

    Perhaps brand managers are looking at creating these epics as a feather in their cap. But Devanathan and Gangadhar would rather brands didn’t make long-format ads a fashion statement, please. It is best if the idea defines how much time it needs to unfold, instead of the other way around. But is there a formula as to who should or shouldn’t leverage this medium? “Boring brands have gone ahead to create some interesting long format ads, while some interesting brands have put out some boring ones,” says Gautam Kiyawat, CEO, Madison Media, implying that anyone with a good story should go ahead. But what makes marketers give a green signal to agencies?

     

    Mayur Bhargav, general manager (Chocolate and Confectionery), Nestlé India mentions that his digital centre noticed that India’s successful Mars mission was generating a lot of positive discussions on social media. They went ahead to create the KitKat Diwali film, knowing that its topical nature rated it high on the shareable scale.

     

    Gangadhar, however, wasn’t too convinced by the film. “If the video is going to be longer than 30 seconds, then it needs to become more content and less ‘advertising’, especially for the internet, where brands aim at making content people would want to share. The KitKat Diwali film, to me, was quite ‘addy’ in that sense.”

     

    Senthil Kumar, JWT India’s NCD and Suresh Eriyat, director, Eeksaurus, the men who made the KitKat film, believe that there making these spots can be a challenge. “It’s easier to hide the imperfections in 30 seconds, but the long format tests almost every limit that creative guys know of,” Kumar reveals. Eriyat elaborates, “Unlike short format ads, the biggest challenge in a long format ad is losing objectivity.

     

    Another danger is that it can end up becoming boring and monotonous. I am of the opinion that if one sees the KitKat campaign out of the context of Diwali, it may seem irrelevant.” At the end of the day, what do consumers feel about these ads, really? Devanathan, donning his planner’s hat, mentions, “The Pepsi ‘Ghar wali Diwali’ film, to me, lacked Pepsi’s youthfulness and Kurkure’s wackiness.”

     

    But advertising and planning be damned, he says, considering consumers didn’t really care about the ad’s length or whether it had the brand’s values at the core. They were touched by the emotion and shared the ad nevertheless, making it a viral success.

     

    The long and short of storytelling on digital is that the canvas is yet to reach its creative tipping point, as brands are taking their own sweet time exploring the medium.

     

    Source:The Economic Times

    Copyright © 2014, Bennett, Coleman & Co. Ltd. All Rights Reserved

    Licensed to republish